Browse content similar to 25/05/2012. Check below for episodes and series from the same categories and more!
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Greetings, pop-pickers. Mark Radcliffe here, | 0:00:19 | 0:00:22 | |
with more musical bugs caught in the butterfly net of pop. | 0:00:22 | 0:00:25 | |
I've no idea what's happened here. | 0:00:25 | 0:00:27 | |
It's supposed to be KC and the Sunshine Band. | 0:00:27 | 0:00:29 | |
A particularly disgruntled KC is there, | 0:00:29 | 0:00:31 | |
but where are the Sunshine Band? | 0:00:31 | 0:00:33 | |
A problem at immigration, perhaps? | 0:00:33 | 0:00:35 | |
# Everybody wants you | 0:00:44 | 0:00:48 | |
# Everybody wants your love | 0:00:48 | 0:00:51 | |
# I'd just like to make you mine | 0:00:51 | 0:00:55 | |
# All mine | 0:00:55 | 0:00:57 | |
# Na na, na na, na na na na Na, na, na | 0:01:00 | 0:01:02 | |
# Baby, give it up, give it up | 0:01:02 | 0:01:05 | |
# Baby, give it up | 0:01:05 | 0:01:07 | |
# Na na, na na, na na na na Na, na, na | 0:01:07 | 0:01:10 | |
# Baby, give it up, give it up | 0:01:10 | 0:01:12 | |
# Baby, give it up | 0:01:12 | 0:01:15 | |
# Everybody sees you | 0:01:22 | 0:01:26 | |
# Everybody looks and stares | 0:01:26 | 0:01:30 | |
# I'd just like to make you mine | 0:01:30 | 0:01:33 | |
# All mine | 0:01:33 | 0:01:35 | |
# Na na, na na, na na na na Na, na, na | 0:01:38 | 0:01:41 | |
# Baby, give it up, give it up | 0:01:41 | 0:01:43 | |
# Baby, give it up | 0:01:43 | 0:01:45 | |
# Na na, na na, na na na na Na, na, na | 0:01:45 | 0:01:48 | |
# Baby, give it up, give it up | 0:01:48 | 0:01:51 | |
# Baby, give it up | 0:01:51 | 0:01:53 | |
# Give it up | 0:01:56 | 0:01:57 | |
# Give it up | 0:02:03 | 0:02:05 | |
# Na na, na na, na na na na Na, na, na | 0:02:23 | 0:02:26 | |
# Baby, give it up, give it up | 0:02:26 | 0:02:28 | |
# Baby, give it up | 0:02:28 | 0:02:31 | |
# Na na, na na, na na na na Na, na, na | 0:02:31 | 0:02:34 | |
# Baby give it up, give it up | 0:02:34 | 0:02:36 | |
# Baby, give it up | 0:02:36 | 0:02:38 | |
# Can you give it Can you give it, give it up? | 0:02:38 | 0:02:41 | |
# Come on, baby, I need your love | 0:02:41 | 0:02:43 | |
# Give it up, baby, give it up | 0:02:43 | 0:02:46 | |
# Do you know I want it, baby? | 0:02:46 | 0:02:49 | |
# Come on, baby, I want your love | 0:02:49 | 0:02:51 | |
# Give it up, baby, give it up | 0:02:51 | 0:02:53 | |
# Give it up, some of your love | 0:02:53 | 0:02:56 | |
# Come on and play the game of love | 0:02:56 | 0:02:58 | |
# Give it up, baby, give it up | 0:02:58 | 0:03:01 | |
# Can I touch you Can I love you? # | 0:03:01 | 0:03:04 | |
Very strange. As is this. | 0:03:04 | 0:03:06 | |
Grown adults still remember being spooked by this as kids, | 0:03:06 | 0:03:10 | |
and can remember exactly where they were when they saw it. | 0:03:10 | 0:03:13 | |
So can I. At home watching Top of the Pops, obviously. D'uh! | 0:03:13 | 0:03:16 | |
# Zoo time is she and you time | 0:03:18 | 0:03:21 | |
# The mammals are your favourite type | 0:03:21 | 0:03:23 | |
# And you want her tonight | 0:03:23 | 0:03:25 | |
# Heartbeat, increasing heartbeat | 0:03:25 | 0:03:28 | |
# You hear the thunder of stampeding rhinos | 0:03:28 | 0:03:31 | |
# Elephants and tacky tigers | 0:03:31 | 0:03:32 | |
# This town ain't big enough for the both of us | 0:03:32 | 0:03:36 | |
# And it ain't me who's going to leave | 0:03:36 | 0:03:39 | |
# Flying, domestic flying | 0:03:48 | 0:03:51 | |
# And when the stewardess is near | 0:03:51 | 0:03:53 | |
# Do not show any fear | 0:03:53 | 0:03:55 | |
# Heartbeat, increasing heartbeat | 0:03:55 | 0:03:57 | |
# You are a khaki-coloured bombardier | 0:03:57 | 0:04:00 | |
# It's Hiroshima that you're nearing | 0:04:00 | 0:04:02 | |
# This town ain't big enough for both of us | 0:04:02 | 0:04:04 | |
# And it ain't me who's going to leave | 0:04:05 | 0:04:08 | |
# Daily, except for Sunday | 0:04:14 | 0:04:16 | |
# You dawdle into the cafe | 0:04:16 | 0:04:18 | |
# Where you meet her each day | 0:04:18 | 0:04:21 | |
# Heartbeat, increasing heartbeat | 0:04:21 | 0:04:22 | |
# As 20 cannibals have hold of you | 0:04:22 | 0:04:25 | |
# They need their protein Just like you do | 0:04:25 | 0:04:27 | |
# This town ain't big enough for the both of us | 0:04:27 | 0:04:30 | |
# And it ain't me who's going to leave | 0:04:30 | 0:04:33 | |
# A-oo-oo-ooh! | 0:04:49 | 0:04:52 | |
# Shower, another shower | 0:05:03 | 0:05:06 | |
# You've got to look your best for her and be clean everywhere | 0:05:06 | 0:05:09 | |
# Heartbeat, increasing heartbeat | 0:05:09 | 0:05:12 | |
# The rain is pouring on the foreign town | 0:05:12 | 0:05:15 | |
# The bullets cannot cut you down | 0:05:15 | 0:05:17 | |
# This town ain't big enough for the both of us. # | 0:05:17 | 0:05:20 | |
Should have been characters in Little Britain, shouldn't they? | 0:05:20 | 0:05:23 | |
Everything But The Girl next, named after a furniture shop in Hull, | 0:05:23 | 0:05:26 | |
but then all our high streets were different back then, | 0:05:26 | 0:05:28 | |
weren't they, Mary Portas? | 0:05:28 | 0:05:30 | |
# I step off the train | 0:05:30 | 0:05:33 | |
# I'm walking down your street again | 0:05:33 | 0:05:37 | |
# And past your door | 0:05:37 | 0:05:41 | |
# But you don't live there anymore | 0:05:41 | 0:05:45 | |
# It's years since you've been there | 0:05:45 | 0:05:49 | |
# Now you've disappeared somewhere | 0:05:50 | 0:05:55 | |
# Like outer space | 0:05:55 | 0:05:57 | |
# You've found some better place And I miss you | 0:05:57 | 0:06:01 | |
# Like the deserts miss the rain | 0:06:04 | 0:06:07 | |
# And I miss you, oh | 0:06:07 | 0:06:11 | |
# Like the deserts miss the rain | 0:06:12 | 0:06:15 | |
# Could you be dead? | 0:06:17 | 0:06:20 | |
# You always were two steps ahead | 0:06:20 | 0:06:24 | |
# Of everyone | 0:06:24 | 0:06:28 | |
# We'd walk behind while you would run | 0:06:28 | 0:06:31 | |
# I look up at your house | 0:06:31 | 0:06:36 | |
# And I can almost hear you shout down to me | 0:06:36 | 0:06:42 | |
# Where I always used to be | 0:06:42 | 0:06:46 | |
# And I miss you | 0:06:46 | 0:06:48 | |
# Like the deserts miss the rain And I miss you | 0:06:50 | 0:06:56 | |
# Like the deserts miss the rain | 0:06:59 | 0:07:01 | |
# Back on the train | 0:07:03 | 0:07:07 | |
# I ask why did I come again? | 0:07:07 | 0:07:10 | |
# Can I confess? | 0:07:10 | 0:07:14 | |
# I've been hanging round your old address | 0:07:14 | 0:07:18 | |
# And the years have proved | 0:07:18 | 0:07:22 | |
# To offer nothing since you moved | 0:07:23 | 0:07:27 | |
# You're long gone | 0:07:27 | 0:07:30 | |
# But I can't move on | 0:07:31 | 0:07:33 | |
# And I miss you | 0:07:33 | 0:07:35 | |
# Oh-ho Like the deserts miss the rain | 0:07:36 | 0:07:41 | |
# And I miss you, yeah | 0:07:41 | 0:07:45 | |
# Like the deserts miss the rain Yeah, I miss you | 0:07:45 | 0:07:49 | |
# I step off the train | 0:07:50 | 0:07:53 | |
# I'm walking down your street again | 0:07:53 | 0:07:58 | |
# Past your door | 0:07:58 | 0:08:01 | |
# I guess you don't live there any more | 0:08:01 | 0:08:05 | |
# It's years since you've been there | 0:08:05 | 0:08:09 | |
# And now you've disappeared somewhere | 0:08:10 | 0:08:14 | |
# Like outer space | 0:08:14 | 0:08:17 | |
# You've found some better place And I miss you | 0:08:17 | 0:08:22 | |
# Like the deserts miss the rain | 0:08:24 | 0:08:28 | |
# And I miss you, yeah... # | 0:08:28 | 0:08:31 | |
OK, let's have a lingering close-up of dreamboat Cliff, now. | 0:08:31 | 0:08:35 | |
Yum! Bit pallid though, isn't he? | 0:08:35 | 0:08:38 | |
Fortunately he's been positioned under a sun-lamp | 0:08:38 | 0:08:40 | |
and had a lovely bronze tinge by the end of the show. | 0:08:40 | 0:08:43 | |
# Came to nothing at all, my love | 0:08:43 | 0:08:48 | |
# When I woke up to find | 0:08:49 | 0:08:53 | |
# You were no longer mine | 0:08:53 | 0:08:57 | |
# All my love | 0:08:59 | 0:09:03 | |
# Thrown away after all this time | 0:09:03 | 0:09:09 | |
# Now there's no place for me | 0:09:09 | 0:09:13 | |
# In the future, you see | 0:09:13 | 0:09:17 | |
# I don't understand you | 0:09:17 | 0:09:21 | |
# I've done all I can do | 0:09:21 | 0:09:25 | |
# Tell me, how could I give you more | 0:09:25 | 0:09:31 | |
# More than all my love | 0:09:31 | 0:09:36 | |
# All my love | 0:09:37 | 0:09:41 | |
# Came to nothing at all, my love | 0:09:41 | 0:09:47 | |
# When I woke up to find | 0:09:47 | 0:09:51 | |
# You were no longer mine | 0:09:51 | 0:09:55 | |
# All my love | 0:09:57 | 0:10:02 | |
# Thrown away after all this time | 0:10:02 | 0:10:07 | |
# Now there's no place for me | 0:10:07 | 0:10:11 | |
# In the future, you see | 0:10:11 | 0:10:15 | |
# I don't understand you | 0:10:15 | 0:10:19 | |
# I've done all I can do | 0:10:19 | 0:10:23 | |
# Tell me how could I give you more | 0:10:23 | 0:10:29 | |
# More than all my love | 0:10:30 | 0:10:37 | |
# Thrown away after all this time | 0:10:37 | 0:10:43 | |
# Now there's no place for me | 0:10:43 | 0:10:47 | |
# In the future, you see | 0:10:47 | 0:10:51 | |
# I don't understand you | 0:10:51 | 0:10:55 | |
# I've done all I can do | 0:10:55 | 0:10:59 | |
# Tell me, how could I give you more? # | 0:10:59 | 0:11:05 | |
Yes, high octane thrills there(!) | 0:11:05 | 0:11:08 | |
Ooh, a classic now from Cockney Rebel. A taciturn bunch, | 0:11:08 | 0:11:11 | |
but eventually bassist George Ford's good humour | 0:11:11 | 0:11:13 | |
proves infectious and Steve is made to smile. | 0:11:13 | 0:11:17 | |
# You've done it all | 0:11:17 | 0:11:19 | |
# You've broken every code | 0:11:19 | 0:11:22 | |
-# And pulled the rebel to the floor -Ba-ba-ba-ba, ba-ba-ba-ba | 0:11:24 | 0:11:28 | |
# Ba-ba-ba-ba, ba-ba-ba-ba | 0:11:28 | 0:11:30 | |
# You spoilt the game | 0:11:30 | 0:11:33 | |
# No matter what you say | 0:11:33 | 0:11:36 | |
# For only metal, what a bore | 0:11:37 | 0:11:43 | |
-# Ooh, la-la-la -Blue eyes, blue eyes | 0:11:43 | 0:11:46 | |
-# Ooh, la-la-la -How can you tell so many lies? | 0:11:46 | 0:11:53 | |
# Oh-oh Come up and see me | 0:11:53 | 0:11:56 | |
# Make me smile | 0:11:56 | 0:12:00 | |
# I'll do what you want | 0:12:00 | 0:12:03 | |
# Running wild | 0:12:03 | 0:12:07 | |
# There's nothing left | 0:12:09 | 0:12:11 | |
# All gone and run away | 0:12:11 | 0:12:16 | |
# Maybe you'll tarry for a little while | 0:12:16 | 0:12:20 | |
# Ba-ba-ba-ba, ba-ba-ba-ba | 0:12:20 | 0:12:22 | |
# There's nothing left | 0:12:22 | 0:12:24 | |
# My faith in everything | 0:12:24 | 0:12:27 | |
# I know what faith is And what it's worth | 0:12:28 | 0:12:34 | |
-# Resist, resist -Ooh, la-la-la | 0:12:35 | 0:12:38 | |
# It's from yourself you have to hide, oh-oh | 0:12:38 | 0:12:45 | |
# Come up and see me | 0:12:45 | 0:12:47 | |
# Make me smile | 0:12:47 | 0:12:52 | |
# I'll do what you want | 0:12:52 | 0:12:54 | |
# Running wild. # | 0:12:54 | 0:12:58 | |
Guitar! | 0:12:58 | 0:13:00 | |
# There ain't no more | 0:13:30 | 0:13:32 | |
# You've taken everything | 0:13:32 | 0:13:35 | |
-# From my belief in Mother Earth -Ba-ba-ba-ba, ba-ba-ba-ba | 0:13:36 | 0:13:41 | |
# Ba-ba-ba-ba, ba-ba-ba-ba | 0:13:41 | 0:13:43 | |
# And spoilt the game | 0:13:43 | 0:13:45 | |
# And my faith in everything | 0:13:45 | 0:13:48 | |
# Now, I know what faith is again | 0:13:50 | 0:13:53 | |
# And what it's worth | 0:13:53 | 0:13:56 | |
-# Ooh, la-la-la -Away, away | 0:13:56 | 0:13:59 | |
# And don't say maybe you'll try, oh-oh | 0:13:59 | 0:14:06 | |
# To come up and see me | 0:14:06 | 0:14:08 | |
# Make me smile, oh-oh | 0:14:08 | 0:14:12 | |
# I'll do what you want | 0:14:12 | 0:14:14 | |
# Running wild | 0:14:14 | 0:14:19 | |
# Ooh, la-la-la | 0:14:21 | 0:14:24 | |
# Ooh, la-la-la | 0:14:24 | 0:14:27 | |
# Ooh-ah | 0:14:27 | 0:14:31 | |
# Come up and see me Make me smile | 0:14:31 | 0:14:38 | |
# I'll do what you want Running wild. # | 0:14:38 | 0:14:42 | |
Yes, the guitar solo, hilarious apparently. | 0:14:42 | 0:14:44 | |
But why was there a plumber on piano? | 0:14:44 | 0:14:46 | |
OK, anniversary time now. | 0:14:46 | 0:14:48 | |
30 years ago, The Jam were number one with this | 0:14:48 | 0:14:50 | |
and celebrated by hiring a lab technician to play tambourine. | 0:14:50 | 0:14:54 | |
And you keep seeing Paul's chewing gum here. | 0:14:54 | 0:14:56 | |
You don't want that, do you? | 0:14:56 | 0:14:57 | |
# Better stop dreaming of the quiet life | 0:14:57 | 0:15:00 | |
# Cos it's the one we'll never know | 0:15:00 | 0:15:02 | |
# And quit running for the runaway bus | 0:15:02 | 0:15:04 | |
# Cos those rosy days are few | 0:15:04 | 0:15:06 | |
# And stop apologising | 0:15:06 | 0:15:09 | |
# For the things you've never done | 0:15:09 | 0:15:11 | |
# Cos time is short and life is cruel | 0:15:11 | 0:15:13 | |
# But it's up to us to change | 0:15:13 | 0:15:16 | |
# This town called malice | 0:15:16 | 0:15:18 | |
# Rows and rows of disused milk floats stand dying in the dairy yard | 0:15:26 | 0:15:30 | |
# And a hundred lonely housewives | 0:15:30 | 0:15:32 | |
# Clutch empty milk bottles to their hearts | 0:15:32 | 0:15:35 | |
# Hanging out their old love letters on the line to dry | 0:15:35 | 0:15:40 | |
# It's enough to make you stop believing | 0:15:40 | 0:15:42 | |
# When tears come fast and furious | 0:15:42 | 0:15:44 | |
# In a town called malice | 0:15:44 | 0:15:46 | |
# Yeah-ea-eah! | 0:15:46 | 0:15:48 | |
# Ba-ba-ba-ba-ba | 0:15:54 | 0:15:57 | |
# Ba-ba-ba-ba-ba-ba-ba | 0:15:57 | 0:15:58 | |
# Whoah, ba-ba-ba-ba-ba | 0:15:58 | 0:16:01 | |
# Ba-ba-ba-ba-ba-ba-ba | 0:16:01 | 0:16:03 | |
# Struggle after struggle, year after year | 0:16:03 | 0:16:08 | |
# The atmosphere's a fine blend of ice | 0:16:08 | 0:16:10 | |
# I'm almost stone-cold dead | 0:16:10 | 0:16:12 | |
# In a town called malice | 0:16:12 | 0:16:14 | |
# Oo-ooh, yeah! | 0:16:14 | 0:16:17 | |
# A whole street's belief | 0:16:22 | 0:16:25 | |
# In Sunday's roast beef | 0:16:25 | 0:16:27 | |
# Gets dashed against the Co-op | 0:16:27 | 0:16:31 | |
# To either cut down on beer or the kids' new gear | 0:16:32 | 0:16:34 | |
# It's a big decision in a town called malice | 0:16:34 | 0:16:38 | |
# Oo-ooh, yeah! | 0:16:38 | 0:16:40 | |
# Ooh. # | 0:16:49 | 0:16:52 | |
With a collar that inspired Harry Hill's shirts and an audience | 0:16:52 | 0:16:56 | |
not quite big enough to go all the way round her, Gloria Gaynor. | 0:16:56 | 0:16:59 | |
And look for the girl in the white hat with her arms folded. | 0:16:59 | 0:17:02 | |
Boy, is she underwhelmed. | 0:17:02 | 0:17:04 | |
# Now if you feel that you can't go on | 0:17:07 | 0:17:11 | |
# Because all of your hope is gone | 0:17:11 | 0:17:15 | |
# And your life is filled with confusion | 0:17:15 | 0:17:18 | |
# And happiness is just an illusion | 0:17:18 | 0:17:22 | |
# And your world around is tumblin' down | 0:17:22 | 0:17:26 | |
# Darling, reach out | 0:17:26 | 0:17:30 | |
# Reach out, for me | 0:17:30 | 0:17:35 | |
# I'll be there | 0:17:38 | 0:17:42 | |
# To love and comfort you | 0:17:42 | 0:17:46 | |
# I'll be there | 0:17:46 | 0:17:49 | |
# With a love that'll see you through | 0:17:49 | 0:17:53 | |
# Say if you're lost and about to give up | 0:17:55 | 0:17:58 | |
# Cos your best just ain't good enough | 0:17:58 | 0:18:02 | |
# When you feel the world has gone cold | 0:18:02 | 0:18:06 | |
# And you're drifting out on your own | 0:18:06 | 0:18:10 | |
# When you need a hand to hold | 0:18:10 | 0:18:14 | |
# Darling, reach out, oh | 0:18:14 | 0:18:19 | |
# Reach out for me | 0:18:19 | 0:18:22 | |
# I'll be there | 0:18:26 | 0:18:30 | |
-# To love and comfort you -# Oh, take me, baby | 0:18:30 | 0:18:34 | |
# I'll be there | 0:18:34 | 0:18:38 | |
# With a love that'll see you through | 0:18:38 | 0:18:41 | |
# I'll be there | 0:18:43 | 0:18:47 | |
# To love and comfort you | 0:18:47 | 0:18:51 | |
# I'll be there | 0:18:51 | 0:18:54 | |
# With a love that'll see you through | 0:18:54 | 0:18:58 | |
# I can tell the way you hang your head | 0:18:58 | 0:19:01 | |
# You're without love | 0:19:01 | 0:19:03 | |
# Now you're afraid | 0:19:03 | 0:19:05 | |
# And through your tears you look around | 0:19:05 | 0:19:09 | |
# But there's no peace of mind to be found | 0:19:09 | 0:19:13 | |
# I know what you're thinking | 0:19:13 | 0:19:14 | |
# You're without love, and now you're alone | 0:19:14 | 0:19:16 | |
# Baby, reach out, oh | 0:19:16 | 0:19:21 | |
# Reach out for me | 0:19:21 | 0:19:25 | |
# I'll be there | 0:19:29 | 0:19:32 | |
# To love and comfort you. # | 0:19:32 | 0:19:36 | |
And the classics just keep on coming. | 0:19:36 | 0:19:39 | |
Something Inside So Strong. | 0:19:39 | 0:19:41 | |
Maybe the coat hanger's still in the back of his jacket, | 0:19:41 | 0:19:43 | |
judging by the fit of it. | 0:19:43 | 0:19:45 | |
# The higher you build your barriers | 0:19:45 | 0:19:49 | |
# The taller I become | 0:19:51 | 0:19:54 | |
# The farther you take my rights away | 0:19:57 | 0:20:00 | |
# The faster I will run | 0:20:02 | 0:20:05 | |
# You can deny me | 0:20:08 | 0:20:10 | |
# You can decide to turn your face away | 0:20:10 | 0:20:17 | |
# No matter, cos there's | 0:20:20 | 0:20:22 | |
# Something inside so strong | 0:20:22 | 0:20:25 | |
# I know that I can make it | 0:20:27 | 0:20:30 | |
# Though you're doing me wrong, so wrong | 0:20:30 | 0:20:34 | |
# You thought that my pride was gone, oh, no | 0:20:34 | 0:20:39 | |
# There's something inside so strong | 0:20:39 | 0:20:43 | |
# Oh-oh-oh, something inside so strong | 0:20:43 | 0:20:49 | |
# The more you refuse to hear my voice | 0:20:53 | 0:20:56 | |
# O-way-O-way-O-way-oh | 0:20:56 | 0:20:59 | |
# The louder I will sing | 0:20:59 | 0:21:02 | |
# You hide behind walls of Jericho | 0:21:05 | 0:21:07 | |
# O-way-O-way-O-way-oh | 0:21:07 | 0:21:10 | |
# Your lies will come tumbling | 0:21:10 | 0:21:13 | |
# Deny my place in time | 0:21:16 | 0:21:18 | |
# You squander wealth that's mine | 0:21:18 | 0:21:22 | |
# My light will shine so brightly | 0:21:22 | 0:21:26 | |
# It will blind you, because there's | 0:21:26 | 0:21:30 | |
# Something inside so strong | 0:21:30 | 0:21:33 | |
# I know that I can make it | 0:21:35 | 0:21:39 | |
# Though you're doing me wrong, so wrong | 0:21:39 | 0:21:41 | |
# You thought that my pride was gone, oh no | 0:21:41 | 0:21:46 | |
# There's something inside so strong | 0:21:48 | 0:21:52 | |
# Oh-oh-oh, something inside so strong | 0:21:52 | 0:21:57 | |
# Brothers and sisters | 0:22:24 | 0:22:27 | |
# When they insist we're just not good enough | 0:22:27 | 0:22:30 | |
# Well, we know better | 0:22:35 | 0:22:38 | |
# Just look 'em in the eyes and say | 0:22:38 | 0:22:40 | |
# We're gonna do it anyway | 0:22:40 | 0:22:44 | |
# We're gonna do it anyway | 0:22:44 | 0:22:47 | |
# We're gonna do it anyway | 0:22:47 | 0:22:50 | |
# We're gonna do it anyway | 0:22:50 | 0:22:54 | |
# Because there's something inside so strong | 0:22:54 | 0:22:58 | |
# I know that I can make it | 0:23:00 | 0:23:04 | |
# Though you're doing me wrong, so wrong | 0:23:04 | 0:23:06 | |
# You thought that my pride was gone, oh no. # | 0:23:06 | 0:23:12 | |
Next up, it's Dizzee Rascal with a holiday checklist. | 0:23:12 | 0:23:15 | |
This was when he was after Judith Chalmers' job. | 0:23:15 | 0:23:17 | |
When TV bosses wanted holiday shows to have a more urban feel. | 0:23:17 | 0:23:21 | |
# Yo, yo, get your passport and your bikini | 0:23:21 | 0:23:24 | |
# You need a holiday, come see me | 0:23:24 | 0:23:26 | |
# I know you're tired Of the same old scenery | 0:23:26 | 0:23:28 | |
# And I could change all that so easily | 0:23:28 | 0:23:30 | |
# Don't worry about a thing, girl, take a chance | 0:23:30 | 0:23:32 | |
# I'll take you to the south of France, like Cannes | 0:23:32 | 0:23:34 | |
# If anybody can, I can Or we can go shopping in Milan | 0:23:34 | 0:23:37 | |
# I just hope you understand I hope you see clear | 0:23:37 | 0:23:39 | |
# It really don't matter how far or near | 0:23:39 | 0:23:41 | |
# Cos there's no distance that could stop my persistence | 0:23:41 | 0:23:44 | |
# It's just a few days in the year Plus, I got clout | 0:23:44 | 0:23:45 | |
# So let's ride out We ain't gotta fly | 0:23:45 | 0:23:48 | |
# We can just drive out | 0:23:48 | 0:23:49 | |
# We can have a rave up or we can hide out | 0:23:49 | 0:23:51 | |
# I don't tell nobody Let them find out | 0:23:51 | 0:23:54 | |
# If you ain't doing nothing Let's fly away | 0:23:54 | 0:23:56 | |
# Drive away, get away We can go to the club, or hide away | 0:23:56 | 0:24:00 | |
# We can do what you want to, baby | 0:24:00 | 0:24:02 | |
# If you ain't doing nothing Let's fly away | 0:24:02 | 0:24:04 | |
# Drive away, take a holiday We can do what you want or hide away | 0:24:04 | 0:24:08 | |
# We can do what you want to, baby | 0:24:08 | 0:24:10 | |
# I know you're really busy And I know you've got plans | 0:24:10 | 0:24:12 | |
# But are you really too busy for a sun tan? | 0:24:12 | 0:24:15 | |
# I ain't talking about walking down the high street | 0:24:15 | 0:24:16 | |
# I'm talking about laying on a bright white beach | 0:24:16 | 0:24:18 | |
# With a pina colada Or whatever you'd rather | 0:24:18 | 0:24:20 | |
# White wine, that's fine Just give me a lager | 0:24:20 | 0:24:22 | |
# Then after, we'll take a truck To the night spot | 0:24:22 | 0:24:24 | |
-# The hot spot, the top spot -Party around the clock | 0:24:24 | 0:24:26 | |
# And when we get there It's strictly VIP | 0:24:26 | 0:24:28 | |
# No need for ID, security know me | 0:24:28 | 0:24:31 | |
# No waiting in line No high entry fee | 0:24:31 | 0:24:33 | |
# Don't worry about nothing When you're beside | 0:24:33 | 0:24:35 | |
# I'll get you lively, loosen you up | 0:24:35 | 0:24:36 | |
# Have a bit of champagne It'll boost you up | 0:24:36 | 0:24:39 | |
# I want to move you up I want to take you away | 0:24:39 | 0:24:41 | |
# So in other words, darling What do you say? | 0:24:41 | 0:24:42 | |
# If you ain't doing nothing Let's fly away, drive away | 0:24:42 | 0:24:46 | |
# Get away We can go to the club or hide away | 0:24:46 | 0:24:49 | |
# We can do what you want to, baby | 0:24:49 | 0:24:51 | |
# If you ain't doing nothing Let's fly away, drive away | 0:24:51 | 0:24:54 | |
# Take a holiday We can go to the club or hide away | 0:24:54 | 0:24:57 | |
# We can do what you want to, baby... | 0:24:57 | 0:25:04 | |
-# OK -Do what you want to, baby | 0:25:04 | 0:25:08 | |
# Give it to her | 0:25:08 | 0:25:09 | |
# Oh, yeah, yeah, yeah | 0:25:09 | 0:25:14 | |
# Yeah, yeah, yeah, give it to her | 0:25:14 | 0:25:17 | |
# Ahhhhhhhh! | 0:25:17 | 0:25:20 | |
# Bounce, bounce, bounce, bounce Come on, come on | 0:25:20 | 0:25:23 | |
# Bounce, bounce, bounce, bounce | 0:25:23 | 0:25:27 | |
-# Come on, come on -# Do what you want to | 0:25:27 | 0:25:29 | |
# Do what you want to Do what you want to, baby | 0:25:29 | 0:25:33 | |
# Bounce, bounce, come on Hey, ho, hey, ho | 0:25:33 | 0:25:38 | |
# Hey, ho, hey, ho | 0:25:38 | 0:25:42 | |
-# Hey -# Do what you want to | 0:25:42 | 0:25:45 | |
-# Hey -# Do what you want to. # | 0:25:45 | 0:25:47 | |
Right, some classic punk now, | 0:25:47 | 0:25:48 | |
from the cherished and much-missed Poly Styrene. | 0:25:48 | 0:25:51 | |
And don't worry about that sax. | 0:25:51 | 0:25:53 | |
It was supposed to sound like that. That's what punk was all about. | 0:25:53 | 0:25:56 | |
# I clambered over mounds and mounds | 0:25:57 | 0:26:00 | |
# Of polystyrene foam | 0:26:00 | 0:26:04 | |
# Then fell into a swimming pool | 0:26:04 | 0:26:07 | |
# Filled with fairy snow | 0:26:07 | 0:26:10 | |
# And watched the world turn | 0:26:10 | 0:26:12 | |
# Day-glo, you know, you know | 0:26:12 | 0:26:14 | |
# The world turned day-glo, you know | 0:26:14 | 0:26:19 | |
# Uh-oh | 0:26:21 | 0:26:22 | |
# I wrenched the nylon curtains back | 0:26:28 | 0:26:30 | |
# As far as they would go | 0:26:30 | 0:26:34 | |
# Then peered through perspex window panes | 0:26:34 | 0:26:37 | |
# At the acrylic road | 0:26:37 | 0:26:39 | |
# And watched the world turn | 0:26:39 | 0:26:42 | |
# Day-glo, you know, you know | 0:26:42 | 0:26:44 | |
# The world turned day-glo, you know | 0:26:44 | 0:26:50 | |
# Uh-oh | 0:26:51 | 0:26:53 | |
# I drove my polypropylene car | 0:26:57 | 0:27:01 | |
# On wheels of sponge | 0:27:01 | 0:27:04 | |
# Then pulled into a Wimpy bar | 0:27:04 | 0:27:07 | |
# To have a rubber bun | 0:27:07 | 0:27:09 | |
# And watched the world turn | 0:27:09 | 0:27:12 | |
# Day-glo, you know, you know | 0:27:12 | 0:27:14 | |
# The world turned day-glo, you know | 0:27:14 | 0:27:19 | |
# Uh-oh | 0:27:21 | 0:27:22 | |
# The world turn day-glo, you know, you know | 0:27:41 | 0:27:45 | |
# The world turned day-glo, you know | 0:27:45 | 0:27:50 | |
# Uh-oh | 0:27:51 | 0:27:52 | |
# The X-rays were penetrating | 0:27:58 | 0:28:01 | |
# Through the latex breeze | 0:28:01 | 0:28:04 | |
# Synthetic fibre see-through leaves | 0:28:04 | 0:28:07 | |
# Fell from the rayon trees | 0:28:07 | 0:28:10 | |
# The day the world turned day-glo, you know, you know | 0:28:10 | 0:28:15 | |
# The world turned day-glo, you know, you know | 0:28:15 | 0:28:19 | |
# The world turned day-glo, you know, you know | 0:28:19 | 0:28:23 | |
# The world turned day-glo, you know. # | 0:28:23 | 0:28:27 | |
Wow, groovy camera effects, guys. | 0:28:27 | 0:28:29 | |
Here's Robert Palmer now, | 0:28:29 | 0:28:30 | |
in a new jacket off the market he's keen to show off. | 0:28:30 | 0:28:33 | |
And is that Robert Lindsay as Citizen Smith? | 0:28:33 | 0:28:35 | |
# Some guys have all the luck | 0:28:35 | 0:28:38 | |
# Some guys get all the fun | 0:28:39 | 0:28:41 | |
# Some guys have all the luck | 0:28:43 | 0:28:46 | |
# All the luck, woo-hoo | 0:28:46 | 0:28:48 | |
# What you going to do when your luck begins to run? | 0:28:48 | 0:28:52 | |
# Ooh-ooh-ooh-ooh-ooh-ooh-ooh | 0:28:52 | 0:28:55 | |
# Ooh-ooh-ooh-ooh-ooh-ooh-ooh | 0:28:55 | 0:28:59 | |
# Ooh-ooh-ooh-ooh-ooh-ooh-ooh | 0:28:59 | 0:29:03 | |
# Ooh, such a lucky dog | 0:29:07 | 0:29:10 | |
# It's good luck, push it | 0:29:10 | 0:29:11 | |
# I get turned on by everything you do to me | 0:29:13 | 0:29:16 | |
# Don't say you shouldn't do that | 0:29:16 | 0:29:18 | |
# Push your hard luck hard, push it | 0:29:18 | 0:29:20 | |
# Ow, to take a kiss from Lady Luck tonight | 0:29:22 | 0:29:26 | |
# Oh, yeah, I want to so much | 0:29:26 | 0:29:29 | |
# Ooh, the way it feels when you find out | 0:29:29 | 0:29:31 | |
# There's a pearl in it | 0:29:31 | 0:29:33 | |
# Girl, the way it feels when you get it | 0:29:33 | 0:29:35 | |
# Some guys have all the luck | 0:29:35 | 0:29:38 | |
# Some guys get all the fun | 0:29:38 | 0:29:42 | |
# I get to hear you talk, see you walk | 0:29:42 | 0:29:47 | |
# Ooh, take me in your arms and let your luck begin to run | 0:29:47 | 0:29:51 | |
# I touch you, all right | 0:30:04 | 0:30:07 | |
# I thought my luck had held until you fingered me | 0:30:08 | 0:30:11 | |
# We make a right impression when you hold me tight | 0:30:11 | 0:30:15 | |
# Wait for a break, my lucky charm | 0:30:15 | 0:30:17 | |
# Things are looking up all right, all right | 0:30:17 | 0:30:21 | |
# Ow, to taste the lips of Lady Luck tonight | 0:30:21 | 0:30:25 | |
# Oh, yeah, I want to so much | 0:30:25 | 0:30:28 | |
# Ooh, the way it feels when you find out | 0:30:28 | 0:30:30 | |
# There's a pearl in it | 0:30:30 | 0:30:32 | |
# Girl, the way you squeal when you get it | 0:30:32 | 0:30:34 | |
# Some guys have all the luck | 0:30:34 | 0:30:37 | |
# Some guys get all the breaks | 0:30:37 | 0:30:40 | |
# I get to roll my dice, ain't it nice | 0:30:41 | 0:30:46 | |
# Ooh, take me in your kitchen and we'll play | 0:30:46 | 0:30:48 | |
# For higher stakes | 0:30:48 | 0:30:50 | |
# Ooh-ooh-ooh-ooh-ooh-ooh-ooh | 0:30:50 | 0:30:54 | |
# Ooh-ooh-ooh-ooh-ooh-ooh-ooh | 0:30:54 | 0:30:58 | |
# Ooh-ooh-ooh-ooh-ooh-ooh-ooh | 0:30:58 | 0:31:02 | |
# Some guys have all the luck | 0:31:03 | 0:31:07 | |
# Some guys get all the fun | 0:31:07 | 0:31:11 | |
# I get to hear you talk, see you walk. # | 0:31:11 | 0:31:17 | |
The Mike Baldwin of pop, Robert Palmer. | 0:31:17 | 0:31:20 | |
UB40 now. | 0:31:20 | 0:31:21 | |
"I am the one in ten," sings Ali Campbell. Liar! | 0:31:21 | 0:31:24 | |
There's only eight of them. | 0:31:24 | 0:31:25 | |
Including a young Jim McDonald from Coronation Street on sax. | 0:31:25 | 0:31:29 | |
# I am the one in ten | 0:31:39 | 0:31:41 | |
# A number on a list | 0:31:41 | 0:31:43 | |
# I am the one in ten | 0:31:43 | 0:31:45 | |
# Even though I don't exist | 0:31:45 | 0:31:47 | |
# Nobody knows me | 0:31:47 | 0:31:49 | |
# But I'm always there | 0:31:49 | 0:31:51 | |
# A statistic, a reminder | 0:31:51 | 0:31:52 | |
# Of a world that doesn't care | 0:31:52 | 0:31:56 | |
# My arms enfold the dole queue | 0:32:09 | 0:32:11 | |
# Malnutrition dulls my hair | 0:32:11 | 0:32:13 | |
# My eyes are black and lifeless | 0:32:13 | 0:32:15 | |
# With an underprivileged stare | 0:32:15 | 0:32:16 | |
# I'm the beggar on the corner | 0:32:16 | 0:32:18 | |
# Will no-one spare a dime? | 0:32:18 | 0:32:20 | |
# I'm the child that never learns to read | 0:32:20 | 0:32:22 | |
# Cos no-one spared the time | 0:32:22 | 0:32:25 | |
# I am the one in ten | 0:32:25 | 0:32:27 | |
# A number on a list | 0:32:27 | 0:32:28 | |
# I am the one in ten | 0:32:28 | 0:32:30 | |
# Even though I don't exist | 0:32:30 | 0:32:33 | |
# Nobody knows me | 0:32:33 | 0:32:35 | |
# But I'm always there | 0:32:35 | 0:32:36 | |
# A statistic, a reminder | 0:32:36 | 0:32:38 | |
# Of a world that doesn't care | 0:32:38 | 0:32:41 | |
# I'm the murderer, the victim | 0:32:55 | 0:32:56 | |
# And the licence with a gun | 0:32:56 | 0:32:58 | |
# I'm a sad and bruised old lady | 0:32:58 | 0:33:00 | |
# In an alley in a slum | 0:33:00 | 0:33:02 | |
# I'm a middle-aged businessman | 0:33:02 | 0:33:04 | |
# With chronic heart disease | 0:33:04 | 0:33:06 | |
# I'm another teenage suicide | 0:33:06 | 0:33:09 | |
-# In a street that has no trees -# I am the one in ten | 0:33:09 | 0:33:12 | |
# A number on a list | 0:33:12 | 0:33:14 | |
# I am the one in ten | 0:33:14 | 0:33:16 | |
# Even though I don't exist | 0:33:16 | 0:33:18 | |
# Nobody knows me | 0:33:18 | 0:33:20 | |
# But I'm always there | 0:33:20 | 0:33:22 | |
# A statistic, a reminder | 0:33:22 | 0:33:23 | |
# Of a world that doesn't care | 0:33:23 | 0:33:27 | |
# I'm a starving Third World mother | 0:33:40 | 0:33:41 | |
# A refugee without a home | 0:33:41 | 0:33:43 | |
# I'm a housewife hooked on Valium | 0:33:43 | 0:33:45 | |
# I'm a pensioner alone | 0:33:45 | 0:33:47 | |
# I'm a cancer-ridden spectre | 0:33:47 | 0:33:49 | |
# That's covering the earth | 0:33:49 | 0:33:51 | |
# I'm another hungry baby | 0:33:51 | 0:33:52 | |
# I'm an accident of birth | 0:33:52 | 0:33:56 | |
# I am the one in ten | 0:33:56 | 0:33:57 | |
# A number on a list | 0:33:57 | 0:33:59 | |
# I am the one in ten | 0:33:59 | 0:34:01 | |
# Even though I don't exist | 0:34:01 | 0:34:03 | |
# Nobody knows me | 0:34:03 | 0:34:05 | |
# But I'm always there | 0:34:05 | 0:34:07 | |
# A statistic, a reminder | 0:34:07 | 0:34:09 | |
# Of a world that doesn't care | 0:34:09 | 0:34:12 | |
# I am the one in ten | 0:34:25 | 0:34:27 | |
# A number on a list. # | 0:34:27 | 0:34:29 | |
UB40. A statistical reminder of a world that doesn't care. | 0:34:29 | 0:34:34 | |
Yeah, whatever! Wonderful single from All Saints next. | 0:34:34 | 0:34:37 | |
Big fans of the band Madness, hence the trousers. | 0:34:37 | 0:34:41 | |
Baggy. Baggy Trousers? Oh, suit yourself. | 0:34:41 | 0:34:43 | |
# I've crossed the deserts for miles | 0:34:43 | 0:34:45 | |
# Swam water for time | 0:34:45 | 0:34:48 | |
# Searching places to find | 0:34:48 | 0:34:50 | |
# A piece of something to call mine | 0:34:50 | 0:34:53 | |
# I'm coming, I'm coming | 0:34:53 | 0:34:55 | |
-# A piece of something to call mine -# I'm coming | 0:34:55 | 0:34:59 | |
# Coming closer to you | 0:34:59 | 0:35:03 | |
# Went along many moors | 0:35:03 | 0:35:05 | |
# Walked through many doors | 0:35:05 | 0:35:07 | |
# The place where I want to be | 0:35:07 | 0:35:09 | |
-# Is the place I can call mine -# I'm coming, I'm coming | 0:35:09 | 0:35:14 | |
-# Is the place I can call mine -# I'm coming | 0:35:14 | 0:35:16 | |
# I'm coming, coming closer to you | 0:35:16 | 0:35:20 | |
# I'm moving, I'm coming | 0:35:20 | 0:35:22 | |
# Can you hear what I hear? | 0:35:22 | 0:35:24 | |
# It's calling you, my dear | 0:35:24 | 0:35:27 | |
-# Out of reach -# Out of reach | 0:35:27 | 0:35:29 | |
# Take me to my beach | 0:35:29 | 0:35:31 | |
# I can hear it, calling you | 0:35:31 | 0:35:34 | |
# I'm coming, not drowning | 0:35:34 | 0:35:36 | |
# Swimming closer to you | 0:35:36 | 0:35:39 | |
# Never been here before | 0:35:50 | 0:35:52 | |
# I'm intrigued, I'm unsure | 0:35:52 | 0:35:55 | |
# I'm searching for more | 0:35:55 | 0:35:57 | |
# I've got something that's all mine | 0:35:57 | 0:36:01 | |
# I've got something that's all mine | 0:36:01 | 0:36:05 | |
# Take me somewhere I can breathe | 0:36:09 | 0:36:11 | |
# I've got so much to see | 0:36:11 | 0:36:13 | |
# This is where I want to be | 0:36:13 | 0:36:15 | |
# In a place I can call mine | 0:36:15 | 0:36:20 | |
# In a place I can call mine | 0:36:20 | 0:36:25 | |
# I'm moving, I'm coming | 0:36:27 | 0:36:29 | |
# Can you hear what I hear? | 0:36:29 | 0:36:31 | |
# It's calling you, my dear | 0:36:31 | 0:36:33 | |
-# Out of reach -# Out of reach | 0:36:33 | 0:36:36 | |
# Take me to my beach | 0:36:36 | 0:36:37 | |
# I can hear it, calling you | 0:36:37 | 0:36:41 | |
# I'm coming, not drowning | 0:36:41 | 0:36:43 | |
# Swimming closer to you | 0:36:43 | 0:36:46 | |
# I'm moving, I'm coming | 0:36:46 | 0:36:48 | |
# Can you hear what I hear? | 0:36:48 | 0:36:50 | |
# It's calling you, my dear | 0:36:50 | 0:36:53 | |
-# Out of reach -# Out of reach | 0:36:53 | 0:36:55 | |
# Take me to my beach | 0:36:55 | 0:36:57 | |
# I can hear it, calling you | 0:36:57 | 0:37:00 | |
# I'm coming, not drowning | 0:37:00 | 0:37:02 | |
# Swimming closer to you | 0:37:02 | 0:37:05 | |
# I'm moving, I'm coming | 0:37:05 | 0:37:07 | |
# Can you hear what I hear? | 0:37:07 | 0:37:09 | |
# It's calling you, my dear | 0:37:09 | 0:37:12 | |
# Out of reach # Out of reach | 0:37:12 | 0:37:14 | |
# Bring me to my beach | 0:37:14 | 0:37:16 | |
# I can hear it calling you | 0:37:16 | 0:37:19 | |
# I'm coming, not drowning. # | 0:37:19 | 0:37:22 | |
Girls, you've got four yeses. | 0:37:22 | 0:37:23 | |
And now here's a self-help group of recovering mullet addicts, | 0:37:23 | 0:37:27 | |
doing their best to look relaxed | 0:37:27 | 0:37:29 | |
underneath some half-dismantled decorator's scaffolding. | 0:37:29 | 0:37:32 | |
# Welcome to your life | 0:37:32 | 0:37:35 | |
# There's no turning back | 0:37:36 | 0:37:40 | |
# Even while we sleep | 0:37:41 | 0:37:44 | |
# We will find you | 0:37:45 | 0:37:47 | |
# Acting on your best behaviour | 0:37:47 | 0:37:51 | |
# Turn your back on Mother Nature | 0:37:51 | 0:37:56 | |
# Everybody wants to rule the world | 0:37:56 | 0:38:01 | |
# It's my own design | 0:38:11 | 0:38:14 | |
# It's my own remorse | 0:38:15 | 0:38:19 | |
# Help me to decide | 0:38:19 | 0:38:23 | |
# Help me make the most of freedom and of pleasure | 0:38:23 | 0:38:30 | |
# Nothing ever lasts forever | 0:38:30 | 0:38:34 | |
# Everybody wants to rule the world | 0:38:34 | 0:38:40 | |
# There's a room where the light won't find you | 0:38:40 | 0:38:43 | |
# Holding hands while the walls come tumbling down | 0:38:43 | 0:38:47 | |
# When they do I'll be right behind you | 0:38:47 | 0:38:52 | |
# So glad we've almost made it | 0:38:52 | 0:38:56 | |
# So sad they had to fade it | 0:38:56 | 0:39:00 | |
# Everybody wants to rule the world | 0:39:00 | 0:39:06 | |
# I can't stand this indecision | 0:39:51 | 0:39:55 | |
# Married with a lack of vision | 0:39:55 | 0:39:59 | |
# Everybody wants to rule the world | 0:39:59 | 0:40:05 | |
# Say that you'll never, never, never, never need it | 0:40:05 | 0:40:09 | |
# One headline, why believe it? | 0:40:09 | 0:40:13 | |
# Everybody wants to rule the world | 0:40:13 | 0:40:19 | |
# All for freedom and for pleasure | 0:40:25 | 0:40:30 | |
# Nothing ever lasts forever | 0:40:30 | 0:40:34 | |
# Everybody wants to rule the world. # | 0:40:34 | 0:40:40 | |
Neneh Cherry now, with two entertainers | 0:40:55 | 0:40:57 | |
who got lost en route to a five-year-old's birthday party. | 0:40:57 | 0:41:01 | |
Oh, dear! And to make matters worse, all Neneh's gramophones have broken. | 0:41:01 | 0:41:05 | |
Let's hope that engineer at the back mends one before the song ends. | 0:41:05 | 0:41:10 | |
# Who's that gigolo on the street? | 0:41:10 | 0:41:12 | |
# With his hands in his pockets and his crocodile feet | 0:41:12 | 0:41:14 | |
# Hanging off the kerb, looking all disturbed | 0:41:14 | 0:41:16 | |
# At the boys from home, they all came running | 0:41:16 | 0:41:19 | |
# They were making noise, manhandling toys | 0:41:19 | 0:41:21 | |
# That's the girls on the block with the nasty curls | 0:41:21 | 0:41:23 | |
# Wearing padded bras sucking beers through straws | 0:41:23 | 0:41:25 | |
# Dropping down their drawers, where did you get yours? | 0:41:25 | 0:41:28 | |
-# Gigolo -# Huh, sucka? | 0:41:28 | 0:41:31 | |
# Gigolo | 0:41:31 | 0:41:33 | |
-# Gigolo -# Huh, sucka? | 0:41:33 | 0:41:35 | |
# Who's looking good today? | 0:41:37 | 0:41:39 | |
# Who's looking good in every way? | 0:41:39 | 0:41:42 | |
# No style rookie | 0:41:42 | 0:41:44 | |
# You better watch, don't mess with me | 0:41:44 | 0:41:46 | |
# No money man can win my love | 0:41:48 | 0:41:52 | |
# It's sweetness that I'm thinking of | 0:41:52 | 0:41:57 | |
# We always hang in a buffalo stance | 0:41:57 | 0:41:59 | |
# We do the dive every time we dance | 0:41:59 | 0:42:01 | |
# I'll give you love, baby, not romance | 0:42:01 | 0:42:03 | |
# I'll make a move nothing left to chance | 0:42:03 | 0:42:06 | |
# So don't you get fresh with me | 0:42:06 | 0:42:09 | |
# Get funky | 0:42:12 | 0:42:14 | |
-# Yeah, Timmy -# Tell it like it is | 0:42:14 | 0:42:17 | |
# So you wanted money but you know it's never funny | 0:42:17 | 0:42:19 | |
# When your shoe's worn through and there's a rumble in your tummy | 0:42:19 | 0:42:22 | |
# But you had to have style get a gold tooth smile | 0:42:22 | 0:42:24 | |
# Put a girl on the corner so you can make a pile | 0:42:24 | 0:42:26 | |
# Committed a crime and went inside | 0:42:26 | 0:42:28 | |
# It was coming your way but you had to survive | 0:42:28 | 0:42:30 | |
# When you lost your babe, you lost the race | 0:42:30 | 0:42:32 | |
# Now you're looking at me to take her place | 0:42:32 | 0:42:35 | |
# Who's looking good today? | 0:42:35 | 0:42:38 | |
# Who's looking good in every way? | 0:42:38 | 0:42:40 | |
# No style rookie | 0:42:40 | 0:42:42 | |
# You better watch, don't mess with me | 0:42:42 | 0:42:44 | |
# No money man can win my love | 0:42:46 | 0:42:50 | |
# It's sweetness that I'm thinking of | 0:42:50 | 0:42:55 | |
# We always hang in a buffalo stance | 0:42:55 | 0:42:58 | |
# We do the dive every time we dance | 0:42:58 | 0:43:00 | |
# I'll give you love, baby, not romance | 0:43:00 | 0:43:02 | |
# I'll make a move, nothing left to chance | 0:43:02 | 0:43:04 | |
# So don't you get fresh with me | 0:43:04 | 0:43:06 | |
# Smokin', not cokin' | 0:43:08 | 0:43:11 | |
# Get funky, sax | 0:43:12 | 0:43:14 | |
# Looking good, hanging with the wild bunch | 0:43:16 | 0:43:18 | |
# Looking good in a buffalo stance | 0:43:18 | 0:43:20 | |
# Looking good when it comes to the crunch | 0:43:20 | 0:43:23 | |
# Looking good's a state of mind | 0:43:23 | 0:43:25 | |
# State of mind, don't look behind you | 0:43:25 | 0:43:27 | |
# State of mind, or you'll be dead | 0:43:27 | 0:43:29 | |
# State of mind, may I remind you | 0:43:29 | 0:43:32 | |
-# Bomb the bass -# Rock this place | 0:43:32 | 0:43:33 | |
# What is he like? What's he like anyway? | 0:43:35 | 0:43:39 | |
# Yo, man, what do you expect? | 0:43:41 | 0:43:43 | |
# The guy's a gigolo, man | 0:43:43 | 0:43:45 | |
# You know what I mean? | 0:43:48 | 0:43:49 | |
# No money man can win my love | 0:43:51 | 0:43:55 | |
# It's sweetness that I'm thinking of | 0:43:55 | 0:44:00 | |
# We always hang in a buffalo stance | 0:44:00 | 0:44:03 | |
# We do the dive every time we dance | 0:44:03 | 0:44:04 | |
# I'll give you love, baby, not romance | 0:44:04 | 0:44:07 | |
# I'll make a move, nothing left to chance | 0:44:07 | 0:44:09 | |
# So don't you get fresh with me | 0:44:09 | 0:44:11 | |
# Wind on my face, sound in my ears | 0:44:12 | 0:44:16 | |
# Water from my eyes, and you on my mind | 0:44:16 | 0:44:20 | |
# As I sink, diving down deep, deeper into your soul | 0:44:20 | 0:44:27 | |
# No money man can win my love | 0:44:30 | 0:44:33 | |
# It's sweetness that I'm thinking of | 0:44:33 | 0:44:38 | |
# No money man can win my love. # | 0:44:38 | 0:44:41 | |
Why would you hang in a buffalo stance? | 0:44:41 | 0:44:44 | |
Be rather ungainly, wouldn't it? I stick to buffalo mozzarella meself. | 0:44:44 | 0:44:48 | |
Something new, and rather lovely from irish singer-songwriter | 0:44:48 | 0:44:51 | |
Lisa Hannigan now. | 0:44:51 | 0:44:53 | |
She's on the dodgems, I think. Seems to be enjoying it. | 0:44:53 | 0:44:56 | |
# What'll I do without you around? | 0:44:56 | 0:44:58 | |
# My words wont pun, My pennies won't pound | 0:44:58 | 0:45:01 | |
# Oh and my frisbee flies To the ground | 0:45:01 | 0:45:03 | |
# What'll I do without you? | 0:45:03 | 0:45:05 | |
# What'll I say without you to talk to? | 0:45:05 | 0:45:08 | |
# No one to serve Or volley the ball to | 0:45:08 | 0:45:10 | |
# You write the words But I miss the volume | 0:45:10 | 0:45:13 | |
# What'll I say without you? | 0:45:13 | 0:45:15 | |
# Oh, I don't know what to do with myself | 0:45:15 | 0:45:21 | |
# Now that I'm here and you're gone | 0:45:21 | 0:45:25 | |
# Oh-oh-oh-oh-oh | 0:45:25 | 0:45:27 | |
# Hey-ah-ah-ah-ah-eh | 0:45:27 | 0:45:30 | |
# Hey-oh-oh-oh-oh-hey | 0:45:30 | 0:45:34 | |
# Oh-oh-oh-oh-oh | 0:45:34 | 0:45:38 | |
# Hey-ah-ah-ah-ah-eh | 0:45:38 | 0:45:40 | |
# Hey-oh-oh-oh-oh-hey | 0:45:40 | 0:45:43 | |
# What'll I do when you've gone away? | 0:45:43 | 0:45:47 | |
# My ball wont pin, My records won't play | 0:45:47 | 0:45:49 | |
# And all of my hours limp into days | 0:45:49 | 0:45:52 | |
# What'll I do without you? | 0:45:52 | 0:45:54 | |
# What'll I do now that you're gone? | 0:45:54 | 0:45:56 | |
# My boat won't row, My bus doesn't come | 0:45:56 | 0:45:58 | |
# I have the fingers, You've got the thumb, | 0:45:58 | 0:46:02 | |
# What'll I do without you? | 0:46:02 | 0:46:04 | |
# Oh I don't know what to do with myself | 0:46:04 | 0:46:09 | |
Now that I'm here and you're gone | 0:46:09 | 0:46:14 | |
# Oh-oh-oh-oh-oh | 0:46:14 | 0:46:16 | |
# Hey-ah-ah-ah-ah-eh | 0:46:16 | 0:46:19 | |
# Hey-oh-oh-oh-oh-hey | 0:46:19 | 0:46:23 | |
# Oh-oh-oh-oh-oh | 0:46:23 | 0:46:26 | |
# Hey-ah-ah-ah-ah-eh | 0:46:26 | 0:46:29 | |
# Hey-oh-oh-oh-oh-hey | 0:46:29 | 0:46:32 | |
# What'll I do without you around? | 0:46:38 | 0:46:41 | |
# My words won't pun, My pennies won't pound | 0:46:41 | 0:46:43 | |
# Oh and my frisbee flies To the ground | 0:46:43 | 0:46:45 | |
# What'll I do without you? | 0:46:45 | 0:46:48 | |
# Ooh-ooh-ooh | 0:46:48 | 0:46:51 | |
# Without you | 0:46:52 | 0:46:53 | |
# Oh-oh-oh-oh-oh | 0:46:53 | 0:46:55 | |
# Hey-ah-ah-ah-ah-eh | 0:46:55 | 0:46:57 | |
# Hey-oh-oh-oh-oh-hey | 0:46:57 | 0:47:00 | |
# Without you | 0:47:00 | 0:47:02 | |
# Oh-oh-oh-oh-oh | 0:47:02 | 0:47:04 | |
# Hey-ah-ah-ah-ah-eh | 0:47:04 | 0:47:07 | |
# Hey-oh-oh-oh-oh-hey | 0:47:07 | 0:47:11 | |
# Without you | 0:47:11 | 0:47:13 | |
# Oh-oh-oh-oh-oh | 0:47:13 | 0:47:15 | |
# Hey-ah-ah-ah-ah-eh | 0:47:15 | 0:47:17 | |
# Hey-oh-oh-oh-oh-hey | 0:47:17 | 0:47:19 | |
# Without you | 0:47:19 | 0:47:20 | |
# Oh-oh-oh-oh-oh | 0:47:20 | 0:47:22 | |
# Hey-ah-ah-ah-ah-eh... # | 0:47:22 | 0:47:25 | |
And then she was sick. | 0:47:25 | 0:47:27 | |
Utterly charming, Lisa Hannigan. | 0:47:27 | 0:47:29 | |
All Saints trouser idols Madness, now, | 0:47:29 | 0:47:31 | |
styling inspired by the Thompson twins off Tintin, | 0:47:31 | 0:47:34 | |
and there's a male striptease going on here, for reasons that elude me. | 0:47:34 | 0:47:38 | |
# Papers in the morning Bowler hat on head | 0:47:38 | 0:47:42 | |
# Walking to the bus stop He's longing for his bed | 0:47:42 | 0:47:45 | |
# Waiting with his neighbours In the rush-hour queue | 0:47:45 | 0:47:48 | |
# Got to get the first bus So much for him to do | 0:47:48 | 0:47:52 | |
# He's got to hurry Got to get his seat | 0:47:52 | 0:47:56 | |
# Can't miss his place Got to rest his feet | 0:47:56 | 0:48:00 | |
# Ten more minutes till he gets there | 0:48:00 | 0:48:02 | |
# The crossword's nearly done It's getting so hard these days | 0:48:02 | 0:48:06 | |
# Not nearly so much fun | 0:48:06 | 0:48:08 | |
# His mind wanders to the office His telephone, desk and chair | 0:48:08 | 0:48:11 | |
# He's been happy with the company They've treated him real fair | 0:48:11 | 0:48:15 | |
# Think of seven letters begin and end in C | 0:48:15 | 0:48:20 | |
# Like a big American car But misspelt with a D | 0:48:20 | 0:48:23 | |
# I wish this bus'd get a move on Driver's taking his time | 0:48:23 | 0:48:27 | |
# I just don't know I'll be late | 0:48:27 | 0:48:29 | |
# Oh dear, what will the boss say? | 0:48:29 | 0:48:31 | |
# Pull yourself together now Don't get in a state | 0:48:31 | 0:48:34 | |
# Don't you worry, there's no hurry | 0:48:34 | 0:48:38 | |
# It's a lovely day Could all be going your way | 0:48:38 | 0:48:42 | |
# Take the doc's advice Let up, enjoy your life | 0:48:42 | 0:48:46 | |
# Listen to what they say It's not a game they play | 0:48:46 | 0:48:49 | |
# Never get there at this rate He's caught up in a jam | 0:49:06 | 0:49:11 | |
# There's a meeting this morning It's just his luck, oh damn | 0:49:11 | 0:49:14 | |
# His hand dives in his pocket For his handkerchief | 0:49:14 | 0:49:18 | |
# Pearls of sweat on his bowler His pulse-beat seems so brief | 0:49:18 | 0:49:22 | |
# Eyes fall on his wrist-watch the seconds pass real slow | 0:49:22 | 0:49:26 | |
# Gasping for the hot air but the chest pain, it won't go | 0:49:26 | 0:49:30 | |
# Tried to ask for help But can't seem to speak a word | 0:49:30 | 0:49:33 | |
# Words are whispered frantically But don't seem to be heard | 0:49:33 | 0:49:37 | |
# What about the wife and kids? They all depend on me | 0:49:37 | 0:49:41 | |
# We're so sorry We told you not to hurry | 0:49:42 | 0:49:45 | |
# Now it's just too late You've got a certain date | 0:49:45 | 0:49:48 | |
# We thought we made it clear We all voiced our inner fears | 0:49:48 | 0:49:52 | |
# We left it up to you There's nothing we can do | 0:49:52 | 0:49:55 | |
# Don't you worry, There's no hurry... # | 0:49:57 | 0:50:03 | |
A big number one from Chesney Hawkes next. | 0:50:03 | 0:50:06 | |
And I remember at the time, if you wanted to look like him, | 0:50:06 | 0:50:08 | |
Blue Peter showed you how to make his hair | 0:50:08 | 0:50:11 | |
from Fairy Liquid bottles and sticky-backed plastic. | 0:50:11 | 0:50:15 | |
# Call me, call me by my name | 0:50:15 | 0:50:21 | |
# Or call me by number | 0:50:21 | 0:50:25 | |
# Just put me through | 0:50:25 | 0:50:28 | |
# I'll still be doing it | 0:50:28 | 0:50:29 | |
# The way I do it | 0:50:29 | 0:50:31 | |
# And yet you try to make me forget | 0:50:31 | 0:50:37 | |
# Who I really am | 0:50:38 | 0:50:40 | |
# Don't tell me, I'd know best | 0:50:42 | 0:50:45 | |
# I'm not the same as all the rest | 0:50:45 | 0:50:48 | |
# I am the one and only | 0:50:48 | 0:50:52 | |
# Nobody I'd rather be | 0:50:52 | 0:50:56 | |
# I am the one and only | 0:50:56 | 0:51:00 | |
# You can't take that away from me | 0:51:00 | 0:51:04 | |
# I've been a player | 0:51:07 | 0:51:11 | |
# In the crowd scene | 0:51:11 | 0:51:14 | |
# A flicker on the big screen | 0:51:14 | 0:51:17 | |
# My soul embraces | 0:51:17 | 0:51:20 | |
# One more in a million faces | 0:51:20 | 0:51:24 | |
# High hopes and aspirations | 0:51:24 | 0:51:27 | |
# Ideas above my station | 0:51:27 | 0:51:32 | |
# Maybe, but all this time I've tried | 0:51:32 | 0:51:35 | |
# To walk with dignity and pride | 0:51:35 | 0:51:40 | |
# I am the one and only | 0:51:40 | 0:51:43 | |
# Nobody I'd rather be | 0:51:43 | 0:51:48 | |
# I am the one and only | 0:51:48 | 0:51:52 | |
# You can't take that away from me | 0:51:52 | 0:51:56 | |
# I can't wear this uniform | 0:51:56 | 0:52:00 | |
# Without some compromises | 0:52:00 | 0:52:04 | |
# Because you'll find out | 0:52:04 | 0:52:07 | |
# That we come | 0:52:07 | 0:52:08 | |
# In different shapes and sizes | 0:52:08 | 0:52:11 | |
# No one can be myself like I can | 0:52:11 | 0:52:17 | |
# For this job, I'm the best man | 0:52:17 | 0:52:21 | |
# And while this may be true | 0:52:21 | 0:52:24 | |
# You are the one and only you | 0:52:24 | 0:52:28 | |
# I am the one and only | 0:52:44 | 0:52:48 | |
# Nobody I'd rather be | 0:52:48 | 0:52:51 | |
# I am the one and only... # | 0:52:51 | 0:52:52 | |
The glamorous coiffure of Chesney Hawkes, | 0:52:52 | 0:52:56 | |
and by way of contrast, with haircuts by the council | 0:52:56 | 0:52:59 | |
here comes Graham Fellowes as Jilted John, | 0:52:59 | 0:53:02 | |
with a selection of guitarists from the local drop-in centre, | 0:53:02 | 0:53:05 | |
and singing one of Gordon Brown's favourites... | 0:53:05 | 0:53:08 | |
# I've been going out with a girl | 0:53:08 | 0:53:10 | |
# Her name is Julie | 0:53:10 | 0:53:12 | |
# But last night she said to me | 0:53:12 | 0:53:15 | |
# When we were watching telly... # | 0:53:15 | 0:53:16 | |
This is what she said. | 0:53:18 | 0:53:21 | |
# She said, listen, John, I love you | 0:53:21 | 0:53:24 | |
# But there's this bloke I fancy | 0:53:24 | 0:53:26 | |
# I don't want to two-time you | 0:53:26 | 0:53:28 | |
# So it's the end for you and me | 0:53:28 | 0:53:31 | |
# Who's this bloke? I asked her | 0:53:34 | 0:53:36 | |
# Gordon, she replied | 0:53:36 | 0:53:39 | |
# Not that puff | 0:53:39 | 0:53:40 | |
# I said dismayed | 0:53:40 | 0:53:42 | |
# Yes, but he's no puff, she cried. # | 0:53:42 | 0:53:44 | |
He's more a man than you'll ever be. | 0:53:46 | 0:53:47 | |
Here we go, two, three, four. | 0:53:51 | 0:53:53 | |
# I was so upset that I cried All the way to the chip shop | 0:53:57 | 0:54:02 | |
# When I came out there was Gordon standing at the bus stop | 0:54:02 | 0:54:06 | |
# And guess who was with him? | 0:54:08 | 0:54:10 | |
# Yeah, Julie, And they were both laughing at me | 0:54:10 | 0:54:13 | |
# Oh, she is cruel and heartless | 0:54:15 | 0:54:17 | |
# To pack me for Gordon | 0:54:17 | 0:54:20 | |
# Just cos he's better looking Than me | 0:54:20 | 0:54:23 | |
# Just cos he's cool and trendy | 0:54:23 | 0:54:25 | |
# But I know he's a moron | 0:54:26 | 0:54:28 | |
# Gordon is a moron | 0:54:28 | 0:54:30 | |
# Gordon is a moron | 0:54:30 | 0:54:33 | |
# Gordon is a moron | 0:54:33 | 0:54:35 | |
# Here we go, two, three, four | 0:54:41 | 0:54:44 | |
# She's a..., and he's a creep She is a tart, | 0:54:48 | 0:54:52 | |
# He's very cheap | 0:54:52 | 0:54:54 | |
# She is a..., he thinks he's tough | 0:54:54 | 0:54:55 | |
# She is a..., he is a puff | 0:54:55 | 0:54:57 | |
# Yeah, yeah, it's not fair | 0:54:57 | 0:55:00 | |
# Yeah, yeah, it's not fair | 0:55:00 | 0:55:03 | |
# I'm so upset | 0:55:03 | 0:55:06 | |
# I'm so upset | 0:55:07 | 0:55:09 | |
# I'm so upset | 0:55:09 | 0:55:10 | |
# Yeah, yeah | 0:55:10 | 0:55:11 | |
# I ought to smash his face in | 0:55:13 | 0:55:15 | |
# Yeah, yeah, it's not fair | 0:55:15 | 0:55:16 | |
# But he's much bigger than me, ain't he? | 0:55:16 | 0:55:18 | |
# I know, I'll get my mate Barry to flatten him... # | 0:55:18 | 0:55:22 | |
Last one from Coolio, in a Gangsta's Paradise, | 0:55:22 | 0:55:25 | |
in a lovely colourful chunky-kit cardigan, | 0:55:25 | 0:55:27 | |
judging by that chubby bloke. It must be chilly there, eh? | 0:55:27 | 0:55:30 | |
See ya next time, | 0:55:30 | 0:55:32 | |
# Cos I've been blastin' and laughin' so long that | 0:55:32 | 0:55:34 | |
# Even my mama thinks that my mind is gone | 0:55:34 | 0:55:37 | |
# But I ain't never crossed a man that didn't deserve it | 0:55:37 | 0:55:41 | |
# Me, be treated like a punk, You know that's unheard of | 0:55:41 | 0:55:43 | |
# You better watch how you talkin' and where you walkin' | 0:55:43 | 0:55:46 | |
# Or you and your homies might be lined in chalk | 0:55:46 | 0:55:50 | |
# I really hate to trip, but I gotta loc' | 0:55:50 | 0:55:53 | |
# As they grew I see myself in the pistol smoke | 0:55:53 | 0:55:55 | |
# Fool, I'm the kinda G the little homies wanna be like | 0:55:55 | 0:55:58 | |
# On my knees in the night sayin' prayers in the street light | 0:55:58 | 0:56:01 | |
# Been spending most their lives | 0:56:01 | 0:56:04 | |
# Living in the gangsta's paradise | 0:56:04 | 0:56:08 | |
# Been spending most their lives | 0:56:08 | 0:56:11 | |
# Living in the gangsta's paradise | 0:56:11 | 0:56:13 | |
# Keep spending most our lives | 0:56:13 | 0:56:16 | |
# Living in the gangsta's paradise | 0:56:16 | 0:56:20 | |
# Keep spending most our lives | 0:56:20 | 0:56:22 | |
# Living in the gangsta's paradise | 0:56:22 | 0:56:26 | |
# They got the situation, They got me facin' | 0:56:26 | 0:56:28 | |
# I can't live a normal life | 0:56:28 | 0:56:30 | |
# I was raised by the strip | 0:56:30 | 0:56:33 | |
# So I gotta be down with the hood team | 0:56:33 | 0:56:35 | |
# Too much television-watchin' got me chasin' dreams | 0:56:35 | 0:56:37 | |
# I'm an educated fool with money on my mind | 0:56:37 | 0:56:40 | |
# MAC-11 in my hand and a gleam in my eye | 0:56:40 | 0:56:44 | |
# I'm a loc'ed out gangsta, Set-trippin banger | 0:56:44 | 0:56:46 | |
# And my homies is down, So don't arouse my anger, | 0:56:46 | 0:56:49 | |
# Fool, death ain't nuthin' but a heartbeat away | 0:56:49 | 0:56:52 | |
# I'm livin' life do-or-die-a, What can I say? | 0:56:52 | 0:56:56 | |
# I'm 23 now, But will I live to see 24? | 0:56:56 | 0:56:59 | |
# The way things are goin' I don't know | 0:56:59 | 0:57:01 | |
# Tell me why are we, | 0:57:01 | 0:57:05 | |
# So blind to see | 0:57:05 | 0:57:07 | |
# That the ones we hurt are you and me? | 0:57:07 | 0:57:13 | |
# Been spending most their lives | 0:57:13 | 0:57:16 | |
# Living in the gangsta's paradise | 0:57:16 | 0:57:20 | |
# Been spending most their lives | 0:57:20 | 0:57:22 | |
# Living in the gangsta's paradise | 0:57:22 | 0:57:25 | |
# Keep spending most our lives | 0:57:25 | 0:57:28 | |
# Living in the gangsta's paradise | 0:57:28 | 0:57:32 | |
# Keep spending most our lives | 0:57:32 | 0:57:35 | |
# Living in the gangsta's paradise | 0:57:35 | 0:57:38 | |
# Power and the money, Money and the power | 0:57:38 | 0:57:41 | |
# Minute after minute, Hour after hour | 0:57:41 | 0:57:43 | |
# Everybody's runnin' but half of them ain't lookin | 0:57:43 | 0:57:46 | |
# What's goin on in the kitchen? But I don't know what's cookin' | 0:57:46 | 0:57:49 | |
# They say I got ta learn, but nobody's here to teach me | 0:57:49 | 0:57:52 | |
# If they can't understand it, how can they reach me? | 0:57:52 | 0:57:56 | |
# I guess they can't, I guess they won't | 0:57:56 | 0:57:58 | |
# I guess they front | 0:57:58 | 0:58:00 | |
# That's why I got my hand on the pump, fool | 0:58:00 | 0:58:03 | |
# Been spending most our lives | 0:58:03 | 0:58:04 | |
# Living in the gangsta's paradise | 0:58:04 | 0:58:07 | |
# Been spending most their lives | 0:58:07 | 0:58:10 | |
# Living in the gangsta's paradise | 0:58:10 | 0:58:14 | |
# Keep spending most our lives | 0:58:14 | 0:58:16 | |
# Living in the gangsta's paradise | 0:58:16 | 0:58:20 | |
# Keep spending most our lives | 0:58:20 | 0:58:22 | |
# Living in the gangsta's paradise | 0:58:22 | 0:58:26 | |
# Gangsta's paradise... # | 0:58:26 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:39 |