Browse content similar to 07/11/2015. Check below for episodes and series from the same categories and more!
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Critics say the plans will divide universities and put a bigger | :00:00. | :00:00. | |
Those are the headlines, now on BBC News, it's time for Click. | :00:00. | :00:08. | |
This week we are going around the bond with lazy yoga, a laser | :00:09. | :00:17. | |
hairbrush and submarine photography. Have you heard? Bond is back. Go, | :00:18. | :00:52. | |
you have, sorry. It maybe last week's news here in the UK, but | :00:53. | :00:56. | |
Spectre has only just been released worldwide. James drive so fast, | :00:57. | :01:02. | |
shiny car, where a tux, and blows things up a lot. But if undercover | :01:03. | :01:08. | |
spies were to do that in real life they would very quickly become over | :01:09. | :01:14. | |
cover, and deceased. Normal spies are of course a lot more like you or | :01:15. | :01:20. | |
me, completely blending in, not looking suspicious at all, while | :01:21. | :01:26. | |
doing normal things. Clearly I am no special agent, well, not yet, | :01:27. | :01:37. | |
anyway. Quick! To the soup are secret spy shop. If you don't have | :01:38. | :01:41. | |
access to Her Majesty's credit card but fancy doing a bit of spying | :01:42. | :01:44. | |
yourself, you may come to a place like this. A small man in a | :01:45. | :01:51. | |
submarine... Emergency soup, emergency water. Every spy needs a | :01:52. | :01:56. | |
hairbrush. I don't know what this is... Maybe that is what you need is | :01:57. | :02:03. | |
the Falcons to make its escape. -- if the Falcons starts to make its | :02:04. | :02:09. | |
escape. There is your Bluetooth beanie... Word is a position has | :02:10. | :02:24. | |
become vacant for a new OO. We sent our top man over to Berlin, and it | :02:25. | :02:28. | |
is fair in a brand-new spy Museum where the interview is being held. | :02:29. | :02:33. | |
We think he is being tracked by another agent, a dangerous operative | :02:34. | :02:35. | |
plotting to grab the top position herself. We just hope he makes it | :02:36. | :02:52. | |
out alive. Hi, I am Dan, I mean, not Dan, I am W. I am T, who with these? | :02:53. | :03:07. | |
IM F. I have filled the building behind me with the finest spy tools | :03:08. | :03:16. | |
ever invented. Whoever gets the best material has the job. You have won | :03:17. | :03:20. | |
our. This shiny new spy Museum has just opened its doors to the | :03:21. | :03:24. | |
public. It features more than 200 touchscreens while behind the | :03:25. | :03:30. | |
scenes, 300 computers run the show. Early in's history of close public | :03:31. | :03:35. | |
surveillance by the Stasi is a big thing here, so you often feel like | :03:36. | :03:38. | |
you're watched, where the know it or not. -- Ian watched. This corner is | :03:39. | :03:47. | |
designed to see what it feels like to be watched by spies who could be | :03:48. | :03:53. | |
anyone around you. I failed to spot that it was activated by and a | :03:54. | :04:01. | |
laconic tripwire. This installation maps and recognises your face. With | :04:02. | :04:05. | |
cameras now in our TVs and game consoles, it is hard to know who | :04:06. | :04:10. | |
could be watching. Of course, today we freely share our location and | :04:11. | :04:15. | |
personal information in many ways. This display shows how there are | :04:16. | :04:18. | |
many applications that can track at all. Enough snooping, back to | :04:19. | :04:24. | |
picking useful gadgets used by the real spies who chose to accept their | :04:25. | :04:30. | |
missions. I am not too worried about T's discovery, the shaft of this | :04:31. | :04:35. | |
pipe twists to prime it for firing back. Soviet operatives had a far | :04:36. | :04:43. | |
less obvious means to kill. A poison pellet fired with a single jab of | :04:44. | :04:48. | |
this umbrella was used to assassinate a Bulgarian dissident in | :04:49. | :04:51. | |
broad daylight on the streets of London. And now, T's has got one. I | :04:52. | :04:59. | |
have gone one better. Don't get jealous, it is a world's most | :05:00. | :05:11. | |
popular spiker. -- spy car. Spies didn't use Lamborghinis or Ferraris | :05:12. | :05:15. | |
to do their spy work, they didn't have the money and they were too | :05:16. | :05:20. | |
conspicuous. They used these, which had cameras located pretty much | :05:21. | :05:24. | |
anywhere on them. They also had infrared cameras to spy on people in | :05:25. | :05:30. | |
the dark. With the power almost up, I felt I had done enough to secure | :05:31. | :05:36. | |
the new job, but it looks like T has found a secret section. How did it | :05:37. | :05:46. | |
go? Did you get the rocket launcher? No... Did you get the DV nine? No. | :05:47. | :05:58. | |
Once you have got the helicopter you have got it, right? Time to take it | :05:59. | :06:07. | |
up a gear and put on the tux for the final showdown. So long. | :06:08. | :06:36. | |
Their job is yours. But what is going to happen to W? We have given | :06:37. | :06:48. | |
him some more everyday home work to do. | :06:49. | :07:00. | |
That was Dan Simmons and we haven't seen him since. It takes more than a | :07:01. | :07:07. | |
tux to make a spy, as you have seen. Me, I think I will blending | :07:08. | :07:11. | |
perfectly. How many pieces of spy equipment could you spot about my | :07:12. | :07:16. | |
person? Yes, all of them. Or can you? Here is a plug adaptor that you | :07:17. | :07:22. | |
can phone up and listen to the surrounding noises. As you can with | :07:23. | :07:27. | |
this extension lead. I have a pen clipped to my tyre, the cut which is | :07:28. | :07:35. | |
a camera. As is this thing on my shoulder, and perhaps. As is the | :07:36. | :07:39. | |
tissue dispenser. Would you like to borrow my copy, which is a great | :07:40. | :07:46. | |
watch but not a good read. This is only possible because cameras have | :07:47. | :07:50. | |
shrunk to such a small size. Lara is going to show us what happens when | :07:51. | :07:53. | |
you cram 16 of them into a space small enough to fit in your pocket. | :07:54. | :08:02. | |
Smartphone cameras are pretty good these days. Come on, Percy! But | :08:03. | :08:09. | |
sometimes you just missed the moment. Especially when snapping the | :08:10. | :08:20. | |
unpredictable characters at London Zoo. That is nice, that is nice with | :08:21. | :08:26. | |
the water! Are taking these pictures could be made a whole lot easier by | :08:27. | :08:32. | |
what I have here in my hand. With 16 lanes is, 16 sensors, and 11 | :08:33. | :08:35. | |
mirrors, this prototype is no ordinary camera. You can also see it | :08:36. | :08:40. | |
is not much bigger than the size of a chunky smartphone. Once you are in | :08:41. | :08:45. | |
position and ready to take your picture, the camera will choose ten | :08:46. | :08:48. | |
of the lenses that are going to take that image best, then with a clever | :08:49. | :08:53. | |
software algorithm it will fuse together those images to create a | :08:54. | :09:00. | |
snap of up to 52 megapixels. But it is what happens after that that is | :09:01. | :09:05. | |
where it really gets interesting. While this model doesn't actually | :09:06. | :09:08. | |
work yet, I'm going to be using a working prototype to take the | :09:09. | :09:12. | |
picture. The idea with the finished product is that you just hold it up | :09:13. | :09:16. | |
and take the photograph, which will appear on the screen, and then you | :09:17. | :09:19. | |
can change depth of field, focus or length of shot. Five of the lenses | :09:20. | :09:26. | |
are similar to those you would find in a smartphone, the others work | :09:27. | :09:30. | |
more like mini periscopes. The makers say what they have created | :09:31. | :09:34. | |
should excel at shooting in low light as there are ten sensors | :09:35. | :09:39. | |
rather than one to catch the light. But with a price point at $1700, | :09:40. | :09:43. | |
this isn't likely to be something for the casual user. When you think | :09:44. | :09:49. | |
about what this is replacing, up to $6,000 worth of photographic gear. | :09:50. | :09:54. | |
It could go into a cellphone and at one or 200 dollars to the price of | :09:55. | :10:00. | |
it. Why so expensive? Because we know what we are competing with. | :10:01. | :10:05. | |
There are people who are willing to spend a lot of money on camera | :10:06. | :10:10. | |
equipment. Smartphones are already getting in on the game. Just | :10:11. | :10:16. | |
released in the US, this has two lenses that work together to allow | :10:17. | :10:20. | |
users to refocus after they have taken the image. But however things | :10:21. | :10:26. | |
work out for the light fell 16, we may have just had a glimpse of the | :10:27. | :10:36. | |
smartphone cameras of the future. Hello and welcome to the weekend | :10:37. | :10:39. | |
technology. It was the week the UK government proposed a law that would | :10:40. | :10:43. | |
force internet providers to store the website address as we visit. If | :10:44. | :10:48. | |
passed, the bill would let police and intelligence services be the | :10:49. | :10:52. | |
names of the sites without a warrant. But not the specific pages | :10:53. | :10:56. | |
browsed. It was also the week researchers at MIT developed a super | :10:57. | :11:01. | |
autonomous drone that can fly through forests without crashing, | :11:02. | :11:06. | |
and that up to 30 mph. Another teenager believed to be part of the | :11:07. | :11:12. | |
Talk Talk hat was arrested, and Twitter changed its favourite button | :11:13. | :11:16. | |
from start to a heart. Lovely. It was also the week that Google | :11:17. | :11:19. | |
offered to write your e-mails for you. Its new smart reply Gmail | :11:20. | :11:26. | |
feature will read your messages and offer up three appropriate | :11:27. | :11:30. | |
responses. Handy for an unwelcome invasion of privacy from the data | :11:31. | :11:35. | |
harvesting giant? Finally, if he needed further proof that the | :11:36. | :11:39. | |
Japanese can't get enough of robots, Toyota has unveiled a companion hot | :11:40. | :11:44. | |
it can do so many things. He can sit next to you while you are driving, | :11:45. | :11:47. | |
talk to you when you are feeling lonely, or just simply hang out with | :11:48. | :11:51. | |
you. This man is being tracked through a | :11:52. | :12:06. | |
wall using just Wi-Fi signals. Those blobs are faint reflections created | :12:07. | :12:11. | |
by the signals when a a body. By looking at the shape of the body the | :12:12. | :12:15. | |
system can work out where you are, what you are doing, and even who you | :12:16. | :12:21. | |
are. Right now, it can recognise 15 different people with 90% accuracy. | :12:22. | :12:26. | |
At a high level it is using a simple principle, that wireless sync tools | :12:27. | :12:32. | |
reflect off our bodies. It is using these low-power signals, sending | :12:33. | :12:37. | |
them and observing their reflections through the wall, and we get the | :12:38. | :12:44. | |
silhouette of a person. That silhouette has something about our | :12:45. | :12:49. | |
height and build, and some people have round structure, some people | :12:50. | :12:54. | |
more elongated structure, depending on the bone structures in their body | :12:55. | :12:58. | |
and the structure of their body. That is enough to distinguish | :12:59. | :13:02. | |
between people. This is the first idea that researchers are using | :13:03. | :13:10. | |
Mitac four. The Emerald system is going to track elderly people as | :13:11. | :13:12. | |
they move around their homes, detect if they fall, then call for help. | :13:13. | :13:20. | |
You can imagine how technology that allows you to see through walls may | :13:21. | :13:26. | |
have less altruistic motives. I think any society must develop | :13:27. | :13:30. | |
policies so technology is used for the best interests. One that is used | :13:31. | :13:35. | |
for surveillance must be used in a good context. | :13:36. | :13:50. | |
If you want to do some underwater spying, you will need your own | :13:51. | :14:02. | |
submersible scooter. You might be wondering what we could possibly | :14:03. | :14:05. | |
follow this within the programme, well, would you believe Richard | :14:06. | :14:09. | |
Taylor is in another personal submersible? | :14:10. | :14:20. | |
It is a craft quite like no other. Enter the Dragon. Belying her racy | :14:21. | :14:28. | |
looks, she is a battery-powered marine voyager capable of cruising | :14:29. | :14:34. | |
the deeper for six hours on end. She has grown like capabilities thanks | :14:35. | :14:37. | |
to a combination of Wombourne sensors and software nestled into | :14:38. | :14:44. | |
her friend. -- on board centres. All in all it adds up to a quad copter | :14:45. | :14:48. | |
like invention that its inventor says is a gamechanger. Anybody can | :14:49. | :14:53. | |
take this craft safely down and fly it and that means that before that | :14:54. | :15:01. | |
time submersibles were a big deal. Expensive with a professional pilot. | :15:02. | :15:06. | |
Still expensive but you don't need a professional pilot, so we are | :15:07. | :15:10. | |
getting there. Yes, about that price. At a cool $1.5 million, she | :15:11. | :15:15. | |
is designed as a plaything for the super-rich to house on the super | :15:16. | :15:22. | |
yachts. But today, yours truly, just shy of that status, is hitching a | :15:23. | :15:26. | |
ride. As I buckle up, I'm ever so slightly apprehensive. This | :15:27. | :15:28. | |
prototype was finished literally just days earlier. But no time for | :15:29. | :15:33. | |
regrets. A quick reminder to the Mrs... The money is under the | :15:34. | :15:39. | |
mattress! And we are loaded into the lake Tahoe. Graham and I keep comms | :15:40. | :15:45. | |
over Bluetooth. He is in constant radio contact with the shore as | :15:46. | :15:50. | |
well. The other was exposed in oxygenated bubbles at a constant | :15:51. | :15:54. | |
pressure. It feels comfortable but I think six hours down at its maximum | :15:55. | :15:58. | |
depth and I might feel a bit claustrophobic. And if I think | :15:59. | :16:02. | |
really hard about it, safety issues do arise despite the fact there is | :16:03. | :16:06. | |
on board 24-hour reserve oxygen supplies. Imagine being 120 metres | :16:07. | :16:13. | |
down. It is twilight and you have been creeping around and you have | :16:14. | :16:16. | |
sharks overhead and having a great time. And suddenly it fails. What | :16:17. | :16:21. | |
happens? It does not think. It just goes back up. It has failed but no | :16:22. | :16:33. | |
problem. This is the only thing I will get to see and it is kind of | :16:34. | :16:36. | |
ridiculous because we are only in about eight feet of water and you | :16:37. | :16:41. | |
would not do this in anything else. The Dragon is not a speed beast, | :16:42. | :16:47. | |
maxing out at only five mph. The adrenaline comes in controlling it | :16:48. | :16:51. | |
really personal underwater capsule. We are just a couple of feet | :16:52. | :16:57. | |
underwater here and it is a slightly odd sensation because for the first | :16:58. | :17:01. | |
time I'm breathing normally underwater, it feels very normal, | :17:02. | :17:06. | |
and there is no scuba or snorkelling gear. It is literally just me in | :17:07. | :17:11. | |
this hemispherical globe, if you like, which is allowing me to | :17:12. | :17:16. | |
experience the underwater world in a completely different way. And then | :17:17. | :17:20. | |
it is my turn to take the helm. I'm at maximum downward thrust. I'm | :17:21. | :17:26. | |
going pretty quickly. I can feel this. I can see the surface | :17:27. | :17:32. | |
receding. Steering is remarkably straightforward thanks to the | :17:33. | :17:36. | |
so-called deep flight manager. One lever for downward thrust on the | :17:37. | :17:39. | |
other to control my direction. I take her to 70 feet but then it is | :17:40. | :17:45. | |
time to head back home. Price aside, the Dragon will not be for | :17:46. | :17:49. | |
everyone. Scuba divers will scoff at the idea of being cooped up in a | :17:50. | :17:53. | |
cockpit rather than being truly free in the ocean. But for me, it was | :17:54. | :17:57. | |
perhaps a once-in-a-lifetime adventure. It looks a bit sci-fi but | :17:58. | :18:08. | |
this is actually an armband that I'm using to control the drone with | :18:09. | :18:18. | |
gestures. It is quite difficult to get the hang of. You have to be very | :18:19. | :18:24. | |
subtle and the wind is interfering quite a lot today. But with a bit of | :18:25. | :18:34. | |
practice and some patients, -- perseverance, you can nail it. | :18:35. | :18:42. | |
Inside this band there are eight electromyographic pods and they will | :18:43. | :18:44. | |
pick up the electric activity from my muscles and translate that into | :18:45. | :18:50. | |
movement. And in one of these pods, this one, there is Bluetooth and | :18:51. | :18:54. | |
motion sensor and a processor and that will send all of the | :18:55. | :18:57. | |
information about the gestures I'm making back to the app on the phone | :18:58. | :19:02. | |
or whatever it is you are trying to control with the band. In addition | :19:03. | :19:08. | |
to flying the drone, it can be used for three categories of consumer use | :19:09. | :19:12. | |
today. The first one is presentations. It works with | :19:13. | :19:16. | |
PowerPoint or Keynote. The second category is enough and keyboard at | :19:17. | :19:21. | |
on your computer. You can point at links and even enter text. And the | :19:22. | :19:25. | |
last category is fun and entertainment. Games and apps. You | :19:26. | :19:31. | |
can download more applications to work with the armband. The benefit | :19:32. | :19:36. | |
of these is you can be anywhere, behind the device if you want, and | :19:37. | :19:39. | |
if there is visual interference around you, it is not going to | :19:40. | :19:43. | |
interfere with your control of the vehicle. Flight of the bumblebee 's | :19:44. | :20:00. | |
plays. Let's give it another go. I broke it. As gesture technology | :20:01. | :20:06. | |
matures and inevitably gets smaller and more powerful, it could replace | :20:07. | :20:10. | |
the mouse and keyboard for the next generation of computers, allowing | :20:11. | :20:14. | |
interaction with smart glass, augmented reality and virtual | :20:15. | :20:23. | |
reality all with the click of -- flick of a wrist. Now, covert | :20:24. | :20:29. | |
operations to just involve keeping yourself secret, they also involve | :20:30. | :20:34. | |
hiding things away. If you were to burgle my house, we would you look, | :20:35. | :20:38. | |
cold hard cash? -- where would you look? This is my absolute | :20:39. | :20:46. | |
favourite. It is not a bottle of water but another safe for storing | :20:47. | :20:54. | |
really small things. Next, mind control lasers. If it is not enough | :20:55. | :21:02. | |
to sit back and enjoy a light show, why not control it with your mind? | :21:03. | :21:07. | |
Yes, laser light and sound show made especially for one person using | :21:08. | :21:13. | |
input from their brain. This installation is part of a yearly | :21:14. | :21:17. | |
festival in London. Today, my job entails connecting my brain to those | :21:18. | :21:23. | |
lasers behind me and I cannot say that I'm not excited because I am. | :21:24. | :21:29. | |
The system is measuring my EEG from this might headset. Actually, you | :21:30. | :21:34. | |
can buy these for around $100, which makes the wonder if I can make this | :21:35. | :21:38. | |
at home. Which bits are doing what? This is how much attention I'm | :21:39. | :21:43. | |
praying... They are both doing it. It is the measurement between these | :21:44. | :21:46. | |
points that will give us the reading that is going to reward me if I | :21:47. | :21:49. | |
concentrate with beautiful music and visions. Yes. Time to get up close | :21:50. | :21:58. | |
and personal with my own personal light show. The more I pay | :21:59. | :22:04. | |
attention, the more I get rewarded by more complex sounds and visuals. | :22:05. | :22:13. | |
The resulting light show is oddly rewarding. It feels like I'm | :22:14. | :22:16. | |
finishing levels in a computer game where the visuals change. We are | :22:17. | :22:21. | |
taking this attention value that comes out of the headset, how much | :22:22. | :22:25. | |
you are concentrating on something, and then we map that different | :22:26. | :22:29. | |
musical scales. How you are playing a directly -- different musical | :22:30. | :22:34. | |
instrument is directly connected to your attention. Let us little behind | :22:35. | :22:38. | |
the curtain and this is where I realise that I really cannot make | :22:39. | :22:43. | |
this in my house. For starters, I would need at least 80 metres of | :22:44. | :22:46. | |
space and scaffolding to make a huge tunnel as well as a powerful 13 | :22:47. | :22:51. | |
watts laser, 10,000 times powerful -- more powerful than a laser | :22:52. | :22:54. | |
pointer. Plus the whole thing has to be made safe to stare down. I would | :22:55. | :22:58. | |
also need to computers running copious programmes, the computer at | :22:59. | :23:02. | |
the front running the EEG signals on the headset and running the music | :23:03. | :23:06. | |
and sending the data required for the second computer to control the | :23:07. | :23:11. | |
laser. What I do in my day job is put together big spectacles for | :23:12. | :23:16. | |
bands and events and things like that, so this is taking some of the | :23:17. | :23:22. | |
scale, technology and far from the big concert shows and producing an | :23:23. | :23:32. | |
experience for one person. Well, I don't quite a lot went into that and | :23:33. | :23:35. | |
as an artistic periods, I thoroughly enjoyed it. In fact, if you will | :23:36. | :23:41. | |
excuse me, I might have another go. That was LJ and that is it from us | :23:42. | :23:48. | |
apart from one last thing. I have to show you this voice changer should | :23:49. | :23:52. | |
you wish to place on us while you are on the phone to someone. There | :23:53. | :23:56. | |
are two settings I want to show you. I will let Bob tell you that... DEEP | :23:57. | :24:08. | |
MAN'S VOICE: there is more on BBC iPlayer. WOMAN'S VOICE: Andy King | :24:09. | :24:25. | |
catch up with us on Facebook and Twitter. -- and you can catch up | :24:26. | :24:29. | |
with us. See you soon. 18 degrees makes it very mild | :24:30. | :24:38. | |
through the day on Friday. | :24:39. | :24:41. |