Browse content similar to 01/06/2013. Check below for episodes and series from the same categories and more!
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for chest pains or leg injuries. That's all from me for tonight. | :00:03. | :00:08. | |
Alice Baxter will be next. Now on BBC News it is time for Click. | :00:08. | :00:18. | |
:00:18. | :00:36. | ||
This week on Click, we will tell you sure you with data and show you | :00:36. | :00:41. | |
what you can do with it as we examine the information behind your | :00:41. | :00:47. | |
pictures -- a deluge you. How about this review? We will plug into the | :00:47. | :00:49. | |
Take That is lighting up San Francisco. Filming the action from | :00:49. | :00:56. | |
all the angles. -- Take That. All that plus the latest Tech News, and | :00:56. | :01:01. | |
the trip to the other side as we show you have to channel the social | :01:01. | :01:10. | |
life in Webscape. -- afterlife. Welcome to Click, I'm Spencer Kelly. | :01:10. | :01:16. | |
Smile... looking good, gorgeous, as ever! It wasn't just you that my | :01:16. | :01:19. | |
camera captured just then. Along with millions of pixels digital | :01:19. | :01:24. | |
photographs can take a ton of other information. Your location. Shutter | :01:24. | :01:31. | |
speed./Settings. The list is amazingly long. For years all this | :01:31. | :01:34. | |
extra information was largely ignored by everyone except the pros, | :01:34. | :01:39. | |
but these days apps and software used by we mere mortals are using | :01:39. | :01:43. | |
more and more of this metadata. It could be time to give it a little | :01:43. | :01:48. | |
bit of respect as Ian Hardy explains in New York. Turnover your | :01:48. | :01:52. | |
photos from decades long gone and you might find scribblings on the | :01:52. | :01:58. | |
back. Who? What? When? Where? That was your grandfather's version of | :01:58. | :02:03. | |
metadata. But today's digital photo filed not only collects all the | :02:03. | :02:07. | |
technical information, but allows shooters to add many personal | :02:07. | :02:11. | |
details as well. Metadata or software used to be a pros only | :02:11. | :02:17. | |
world, but the Giants, Lightroom and aperture, have both dropped | :02:17. | :02:22. | |
their prices dramatically. And Linn has emerged of ring the ability for | :02:22. | :02:26. | |
anyone to add captions, key words, and other metadata quickly and | :02:26. | :02:33. | |
efficiently. But photographers in the 21st century, like Alan Shapiro, | :02:33. | :02:38. | |
face another problem. They need to insure the metadata, which can | :02:38. | :02:42. | |
include but important copyright information, sticks to be | :02:42. | :02:45. | |
photographed wherever it goes online. Traditionally that has been | :02:45. | :02:49. | |
tricky. Metadata is important to anyone, whether you're a | :02:49. | :02:54. | |
professional or amateur, anyone who wants to share their photograph, be | :02:54. | :02:59. | |
it with family... I have had family come for family reunions and some | :02:59. | :03:03. | |
of them want photos, I just send them to my SmugMug website, I don't | :03:03. | :03:08. | |
sell to them, I could, but I don't, because I like them. They can | :03:08. | :03:13. | |
download and all of the data I have added to my photo travels with it. | :03:13. | :03:17. | |
SmugMug has become popular with photographers because it was one of | :03:17. | :03:20. | |
the first to acknowledge the importance of metadata and leave it | :03:20. | :03:25. | |
intact throughout the import, storage, export and distribution | :03:25. | :03:29. | |
process. Some websites strip it without warning to say bandwidth | :03:29. | :03:35. | |
costs. But creating metadata or with photographs can be a tedious | :03:35. | :03:40. | |
and time-consuming project. Photosmith 3 is a tablet app that | :03:40. | :03:45. | |
sinks with Lightroom and catalogues on ago. The first two versions | :03:45. | :03:49. | |
released by part-time developers that started it as a hobby got | :03:49. | :03:53. | |
mixed reviews primarily because of an Apple's ioS restrictions, but | :03:53. | :03:58. | |
this version will finely and chain photographers from their desktops | :03:58. | :04:03. | |
and laptops forever. It puts metadata into the hands of the | :04:03. | :04:07. | |
amateur for the first time in the mobile space. There's At the chalk | :04:07. | :04:11. | |
and Lightroom in the desktop and laptop space, but in terms of | :04:11. | :04:17. | |
mobile tagging it is not there on the iPad. You can edit the exposure | :04:17. | :04:21. | |
but you can't edit the metadata in any meaningful way. Are the most | :04:21. | :04:25. | |
logical moment to add metadata is when the camera is clicked or the | :04:25. | :04:30. | |
few seconds after. Devices can already at GLS -- GPS co-ordinates | :04:30. | :04:34. | |
and identify people within the frame. The next batch of cameras | :04:34. | :04:39. | |
might be able to take dictation on the spot, turn it into text and | :04:39. | :04:43. | |
added to the file. Photographic metadata has become very important | :04:43. | :04:48. | |
for a whole new genre of apps. Paul Mayne is the inventor of the | :04:48. | :04:52. | |
incredibly simple Day One. One way of recording your thoughts is to | :04:52. | :04:56. | |
open the app whenever something happens and start typing. The entry | :04:56. | :05:00. | |
created will be time, date and location sensitive. But if it is | :05:00. | :05:04. | |
not convenient to stop and type you can simply take a photo with your | :05:05. | :05:09. | |
device and wait until later when the image metadata becomes | :05:09. | :05:13. | |
invaluable to the app. You add that photo to the entry, it immediately | :05:13. | :05:18. | |
prompts you, would you like to change the entry to this photos day | :05:18. | :05:22. | |
and this location? At that moment it all grab the weather, up to 30 | :05:22. | :05:26. | |
days back. From there you can expand and start writing about who | :05:26. | :05:30. | |
you were with and what you were doing, what you ate, things like | :05:30. | :05:37. | |
that. Everpix is another kind of record keeping apps with the | :05:37. | :05:40. | |
ambitious goal of finding the meaning within your photographs. It | :05:40. | :05:45. | |
sucks up your collection and repackage his it, having analysed | :05:45. | :05:49. | |
metadata and semantic information. Algorithms look at the pixels and | :05:49. | :05:54. | |
try to work out what is actually happening in the picture. It then | :05:54. | :05:57. | |
displays one or two great shots of each event which hopefully triggers | :05:57. | :06:02. | |
more memories for the viewer, who can then start digging down in more | :06:02. | :06:08. | |
detailed. Collections are massive. There's a lot of photos. For, light, | :06:08. | :06:13. | |
users, they end up being, like, last under an avalanche of data | :06:13. | :06:17. | |
which paradoxically becomes like a noise. You take a lot, you want to | :06:17. | :06:22. | |
remember a lot, you want to take with you a lot, and then, you know, | :06:22. | :06:26. | |
in two or three days it is just noise, you lose it. Despite the | :06:26. | :06:31. | |
enormous upside of keeping metadata intact There's also the flipside to | :06:31. | :06:34. | |
consider. Loading photos on to your favourite social media website | :06:35. | :06:39. | |
without stripping personal information out just the host and | :06:39. | :06:45. | |
potentially the world a whole new sense of who you are, where you are | :06:45. | :06:49. | |
and what you have been up to. The Ian Hardy. For more information | :06:49. | :06:54. | |
than you can possibly handle. Next up, a look at this week's Tech News. | :06:54. | :06:58. | |
US prosecutors had taken down a digital cash exchange they say was | :06:58. | :07:04. | |
used by cyber criminals to launder around $6 billion. Costa Rica based | :07:04. | :07:08. | |
Liberty Reserve had essentially function as a black market Bank and | :07:08. | :07:11. | |
allegedly process 55 million transactions for its one million | :07:11. | :07:17. | |
users. They were engaged in credit card fraud, hacking and child | :07:17. | :07:20. | |
pornography from the Stock Facebook said it will review how it deals | :07:20. | :07:23. | |
with controversial, harmful and hateful contender after admitting | :07:23. | :07:27. | |
current measures are ineffective. It follows sustained pressure after | :07:27. | :07:30. | |
a spate of recent incidents, including videos of real life | :07:30. | :07:35. | |
beheadings being shared across the site. Meanwhile socials Grant | :07:35. | :07:39. | |
booking platform Pinterest said it will allow nudity, despite its | :07:39. | :07:43. | |
previous efforts to come up with innovative ways to block it. The | :07:43. | :07:47. | |
world's largest equipment firm has developed face tracking technology | :07:47. | :07:52. | |
to prevent accidents caused by fatigue. Caterpillar's DSS system | :07:52. | :07:57. | |
uses a camera to detect a driver's pupil size, how frequently they | :07:57. | :08:03. | |
blink and how often they are keeping their eyes shut. Finally | :08:03. | :08:07. | |
this original Apple computer from 1976 has sold at a German auction | :08:07. | :08:14. | |
for more than $650,000. The Apple Wolverhampton Wanderers consisting | :08:14. | :08:19. | |
of just this motherboard went to an anonymous buyer in Asia. It was one | :08:19. | :08:22. | |
of the first 50 built by Steve mozzie Yak- and Steve Jobs. It is | :08:22. | :08:30. | |
one of only six still working. Technology continues to worm its | :08:30. | :08:36. | |
way into all of our lives, not just in our house -- hands and our homes, | :08:36. | :08:40. | |
but into our cities and on to its structures to. It's no surprise | :08:40. | :08:44. | |
that in the global heartland of San Francisco have it has found its way | :08:44. | :08:50. | |
on to an iconic landmark. We went to meet the hi-tech art is to has | :08:50. | :08:59. | |
been making the Bay Bridge even Every day at dusk, the San | :08:59. | :09:05. | |
Francisco Bay Bridge sparkles to life. And a mesmerising array of | :09:05. | :09:12. | |
LEDs dances across the bridges suspension cables. Call the | :09:12. | :09:18. | |
daylights, this aid million-dollar work of art celebrates the bridge's | :09:18. | :09:23. | |
7th -- 70th birthday -- $8 million. This LED sculptor, the world's | :09:23. | :09:29. | |
largest, would not exist if it were not for technology. How do you lock | :09:29. | :09:35. | |
meant an iconic landmark? This artist started with 25,000 lights - | :09:35. | :09:42. | |
- augment. This is intelligent lighting. There have been a lot of | :09:42. | :09:48. | |
bridges that have been lit, but not with this sort of thing where you | :09:48. | :09:53. | |
have 25,000 individual controllable points. The LEDs, made by Philips, | :09:53. | :09:58. | |
are off the shelf. But it is doubtful many use them the way that | :09:58. | :10:02. | |
Villarreal has. From start to finish it was a 2.5 year Endeavour, | :10:02. | :10:06. | |
filled with hurdles. The physical challenges were how do we installed | :10:07. | :10:12. | |
these LEDs, where do we put the power supply? How do we get day 2 | :10:12. | :10:18. | |
to them? They all have to receive data. They have huge racks of | :10:18. | :10:21. | |
routers and all kinds of things that you would associate with an IT | :10:21. | :10:27. | |
project and not with an art work. At light -- at night when traffic | :10:27. | :10:32. | |
was alive -- at its lightest they installed over 700 power and data | :10:32. | :10:41. | |
boxes. The main brain of the daylights is secured in the | :10:41. | :10:47. | |
bridge's beefy central Anchorage. Even this seemingly basic plastic | :10:47. | :10:52. | |
clip, which fastens the LEDs and courts to the bridge table, is the | :10:52. | :10:56. | |
result of hi-tech workmanship. To design is part entrepreneur Timothy | :10:56. | :11:02. | |
Childs and his team embark on six weeks of rapid prototyping using a | :11:02. | :11:08. | |
3D printer. The cool thing about 3D printing, we were able to to 10 | :11:08. | :11:18. | |
:11:18. | :11:20. | ||
different exact shade of the Channel to hold the wires perfectly. | :11:20. | :11:26. | |
50,000 of these polycarbonate clips firmly attached the LEDs to the | :11:26. | :11:33. | |
bridge. With the massive canvas in place, it was Leo Villarreal's turn | :11:33. | :11:39. | |
to put tenons -- technology at work. Its light can be controlled | :11:39. | :11:43. | |
individually -- each light. My challenge is to figure out what | :11:43. | :11:48. | |
number is to send the light to. Each is expecting one bike. 25,000 | :11:48. | :11:54. | |
bites at least 30 times a second across the bridge. Of the end | :11:54. | :11:59. | |
result is an epic display of patterns which will never repeats | :11:59. | :12:03. | |
during the two-year installation. Watch the daylights and you will | :12:03. | :12:09. | |
see hints of rainfall. Maybe the Matrix. Or maybe stardust. What you | :12:09. | :12:12. | |
won't see are the racks, routers and software that made it all | :12:12. | :12:22. | |
:12:22. | :12:26. | ||
We have talked about the fact that these things can take pretty good | :12:26. | :12:30. | |
photos and videos these days, if you have the time, you can get some | :12:30. | :12:35. | |
really good results, you could even make a half-decent movie. But what | :12:35. | :12:40. | |
happens if you want to BDO that special event and you only have one | :12:40. | :12:50. | |
:12:50. | :12:51. | ||
shot at it? The best thing to do is to get... | :12:51. | :12:56. | |
If there is one thing social media has shown us, is that we can be | :12:56. | :13:00. | |
spectacularly self- obsessed, from minor status Updates to food | :13:00. | :13:05. | |
worship. Sharing our well it with the wider world is becoming second | :13:05. | :13:11. | |
nature. -- our world. They now it is moving beyond the text and | :13:11. | :13:19. | |
pictures. Twitter bought a app that offers six-second segments to shed. | :13:19. | :13:24. | |
On the horizon, Google Glass readily catches your point of view, | :13:24. | :13:30. | |
and shares it online. The thing is, even these so-called social video | :13:30. | :13:34. | |
services are captured from a single source, you, and most would | :13:34. | :13:40. | |
struggle to meet any modicum of quality control. Say goodbye to | :13:40. | :13:48. | |
your shoddy singular shot, and beat her load to crowdsourced coverage. | :13:48. | :13:52. | |
Biclone is an app that automatically edits to get up | :13:52. | :14:01. | |
footage promotable mobiles in the same room, at the same time. It can | :14:01. | :14:05. | |
synchronise up to four videos at a time to make a malty and called | :14:05. | :14:11. | |
edit of an event, especially handy at memorable occasions. Already | :14:11. | :14:17. | |
available for Apple and android, it has recently been integrated into | :14:17. | :14:23. | |
the Windows Power what Nokia 925. Streamweaver works in the same way. | :14:23. | :14:28. | |
It plays the video in a split screen format, like a CCTV monitor. | :14:28. | :14:33. | |
Hardly a Scorsese masterpiece, but great for discovering different | :14:33. | :14:37. | |
perspectives. But the last thing most people think about when | :14:37. | :14:46. | |
recording video is the sound. Until you play it back. If you are at a | :14:46. | :14:52. | |
concert, a good audio is crucial. 45Sound replaces rubbish audio from | :14:52. | :14:58. | |
our mobiles with high quality sound, straight from the mixing desk at a | :14:58. | :15:01. | |
Qantas, leaving us to it concentrate on getting the best | :15:01. | :15:07. | |
shot we can. -- a concert. This is an incredible view, it is not | :15:07. | :15:13. | |
generally available, unless you are the artist or the crew. But this is | :15:13. | :15:18. | |
not bad. Maybe back here is a bit of a stretch. But it does not | :15:18. | :15:23. | |
matter where you sit, because this app also mixes together footage | :15:23. | :15:28. | |
from everyone in the room, to create an overall concert video. | :15:28. | :15:33. | |
Instead of geotagging, the clips have to be directly uploaded to 45 | :15:33. | :15:41. | |
sound's side, and it is there where the magic happens. It isn't with | :15:41. | :15:43. | |
the Professional hi-def track, through a specifically designed | :15:43. | :15:53. | |
:15:53. | :15:54. | ||
algorithm. -- directly centre. Recording some sound is vital. | :15:54. | :16:00. | |
Those kind of cliched camera shots, we want, I want to it and watch me | :16:00. | :16:07. | |
is exactly as the fans saw. It is not just the fans and the company, | :16:07. | :16:12. | |
artists are encouraged to take part with deep promise of a nicely made | :16:12. | :16:22. | |
:16:22. | :16:24. | ||
than video of themselves. You want it to not only... it has got this | :16:24. | :16:30. | |
crackly, grey anything on the video. It is the whole interaction. -- | :16:30. | :16:40. | |
:16:40. | :16:40. | ||
grainy thing. To come a long and feel like you are getting closer to | :16:40. | :16:49. | |
the artist, but with many apps, is sharing caring? If you video a band | :16:49. | :16:55. | |
and then upload it, there are lots of Copyright questions. Who owns | :16:55. | :16:59. | |
the copyright in the video? In theory, you should, as the person | :16:59. | :17:04. | |
you recorded it. But when you up load it on to a site, it will | :17:04. | :17:11. | |
depend on the terms and conditions as to whether you are giving away | :17:11. | :17:16. | |
the Copyright. The terms and conditions on the ticket back to | :17:16. | :17:20. | |
port may also say something about the rights. The video sharing | :17:20. | :17:25. | |
extends into practical uses as well. Imagine wanting to find out how the | :17:25. | :17:30. | |
queue is light at your favourite sandwich shop, where that there are | :17:30. | :17:37. | |
parking spaces available at your local supermarket. Koozoo S A San | :17:37. | :17:42. | |
Francisco app completely found it on video sharing. -- is. It will | :17:42. | :17:46. | |
show you up to the minute information about local services, | :17:46. | :17:51. | |
or maybe just an insight into the state of your street. Assuming they | :17:51. | :17:57. | |
have permission to film. If a TV company goes out, they get | :17:57. | :18:02. | |
permission from everybody there. People on their iPhone are not | :18:02. | :18:10. | |
doing that. Surely it will only work with all these apps when | :18:10. | :18:13. | |
enough people want to record a video to keep the start-ups in | :18:13. | :18:17. | |
business, but if collaborative video does catch on, and we will | :18:17. | :18:21. | |
have more ways to capture, mix and share our treasured memories with | :18:21. | :18:31. | |
:18:31. | :18:32. | ||
more people than ever before. Back in April, we reported on | :18:32. | :18:37. | |
Google afterlife, which is the unofficial life given today in | :18:37. | :18:41. | |
active account manager, which lets you bequeath your data to someone | :18:41. | :18:45. | |
you trust. But what if you do not want your digital like to be over, | :18:45. | :18:51. | |
when your biological one comes to an end? It sounds morbid, but Kate | :18:51. | :18:54. | |
Russell has an app fort that as well. | :18:54. | :19:00. | |
No-one wants to think about death, but if it does come suddenly, would | :19:00. | :19:04. | |
you be comforted by the chance to lead a final message for your loved | :19:04. | :19:10. | |
ones? Do you think they will be comforted? That is the premise | :19:10. | :19:15. | |
behind a Facebook app that lets you record a Web can message and | :19:15. | :19:19. | |
assigned trustees who will report your death to the app, so your | :19:19. | :19:29. | |
:19:29. | :19:30. | ||
final thoughts can be posted postmortem. Taking it one step | :19:30. | :19:34. | |
further, DeadSocial lets you schedule posts at these into the | :19:34. | :19:39. | |
future, uploading video or text so you can keep posting photos of your | :19:39. | :19:45. | |
breakfast or perhaps more appropriately, wishing your social | :19:45. | :19:50. | |
media buddies happy birthday from well beyond the grave. It may seem | :19:50. | :19:55. | |
a bit creepy, but I can see how it will be comforting to note that you | :19:55. | :19:59. | |
can see -- lead some last words were your friends and loved ones. | :19:59. | :20:05. | |
One afterlife app that goes beyond a good idea is lives on .org. It's | :20:05. | :20:09. | |
tag line is, when your heart stops beating, you will keep on tweeting. | :20:09. | :20:13. | |
It claims you will analyse your tweet so it can keep on posting | :20:13. | :20:18. | |
about stuff you like after you are gone. It is not actually up and | :20:18. | :20:23. | |
running yet, but assuming they get it developed and improved in your | :20:23. | :20:33. | |
:20:33. | :20:36. | ||
lifetime, you can sign up for news on the site. If you look up into | :20:36. | :20:39. | |
the sky at night and wonder what you are singing but do not have a | :20:39. | :20:45. | |
smartphone running one of those fancy GPS stargazer apps to inform | :20:45. | :20:52. | |
you, never fear. Art of Stars is here. This app uses your IP address, | :20:53. | :20:57. | |
which is the unique identifier of your computer on the Web to draw a | :20:57. | :21:02. | |
map, so it really is using all of the technological Bells and | :21:02. | :21:07. | |
whistles to deliver a map of the stars over your head, into your | :21:07. | :21:13. | |
browser. The result is beautifully simple, a star chart in your | :21:13. | :21:23. | |
:21:23. | :21:29. | ||
browser. I do not know about you, but as soon as anyone points a | :21:30. | :21:35. | |
camera at me, I get an overwhelming urge to plink. Windows Phone 8 | :21:35. | :21:41. | |
owners can do away with that, with Link, a free photo editing tool | :21:41. | :21:45. | |
that takes a burst of frames, so you can quickly choose which one is | :21:45. | :21:53. | |
best. This app is great for capturing action shots as well, | :21:53. | :21:58. | |
like a dog leading to catch a ball, or your children leaping into a | :21:58. | :22:03. | |
swimming pool. Just point, shoot, and pick the perfectly-timed | :22:03. | :22:09. | |
exposure to share. If you are more of a words person, this fine game | :22:09. | :22:18. | |
also caught my eye, for windows pictures, one word. But again you | :22:18. | :22:28. | |
:22:28. | :22:32. | ||
guess what it is? His is a great little filler game on the train. It | :22:32. | :22:35. | |
is back to school in the UK, said parents would no doubt be thinking | :22:35. | :22:40. | |
about the next steps for their children's education. This website | :22:40. | :22:44. | |
bring ski-school statistics from official sources together in one | :22:44. | :22:49. | |
place. It is free to use, no subscription required. The colour- | :22:49. | :22:53. | |
coded design makes it quickly easy to choose the best schools to look | :22:53. | :23:03. | |
:23:03. | :23:10. | ||
at. To your location and then it will help police serve up articles | :23:10. | :23:20. | |
:23:20. | :23:22. | ||
that are close by. -- Wikipedia knows your location. | :23:22. | :23:27. | |
You will find all of the links on our website, if you miss them, | :23:27. | :23:36. |