Browse content similar to 20/09/2014. Check below for episodes and series from the same categories and more!
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join the US led Electric coalition `` I S. Now, time for Click. | :00:00. | :00:08. | |
Whereat the extremists hiding? Without realising it, they have | :00:09. | :00:12. | |
already told the world. Technology touches every aspect of | :00:13. | :00:39. | |
our lives, and it is usually used for good. Sometimes, it is used for | :00:40. | :00:43. | |
good. Sometimes, it is useful ill as well. That seems to be the case with | :00:44. | :00:49. | |
the news coming out of Syria and Iraq which has been unremittingly | :00:50. | :00:52. | |
grim. Islamic State has been waging a campaign of terror with horrific | :00:53. | :00:55. | |
results. One particularly new aspect of this has been the extensive and | :00:56. | :00:58. | |
expert use of social media to broadcast its message, both to | :00:59. | :01:01. | |
create fear and to bring in new recruits. Some Twitter users this | :01:02. | :01:07. | |
week started urging others to stop sharing the material under the | :01:08. | :01:19. | |
#ISISblackout. We have come to Leicester to meet one person who is | :01:20. | :01:22. | |
using his skills to turn their own propaganda against them. This is | :01:23. | :01:25. | |
Elliot Higgins, father of one and resident of Leicester and a | :01:26. | :01:27. | |
self`employed investigative journalist. Working from a small | :01:28. | :01:31. | |
office, he is the founder of Belling Cat, a website which uses open | :01:32. | :01:34. | |
source databases and power of the crowd to analyse photos and videos | :01:35. | :01:37. | |
posted by insurgents in Syria and Iraq and tries to work out where | :01:38. | :01:51. | |
they were taken. For example, spotting details and bridges, | :01:52. | :01:53. | |
unusual buildings and other notable features in the background of these | :01:54. | :01:56. | |
propaganda shots of a training camp somewhere in Iraq, he was able to | :01:57. | :01:59. | |
match the photos to similar shots taken by locals and two satellite | :02:00. | :02:02. | |
images, to pinpoint the location of the camp. Earlier this year, after | :02:03. | :02:14. | |
the Flight MH17 crash in Ukraine, he monitored photos on Instagram and | :02:15. | :02:17. | |
Twitter by people in the area to track the journey of an unusual | :02:18. | :02:20. | |
military vehicle that he thinks was carrying a surface`to`air missile on | :02:21. | :02:25. | |
that day. He believes that he has been able to pinpoint the field from | :02:26. | :02:31. | |
which it was launched. This is from a video in the Ukraine. There is | :02:32. | :02:35. | |
that white spot and this is one from Russia. It is the same one. It might | :02:36. | :02:41. | |
look small but this operation costs money. Elliott gave up his job to do | :02:42. | :02:45. | |
this full`time and has raised ?50,000 through Kickstarter to | :02:46. | :02:51. | |
sustain and expand his operation. Well, it really started when looked | :02:52. | :02:54. | |
I was looking at the conflict in Libya. Really, I was just interested | :02:55. | :03:03. | |
in current events. There was information being posted on sites | :03:04. | :03:05. | |
like Youtube and Twitter and Facebook which was being ignored. It | :03:06. | :03:08. | |
seemed to be that some of this information was interesting. The | :03:09. | :03:11. | |
problem was the question of how do we know if it is true. I started to | :03:12. | :03:15. | |
teach myself ways to verify the information. One of the first videos | :03:16. | :03:18. | |
I looked at had a big main road and a mosque in it. They said that it | :03:19. | :03:22. | |
this certain town and I went to the town and I found the road and I | :03:23. | :03:26. | |
found exactly the same mosque and I could verify it was the same town | :03:27. | :03:29. | |
using that information. While you may have assume that government | :03:30. | :03:32. | |
agencies are already doing this kind of stuff and with better resources | :03:33. | :03:35. | |
than one laptop, Elliott does not think that they are. Yeah, I've been | :03:36. | :03:38. | |
contacted by all kinds of different agencies, you know, different | :03:39. | :03:41. | |
departments of the same agency, saying, "This is interesting, how do | :03:42. | :03:44. | |
you do it? " It is something I'm very willing to show them. It is | :03:45. | :03:50. | |
open source information. If I can figure out where someone was | :03:51. | :03:53. | |
standing when they were filming the video and they do it every week, | :03:54. | :03:56. | |
then that means that people with artillery and rocket launchers can | :03:57. | :03:59. | |
also target that position. Last week, he claims to have pinpointed a | :04:00. | :04:02. | |
location in Syria where the American journalist James Foley was killed by | :04:03. | :04:09. | |
militants. You can make out ` it is most likely to be trees rather than | :04:10. | :04:26. | |
individual structures. This is a best estimate based on what we know. | :04:27. | :04:30. | |
I am certain that it is in this region. Motorist in the UK are being | :04:31. | :04:46. | |
warned of the danger of using these devices while driving. The US space | :04:47. | :05:18. | |
agency have been debating whether to send more devices into space. The US | :05:19. | :05:24. | |
space agency NASA has announced which companies it is backing to | :05:25. | :05:27. | |
take the country's astronauts back into space. Since retiring their own | :05:28. | :05:30. | |
shuttles in 2011, the Americans have had to rely on Russian ships to get | :05:31. | :05:33. | |
off the ground. The decision sees $6.2 billion being paid out to | :05:34. | :05:36. | |
Boeing and SpaceX in order to develop their human spaceflight | :05:37. | :05:39. | |
capability. If all goes to plan, NASA will have rockets by the end of | :05:40. | :05:42. | |
2017. Panasonic has unveiled a hybrid smartphone camera with a huge | :05:43. | :05:45. | |
one inch, 20 megapixel sensor, more normally found in its dedicated | :05:46. | :05:48. | |
camera.s Unveiled at a trade show in Cologne, the extra optical heft | :05:49. | :05:51. | |
should improve sensitivity in low light and allow the phone it to | :05:52. | :05:53. | |
shoot ultra`high`definition video. Large lens phone cameras seem to be | :05:54. | :05:57. | |
something of a trend at the moment. It is a programmer in`joke that has | :05:58. | :06:00. | |
become a surprise gaming hit. Goat Simulator is trotting off PC and | :06:01. | :06:03. | |
going to Android and iOS devices. It is a third`person or third`goat | :06:04. | :06:06. | |
adventure which allows people to take their goat to the fair or ride | :06:07. | :06:09. | |
a bike. It has intentionally buggy sections and rubbish controls. | :06:10. | :06:12. | |
Now, if you own a home cinema system, the chances are that you | :06:13. | :06:15. | |
have not been to the actual cinema in quite a while. One way that movie | :06:16. | :06:18. | |
theatres are trying to lure audiences back is with 3`D which | :06:19. | :06:22. | |
seems to work better in a controlled space than in a home environment. | :06:23. | :06:25. | |
The problem is that 3`D is not as realistic or as comfortable to watch | :06:26. | :06:29. | |
as perhaps it could be. Now, the movie industry is looking to | :06:30. | :06:32. | |
introduce a new breed of 3`D. We sent Dan Simmons to Amsterdam to | :06:33. | :06:35. | |
witness the first screening of a film made with the new technology. | :06:36. | :06:45. | |
The number of cinema``goers choosing the 3`D version of a film has | :06:46. | :06:49. | |
dropped by a third in the last four years. People are falling out of | :06:50. | :07:00. | |
love with 3`D. The novelty has worn off. They are not bright enough. | :07:01. | :07:04. | |
They are too dim. You can only hear the movie. You know how your mother | :07:05. | :07:07. | |
said, "Don't read in the dark"? It is not going to be a comfortable | :07:08. | :07:11. | |
experience. Now that we can show it at this proper light level, it is a | :07:12. | :07:15. | |
shot in the arm for the format. This is the world's first screening of a | :07:16. | :07:18. | |
full`length movies using the 6P system. We project two images | :07:19. | :07:20. | |
simultaneously for the left and right eyes. The whole idea is we do | :07:21. | :07:24. | |
not have to flash between the two. It is a better and more persistent | :07:25. | :07:27. | |
vision. Therefore, the 3`D looks more natural. We don't go through | :07:28. | :07:30. | |
life alternating our eyes. We go through life with both eyes open and | :07:31. | :07:34. | |
we see both offset images at the same time. These are not servers. | :07:35. | :07:42. | |
They are laser power units, pumping out up to 100,000 beams of light | :07:43. | :07:51. | |
down fibre`optic to two projectors. Basically put, each projector uses a | :07:52. | :07:53. | |
different mix of colours of wavelengths to send the same picture | :07:54. | :08:01. | |
to each eye. Using these classes, they only allow certain wavelengths | :08:02. | :08:05. | |
of light through. The left eye can only see what is coming out of our | :08:06. | :08:09. | |
projector, the right, what is coming out of this. The important thing is | :08:10. | :08:13. | |
that it has not been possible in the past to get the whole project worth | :08:14. | :08:17. | |
of light into each eye at the same time. Now we can and that replicates | :08:18. | :08:25. | |
how we see. We are using a system called colour separation based 3`D | :08:26. | :08:28. | |
which is different from 99% of cinemas which use polarisation | :08:29. | :08:32. | |
schemes. That system needs something in front of the projector or inside | :08:33. | :08:36. | |
the projector to polarise the light. That absorbs a lot of light. With a | :08:37. | :08:40. | |
spectral separation or a colour`separation based technique, | :08:41. | :08:42. | |
using lasers, we can generate the light right from the source at the | :08:43. | :08:48. | |
correct wavelength. We eliminate the filter stage. The only thing between | :08:49. | :08:52. | |
you and the image or you and the projector are the glasses. Finally, | :08:53. | :09:02. | |
we have a technology solution to make 3D as bright as 2`D. The new | :09:03. | :09:07. | |
system is bright enough to do away with the traditional silver screen, | :09:08. | :09:10. | |
which can create hotspots of brightness, depending on where we | :09:11. | :09:15. | |
st. The nice part about having a flat map screen is that it basically | :09:16. | :09:19. | |
looks the same across the board for people sitting on the front row, the | :09:20. | :09:25. | |
side row or the back row. That at least allows everybody to see the | :09:26. | :09:28. | |
movie the way the filmmaker wanted them to when he made it. This is | :09:29. | :09:38. | |
certainly one of the best 3D experiences I've had. I have to say, | :09:39. | :09:41. | |
the glasses are not just reflected on this site but this side as well, | :09:42. | :09:46. | |
so you do get a little bit of reflection when you look through the | :09:47. | :09:49. | |
lenses but it is crisp and clear and the colours are brilliant. Could it | :09:50. | :09:59. | |
be the saviour of 3D film? I think it's a fundamental piece to continue | :10:00. | :10:00. | |
to support that format. ROAR. It turns out that we are celebrating | :10:01. | :10:31. | |
something, because this is click episode number 750. The BBC has | :10:32. | :10:35. | |
finally decided to give us our own YouTube channel. Yes, I know, we | :10:36. | :10:41. | |
have been asking for it for quite a few years, and if I am honest I | :10:42. | :10:46. | |
think they came to the decision relatively quickly. Anyway, we have | :10:47. | :10:51. | |
dusted off our original YouTube trailer, and I think it still works. | :10:52. | :11:00. | |
This radio controlled helicopter can not only fly itself, but it can also | :11:01. | :11:07. | |
being video imagery straight onto the information superhighway. It is | :11:08. | :11:13. | |
the smart phone skirt tailored from 80 smartphones. Electrically powered | :11:14. | :11:23. | |
unicycle for perambulation. It beams that information based on my | :11:24. | :11:25. | |
location, allowing me to record whatever I want. It can enhance | :11:26. | :11:36. | |
reality with extra information. Click. Tomorrow's world, today. | :11:37. | :11:46. | |
Anyway, you can subscribe to the channel at YouTube .com/BBC click. | :11:47. | :11:55. | |
Enjoy that, thank you very much for watching. We will see you next time. | :11:56. | :12:05. |