Browse content similar to 15/10/2011. Check below for episodes and series from the same categories and more!
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year. Now on BBC News it is time Welcome to Click, I'm Spencer Kelly. | :00:07. | :00:17. | |
:00:17. | :00:20. | ||
This week Willie at... -- we'll be looking at.... Will you please make | :00:20. | :00:30. | |
:00:30. | :00:38. | ||
up your mind on what you want to This week on Click win in Japan | :00:38. | :00:42. | |
uncovering some of the weird and wonderful prototypes that may or | :00:42. | :00:49. | |
may not make it to our world -- we're in. Roads? Where we're going | :00:49. | :00:52. | |
we don't need roads. We are looking at how well a futuristic | :00:52. | :00:56. | |
transporter could change the way we travel. All that plus the latest | :00:56. | :01:02. | |
Tech News and a look at how to put virtually anything anywhere. We | :01:02. | :01:06. | |
have a app that let's your friends change how you see the world in | :01:06. | :01:11. | |
Webscape. Welcome to Click, I'm Spencer Kelly. | :01:11. | :01:17. | |
There's no doubt that Japan has had a tough year. First the earthquake | :01:17. | :01:20. | |
and tsunami and then the radiation leak and more recently the massive | :01:20. | :01:25. | |
typhoon that has hit its coastline. As well as the human cost these | :01:25. | :01:29. | |
disasters have also affected the manufacturing and technology | :01:29. | :01:34. | |
industries. On top of that, Sony's servers have been hacked and | :01:34. | :01:39. | |
Nintendo has been struggling to make anyone care at art its new 3D | :01:39. | :01:44. | |
hand-held gaming console. -- care about. But in the background | :01:44. | :01:49. | |
research into new technology has been ongoing. Dan Simmons reports | :01:49. | :01:55. | |
from Japan's massive are Andy technology Expo on some of the | :01:55. | :02:00. | |
stuff that is being planned for the coming years. The tech world's | :02:00. | :02:04. | |
autumn is spiced each year with a looking glass directed towards the | :02:04. | :02:12. | |
future course see attack. They come here not to see what's hot to hit | :02:13. | :02:16. | |
the shops as they do in Vegas or Berlin. Nor grandstand a new mobile | :02:16. | :02:21. | |
as they might in Barcelona or Hong Kong. As the year draws to a close, | :02:21. | :02:31. | |
:02:31. | :02:32. | ||
Tokyo offers inspiration. They are the suits with the cash. To turn a | :02:32. | :02:37. | |
prototype into a product. Many of the ideas here may never see the | :02:37. | :02:41. | |
light of day. Which is why we've come to see what's been dreamt up, | :02:41. | :02:46. | |
before it's commonplace - or forgotten. Pretty interesting idea, | :02:46. | :02:52. | |
so something new, never felt a touch screen like that before. | :02:52. | :02:55. | |
concept should hit the button. Because the people pressing this | :02:55. | :02:58. | |
touch screen, are feeling something very different from anything we've | :02:58. | :03:05. | |
experienced. I felt as if I was touching a real | :03:05. | :03:09. | |
button. One reason some of us don't like | :03:09. | :03:13. | |
touch screens is that we can't feel the buttons. But here unlike | :03:13. | :03:15. | |
conventional phones where a metal rod delivers vibration though out | :03:15. | :03:19. | |
the handset - Kyocera has added a thin glass cover that sits above | :03:19. | :03:22. | |
the screen to deliver more precise feedback straight to your | :03:22. | :03:28. | |
fingertips. At each end lies a ceramic | :03:28. | :03:31. | |
piezoelectric strip that generates a charge from the pressure applied | :03:31. | :03:35. | |
to it creating different vibes across the screen. | :03:35. | :03:38. | |
And because the screen itself is flexible, the level of pressure can | :03:38. | :03:43. | |
be measured. So you can click a button once then | :03:43. | :03:46. | |
push harder for a second, third, fourth, or fifth deeper click | :03:46. | :03:55. | |
When it's switched to a second level click, I could feel it even | :03:55. | :04:03. | |
more, it's very impressive. Imagine selecting a lower case | :04:03. | :04:07. | |
letter and then pressing just a little harder, clicking to an upper | :04:07. | :04:12. | |
case option. Japanese firm, Alps has gone one step further with its | :04:12. | :04:16. | |
dual-touch system. So in this game, the purple circle can be moved from | :04:16. | :04:26. | |
:04:26. | :04:31. | ||
side to side by pressing harder at Pulse where Murata were showing off | :04:31. | :04:36. | |
a system that doesn't require touch at all -- elsewhere. We already | :04:36. | :04:46. | |
:04:46. | :04:47. | ||
have some pretty smart sensors in our smart phones. They detect | :04:47. | :04:50. | |
things like light or proximity to the face which is how the | :04:50. | :04:54. | |
Smartphone knows how to turn the screen off to save energy when you | :04:54. | :04:57. | |
are taking a call, but what Murata are working on is something that | :04:57. | :05:00. | |
will detect motion so that you could move between options without | :05:00. | :05:03. | |
actually touching your touch screen. These are the sensors no longer | :05:03. | :05:07. | |
reliant on cameras to detect movement. One of these could be put | :05:07. | :05:11. | |
behind a screen here for example or in a tablet for example in a mobile | :05:11. | :05:15. | |
phone. We can now move in or around and then zoom around a particular | :05:15. | :05:21. | |
photo. We then cooking hands wet and in the winter wear gloves | :05:21. | :05:24. | |
unfortunately doesn't detect on touch screen so that this interface | :05:24. | :05:28. | |
uses it is easy to work the sensors offers us a new way interact and | :05:28. | :05:38. | |
:05:38. | :05:41. | ||
More motion sensing - this time using a camera. Israeli outfit | :05:41. | :05:44. | |
Primesense helped develop the Microsoft Kinect system that uses | :05:44. | :05:53. | |
gestures to control games. Here's their PC version - running Forum8's | :05:53. | :05:56. | |
software, that "sees" much smaller realistic movements - so here the | :05:56. | :06:00. | |
driver can use his feet as he might in a real car to accelerate or | :06:00. | :06:04. | |
brake. In the real world the future of | :06:04. | :06:08. | |
cars might well be electric IF we didn't need to spend so much time | :06:08. | :06:12. | |
charging them up. NEC showed off a superfast charger | :06:12. | :06:19. | |
cutting the time for an 80% charge from 4 hours to 30 minutes. | :06:19. | :06:22. | |
Advances for handsets too - NTT DOCOMO's prototype smartphone | :06:22. | :06:27. | |
'sleeve' juices up a mobile in just 10 minutes. | :06:27. | :06:31. | |
Time for lunch.. And a little help from the SOFTWARE side of things IF | :06:31. | :06:35. | |
you're trying to stay in shape. Increasingly we're turning to our | :06:35. | :06:39. | |
apps to help count the calories but what if you're in a restaurant - no | :06:39. | :06:43. | |
barcode or brand name will help you know what you're eating. This app | :06:43. | :06:46. | |
attempt to use photo recognition to tell you the nutritional info by | :06:46. | :06:55. | |
And if you're serious about losing weight you'll want one of these. It | :06:55. | :06:59. | |
measures the tiny amounts of acetone in your breath. In case | :06:59. | :07:02. | |
you're not sure it tells you whether you're hungry and perhaps | :07:02. | :07:05. | |
more usefully when you're body will burn the most fat should you chose | :07:06. | :07:11. | |
to exercise, so you can schedule your workouts and your TV dinners.. | :07:11. | :07:15. | |
Here's a different way to control your TV set through what appears to | :07:15. | :07:19. | |
be just a piece of plastic, when we twist it we can go up a channel and | :07:19. | :07:24. | |
when we twist it the other way back down a channel. Not just twisting | :07:24. | :07:27. | |
but bending as well you can bring the volume up or down accordingly | :07:27. | :07:31. | |
now what inside here is two pieces of thin polyester coated with | :07:31. | :07:33. | |
electrons which give a different signal depending on whether you're | :07:34. | :07:37. | |
twisting or bending this device and that signal is then sent to the | :07:37. | :07:41. | |
control centre on the side of the panel which is powered by a battery | :07:41. | :07:45. | |
now you don't need to plug it in or change the battery because that's | :07:45. | :07:48. | |
powered by these die sensitised solar panels; the device then sends | :07:48. | :07:53. | |
a radio signal to the TV set which tells it to go up down or if you | :07:53. | :08:03. | |
:08:03. | :08:12. | ||
fancy off. Again, it's easy to see how this | :08:12. | :08:16. | |
might add an extra twist to gaming - although I couldn't help | :08:16. | :08:22. | |
wondering how long it would last in the hands of a 5-year old. | :08:23. | :08:26. | |
We couldn't leave Japan without a nod to the tech it's most famous | :08:26. | :08:29. | |
for - the robots. Often very impressive but, beyond amusement, | :08:29. | :08:38. | |
difficult to imagine their One idea at the show was this self | :08:38. | :08:40. | |
correcting walking assistant using similar balancing technology mixing | :08:40. | :08:50. | |
gyroscopes and motor feedback as these cycling robots. | :08:50. | :08:53. | |
Where these mainly Japanese technologies go from here will | :08:53. | :08:57. | |
depend largely on whether they're picked up by big manufacturers. But | :08:57. | :09:06. | |
if, in the future, a gadget seems just a bit bizarre. It may well | :09:06. | :09:09. | |
have first appeared here, as a prototype one autumn at Tokyo's | :09:09. | :09:14. | |
tech show. Dan Simmons on the weird, wacky and | :09:15. | :09:19. | |
sometimes actually quite useful research on show in Tokyo this | :09:19. | :09:24. | |
month. Next up, a look at this week's Tech News. | :09:24. | :09:29. | |
A disastrous week for RIM with BlackBerry outages spreading across | :09:29. | :09:33. | |
the world affecting millions of computers. The failure of back-up | :09:33. | :09:37. | |
systems to kick in after databases were corrupted could cause | :09:37. | :09:44. | |
irreparable damage to Rennes that has built its erect quotation on | :09:44. | :09:48. | |
solid. It has shed half a million users in America and analysts say | :09:49. | :09:54. | |
more could switch to an iPhone and Android smart phones that do not | :09:54. | :09:59. | |
rely on a centralised system. Apple has launched its new operating | :09:59. | :10:04. | |
system that offers messaging, its answer to BlackBerry Messam does. | :10:04. | :10:07. | |
Germany's justice minister has called for an investigation after | :10:07. | :10:13. | |
hackers expose a programme that has been spying on citizens. Berlin's | :10:13. | :10:17. | |
Chaos Computer Club said Federal trojan can activate wed cans or | :10:17. | :10:22. | |
computer market aims to track activities in a person's home or | :10:22. | :10:27. | |
monitor Skype calls. The area has admitted using the software since | :10:27. | :10:32. | |
2009 but says it was not illegal. You might not have the money to go | :10:32. | :10:36. | |
into space but your science experiment might make it to the ISS, | :10:36. | :10:44. | |
if you're aged 14-18. The YouTube Spacelab competition encourages | :10:44. | :10:50. | |
people to send in a short video detailing their idea. | :10:50. | :10:55. | |
Finally you don't usually see dot- matrix printers any more, much less | :10:55. | :10:59. | |
plucked into a computer on a tricycle but Nicholas Hanna put | :10:59. | :11:03. | |
these together as he rode his modified trike through Beijing as | :11:03. | :11:07. | |
part of its design week. It is a modern twist on an old Chinese | :11:07. | :11:13. | |
tradition of writing calligraphy in water. | :11:13. | :11:19. | |
I lived on a crowded island. My morning commute to work is a | :11:19. | :11:29. | |
:11:29. | :11:29. | ||
crowded one. My personal space is 0. But at Heathrow they are offering a | :11:29. | :11:35. | |
new system, automated driver Les iPods that offer public-transport | :11:35. | :11:40. | |
with a personal touch. We could only send Peter Price along for the | :11:40. | :11:50. | |
:11:50. | :11:51. | ||
There's something strange taking to the sky over Heathrow. Four seater | :11:51. | :11:54. | |
pods are moving overhead, whisking travellers from car park to check- | :11:54. | :12:00. | |
in in record time. Travelling at 40 kilometres an hour, these battery | :12:00. | :12:04. | |
powered vehicles use lasers to stay on track. We're used to seeing | :12:04. | :12:11. | |
monorails at airports, but this system's different. The pods are | :12:11. | :12:14. | |
automated, driverless and operate on-demand - waiting at the station | :12:14. | :12:18. | |
until they're needed rather than running around empty. This system's | :12:18. | :12:23. | |
a hybrid of public and private transport. It's like public | :12:23. | :12:26. | |
transport because like a bus or a monorail, you just hop on the next | :12:26. | :12:33. | |
one. It's also a bit like private taxi because you tell it exactly | :12:33. | :12:37. | |
where you'd like to go and the pod, which is individual to you, takes | :12:37. | :12:40. | |
you there, from A to B without stopping anywhere in between. So, | :12:40. | :12:50. | |
:12:50. | :12:51. | ||
business parking station A please. Here we go. Here at Heathrow, the | :12:51. | :12:54. | |
pods are replacing buses shaving about 10 minutes from the average | :12:54. | :12:57. | |
journey time. That's time saved thanks to each pod being controlled | :12:57. | :13:03. | |
by a central computer. Its software is on a mission get the pod to its | :13:03. | :13:10. | |
destination in the fastest time. Two operators monitor the comings | :13:10. | :13:13. | |
and goings via CCTV, but don't be fooled, it's computer rather than | :13:13. | :13:23. | |
:13:23. | :13:25. | ||
human that's doing the thinking. Computer-controlled transport like | :13:25. | :13:28. | |
this is known as personal rapid transit or PRT and it's ambition | :13:28. | :13:34. | |
goes beyond airports. Well, this was designed to work in cities. Not | :13:34. | :13:37. | |
the very big cities like London, which is a very unique place, but | :13:37. | :13:40. | |
also designed for somewhere like Bristol. I just thought that | :13:40. | :13:44. | |
transport's not very well done. I thought if it was thought through | :13:44. | :13:48. | |
properly you could find a better way to do it. The idea's been | :13:48. | :13:51. | |
around for some time but in the past people have been carried away | :13:51. | :13:54. | |
with trying to do automation, you know the technical things. We've | :13:54. | :13:57. | |
always tried to provide a service to people which would actually do | :13:57. | :14:06. | |
what the passenger wanted. It all looks very futuristic, but the idea | :14:06. | :14:09. | |
of PRT has been around for decades, and it's development has been | :14:09. | :14:13. | |
anything but fast. It was conceived in the 50s and one of the first | :14:13. | :14:21. | |
trials took place in Paris. Leaving gaps between trains is inefficient | :14:21. | :14:24. | |
says the science, so this project aims to run pods as close together | :14:24. | :14:27. | |
as possible, maximising capacity of the track. The carriages of this | :14:27. | :14:30. | |
little train are connected by light waves. Each carriage carries a | :14:30. | :14:33. | |
laser which bounces its beam off the carriage in front. It measures | :14:33. | :14:37. | |
how long it takes the light to travel and calculates how far away | :14:37. | :14:46. | |
the next carriage is. Slightly too close for comfort perhaps. While | :14:46. | :14:48. | |
the Parisian system was abandoned, PRT has once again caught the | :14:48. | :14:51. | |
imagination with several systems currently in development around the | :14:51. | :15:00. | |
world. This is the UK's most high profile transport project: High | :15:00. | :15:09. | |
Speed 2. Brand new tracks across these fields will link London and | :15:09. | :15:12. | |
Birmingham. It's still many years away, but the trains look strangely | :15:12. | :15:16. | |
conventional. One man who specialises in transport design, | :15:16. | :15:19. | |
thinks future high speed travel could benefit from some blue-sky | :15:19. | :15:24. | |
thinking. I think they're being built on an old system. By their | :15:24. | :15:27. | |
very nature they have to be built going past the outside cities | :15:27. | :15:32. | |
because it's so expensive to go through them. So that's one problem, | :15:32. | :15:37. | |
because you then have to get from the city to the high speed train. I | :15:37. | :15:40. | |
also think that stations haven't changed at all for about 100 years, | :15:40. | :15:45. | |
they're still a piece of concrete and you get wet when it rains. | :15:45. | :15:47. | |
is Paul's vision of the future, doing away with platforms and | :15:47. | :15:53. | |
stations all together. Slow moving trams pick up passengers in the | :15:53. | :15:56. | |
city centre before speeding up to pull alongside passing express | :15:56. | :15:59. | |
trains. Then it's a gentle stroll across to continue your journey. | :15:59. | :16:06. | |
The doors close, the tram slows and returns to plying the city streets. | :16:06. | :16:09. | |
The idea is that you can seamlessly move from one destination to | :16:09. | :16:19. | |
:16:19. | :16:20. | ||
another rather than stopping and starting. Because I think the | :16:20. | :16:23. | |
railway system at the moment is a bit like pre-internet, the | :16:23. | :16:26. | |
telephone, where you had to press a button and then someone connected | :16:26. | :16:29. | |
it through wires. Rather than being able to choose where you want to go | :16:29. | :16:33. | |
and do it right then. So the idea that you can just jump on a tram | :16:33. | :16:37. | |
and go anywhere in the continent is just a better way of looking at it. | :16:37. | :16:40. | |
It's a glossy vision, but some experts are cautious. All transport | :16:40. | :16:42. | |
infrastructure, but particularly railways, is very expensive to | :16:42. | :16:45. | |
construct. To make it viable you need high densities of traffic, big | :16:45. | :16:47. | |
capacity. Railways are also very demanding technically. If anything | :16:47. | :16:57. | |
:16:57. | :17:01. | ||
goes wrong, the railway stops. So have to be absolutely sure that you | :17:01. | :17:04. | |
can make the equipment work reliably and you get a lot of | :17:04. | :17:09. | |
people down the line of route. It is difficult to do and if you use | :17:09. | :17:12. | |
untried, untested technology, the risk is that it you will end up | :17:12. | :17:15. | |
with something that simply doesn't work. I don't believe the railway | :17:15. | :17:19. | |
in the form of a tram or the steel rail will ever become anywhere near | :17:19. | :17:24. | |
replacing the road. The road is just so much more flexible, it's | :17:24. | :17:28. | |
cheaper for most people most of the time. In the UK only 8% of | :17:28. | :17:38. | |
:17:38. | :17:39. | ||
passenger miles are by rail. Almost all the movement, and this is true | :17:39. | :17:45. | |
of all developed countries, almost all the movement is by road. | :17:45. | :17:47. | |
Heathrow's at least, these pods are a futuristic way of easing | :17:47. | :17:50. | |
congestion on the roads, by replacing buses they're smoothing | :17:50. | :17:52. | |
the businessman's trip to the airport. But although the airport's | :17:52. | :17:54. | |
expansion plans are ambitious, rapid transit as a mainstream | :17:54. | :18:00. | |
method of transport could still be decades down the line. Now, you may | :18:00. | :18:04. | |
have noticed that Kate Russell does not get out of the Webscape studio | :18:04. | :18:11. | |
that often. That may have led you to wonder if she gets a bit lonely. | :18:11. | :18:16. | |
Apparently she does not, she has lots of friends around to her place. | :18:16. | :18:21. | |
Apparently that includes me. The thing is, I have never been around | :18:21. | :18:27. | |
to her place. This is Webscape. How could I get lonely when I have a | :18:27. | :18:35. | |
life-sized Spencer standing in my living room? Aurasma Lite lets you | :18:35. | :18:39. | |
place images in the world around you without the need for a marker. | :18:39. | :18:46. | |
Snap a picture as the location, and a graphic element from your camera, | :18:46. | :18:50. | |
the next time anyone use the same location through the application, | :18:50. | :19:00. | |
:19:00. | :19:02. | ||
up pops your contribution to the world around you. This would be a | :19:02. | :19:06. | |
great way to create a high technology treasure tried, laying | :19:06. | :19:16. | |
:19:16. | :19:16. | ||
clues around your garden or over you are holding a... You can play | :19:16. | :19:24. | |
on your iPhone. Make sure you do not play with anyone with a | :19:24. | :19:29. | |
different smart phone. It could end up with a fight. The application is | :19:29. | :19:33. | |
incredibly easy to use. Although the website says it only works with | :19:33. | :19:43. | |
:19:43. | :19:47. | ||
an iPhone 4, I had no issues on my 3G. If that is too high technology | :19:47. | :19:55. | |
for you, why not pass some time reading ancient papyrus. | :19:55. | :19:58. | |
Ancientlives.org is a scientific project where participants are | :19:58. | :20:02. | |
asked to help translate fragments from ancient text that belonged to | :20:02. | :20:12. | |
:20:12. | :20:18. | ||
the Egyptian exploration Society. This is another Zooniverse project. | :20:18. | :20:22. | |
They have added quite a few new projects to their list since I last | :20:23. | :20:27. | |
visited the website. If you want a really good excuse to waste time on | :20:27. | :20:37. | |
the internet, this is probably the right website to bookmark. I am | :20:37. | :20:40. | |
doing some very important scientific research. If you must | :20:41. | :20:50. | |
:20:51. | :20:52. | ||
know. Like all Zooniverse projects, it is well designed. It's still | :20:52. | :20:56. | |
feels like you are contributing to a series scientific project. Of | :20:56. | :21:04. | |
course, you are. If you have a story you want to tell, why not try | :21:04. | :21:13. | |
self-publishing? Movellas .com is the easy to use electronic book | :21:13. | :21:23. | |
:21:23. | :21:26. | ||
writer. You cannot charge for books written through Movellas .com, but | :21:26. | :21:30. | |
it is about distributing your words to anyone who is interested in | :21:30. | :21:35. | |
reading them. Lot in with Facebook to harness your personal crowd and | :21:35. | :21:39. | |
then tap away. You can invite a couple of collaborators if you need | :21:39. | :21:45. | |
someone to proof-read your work. When you're finished, click publish | :21:45. | :21:48. | |
instantly. Then wait with trepidation to see what the world | :21:48. | :21:58. | |
:21:58. | :21:58. | ||
makes of your work. London is famous for its underground trains. | :21:58. | :22:02. | |
What many visitors to the city do not realise is that the bus service | :22:02. | :22:10. | |
could be your best option for many journeys. The largest problem is | :22:10. | :22:13. | |
that the timetables can be confusing. You never quite know | :22:14. | :22:23. | |
:22:24. | :22:24. | ||
when a bus is due. Not any more with Bus Checker for iPhone, iPad | :22:24. | :22:30. | |
and iPod. You can check when it is due and where it is going based on | :22:30. | :22:36. | |
actual information from Transport for London, not the timetable. You | :22:36. | :22:41. | |
complain your journey and I am not surprised this application has led | :22:41. | :22:49. | |
to the top of the charts since it was launched. It cost �1.99 to up | :22:49. | :22:53. | |
load. A great investment for anyone planning to visit the city for the | :22:53. | :23:02. | |
Olympics next year. Apple has opened the doors of the iCloud | :23:02. | :23:06. | |
website, customers can sign up for the service that backs your data up | :23:06. | :23:16. | |
to the cloud. You cannot actually use it until you have are graded to | :23:16. | :23:21. | |
the latest operating system, when that update became available, the | :23:21. | :23:25. | |
service groaned under the weight of demand, seem incapable of coping | :23:25. | :23:30. | |
with the extra traffic. Let's hope the iCloud service is a little more | :23:30. | :23:39. | |
robust. Zynga has announced Project Z, a platform for playing social | :23:40. | :23:44. | |
games and chatting with friends, powered by Facebook connect. It is | :23:44. | :23:50. | |
not quite live yet but you can go to ztag.zynga.com and snag your | :23:50. | :24:00. | |
:24:00. | :24:00. | ||
favourite user name ahead of the masses. See you online. | :24:00. | :24:05. | |
Kate Russell. If he missed any of Kate's things they are up at our | :24:05. | :24:14. | |
website. There is a link to the entire programme on BBC iPlayer. | :24:14. | :24:24. | |
:24:24. | :24:24. |