Browse content similar to 31/12/2016. Check below for episodes and series from the same categories and more!
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This is it, the very first Click Live. | :00:00. | :00:08. | |
We are filmimg in front of a studio audience of 250 people. | :00:09. | :00:11. | |
We have eight amazing tech demos that haven't been | :00:12. | :00:14. | |
It's going to be fun, it's going to be terrifying, | :00:15. | :00:17. | |
Why is there a laptop on your knee? Because we haven't finished writing | :00:18. | :01:08. | |
the show yet! Is that a bad thing to be doing this close?! Hello? Hello? | :01:09. | :01:15. | |
We have a saying in television, never work with children, animals or | :01:16. | :01:19. | |
computers because they are the most unpredictable things you can get in | :01:20. | :01:22. | |
a TV recording environment. Is there anybody there? Well, that was | :01:23. | :01:36. | |
interesting. Hello? Hello? Can you see me? Can you see me? I'm not sure | :01:37. | :01:42. | |
the system is quite stable yet. Anyway, are you ready? Yes! I said, | :01:43. | :01:51. | |
are you ready? Let's go! APPLAUSE Thank you so much, thank you for | :01:52. | :02:21. | |
coming. I'm so excited about this. Our very first click live! I just | :02:22. | :02:28. | |
wanted to check who has heard of us, who has seen us on the TV? | :02:29. | :02:32. | |
Brilliant. That is more viewers than I thought we had! Who haven't seen | :02:33. | :02:37. | |
as before but thought that came along? Yeah! Brilliant! Who thought | :02:38. | :02:42. | |
they were coming to a recording of the One Show? LAUGHTER It's too | :02:43. | :02:47. | |
late, we've got you now! And hopefully we are going to blow your | :02:48. | :02:51. | |
mind is tonight. The first thing we may notice is between you and me, | :02:52. | :02:56. | |
there is a very strange transparent screen. I'm not sure if that's your | :02:57. | :03:00. | |
protection or mind. That is part of the holographic projection system | :03:01. | :03:05. | |
that brought the better looking me to life. We are going to tell you | :03:06. | :03:09. | |
how the hologram works but first I have to introduce you to the other | :03:10. | :03:15. | |
half of this show, she is 100% real, Kate Russell! APPLAUSE | :03:16. | :03:27. | |
Awkward geek hugs! Physical contact doesn't usually happen! Can we run | :03:28. | :03:36. | |
the next holographic demo? Let's see what we've got. OK! Right now, we | :03:37. | :03:51. | |
are in a holographic fish tank. I don't like the way it's looking at | :03:52. | :04:00. | |
me! I'm just going to... LAUGHTER I'm going to get some volunteers up. | :04:01. | :04:05. | |
He wants to get eaten by a shark? We are going to find out more about how | :04:06. | :04:11. | |
this works. To do that I'm going to invite on the man who came up with | :04:12. | :04:16. | |
the idea. Please welcome him! APPLAUSE | :04:17. | :04:27. | |
So, this is not actually a hologram, is it? Talked a lot about the | :04:28. | :04:34. | |
technology. It's not a hologram in the true sense but it is giving a | :04:35. | :04:41. | |
holographic effect. We've created an ultralight wave, and incredibly | :04:42. | :04:47. | |
transparent fabric. We can stretch this in any size and scale and | :04:48. | :04:53. | |
activated by projection technology. Now for something really special. | :04:54. | :04:57. | |
Everything you've seen so far has been pre-recorded including me at | :04:58. | :05:03. | |
the front. Now we are going to attempt what we think is the first | :05:04. | :05:12. | |
ever live interview by hologram. We have pulled out all the stops to | :05:13. | :05:18. | |
bring you several superstar guests live by hologram. We are going to | :05:19. | :05:28. | |
our first guest. Are you there, Obi-Wan Kenobi? Hello my friend. And | :05:29. | :05:39. | |
all of those at the Click Academy. Now we are going to make a very | :05:40. | :05:44. | |
special call to the doctor. Are you there? Yes, I am here in a sense but | :05:45. | :05:51. | |
it's just that you are not there, if you understand me. It's a bit | :05:52. | :05:55. | |
difficult to explain really. LAUGHTER It's the Doctor, everybody! | :05:56. | :06:01. | |
APPLAUSE One more guest. Really, him? Is he | :06:02. | :06:12. | |
now making stuff up? OK! Please welcome to the stage, the | :06:13. | :06:19. | |
President-elect Donald Trump! I've got to say, we are going to build a | :06:20. | :06:25. | |
wall. It's going to be awesome and we're going to build it out of | :06:26. | :06:29. | |
hologram is so the Mexicans can walk straight through it. LAUGHTER Police | :06:30. | :06:38. | |
say a huge thank you to one of the greatest impressionist John Culshaw! | :06:39. | :06:48. | |
APPLAUSE Our next team are changing lives. | :06:49. | :06:58. | |
Welcome to the stage Professor B and his team from Imperial College | :06:59. | :07:05. | |
London! We are not showing things that are... We are showing our | :07:06. | :07:09. | |
current development. There is or is up and downs in terms of getting it | :07:10. | :07:13. | |
running together, there's definitely some nerves involved in that on the | :07:14. | :07:19. | |
stage. We from the bioelectronics laboratory at Imperial. The way we | :07:20. | :07:26. | |
look at it is, no one really knows what it is. So we get to do whatever | :07:27. | :07:35. | |
we want. This is a robotic hand. Chris is manipulating that robotic | :07:36. | :07:38. | |
hand but he's actually using this device here, which is listening to | :07:39. | :07:45. | |
him flexing his muscles. Yes, actually at listening to him. If | :07:46. | :07:49. | |
Chris was missing a hand on trying to manipulate things about on his | :07:50. | :07:53. | |
own, that hand could replace his hand. You see how it's mimicking the | :07:54. | :07:59. | |
movements of his other hand. We have a robotic arm picking up and | :08:00. | :08:02. | |
dropping small stress balls. I dropped one of the table in the | :08:03. | :08:05. | |
dress rehearsal but hopefully that will go fine. We've been working a | :08:06. | :08:15. | |
lot with people missing limbs. Imagine if he was operating a robot | :08:16. | :08:21. | |
in space. He can move his arm, have the fingers move and perform | :08:22. | :08:24. | |
delicate operations. The US Navy is looking at this to help people | :08:25. | :08:31. | |
disarm bombs. We've looked at technology that allows you to | :08:32. | :08:35. | |
control brings through electromagnetic impulses, but you | :08:36. | :08:38. | |
say this is listening, how does that work? If you want a quick example, | :08:39. | :08:44. | |
when you're going to bed tonight, but your ear against your bicep. | :08:45. | :08:54. | |
Form a good seal and slowly flex your bicep. What you'll hear if you | :08:55. | :08:57. | |
form a good seal between your ear and bicep, you'll hear this rumbling | :08:58. | :09:05. | |
sound. That's the sound of your muscle fibres vibrating when they | :09:06. | :09:09. | |
move and rebel against one another. It produces something we can pick | :09:10. | :09:15. | |
up. His muscle fibres are moving ever so slightly on a microscopic | :09:16. | :09:19. | |
scale. They are picked up by that blue band he's wearing and the band | :09:20. | :09:23. | |
is transferring the signals to operate the hand. Let's move over | :09:24. | :09:28. | |
here, and we have got James. James is going to play a game for us. He's | :09:29. | :09:34. | |
sporting a nice 1970s look, apparently he's got legwarmers under | :09:35. | :09:40. | |
his jeans! We've never really done anything like this before. We've | :09:41. | :09:44. | |
demonstrated at exhibitions, we've been to London Tech week but we've | :09:45. | :09:49. | |
never had cameras pointed at us. We've never done anything live with | :09:50. | :09:54. | |
an audience so it's quite exciting. James is actually blinking to | :09:55. | :09:59. | |
control the Mario Pasalic stuff. You can see that on these screens in the | :10:00. | :10:05. | |
front there. James is using just one sensor. It's picking up the muscles | :10:06. | :10:08. | |
that move when he brings his eyes and in response he is playing this | :10:09. | :10:13. | |
video game. We are looking at this, for example, if any of you have done | :10:14. | :10:18. | |
an ice bucket challenge, we are hoping this can help ALS patients | :10:19. | :10:26. | |
communicate with their computer. This summer we have a man who | :10:27. | :10:29. | |
couldn't move or speak because he was locked in, playing a video game | :10:30. | :10:34. | |
by blinking his eyes. That's what they are hoping to move towards. | :10:35. | :10:39. | |
James, you are blinking good at this game, can I say! Thank you very | :10:40. | :10:41. | |
much. APPLAUSE We've got Chris on a bike. What are | :10:42. | :10:57. | |
we looking at here? What Chris is doing is with the band similar to | :10:58. | :11:02. | |
what he wore with the arm. The chain on the bicycle is shifting in | :11:03. | :11:04. | |
response to him twitching his arms, so he's changing gears without | :11:05. | :11:09. | |
moving his fingers at all. A huge round of applause for our brilliant | :11:10. | :11:13. | |
guests! APPLAUSE We all love fairy animals, nice, | :11:14. | :11:30. | |
fluffy fairy animals. Sometimes technology can be responsible for | :11:31. | :11:34. | |
helping our feathered and ferry friends out of very dire situations. | :11:35. | :11:37. | |
Please, watch this video. I have to say, I was a little bit | :11:38. | :12:07. | |
cheeky there. Because we were feeling what you felt during that. | :12:08. | :12:10. | |
Those of you wearing your wristbands, hold them up please. | :12:11. | :12:15. | |
What colour are they? Some very excited people over there! We are | :12:16. | :12:21. | |
here with our emotional sensing wristbands. They measure how excited | :12:22. | :12:25. | |
or possibly stressed you are. Today we are giving them out to the | :12:26. | :12:28. | |
audience members and they are going to be taking part in an experiment | :12:29. | :12:34. | |
to see how excited they've got. You've worked with Lady Gaga. Why | :12:35. | :12:39. | |
would you do this in the context of your work, working with big | :12:40. | :12:45. | |
performers? Fans get super excited. We've toured with a lot of music | :12:46. | :12:50. | |
artists and we stood side-by-side with the Black eyed peas, 80,000 | :12:51. | :13:00. | |
people really excited. You'll notice they were changing colour but that's | :13:01. | :13:04. | |
not the only way you can tell what's going on. What have you been doing | :13:05. | :13:09. | |
to help us show our viewers and our audience what their feelings are | :13:10. | :13:13. | |
like? We've never tried up these biometric wristbands before so it's | :13:14. | :13:18. | |
very exciting. We've done a lot of real-time data visualisations from | :13:19. | :13:21. | |
audience generated feeds. You can see what we were looking at there | :13:22. | :13:28. | |
was obviously be emotional pulses. If it's blue, you are feeling strong | :13:29. | :13:37. | |
intense emotions, down to those of you who are emotional deserts! Your | :13:38. | :13:40. | |
wristbands would have remained white throughout. Now we are going to take | :13:41. | :13:49. | |
you to Mars. To do that we need a couple of experts. Would you please | :13:50. | :13:53. | |
welcome from California, from Nasa's jet per polls in laboratory! ! -- | :13:54. | :14:05. | |
jet per and. APPLAUSE Alex, we also need some Martian | :14:06. | :14:11. | |
astronauts. We've got three Martian Ashkelon. What are they seeing and | :14:12. | :14:18. | |
what are they using on their heads to do it? They are wearing an | :14:19. | :14:22. | |
augmented reality device and they are seeing the most accurate 3-D | :14:23. | :14:28. | |
model of Mars that's ever been made. This is the best reconstruction of | :14:29. | :14:31. | |
Mars that we can make, given the data that we have. I think this is | :14:32. | :14:38. | |
Kate's point of view you are seeing. This isn't CGI, these are real | :14:39. | :14:40. | |
photographic images stitched together in a 3-D landscape. | :14:41. | :14:47. | |
Exactly. We built a landscape so our scientists and engineers can walk | :14:48. | :14:50. | |
around on Mars. Why would they want to do that, is it just a toy? It's | :14:51. | :14:56. | |
not. The tricky thing about driving a robot on another planet is nobody | :14:57. | :15:01. | |
can tell us where the robot is and what the surrounding scenery looks | :15:02. | :15:04. | |
like. Whenever we take a picture, you're taking the 3-D world and | :15:05. | :15:09. | |
compressing it into 2-D and distorting it and losing | :15:10. | :15:13. | |
information. Around four processor our astronauts please. APPLAUSE | :15:14. | :15:17. | |
We're going to switch to another demo and bring Victor on. Next we've | :15:18. | :15:21. | |
got a video of how they are using them in Nasser. Run the video and | :15:22. | :15:30. | |
tell us why on earth would you give Hollow lends to astronauts because | :15:31. | :15:32. | |
they are already there doing the call stuff? Nasa is trying to send | :15:33. | :15:38. | |
astronauts further than they've ever been before. For them to do that, | :15:39. | :15:43. | |
they have to do their work more effectively by themselves without | :15:44. | :15:46. | |
the help of mission control. How does it help them to do that? | :15:47. | :15:51. | |
Technologies like these and these applications we're showing you will | :15:52. | :15:55. | |
enable them to do the procedures by themselves. Giving them 3-D | :15:56. | :15:59. | |
instruction guides, allowing them to walk around their station and have | :16:00. | :16:02. | |
guides walking them through the procedure. It's like a training | :16:03. | :16:07. | |
manual when you look at a button and it says, don't press this one! | :16:08. | :16:14. | |
Exactly. Apart from on the space station, who might use this? Why | :16:15. | :16:18. | |
might we be using augmented reality when things appear in your vision in | :16:19. | :16:22. | |
the future? There's a lot of industries using it right now, | :16:23. | :16:26. | |
architecture, medical, automobile. The thing it is most tangible with | :16:27. | :16:34. | |
is party planning or building your own space, your own house, picking | :16:35. | :16:39. | |
furniture and placing it in specific spots before buying anything. What | :16:40. | :16:43. | |
we are going to do now is an augmented reality experience where | :16:44. | :16:46. | |
astronauts will be able to see us but there will also be something in | :16:47. | :16:49. | |
the middle of the stage. What is going to be in the middle of the | :16:50. | :16:57. | |
stage? This is the March 2020 Rover. It's not been built yet. It's only | :16:58. | :17:03. | |
in the design stage. They can see you but they can see this Rover in | :17:04. | :17:07. | |
the way. You can see them, you can't see anything so they look like a | :17:08. | :17:12. | |
couple of loons. Who would use this? Right now we are using it on many of | :17:13. | :17:18. | |
our missions, as spacecraft designers, our mechanical engineers | :17:19. | :17:23. | |
are able to design. Being able to visualise this tool before they | :17:24. | :17:27. | |
build it. It's been an amazing tool for them to use. I'm hearing we've | :17:28. | :17:31. | |
got time for one more volunteer. If there's anyone else who would like | :17:32. | :17:36. | |
to experience it? I have to have a go. I have to come onto the stage | :17:37. | :17:40. | |
and have a go with the Hollow lends. I've always wanted to look at Mars! | :17:41. | :17:48. | |
APPLAUSE My goodness. This is inspiring me. | :17:49. | :18:00. | |
What a very fine Rover that is! I think that will be very good at | :18:01. | :18:06. | |
navigating around. However I don't think we can park it there. It might | :18:07. | :18:16. | |
get clamped! John Culshaw, thank you so much! Also Victor and Alex! | :18:17. | :18:23. | |
APPLAUSE You can keep it! How much fun was | :18:24. | :18:31. | |
that? Would you please welcome to the stage, James Veitch! APPLAUSE | :18:32. | :18:48. | |
I'm single. A few years ago I was on a dating website, Guardian soul | :18:49. | :18:52. | |
mates, have you heard of it? Do you want to admit to that? I was doing | :18:53. | :18:57. | |
OK. It was all right. Then I was booted off. I got an e-mail that | :18:58. | :19:01. | |
said we are writing to let you know that you're dating profile breached | :19:02. | :19:04. | |
our terms and conditions and won't be visible to other users. Profile | :19:05. | :19:11. | |
picture should not contain people other than yourself. I could not... | :19:12. | :19:19. | |
This was the picture I was trying to make my profile picture. LAUGHTER | :19:20. | :19:25. | |
They weren't actively hostile so I think it was OK. I think I make them | :19:26. | :19:30. | |
laugh. It's weird to talk about your dating life in front of people. It's | :19:31. | :19:35. | |
not something normal people do. I was annoyed with them for having | :19:36. | :19:38. | |
given me the runaround. I had a bit of spare time. So what I did was I | :19:39. | :19:45. | |
sent them letter. From the dock. LAUGHTER It has come to my attention | :19:46. | :19:50. | |
James Veitch has been using my image without my permission! My comedy is | :19:51. | :19:57. | |
about technology, really. I've always been fond of gadgets. I think | :19:58. | :20:01. | |
it is nice. It's fun to be chatting in the green room. I've literally no | :20:02. | :20:13. | |
idea, I'm just saying words. But I like it and I like all the people | :20:14. | :20:20. | |
around me being geeky. It's refreshing. One girl said the | :20:21. | :20:24. | |
message and said, how is he taking the picture, he's got no arms! | :20:25. | :20:29. | |
That's your issue with this? APPLAUSE | :20:30. | :20:35. | |
Thank you James! Please welcome to the stage Stephen McNeil and Rob | :20:36. | :20:40. | |
Shakespeare! APPLAUSE So, you tour the country playing | :20:41. | :20:53. | |
group video games. How on earth did that come about and why didn't I | :20:54. | :21:00. | |
think of it? About three years ago I started doing live video game show. | :21:01. | :21:06. | |
Up in Edinburgh at the fringe Festival is a long month so we | :21:07. | :21:10. | |
thought if we got our friends really drunk and got them to swear at each | :21:11. | :21:14. | |
other while they play video games, we could charge people to watch it. | :21:15. | :21:19. | |
You're laughing but that turned out to be far more successful than the | :21:20. | :21:24. | |
jokes which written for five years! That's now a TV show. Robb, the sexy | :21:25. | :21:35. | |
genius in the red shirt, he was technical manager on the TV show but | :21:36. | :21:39. | |
also invented this technology which you will hopefully looked into which | :21:40. | :21:41. | |
allows everybody to play along with us. Either it's going to be amazing | :21:42. | :21:46. | |
or they are going to watch me have a breakdown because it won't work. | :21:47. | :21:51. | |
While I panicked at the laptop. You've broken record, haven't you? | :21:52. | :21:58. | |
Rob a record. A proper record. It was on our programme as well. We had | :21:59. | :22:04. | |
our residency where we develop all the new stuff. Rob broke the record | :22:05. | :22:14. | |
for the number of people to play a single game of Pong. It was awesome. | :22:15. | :22:21. | |
Shall we do it? I hope so, I don't know if it's going to work it! If we | :22:22. | :22:26. | |
get no reaction my wife was right and I am a failure. On Kate's team, | :22:27. | :22:32. | |
you're the blue team. This side, you are the red team. One, two, three! | :22:33. | :22:40. | |
You should now get those buttons. You get an up and they down RA. I | :22:41. | :22:45. | |
would recommend up for Spencer's team. You get a freebie. That's OK. | :22:46. | :22:55. | |
Would like to see the blue one move. Yes, it moved. First five points | :22:56. | :23:01. | |
wins. You are annoyingly good at the game. I'm very excited because | :23:02. | :23:08. | |
normally are not allowed out of the house. They are going to lose their | :23:09. | :23:16. | |
minds, it's going to be awesome. Work together. That's better. Oh my | :23:17. | :23:24. | |
goodness me that's fast! Keep playing! One more point will do it! | :23:25. | :23:31. | |
You aren't even looking! A single point for Spencer. It's a victory | :23:32. | :23:42. | |
for the red team! APPLAUSE I'm exhausted! Thank you so much for | :23:43. | :23:50. | |
coming. Goodbye and get out of here! APPLAUSE | :23:51. | :24:00. | |
This is the most work I've done in a long time! It was brilliant! The | :24:01. | :24:08. | |
game was quite exciting abbey and! -- at the | :24:09. | :24:09. |