Browse content similar to 24/12/2011. Check below for episodes and series from the same categories and more!
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and kicked by troops. The biggest topics of 2011, the | :00:11. | :00:17. | |
hottest trends of 2011. Forget those, these are the best clicks of | :00:17. | :00:27. | |
:00:27. | :00:38. | ||
2011. This week, we are looking back at | :00:38. | :00:41. | |
some of our favourite reports from the last 12 months. We will ask if | :00:41. | :00:45. | |
plans to bring the internet to some of the poorest and most isolated | :00:45. | :00:49. | |
areas on earth can succeed. We will also check out a brand new piece of | :00:50. | :00:52. | |
camera technology which should make everything clear, even after you | :00:53. | :00:57. | |
have taken the shot. If you are in no mood for a song and dance, we | :00:57. | :01:01. | |
will take you on a tour of some of the best places to get your music | :01:01. | :01:06. | |
online. There is an glimpse into the future, with a sneaky peek at | :01:06. | :01:16. | |
:01:16. | :01:16. | ||
tomographic TV, and we will round up the very best apps of the year. | :01:16. | :01:23. | |
Welcome to the best of Click 2011. We start the year with a trip to | :01:23. | :01:26. | |
Africa, to find out what happens when the internet suddenly arrives | :01:26. | :01:32. | |
in one of the most remote parts of the world. Dance Simmons was in | :01:32. | :01:35. | |
Zambia, to discover have going online create a vibrant mix of new | :01:35. | :01:40. | |
technology and old traditions. This village is a long way from | :01:40. | :01:44. | |
anywhere, but it is home to a pioneering scheme to bring the | :01:44. | :01:50. | |
internet to do for out of five Zambians also a living outside the | :01:50. | :01:56. | |
cities. Zambians like Fred, who like his father, has lived and | :01:56. | :02:01. | |
worked on his family farm since he was four. -- since he was born. | :02:01. | :02:06. | |
When we met up, one of his cattle was built. The vet is hundreds of | :02:06. | :02:11. | |
miles away, but the village has had a mobile signal for some years. But | :02:11. | :02:15. | |
there is another way too. With Supreme Council of the Armed Forces, | :02:15. | :02:20. | |
I just contacted him, and he was able to respond within two minutes. | :02:20. | :02:30. | |
Skype Mac. We will get connected to scrap, and a veterinary officer can | :02:30. | :02:35. | |
talk to us. In the past year, Fred has also got the radio station back | :02:35. | :02:44. | |
up and running, giving locals something local to listen to. It is | :02:44. | :02:48. | |
a chance to preserve African culture. Local bans use the studios | :02:48. | :02:54. | |
to record songs, which I then uploaded to the web but to share. | :02:54. | :03:00. | |
Not your typical African village, then, so how did it become Zambia's | :03:00. | :03:05. | |
technology showcase? The satellite link came with the local malaria | :03:05. | :03:08. | |
research centre, but what has made a difference here is the way that | :03:08. | :03:13. | |
link has been shed, showing ordinary Zambians had the internet | :03:13. | :03:19. | |
can help them. -- shared. The water tower is the village's highest | :03:19. | :03:23. | |
point, and he's used to relate a signal across wife back hot spots | :03:23. | :03:28. | |
which have been connected to create a mesh network. There is now | :03:28. | :03:32. | |
wireless internet in the restaurant, across many homes, and at a | :03:32. | :03:42. | |
:03:42. | :03:43. | ||
cybercafe where anyone can drop in. Teachers and now children from the | :03:43. | :03:46. | |
age of four are given weekly computer lessons starting from | :03:46. | :03:55. | |
scratch. It seems this entire village has gone PC crazy. There | :03:55. | :03:59. | |
are over 100 computers connected to the internet here. But there is | :04:00. | :04:03. | |
another lesson being taught as well, and that is that nothing in life is | :04:03. | :04:07. | |
free. When the generous foreign donors leave, this village wants to | :04:07. | :04:15. | |
be able to pay for itself. So, six months ago, a voucher system began. | :04:15. | :04:20. | |
Everybody needs a voucher, even the nursing college. But can this | :04:20. | :04:24. | |
unique experiment be used to connect other outlying villages. | :04:24. | :04:33. | |
Ones that did not get their head start that this one did? At this | :04:33. | :04:38. | |
village, there is no land line, no mobile signal, and no electricity. | :04:38. | :04:45. | |
Until six months ago there was no internet. Now, a British chatter a | :04:45. | :04:49. | |
-- charity, computer aid, has installed Zambia's first solar | :04:49. | :04:55. | |
internet hub. There is just one PC inside, hidden at the back. To save | :04:56. | :04:59. | |
power, the other 10 screens are virtual desktops running off it, | :04:59. | :05:06. | |
and sharing their 128 kilobit per second connection. It is hoped that | :05:06. | :05:10. | |
the blueprints which have already been rolled out to seven villagers | :05:10. | :05:15. | |
will Cup connect hundreds more. But whether this works for the rest of | :05:15. | :05:18. | |
the country will depend on whether ordinary Zambians think the web is | :05:18. | :05:26. | |
worth it. Since we first ed that report back | :05:26. | :05:30. | |
in January, computer aid have delivered another 500 computers, | :05:30. | :05:34. | |
and another solar-powered Internet cafe to the village. | :05:34. | :05:39. | |
Now, the internet is a great way to discover, listen to and by music. | :05:39. | :05:44. | |
In fact, it is now bent main way that people buy individual singles. | :05:44. | :05:49. | |
So if you have been thinking about getting into listening online, you | :05:49. | :05:53. | |
need to hear are essential diet that we aired earlier this year. | :05:53. | :05:56. | |
The internet is brimming with music, thanks to thousands of radio | :05:56. | :06:04. | |
stations sharing gas streams. Live, 365 .com and iTunes all have | :06:04. | :06:08. | |
extensive listening stations from various corners of the globe. But | :06:08. | :06:13. | |
do not forget traditional broadcasters like yours truly, ABC | :06:13. | :06:20. | |
and NPR. But here, it is the stations which picks the tunes. | :06:20. | :06:23. | |
They pandered to that audience and there is every chance you will get | :06:23. | :06:28. | |
fed up of their small player lists. When that happens, it is time to | :06:28. | :06:33. | |
ditch the DJ and head for the internet. The next generation of | :06:33. | :06:36. | |
radio stations offer personalised streams with played this you | :06:36. | :06:43. | |
control. Simply fire up your browser and pick a genre to get | :06:43. | :06:48. | |
started. It is all legal, but the music is interrupted every now and | :06:48. | :06:52. | |
then with an advertisement you cannot skip. It is also difficult | :06:52. | :06:56. | |
to choose the exact sites -- songs you want to hear, because some | :06:56. | :07:02. | |
sites limit the number of tracks that you can skip. Last dot FM is a | :07:02. | :07:06. | |
website that analyses the music you this and took to create a profile. | :07:06. | :07:11. | |
Then it acts like a social network, making it easy to spot trends and | :07:12. | :07:17. | |
plain you some of their favourites. It is supported by a lot of | :07:17. | :07:20. | |
handsets and music players, so you can add lots of information to your | :07:20. | :07:24. | |
profile even when you are listening to your collection. Groove that | :07:24. | :07:34. | |
:07:34. | :07:36. | ||
Sharp offers similar features to other websites. -- Groove Shark. | :07:36. | :07:43. | |
Mix Cloud is focused on DJ sets, some of them an hour long. The | :07:43. | :07:46. | |
stuff of the highest quality should filter to the top. Not sure what | :07:46. | :07:52. | |
you fancy? You can pinpoint your state of mind and get a playlist | :07:52. | :08:01. | |
suited to your mood. To discover something new, try this 61. Here, | :08:01. | :08:04. | |
unsigned artists cannot sign up a track and listeners can vote with | :08:04. | :08:12. | |
their clicks. Pandora is a streaming service which uses humans | :08:12. | :08:18. | |
to categorise the genes of each track. Each artist and Sybil -- | :08:18. | :08:24. | |
single is picked to match. It is free, but due to licensing it can | :08:24. | :08:30. | |
only be heard in the US. So, what about taking music to your mobile? | :08:30. | :08:37. | |
Last dot FM can come with you on your mobile, as can seven. Paying | :08:37. | :08:40. | |
for a premium subscription gives you access to the same library of | :08:40. | :08:50. | |
:08:50. | :08:52. | ||
millions of songs on an iPhone or Android handset. It is possible to | :08:52. | :08:58. | |
listen for free, but a premium subscription removes the ads and | :08:58. | :09:03. | |
lets you transfer music to your mobile. So, plenty of options to | :09:03. | :09:08. | |
get tunes at your fingertips, but be warned. As most services stream | :09:08. | :09:13. | |
live, if you are without a solid connection, you may find the | :09:13. | :09:17. | |
buffering frustrating. At the start of the year, we were | :09:17. | :09:25. | |
all being told that 2011 a would-be MBA year of 3D television. -- would | :09:25. | :09:30. | |
be the year of 3D television. Still a while to go, but in the last 12 | :09:30. | :09:34. | |
months we have come across a couple of other technologies which are | :09:34. | :09:37. | |
capable of capturing and presenting 3D images in a completely different | :09:37. | :09:45. | |
way to normal 3D television. First, from February, this. | :09:45. | :09:49. | |
3D displays make your eyes worked in an unnatural way. When you look | :09:49. | :09:54. | |
at objects in the real world, your eyes will focus on. All converge at | :09:54. | :10:00. | |
the same point. But when watching 3D images, although your eyes. At | :10:00. | :10:04. | |
objects that are supposedly in front of or behind the screen, they | :10:04. | :10:09. | |
remained focused on the screen itself. This is true of the greedy | :10:09. | :10:17. | |
that works with and without glasses. -- true of 3D. Critics are saying | :10:17. | :10:22. | |
that too much 3D content, or 3D Webber depth is too much, and the | :10:22. | :10:26. | |
viewer could get eyestrain and headaches. But some critics have | :10:26. | :10:29. | |
suggested an alternative to the current 3D technology which will | :10:29. | :10:35. | |
not cause eyestrain. They say that the only way to do three D properly | :10:35. | :10:44. | |
is with holograms. This is a holographic television. At the | :10:44. | :10:50. | |
moment, it is still an early, early prototype. The image is dim and | :10:50. | :10:53. | |
flickering, and that is just when you are running it in one colour. | :10:53. | :10:58. | |
Full colour is even worse. But it can cope with either computer | :10:58. | :11:02. | |
generated images, or video that has been shot using existing 3D | :11:02. | :11:10. | |
technology. And it does look greedy when you sit in front of it. -- | :11:10. | :11:13. | |
looked a 3D. It uses the same principles as holographic photos | :11:13. | :11:18. | |
which she may have seen over the last few decades. The image itself | :11:18. | :11:21. | |
is stored on film, or in this case displayed on the screen, as an | :11:21. | :11:26. | |
intricate set of interference patterns. They only formed the | :11:26. | :11:29. | |
desired image when you dude from the right ankle and eliminate it | :11:29. | :11:34. | |
properly. For each object in this scene, the light is being projected | :11:34. | :11:37. | |
out of the screen to converge at the point where the object would be | :11:37. | :11:43. | |
if it were really there. That means that my eyes can converge and focus | :11:43. | :11:47. | |
on the same point, which is what your eyes did in the real world | :11:47. | :11:51. | |
when they are looking at real 3D objects. It is not what they do | :11:51. | :11:53. | |
when they are looking at traditional 3D, where they always | :11:53. | :11:57. | |
have to focus on the screen but then swivel to somewhere in front | :11:57. | :12:02. | |
of the screen. What that means is that with holographic TV, you can | :12:02. | :12:05. | |
bring the image way forward to the front of the screen or way back to | :12:05. | :12:11. | |
hide it without causing ice cream. Unfortunately that last seen was a | :12:11. | :12:15. | |
mock up of what I can see from my position. The problem is that in | :12:15. | :12:19. | |
order to view a hologram from any angle, television would be to | :12:19. | :12:22. | |
display many more interference patterns, and that would take an | :12:22. | :12:27. | |
enormous amount of data. This system gets around that by tracking | :12:27. | :12:31. | |
the viewer's eyes with two cameras, and only creating the interference | :12:31. | :12:35. | |
patterns for the point that you are looking from. Although this | :12:35. | :12:38. | |
severely limits to concede a hologram, the system is capable of | :12:38. | :12:42. | |
tracking up to four pairs of eyes at once, and projecting images to | :12:42. | :12:47. | |
each of them. Although this is just a first generation prototype, it | :12:47. | :12:52. | |
already generates a convincing 3D image. The next generation will get | :12:52. | :12:55. | |
rid of the flicker, and let you watch full-colour video. It will | :12:56. | :13:00. | |
also be a lot thinner, because this has been built from old medical | :13:00. | :13:04. | |
equipment. All the teething problems have to be sorted out by | :13:05. | :13:09. | |
the end of 2012, because that is when the developers hope that | :13:09. | :13:13. | |
holographic TV will go on sale. So it is still at least a year away, | :13:13. | :13:19. | |
but something for the makers of the greedy TV sets to think about. | :13:19. | :13:23. | |
The second technology which brought something new to the 3G sphere this | :13:23. | :13:26. | |
year was a new type of camera, which captures images in a very | :13:26. | :13:30. | |
different way. They can do some pretty incredible things your | :13:30. | :13:35. | |
pictures, after they have been taken. | :13:35. | :13:39. | |
It is a scene which will instantly resonate for anyone with kids. Try | :13:40. | :13:45. | |
to capture that precious moment through a lens. Memories may be | :13:45. | :13:53. | |
priceless, but all too often they end up as worthless. This is the | :13:53. | :13:57. | |
website of a Silicon Valley start- up which recently received a | :13:57. | :14:04. | |
whopping $50 million funding. That idea is to develop a consumer | :14:04. | :14:08. | |
camera whose images you cannot refocus after you have taken them. | :14:08. | :14:13. | |
Clicking around these Flash animations on the website gives a | :14:13. | :14:18. | |
good idea of what you can achieve. Being able to refocus post shutter | :14:18. | :14:21. | |
click is quite mind-blowing, especially when you can share the | :14:21. | :14:26. | |
experience with others. Three social networks, through the | :14:26. | :14:29. | |
internet, through mobile phones, people will be able to receive | :14:29. | :14:33. | |
pictures from people that have one of these cameras and interact with | :14:33. | :14:37. | |
it to experience the whole story of the picture. Interact with it to | :14:37. | :14:47. | |
focus on why they want to see and The camera will be released at the | :14:47. | :14:52. | |
end of the year. Precious few details have been released. They | :14:52. | :14:57. | |
are showing the science behind the camera. It is built on the | :14:57. | :15:07. | |
principle of light fields. It was developed in the 1990s. | :15:07. | :15:10. | |
definition of the light field is about all of the likes travelling | :15:10. | :15:17. | |
in every direction at any point in space. It can be captured with | :15:17. | :15:21. | |
literally 100 cameras plugged into a supercomputer in taking millions | :15:21. | :15:30. | |
of photographs at the same time. It is interesting to tried to put the | :15:30. | :15:34. | |
room full of cameras into one single camera to make it possible | :15:34. | :15:39. | |
for people to take this type of picture. One company has already | :15:39. | :15:44. | |
stolen a march. Matrix has spent the last year selling cameras using | :15:44. | :15:53. | |
similar technology. A PC does the software processing. It is captured | :15:53. | :15:57. | |
using the same light field techniques. What is happening is | :15:57. | :16:02. | |
that instead of a camera sense of capturing a single flat image, | :16:02. | :16:07. | |
thousands of images are captured in a different way by an array of | :16:07. | :16:12. | |
micro lenses housed in a glass away for placed in front of the censor. | :16:12. | :16:18. | |
This will help capture different views of the scene. Then, the | :16:18. | :16:22. | |
location of these point in space is walked out. This means that any | :16:22. | :16:26. | |
image can be focused by combining different pixels of the micro | :16:26. | :16:34. | |
lenses. There are drawbacks, though. The most glaring is that the final | :16:34. | :16:38. | |
process resolution is only a fraction of that scene in a regular | :16:38. | :16:48. | |
:16:48. | :16:50. | ||
car -- camera. Adobe Make a programme that has been used by | :16:50. | :16:55. | |
camera enthusiast for years. They see challenges in bringing a camera | :16:55. | :17:01. | |
to market but they are in no doubt as to the impact of the technology. | :17:01. | :17:06. | |
We think this is the future of imaging. It is the next great | :17:06. | :17:10. | |
revolution in digital imaging. It used to be about digitising what | :17:10. | :17:15. | |
you could see. Then we started to capture more information and for | :17:15. | :17:19. | |
you did ways to run algorithms on what was captured so we could have | :17:19. | :17:24. | |
more flexibility to do things after the shot. This takes that to an | :17:24. | :17:29. | |
entirely new levels. The creator is passionate about his new camera's | :17:29. | :17:35. | |
potential. As we change the perspective, you can see the light | :17:35. | :17:40. | |
reflecting a through these droplets of water. Some critics are deriding | :17:40. | :17:44. | |
it as little more than a novelty that will be confined to unleash | :17:44. | :17:49. | |
audience. Others are pointing out that an in Focus shop will not | :17:49. | :17:58. | |
prevent bloody picture taking resulting from cameras shaking. The | :17:58. | :18:02. | |
artistic direction of taking a photograph could also be a | :18:02. | :18:07. | |
compromise, according to this man. He still thinks there could be a | :18:07. | :18:12. | |
real appetite for its. Photography is shifting away from print based | :18:12. | :18:18. | |
media to something that we do online. This could possibly really | :18:18. | :18:24. | |
take-off. I can imagine a scenario when the latest Facebook posts, the | :18:24. | :18:29. | |
latest online photography posts have a version. It could be the | :18:29. | :18:33. | |
next must have way of viewing photographs on the market. If it | :18:33. | :18:39. | |
does, it will take-off in a viral way. Since we first showed that | :18:39. | :18:44. | |
report, we have got our first glimpse of the camera. This is what | :18:44. | :18:49. | |
it looks like. It is very unconventional. It is simple and it | :18:49. | :18:53. | |
does not have very many buttons. Over the last 12 months, tablets | :18:53. | :18:58. | |
and smart phones have continued to get ever more popular. The number | :18:58. | :19:03. | |
of apps available for them has continued to explode. Kate Russell | :19:04. | :19:08. | |
takes a look at some of her favourites and it the best of | :19:08. | :19:15. | |
Webscape. This time last year, I would have struggled to pick out a | :19:15. | :19:20. | |
handful of really stand out smart phone apps. Smart phones have | :19:20. | :19:24. | |
become such an important part of everyday life since then. I am | :19:24. | :19:34. | |
:19:34. | :19:34. | ||
going to bring you my favourite apps for 2011. When it comes to | :19:34. | :19:40. | |
picking up around town, location based check in apps are all very | :19:40. | :19:50. | |
:19:50. | :19:50. | ||
well. Your friends need to use them. Ecole They call turns the model on | :19:50. | :20:00. | |
:20:00. | :20:01. | ||
its head. -- EchoEcho. You send your friends a request when you | :20:01. | :20:08. | |
want to know where they are. You can use it straight out of the box. | :20:08. | :20:13. | |
This app was recommended by a viewer who is an actress in Los | :20:13. | :20:17. | |
Angeles. For her, it is being able to grab an impromptu coffee with | :20:18. | :20:22. | |
her friend without putting her privacy at risk by doing an online | :20:22. | :20:27. | |
check-in that is the real draw of app. I have to say, I totally agree. | :20:27. | :20:33. | |
It helps you find a good local venue close by. If you contact does | :20:33. | :20:40. | |
not want to download the app, you can view it on an online version. | :20:40. | :20:48. | |
This is a breath of fresh air. Hands up if you've ever fallen | :20:48. | :20:56. | |
asleep on the train, over a shot just station and ended up a bleary | :20:56. | :21:00. | |
eyed and confused trying to find your way home? It can happen to the | :21:00. | :21:06. | |
best of us. With his app, you do not need to worry. It is such a | :21:06. | :21:11. | |
simple concept. You just said what should you want to be cut by and | :21:11. | :21:21. | |
your phone's GPS -- you just set what location you want to be cut at | :21:21. | :21:28. | |
and your phone's GPS will trigger a wake-up alarm when you get there. | :21:28. | :21:33. | |
The Android version is free. You will have to pay for the iPhone | :21:33. | :21:38. | |
version. If your destination is in a connection dead spot, there is | :21:38. | :21:44. | |
still a chance you could miss you spot. At least you want a cup at | :21:44. | :21:52. | |
the end of the line. Smart phone app builders are | :21:52. | :21:58. | |
springing up all over the Web at the moment. This has to be it the | :21:58. | :22:02. | |
ultimate in phone Customisation. In this case, nor heavy programming | :22:03. | :22:08. | |
language to learn either a. This is one that you will have to read the | :22:08. | :22:13. | |
manual for. They have made it so you can create really complex | :22:13. | :22:17. | |
programmes as well as simple ones. The interface can look a little | :22:17. | :22:22. | |
daunting. Use the tutorials to get the basics and you will soon be | :22:22. | :22:29. | |
able to get your head round this logical, progressive system. | :22:29. | :22:38. | |
I first showed you at this app in 2009. If you Mr Deng, shame on you. | :22:39. | :22:48. | |
You should take a look now. -- if you missed it and then. The iPhone | :22:48. | :22:57. | |
app let you search for images online, and it is applied through a | :22:57. | :23:03. | |
3 the interface wall. The graphics have been toned down a bit for the | :23:03. | :23:09. | |
iPhone version to make it more data efficient. You can use that tilt | :23:09. | :23:14. | |
feature to sweep backwards and forwards across the image wall. The | :23:14. | :23:19. | |
iPhone app lets you search for images online through a scrolling | :23:19. | :23:24. | |
wall. You will have to go into preferences and punt on tilt | :23:24. | :23:29. | |
control if you want to use it. This will lead you use all of the other | :23:29. | :23:39. | |
features as well. Clive Shea is another app that is available. -- | :23:39. | :23:47. | |
Live Share. It lets you see your contact as they appear. It is great | :23:47. | :23:51. | |
for music festivals. That is it for this week. Next week | :23:51. | :23:56. |