Browse content similar to 17/11/2012. Check below for episodes and series from the same categories and more!
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As many copies of absolutely anything that you could ever want. | :00:18. | :00:28. | |
:00:28. | :00:44. | ||
What could possibly go wrong? We ask, How close are we to having 3D | :00:44. | :00:54. | |
:00:54. | :00:57. | ||
printers in our house? Waxing lyrical with the superstar. | :00:57. | :01:04. | |
storing it and growing it. create and dress out own beat Box | :01:04. | :01:14. | |
:01:14. | :01:17. | ||
band. Around 200 years ago the Industrial Revolution changed the | :01:17. | :01:22. | |
way we create things. Today, almost everything we owned is mass-produce | :01:22. | :01:26. | |
in some factory somewhere in the world. That could all be about to | :01:26. | :01:32. | |
change. As consumer tech has turned many of us many of us ographers, DJs, | :01:32. | :01:37. | |
journalists, could it be about to remove the barriers to production | :01:37. | :01:43. | |
itself? We ask whether soon we may be able to produce what we want, | :01:43. | :01:52. | |
when we want at home. Last month, London hosted an event showcasing | :01:52. | :01:59. | |
what was reported as a new way to produce things. Printing them. On | :01:59. | :02:03. | |
show, a variety of objects from toys to intricately designed | :02:03. | :02:13. | |
fashion items and a live band playing three printed instruments. | :02:13. | :02:17. | |
-- 3D. The idea has been around about 30 years and it's being used | :02:17. | :02:22. | |
in many creative industries from crafting sculptures for the Swedish | :02:22. | :02:29. | |
Ice Hotel to the latest James Bond movie. The classic Aston Martin car | :02:29. | :02:35. | |
was replicated using one of them world's largest 3D printers and the | :02:35. | :02:38. | |
movie makers had a hand at what happened to it without the chance | :02:38. | :02:45. | |
of scratching and expensive original. 3D designs are brought to | :02:45. | :02:52. | |
life layer by layer, each layer is in and the finer the detail. With | :02:52. | :02:56. | |
basic home printers starting at about �900 and the prices falling | :02:56. | :03:00. | |
quickly, many think it may be something we may all get involved | :03:00. | :03:05. | |
with. The biggest and most exciting thing that has just happened is | :03:05. | :03:08. | |
this technology that was only available to the elite and it now | :03:08. | :03:13. | |
and the hands of anyone. Anybody can be an industrial designer and | :03:13. | :03:17. | |
anybody can be a mechanical engineer and anybody can be an | :03:17. | :03:25. | |
architect and make prototypes and models and products at home. Take | :03:25. | :03:30. | |
this Stowe's novel, if I wanted to replace this, I have to phone the | :03:30. | :03:34. | |
manufacturer to get them to send me one and that is presuming it was | :03:34. | :03:40. | |
still in production. In the future, with a 3D Printer at home, I can | :03:40. | :03:45. | |
simply download a blueprint and make my own. All I can design one | :03:45. | :03:55. | |
:03:55. | :03:56. | ||
from scratch. To do that, we need to create a 3D model and the | :03:57. | :04:01. | |
printer needs to know what to do. One option is to scan what we want | :04:01. | :04:06. | |
to reproduce. With an elaborate set up like this one or with a portable | :04:06. | :04:11. | |
scanner that looks a bit like an Byron. More into print of checks | :04:11. | :04:17. | |
and it's not ideal. There's often areas of occlusion and the | :04:18. | :04:22. | |
Skandalis cannot see them directly or clearly and 3D software is | :04:22. | :04:28. | |
needed. One at feet and into make the process a bit more touchy-feely | :04:28. | :04:34. | |
is this company. It's device allows you to create designs using forced | :04:34. | :04:39. | |
feedback and more traditional Scott Harding techniques can be used. It | :04:39. | :04:45. | |
feels like a video game, really, and it has a feedback helping your | :04:45. | :04:49. | |
mind get into the 3D sense of what's going on and the feel much | :04:49. | :04:55. | |
more in control like you're malting something. However we make them, | :04:55. | :05:00. | |
most of us will need to have our grand designs finished off by a | :05:00. | :05:05. | |
professional 3D artist which represents a major barrier. A much | :05:05. | :05:10. | |
more likely future would be downloading a model from the web to | :05:10. | :05:14. | |
print at home. In fact, you can already buy or download many | :05:14. | :05:20. | |
designs. Some websites even turn our photos into a printable model. | :05:20. | :05:26. | |
It objects become so easily wreck level, this may raise more concerns. | :05:26. | :05:31. | |
Copying them may infringe the inventor's writes just like | :05:31. | :05:36. | |
pirating music or movies. You think of lots of Walt Disney characters | :05:36. | :05:42. | |
that people may want to produce as Tories and they have certain rights | :05:42. | :05:46. | |
and they have three deep trademarks as well existing. That also | :05:46. | :05:51. | |
protects the object such as the shape or the bottle or the brandy | :05:51. | :05:55. | |
bottle orate perfume bottle, things like that. They have a | :05:55. | :05:59. | |
characteristic shape and the machines may be able to search the | :05:59. | :06:06. | |
database which has those rights record. Then they allow people to | :06:06. | :06:10. | |
buy the licence to use the rights or to be able to produce that | :06:10. | :06:18. | |
object. There's other concerns also. In this news playpen of creativity, | :06:18. | :06:23. | |
how do you protect yourself from a fake designed? The ones you may | :06:23. | :06:27. | |
download that don't actually work when you print them. Or if you want | :06:27. | :06:31. | |
to create the toy for your son or daughter, how do you know that it | :06:31. | :06:35. | |
may be suitable for them to play with? This fire engine comes with a | :06:35. | :06:41. | |
warning that it should not be used by children under the age of three. | :06:41. | :06:50. | |
Disney is testing the future where we can create new toy is safely. | :06:50. | :06:54. | |
Even the screen on this is created in the Printer. There's no circuit | :06:55. | :07:00. | |
board and instead a unique optical design allows the lights to | :07:00. | :07:05. | |
illuminate the display in different ways. New designs that are | :07:05. | :07:10. | |
interlaced with many moving parts and can be printed it in one go and | :07:10. | :07:15. | |
some say your imagination is the limit. Unfortunately, it is not. We | :07:15. | :07:20. | |
will need to know a bit about the engineering also. There's a lot of | :07:20. | :07:25. | |
debate about what objects may be suitable for 3D printing where it's | :07:25. | :07:29. | |
at home or in the offer has but one constraint is the materials | :07:29. | :07:33. | |
available. You may have some part with multiple materials and you may | :07:33. | :07:37. | |
not have a printer that can print on those materials but there may be | :07:37. | :07:41. | |
won round the corner or an assembly required afterwards limiting the | :07:42. | :07:46. | |
types of people that make use them for a home manufacturing. For your | :07:46. | :07:51. | |
own designs with a secret shops given a new lease of life not only | :07:51. | :07:55. | |
providing occasional use of expensive printers, this one costs | :07:55. | :08:01. | |
over �50,000, but also the know how how to get the home designs to | :08:01. | :08:06. | |
actually work. Making a functional object depends on part in the | :08:06. | :08:10. | |
materials used, compressed power that is more brittle and it's OK | :08:10. | :08:15. | |
for some models but not for moving parts. A colour Scheldt less than | :08:15. | :08:19. | |
one millimetre thick provides the detail. Tougher reasons need to be | :08:19. | :08:23. | |
melted to flow through the printing nozzle. They may be flexible but | :08:23. | :08:29. | |
tend not to be able to look withstand Australian replacing a | :08:29. | :08:36. | |
moving part in the Carrefour example. Insuring high quality and | :08:36. | :08:39. | |
protecting the design rights may be the biggest challenge. Despite a | :08:39. | :08:45. | |
hype, the revolution of printing whatever we need in our own homes | :08:45. | :08:51. | |
remains unrealistic. Designing personalised small gifts or | :08:51. | :08:54. | |
downloading a treaty to sign we may print or take to the printing shop | :08:54. | :09:03. | |
has already materialised. A slightly more realistic view of 3D | :09:03. | :09:11. | |
printing. Next, we look at that take news. The new mobile operating | :09:11. | :09:16. | |
system will be launched in January. The BlackBerry 10 will be available | :09:16. | :09:20. | |
on two new handsets with a feature caused flow allowing multi-tasking | :09:21. | :09:26. | |
easier. In a bid to keep loyal uses it has upgraded the BlackBerry | :09:26. | :09:31. | |
messenger at with free voice calls over WiFi. That will be to other | :09:31. | :09:36. | |
uses using a stop that brings it closer to other phone using systems | :09:36. | :09:43. | |
that already used free calls. Weeks after the launch of Windows eight, | :09:43. | :09:48. | |
Stephenson of Ski has let Microsoft with immediate effect. He has been | :09:48. | :09:52. | |
seen as instrumental in trying to get the Microsoft ecosystem with | :09:52. | :09:59. | |
ex-boss, PC and tablets and online services. His departure at is due | :09:59. | :10:03. | |
to the strained relationship with the chief executive, who had been | :10:03. | :10:07. | |
previously tipped to succeed him. No cure is after a taste of Apple | :10:07. | :10:12. | |
offering its mapping up for the ils devices and it will be free | :10:12. | :10:16. | |
including Offline support when you have no internet connection. They | :10:16. | :10:21. | |
are also making the service available for development on here | :10:21. | :10:27. | |
and Roy Apps and has used Masilo with location features. Nokia will | :10:27. | :10:34. | |
improve the service even more acquiring St imaging company to | :10:34. | :10:39. | |
compete with Google Street view. Google has gone over the street | :10:39. | :10:42. | |
launching its new super-fast broadband service to some US homes | :10:42. | :10:47. | |
offering speeds of up to one gigabit per second. They have been | :10:47. | :10:52. | |
buying up dark fibres from telecom firms bringing that into homes | :10:52. | :10:56. | |
through overhead cables. Summer the first residents to receive a | :10:56. | :11:02. | |
service in Kansas City report speeds of 700 megabits per second | :11:02. | :11:12. | |
:11:12. | :11:12. | ||
and one terror by to storage on Google. The Tate world can be more | :11:12. | :11:18. | |
than a little bit insular. It sometimes needs a helping hand from | :11:18. | :11:22. | |
Global Icons, superstars shouting from the rooftops about their | :11:22. | :11:28. | |
passion for technology. One such Black-f | :11:28. | :11:31. | |
Black-Eyed Peas lead singer Will.i.am, let's face it, when | :11:31. | :11:35. | |
William Adams punctuates his name to have more Dobson when the dress, | :11:35. | :11:39. | |
you know it's likely to be a street of Haitink goodness flowing through | :11:39. | :11:44. | |
his veins. Richard Thaler caught up with Will.i.am to find out what | :11:44. | :11:54. | |
makes him tick. With chart-topping Grammy | :11:54. | :12:00. | |
Grammy awards, songwriter and DJ Will.i.am is nothing short of a | :12:00. | :12:08. | |
musical phenomenon. When we met recently in Manhattan, it soon | :12:08. | :12:13. | |
became clear he has designs on the world of hi-tech as well. I was an | :12:13. | :12:23. | |
:12:23. | :12:24. | ||
enthusiast ever since I was a small boy. A UA Property Week? I am a | :12:24. | :12:31. | |
property. I'm an undercover beak. He is commensals got a boost this | :12:31. | :12:37. | |
year as he recorded a song at NASA broadcast back from the Mars | :12:37. | :12:43. | |
Curiosity rover, a true out of this world first. It's like a boomerang, | :12:43. | :12:47. | |
the first her rain song. I threw it to a different planet and it came | :12:47. | :12:54. | |
back. He has also directed creativity at Intel, a company | :12:54. | :12:59. | |
struggling to make an impact with mobile devices. What you tell them | :12:59. | :13:05. | |
that Intel? Actually, they are no wherein the smartphone business. A | :13:05. | :13:13. | |
small company seems to be doing well. OK, the smartphones still | :13:13. | :13:23. | |
need a server. What Servers are they using? Intel. Anyway, my | :13:23. | :13:33. | |
:13:33. | :13:37. | ||
company is in the loop. Intel is a marathon on. You want to be a | :13:37. | :13:43. | |
leapfrog and not having a different device, you need to leapfrog. | :13:43. | :13:46. | |
was on the digital media that he was most vocal saying the onslaught | :13:46. | :13:53. | |
of the mob would democracy and video has disrupted traditional TV | :13:53. | :13:58. | |
broadcasters who pieces still harbour the old school mentality. | :13:58. | :14:04. | |
Broadcasters, unfortunately, as robust as they are, their business | :14:04. | :14:14. | |
is television, monopolising it with ants and that's it. It's not true | :14:14. | :14:19. | |
innovation. If it was true innovation they would have created | :14:19. | :14:26. | |
Facebook, YouTube and Twitter. you make about the YouTube content? | :14:26. | :14:32. | |
When they put in millions of young creative up and coming produces. | :14:32. | :14:42. | |
Are they are threat to the YouTube will be a threat to to the | :14:42. | :14:46. | |
broadcasters when every single home has a smart television. A smart | :14:46. | :14:54. | |
television is a threat to cable. Right? It allows your sister, youth, | :14:54. | :15:03. | |
who watching, to be a network yourself. Had the impact culture? | :15:03. | :15:08. | |
The brand will go where the culture in packs. Culture today is | :15:08. | :15:14. | |
rehashing yesterday. The new Spider-man. But how many times have | :15:14. | :15:20. | |
I seen that? The new Three Stooges. Are you serious? Where is the new | :15:20. | :15:28. | |
depth thinking? We need innovation. It will come from the new platforms. | :15:28. | :15:34. | |
Check this out. This is a South Korean book, he read Gangnam Style. | :15:34. | :15:44. | |
:15:44. | :15:44. | ||
If a current Act could break all over the world because of a YouTube | :15:45. | :15:53. | |
clip, not a network clip, but is a connected world. Connected | :15:53. | :15:57. | |
television has not been successful so far. Some people do not pick | :15:57. | :16:03. | |
them up. This is just the beginning. Imagine this is an marathon. You | :16:03. | :16:07. | |
are like, man, Pranab Mukherjee from Slovakia or looks like she | :16:07. | :16:13. | |
will win. She is in the lead. -- girl. Then the Ethiopian person is | :16:13. | :16:17. | |
all the way in the back. Guess who will win the race? You have to look | :16:17. | :16:24. | |
at it from the long run. Leaving had better hurry increasingly | :16:24. | :16:29. | |
taking us away from connected television and on to apps could | :16:29. | :16:33. | |
second screens. Like tablets or smartphones. We are finding out | :16:33. | :16:42. | |
more about shows Paul tweeting on air. It is innovation. It is not | :16:42. | :16:49. | |
happening here. I am watching a to the -- television programme. On | :16:49. | :16:54. | |
that programme, the victim is running. They are running from the | :16:54. | :16:59. | |
killer or something. They could to a safe house. They close the door | :16:59. | :17:06. | |
and look for a telephone. It is winning. Your phone rings in your | :17:06. | :17:12. | |
house. Hello? The character is talking to you. Can you do | :17:12. | :17:19. | |
something? Take this number down. I'll send you a text, OK? Say OK. I | :17:19. | :17:29. | |
want you to get the message. How does this happen? It is interactive. | :17:29. | :17:34. | |
The interactivity from phone calls and e-mails, you are participating. | :17:34. | :17:39. | |
You type in your phone number in to the networks. You are part of the | :17:39. | :17:44. | |
script. They know who you are, where you are and what you are | :17:44. | :17:49. | |
brain. My people at the networks are thinking like that. They are | :17:49. | :17:54. | |
trying to how to monetise yesterday is that of monetising contend today. | :17:54. | :17:59. | |
That is why it is coming from the TEC and on the broadcasters unless | :17:59. | :18:04. | |
they get visionaries to be a part of their thing. If it sounds like a | :18:04. | :18:12. | |
sales pitch. No. It sells for a job application. You want to shake | :18:12. | :18:22. | |
:18:22. | :18:23. | ||
things up. Having 80 actors on a television show last year, he was | :18:23. | :18:33. | |
:18:33. | :18:36. | ||
to create a new programme with a I wanted to do that. I would like | :18:36. | :18:45. | |
to create a show that is in pursuit Of tomorrow's Bill Gates, | :18:45. | :18:53. | |
tomorrow's Steve Jobs, tomorrow's Michael Dell. Tomorrow's Mark | :18:53. | :18:59. | |
Zuckerberg. Do you see what is wrong if that sentence? Everyone I | :18:59. | :19:04. | |
named, Alker is no woman in there. I want to do that and inspire a | :19:04. | :19:10. | |
woman to join us on this admission of finding tomorrow's next | :19:10. | :19:20. | |
:19:20. | :19:29. | ||
entrepreneur and innovator. Why not. Have the -- it is not as sexy and | :19:29. | :19:34. | |
popular as sinning. It is. Some believe gone just for five The | :19:34. | :19:40. | |
Voice last year. Where is their album? Somebody won American Idol | :19:40. | :19:47. | |
last year. Where is their album? Somebody designed an iPhone last | :19:47. | :19:55. | |
year. Would you buy it? Richard Taylor talking to will.i.am. | :19:55. | :19:59. | |
There is much more of that interview on one hand on our | :19:59. | :20:05. | |
website. That is also where you would find | :20:05. | :20:15. | |
:20:15. | :20:27. | ||
I'm eyeing up a different photograph filter application. It | :20:27. | :20:33. | |
is available free from iPhone, Android and Windows 7. It lets you | :20:33. | :20:42. | |
take photographs and share them on your show Sean at work. The | :20:42. | :20:46. | |
addition of tagging makes it possible to compile themed | :20:46. | :20:56. | |
:20:56. | :20:57. | ||
collections around a particular This is a great feature. Especially | :20:57. | :21:02. | |
if you follow a cultural or sporting event. The app has been | :21:02. | :21:07. | |
around for one year. It has been redesigned for Android. It takes | :21:07. | :21:15. | |
advantage of social discovery and applications. -- locations. The app | :21:15. | :21:22. | |
does everything you would expect. It will push similar images from | :21:22. | :21:27. | |
other users into a stream, along with pace and will current | :21:27. | :21:32. | |
locations. You get different perspectives on the event you are | :21:32. | :21:42. | |
:21:42. | :21:48. | ||
Time trouble has never been so easy, virtually speaking. -- Travel. This | :21:48. | :21:52. | |
is a family-run website that focuses on teaching history through | :21:52. | :21:56. | |
interactive experiences. It combines time lines, maps and | :21:56. | :22:06. | |
:22:06. | :22:07. | ||
encyclopedic entries to bring historic chapters to life. What is | :22:07. | :22:12. | |
so great about this website is it Lynx historic events like the rise | :22:12. | :22:16. | |
and fall of great civilisations and umpires to whatever else was going | :22:16. | :22:22. | |
on the world during that period, giving see subject context. You can | :22:22. | :22:32. | |
:22:32. | :22:32. | ||
understand why the history unfolded When you have had the feel of the | :22:32. | :22:42. | |
:22:42. | :22:43. | ||
past, check out some dates from the This brilliant browser sequencer | :22:43. | :22:47. | |
let you build tracks from a selection of the samples by simply | :22:47. | :22:54. | |
dropping the appropriate outfit on to the avatars. Samples can be | :22:54. | :23:02. | |
muted. You can record your musical genius to share through the usual | :23:02. | :23:11. | |
social channels. this app is fun to use. You do not need to be a | :23:11. | :23:15. | |
musical genius as it is impossible to make things sound bad, even for | :23:15. | :23:24. | |
me. It is pretty incredible. But is it from us. If you fancy war, | :23:24. | :23:33. |