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| Line | From | To | |
|---|---|---|---|
in an American air-strike. | 0:00:01 | 0:00:02 | |
Now it's time for Click. | 0:00:02 | 0:00:03 | |
This week we are heading to the US and jetting into the future. | 0:00:06 | 0:00:10 | |
There will be robot holograms, swashbuckling drones, | 0:00:10 | 0:00:11 | |
and imaginary sea monsters. | 0:00:11 | 0:00:13 | |
This is absolutely stunning. | 0:00:13 | 0:00:17 | |
You thought you knew virtual reality, well so did I. | 0:00:17 | 0:00:22 | |
You thought you knew virtual reality, well so did I. | 0:00:51 | 0:01:02 | |
Then I came to NASA's jet propulsion laboratory. | 0:01:03 | 0:01:07 | |
These are genuine images collected by the Mars Rover Curiosity, | 0:01:07 | 0:01:10 | |
and the Mars orbiter. | 0:01:10 | 0:01:28 | |
Over there, there is Curiosity. | 0:01:31 | 0:01:34 | |
Hello, old friend. | 0:01:34 | 0:01:36 | |
I can actually walk around the Mars Rover. | 0:01:36 | 0:01:43 | |
Look at this! | 0:01:44 | 0:01:44 | |
Destination Mars is opening soon as a tourist attraction | 0:01:44 | 0:01:47 | |
at the Kennedy Space Centre, but it is already a collaborative | 0:01:47 | 0:01:49 | |
experience that allows scientists to discuss the Red Planet | 0:01:49 | 0:01:51 | |
while standing on Mars. | 0:01:52 | 0:01:57 | |
Despite that view being very small at the moment, | 0:01:57 | 0:01:59 | |
it really does work. | 0:01:59 | 0:02:04 | |
With the HoloLens, there are no cables and no external sensors. | 0:02:04 | 0:02:08 | |
This thing knows where it is and which way you are looking | 0:02:08 | 0:02:14 | |
simply by the sensors that are in the headset, | 0:02:14 | 0:02:16 | |
and that means there are no restrictions, | 0:02:16 | 0:02:18 | |
which means I can keep walking over here, and walk all the way | 0:02:18 | 0:02:22 | |
up this hill. | 0:02:23 | 0:02:27 | |
Or if I really want, I can just disappear off this way | 0:02:27 | 0:02:31 | |
and carry on trekking across Mars. | 0:02:31 | 0:02:32 | |
Excuse me, everybody. | 0:02:32 | 0:02:33 | |
Carry on about your work. | 0:02:33 | 0:02:35 | |
I'm still on Mars! | 0:02:35 | 0:02:37 | |
Ooh, there's a photocopier! | 0:02:37 | 0:02:42 | |
In theory, that means if you have the data and know | 0:02:42 | 0:02:45 | |
what the landscape on Mars looks like 100 miles that way, | 0:02:45 | 0:02:48 | |
I could just keep walking! | 0:02:48 | 0:02:50 | |
HoloLens is actually an augmented or mixed virtual reality, | 0:02:50 | 0:02:53 | |
which means real objects and virtual ones can appear | 0:02:53 | 0:02:55 | |
alongside one another. | 0:02:55 | 0:03:00 | |
JPL is using it to take plans off the computer screen and think | 0:03:00 | 0:03:03 | |
about them in 3-D at full scale before anything is actually built. | 0:03:03 | 0:03:17 | |
We have to build this thing here on the ground, | 0:03:17 | 0:03:19 | |
and people have to get around it. | 0:03:19 | 0:03:21 | |
You have to be able to put your arm in and turn | 0:03:21 | 0:03:24 | |
a screwdriver, for example. | 0:03:24 | 0:03:25 | |
That is a time-consuming thing to check on a 2-D computer screen | 0:03:25 | 0:03:28 | |
at a smaller scale. | 0:03:28 | 0:03:29 | |
We can place pointers on the model, on the hologram, for example | 0:03:29 | 0:03:32 | |
if we want to talk about that antenna, I can place a pointer | 0:03:32 | 0:03:35 | |
there and you and I can both see it and everyone participating | 0:03:35 | 0:03:38 | |
in the session can see it. | 0:03:38 | 0:03:43 | |
These pointers really do get over the final drawback to the mixed | 0:03:43 | 0:03:46 | |
reality experience, the fact that you can't actually touch | 0:03:46 | 0:03:48 | |
the 3-D model. | 0:03:48 | 0:03:51 | |
I dare you not to imagine this changing our world. | 0:03:51 | 0:03:57 | |
Wow, wow, wow, wow. | 0:03:57 | 0:04:05 | |
Mind equals blown. | 0:04:05 | 0:04:06 | |
This is stunning and I am totally buying into virtual reality. | 0:04:06 | 0:04:09 | |
But guess what, it gets even better. | 0:04:09 | 0:04:13 | |
In Salt Lake City, Mark Cieslak has been having the fright of his life. | 0:04:13 | 0:04:17 | |
In the shadow of Utah's peaks, cutting-edge virtual reality | 0:04:17 | 0:04:19 | |
is being developed. | 0:04:19 | 0:04:24 | |
Welcome to the Void, or to be more precise, | 0:04:24 | 0:04:32 | |
the research and development facility. | 0:04:32 | 0:04:37 | |
Just inside here is one possible future for virtual reality | 0:04:37 | 0:04:45 | |
technology. | 0:04:45 | 0:04:49 | |
The Void is a virtual reality experience that takes place | 0:04:49 | 0:04:52 | |
inside specially constructed sets. | 0:04:52 | 0:04:53 | |
Kitting up requires a backpack, chest rig, and headset. | 0:04:53 | 0:04:55 | |
What you see inside the headset, you feel and touch in | 0:04:55 | 0:04:58 | |
the real world. | 0:04:58 | 0:05:07 | |
Its creators call this setup hyperreality. | 0:05:07 | 0:05:09 | |
OK, so I'm in a temple. | 0:05:09 | 0:05:18 | |
I look up and I can see the stars, some ruins around me, | 0:05:18 | 0:05:21 | |
and if I reach out and touch the walls and feel them, | 0:05:21 | 0:05:24 | |
I can feel a throne in front of me. | 0:05:24 | 0:05:35 | |
I think myself and my other two cofounders really wanted to create | 0:05:35 | 0:05:38 | |
a holodeck, we are all Star Trek geeks. | 0:05:38 | 0:05:47 | |
Magic and illusion design, film production and television | 0:05:47 | 0:05:49 | |
production were in our background. | 0:05:49 | 0:05:53 | |
I can see flames rising up. | 0:05:53 | 0:05:54 | |
As I get closer to them, it gets hotter. | 0:05:54 | 0:05:56 | |
Sensors trigger heaters, which makes me think the stone bowl | 0:05:56 | 0:05:59 | |
in front of me has erupted in flames. | 0:05:59 | 0:06:01 | |
Over here I can see a torch. | 0:06:01 | 0:06:09 | |
Oh! | 0:06:09 | 0:06:09 | |
I can feel it is well. | 0:06:09 | 0:06:11 | |
I take it out of the hole in the wall, and I'm holding | 0:06:11 | 0:06:14 | |
in my hand what seems to be some kind of Aztec torch. | 0:06:14 | 0:06:28 | |
OK, so the headset again is prompting me to look for things | 0:06:28 | 0:06:34 | |
inside the environment. | 0:06:34 | 0:06:35 | |
To look around for clues as to where I have to go next. | 0:06:35 | 0:06:54 | |
The ability to explore wirelessly massively changes virtual reality. | 0:06:54 | 0:06:56 | |
One of the limiting factors of high-end virtual reality | 0:06:56 | 0:06:58 | |
in the home is that the headset still needs to be tethered | 0:06:58 | 0:07:01 | |
to a computer, which limits how far you can move from the computer. | 0:07:01 | 0:07:04 | |
The guys here have thought about that and cheated a little bit, | 0:07:04 | 0:07:07 | |
because the headset is still tethered to a computer, | 0:07:07 | 0:07:09 | |
but the computer lives in this backpack. | 0:07:09 | 0:07:11 | |
The rest of this rig is capable of doing a bunch of other things. | 0:07:11 | 0:07:15 | |
It is equipped with pads which trigger a physical feeling | 0:07:15 | 0:07:17 | |
when things are activated. | 0:07:17 | 0:07:21 | |
The door has just shattered in front of me, and across my chest it felt | 0:07:24 | 0:07:28 | |
as if the rocks from that door smashed into me. | 0:07:28 | 0:07:33 | |
The current generation of this kit does have its limitations. | 0:07:34 | 0:07:39 | |
There are definitely limits, going upstairs or climbing | 0:07:40 | 0:07:42 | |
are challenges that we will have to face later. | 0:07:42 | 0:07:45 | |
It turns out the team at the Void can't just rely on technology | 0:07:49 | 0:07:52 | |
to create this experience. | 0:07:52 | 0:08:02 | |
I have been in illusion design and creation for over a decade, | 0:08:02 | 0:08:06 | |
and it turns out that magic and virtual reality belong together. | 0:08:06 | 0:08:08 | |
So you can take things like misdirection and psychological | 0:08:08 | 0:08:10 | |
cues and place them together. | 0:08:11 | 0:08:13 | |
Something touches you... | 0:08:13 | 0:08:16 | |
Oh! | 0:08:16 | 0:08:18 | |
Cobwebs, there are spiders everywhere! | 0:08:18 | 0:08:20 | |
We can't see the headset view for the next bit as it is a bit | 0:08:20 | 0:08:25 | |
scary for this time of day. | 0:08:25 | 0:08:31 | |
As I stepped into what I thought was a huge cavern, I was attacked | 0:08:32 | 0:08:35 | |
by a giant sea monster. | 0:08:35 | 0:08:39 | |
This is the effect it had on me. | 0:08:39 | 0:08:41 | |
It's moving! | 0:08:41 | 0:08:42 | |
Ah! | 0:08:42 | 0:08:44 | |
Off camera, fans blast cold air at me, simulating a monstrous roar. | 0:08:48 | 0:08:57 | |
That was awful! | 0:08:58 | 0:08:58 | |
I'm back in the real world, that was intense. | 0:08:58 | 0:09:07 | |
The team here have collaborated with the moviemakers behind | 0:09:07 | 0:09:10 | |
the new Ghostbusters film, creating an attraction | 0:09:10 | 0:09:12 | |
for Madame Tussaud's in New York. | 0:09:12 | 0:09:21 | |
But their ultimate goal is to create their own experienced | 0:09:21 | 0:09:23 | |
centres, a bit like VR arcades, providing a host | 0:09:23 | 0:09:26 | |
of different virtual destructions. | 0:09:26 | 0:09:29 | |
Wow! | 0:09:31 | 0:09:32 | |
Tell me that was incredible as it looked, because it looked | 0:09:32 | 0:09:35 | |
incredible. | 0:09:35 | 0:09:38 | |
It was incredible, a little bit scary as well, | 0:09:38 | 0:09:41 | |
but a terrific experience. | 0:09:41 | 0:09:43 | |
I suppose this is what VR has lacked so far, it looks brilliant | 0:09:43 | 0:09:46 | |
because you can look and listen all around, | 0:09:46 | 0:09:48 | |
but you can't actually feel the environment. | 0:09:48 | 0:09:50 | |
I have tried a lot of VR games and experiences, | 0:09:50 | 0:09:53 | |
and I think I might have trained my brain to know | 0:09:53 | 0:09:55 | |
that they are completely false, there is nothing in the room | 0:09:55 | 0:09:58 | |
that is real. | 0:09:58 | 0:09:59 | |
When I see a wall I can't touch it. | 0:09:59 | 0:10:01 | |
So at first it was a bit unnerving when I went into the Void | 0:10:01 | 0:10:09 | |
and I could touch the surfaces, and when I sat in the throne | 0:10:09 | 0:10:15 | |
it was really there. | 0:10:15 | 0:10:16 | |
It really helps to sell the idea that you are in these spaces. | 0:10:16 | 0:10:19 | |
Is this the future for VR? | 0:10:19 | 0:10:21 | |
I think it is one possible future for entertainment VR. | 0:10:21 | 0:10:23 | |
The idea of a lot of people going into one massive space | 0:10:23 | 0:10:26 | |
and all playing games together at the same time is not a new idea, | 0:10:26 | 0:10:30 | |
we used to have videogames arcades in the 80s. | 0:10:30 | 0:10:32 | |
I think interactive videogame arcade might be a thing in the next decade. | 0:10:32 | 0:10:35 | |
Pretty good. Absolutely. | 0:10:35 | 0:10:38 | |
Hello, and welcome to the Week in Tech. | 0:10:42 | 0:10:44 | |
This was the week that Google's Deep Mind team teamed up | 0:10:44 | 0:10:47 | |
with the Moorfield Eye Hospital, to try to detect the onset | 0:10:47 | 0:10:49 | |
of blindness. | 0:10:49 | 0:10:53 | |
A million anonymous eye scans are being analysed for early signs | 0:10:53 | 0:10:56 | |
of disease humans might miss. | 0:10:56 | 0:11:02 | |
I will have to go in a minute, that will be the self driving robot | 0:11:03 | 0:11:07 | |
delivering my lunch. | 0:11:07 | 0:11:10 | |
Just Eat have joined forces with Starship Technologies | 0:11:10 | 0:11:12 | |
to autonomously deliver food orders in London. | 0:11:12 | 0:11:18 | |
The robots will be watched over remotely by humans, | 0:11:18 | 0:11:20 | |
who can take control at any time. | 0:11:20 | 0:11:24 | |
Hopefully they are not hungry. | 0:11:24 | 0:11:25 | |
Ever thought hamsters on a hamster wheel are not really achieving much? | 0:11:25 | 0:11:28 | |
No, me neither, but here is a solution anyway. | 0:11:28 | 0:11:30 | |
The hamster-powered hamster drawing machine lets the energetic creature | 0:11:30 | 0:11:33 | |
effectively take a selfie. | 0:11:33 | 0:11:34 | |
This artist's nifty use of open source software has made it possible | 0:11:34 | 0:11:39 | |
to translate the efforts of the hamster into a work of art. | 0:11:39 | 0:11:49 | |
Finally, an engineer in Cambridge has spent four years and ?40,000 | 0:11:49 | 0:11:52 | |
filling his living room with one massive game of Tetris. | 0:11:52 | 0:11:54 | |
Initially, James Newman just wanted to see how a transistor works, | 0:11:54 | 0:11:59 | |
but he said he got carried away and now he has 40,000 transistors | 0:11:59 | 0:12:02 | |
and 10,000 LED lights. | 0:12:02 | 0:12:15 | |
Where does it go? | 0:12:22 | 0:12:24 | |
There? | 0:12:24 | 0:12:27 | |
Today, I am getting to take a big one off my bucket list. | 0:12:27 | 0:12:31 | |
I am at Stanford University in Silicon Valley, and I am facing | 0:12:31 | 0:12:34 | |
down a drone that can really look after itself. | 0:12:34 | 0:12:44 | |
This is research that will help drones to fly smarter and avoid | 0:12:47 | 0:12:50 | |
obstacles, be they natural or man-made. | 0:12:50 | 0:12:59 | |
Honestly, I'm still more afraid of it than it is of me. | 0:12:59 | 0:13:05 | |
So, the system knows where I am because I'm covered in reflective | 0:13:06 | 0:13:09 | |
markers on my arm, my glove, my helmet and on the foil. | 0:13:09 | 0:13:13 | |
So, you see the nice little wireframe depiction of me | 0:13:13 | 0:13:16 | |
on the screen. | 0:13:16 | 0:13:21 | |
It is sampling the entire world that it concerns itself with. | 0:13:21 | 0:13:24 | |
It tries to connect a path through this world | 0:13:24 | 0:13:28 | |
that is free of obstacles. | 0:13:28 | 0:13:29 | |
But these obstacles might move and intersect with a path, | 0:13:29 | 0:13:37 | |
it has to replan, and all of this is very computationally expensive. | 0:13:37 | 0:13:40 | |
It could take days or months to compute, but we have to do it | 0:13:40 | 0:13:43 | |
in a matter of a few milliseconds. | 0:13:43 | 0:13:50 | |
How many times have you been hit by the drone and how many times did | 0:13:50 | 0:13:53 | |
you hit it? | 0:13:53 | 0:13:54 | |
How many drones have you been through? | 0:13:54 | 0:13:56 | |
More than I would like. | 0:13:56 | 0:13:57 | |
I think of it as like training a semi-wild animal, you don't know | 0:13:57 | 0:14:00 | |
quite what it is going to do. | 0:14:00 | 0:14:02 | |
It bites once in a while, but it has been going better | 0:14:02 | 0:14:05 | |
recently, so we will say ten times. | 0:14:05 | 0:14:13 | |
Let's say ten. | 0:14:13 | 0:14:16 | |
I am so Luke Skywalker right now. | 0:14:16 | 0:14:18 | |
My bad, probably... | 0:14:18 | 0:14:23 | |
That is one of the most exhilarating things I have done today. | 0:14:31 | 0:14:34 | |
The point of this is to arm drones with the ability to avoid things, | 0:14:34 | 0:14:38 | |
pigeons, people, random fencers. | 0:14:38 | 0:14:44 | |
But on a large level we will also need to be able to monitor drones | 0:14:44 | 0:14:48 | |
as they go about their daily business, and that is | 0:14:48 | 0:14:51 | |
what Kate Russell has been looking at. | 0:14:51 | 0:14:53 | |
Los Angeles International airport, the seventh busiest in the world. | 0:14:55 | 0:15:02 | |
Last weekend it handled a record 1.2 million passengers going home | 0:15:02 | 0:15:04 | |
for Independence Day celebrations. | 0:15:04 | 0:15:10 | |
It is not just people and aeroplanes that air traffic control have | 0:15:10 | 0:15:13 | |
to worry about. | 0:15:13 | 0:15:16 | |
Last year, there were 39 near collisions between drones | 0:15:16 | 0:15:19 | |
and aeroplanes in Los Angeles, and almost 250 incidences | 0:15:19 | 0:15:23 | |
across the US. | 0:15:23 | 0:15:29 | |
It's something we are all trying to wrap our arms around. | 0:15:29 | 0:15:32 | |
There is technology out there that we are entertaining, | 0:15:32 | 0:15:34 | |
it is difficult to understand exactly how we can get our arms | 0:15:34 | 0:15:37 | |
around that activity, especially in an airport as complex | 0:15:37 | 0:15:39 | |
as Los Angeles. | 0:15:39 | 0:15:48 | |
One system being trialled links official data streams and other | 0:15:48 | 0:15:55 | |
useful information such as weather forecasts so that drone operators | 0:15:55 | 0:15:57 | |
can fly more safely. | 0:15:57 | 0:16:00 | |
All you have to do is fire up an app, so you can receive traffic | 0:16:00 | 0:16:04 | |
alerts and know what hazards might be in the area you're in. | 0:16:04 | 0:16:17 | |
As well as helping drones fly more safely, it also helps airports | 0:16:17 | 0:16:21 | |
like Los Angeles know who is in their airspace. | 0:16:21 | 0:16:23 | |
I got an exclusive look behind the scenes. | 0:16:23 | 0:16:33 | |
You can clearly see the areas that show where operators | 0:16:33 | 0:16:35 | |
are discouraged from flying. | 0:16:35 | 0:16:47 | |
The three representations up here, if you click on any of them, | 0:16:47 | 0:16:50 | |
will give you information such as altitude, numbers to call, | 0:16:50 | 0:16:53 | |
who they are, when they made the request and the type | 0:16:53 | 0:16:55 | |
of device they are flying. | 0:16:55 | 0:16:57 | |
We can quickly establish a dialogue with a drone operator and suggest | 0:16:57 | 0:17:00 | |
that they bring down their drone. | 0:17:00 | 0:17:10 | |
This system is only a pilot, but it is clear that airports | 0:17:10 | 0:17:13 | |
across the world are going to have to figure out how they manage | 0:17:13 | 0:17:16 | |
air-traffic control of drones as they become more common. | 0:17:16 | 0:17:18 | |
As difficult as it is, the skies are only | 0:17:18 | 0:17:21 | |
going to get busier. | 0:17:21 | 0:17:34 | |
Last month, the rules for drones were relaxed in America | 0:17:34 | 0:17:37 | |
as the Federal Aviation Administration announced that | 0:17:37 | 0:17:38 | |
operators can freely fly drones in daylight hours at altitudes | 0:17:38 | 0:17:41 | |
under 400 feet. | 0:17:41 | 0:17:42 | |
NASA is best known for putting expensive rockets into space. | 0:17:42 | 0:17:44 | |
But the second letter in NASA stands for Aeronautics, and they are trying | 0:17:44 | 0:17:47 | |
to get into the increasingly busy airwaves. | 0:17:47 | 0:17:49 | |
You can get on better with managing the traffic and a team | 0:17:49 | 0:17:52 | |
of researchers here at NASA. | 0:17:52 | 0:17:53 | |
They are figuring out how to structure a broad platform to let | 0:17:53 | 0:17:56 | |
drones exist with stakeholders. | 0:17:56 | 0:18:16 | |
It is about large-scale visual line of sight and beyond that. | 0:18:16 | 0:18:18 | |
Technologies on trial include live data bases, | 0:18:18 | 0:18:20 | |
dynamic geo-fencing and sensors so drones don't crash | 0:18:20 | 0:18:22 | |
into buildings, aircraft or each other. | 0:18:22 | 0:18:24 | |
Largely, there will be flexibility for operators based | 0:18:24 | 0:18:43 | |
on their business needs. | 0:18:43 | 0:18:44 | |
Whether they are doing deliveries, surveillance or search and rescue. | 0:18:44 | 0:18:58 | |
Technologies are still in their infancy with a lot | 0:18:58 | 0:19:00 | |
of lessons to be learnt. | 0:19:00 | 0:19:02 | |
The drone market is exploding, promising to double year on year. | 0:19:02 | 0:19:04 | |
Whatever platform is adopted, it will have to be the ultimate | 0:19:04 | 0:19:07 | |
exercise in rapid scaling to keep up with the demand. | 0:19:07 | 0:19:10 | |
Back in Los Angeles, I am looking at something very sexy. | 0:19:10 | 0:19:12 | |
It is sales data, some of the sexiest I've ever seen. | 0:19:12 | 0:19:15 | |
The more information feels like a physical object, | 0:19:15 | 0:19:17 | |
the more your brain goes to work and can easily understand it. | 0:19:17 | 0:19:25 | |
I am in the company of a man who has devoted his life to developing user | 0:19:25 | 0:19:29 | |
interfaces which turn data into visual things that our visual | 0:19:29 | 0:19:32 | |
brains can understand and analyse. | 0:19:32 | 0:20:03 | |
The more information feels like a physical object, | 0:20:03 | 0:20:05 | |
the more your brain goes to work and can easily understand it. | 0:20:05 | 0:20:14 | |
The human visual system is amazingly good at seeing patterns. | 0:20:14 | 0:20:17 | |
We want to build large-scale interfaces to let people do that. | 0:20:17 | 0:20:20 | |
We are inside the data right now? | 0:20:20 | 0:20:21 | |
Inside someone's spending habits. | 0:20:21 | 0:20:22 | |
I've been in worse places. | 0:20:22 | 0:20:24 | |
This technology is already being used by large companies | 0:20:24 | 0:20:26 | |
to visualise information on data that is usually impossible to get. | 0:20:26 | 0:20:29 | |
The screens and animation are controlled by the wand, | 0:20:29 | 0:20:31 | |
which can spin, zoom and fly through it. | 0:20:31 | 0:20:43 | |
We can pull ourselves up to get a conference in view of the city. | 0:20:43 | 0:20:46 | |
It is very reminiscent of kind of interfaces featured in the movie | 0:20:46 | 0:20:49 | |
that has become a touchstone for this kind of thing, | 0:20:49 | 0:20:52 | |
Minority Report. | 0:20:52 | 0:20:52 | |
There is good reason for that. | 0:20:52 | 0:20:54 | |
John is the man who designed the user interfaces | 0:20:54 | 0:20:56 | |
in Minority Report. | 0:20:56 | 0:21:17 | |
I had been at MIT for many years and I was building | 0:21:17 | 0:21:20 | |
interfaces like this. | 0:21:20 | 0:21:21 | |
The production designer for Minority Report visited, | 0:21:21 | 0:21:22 | |
he said, I think this solves Stephen Spielberg's problem. | 0:21:22 | 0:21:24 | |
I moved out to Los Angeles, spent a year designing | 0:21:24 | 0:21:27 | |
the technical, architectural designs. | 0:21:27 | 0:21:45 | |
For those who don't need the full experience, | 0:21:45 | 0:21:46 | |
here is something a little more average. | 0:21:46 | 0:21:48 | |
This is John's office collaboration tool, which allows many people | 0:21:48 | 0:21:51 | |
to show and discuss their work on the big screen or on the wall. | 0:21:51 | 0:21:55 | |
It allows anyone to use any device, the screens will appear on the wall. | 0:21:55 | 0:21:59 | |
You've got tablets, laptops, those screens are being passed | 0:21:59 | 0:22:01 | |
on to these walls. | 0:22:01 | 0:22:14 | |
Then, anyone can grab a screen and move it somewhere else. | 0:22:14 | 0:22:17 | |
When I say anyone, not just in this room, anyone in any | 0:22:17 | 0:22:20 | |
office that is connected. | 0:22:20 | 0:22:38 | |
Hello, New York! | 0:22:38 | 0:22:39 | |
There, he's pinching at one of our images and taking | 0:22:39 | 0:22:41 | |
it to New York. | 0:22:41 | 0:22:42 | |
Out go one-person meetings, and in comes a free-for-all | 0:22:42 | 0:22:45 | |
where anyone can show anyone anything, video feeds from the web | 0:22:45 | 0:22:47 | |
or live footage from the office. | 0:22:47 | 0:23:13 | |
The future is not just about sharing screens, it is also | 0:23:13 | 0:23:16 | |
about sharing processing power. | 0:23:16 | 0:23:17 | |
John's newest project is an operating system that | 0:23:17 | 0:23:19 | |
would allow different computer programmes to interact with each | 0:23:19 | 0:23:21 | |
other by moving the devices they are running on closer together. | 0:23:21 | 0:23:24 | |
The data is now flowing through the signals | 0:23:24 | 0:23:26 | |
in our analysis module. | 0:23:26 | 0:23:27 | |
It means any programme can talk to the other programme, | 0:23:27 | 0:23:29 | |
just like people. | 0:23:29 | 0:23:42 | |
Compatibility? | 0:23:42 | 0:23:42 | |
That is a rude word when it comes to technology. | 0:23:42 | 0:23:45 | |
It will be a brighter future, if it happens. | 0:23:45 | 0:23:47 | |
For years, Minority Report has been to go to vision of the future, | 0:23:47 | 0:23:50 | |
almost a cliche. | 0:23:50 | 0:23:58 | |
And yet, it is actually happening now. | 0:23:58 | 0:23:59 | |
That is it for this week, we will see you next week. | 0:23:59 | 0:24:03 |