Browse content similar to 28/04/2012. Check below for episodes and series from the same categories and more!
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mind. Just how important does the | :00:43. | :00:50. | |
internet think you are? BBC Click is certainly a bigger name than | :00:50. | :00:56. | |
mine, but we will look at the sides that rate to online personality. | :00:56. | :01:00. | |
Broader stories, more screens. We will see how movie-makers are | :01:00. | :01:04. | |
turning to the internet to make new kinds of cinematic experiences. | :01:04. | :01:09. | |
Plus the latest tech news and how to become king or queen of the | :01:09. | :01:18. | |
quotes, with this site in Webscape. Welcome to Click. | :01:18. | :01:23. | |
The saying, it is not what you know, it is who you know, is outdated. | :01:23. | :01:30. | |
These days it is not who you know, but who repeats your tweets. You're | :01:30. | :01:34. | |
on my own reputation is important. What you do on the internet can | :01:34. | :01:44. | |
:01:44. | :01:46. | ||
seriously influence how you are treated in the real world. | :01:46. | :01:51. | |
This is the life, you are a rock star. Everybody loves you, and you | :01:51. | :01:57. | |
do not even need to be rich because you get everything for free. As | :01:57. | :02:01. | |
long as the online community agrees with you. Most people giving you | :02:01. | :02:06. | |
free things I checking just how high your score is, before they | :02:06. | :02:12. | |
decide to high-five you. If it is not enough to be appraised at work, | :02:12. | :02:20. | |
you can see how well you are doing online. There is a glut of services | :02:20. | :02:23. | |
just itching to tell you where you are in the internet pecking order. | :02:24. | :02:29. | |
The biggest one is Klout, which has taken it upon itself to stall 100 | :02:29. | :02:34. | |
million people and counting. Its Gray's publicly available data from | :02:34. | :02:39. | |
a social network profiles. -- it scrapes. You can connect your | :02:39. | :02:43. | |
accounts and to issue a marked out of 100 depending on how influential | :02:43. | :02:48. | |
you are. It is calculated by how much clout to have on sites such as | :02:48. | :02:54. | |
Twitter or Facebook. For example, do you get replied it too, do | :02:54. | :02:58. | |
people like what you like after you have liked it first, and there is | :02:58. | :03:04. | |
more. Activity on other networking site can also add to your score, | :03:04. | :03:09. | |
such as people interrupting with your tips on Foursquare, you can | :03:09. | :03:13. | |
even add K directly to people who have got your world. It is all | :03:13. | :03:19. | |
about analytic, you are no longer a profile, you are a number. Why do | :03:19. | :03:25. | |
we care? If you have a high online influence for, you could be | :03:25. | :03:27. | |
eligible for poets such as discounts, and preferential | :03:27. | :03:35. | |
treatment. In some cases, even free things. However, you do need to be | :03:35. | :03:39. | |
signed up to the websites offering perks, and you need a decent enough | :03:40. | :03:44. | |
score in order for companies to give you free things. Otherwise, | :03:44. | :03:52. | |
you could end up with nothing. There is no shortage of free staff | :03:52. | :03:56. | |
available in blagger capital Las Vegas, where some hotels are | :03:56. | :04:01. | |
looking up these numbers and upgrading guests with higher scores. | :04:01. | :04:07. | |
Suddenly I care a lot more about my number. When we talk to companies, | :04:07. | :04:12. | |
we tell them that every customer, everybody deserves amazing | :04:12. | :04:16. | |
treatment. But there are certain people that you need to go above | :04:16. | :04:23. | |
and beyond, and make sure. The truth is, every company that we | :04:23. | :04:28. | |
interact with segments us, based on how much money it you spend, unless | :04:28. | :04:33. | |
it is a Friday night, and it may be how pretty you are, but we are | :04:33. | :04:37. | |
constantly segmented by companies that we deal with. Companies have | :04:37. | :04:40. | |
always treated bigger company does make bigger customers with | :04:40. | :04:48. | |
preferential treatment. There may be a tiny discrepancy between | :04:48. | :04:52. | |
online influence and will light. Predictably for the internet, | :04:52. | :04:57. | |
Justin Bieber scores higher than the President. So unless he is sat | :04:58. | :05:04. | |
in the Oval Office as we speak, something is not quite right. | :05:04. | :05:08. | |
are early in this process. We are helping people understand online | :05:08. | :05:12. | |
influence. There are a lot of people who are influential in the | :05:12. | :05:17. | |
world, but are not necessarily online and using social media. | :05:17. | :05:20. | |
trend is still new, so there is base in the market for other | :05:20. | :05:28. | |
players. Jodee Rich runs people browser, the company that tells | :05:28. | :05:34. | |
business clients the most influential people to win in their | :05:34. | :05:43. | |
field. We have been reporting on influence since 2008. We just did | :05:43. | :05:46. | |
not have a consumer product. We started working on it and getting | :05:46. | :05:49. | |
feedback from all the brands and the government departments about | :05:49. | :05:56. | |
two years ago. We released it in November. We think because we | :05:56. | :06:00. | |
studied it to it and listened to all the people who were able to | :06:00. | :06:04. | |
come up with a much better product. Humans are really strange because | :06:04. | :06:08. | |
on the one hand we all want a level playing field, but we want to know | :06:08. | :06:16. | |
that we are also a little bit better. Klout remains a little coy | :06:16. | :06:22. | |
about how it calculates its index. But there a workings on the bottom | :06:22. | :06:27. | |
of the page by cred. It works on Twitter, and baseball, and you can | :06:27. | :06:33. | |
see how your. Stack up. -- and Facebook. You can see how it works | :06:33. | :06:38. | |
and joins the dots. It is not a black box. What makes us different | :06:38. | :06:45. | |
from the competition is the transparency. Even if you are not | :06:45. | :06:49. | |
registered with the sides, you will have a score if he had a public | :06:49. | :06:55. | |
profile. Ironically, to opt out of it, you have to sign into the | :06:55. | :07:00. | |
service to tell you not to rank you. What does it means if we do not | :07:00. | :07:04. | |
have time or simply cannot be bothered to build on our scores? | :07:04. | :07:09. | |
The average consumer is not going to notice this fascination that the | :07:09. | :07:13. | |
advertising and marketing industry has with influence. It is always | :07:13. | :07:18. | |
like to be a few Top Gear people who are going to get targeted. | :07:18. | :07:23. | |
There will be a few people who try to gain the system, to try to get | :07:23. | :07:26. | |
benefits from being influential, but we have already been through | :07:26. | :07:36. | |
:07:36. | :07:38. | ||
that. The trend raises some interesting questions about trust. | :07:38. | :07:42. | |
If influential friends are getting more Kate then you and they go to | :07:42. | :07:45. | |
the same restaurant, just how much faith can you put in there with | :07:45. | :07:55. | |
you? -- in their review? They had put in a time of work by building | :07:55. | :07:59. | |
trust in their network. They are not going to sacrifice it by a | :07:59. | :08:05. | |
couple of days in an Audi. Nevertheless, a bit of healthy | :08:05. | :08:12. | |
suspicion cannot help -- cannot hurt. Most of us can spot a freebie | :08:12. | :08:18. | |
hunting comment a mile off, even if they are from our friends. One of | :08:18. | :08:21. | |
the interesting things about social technology is that it does not | :08:21. | :08:25. | |
change people's behaviour, the nature of friendships and how we | :08:25. | :08:30. | |
relate to each other. If I start being in an untrustworthy way | :08:30. | :08:33. | |
because I have been incentivised, I am going to destroy a friendship | :08:33. | :08:43. | |
and it is not something that I would do in the real world. This is | :08:43. | :08:52. | |
clearly an area where the net is young and therefore flexible. You | :08:52. | :08:55. | |
could find the most important person at the party and go and | :08:55. | :08:59. | |
hassle them with your amazing screenplay idea. If you score is | :08:59. | :09:09. | |
:09:09. | :09:15. | ||
high enough, you might actually get it made. | :09:15. | :09:22. | |
A look at this week's tech news. A major review into the effects of | :09:22. | :09:27. | |
mobiles have concluded that they are not harmful to our help. The UK | :09:27. | :09:30. | |
Health Protection Agency looked at hundreds of studies on the last 15 | :09:30. | :09:35. | |
years, and found no conclusive link to cancer risk, brain function or | :09:35. | :09:41. | |
monitoring to understand the long- term effects, and cautioned that | :09:41. | :09:46. | |
children should avoid using them excessively. Facebook is enjoying | :09:46. | :09:50. | |
every closer to its one being used to mark ahead of its summer IPO. -- | :09:50. | :10:00. | |
is inching. It has emerged the social networks past $300 million | :10:00. | :10:04. | |
in cash and the rest in shares when it bought photo sharing app | :10:04. | :10:09. | |
Instagram for an estimated $1 billion. Google's long-awaited | :10:09. | :10:13. | |
online storage so this has finally launched, rivalling services such | :10:13. | :10:18. | |
as Dropbox, Apple iCloud and muggers of SkyDrive. Google Drive | :10:18. | :10:25. | |
comes with five keys of free space. -- Microsoft SkyDrive. The new | :10:25. | :10:31. | |
service will replace Google Docs. It will also integrate character | :10:31. | :10:35. | |
recognition technology, making scanned documents searchable. If | :10:35. | :10:40. | |
you fancy a more traditional type of drive, then the Newcastle | :10:40. | :10:43. | |
University in the north of England is hoping to oblige, at least for | :10:43. | :10:48. | |
the elderly. They had fitted an electric car with eye trackers and | :10:48. | :10:52. | |
biomoniters to understand the challenges faced by older drivers. | :10:52. | :10:57. | |
They had a car fitted with night vision systems, intelligent speed | :10:57. | :11:01. | |
adaptations and a bespoke spat nab can help older drivers to stay on | :11:01. | :11:09. | |
the roads. -- sat nav. Movie-makers have long tried to use | :11:09. | :11:14. | |
the internet to flog us the latest blockbusters. Many of these efforts | :11:14. | :11:23. | |
have resulted in little more than Monty MIDI -- multimedia hotchpotch. | :11:23. | :11:27. | |
But some of Hollywood's writers' minds have started to embrace new | :11:27. | :11:37. | |
:11:37. | :11:39. | ||
online methods, crafting new ways to tell new stories. | :11:39. | :11:42. | |
Hollywood movie studios are not known for subtly signing their | :11:42. | :11:52. | |
:11:52. | :11:55. | ||
output. He's chatting -- is shattering trailers are the norm. | :11:55. | :11:59. | |
Most blockbusters come complete with a tidal wave of merchandising, | :11:59. | :12:04. | |
from lunchboxes and novels, two video games, or opportunities to | :12:04. | :12:08. | |
wring more cash from a film, and opportunities to place a particular | :12:08. | :12:12. | |
motion picture front and centre in the minds of the cinema-going | :12:12. | :12:16. | |
public. Of course, the internet has a part to play in putting backsides | :12:16. | :12:23. | |
on cinema seats. The film industry has for years used the internet to | :12:24. | :12:28. | |
help -- to help market movies, by Peking people's interest by | :12:28. | :12:35. | |
launching teaser trailers, by building audience hype by | :12:35. | :12:38. | |
sprinkling information about upcoming blockbusters a cross | :12:38. | :12:48. | |
:12:48. | :12:48. | ||
blocks. -- across blogs. This used to be simply known as promotion, | :12:48. | :12:51. | |
but some considered these activities to be part of a media | :12:51. | :12:57. | |
campaign. He is CEO over a company which creates a media content for | :12:57. | :13:02. | |
the international -- entertainment industry. | :13:02. | :13:06. | |
There is an adoption of so many different media platforms that we | :13:06. | :13:11. | |
had entered into a new age, and aged pervasive communication. | :13:11. | :13:16. | |
Everybody is capable of communicating Outwood. We are | :13:16. | :13:24. | |
absorbing it. It is a technique to tell stories in such a way that | :13:24. | :13:34. | |
The content can take many different forms. Some of movie studios and | :13:34. | :13:39. | |
directors are better at applying it than others. Movies that | :13:39. | :13:45. | |
exemplified an exceptional use of transmedia storytelling include | :13:45. | :13:48. | |
Ridley Scott's Prometheus. The studio and Ridley Scott have joined | :13:48. | :13:54. | |
forces to create content that is being used to the way that | :13:54. | :13:58. | |
marketing used to use movie trailers. There is the example of | :13:58. | :14:05. | |
the TED talk given by Guy Pearce, where he talks about artificial | :14:05. | :14:10. | |
intelligence and the issues that are facing the world in the year | :14:10. | :14:17. | |
2023. We can create cybernetic individuals who in just a few short | :14:17. | :14:21. | |
years will be completely indistinguishable from us. But it | :14:21. | :14:26. | |
is branded as TED and it feels real, like you are learning something new | :14:26. | :14:31. | |
about the universe. That talk will not be in the movie but it informs | :14:31. | :14:37. | |
the movie and it informs us about the movie. There and number of | :14:37. | :14:41. | |
other websites and social media implementations that are being done | :14:41. | :14:45. | |
that helped to build the Prometheus story world. It order to discover | :14:45. | :14:49. | |
these extra video clips and additional information about the | :14:49. | :14:52. | |
film the audience is invited to sign up to a website. They are then | :14:52. | :14:58. | |
fed clues about where to find this extra content, but this expertly | :14:58. | :15:02. | |
executed commercial from the future advertising androids. And it does | :15:02. | :15:06. | |
not have anything to do with mobile phones. I can make your | :15:06. | :15:12. | |
organisation more efficient. I can carry out directives that my human | :15:12. | :15:22. | |
:15:22. | :15:24. | ||
counterparts might find distressing. Or unethical. I can blend in with | :15:24. | :15:29. | |
your work falls effortlessly. what happens when a Premier League | :15:29. | :15:33. | |
directive does not just use the internet to promote their latest | :15:33. | :15:38. | |
picture? What happens when the director uses the power of the | :15:38. | :15:40. | |
internet to take advantage of a different sort of story telling, | :15:40. | :15:45. | |
one that invites the audience to take part in the creative process. | :15:45. | :15:51. | |
He knew he had been out for a long time. The sun was on him. That only | :15:51. | :15:56. | |
happened in the morning. 10:30am was when the shadow of the | :15:56. | :16:03. | |
windowpane... A struggling writer wakes up and finds prose written on | :16:03. | :16:08. | |
his laptop, illustrations of strange creatures, and story ideas | :16:08. | :16:13. | |
with spit into a dictaphone, all of which he has no recollection of | :16:13. | :16:21. | |
ever creating. Was he still a slave to writer's block? Welcome to the | :16:21. | :16:27. | |
random adventures of Random Generator, the brainchild of Edgar | :16:27. | :16:34. | |
Wright and Lucasfilm comic-book artist Tommy ate Lee Edwards. It is | :16:34. | :16:39. | |
told in four parts where the audience can influence the shape of | :16:39. | :16:44. | |
the story. Who had written it? You had left him the messages? Who had | :16:44. | :16:50. | |
drawn that creature? Who were these boys miles from? He is a writer | :16:50. | :16:54. | |
that has writer's block and has eight blackout. He has written | :16:54. | :17:00. | |
stuff he does not remember doing. You leave it and you are open to | :17:00. | :17:06. | |
the people out there to contribute. -- you leave it open. It is like | :17:06. | :17:12. | |
connecting people out there in terms of contributing. Write this | :17:12. | :17:16. | |
with me. Draw something we can use in the next episode. Write | :17:16. | :17:20. | |
something we can use. Leave a message on the site and you can be | :17:20. | :17:25. | |
in the next episode. In fact the second episode of Random Generator | :17:25. | :17:30. | |
Features pros and drawings and voices of people who went on to the | :17:30. | :17:36. | |
site and submitted things. The project has been sponsored by | :17:36. | :17:43. | |
Microsoft's Internet Explorer 9 and effectively acts as a shop window. | :17:43. | :17:49. | |
We wanted to use the experience of Edgar Wright and Tommy Lee Edwards, | :17:49. | :17:53. | |
their experience in film, comics, illustration, and combine that with | :17:53. | :17:59. | |
a Web browser to showcase what can be done using HTML 5. The audience | :17:59. | :18:03. | |
is centre stage in the story. They can interact as much or as little | :18:03. | :18:07. | |
as they like. Looking out of the window was the main skill on his | :18:07. | :18:11. | |
resonate. He knew there was a world out there but he knew he had to | :18:11. | :18:17. | |
come up with a more exciting one in his mind. The great thing is people | :18:17. | :18:20. | |
have submitted in their thousands and I have been reading through all | :18:20. | :18:27. | |
of it. It is funny because my parents are both teachers. It felt | :18:27. | :18:33. | |
like having to mark homework. Very good. I was sitting there with my | :18:33. | :18:39. | |
vegetable pen going, good, good, yes. Four episodes are planned. All | :18:39. | :18:44. | |
will be released online over the next few months. From episode two | :18:44. | :18:49. | |
onwards the fate is in the audience's hands. It's a who could | :18:49. | :18:59. | |
:18:59. | :19:01. | ||
help him now? May be used. Mark is an enormous movie buff. He is one | :19:01. | :19:06. | |
of those people who can remember it quotes from films and books and | :19:06. | :19:09. | |
throws them into conversation, making the rest of us feel a little | :19:09. | :19:14. | |
inadequate. That was until Kate Russell found a way for us all to | :19:14. | :19:21. | |
compete with him. It's a bit like me you have a memory like a sieve | :19:21. | :19:27. | |
you have probably made good use of Web tools and the highlight feature | :19:27. | :19:30. | |
if you have a Kindle. But what is the use of storing | :19:30. | :19:36. | |
those quotes if you can never remember them? Enter Findings.com, | :19:36. | :19:40. | |
a new social tool for discussing and sharing noteworthy passages | :19:40. | :19:50. | |
:19:50. | :19:52. | ||
Kindle users can import their highlights directly into their | :19:52. | :19:55. | |
profile. It is to be easy to get started with sharing and discussing. | :19:55. | :20:01. | |
The privity settings mean going public is opt in, which makes a | :20:01. | :20:05. | |
refreshing change. -- privacy. Connect with your social thieves | :20:05. | :20:08. | |
for added sharing love and there is a bookmark for highlighting | :20:08. | :20:14. | |
passages straight off the wet. Yes, another thing to clutter your | :20:14. | :20:21. | |
bookmarks bar. But hopefully you can delete some of the others now. | :20:21. | :20:27. | |
If you want to improve your memory or learn anything new, flash cards | :20:27. | :20:32. | |
are a great education should -- educational tool. Eat your heart | :20:32. | :20:41. | |
out, Spencer. Even I get a bigger slice of cake venue. Website mac | :20:41. | :20:46. | |
lets you have image and text prompts to help the learning | :20:46. | :20:52. | |
process. -- Quizlet.com. There are over 7 million available covering | :20:52. | :20:55. | |
more than 200 million terms and definitions. You are bound to find | :20:55. | :20:59. | |
something that suits your needs. Even if you cannot be bothered to | :20:59. | :21:08. | |
make it yourself. There are several options for playing the sets., | :21:08. | :21:11. | |
learned and test are self- explanatory, and the audio function | :21:11. | :21:16. | |
could be useful for languages. Scatter and space race make a | :21:16. | :21:20. | |
valiant attempt at gamifying the learning process. They definitely | :21:20. | :21:30. | |
:21:30. | :21:34. | ||
do the trick. News junkies who owned a Windows | :21:34. | :21:39. | |
phone seven are going to like this app, Live Tile News, which lets you | :21:39. | :21:43. | |
keen tiles by category to your homes grave. They flit elegantly in | :21:43. | :21:48. | |
the way we have come to expect from this system, displaying micro | :21:48. | :21:58. | |
:21:58. | :22:02. | ||
headlines of the latest stories. were sold in the last quarter of | :22:02. | :22:05. | |
last year, but that is still less than 2% of the market share. It is | :22:06. | :22:10. | |
a big leap for the company and Nokia's influence is hard to deny, | :22:10. | :22:14. | |
but I think we are beginning to see a more complete range of essential | :22:14. | :22:19. | |
applications for the platform. This is one of those. Once you have | :22:19. | :22:23. | |
teamed your tiles, they sit naturally inside the phone's | :22:23. | :22:27. | |
ecosystem, delivering a straightforward information. It is | :22:27. | :22:31. | |
free but when you launch the application you are encouraged to | :22:31. | :22:39. | |
show your appreciation with a charity donation to app aid. | :22:39. | :22:48. |