Browse content similar to Hay Festival. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
That is it for me. More on the website. | :00:00. | :00:00. | |
This week, hitting the Hay to talk space and robots. Going underground | :00:00. | :00:16. | |
to solve a mystery. And taking a walk in the park with a very special | :00:17. | :00:22. | |
guest. What is that one to? -- what does that one to? | :00:23. | :00:44. | |
A glorious weekend in it for Wales. This is he on Wye, known as the town | :00:45. | :00:56. | |
of books. This is where authors, thinkers and even royals, to embrace | :00:57. | :01:00. | |
their love of reading and discuss some of the biggest news of the day | :01:01. | :01:06. | |
-- Hay-on-Wye. And once every year it becomes the centre of the | :01:07. | :01:09. | |
literary world is the location of the Hay Festival. Of course it is | :01:10. | :01:14. | |
also just a nice place to sit and read. The Hay Festival has been | :01:15. | :01:18. | |
described as the literary Glastonbury. Literally. But it turns | :01:19. | :01:22. | |
out you don't have to have a book out to be asked to talking. Case in | :01:23. | :01:26. | |
point, in about ten minutes, we are on. To paraphrase the acting God | :01:27. | :01:31. | |
that is Kevin Costner, if you build it, they will come. We did, and they | :01:32. | :01:40. | |
did. Filling up the BBC tent as we brought Click life to an audience | :01:41. | :01:44. | |
who were no Way bribe to be there that early on a Saturday morning. We | :01:45. | :01:48. | |
brought the geek with talk of their hunt 60 degrees vision. If you try | :01:49. | :01:53. | |
this, it looks as if you are sitting on my lap. We amazed signs with Dr | :01:54. | :01:58. | |
Emily Grossman with 360 degrees sound. Wow! OK. Are you OK? Do you | :01:59. | :02:08. | |
want to come out? I'm loving it. And we gave a sneak peek of our upcoming | :02:09. | :02:13. | |
adventure in China. And it all ended with a musical climax where we play | :02:14. | :02:17. | |
big tent. You heard me, we played the tent live. But we weren't the | :02:18. | :02:26. | |
only geeks at Hay, some use the opportunity to meet and chat with | :02:27. | :02:29. | |
some of the biggest names in science and Tech. First, virgin Galactic. | :02:30. | :02:36. | |
Almost 18 months ago, the quest to build the world's first commercial | :02:37. | :02:40. | |
space line suffered a major setback after a tragic accident. Can we deal | :02:41. | :02:46. | |
with the crash first? Do we know why it happened? We know exactly what | :02:47. | :02:53. | |
happened. After the accident in October 2014, a foreign | :02:54. | :02:58. | |
investigation was undertaken by the NTSB, the US accident investigation | :02:59. | :03:03. | |
board. They established over a period of six or seven months | :03:04. | :03:08. | |
exactly what happened to cause the breakup of the spaceship. Having | :03:09. | :03:14. | |
understood the causes of that accident, we have completed the | :03:15. | :03:17. | |
build of a second spaceship. That was rolled out a few weeks ago in | :03:18. | :03:21. | |
the desert. We are completing ground tests of that vehicle will be back | :03:22. | :03:25. | |
into the test flight programme in a few weeks. When the original project | :03:26. | :03:29. | |
was announced, the indication was you would be up and running within a | :03:30. | :03:33. | |
short time. It has now taken a lot longer. What will be problems? What | :03:34. | :03:40. | |
have you mind? We have learned that space is hard. And especially if you | :03:41. | :03:49. | |
are building a vehicle when needs -- which needs to fly thousands of | :03:50. | :03:55. | |
times with paying passengers who expect a high level of safety. None | :03:56. | :03:59. | |
of that comes as a surprise to me. I would have thought that would be on | :04:00. | :04:03. | |
the table from the beginning. We knew it was hard, but we put out -- | :04:04. | :04:09. | |
looked at what was potentially possible, and then you understand | :04:10. | :04:13. | |
the true complexities and making sure you are not just delivering an | :04:14. | :04:16. | |
extraordinary experience, but an extraordinarily safe experience. It | :04:17. | :04:20. | |
is time-consuming. Are you aiming only at passengers? It seems to me | :04:21. | :04:26. | |
if you were carrying freight to the International Space Station, it | :04:27. | :04:29. | |
would make more money. Is that where you are going with this? Our focus | :04:30. | :04:34. | |
to date has largely been on getting people into space. But we also | :04:35. | :04:41. | |
recognise there is a huge demand right now for wanting small | :04:42. | :04:45. | |
satellites into space. So satellites are getting smaller, smarter, | :04:46. | :04:49. | |
cheaper and lighter. There is desire for the data they can generate up | :04:50. | :04:53. | |
there. But the cost and availability of launch is as bad as it has been. | :04:54. | :04:58. | |
It is one of these unusual industries which has proven itself | :04:59. | :05:02. | |
to be incredibly important, but the technology used to get the payload | :05:03. | :05:05. | |
up there has not changed dramatically in the last | :05:06. | :05:08. | |
half-century. The other interesting thing is what we may be able to | :05:09. | :05:12. | |
develop using this experience we gained from this first stage is to | :05:13. | :05:16. | |
think about how we transport people on earth. It would be great to get | :05:17. | :05:22. | |
from here to Australia in a couple of hours, which is possible going | :05:23. | :05:27. | |
via space. And I think there could be big environmental benefits as | :05:28. | :05:32. | |
well. We are very focused on getting this first step right, but we also | :05:33. | :05:35. | |
spend a little time thinking what might come next. Nuclear explosions | :05:36. | :05:47. | |
are caused by weapons such as age bonds or atom bombs. -- H bonds. The | :05:48. | :05:53. | |
heat and blast is so severe it can kill. Welcome to the end of the | :05:54. | :05:58. | |
world. This is the bunker, a new live action point and click video | :05:59. | :06:04. | |
game set inside a nuclear shelter after a devastating atomic attack. | :06:05. | :06:12. | |
The player adopts the role of John, born in the shelter on the date the | :06:13. | :06:16. | |
bombs fell. 30 years later, he is the bunker's only surviving | :06:17. | :06:20. | |
inhabitants. You can protect yourself and your family. And later | :06:21. | :06:25. | |
on, we will show you what steps to take. Of course, there is more to it | :06:26. | :06:30. | |
than just eating out an existence in a fallout shot. That would be boring | :06:31. | :06:35. | |
as a game. -- eating. This unassuming cottage is the entrance | :06:36. | :06:40. | |
to a real British bunker, and is the location for the game. What comes | :06:41. | :06:51. | |
first? The story that you wanted to tell, or the game that you wanted to | :06:52. | :07:01. | |
make? It really came from a sort of nugget of an idea which is a | :07:02. | :07:05. | |
character alone in a very unusual space. And we wanted to create | :07:06. | :07:09. | |
something really original around that. Facilities like this one, | :07:10. | :07:17. | |
which protect from nuclear attack, are dotted all over the UK. This | :07:18. | :07:24. | |
particular bunker was vacated by the Ministry of Defence in the early | :07:25. | :07:34. | |
1990s. The bunker is a character. The fact that when we came here and | :07:35. | :07:41. | |
everything was left, it was as if the government said it will probably | :07:42. | :07:46. | |
not happen now, so we will just go. And leaving all of the evidence here | :07:47. | :07:51. | |
and leaving all of these computers, systems and stationery, left every | :07:52. | :07:56. | |
single bit and thought what can we include and use? Wanted to do right | :07:57. | :08:00. | |
by the bunker. We almost wanted to tell its story. The game's visuals | :08:01. | :08:07. | |
are filmed live action rather than computer-generated graphics. This | :08:08. | :08:11. | |
means dozens of different options for how an event can be played have | :08:12. | :08:21. | |
been filmed. Why go live action instead of just having some motion | :08:22. | :08:27. | |
caption or Rudy monitors. Honestly, I don't know how to do that. I know | :08:28. | :08:33. | |
how to film. -- 3-D monitors. In also want from our first object, The | :08:34. | :08:40. | |
Hunting, which was is on the survival thriller, running around | :08:41. | :08:43. | |
the woods. We thought we were onto something. Because it is live | :08:44. | :08:48. | |
action, you can't physically control the main character with the | :08:49. | :08:51. | |
joystick. It is an actor in the room. You are telling him where to | :08:52. | :08:57. | |
go. You have to limit those things. John is played by Adam Brown, who | :08:58. | :09:05. | |
appeared in The Hobbit trilogy. I kept asking where are we in the | :09:06. | :09:09. | |
story, but it always changes for the game play. They could take me on a | :09:10. | :09:15. | |
certain path, and another gamer would take me on a different path, | :09:16. | :09:19. | |
and those stories, piecing it altogether. Sometimes I just went, I | :09:20. | :09:26. | |
am just going with it. I trust the gamer to put me on the right path. I | :09:27. | :09:34. | |
want this door sealed immediately! If he had gotten out of that door, | :09:35. | :09:39. | |
we would be dead. While the action in a biker has been filmed | :09:40. | :09:43. | |
underground, routeing the game together is taking place above | :09:44. | :09:46. | |
ground at this studio in Wales -- bunker. The team have tools to | :09:47. | :09:51. | |
bridge the divide between video footage and video game. So we use a | :09:52. | :09:56. | |
visual scripting tool which allows people like me who don't know how to | :09:57. | :10:00. | |
code are able to set up something like this, and then the code can | :10:01. | :10:04. | |
manage that and make sure we stay within the guidelines of making a | :10:05. | :10:09. | |
game. We start at the desk where you have the three options of picking up | :10:10. | :10:13. | |
the wooden figure, having a look at the back of the computer screen, or | :10:14. | :10:18. | |
checking the desk. Then two of those things are simple. You can go to a | :10:19. | :10:23. | |
weird video, and the further you go down to the desk, it becomes more | :10:24. | :10:27. | |
concentrated. You can go back to a previous loop and so forth and so | :10:28. | :10:32. | |
forth. As I'm here already, it would be rude not to give an early build | :10:33. | :10:38. | |
the game a go. They have taken some interesting decisions with the | :10:39. | :10:40. | |
storytelling. We are drawn into the world through John's routine. You | :10:41. | :10:45. | |
have to repeat things over and over again. It helps to correct this | :10:46. | :10:49. | |
atmosphere which is very lonely and a bit oppressive. I'm immediately | :10:50. | :10:52. | |
hit with a mystery. What has happened to the rest of the | :10:53. | :10:57. | |
survivors? So far the inexperience is an intriguing mix of movie and | :10:58. | :11:03. | |
mystery game. -- the experience. We will find out how these elements | :11:04. | :11:06. | |
come together when the Finnish game arrives later this year. -- finished | :11:07. | :11:13. | |
game. Welcome to the week in Tech. Twitter's live streaming video | :11:14. | :11:17. | |
service announced plans to get users to police offensive comments. | :11:18. | :11:23. | |
Comments flagged as inappropriate by one person will be sent to Iran Jury | :11:24. | :11:27. | |
of other viewers who can confirm whether the post a problem or not -- | :11:28. | :11:31. | |
Renton. It will allow, sessions to be moderated in real-time. How much | :11:32. | :11:36. | |
would you pay for a supposedly high-end mobile phone that Tom Hardy | :11:37. | :11:42. | |
sort of approves of? For a smidgen over ?11,000, it could be yours. We | :11:43. | :11:47. | |
caught up with Tom Hardy, the official ambassador, at its launch | :11:48. | :11:52. | |
event this week. Can I ask a couple of questions about your own mobile | :11:53. | :11:55. | |
phone usage? But was Tom Hardy, the official ambassador. What news | :11:56. | :12:00. | |
round-up would be complete without a small number of robot stories. This | :12:01. | :12:07. | |
robot now has eight 360 degrees camera on top. And a tech company | :12:08. | :12:15. | |
would like you to meet this robot, which is designed to provide | :12:16. | :12:18. | |
assistance and in sentiment and companionship and listening to | :12:19. | :12:20. | |
commands and hopping around the world. I have a reminder for you! D | :12:21. | :12:27. | |
can change its voice. If you are still unimpressed by virtual | :12:28. | :12:30. | |
reality, perhaps this will convince you. This meant said he wanted great | :12:31. | :12:36. | |
the West game ever, and he may have succeeded. Much bit simulator places | :12:37. | :12:41. | |
you in a righty of unrealistic environments and forces you to fend | :12:42. | :12:47. | |
off wadis who direct and contort toward you. | :12:48. | :12:52. | |
The thing I love most about coming back to the countryside is that all | :12:53. | :12:58. | |
of the Londoners on the Click team get frayed by all of this ring | :12:59. | :13:02. | |
staff. And that weird smelling air -- green stuff. The thing they worry | :13:03. | :13:07. | |
about most is they can't get enable signal. Not much anyway. -- a mobile | :13:08. | :13:14. | |
signal. A good quality data signal is still considered a bit of a | :13:15. | :13:18. | |
luxury here. But we have been meeting the Indian developers who | :13:19. | :13:21. | |
have a few data tricks up their sleeve. There is a choice selection. | :13:22. | :13:34. | |
Don't get me wrong, I love Indian food, that these days, you can get | :13:35. | :13:38. | |
food from all over the world. Online as well Indians are tucking into a | :13:39. | :13:42. | |
feast taking to smart phones and guzzling data, using social media, | :13:43. | :13:48. | |
movie downloads and great music. It would be wonderful if the networks | :13:49. | :13:51. | |
were up to the job. But they are not. I think it is bad. Coverage | :13:52. | :14:02. | |
usually goes down because a lot of people are trying to use the same | :14:03. | :14:07. | |
network. Designing apps for creaking connections is becoming an Indian | :14:08. | :14:12. | |
speciality. This man is a popular music streaming app, checking to | :14:13. | :14:18. | |
make sure it makes it to the toughest network neighbourhoods. | :14:19. | :14:26. | |
Usually it is about getting the right amount of buffering for the | :14:27. | :14:32. | |
right time. To avoid buffer breaks, it gives itself a head start, | :14:33. | :14:37. | |
fetching data from upcoming songs so the flow of data is an interrupted. | :14:38. | :14:43. | |
When there is a squeeze on, it does away with surplus graphics. That | :14:44. | :14:51. | |
data is a problem. Make them lean, and apps run on overloaded networks | :14:52. | :14:56. | |
and budget devices. Many here get online with smart phones that are as | :14:57. | :15:01. | |
cheap as chips. Well, in this case, noodles. These low-end devices are | :15:02. | :15:07. | |
short on memory and can only host so many apps. It means there is a | :15:08. | :15:11. | |
battle royal over at screen real estate. A number of online retailers | :15:12. | :15:20. | |
have taken a kind of low carb approach, putting data on a diet | :15:21. | :15:27. | |
with so-called light apps. We have a system where we optimise the | :15:28. | :15:32. | |
experience, so this speed is 85% faster in a slow connection. You | :15:33. | :15:37. | |
will probably see a bit of degradation in the images, for | :15:38. | :15:41. | |
instance, because they are smaller size, but there is really no change | :15:42. | :15:47. | |
in the overall experience. The experience is almost double the | :15:48. | :15:52. | |
speed. India is a vast country that is short on cell towers. Much of the | :15:53. | :16:00. | |
radio connection used by mobile connections is blocked for military | :16:01. | :16:05. | |
use. Designers try to get more from less data, redesigning codex, for | :16:06. | :16:10. | |
example. This output streams real-time video at a bit rate close | :16:11. | :16:15. | |
to streamed audio. The internet's reach is spreading | :16:16. | :16:36. | |
and stretching, linking many more of us to other people and things. | :16:37. | :16:42. | |
India's fast and slim approach might just be what we need to avoid | :16:43. | :16:54. | |
network overload. Back at the A festival, another | :16:55. | :16:59. | |
fascinating talk on the this time from a reporter says. In his | :17:00. | :17:02. | |
research he asks the question, why do robots with all that processing | :17:03. | :17:07. | |
power and sensors, still find it so difficult to use legs? Especially | :17:08. | :17:12. | |
when the animal world finds them the most natural way of getting about. | :17:13. | :17:18. | |
We are trying to learn how we make motion in an efficient way. We can | :17:19. | :17:24. | |
walk for hours and hours without any problems, but if you want to make | :17:25. | :17:27. | |
robots walk in a similar way they can only walk for 20 or 30 minutes | :17:28. | :17:32. | |
and they run out of battery. He argues that even the robots we have | :17:33. | :17:36. | |
seen that can walk well are thinking about it too hard. Instead, we | :17:37. | :17:41. | |
should build bodies that are naturally balanced, that stay | :17:42. | :17:45. | |
upright, and that move without any processing power. The amazing, | :17:46. | :17:51. | |
jawdropping moment from your presentation was the bit about the | :17:52. | :17:56. | |
fish. Can you explain for our audience the bit about the fish? So, | :17:57. | :18:02. | |
this is an experiment done by researchers in the US, who made a | :18:03. | :18:11. | |
fish dead from a brain perspective, so they Iniesta -- anaesthetised it. | :18:12. | :18:20. | |
If you put the fish on the table, it is just dead. As soon as he put it | :18:21. | :18:25. | |
in a water flow it starts swimming. The reason is that to swim, the fish | :18:26. | :18:31. | |
doesn't really need brain and muscle activities. All it needs is a | :18:32. | :18:38. | |
well-designed body in the right environment, and it reacts to the | :18:39. | :18:41. | |
right stimulus from the physical environment. How hard is it to make | :18:42. | :18:45. | |
a body that walks by itself? You showed a video of a body that walks | :18:46. | :18:53. | |
by itself. How hard is that? You have to think about many different | :18:54. | :18:56. | |
things. You have to think about the weight of the body, the weight | :18:57. | :19:03. | |
distribution, the friction, dumping, also the shape of the foot is very | :19:04. | :19:09. | |
important. Mechanically it is challenging to design, but once you | :19:10. | :19:13. | |
decided it works. Can handle the real world best certainly do look | :19:14. | :19:19. | |
weirdly organic. The trick, of course, is achieving in the lab what | :19:20. | :19:22. | |
Mother Nature has spent millions of years perfecting. | :19:23. | :19:31. | |
We are not the only ones working incredibly hard on this week's | :19:32. | :19:36. | |
programme. Lara has been out and about in the park playing with some | :19:37. | :19:43. | |
animals. This week I am testing some gadgets | :19:44. | :19:48. | |
that need a little bit of help from man's best friend. I have been | :19:49. | :19:52. | |
asking around the BBC for any suggestions and it seems that | :19:53. | :19:57. | |
someone is making me here at midday. Wow! It is the dog from C BBC! Wow, | :19:58. | :20:12. | |
it is Lara Lewington from BBC Click. Here I am making my rake out | :20:13. | :20:22. | |
presenting debut on grown-up telly! Normally, it is us humans forget the | :20:23. | :20:26. | |
great gadgets to play with. This week, I have something for you guys, | :20:27. | :20:30. | |
so I wondered if you might be able to help me. There is even something | :20:31. | :20:36. | |
to keep dogs fit and healthy. Will it involve running about? Yes, and | :20:37. | :20:46. | |
you love that, don't you? Not me. I only do showbiz stuff. It is here my | :20:47. | :20:52. | |
contract, I like sitting down. With it a go find a real dog. Can you | :20:53. | :20:59. | |
make yourself useful? Item number one, the pit pat. This is like one | :21:00. | :21:02. | |
of those human fitness track of things but it is for dogs. It clips | :21:03. | :21:09. | |
tidily on the collar. It looks a bit chunky to me. It is available for | :21:10. | :21:16. | |
iOS, Android and Windows phone. You set it up in pretty much the same | :21:17. | :21:19. | |
way you do any activity tracker, only you need to input the breed of | :21:20. | :21:24. | |
dog, as well as weight, age and gender. It should be able to tell | :21:25. | :21:28. | |
you how much activity the dog needs to be getting and you can start | :21:29. | :21:37. | |
tracking what it is actually doing. You can see how much activity the | :21:38. | :21:40. | |
dog has been getting throughout the day, and if you want to look at what | :21:41. | :21:43. | |
has been happening over the week, here is the full data, and you can | :21:44. | :21:47. | |
tap on any day to get a bit more information. 210 minutes of activity | :21:48. | :21:56. | |
on Sunday, that was a busy day! Item number two, a GPS tracker that | :21:57. | :22:09. | |
dogs. Truffle! Truffle! Oh well. This has live GPS tracking, and it | :22:10. | :22:13. | |
can tell you what your dog has been up to over the past 24 rows in case | :22:14. | :22:16. | |
you don't already know, and it has a safe zone function. Can set up an | :22:17. | :22:20. | |
area you are happy for the dog to be in and if adventures outside of that | :22:21. | :22:23. | |
you will get an alert on your smartphone. This is an app that uses | :22:24. | :22:30. | |
artificial intelligence to identify what breed of dog it is looking at. | :22:31. | :22:34. | |
It can give you a percentage like us to familiar breed and can tell the | :22:35. | :22:37. | |
difference between a real dog and an inanimate object, like a cat! I need | :22:38. | :22:45. | |
a picture, that is perfect! It was spot on the Truffle, and some other | :22:46. | :22:49. | |
dogs are tested it on. But it wasn't so lucky when it came to Lucky's | :22:50. | :22:56. | |
mixed breed. And just to add a totally pointless but compelling | :22:57. | :22:59. | |
extra, or you can photograph friends and family to see which dogged a | :23:00. | :23:03. | |
most resemble. Although it did seem to think that he was real. This is | :23:04. | :23:12. | |
quirky combination of snack feeder and Paul Thrower. It can entertain | :23:13. | :23:16. | |
your pet when you can't and you can select the quantity of food you | :23:17. | :23:23. | |
wanted to provide. It can be used in doors or outdoors, and after firing | :23:24. | :23:26. | |
at Bulls for the dog to fetch, it will water them with snacks for | :23:27. | :23:32. | |
returning them. Admittedly, it takes a bit of practice, but once they | :23:33. | :23:35. | |
have got the knack it is a great way to wear them out. Isn't that right? | :23:36. | :23:51. | |
A special report. That is it from the beautiful A in Wales. NetSuite | :23:52. | :24:02. | |
via Konan a real adventure. -- next week we are going on a real | :24:03. | :24:08. | |
adventure. Join us for Click in China, it is going to be epic. | :24:09. | :24:32. | |
After a week of contrasts, with cloud in the east and sunshine | :24:33. | :24:37. | |
in the west, we will be getting something a bit more like summer. | :24:38. | :24:41. | |
After a cloudy start things will gradually turn warmer, one or two | :24:42. | :24:45. |