
Browse content similar to 28/01/2012. Check below for episodes and series from the same categories and more!
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the link, we are the bottom right hand of the screen. | :00:04. | :00:08. | |
Now on BBC News it is time for Click. | :00:08. | :00:12. | |
Once upon a time, there was an adventurous young hero who lived | :00:13. | :00:15. | |
happily ever after. But have you ever wondered what | :00:16. | :00:25. | |
| :00:26. | :00:38. | ||
happens to everyone else in the This week on Click, storytelling | :00:39. | :00:43. | |
leaps off the page and on to your phone or computer. We will see how | :00:43. | :00:47. | |
modern authors are using tech to spin and enhance their fictional | :00:47. | :00:54. | |
yarns. Baby, It's Cold Outside, it's cold inside two at the Swedish | :00:54. | :00:59. | |
hotel made from ice, and will meet the artists using computers to help | :00:59. | :01:03. | |
shape their frozen sculptures. All that plus the latest tech news, | :01:03. | :01:13. | |
| :01:13. | :01:14. | ||
and we keep fit with the help of Welcome to Click. IM Spencer Kelly. | :01:14. | :01:18. | |
There was a time when you could sit down in front of your TV and watch | :01:18. | :01:22. | |
a programme from beginning to end, and that would be that. And of | :01:22. | :01:25. | |
course long before that you were able to pick up a book and read a | :01:25. | :01:30. | |
story from beginning to end, and that would be that. But now, there | :01:30. | :01:35. | |
is a new generation of storytellers who are able to touch -- use more | :01:35. | :01:39. | |
than one medium to tell their tales. He is LJ Rich to take the story in | :01:39. | :01:45. | |
a completely new direction -- here is LJ Rich. | :01:45. | :01:55. | |
| :01:55. | :02:01. | ||
Once upon a time, there were real But now, it is all about touching | :02:01. | :02:06. | |
screens, where modern content creators compete from retention | :02:06. | :02:10. | |
across platforms. Their aim, to make the Web or Allah smartphones | :02:10. | :02:18. | |
at least, as compelling as ever. We treat into a second screens or chat | :02:18. | :02:22. | |
about reality shows, or even dress for the occasion. This is | :02:22. | :02:27. | |
transmedia, weaving many strands to the same story. And now it is | :02:27. | :02:34. | |
giving fiction attacking makeover. Allanson Morrison knows how it is | :02:34. | :02:38. | |
done. As well as studying this multiplatform discipline for six | :02:38. | :02:46. | |
years she is going through her 5th novel, a romcom with a transmedia | :02:46. | :02:51. | |
twist. As a writer you need to know your story world put so much more. | :02:51. | :02:56. | |
You need to know your characters really well. You cannot succeed, | :02:56. | :03:01. | |
perhaps, a 75 year-old elegant character who works in her garden | :03:01. | :03:04. | |
at on Facebook, perhaps, because that might not be the place she | :03:04. | :03:10. | |
would naturally Goto. Seeding is when authors use social networks to | :03:10. | :03:14. | |
ring fictional characters to life. So does this mean the pedal book is | :03:14. | :03:19. | |
dead? -- bring them to live. Michael Grant has written around 50 | :03:19. | :03:22. | |
that is most proud of his latest which breaks out of its paper | :03:22. | :03:27. | |
chains. BZRK is billed as a ground- breaking transmedia excrete it -- | :03:27. | :03:35. | |
experience including a website, and autumn but -- of so much reality | :03:35. | :03:39. | |
game for your computer, but he feels the story is the most | :03:39. | :03:44. | |
important. I don't feel challenged by the story, I don't think you're | :03:44. | :03:47. | |
so it was will screw things up between me and the reader. I kind | :03:47. | :03:51. | |
of look them -- look at them as a separate industry up to a point, so | :03:51. | :03:57. | |
kids can enjoy the website and the ARG, and the various different | :03:57. | :04:02. | |
transmedia aspects of this, but the purpose of what we are about here | :04:02. | :04:06. | |
is the book. I don't think the book is any danger -- in any danger of | :04:06. | :04:10. | |
being replaced. If anything this has taught me the superiority, | :04:10. | :04:14. | |
frankly, of storytelling in a book because I can tell little snippets | :04:15. | :04:18. | |
elsewhere but I can only tell the full story in the book, and the | :04:18. | :04:22. | |
book, to me, is still 80 per cent of the pie, and everything else | :04:23. | :04:27. | |
makes up 20 per cent. Michael's Publishers Egmont Press believe | :04:27. | :04:31. | |
multiplatform storytelling helps attract a wider audience. For them, | :04:31. | :04:35. | |
transmedia also offers readers a rare opportunity to express exactly | :04:35. | :04:39. | |
what they think of the books they read. I think this is the most | :04:39. | :04:43. | |
exciting time in publishing, certainly in my career in | :04:43. | :04:47. | |
publishing, because digital is opening up a whole new word and -- | :04:47. | :04:53. | |
well done the new audience brass we haven't touched before. The whole | :04:53. | :04:58. | |
driver is to try to reach more readers. So for us to see a video | :04:58. | :05:04. | |
blog or a chatroom, to see them taking ownership of Michael's story, | :05:04. | :05:08. | |
for him and us this is very exciting. As publishers we were | :05:09. | :05:13. | |
keen to see what is the turn of as much as what is exciting people, so | :05:13. | :05:18. | |
I see that as great, that is great new information. Part of the fun of | :05:18. | :05:21. | |
storytelling this way is that you can be a bit creative about how you | :05:21. | :05:25. | |
engage your audience, and if you are the audience, you can choose | :05:25. | :05:30. | |
just how far into the story world you are prepared to venture, if you | :05:30. | :05:33. | |
dare. I am here to eat, I mean meat, the | :05:34. | :05:40. | |
people behind a transmedia project involving zombies chasing deal. | :05:40. | :05:43. | |
Come to think that, I have some were to be! | :05:43. | :05:47. | |
This lot successfully applied to star in the charmingly named | :05:47. | :05:51. | |
Zombies Ate My City, allocation based game due for release next | :05:51. | :05:58. | |
month on the Windows firm platform. -- firm platform. | :05:58. | :06:01. | |
Scientists from the future need your help to stop the invasion and | :06:01. | :06:05. | |
players are carefully guided along the way. The main thing is you are | :06:05. | :06:08. | |
trying to figure out what you Taylor to which platform. So for | :06:08. | :06:14. | |
example, zombies, with the app you have collecting things, checking | :06:14. | :06:18. | |
orbs, seen way you need to go, but we also have a web-based experience | :06:18. | :06:23. | |
later in the year, way users will be able to discover other locations | :06:23. | :06:27. | |
and reveal them to the phone users, and there will be atwitter feed | :06:27. | :06:33. | |
with clues, and we have a flow chart. -- eight were to feed. We | :06:33. | :06:38. | |
will say, are we are playing with a video? What is the second element | :06:38. | :06:42. | |
that comes up once to have made this choice of followed this path? | :06:42. | :06:45. | |
Transmedia is more than just stories investing websites and real | :06:45. | :06:51. | |
life. Good fiction these days flows in both directions, and with more | :06:51. | :06:55. | |
books based on original Hollywood screenplays and television series, | :06:55. | :07:00. | |
the digital platform isn't always the spin-off. There are some | :07:00. | :07:03. | |
campaigns and stories that are out which have had solid transmedia | :07:03. | :07:07. | |
strategy behind them. It could be that people have already engaged | :07:07. | :07:13. | |
with these without actually knowing it. One example is a HomeFront, and | :07:13. | :07:17. | |
Random House published the Voice Of Freedom, the book about the | :07:17. | :07:21. | |
character in the game, which is not heralded as transmedia, but that is | :07:21. | :07:27. | |
exactly what cities. Increasingly, audiences are excited about the | :07:27. | :07:30. | |
prospect of interacting more deeply with the stories they read, and in | :07:30. | :07:34. | |
a crowded marketplace, whoever engages us with the most fulfilling | :07:34. | :07:38. | |
experience will live happily ever after. | :07:38. | :07:42. | |
LJ Rich. She has seen the film, read the book and warned the T- | :07:42. | :07:48. | |
shirt. If you have enjoyed any flick -- fiction split across | :07:48. | :07:52. | |
multiple platforms, even us and we will recommend it. | :07:52. | :07:56. | |
Next up, a look at this week's test -- tech news. | :07:56. | :08:02. | |
European lawmakers want to give web users the right to be forgotten. | :08:02. | :08:06. | |
The he wants us to be able to delete all traces of our past from | :08:06. | :08:08. | |
social network sites and other service providers if we decide to | :08:08. | :08:13. | |
stop using them, and to make it easier to shift data between | :08:13. | :08:17. | |
services. Some tech firms complain it will be costly and may stunt | :08:17. | :08:21. | |
innovation. The new Bill will need the approval of all 27 member | :08:21. | :08:25. | |
states, which is likely to take around two years. | :08:25. | :08:29. | |
Google will collate all uses data across its services to create one | :08:29. | :08:34. | |
mega Profile for each user. The change in the privacy policy could | :08:34. | :08:38. | |
see search terms recommended on your browsing or global class | :08:38. | :08:45. | |
activity, for example. Meanwhile the storm over global's social | :08:45. | :08:49. | |
search tool and apply to its own social network has attracted | :08:49. | :08:52. | |
criticism. The work around Proms results including Twitter, Facebook | :08:52. | :08:57. | |
and Flickr amongst others -- Google Plus. File sharing sides have | :08:57. | :09:01. | |
adapted their services following the arrest of the founder of one of | :09:01. | :09:08. | |
the world's largest file searing websites. He was arrested last week | :09:08. | :09:15. | |
in New Zealand and faces possible extradition charges to the US. | :09:15. | :09:19. | |
Other sides have disabled show -- sharing functions or blocked access | :09:19. | :09:22. | |
from America. It has been nearly three years in | :09:22. | :09:25. | |
the making but this week the full length crowd sourced version of | :09:25. | :09:31. | |
Star Wars: A New Hope became the latest YouTube hit. The cheeky shot | :09:31. | :09:36. | |
for shot copy his stick together from hundreds of 15 seconds clips | :09:36. | :09:44. | |
from users around the world. A preview project won an Emmy in 2010. | :09:44. | :09:49. | |
Last week, we were in Nevada in the US to look at new types of personal | :09:49. | :09:53. | |
computers threatening to put the traditional desktop tower PC out of | :09:53. | :09:59. | |
business. From tablet accessories to the apparently brand new | :09:59. | :10:04. | |
category of ultrabooks, there seem to be plenty of new devices | :10:04. | :10:09. | |
portable and convenient enough to consign the dust octet -- PC to a | :10:09. | :10:13. | |
dusty silicon grave. You guys, however, had other data - | :10:13. | :10:17. | |
You guys, however, had other data - - ideas. This user says gamers and | :10:17. | :10:21. | |
anyone else who enjoys treating hardware will always preferred | :10:21. | :10:27. | |
And that is the common theme with most of your comments, but it is | :10:27. | :10:33. | |
easier to swap, add bits and mess around inside a big roomy tower PC | :10:33. | :10:38. | |
vanities inside a laptop. And of course tablets are even more locked | :10:38. | :10:43. | |
down. Mr T Davey also loves the massive monitor you can attach to | :10:43. | :10:47. | |
his tower PC and the fact that parts, replacements and upgrades | :10:47. | :10:51. | |
are easy. Paul Sanderson also points out that | :10:51. | :10:55. | |
there -- desktops are cheaper compared light -- like-for-like on | :10:55. | :10:58. | |
processing power and storage and so on and the keyboard and mouse are | :10:58. | :11:02. | |
often better than the laptop, and they are harder to steal. | :11:02. | :11:07. | |
Not least because your desktop should be locked in your house. | :11:07. | :11:12. | |
Finally on this, Des Thompson. He is a self confessed -- confessed | :11:12. | :11:17. | |
geek who likes to ticket inside his machine, but he says, PS, can you | :11:17. | :11:22. | |
let me know the dubious position of the desktop you buried? It may have | :11:22. | :11:24. | |
bits on it I can use -- a dubious position. | :11:24. | :11:29. | |
I can assure you we didn't leave it buried there, but he is the | :11:29. | :11:34. | |
location. If you go there, you will find a whole, some tyre tracks, and | :11:34. | :11:38. | |
rather worryingly, quite a few shotgun cartridges. | :11:38. | :11:42. | |
Anyway, another story we covered this week on our Twitter stream was | :11:42. | :11:48. | |
the news that the iPhone 4 S and iPad are now fully jail breakable, | :11:48. | :11:53. | |
meaning it you can get code which allows you to download unauthorised | :11:53. | :11:58. | |
apps and tweets the workings of the device. We asked if Apple would | :11:58. | :12:08. | |
| :12:08. | :12:13. | ||
ever be able to prevent its devices Malcolm Bruce hopes that jail | :12:13. | :12:23. | |
| :12:23. | :12:27. | ||
Please do keep your comments coming in. They make us laugh and they | :12:27. | :12:37. | |
| :12:37. | :12:38. | ||
in. They make us laugh and they One question we ask quite often on | :12:38. | :12:44. | |
this programme is, can technology replace the artist? Could I be | :12:44. | :12:51. | |
replaced by a robot, for example? Do not answer that. Our next piece | :12:51. | :12:54. | |
comes was Sweden where computers are being used to create beautiful | :12:54. | :13:04. | |
| :13:04. | :13:05. | ||
ice sculptures? Will the warmth of the human touch always speaking? -- | :13:05. | :13:15. | |
| :13:15. | :13:18. | ||
Each winter, as the sun 0 climate a rise high in the Arctic Circle, -- | :13:18. | :13:24. | |
the sun 0 climate, crystal-clear blocks of ice harvested from a | :13:24. | :13:32. | |
local river are crafted into an extraordinary feat of engineering. | :13:32. | :13:41. | |
The work is underway to build this Packed snow is given a helping hand | :13:41. | :13:44. | |
with supports, to create a huge igloo that is to become the outer | :13:44. | :13:54. | |
| :13:54. | :14:01. | ||
But it is the ice sculptures and the unique lighting, designed and | :14:01. | :14:03. | |
created by the highly skilled artists, that transform this place | :14:03. | :14:13. | |
| :14:13. | :14:16. | ||
from a simple arctic dwelling to a But even here, where once the ice | :14:16. | :14:19. | |
sculptor relied on his own manual dexterity and vision, today their | :14:19. | :14:29. | |
| :14:29. | :14:32. | ||
creations are helped by some high- Hidden from view in a small corner | :14:32. | :14:35. | |
of a warehouse, Mats Persson pores over a PC running CAD, computer- | :14:35. | :14:43. | |
After loading his designs into a format the machine can understand, | :14:43. | :14:47. | |
Mats Persson chooses the right size of drill bit for the right size of | :14:47. | :14:54. | |
the job and sets them to work. It takes hours to careve each piece of | :14:54. | :15:04. | |
| :15:04. | :15:10. | ||
work. -- tic harbour each piece Of Art. The 3D effect is only achieved | :15:10. | :15:13. | |
by melding together two separate bits of hollowed-out ice. | :15:13. | :15:16. | |
Impressive though it is, the machine can only make sculptures up | :15:16. | :15:19. | |
to a certain size. For bigger jobs, an artist's dextrous hands are | :15:19. | :15:25. | |
still needed. It helps us a lot. Because we can | :15:25. | :15:29. | |
make the drawings in a 3D programme, we can see how it looks before we | :15:29. | :15:38. | |
continue with the work. Because it is a lot of work to build this. If | :15:38. | :15:44. | |
you do something wrong, you have to do it over and over again. We don't | :15:44. | :15:47. | |
have the time for that because the schedule is really tight and the | :15:47. | :15:56. | |
It might be a practical aid but the artists are in no doubt that | :15:56. | :16:02. | |
technology is simply a tool to be used. No matter how advanced the | :16:02. | :16:06. | |
technology is, someone still has to tell the computer what to do. And | :16:06. | :16:11. | |
that is the hard thing, I think, for me personally. What to | :16:12. | :16:16. | |
do. If I stand in front of a piece of ice like this, the biggest | :16:16. | :16:21. | |
challenge is what should I do with it? Then, if you know what to do, | :16:21. | :16:27. | |
the technology may help you. But still, the idea has to be there. | :16:27. | :16:30. | |
As for more mundane matters like power and lighting, the snow helps | :16:30. | :16:34. | |
to bounce around what little light there is. But here too, high-tech | :16:34. | :16:40. | |
developments abound, albeit behind the scenes. | :16:40. | :16:44. | |
Here is the projector for the fibre-optics. You have an LED in | :16:44. | :16:51. | |
here. You get out more. They are more powerful than four years ago, | :16:51. | :16:57. | |
when I was here the first time. From the beginning, we used hellite. | :16:57. | :17:05. | |
Also, fluorescent lamp light bulbs. And now, all the light and | :17:05. | :17:14. | |
This is nature, nurtured. With the help of a little technology, each | :17:14. | :17:18. | |
room takes several days to complete. But when the erasing warmth of | :17:18. | :17:22. | |
spring comes, all the hard work melts away, and the hotel must wait | :17:22. | :17:32. | |
| :17:32. | :17:33. | ||
If you are the type of person who finds it difficult to step away | :17:33. | :17:36. | |
from technology and switch off for a while, literally as well as | :17:36. | :17:39. | |
figuratively, I think you are going to like Kate Russell's first | :17:39. | :17:43. | |
suggestion this week. It is time to get serious about those new year's | :17:43. | :17:53. | |
It can be hard, working up the enthusiasm for a healthy jog. If | :17:53. | :17:56. | |
you have a GPS-enabled smartphone, you can turn it into a personal | :17:56. | :18:01. | |
trainer and motivator, with a free download from EndoMondo. Log in | :18:01. | :18:04. | |
with Facebook and download the app from an impressive list of | :18:04. | :18:07. | |
supported handsets, and you are off and running, quite literally if | :18:07. | :18:15. | |
that is your fitness activity of choice. This is a kind of fitness | :18:15. | :18:19. | |
social network, rather than just an application. The app tracks and | :18:19. | :18:22. | |
records your activity using GPS but what is really nice is the way it | :18:22. | :18:25. | |
hooks you into a social community where you can share and compare | :18:25. | :18:35. | |
results, giving a much-needed boost with a little friendly competition. | :18:35. | :18:38. | |
As well as being able to challenge friends or participate in site-wide | :18:38. | :18:40. | |
challenges, there are analysis tools to find better ways of | :18:40. | :18:50. | |
| :18:50. | :19:02. | ||
If you have a large file to deliver, you are probably better doing it | :19:02. | :19:06. | |
online than running it there yourself. WeTransfer.com is my new | :19:06. | :19:11. | |
favourite file transfer friend. It looks good, it does exactly what it | :19:12. | :19:16. | |
needs to do, and no more. And it looks pretty nice while it is | :19:16. | :19:26. | |
| :19:26. | :19:29. | ||
This site doesn't need to set up a direct link, like one that we | :19:29. | :19:33. | |
looked at a few weeks ago. So your recipient doesn't have to be there | :19:33. | :19:43. | |
when you're trying to send the file. And you avoid any issues with over- | :19:43. | :19:46. | |
sensitive firewalls. And it can handle more double file transfers | :19:46. | :19:49. | |
of up to two gigabytes in total without the need to register or log | :19:49. | :19:54. | |
on, so it is in the top spot for me. If you are sharing images, rather | :19:54. | :19:56. | |
than sending a file itself, Imagevat is an interesting newcomer | :19:56. | :20:06. | |
| :20:06. | :20:07. | ||
They offer unlimited Web space and bandwidth, something you will be | :20:07. | :20:13. | |
glad of if you get a lot of views. At the moment you can only upload | :20:13. | :20:15. | |
images anonymously, as they seem to have teething problems with the | :20:15. | :20:23. | |
registration link. Sharing with Imagevat is a really quick and | :20:23. | :20:33. | |
| :20:33. | :20:36. | ||
For a great education tool, check out wondermind.tate.org.uk. | :20:36. | :20:42. | |
Hello. Welcome to... In parallel with an exhibition, the | :20:42. | :20:44. | |
gallery has brought together art and science to craft a beautiful | :20:45. | :20:50. | |
and creative learning experience about the science of the brain. The | :20:50. | :20:53. | |
website uses Alice In Wonderland as inspiration and a backdrop for the | :20:53. | :20:58. | |
games and interactive videos. It is a brilliantly cunning way of | :20:58. | :21:08. | |
delivering an education. This game is all about moving around spaces. | :21:08. | :21:12. | |
Hats off to the Tate, who have really delivered on this count. The | :21:12. | :21:14. | |
videos are well-produced, and whilst my schooldays are admittedly | :21:14. | :21:17. | |
long gone, I don't think they were too patronising. Although they did | :21:17. | :21:21. | |
teeter on the edge occasionally. Altogether, a great contribution to | :21:21. | :21:26. | |
the school of the World Wide Web. Isn't it amazing how much more you | :21:26. | :21:36. | |
| :21:36. | :21:38. | ||
can learn, when you really go A word of warning for infrequent | :21:38. | :21:43. | |
Facebook users. It is time to clean up your act. Facebook timeline | :21:43. | :21:47. | |
became mandatory this week, so you have just a few days left to make | :21:47. | :21:49. | |
sure your social skeletons are locked safely away, before it all | :21:49. | :21:59. | |
| :21:59. | :22:01. | ||
There's no easy way to tell you this, but I'm seeing someone else. | :22:01. | :22:11. | |
Breaking up is never easy. I don't know what you mean. It is something | :22:11. | :22:14. | |
that app's virtual assistant, Siri, might have to learn to accept with | :22:14. | :22:18. | |
the launch of Evi this week. It is free on Android and costs 69p on | :22:18. | :22:28. | |
| :22:28. | :22:28. | ||
Apple devices and it is not limited to the iPhone4S, like Siri. There | :22:28. | :22:36. | |
has been some excitement around the launch. The vital statistics look | :22:36. | :22:40. | |
good. AI from a team in Cambridge giving her UK knowledge and | :22:40. | :22:42. | |
language nuances, and voice recognition from the people who | :22:42. | :22:48. | |
make Dragon Dictate, a first-class speech-to-text application. For the | :22:48. | :22:50. | |
moment, host servers have been so overloaded with early adopters that | :22:50. | :23:00. | |
| :23:00. | :23:03. | ||
it is hard to see if she will be giving Siri a run for his money. | :23:03. | :23:08. | |
For the time being, I am standing by my man. | :23:08. | :23:15. | |
You are the wind beneath My Wings. If you missed any of the links, | :23:15. | :23:19. | |
they are at our website. You will also find many of our previous | :23:19. | :23:26. |