Browse content similar to 30/07/2011. Check below for episodes and series from the same categories and more!
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their turn to take centre stage. Now it is time for Click. There has | :00:15. | :00:25. | |
:00:25. | :00:36. | ||
This week we are copying and printing ourselves at a rapid | :00:36. | :00:41. | |
prototyping lab in London. And we ask it creating things from scratch | :00:41. | :00:46. | |
in our own home will be as easy as downloading the design? The net | :00:46. | :00:51. | |
feeding your TV set. We are in France, one of the country's | :00:51. | :00:54. | |
leading the next living room revolution but will it catch on | :00:54. | :00:57. | |
elsewhere? We will also some up the biggest | :00:57. | :01:00. | |
Tech News stories around the world and ask if this website can really | :01:00. | :01:10. | |
:01:10. | :01:15. | ||
Welcome. You join me at a very interesting point. I am having my | :01:15. | :01:20. | |
head scanned so that it can be duplicated. Not so the BBC has a | :01:20. | :01:24. | |
spare in case of any accident but because my head is going to be | :01:24. | :01:33. | |
reproduced by that machine over there. A 3D Printer. 3D printing is | :01:33. | :01:38. | |
essentially exactly what it sounds like. Producing a 3D object by | :01:38. | :01:43. | |
printed yet. It is now catching on with those who need to create 3D | :01:43. | :01:49. | |
models quickly and cheaply. Designers who need to test the look | :01:49. | :01:55. | |
and feel of their prototypes can see it in the real world. Artists | :01:55. | :01:59. | |
wanting to bring outrage has designed to life. And architects | :01:59. | :02:04. | |
who need to create precision scale models of their building plans. | :02:04. | :02:08. | |
There has even been talk that in the future, buildings themselves | :02:08. | :02:14. | |
will be printed censure and by section. Recently, the technology | :02:14. | :02:19. | |
has become cheap enough to go mainstream. -- section by section. | :02:19. | :02:23. | |
UK designer models on mine and then get them printed it, packaged and | :02:23. | :02:27. | |
sent straight to you. You can even bring them in colour. The print is | :02:27. | :02:32. | |
not so different to traditional printers. But instead of flat | :02:32. | :02:35. | |
layers of League, these models to spend the layers of plastic, | :02:35. | :02:43. | |
Western or even film. One on top of the other until the work of art is | :02:43. | :02:49. | |
complete. The process starts with a scan and the scanner. He Ritter's. | :02:49. | :02:54. | |
What we have our two lenses up the top that up taking lots of photos | :02:54. | :02:59. | |
every second. -- here it is. The projector projects a grid onto the | :02:59. | :03:03. | |
subject. So I will show you what it looks like on the screen. The greed | :03:03. | :03:09. | |
is collecting geometric data. So 3D data about the subject that is | :03:09. | :03:14. | |
being scanned. -- agreed. That is then fed into the software which | :03:14. | :03:18. | |
essentially stages all of that together. It uses the geometric | :03:18. | :03:25. | |
data to form the 3D model of my head. Which again see on screen | :03:25. | :03:33. | |
here. It does need the human touch. This is why date is here. He built | :03:33. | :03:37. | |
filling the hole in my face. Once he have done that, he adds the | :03:38. | :03:42. | |
texture and colour back onto the head. Prices go and then that | :03:42. | :03:47. | |
information is sent the Print Station. -- presses go. We have a | :03:47. | :03:51. | |
choice of three different types of 3D printers. This one uses a power | :03:52. | :03:55. | |
the substance. If you look there, you can see the powder and you can | :03:55. | :03:59. | |
see what looks like an inkjet printer of. That is because that is | :03:59. | :04:04. | |
what it is. It used as a normal inkjet printer head to pump flew | :04:04. | :04:08. | |
into the powder but only where it needs to set that particular cross | :04:08. | :04:14. | |
section. Then, a whole bed of powder drops down and just the bit | :04:14. | :04:17. | |
for the next cross section is pumped in and said. This is the | :04:17. | :04:23. | |
kind of thing that this powder 3D Printer will produce. -- pumped in | :04:23. | :04:27. | |
and said. Next up, we have something that looks like a | :04:28. | :04:33. | |
microwave oven. That is because it does get very hot in there. This is | :04:33. | :04:37. | |
a 3D printer are using Western. You can see inside again. It is | :04:37. | :04:47. | |
:04:47. | :04:47. | ||
building up their -- building up the head of layer by layer. This | :04:47. | :04:53. | |
printing is useful for producing injection-moulded stuff. And also a | :04:53. | :04:59. | |
snap fix kits. Things you would put together afterwards. This is | :04:59. | :05:04. | |
possibly the weird a sprinter in my mind because it actually uses paper. | :05:04. | :05:08. | |
It has a big dream of A4 paper and it loads the paper sheet by sheet | :05:08. | :05:13. | |
onto this bed, lose the previous sheet of paper and then a fine | :05:13. | :05:17. | |
blade cuts out dust the top layer into the shape of a cross section. | :05:17. | :05:23. | |
Then the whole thing goes down and wallpaper is added. You can get | :05:23. | :05:27. | |
some really bizarre creations like this which is made of paper but | :05:27. | :05:30. | |
there is no other way of coming up with something like this if you are | :05:30. | :05:35. | |
just making it out of paper. The data we saw that makes up my head | :05:35. | :05:39. | |
is sent to the computer attachment in these printers and each one will | :05:39. | :05:42. | |
process it in a different way because of the way it is printed. | :05:42. | :05:47. | |
The powder Printer only needs the model to be broken up -- broken up | :05:47. | :05:51. | |
into cross-sections. But there was an printer need extra information | :05:51. | :05:55. | |
so it can work out where to put support to keep it in the right | :05:55. | :06:01. | |
shape before the race and has set in the heat. More on 3D printing in | :06:01. | :06:04. | |
a minute and we can see the final result before we finished the | :06:04. | :06:08. | |
programme. Next is this week's Tech News. | :06:08. | :06:13. | |
The hacking group Anonymous has started to release secret documents | :06:13. | :06:17. | |
stolen from an Italian cyber crime unit. The files were allegedly | :06:17. | :06:22. | |
taken from a department which oversees Italy's critical IT | :06:22. | :06:27. | |
infrastructure. It was supposed to be in retaliation to the arrest of | :06:27. | :06:31. | |
the group Anonymous. It is threatening further attacks against | :06:31. | :06:41. | |
:06:41. | :06:53. | ||
pay power and E Bay. -- PayPal. The company wants to break the | :06:53. | :06:57. | |
stranglehold of proprietary technologies over the mobile world. | :06:57. | :07:03. | |
Although gecko is using the Google android operating system as the | :07:03. | :07:08. | |
starting point. And finally, five fake apple stores are being found | :07:08. | :07:12. | |
in China. The retell impostors were discovered in a seedy after an | :07:12. | :07:16. | |
American bloggers spotted the shops complete with staff wearing Apple | :07:16. | :07:21. | |
branded T-shirts. At least two of the stores have been closed but the | :07:21. | :07:25. | |
fight goes on with reports of other fakes stores popping up in | :07:25. | :07:34. | |
Venezuela and Croatia. My head has been scanned and has | :07:34. | :07:40. | |
been tidied up and is busy been printed. Meanwhile, let's talk to | :07:40. | :07:47. | |
the course director here. Welcome to Click. 3D Printing, is there | :07:47. | :07:53. | |
anything you cannot use to print quest mac there are many different | :07:53. | :08:00. | |
technologies out there. You can boil it down to two. Additives, so | :08:00. | :08:04. | |
attractive and others. You are working with an additive process we | :08:04. | :08:09. | |
print in 3D, you are building up layers using a liquid or powder. It | :08:10. | :08:14. | |
comes in materials you can use depending on the subject that you | :08:14. | :08:21. | |
are printing. There is a fantastic machine called the Candy Fab | :08:21. | :08:25. | |
Printer. You can imagine pouring kilos of sugar into a printer and | :08:25. | :08:31. | |
producing something that is very sustainable. And tasty? Yes. | :08:31. | :08:38. | |
Dissolves in the rain. Or you may be printing with titanium powder. | :08:38. | :08:46. | |
So that would imply that you might be making a hip-replacement joint. | :08:46. | :08:51. | |
Or you may need to make replacement parts for your car. They could be | :08:51. | :08:57. | |
printed with cobalt, for example. Subtracted technologies is the | :08:57. | :09:02. | |
reverse. You are taking a solid block and you are removing material | :09:02. | :09:11. | |
from it. So you may be working with a laser, a laved, it will, and more | :09:11. | :09:16. | |
and more larger projects are using powerful water jets to look remove | :09:16. | :09:23. | |
these blocks. -- a drill. There are cheaper alternatives aren't there? | :09:23. | :09:27. | |
Yes. The notion of the factory on the desktop is rising it has been | :09:27. | :09:37. | |
:09:37. | :09:37. | ||
for some time. There is a concept which a doctor at Bath University | :09:37. | :09:41. | |
has been working on. The machine replicates itself so you can log on | :09:41. | :09:44. | |
to the website and learn how to build your own prototype that will | :09:44. | :09:48. | |
then intern build another one and another one. That is the stuff that | :09:49. | :09:56. | |
nightmares are made of. How to visit to build that? I would | :09:56. | :10:00. | |
imagine you could do that for a couple of hundred pounds. So you | :10:00. | :10:06. | |
are talking about making a prototype yourself instead of | :10:06. | :10:10. | |
spending a lot of money getting it made. And you are talking about | :10:10. | :10:14. | |
people halfway around the world printing the part they need. What | :10:14. | :10:18. | |
will that do to the manufactoring industry? It is revolutionising it. | :10:18. | :10:24. | |
A lot of people are out of work perhaps but essentially what you | :10:24. | :10:34. | |
:10:34. | :10:37. | ||
are looking at is the ability to set up factories at a lower cost. | :10:37. | :10:41. | |
You can make slight adjustments to prototypes once you have made the | :10:41. | :10:48. | |
initial ones. And the other FX, what about the freight industry? | :10:48. | :10:51. | |
You no longer have to ship a component part right across the | :10:51. | :10:56. | |
world, you can printed right here and now we wanted. That is a very | :10:56. | :11:04. | |
green bean to be doing. -- green thing. If you can scan on to it, | :11:04. | :11:11. | |
you can copy objects as well? are right. The music industry has | :11:11. | :11:15. | |
been in that it severely by that during the last decade. Yes, what | :11:15. | :11:20. | |
we have is a situation where a digital file can be shared and | :11:20. | :11:23. | |
copyright infringement can occur. So that will be a big issue for the | :11:23. | :11:28. | |
lawyers and have to be worked out. It has not been resolved yet. | :11:28. | :11:34. | |
you for your time. Your thoughts would be welcome on this. It is a | :11:34. | :11:39. | |
fascinating subject. E-mail us or tweed asked. Later, I will be | :11:39. | :11:49. | |
:11:49. | :11:50. | ||
Apparently one day all TV will be received over the internet. There | :11:50. | :11:56. | |
is currently a Battle Royal raging over how that's going to happen. | :11:56. | :12:01. | |
First, there's the all-singing all- dancing I P C D that promises to be | :12:01. | :12:06. | |
the future of television. And then there's internet TV, which also | :12:06. | :12:12. | |
promises to be the future of television. So how do we work this | :12:12. | :12:16. | |
one out? David Reed reports from France where at least one of these | :12:16. | :12:24. | |
formats is already making itself at This family here in common with | :12:24. | :12:30. | |
millions of other French households get their daily dose of telly from | :12:30. | :12:35. | |
I P t be. They get seemingly limitless channels, can hire videos, | :12:35. | :12:40. | |
which saves a trip to the shop, and you can play video games. | :12:40. | :12:45. | |
Particularly popular with Julie. Internet protocol TV is based on | :12:45. | :12:50. | |
the same technology as the internet, but uses a more reliable managed | :12:50. | :12:55. | |
network. It is called on in France partly because I P TV has been | :12:55. | :13:00. | |
cleverly bundled together with the internet and telephone for a modest | :13:00. | :13:06. | |
monthly subscription. TRANSLATION: In the end, it will replace all | :13:06. | :13:12. | |
other forms of television delivery. It is not strictly just down to us | :13:12. | :13:15. | |
as there is a global growth and that is very strong. EUR4 million | :13:15. | :13:21. | |
our service in France and more than 10 million use it. We have an | :13:21. | :13:28. | |
exclusive service that didn't exist ten years ago with strong growth. | :13:28. | :13:32. | |
So,' is he right? Is this French Revolution poised to spread | :13:32. | :13:38. | |
elsewhere? Well, it could be, but it all depends on how it copes with | :13:38. | :13:42. | |
the competition from internet television. Now, you will be | :13:42. | :13:48. | |
familiar with services already, and there's also internet TV from | :13:48. | :13:58. | |
:13:58. | :13:59. | ||
broadcasters like the BBC or While internet TV is often free, it | :13:59. | :14:03. | |
is not always reliable. That's because the TV show you are | :14:03. | :14:08. | |
watching has to compete with the other traffic on the net. It means | :14:08. | :14:15. | |
that from time to time, it does this... I P t beyond the other hand | :14:15. | :14:20. | |
comes to you down a managed network. It means that it has a dedicated | :14:21. | :14:27. | |
fast lane. No buffering issues, more like this. It is a matter of | :14:27. | :14:31. | |
the reliability of reception of the programmes. That is a big advantage | :14:31. | :14:36. | |
but of course it comes with the cost. If you reserve a seat on a | :14:36. | :14:42. | |
train, you have got to pay an extra cost for preserving that seat. You | :14:42. | :14:47. | |
have to pay a subscription for I P TV, but not with open internet, | :14:47. | :14:54. | |
which you get via your normal internet service provider. Internet | :14:54. | :14:59. | |
TV is looking to consolidate in the future with initiatives like you | :14:59. | :15:03. | |
view, an online platform for British broadcasters. It is worth | :15:03. | :15:08. | |
bearing in mind that advertisers like both I P TV and internet TV, | :15:08. | :15:14. | |
both can gather data on Dewar's, both can deliver targeted at its -- | :15:15. | :15:21. | |
viewers -- at its. TRANSLATION: What we do this is commit consumer | :15:21. | :15:28. | |
by consumer, subscriber by subscriber, to deliver targeted and | :15:28. | :15:31. | |
revising -- advertising. In Lyon are able to live advertising | :15:31. | :15:36. | |
relevant to what is around you. We can deliver adverts relevant to | :15:36. | :15:41. | |
each subscriber, rather than everyone. So there is an important | :15:41. | :15:46. | |
distinction between broadcasting and cable castings. You send out | :15:46. | :15:50. | |
all of the programme's at the same time and the viewer picks what he | :15:50. | :15:55. | |
wants anonymously. Systems based on internet protocol. Open internet, | :15:55. | :15:59. | |
and I P TV, in this case your addresses on the front of the | :15:59. | :16:03. | |
programme so somebody somewhere knows what you're watching all the | :16:03. | :16:07. | |
time. This information, is an advertiser or a programme company | :16:07. | :16:13. | |
can get it, can be used to help shape advertising, within what kind | :16:13. | :16:19. | |
of programmes you are watching, for how long and when you watch them. | :16:19. | :16:23. | |
This is the fact of life associated with IEP delivery services, they | :16:23. | :16:29. | |
are addressed. Somebody knows who is watching when and where. Perhaps | :16:29. | :16:34. | |
there are some future ethical issues in this area as well. Do we | :16:34. | :16:39. | |
want a society where this happens? Or, would we prefer a broadcast | :16:40. | :16:44. | |
environments that we can watch something anonymously. That is a | :16:44. | :16:49. | |
question for the future, I'm sure. It looks like there will be a role | :16:49. | :16:54. | |
in this new era of television for both I P t and internet TV. Once | :16:55. | :16:59. | |
again with new technology the downside of incredible choice is | :16:59. | :17:09. | |
:17:09. | :17:11. | ||
creepy intrusion and uninvited David Reid on the difference | :17:11. | :17:16. | |
between internet TV and internet protocol TV. Got it? Good. Now, one | :17:16. | :17:20. | |
of the UK's leading newspapers publish as a famous rich list | :17:20. | :17:23. | |
containing the names of all those people we love to hate... because | :17:23. | :17:28. | |
they've got too much money. Working for the BBC are pretty sure I will | :17:28. | :17:33. | |
never make it. But, there's a good a list published by the same | :17:33. | :17:36. | |
newspaper that people like you and I may stand a chance of featuring | :17:36. | :17:42. | |
on as long as we're sociable. Kate Russell explains. I might not have | :17:42. | :17:46. | |
much in my savings account but there's one place I'm pretty sure | :17:46. | :17:56. | |
of my value, the social Web. And here, I can find out for short by | :17:56. | :18:01. | |
connecting my social networking accounts and let the website take | :18:01. | :18:11. | |
care of the rest. Being at the top of this list isn't just about | :18:11. | :18:16. | |
spamming your networks with drivel, shocking I know. It a value weights | :18:16. | :18:20. | |
the interest generated by your posts, giving you a much clearer | :18:20. | :18:30. | |
indication of Yorweth to the crowd. You connect with various websites, | :18:30. | :18:34. | |
covering the vast majority of Social media activities. Europe is | :18:34. | :18:39. | |
updated daily and you have to be in it to win it -- your rank. You | :18:39. | :18:44. | |
won't be included if you haven't signed in it. So come on, what are | :18:44. | :18:49. | |
you worth? Maybe your social contacts will be more valuable to | :18:49. | :18:57. | |
you than you are to them. That's life, I guess. And with hash Abol | :18:57. | :19:07. | |
:19:07. | :19:12. | ||
.com, you can keep track of all your meaningful connections. So if | :19:12. | :19:22. | |
:19:22. | :19:22. | ||
you're meeting with a friend, you Then the website will put it in | :19:22. | :19:27. | |
your records. They then aggregates all the cash tanks used by you and | :19:27. | :19:32. | |
your inner circle. So you can see who's doing what, where and with | :19:32. | :19:38. | |
whom. It might sound a bit trivial to some, or even perhaps a little | :19:38. | :19:43. | |
invasive, but you locked in with the relevant hash tag at having the | :19:43. | :19:46. | |
history available through the site could come in handy if your | :19:46. | :19:56. | |
:19:56. | :20:03. | ||
business is all about connections - I have a very musical thumb, don't | :20:03. | :20:12. | |
believe me? Well check out this app. It's not free, but I think it's | :20:12. | :20:16. | |
worth every penny if you fancy yourself a bit of a digital | :20:16. | :20:23. | |
composer. The idea is that you record looks of difference some | :20:23. | :20:27. | |
poor old instruments, stacking them on top of each other until you get | :20:27. | :20:36. | |
a composition you're proud of. Oh... you might want to use your | :20:36. | :20:43. | |
headphones to, not everybody appreciates a musical genius. There | :20:43. | :20:48. | |
are loads of pre-installed samples and you can download more or even | :20:48. | :20:52. | |
record your own. Effects can be added and you can even control them | :20:52. | :21:00. | |
using the phone's accessories. Like adding pitched bend with tilt. Or, | :21:00. | :21:07. | |
shaking it. So creating your thumb Jan is easy and you can use the | :21:07. | :21:12. | |
copy and paste unction to record a session in two lots of compatible | :21:12. | :21:18. | |
apps. -- pace function. I still can't get it to work, though, but | :21:18. | :21:24. | |
the makers to assure me that the next update Pool six various issues. | :21:24. | :21:34. | |
:21:34. | :21:38. | ||
If you would like to submit a website or a app e-mail us -- next | :21:38. | :21:48. | |
:21:48. | :21:51. | ||
This week, the team gets an inside view on a new project by the | :21:51. | :21:57. | |
musician, York. Find out why her new album is violently Happy. Just | :21:57. | :22:04. | |
one more thing to do and that is to introduce you to my little head. | :22:04. | :22:11. |