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Now on BBC News, it's HARDtalk. | 0:00:00 | 0:00:12 | |
Thank you. | 0:00:37 | 0:00:44 | |
You talk about frustration with government now, | 0:00:45 | 0:00:47 | |
but your whole career basically sounds as though you have been | 0:00:47 | 0:00:51 | |
banging your head against a brick wall. | 0:00:51 | 0:00:54 | |
Did you learn some lessons from that? | 0:00:54 | 0:00:56 | |
Of course, of course. | 0:00:56 | 0:00:59 | |
What lessons did you draw? | 0:00:59 | 0:01:00 | |
It seems like the only lesson you took was, | 0:01:00 | 0:01:03 | |
you know what, after a while you betray your best | 0:01:03 | 0:01:06 | |
friends in politics? | 0:01:06 | 0:01:06 | |
No. | 0:01:06 | 0:01:07 | |
I don't agree with that at all. | 0:01:07 | 0:01:09 | |
I bet you know. | 0:01:09 | 0:01:10 | |
I bet you know! | 0:01:10 | 0:01:20 | |
How do you feel as president that you are going to go down in history | 0:01:22 | 0:01:26 | |
as a president who presided over a loss of a large part | 0:01:26 | 0:01:29 | |
of your territory? | 0:01:29 | 0:01:34 | |
I understood that you wished to do this interview, | 0:01:38 | 0:01:40 | |
and you wished to reply to questions that we, | 0:01:40 | 0:01:43 | |
in the name of the BBC, are putting towards you. | 0:01:43 | 0:01:45 | |
Am I not right? | 0:01:45 | 0:01:46 | |
Yeah, cheers. | 0:01:46 | 0:01:48 | |
HARDtalk. | 0:01:48 | 0:01:48 | |
HARDtalk. | 0:01:48 | 0:01:49 | |
To the next 20 years! | 0:01:49 | 0:01:52 | |
Well you got water and I've got wine?! | 0:01:52 | 0:01:54 | |
That's terrible! | 0:01:54 | 0:02:01 | |
Our show has a name which gives you a very strong clue | 0:02:01 | 0:02:04 | |
as to what you're going to get. | 0:02:04 | 0:02:08 | |
And I do wonder sometimes whether calling the programme | 0:02:08 | 0:02:10 | |
HARDtalk has been a huge advantage, because it cuts through. | 0:02:10 | 0:02:13 | |
And I think people know what our show is about. | 0:02:13 | 0:02:26 | |
It has an extraordinarily clear and strong profile. | 0:02:26 | 0:02:28 | |
But also, there are some people around the world who will be | 0:02:29 | 0:02:32 | |
approached by their PR people and say, "Oh, | 0:02:32 | 0:02:34 | |
there is this BBC programme, HARDtalk, on the phone | 0:02:34 | 0:02:36 | |
and they would really like to talk to you." | 0:02:36 | 0:02:39 | |
And I just wonder whether calling it HARDtalk is, for some, | 0:02:39 | 0:02:42 | |
a red flag. | 0:02:42 | 0:02:43 | |
It's the BBC doing what the BBC... | 0:02:43 | 0:02:45 | |
Shouldn't it be a red flag? | 0:02:45 | 0:02:46 | |
Shouldn't we also be calling it what it is? | 0:02:46 | 0:02:49 | |
Of course. | 0:02:49 | 0:02:49 | |
But interestingly, if you look at the way in which, | 0:02:49 | 0:02:52 | |
over 20 years... | 0:02:52 | 0:02:53 | |
Do you want to rebrand? | 0:02:53 | 0:02:54 | |
Not at all. | 0:02:54 | 0:02:55 | |
After 20 years? | 0:02:55 | 0:02:56 | |
Not at all. | 0:02:56 | 0:02:56 | |
But if you look over 20 years at the degree to which now | 0:02:56 | 0:03:00 | |
politicians want to manage everything about their public | 0:03:00 | 0:03:02 | |
profile, and their spin doctors are multiplying, | 0:03:02 | 0:03:04 | |
their entourage is expanding, and now they have the unmediated | 0:03:04 | 0:03:07 | |
platform of social media, which Donald Trump has exploited | 0:03:07 | 0:03:09 | |
more than any other politician, I am just going to be interested | 0:03:09 | 0:03:14 | |
to see, over the next - let's hope - 20 years of HARDtalk, | 0:03:14 | 0:03:18 | |
whether we still get the same access to those in power. | 0:03:18 | 0:03:24 | |
But to me, HARDtalk is not harsh talk. | 0:03:24 | 0:03:26 | |
It's asking tough questions. | 0:03:26 | 0:03:27 | |
It's not a politically closed country then? | 0:03:27 | 0:03:29 | |
Because you have got people like the opposition leader, | 0:03:29 | 0:03:31 | |
Victoire Ingabire, who is on trial because she... | 0:03:31 | 0:03:33 | |
I wish I knew what you were... | 0:03:33 | 0:03:35 | |
No, but I'm just putting it to you. | 0:03:35 | 0:03:42 | |
Let's talk about things that matter. | 0:03:42 | 0:03:43 | |
This matters, doesn't it? | 0:03:43 | 0:03:44 | |
The national treasurer of the opposition, | 0:03:44 | 0:03:46 | |
United Democratic Force, says dissidents remain silent out | 0:03:46 | 0:03:51 | |
of fear in Rwanda. | 0:03:51 | 0:03:52 | |
What is your response? | 0:03:52 | 0:03:53 | |
My response is that maybe you should take all your time, | 0:03:53 | 0:03:57 | |
or most of your time, asking every leader of this world | 0:03:57 | 0:04:00 | |
on these programmes. | 0:04:00 | 0:04:01 | |
Well, I mean we do put these points and criticisms to leaders, | 0:04:01 | 0:04:05 | |
other politicians, when we talk... | 0:04:05 | 0:04:06 | |
The cynicism that comes along with it. | 0:04:06 | 0:04:08 | |
I wasn't being cynical. | 0:04:08 | 0:04:11 | |
I was giving you a chance to rebuff some of these allegations. | 0:04:11 | 0:04:14 | |
I will tell you one thing. | 0:04:14 | 0:04:16 | |
We have explained these so-called allegations. | 0:04:16 | 0:04:17 | |
But, and I'm glad you're even putting it that way yourself, | 0:04:17 | 0:04:20 | |
you are talking about all of the progress that Rwandans | 0:04:20 | 0:04:23 | |
are making in their lives, and then you put in "but". | 0:04:23 | 0:04:26 | |
Nobody should really be, who submits themselves to doing | 0:04:26 | 0:04:28 | |
HARDtalk, should worry about hard questions, | 0:04:28 | 0:04:30 | |
because it's also fair, because you get a chance... | 0:04:30 | 0:04:36 | |
Did Tony Blair worry? | 0:04:36 | 0:04:37 | |
He never came on the programme. | 0:04:37 | 0:04:39 | |
Kofi Annan never came on the programme. | 0:04:39 | 0:04:41 | |
No, I agree with you. | 0:04:41 | 0:04:42 | |
We lost a lot of interviews because it was a tough programme. | 0:04:42 | 0:04:45 | |
Not because of the name, but because of how the interviews | 0:04:45 | 0:04:48 | |
were done. | 0:04:49 | 0:04:57 | |
If you give somebody a tough question and you don't give them | 0:04:57 | 0:05:00 | |
the opportunity to answer it, I think that's not fair play. | 0:05:00 | 0:05:03 | |
And I think a lot of people watching may feel that sometimes. | 0:05:03 | 0:05:06 | |
And that is why I defend calling it HARDtalk, | 0:05:06 | 0:05:08 | |
but I just think that it ought to be fair in the sense that if you ask | 0:05:09 | 0:05:13 | |
somebody something, they should have the chance to answer it. | 0:05:13 | 0:05:16 | |
Nobody is ever going to agree on what is fair. | 0:05:16 | 0:05:19 | |
And you get constantly criticised for interrupting. | 0:05:19 | 0:05:21 | |
But if you don't interrupt certain people, you're going to get a speech | 0:05:21 | 0:05:24 | |
for 20 minutes. | 0:05:24 | 0:05:25 | |
Of course. | 0:05:25 | 0:05:25 | |
This shouldn't be a freeride. | 0:05:25 | 0:05:27 | |
Have you had anybody walk out? | 0:05:27 | 0:05:28 | |
I have. | 0:05:28 | 0:05:29 | |
Yes. | 0:05:29 | 0:05:29 | |
And didn't come back? | 0:05:29 | 0:05:30 | |
Yes. | 0:05:30 | 0:05:31 | |
My walkout was with a gentleman called Max Clifford, | 0:05:31 | 0:05:33 | |
who was a PR guru... | 0:05:33 | 0:05:34 | |
He is now in jail. | 0:05:34 | 0:05:36 | |
Nothing to do with my interview, but he is now in jail! | 0:05:36 | 0:05:39 | |
He walked out after about eight minutes, which I realise was quite | 0:05:39 | 0:05:42 | |
a clever tactic, because if you walk out early in an interview, | 0:05:42 | 0:05:45 | |
obviously in HARDtalk, where we fill half an hour slot, | 0:05:46 | 0:05:48 | |
you walk out very early, then there is no programme. | 0:05:48 | 0:05:51 | |
You say Jade is happy, and I appreciate you have that long | 0:05:51 | 0:05:54 | |
chats with her about all of this. | 0:05:54 | 0:05:58 | |
But she is obviously a very vulnerable woman. | 0:05:58 | 0:06:00 | |
And she's dying... | 0:06:00 | 0:06:00 | |
I'll tell you what, let's just call it a day. | 0:06:00 | 0:06:03 | |
You know, I just don't like the tone of all this. | 0:06:03 | 0:06:06 | |
I really don't need this. | 0:06:06 | 0:06:07 | |
You are quoting interviews I did five years ago. | 0:06:07 | 0:06:10 | |
I thought this was a general conversation about my business | 0:06:10 | 0:06:13 | |
and what I do. | 0:06:13 | 0:06:14 | |
No, it is. | 0:06:14 | 0:06:15 | |
That's fine. | 0:06:15 | 0:06:15 | |
Good luck to you. | 0:06:15 | 0:06:16 | |
If you come back, Max... | 0:06:16 | 0:06:18 | |
I haven't got the time or the inclination. | 0:06:18 | 0:06:20 | |
You do what you want with it. | 0:06:20 | 0:06:22 | |
I'm quite happy... | 0:06:22 | 0:06:22 | |
I'm very comfortable with what I'm actually doing. | 0:06:22 | 0:06:25 | |
Look, if you let us continue, the whole interview is going | 0:06:25 | 0:06:28 | |
to touch on many aspects of your business. | 0:06:28 | 0:06:30 | |
It's not just... | 0:06:30 | 0:06:39 | |
I'm sure it is. | 0:06:39 | 0:06:40 | |
Yes. | 0:06:40 | 0:06:40 | |
You've made it very clear where you're coming from. | 0:06:41 | 0:06:43 | |
I can see where you're coming from. | 0:06:43 | 0:06:45 | |
Good luck to you. | 0:06:45 | 0:06:46 | |
Well, it's a shame that he can't stick around to do the full | 0:06:46 | 0:06:50 | |
interview. | 0:06:50 | 0:06:50 | |
It was a walkout over, again a matter that to many people | 0:06:50 | 0:06:53 | |
would have seemed quite insignificant, but he was just | 0:06:53 | 0:06:55 | |
in a very bad mood and he just didn't like the cut of my jib. | 0:06:55 | 0:07:00 | |
He tossed off the microphone and off he went. | 0:07:00 | 0:07:02 | |
He kicked the studio wall on the way out and a chunk of plaster fell off. | 0:07:02 | 0:07:06 | |
So another satisfied client! | 0:07:06 | 0:07:07 | |
He can't sue you because he's behind bars, so you're all right! | 0:07:08 | 0:07:11 | |
He's in prison on matters unrelated. | 0:07:11 | 0:07:12 | |
And they're going to let you know when he's released, are they? | 0:07:12 | 0:07:16 | |
You do feel slightly conscious that now we've got a gap to fill. | 0:07:16 | 0:07:19 | |
You know what? | 0:07:19 | 0:07:22 | |
All we did was put it in the Christmas video, | 0:07:22 | 0:07:24 | |
in the sort of upsum of the year. | 0:07:24 | 0:07:27 | |
That was as good as we could do with it. | 0:07:27 | 0:07:29 | |
But we couldn't use it as a programme. | 0:07:29 | 0:07:31 | |
I do wonder though, and I'm just thinking now about the future | 0:07:31 | 0:07:35 | |
of the show, whether again, whether we believe that | 0:07:35 | 0:07:41 | |
the attention span of audiences around the world for news | 0:07:41 | 0:07:44 | |
and current affairs still means that the full on half hour intense, | 0:07:44 | 0:07:47 | |
thoroughgoing, compelling sort of inquisition... | 0:07:47 | 0:07:48 | |
What other programme does it? | 0:07:48 | 0:07:50 | |
We are about the only programme in the world that does it. | 0:07:50 | 0:07:53 | |
Why is that? | 0:07:53 | 0:07:54 | |
Why have other broadcasters given up on the testing longform interview? | 0:07:54 | 0:07:57 | |
I think they have underestimated the public's appetite. | 0:07:57 | 0:07:59 | |
I think the public is keen on accountability, much more now, | 0:07:59 | 0:08:02 | |
keen on facts in a way they were not before. | 0:08:02 | 0:08:05 | |
Facts are in public focus. | 0:08:05 | 0:08:06 | |
I think we are increasingly relevant. | 0:08:06 | 0:08:08 | |
OK, but where will you go with it? | 0:08:08 | 0:08:10 | |
You were saying your starting point was for the next 20 years. | 0:08:10 | 0:08:16 | |
Where I'm going with it is, I think about my own kids. | 0:08:16 | 0:08:19 | |
You know, I've got kids who are late teens and early 20s, | 0:08:19 | 0:08:23 | |
and they have grown up not really, frankly, settling down to watch news | 0:08:23 | 0:08:26 | |
and current affairs television in the way that we did. | 0:08:26 | 0:08:29 | |
So do you think it doesn't have a future? | 0:08:29 | 0:08:31 | |
No, I think because... | 0:08:31 | 0:08:32 | |
Thank goodness, I still believe, from the feedback I get, | 0:08:32 | 0:08:35 | |
anecdotal and the evidence we get in audience research, | 0:08:35 | 0:08:38 | |
that there are enough people who value what we do, | 0:08:38 | 0:08:40 | |
that we've got a very strong future. | 0:08:40 | 0:08:42 | |
And I think Tim is right, in the current political environment | 0:08:42 | 0:08:44 | |
around the world, and all this discussion of fake news | 0:08:44 | 0:08:47 | |
and alternative facts, and an attempt by so many people | 0:08:47 | 0:08:50 | |
in power to manipulate information... | 0:08:50 | 0:08:51 | |
It's an antidote. | 0:08:51 | 0:08:52 | |
But you must have had people walk out on you? | 0:08:52 | 0:08:55 | |
Very few, actually. | 0:08:55 | 0:08:55 | |
Very few. | 0:08:55 | 0:09:03 | |
One of the most memorable was James Hewitt, Diana's lover. | 0:09:03 | 0:09:06 | |
Yes, yeah. | 0:09:06 | 0:09:07 | |
We got to a point in the interview where I said, "You've just written | 0:09:07 | 0:09:10 | |
this tell all book, - did you not consider the feelings | 0:09:10 | 0:09:13 | |
of her children, the Princes?" | 0:09:13 | 0:09:15 | |
And he went, took of the microphone, and said, "That's a disgusting | 0:09:15 | 0:09:18 | |
question to ask. | 0:09:18 | 0:09:19 | |
You're a cad!" | 0:09:19 | 0:09:20 | |
I said, "I'm a cad?" | 0:09:20 | 0:09:22 | |
I'm suddenly the bad person in this! | 0:09:22 | 0:09:32 | |
He got up and he walked out. | 0:09:32 | 0:09:34 | |
And unfortunately, again, as it was only eight or ten minutes | 0:09:34 | 0:09:37 | |
in, we didn't have a programme to show. | 0:09:37 | 0:09:39 | |
But no, surprisingly few. | 0:09:39 | 0:09:40 | |
Surprisingly few. | 0:09:40 | 0:09:41 | |
I think a lot of people... | 0:09:41 | 0:09:42 | |
I remember a Deputy Foreign Minister in Israel, he was a rabbi. | 0:09:42 | 0:09:46 | |
He said he came on the programme and in 25 years of public life | 0:09:46 | 0:09:49 | |
he had never had such a response to anything he'd done in public | 0:09:49 | 0:09:53 | |
as to the HARDtalk interview. | 0:09:53 | 0:10:01 | |
Tim, that's so true. | 0:10:01 | 0:10:02 | |
And you've just planted in my head a thought about Said Barakat, | 0:10:02 | 0:10:05 | |
about whom you have interviewed a lot of times. | 0:10:05 | 0:10:08 | |
So have I. | 0:10:08 | 0:10:09 | |
Yes, yes. | 0:10:09 | 0:10:09 | |
Who you reduced to tears. | 0:10:09 | 0:10:13 | |
But interestingly, the last time I spoke to him, | 0:10:13 | 0:10:16 | |
and he has been the chief Palestinian negotiator for a long | 0:10:16 | 0:10:19 | |
time, he's been around that story from when I was a cub reporter | 0:10:19 | 0:10:22 | |
following the Oslo process in the early 1990s. | 0:10:22 | 0:10:24 | |
Said Barakat, just a few months ago when he spoke to me, | 0:10:24 | 0:10:27 | |
was so low, so depressed, so run dry by that whole process, | 0:10:27 | 0:10:31 | |
which is frankly stuck, going nowhere, moribund, | 0:10:31 | 0:10:33 | |
dead, in many many ways... | 0:10:33 | 0:10:35 | |
I have never heard you this bleak, this negative, this despairing. | 0:10:36 | 0:10:39 | |
Is it all over for you? | 0:10:39 | 0:10:45 | |
You know, if I answer you in any way I may cause more deaths. | 0:10:45 | 0:10:49 | |
I just want to keep a ray of hope. | 0:10:49 | 0:10:51 | |
I just want to keep a ray of hope. | 0:10:51 | 0:11:05 | |
Because I know at the end of the day violence will breed more violence. | 0:11:05 | 0:11:09 | |
Violence is not the answer. | 0:11:09 | 0:11:10 | |
I know that the answer is for someone in the international | 0:11:11 | 0:11:13 | |
community to bring to the Security Council resolution | 0:11:13 | 0:11:16 | |
reiterating the two state solution within a specific time frame, | 0:11:16 | 0:11:18 | |
within an international conference, saying the state of Palestine | 0:11:18 | 0:11:21 | |
to live side-by-side with the state of Israel on 1967 lines. | 0:11:21 | 0:11:24 | |
Now, if people ask me, "How come you failed?" | 0:11:24 | 0:11:26 | |
I could not deliver, that is the truth. | 0:11:26 | 0:11:28 | |
Now, do I leave? | 0:11:28 | 0:11:29 | |
I'm thinking about it. | 0:11:29 | 0:11:31 | |
I'm seriously thinking about it, Stephen. | 0:11:31 | 0:11:32 | |
I'm seriously thinking about it because there is much that I can't | 0:11:32 | 0:11:36 | |
take from my own family, from my own neighbours. | 0:11:36 | 0:11:38 | |
I look them in the eyes, I wasn't able to deliver. | 0:11:38 | 0:11:41 | |
And that is the truth. | 0:11:41 | 0:11:51 | |
An extraordinary omission, isn't it? | 0:11:52 | 0:11:53 | |
And it comes back to that word we used earlier, | 0:11:53 | 0:11:56 | |
which is raw. | 0:11:56 | 0:11:57 | |
HARDtalk can be raw. | 0:11:57 | 0:11:58 | |
And because we have that extra time to really dig deep into somebody's | 0:11:58 | 0:12:01 | |
psyche, there are times when they express emotion and dig | 0:12:01 | 0:12:04 | |
deep into themselves in a way that you don't see anywhere else. | 0:12:04 | 0:12:07 | |
Sometimes we all interview celebrities, actors and musicians | 0:12:07 | 0:12:15 | |
and so on, and I still think they should be subjected | 0:12:15 | 0:12:18 | |
to some rigorous questioning. | 0:12:18 | 0:12:19 | |
And I'm thinking most recently of Burt Reynolds, | 0:12:19 | 0:12:21 | |
whom I interviewed. | 0:12:21 | 0:12:22 | |
And he was charming. | 0:12:22 | 0:12:23 | |
And he enjoyed it. | 0:12:23 | 0:12:24 | |
But it was obviously tougher kind of questions than he would normally | 0:12:24 | 0:12:27 | |
have on the celebrity circuit. | 0:12:27 | 0:12:29 | |
And I just said to him at the end, "You're approaching your 80th | 0:12:29 | 0:12:32 | |
birthday", and so on, "are you happy? | 0:12:32 | 0:12:34 | |
Would you describe yourself as happy?" | 0:12:34 | 0:12:36 | |
And he said, "I was until I started this interview!" | 0:12:36 | 0:12:45 | |
I always find that people are more... | 0:12:45 | 0:12:47 | |
Celebrities often seem surprised that they enjoy it so much. | 0:12:47 | 0:12:50 | |
I really like that. | 0:12:50 | 0:12:51 | |
It's a whole different interview to what I'm used to. | 0:12:51 | 0:12:58 | |
I mean, when you look back at some of the stuff that you did then, | 0:12:58 | 0:13:02 | |
are you guilty of misogyny? | 0:13:02 | 0:13:03 | |
I wrote those lyrics for that song. | 0:13:03 | 0:13:05 | |
You can come straight... | 0:13:05 | 0:13:06 | |
It was very much a tongue in cheek song, not misogynistic in any way. | 0:13:06 | 0:13:10 | |
How do you explain it to your daughters? | 0:13:10 | 0:13:12 | |
You have got teenage daughters now. | 0:13:12 | 0:13:14 | |
Um... | 0:13:14 | 0:13:14 | |
Well, there's a spirit of rock and roll that has, | 0:13:14 | 0:13:17 | |
that is, to me, far and above... | 0:13:17 | 0:13:18 | |
You know, misogyny or homophobia, or any of those things. | 0:13:19 | 0:13:20 | |
There's just like this - primal sex and rock and roll | 0:13:24 | 0:13:29 | |
are just hand in hand. | 0:13:29 | 0:13:49 | |
How would I explain it to my daughters? | 0:13:49 | 0:13:51 | |
But don't you think it's... | 0:13:51 | 0:13:53 | |
I mean, you make the point when you are writing this book that | 0:13:53 | 0:13:56 | |
you are responsible for some of the stuff. | 0:13:57 | 0:13:59 | |
Isn't that spirit of rock and roll responsible in influencing people | 0:13:59 | 0:14:02 | |
in the way that they see things? | 0:14:02 | 0:14:06 | |
I think I give humans a lot more credit. | 0:14:06 | 0:14:09 | |
If I write a song or a lyric, if it influences them in a bad way, | 0:14:09 | 0:14:16 | |
which I rarely ever hear about... | 0:14:16 | 0:14:17 | |
99.9% of the times people come up to me and say, | 0:14:17 | 0:14:20 | |
"Your music changed my life" - it's always a positive thing. | 0:14:21 | 0:14:30 | |
It's a sign of something really rather | 0:14:30 | 0:14:36 | |
wonderful about some of these celebrities who live in a bubble, | 0:14:36 | 0:14:39 | |
frankly, of minders and PR, but particularly the selling of the | 0:14:39 | 0:14:42 | |
movie, where there is a conveyor belt of five-minute interview where | 0:14:42 | 0:14:45 | |
they talk a little bit about the plot and their co-stars | 0:14:45 | 0:14:48 | |
and say what a wonderful movie it is, and then | 0:14:48 | 0:14:50 | |
they move on. | 0:14:51 | 0:14:54 | |
Whereas if they come on HARDtalk, it's going to be nothing like that. | 0:14:54 | 0:14:57 | |
And they have 25 minutes where the questions could be | 0:14:58 | 0:15:00 | |
about their politics, they could be about decisions | 0:15:00 | 0:15:06 | |
they made earlier in life that were very difficult at the time. | 0:15:06 | 0:15:09 | |
It could be about a whole bunch of things. | 0:15:10 | 0:15:12 | |
It certainly won't be a puff for their book, | 0:15:12 | 0:15:14 | |
their movie, their latest perfume. | 0:15:14 | 0:15:16 | |
And I think hats off to those who are prepared to do it. | 0:15:16 | 0:15:19 | |
It's all set up, typically it's in the studio, and it's all set up | 0:15:19 | 0:15:23 | |
in this confrontation. | 0:15:23 | 0:15:24 | |
But sometimes, and often when you are out doing | 0:15:24 | 0:15:26 | |
an on-location interview, when things go really wrong, | 0:15:26 | 0:15:28 | |
suddenly a sort of comedy. | 0:15:28 | 0:15:30 | |
Can you think of one? | 0:15:30 | 0:15:32 | |
I can think of one which was meant to be in the studio, | 0:15:32 | 0:15:36 | |
where Ilya Ponomarev, the Russian MP, the only member | 0:15:36 | 0:15:39 | |
of the Duma who had voted against the annexation of Crimea, | 0:15:39 | 0:15:41 | |
and we'd set it up. | 0:15:41 | 0:15:44 | |
And every single thing technically went wrong. | 0:15:44 | 0:15:48 | |
Such that when he was doing the interview it started raining. | 0:15:48 | 0:15:51 | |
And some guy put up an umbrella and you could see this hand come | 0:15:51 | 0:15:55 | |
in from the side of the screen! | 0:15:55 | 0:15:57 | |
I was like, "This is not really HARDtalk!" | 0:15:57 | 0:15:59 | |
And then they moved it under this awning, and then the awning | 0:15:59 | 0:16:02 | |
collapsed on his head, with this water pouring out. | 0:16:02 | 0:16:04 | |
And he was so good-natured. | 0:16:04 | 0:16:06 | |
I was sort of giving him this hard time about Russian politics. | 0:16:06 | 0:16:09 | |
I mean, it was just... | 0:16:09 | 0:16:11 | |
By the end of it it was just like, "Thank you so much | 0:16:11 | 0:16:14 | |
for coming on HARDtalk! | 0:16:14 | 0:16:15 | |
I can't quite believe we got there!" | 0:16:15 | 0:16:17 | |
It's interesting you raise funny moments, because actually I think | 0:16:17 | 0:16:20 | |
sometimes when you conduct a HARDtalk interview, | 0:16:20 | 0:16:23 | |
although it's hard, there are moments of humour. | 0:16:23 | 0:16:26 | |
And actually I think it's a very good way of the interviewee | 0:16:26 | 0:16:29 | |
disarming you, the interviewer. | 0:16:29 | 0:16:33 | |
And I'm thinking in particular of Archbishop Desmond Tutu. | 0:16:33 | 0:16:35 | |
And I remember saying to him when I did a HARDtalk with him, | 0:16:35 | 0:16:39 | |
"Well, you know, President Robert Mugabe of Zimbabwe has described | 0:16:39 | 0:16:42 | |
you as an evil little interfering bishop." | 0:16:42 | 0:16:46 | |
And he looked at me and he said, "Did he say that? | 0:16:46 | 0:16:50 | |
Did he really say that?!" | 0:16:50 | 0:16:52 | |
He started laughing and laughing and laughing, chuckling, | 0:16:52 | 0:16:55 | |
with his shoulders moving up and down. | 0:16:55 | 0:16:56 | |
What did I do, of course? | 0:16:56 | 0:16:58 | |
Laugh my head off, too. | 0:16:58 | 0:16:59 | |
On air! | 0:16:59 | 0:17:00 | |
So sometimes there are a humorous moments on air. | 0:17:00 | 0:17:03 | |
Tutu is wonderful for that, wasn't he? | 0:17:03 | 0:17:04 | |
He is. | 0:17:04 | 0:17:07 | |
But that's a very good way of defusing actually | 0:17:07 | 0:17:09 | |
a difficult question. | 0:17:09 | 0:17:10 | |
And the same with Burt Reynolds. | 0:17:10 | 0:17:12 | |
I remember saying to him, "Have you used your good looks | 0:17:12 | 0:17:15 | |
and your sex appeal to further your career?" | 0:17:15 | 0:17:17 | |
Nothing like buttering him up, of course! | 0:17:17 | 0:17:19 | |
Exactly. | 0:17:19 | 0:17:19 | |
He did that nude photo spread. | 0:17:19 | 0:17:22 | |
It was a very iconic image of you lying on your side | 0:17:22 | 0:17:25 | |
with just your hand protecting your modesty. | 0:17:25 | 0:17:28 | |
Yeah. | 0:17:28 | 0:17:30 | |
Both my hands, by the way! | 0:17:30 | 0:17:32 | |
Which are not small. | 0:17:32 | 0:17:34 | |
And I was... | 0:17:34 | 0:17:36 | |
Yes, it made me happy. | 0:17:36 | 0:17:38 | |
LAUGHTER | 0:17:38 | 0:17:40 | |
How did you react? | 0:17:41 | 0:17:42 | |
I laughed! | 0:17:42 | 0:17:43 | |
Wouldn't you? | 0:17:43 | 0:17:44 | |
And blushed. | 0:17:44 | 0:17:47 | |
But you know we were talking about the future of HARDtalk? | 0:17:48 | 0:17:51 | |
And where it stands now in a world of social media, | 0:17:51 | 0:17:54 | |
where the digital revolution means the media is so much more | 0:17:54 | 0:17:57 | |
fragmented. | 0:17:58 | 0:17:59 | |
I think now when you have a president like Donald Trump | 0:17:59 | 0:18:03 | |
obviously tweeting, because he doesn't like | 0:18:03 | 0:18:05 | |
the mainstream media, because he describes us, | 0:18:05 | 0:18:07 | |
including the BBC, as dishonest. | 0:18:07 | 0:18:08 | |
It's called the BBC. | 0:18:08 | 0:18:09 | |
And I think he said, "Well, that's another beauty", | 0:18:09 | 0:18:12 | |
he said about the BBC! | 0:18:12 | 0:18:16 | |
Anyway, but I think it is interesting because now, | 0:18:16 | 0:18:19 | |
you know, he communicates directly with the electorate | 0:18:19 | 0:18:23 | |
through his tweets. | 0:18:24 | 0:18:24 | |
And sometimes in the mainstream media, written as well as | 0:18:24 | 0:18:27 | |
broadcasters, we're having to get our news from social media, | 0:18:27 | 0:18:30 | |
from Twitter, what the president of the United States says. | 0:18:30 | 0:18:33 | |
In a way, do you think it's kind of the tail wagging the dog? | 0:18:33 | 0:18:36 | |
I don't know. | 0:18:36 | 0:18:37 | |
I have to say I think Trump is a master of understanding | 0:18:37 | 0:18:42 | |
the power of social media, and I think he has changed politics | 0:18:42 | 0:18:45 | |
in that sense. | 0:18:45 | 0:18:46 | |
I don't think democratic politics will ever be the same again. | 0:18:46 | 0:18:49 | |
Other people have watched the phenomenon, the fact he didn't | 0:18:49 | 0:18:52 | |
play the game of spending vast amounts of money on TV advertising, | 0:18:52 | 0:18:55 | |
but reached his public, unmediated, through his Twitter feed and social | 0:18:55 | 0:18:58 | |
media platform, and they have learned a lot from it. | 0:18:58 | 0:19:01 | |
Clearly we won't get Trump, but we might get people around him. | 0:19:01 | 0:19:04 | |
Surely that's where we have to be part of the antidote to fake news? | 0:19:04 | 0:19:09 | |
Wouldn't it be great to get Trump though? | 0:19:09 | 0:19:12 | |
Oh, my God! | 0:19:12 | 0:19:12 | |
We'd scratch each other's eyes out! | 0:19:12 | 0:19:14 | |
I was going to say, we'd all be fighting! | 0:19:14 | 0:19:16 | |
I did actually do Trump in 1998. | 0:19:17 | 0:19:19 | |
Yeah. | 0:19:19 | 0:19:20 | |
Yeah, yeah. | 0:19:21 | 0:19:22 | |
On HARDTalk. | 0:19:22 | 0:19:23 | |
When he was sort of pretty unknown. | 0:19:23 | 0:19:25 | |
What was he like? | 0:19:25 | 0:19:26 | |
It wasn't a very good interview. | 0:19:26 | 0:19:28 | |
It was hardly my finest hour. | 0:19:28 | 0:19:29 | |
There was very little time for preparation. | 0:19:29 | 0:19:31 | |
But there is one thing that stuck in my mind. | 0:19:31 | 0:19:34 | |
You talk in your book about getting even, the importance | 0:19:34 | 0:19:37 | |
of getting even. | 0:19:37 | 0:19:37 | |
Is revenge sweet? | 0:19:38 | 0:19:38 | |
I believe strongly in getting even. | 0:19:38 | 0:19:40 | |
If somebody has hurt you, if somebody has gone out | 0:19:40 | 0:19:43 | |
of their way to hurt you, I think if you have the opportunity | 0:19:43 | 0:19:46 | |
you should certainly go out of your way to do a number on them. | 0:19:46 | 0:19:50 | |
I have had more criticism about that one statement in my book | 0:19:50 | 0:19:53 | |
than any other statement. | 0:19:53 | 0:19:54 | |
The clergy has called, the ministers, the priests, | 0:19:54 | 0:19:56 | |
the rabbis, they have all said, what a terrible thing to say. | 0:19:57 | 0:20:00 | |
That it's against our teachings. | 0:20:00 | 0:20:01 | |
I believe in an eye for an eye. | 0:20:01 | 0:20:03 | |
We were in a tiny little room and he wouldn't shake hands. | 0:20:03 | 0:20:07 | |
He's a germaphobe. | 0:20:07 | 0:20:07 | |
He is also worried about his hands and the size of his hands! | 0:20:07 | 0:20:11 | |
We do need to be testing the people around Trump. | 0:20:11 | 0:20:15 | |
And we need to be reaching out to them and interviewing them | 0:20:15 | 0:20:20 | |
as often as we possibly can. | 0:20:20 | 0:20:23 | |
But I just think we need to learn, too, that while we are fundamentally | 0:20:23 | 0:20:30 | |
committed to the longform interview, and that is what we do, | 0:20:30 | 0:20:36 | |
we need to make sure that the product, the content, | 0:20:36 | 0:20:38 | |
which matters so much to all of us, is consumed by as many | 0:20:38 | 0:20:42 | |
people as possible. | 0:20:42 | 0:20:45 | |
And the truth is, I talked about my kids earlier, | 0:20:45 | 0:20:47 | |
there is a change in the media landscape. | 0:20:47 | 0:20:52 | |
We have to react to it. | 0:20:52 | 0:20:53 | |
We have to make sure that HARDtalk does have a profile. | 0:20:53 | 0:20:56 | |
Here is a thought for you all. | 0:20:56 | 0:21:00 | |
When the lights are on, the studio is set and we say, | 0:21:00 | 0:21:04 | |
"Welcome to HARDtalk", do you really feel you're | 0:21:04 | 0:21:07 | |
being yourself, or is there an element of performance | 0:21:07 | 0:21:09 | |
about it all? | 0:21:09 | 0:21:12 | |
Well, I don't do that to my husband every day! | 0:21:12 | 0:21:14 | |
I don't know about you! | 0:21:14 | 0:21:16 | |
You wouldn't have a husband very long. | 0:21:16 | 0:21:18 | |
Exactly! | 0:21:18 | 0:21:20 | |
And sometimes people... | 0:21:20 | 0:21:22 | |
You have heard of this response from people sometimes, | 0:21:22 | 0:21:25 | |
which is, they assume it must be that way you think. | 0:21:25 | 0:21:29 | |
And you say, "No, I'm challenging a person's position." | 0:21:29 | 0:21:32 | |
If it wasn't us, it would be an act. | 0:21:32 | 0:21:34 | |
And we don't go on HARDtalk to act, we go on HARDtalk | 0:21:34 | 0:21:38 | |
because we actually care about the issues. | 0:21:38 | 0:21:40 | |
We do care about the issues. | 0:21:40 | 0:21:42 | |
True, but sometimes, depending on who the interviewee is, | 0:21:42 | 0:21:44 | |
you take a position to challenge them. | 0:21:44 | 0:21:48 | |
Well you always take the opposite position, don't you? | 0:21:48 | 0:21:51 | |
I was glad to say, I mean, I reflected on it a lot, | 0:21:51 | 0:21:54 | |
because I've done the show consistently for the last 11 years, | 0:21:54 | 0:21:57 | |
and I think to myself sometimes, "Am I really a nasty person?" | 0:21:57 | 0:22:00 | |
Then I say to myself, "No, I'm not, what I am is curious | 0:22:00 | 0:22:04 | |
and I love an argument." | 0:22:04 | 0:22:07 | |
And I think your point is interesting. | 0:22:07 | 0:22:09 | |
You can't go into that studio and pretend to be something | 0:22:09 | 0:22:12 | |
you are not, not consistently. | 0:22:12 | 0:22:13 | |
That would really get you down after a while. | 0:22:13 | 0:22:15 | |
I do love a good argument. | 0:22:15 | 0:22:17 | |
I love a challenge. | 0:22:17 | 0:22:18 | |
And I am very curious. | 0:22:18 | 0:22:19 | |
And I love to talk to people and find out what makes them tick. | 0:22:19 | 0:22:23 | |
I'm an angry old man and HARDtalk helped me get there! | 0:22:23 | 0:22:26 | |
LAUGHTER | 0:22:26 | 0:22:27 | |
Now you are embittered as well! | 0:22:27 | 0:22:28 | |
Since you stopped doing it you look ten years younger! | 0:22:28 | 0:22:31 | |
You laugh a lot longer. | 0:22:31 | 0:22:32 | |
I've been doing HARDtalk for the same length as you, | 0:22:32 | 0:22:35 | |
but not obviously as often. | 0:22:35 | 0:22:36 | |
I would say that I am - part of me is the person | 0:22:37 | 0:22:40 | |
you see on HARDtalk. | 0:22:40 | 0:22:48 | |
I like rigorous argument, engaging in considered | 0:22:48 | 0:22:50 | |
argument, intellectual jousting. | 0:22:50 | 0:22:51 | |
I think that's one aspect with some of the interviews we do. | 0:22:51 | 0:22:54 | |
I think holding people to account, as somebody who was born in Africa, | 0:22:54 | 0:22:57 | |
where over the years I have seen that the media isn't as rigorous | 0:22:57 | 0:23:01 | |
as it should be in many African countries, I feel that I am | 0:23:01 | 0:23:05 | |
fulfilling a kind of... | 0:23:05 | 0:23:09 | |
Something that is important for me is being a voice for people, | 0:23:09 | 0:23:15 | |
in being able to put those questions. | 0:23:15 | 0:23:18 | |
So I would say yes, the person you see, it is the same. | 0:23:18 | 0:23:21 | |
Although when I do meet people, they say sometimes, "Hello, | 0:23:21 | 0:23:24 | |
Zeinab Badawi, no HARDtalk, please!" | 0:23:24 | 0:23:25 | |
They might say at the end of it, "Actually, you are very, very nice." | 0:23:26 | 0:23:29 | |
I say, "Yes, but of course." | 0:23:29 | 0:23:31 | |
That's the classic. | 0:23:31 | 0:23:32 | |
"Oh, you're much nicer!" | 0:23:32 | 0:23:33 | |
I get that all the time. | 0:23:33 | 0:23:35 | |
And they are, they are. | 0:23:35 | 0:23:36 | |
You know what, everybody. | 0:23:36 | 0:23:37 | |
As I say on the show, we have run out of time. | 0:23:37 | 0:23:40 | |
But we can't end this conversation without | 0:23:40 | 0:23:42 | |
a classic HARDtalk handshake. | 0:23:42 | 0:23:43 | |
Oh, the handshake! | 0:23:43 | 0:23:44 | |
And long may HARDtalk continue. | 0:23:44 | 0:23:45 | |
Yes. | 0:23:45 | 0:23:49 | |
Good luck. | 0:23:49 | 0:23:52 | |
Good ruck. That's a tight grip you have got! | 0:23:52 | 0:23:59 |