Browse content similar to 28/05/2016. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is East London, painfully trendy and somewhere I | :00:00. | :00:35. | |
Down Shoreditch way is the famous Brick Lane, an area famous for its | :00:36. | :00:40. | |
colourful street art that you will find lurking around every corner. | :00:41. | :00:47. | |
It is a real work of art, which we can all enjoy at no cost. | :00:48. | :00:50. | |
The creator of this really didn't expect to get paid. | :00:51. | :00:53. | |
That is rarely the case with other kinds of content, online news, video | :00:54. | :00:58. | |
content, as we know, the creators of those are in it for money. | :00:59. | :01:03. | |
Money that often comes from advertisers. | :01:04. | :01:07. | |
The problem is, our love affair with doing this is spilling online. | :01:08. | :01:14. | |
The way to skip these ads on the web is to install a browser | :01:15. | :01:17. | |
These are known as ad blockers, stopping annoying things popping up | :01:18. | :01:25. | |
Not everything that pops up on your screen is annoying, case in point. | :01:26. | :01:33. | |
You have been testing some of these ad blockers, haven't you? | :01:34. | :01:36. | |
While some people might not mind random interruptions, | :01:37. | :01:38. | |
for others advertisements are a real nuisance, particularly on mobile | :01:39. | :01:42. | |
devices because people don't want to use their data or battery power | :01:43. | :01:45. | |
I guess it is good news for us, definitely bad news | :01:46. | :01:50. | |
Absolutely, and although ad blocking is nothing new, people are | :01:51. | :01:59. | |
learning more about it and there are more ways of blocking adverts. | :02:00. | :02:02. | |
It seems it will only become a bigger business. | :02:03. | :02:14. | |
Adblock Plus is leading the way with 100 million users, | :02:15. | :02:16. | |
and once you install it, you should be free of advertisements. | :02:17. | :02:20. | |
Not quite, it creates a white list, a list of sites that adheres to what | :02:21. | :02:24. | |
Acceptable ads is a set of criteria, and those are criteria we developed | :02:25. | :02:29. | |
If advertisers or publishers have certain ads that meet those criteria | :02:30. | :02:38. | |
they can be white listed, and then the top 10% of those advertisers are | :02:39. | :02:42. | |
also charged a licensing fee for the work you put into doing it. | :02:43. | :02:48. | |
It is not just about bursting their bubble, the issue is | :02:49. | :03:07. | |
Even if advertisers make improvements, there will still be | :03:08. | :03:10. | |
room for ad blockers out there because the bottom line is there | :03:11. | :03:13. | |
will soon be a lot of really bad ads. | :03:14. | :03:17. | |
It is not just about bursting their bubble, the issue is | :03:18. | :03:21. | |
the general dislike of adverts, only about 10% of the company's | :03:22. | :03:23. | |
They don't like distractions or the idea of companies tracking | :03:24. | :03:27. | |
their data and habits, something ad blockers also aim to reduce. | :03:28. | :03:45. | |
Some content providers are going as far as blocking user access | :03:46. | :03:48. | |
if they detect that ad blocking software is in use. | :03:49. | :03:51. | |
Now, Opera has an ad blocker built into its latest browser, Apple | :03:52. | :03:55. | |
recently allowed them to function on its mobile operators, and others are | :03:56. | :03:58. | |
It is not all doom and gloom, at least not yet. | :03:59. | :04:06. | |
We haven't all downloaded ad blockers. | :04:07. | :04:07. | |
There does seem to be a growing trend. | :04:08. | :04:11. | |
Some try to shield themselves by going behind pay walls, and if | :04:12. | :04:17. | |
things don't get better we may start seeing subscription models where you | :04:18. | :04:21. | |
sign up for access to multiple publications in one place, or even | :04:22. | :04:23. | |
using cash trails, where you pay nominal amount each | :04:24. | :04:26. | |
Either of those would put an end to the freely available | :04:27. | :04:34. | |
At least one company is attempting to unite it all and change | :04:35. | :05:01. | |
PageFair is one of those ad blocker blockers, one of several out there, | :05:02. | :05:06. | |
giving back to those who are stung by the rise of ad blockers. | :05:07. | :05:09. | |
The company says there philosophy is more about bridging the gap | :05:10. | :05:12. | |
What users will start seeing is far fewer ads, respectful ads that | :05:13. | :05:16. | |
aren't snooping on their data, that aren't jumping around the page, that | :05:17. | :05:19. | |
aren't interrupting the traffic by taking so long to download, and also | :05:20. | :05:22. | |
ads that behave in such a simple way that they can't expose the machine | :05:23. | :05:25. | |
Companies need to use advertising because it pays the bills, | :05:26. | :05:29. | |
but they need to reduce the number of ads such that the ones that are | :05:30. | :05:33. | |
Each ad has to shout over every other ad. And each one has to do try | :05:34. | :05:51. | |
to shout louder than the next. The way beyond that blocking, where | :05:52. | :05:52. | |
you get to decide what ads to show on this now uncluttered space where | :05:53. | :05:56. | |
people have blocked out all the other ads, once you can decide what | :05:57. | :05:59. | |
ads you want to show beyond that blocking, | :06:00. | :06:02. | |
the answer is to limit the quantity What that will do is I | :06:03. | :06:04. | |
think it will cure what is Whether ad blockers or | :06:05. | :06:09. | |
the ad blocker blockers win, it seems we are the ones who will | :06:10. | :06:12. | |
come out glorious, with a less We are all used to seeing a lot | :06:13. | :06:16. | |
of CGI - computer generated imagery One thing that has become a lot more | :06:17. | :06:34. | |
common in recent years is the idea of the virtual actor - computer | :06:35. | :06:39. | |
generated humans doing things that It turns out that the Hollywood | :06:40. | :06:42. | |
minds behind virtual actors are now turning their attention | :06:43. | :06:46. | |
behind something much more serious. It is this technology that allowed | :06:47. | :06:48. | |
Marc Cieslak to meet a virtual The University of Southern | :06:49. | :06:51. | |
California is home to the Institute A place where cutting-edge | :06:52. | :06:57. | |
technology and Hollywood meet. The ICT has developed | :06:58. | :07:06. | |
a holster kit used to create visual For example, the light stage - this | :07:07. | :07:09. | |
is used to capture an actor's face This date can then be used to create | :07:10. | :07:15. | |
virtual renders of the actor. It is a pretty spectacular sight, | :07:16. | :07:26. | |
I have to say. This kit has applications way | :07:27. | :07:34. | |
beyond the multiplex. A similar setup has been used | :07:35. | :07:40. | |
as part of the process of recording interviews with | :07:41. | :07:43. | |
Holocaust survivors for a project which could eventually end | :07:44. | :07:45. | |
up in museums and even classrooms. Do you remember any songs | :07:46. | :07:52. | |
from your youth? This is what we call | :07:53. | :07:55. | |
the automultiscopic projector ray. We have | :07:56. | :08:01. | |
about 200 video projectors behind You walk around the display | :08:02. | :08:03. | |
at 130 degrees. You can see a 3-D image sitting | :08:04. | :08:15. | |
in front of you. This man was | :08:16. | :08:18. | |
an 84-year-old Holocaust survivor. He was in five concentration | :08:19. | :08:20. | |
camps throughout the war. The most dangerous thing that | :08:21. | :08:25. | |
happened is being in the camps. Because being in the camps, | :08:26. | :08:29. | |
every minute, every second of your existence, you were at the | :08:30. | :08:32. | |
mercy of someone who could actually take your life away, who could | :08:33. | :08:35. | |
torture you, who could beat you, who It took a week to film these | :08:36. | :08:38. | |
interviews and over 20 hours In order to record these interviews | :08:39. | :08:49. | |
with Holocaust survivors, 30 cameras were arranged around | :08:50. | :08:57. | |
the interviewees in a semicircle. The images they captured are | :08:58. | :08:59. | |
projected out of the projector ray, It provides the illusion | :09:00. | :09:02. | |
of three dimensions. It really does feel like this | :09:03. | :09:18. | |
man is in the room with you. But what rally brings these 3-D | :09:19. | :09:21. | |
images to life is the audience's ability to interact with the | :09:22. | :09:24. | |
interviewees, asking them questions We have | :09:25. | :09:26. | |
about just under 2,000 responses. They cover all | :09:27. | :09:35. | |
the top questions that people tend to ask Holocaust survivors and also | :09:36. | :09:41. | |
things specific to the story. So when you ask your question, we | :09:42. | :09:44. | |
use a natural language understanding similar to how your phone may | :09:45. | :09:50. | |
translate your speech into text. The system then uses an algorithm | :09:51. | :09:56. | |
to find the best video response As you ask a question, | :09:57. | :09:59. | |
we play the video response back to the listener so it feels | :10:00. | :10:10. | |
like you are having an actual You can read about the Holocaust in | :10:11. | :10:12. | |
a book or see it on a movie or on TV but until you actually interactive | :10:13. | :10:18. | |
with someone who has lived through this experience in person, | :10:19. | :10:21. | |
it does not have the same... the reality that this thing actually | :10:22. | :10:23. | |
happened and how horrendous it was, They say, if you ignore history you | :10:24. | :10:26. | |
are doomed to repeat it and as the survivors of the Holocaust | :10:27. | :10:34. | |
age, interactive recordings like this one have the ability to keep | :10:35. | :10:37. | |
their stories alive long after they From the beginning of the Nazis | :10:38. | :10:40. | |
taking over Poland, it was a nightmare from | :10:41. | :10:52. | |
which you did not wake up That is it for this week, | :10:53. | :10:55. | |
I'm afraid. Follow us on Twitter, we will give | :10:56. | :11:07. | |
you a regular digests of tech news and all the behind-the-scenes | :11:08. | :11:16. | |
nonsense and pictures that you | :11:17. | :11:19. |