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A wizard who likes decibels, who has won Grammies, | :00:00. | :00:44. | |
The former member of the band, Roxy Music, has added his unique | :00:45. | :00:53. | |
production sound to the biggest acts in the world - | :00:54. | :00:58. | |
groups like U2 and Coldplay, and some chap called David. | :00:59. | :01:02. | |
And it is his love of random, so-called generative art, | :01:03. | :01:05. | |
Eno, whose sonar music is very atmospheric and ethereal, | :01:06. | :01:14. | |
is regarded as 'The Godfather' of ambient music and his new work, | :01:15. | :01:17. | |
Reflection, is also rather unpredictable. | :01:18. | :01:19. | |
It is a generative music app which follows rules defined | :01:20. | :01:21. | |
and refined by Eno but which plays differently every time you listen. | :01:22. | :01:25. | |
So 14% of these notes, a random 14%, are going to be pitched down | :01:26. | :01:28. | |
The second is 41% of them are going to go an octave down | :01:29. | :01:34. | |
I would go further, quantum scientist. | :01:35. | :01:42. | |
Brian Eno has spent weeks, even months, tweaking these rules | :01:43. | :01:49. | |
and probabilities which, they're all when combined, | :01:50. | :01:54. | |
cause these sounds to randomly echo, bounce, transpose or not | :01:55. | :01:56. | |
So these are all different types of scripters. | :01:57. | :02:01. | |
And then there's a whole lot of other stuff. | :02:02. | :02:04. | |
A lot of music is based just on things like that and it goes | :02:05. | :02:27. | |
Now I will putting in some scripters. | :02:28. | :02:31. | |
First thing I'm going to put in is a way of reducing | :02:32. | :02:34. | |
Now, let's have it hit some outdrums, occasionally. | :02:35. | :02:52. | |
Already it is a pretty crappy drummer, I have to say. | :02:53. | :02:55. | |
Well, no, I have to say, actually, this is way more interesting, | :02:56. | :02:58. | |
with the greatest of respect, than the original drumbeat, | :02:59. | :03:01. | |
Traditional music, you have a piece which you lock down but you are not | :03:02. | :03:13. | |
You are locking down a kind of process. | :03:14. | :03:18. | |
It's almost like you're taking this, or part of it, and you're locking | :03:19. | :03:25. | |
that down, this is how I might want the piece to be but I don't mind | :03:26. | :03:29. | |
I am trying to make a version of me in the software, | :03:30. | :03:36. | |
I'm always interested in what is at the edge of my taste | :03:37. | :03:42. | |
envelope, if you like, and randomness is a way | :03:43. | :03:45. | |
Have you ever thought about whether you can copyright | :03:46. | :03:56. | |
If you sell the app to somebody, do they own the music that comes | :03:57. | :04:03. | |
Because they have constructed it, in a way. | :04:04. | :04:06. | |
All the bits are mine but the final construction is that theirs so. | :04:07. | :04:09. | |
I do not think it is very easy to make a case for saying | :04:10. | :04:14. | |
it is my music, because it sort of is in a modern sense | :04:15. | :04:18. | |
We spent about an hour with Brian Eno and in the next few | :04:19. | :04:23. | |
days, you can see more inside Brian Eno's brain online. | :04:24. | :04:26. | |
This week, Samsung launched its latest mobile phones. | :04:27. | :04:40. | |
Just a few minutes to go until the launch starts | :04:41. | :04:43. | |
and there is an incredible level of secrecy here but I guess | :04:44. | :04:46. | |
there is a lot at stake for Samsung after the Note 7 debacle, | :04:47. | :04:49. | |
we're just waiting to see what the S8 has in store for us. | :04:50. | :04:58. | |
Soon the hype turned to cold hard facts, Out of this Samsung Unboxed | :04:59. | :05:01. | |
So here we have it - the S8 and the S8 plus. | :05:02. | :05:10. | |
Not even the Plus seems to be that large - | :05:11. | :05:14. | |
that's because the screens on both of them curve over the edges. | :05:15. | :05:19. | |
There's been a lot of hype about this. | :05:20. | :05:21. | |
Personally, I'm not really sure it feels like that big a deal, | :05:22. | :05:24. | |
but it does mean you get a screen which is bigger | :05:25. | :05:27. | |
A few of the features that we've been told about today - | :05:28. | :05:37. | |
Iris and facial recognition as well, meaning you should not need | :05:38. | :05:58. | |
a password but should still be able to achieve | :05:59. | :06:01. | |
There's also what they call an invisible "home" button. | :06:02. | :06:05. | |
As you press it, you can feel some sensation. | :06:06. | :06:09. | |
One thing we have heard a lot of talk about is the launch of Bixby. | :06:10. | :06:13. | |
When fully functioning, the system aims to make interacting | :06:14. | :06:16. | |
Interacting with 10 Samsung apps, controlling other Samsung devices - | :06:17. | :06:19. | |
yes, there is a theme here - and using artificial intelligence | :06:20. | :06:22. | |
to learn your habits and suggest what you might be looking for next. | :06:23. | :06:26. | |
Naturally, I want to test this new personal assistant, | :06:27. | :06:28. | |
but there is one substantial problem - Bixby is currently only | :06:29. | :06:31. | |
It is not until May that it is going to be released in American English, | :06:32. | :06:36. | |
and then after that some other languages are going to follow. | :06:37. | :06:39. | |
It may well be great, but I cannot tell you about it. | :06:40. | :06:47. | |
In the meantime, the image recognition function is in action. | :06:48. | :06:50. | |
You photograph an item and it aims to find it for you online... | :06:51. | :06:54. | |
The phone will be released this month from $650. | :06:55. | :07:09. | |
The company believe they will see explosive sales, but let's hope | :07:10. | :07:12. | |
Now, to cyborgs and when Hollywood imagines them they look way too | :07:13. | :07:26. | |
futuristic to be anywhere close to becoming a reality. | :07:27. | :07:29. | |
They did not save your life, they stole it. | :07:30. | :07:34. | |
Dan Simons has a very special appointment with Professor Someya | :07:35. | :07:39. | |
I have come to see a professor who is apparently going to turn me | :07:40. | :08:00. | |
into some sort of cyborg, so it's very unusual. | :08:01. | :08:09. | |
It's one of the first times a camera crew has been allowed | :08:10. | :08:12. | |
in to see the process happen, and it will all take place | :08:13. | :08:16. | |
This research team have come up with the world's thinnest organic | :08:17. | :08:26. | |
circuits, lighter than a feather, they could be worn like | :08:27. | :08:29. | |
Either monitoring the body or as an e-skin display. | :08:30. | :08:41. | |
We can introduce the electronic functions directly | :08:42. | :08:43. | |
on the surface of the skin without causing any discomfort. | :08:44. | :08:48. | |
This is human and machine coming together? | :08:49. | :08:52. | |
The display they are putting on to me has taken three days | :08:53. | :08:56. | |
to manufacture, so the research team are being very careful. | :08:57. | :09:03. | |
It is just two to three microns in thickness. | :09:04. | :09:06. | |
The magic is controlled by polymer semiconductors and transparent | :09:07. | :09:08. | |
electrodes with organic semiconductors and diodes firing | :09:09. | :09:10. | |
They can scrunch them and, on rubber, even stretch of them. | :09:11. | :09:23. | |
The circuits still work, and that is something I have come | :09:24. | :09:26. | |
Professor Someya has used this e-skin to measure heart rate | :09:27. | :09:30. | |
Is it robust enough to go running with, for example? | :09:31. | :09:36. | |
It doesn't cause any mechanical failure. | :09:37. | :09:46. | |
Would you expect us to change this every two or three days? | :09:47. | :09:54. | |
So if we can manufacture everything very cheap, | :09:55. | :10:04. | |
so after you go to the shower and then delaminate your skin, | :10:05. | :10:07. | |
This is just a single digit display today, | :10:08. | :10:25. | |
So, the second step will be much multiple digits and then | :10:26. | :10:34. | |
going to the high-definition display. | :10:35. | :10:43. | |
Yes, 1,000 pixels, that's technologically possible. | :10:44. | :10:47. | |
So on our hand, so we could, what, talk to people? | :10:48. | :10:50. | |
This could be a picture of my mum, for example? | :10:51. | :10:56. | |
I could say, "Hi, Mum", and my Mum would appear on my hand? | :10:57. | :11:00. | |
Yes, that would be possible in the future, maybe four | :11:01. | :11:02. | |
But lifetime will be the biggest issues. | :11:03. | :11:06. | |
This is the start of the rise of the cyborgs. | :11:07. | :11:30. | |
That fit for the short version of Click this week. The full version is | :11:31. | :11:40. | |
available online. There is much more from Brian Eno coming soon as well, | :11:41. | :11:48. | |
we will tweet you when it is ready -- that's it for the short version. | :11:49. | :11:54. |