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Now it's time for HARDtalk. | 0:00:01 | 0:00:11 | |
Welcome to HARDtalk.
I'm Zeinab Badawi. | 0:00:11 | 0:00:18 | |
My guest today is funny. | 0:00:18 | 0:00:19 | |
Comedian, actor and disability
advocate Maysoon Zayid, | 0:00:19 | 0:00:21 | |
who was born in the United States
to Palestinian immigrant parents. | 0:00:21 | 0:00:24 | |
Since birth, she has been living
with cerebral palsy, | 0:00:24 | 0:00:27 | |
a condition that affects
the brain and nervous system. | 0:00:27 | 0:00:35 | |
The conversation explores
the power of comedy, | 0:00:35 | 0:00:37 | |
particularly its ability to help
people overcome disadvantage | 0:00:37 | 0:00:39 | |
and prejudice,
and asks where the line needs | 0:00:39 | 0:00:41 | |
to be draw between humour
and going too far. | 0:00:41 | 0:00:54 | |
THEME MUSIC PLAYS | 0:00:54 | 0:01:01 | |
Maysoon Zayid, welcome to HARDtalk
Thank you so much for having me. A | 0:01:18 | 0:01:27 | |
really want to shake your hand at a
shake too much to do so. Consider it | 0:01:27 | 0:01:31 | |
done. You said that you could win
the gold medal of pressure Olympics. | 0:01:31 | 0:01:38 | |
I would definitely win the gold
medal, I am Palestinian, Muslim, a | 0:01:38 | 0:01:45 | |
woman of colour, disabled and I live
in Donald Trump's America. You do | 0:01:45 | 0:01:50 | |
not get more oppressed than that. We
will come to Donald Trump's America | 0:01:50 | 0:01:56 | |
perhaps a little bit later. What
does it mean to have cerebral palsy. | 0:01:56 | 0:02:01 | |
In my case might cerebral palsy was
a result of the Doctor Who delivered | 0:02:01 | 0:02:10 | |
me being drunk so it now I appear to
be drunk the entire time even that I | 0:02:10 | 0:02:17 | |
sober. It is a neurological disorder
that affects muscle co-ordination | 0:02:17 | 0:02:21 | |
and it affects people differently.
You have said, however, you have 99 | 0:02:21 | 0:02:30 | |
problems and cerebral palsy is just
one of them. Have you always had | 0:02:30 | 0:02:37 | |
such a positive attitude towards
your condition and where does it | 0:02:37 | 0:02:40 | |
come from? I was raised as an equal
by my parents. My parents | 0:02:40 | 0:02:48 | |
acknowledged my disability, they
accommodate for it did not focus on. | 0:02:48 | 0:02:54 | |
Whatever my sisters had to do, I had
to do. If they were cleaning, if | 0:02:54 | 0:03:00 | |
they went to public school, my
parents fought and made sure a two | 0:03:00 | 0:03:04 | |
could go to public school. When I
was born the doctors told my parents | 0:03:04 | 0:03:08 | |
I would never walk. This is
something really important. There is | 0:03:08 | 0:03:13 | |
no shame in it not walk in, using a
wheelchair, a Walker, a cane, and | 0:03:13 | 0:03:20 | |
sometimes people say it will check
bound by that is incorrect. Mobility | 0:03:20 | 0:03:26 | |
frees people. When I was born I was
born into different worlds. My | 0:03:26 | 0:03:32 | |
father was determined to teach me
how to book. So you derive that kind | 0:03:32 | 0:03:38 | |
of positive attitude from York
close-knit Palestinian family, in | 0:03:38 | 0:03:42 | |
particular your late father? My
father encouraged me and my mother | 0:03:42 | 0:03:49 | |
strengthened me. My mother is a
tiger mum. She showed no mercy. The | 0:03:49 | 0:03:55 | |
other day I was on TV, she told me
my hair looked terrible and I Was | 0:03:55 | 0:04:01 | |
Glad she told the because I'd learnt
for the next time. My father was | 0:04:01 | 0:04:06 | |
made cheerleader. He kept saying you
can do it, yes you can can. He | 0:04:06 | 0:04:13 | |
really believed I could do anything
I dreamt of and encourage me to take | 0:04:13 | 0:04:17 | |
chances and also to accept when I
could not. You have spoken paid | 0:04:17 | 0:04:24 | |
would walk on your father's feet and
he would dangle a dollar note in | 0:04:24 | 0:04:29 | |
order to entice you to walk as much
as possible. That is one small | 0:04:29 | 0:04:35 | |
example of how you do make jokes
about having cerebral palsy... And | 0:04:35 | 0:04:41 | |
how he approached it in a fun way.
The dollar bill was really what | 0:04:41 | 0:04:47 | |
worked the best Premier because my
inner stripper was so strong that I | 0:04:47 | 0:04:52 | |
was running in the lead as by
kindergarten -- in stiletto. Might | 0:04:52 | 0:05:04 | |
some people see it as making light
of something which is quite serious | 0:05:04 | 0:05:08 | |
and restricting the many people
because of the way society deals | 0:05:08 | 0:05:12 | |
with people with disabilities? I
talk about my disability honestly | 0:05:12 | 0:05:16 | |
and with humour, making it more
accessible and less frightening. | 0:05:16 | 0:05:21 | |
That applies to people with
disabilities and also to caretakers | 0:05:21 | 0:05:27 | |
and parents. It is so important that
we destigmatise disability. My | 0:05:27 | 0:05:37 | |
disability is visible but others are
invisible. We do not acknowledge the | 0:05:37 | 0:05:45 | |
fact that sometimes babies are not
healthy. I want people to see that | 0:05:45 | 0:05:52 | |
regardless of what disability a
person has, they still have | 0:05:52 | 0:05:56 | |
potential, they can have joy and
love. People think of people with | 0:05:56 | 0:06:02 | |
disabilities as happy angels who
never grow up and they get married | 0:06:02 | 0:06:06 | |
and don't have kids but we have the
potential to live full lives whether | 0:06:06 | 0:06:11 | |
we are global, non-verbal, mobile,
you mobile. I approach my disability | 0:06:11 | 0:06:19 | |
the way I approach my other 98th
problems. It empowers people and | 0:06:19 | 0:06:25 | |
helps not fear disability in others.
When you saw your more able body | 0:06:25 | 0:06:32 | |
sisters and you so you perhaps could
not do everything they could, did | 0:06:32 | 0:06:36 | |
you feel in any way angry and
frustrated? I did not really feel | 0:06:36 | 0:06:43 | |
disabled until got to college. In
addition to my family, my friends | 0:06:43 | 0:06:48 | |
were very supportive. I have the
same best friends as since I was | 0:06:48 | 0:06:54 | |
five years old. You are in a
mainstream school. Yes, my parents | 0:06:54 | 0:06:59 | |
had to fight to get me in a
mainstream school. They wanted to | 0:06:59 | 0:07:03 | |
send me to a special school with
children with down syndrome. If I | 0:07:03 | 0:07:13 | |
did not go to a mainstream school
would not be sitting here. One of | 0:07:13 | 0:07:17 | |
the most important things in the
world is to make sure children with | 0:07:17 | 0:07:22 | |
disabilities... Including those with
Down's syndrome... All disabilities, | 0:07:22 | 0:07:28 | |
we all have a right to education and
not everyone is going to be a hard | 0:07:28 | 0:07:35 | |
surgeon. I certainly do not have the
cord and nation. -- heart surgeon. | 0:07:35 | 0:07:43 | |
You make a living from being a
stand-up comedian and making jokes | 0:07:43 | 0:07:48 | |
about your disability one is about
the car park. At some point people | 0:07:48 | 0:07:55 | |
have jabbed about being disabled. It
is Christmas evil, looking for | 0:07:55 | 0:07:59 | |
parking. You sit 16 empty
handicapped spaces and you wish, can | 0:07:59 | 0:08:05 | |
I just be a little disabled but
also, there is a flipside to that. I | 0:08:05 | 0:08:11 | |
use of the disabled parking and some
people don't realise that I disabled | 0:08:11 | 0:08:17 | |
so we have to understand that
disability does not all look the | 0:08:17 | 0:08:21 | |
same in every person. But making
jokes like that, it takes a lot of | 0:08:21 | 0:08:26 | |
skill to take on what some people
see as a taboo subject. Where do you | 0:08:26 | 0:08:31 | |
draw the line between humour and
what ends up just making fun, | 0:08:31 | 0:08:37 | |
mocking someone with a disability? I
tell personal stories and because I | 0:08:37 | 0:08:43 | |
do that, I do not believe their
Ariza line I can cross. Comedy is | 0:08:43 | 0:08:48 | |
taking risks. Comedy you're always
pushing that line. Where is that | 0:08:48 | 0:08:53 | |
line? Your jokes might encourage
somebody to block a person with a | 0:08:53 | 0:09:01 | |
disability is? The line I draw is a
do not find humour in cruelty so I | 0:09:01 | 0:09:07 | |
have stopped using words that are
painful to people, I stop mocking | 0:09:07 | 0:09:11 | |
things that hurt people because I
want my audience to be happy and | 0:09:11 | 0:09:18 | |
laugh, I do not want to invoke their
darkest memories, trauma and pain. | 0:09:18 | 0:09:25 | |
It is always putting my audience
players. Rick Vasa has made jokes | 0:09:25 | 0:09:31 | |
about a dead baby, breaking the law
or causing someone actual physical | 0:09:31 | 0:09:39 | |
harm, hurting someone feelings is
almost impossible to objectively | 0:09:39 | 0:09:46 | |
quantify, and to you agree? I
absolutely agree. I did several dead | 0:09:46 | 0:09:53 | |
baby jokes because context matters
at comedy is subjective. I make | 0:09:53 | 0:10:01 | |
choices because I do not find being
abusive funny but, if someone else | 0:10:01 | 0:10:08 | |
can take something super dramatic
and make it funny, it is their right | 0:10:08 | 0:10:12 | |
to try and do so. Do you think you
have more of a right to make comedy | 0:10:12 | 0:10:18 | |
about people with disabilities
because you are someone with a | 0:10:18 | 0:10:22 | |
disability yourself. Joan Rivers
made jokes about the Holocaust were | 0:10:22 | 0:10:27 | |
she said that is OK because I am
Jewish. I feel the same way about | 0:10:27 | 0:10:34 | |
disability. I do not find it
entertaining all humourous when | 0:10:34 | 0:10:37 | |
comedians who do not have
disabilities mock or imitate | 0:10:37 | 0:10:42 | |
disabilities. It is part of who I
am... It gives you the right? The | 0:10:42 | 0:10:51 | |
same way that a person of colour has
a right to talk about being a person | 0:10:51 | 0:10:55 | |
of colour. It gives me the right to
talk about it. But I never pretend | 0:10:55 | 0:11:01 | |
that... I have no right to go on
stage and not an intellectual | 0:11:01 | 0:11:07 | |
disability just because I happen to
be disabled. The fact that I have a | 0:11:07 | 0:11:12 | |
personal connection allows me to
talk about it in a way that others | 0:11:12 | 0:11:15 | |
should not, honestly. You have ended
up on social media being in the | 0:11:15 | 0:11:22 | |
object of bullying. I mean, that is
the kind of risk you run? I have | 0:11:22 | 0:11:30 | |
been subjected to a lot of bullying
online. In the past two years, I | 0:11:30 | 0:11:35 | |
have been subjected to death
threats. I took the guys who do | 0:11:35 | 0:11:40 | |
comedy with me and they never do get
threats like that. They have people | 0:11:40 | 0:11:47 | |
say they want to punch them. I have
people say I going to rape you so | 0:11:47 | 0:11:54 | |
your father on it kills you. It is a
deeply frightening world out there | 0:11:54 | 0:11:59 | |
but I refused to be silent. While I
was subjected to bullying, I talk | 0:11:59 | 0:12:04 | |
about it in my head talk and when I
did, I had women, teens, girls, | 0:12:04 | 0:12:11 | |
worldwide reach out and say I have
been bullied. -- TED. I gave them | 0:12:11 | 0:12:20 | |
the power to survive. Why not just
ignore them as Mac I am a comedian | 0:12:20 | 0:12:28 | |
and we are used to being heckled and
when someone heckles are you you | 0:12:28 | 0:12:32 | |
need to take them down. My presses
is I tried to educate firstly | 0:12:32 | 0:12:36 | |
because you would not believe how
many people are genuinely ignorant. | 0:12:36 | 0:12:46 | |
You are upset by the bullying also?
I am upset by the death threats, I | 0:12:46 | 0:12:53 | |
disturbed by the bullying. It does
not make me go and be subconscious | 0:12:53 | 0:12:59 | |
abound my lips, the fact I slowed a
bit. It makes me go, I am on TV and | 0:12:59 | 0:13:10 | |
you are not. It empowers me. The
death threats scare me. Do you wish | 0:13:10 | 0:13:17 | |
at any time you had not sought such
a high-profile? If I had grown up | 0:13:17 | 0:13:24 | |
with social media would never have
stepped good on television but now | 0:13:24 | 0:13:28 | |
it is my destiny and I will not let
anyone take me down. Why not just to | 0:13:28 | 0:13:34 | |
get your disability is? One British
comedian has said about her cerebral | 0:13:34 | 0:13:41 | |
palsy, I have accepted it. I wasted
years worrying about the way I | 0:13:41 | 0:13:46 | |
talked and what. She says she is no
longer defined by cerebral palsy a | 0:13:46 | 0:13:50 | |
quick look outside by tiny world was
enough to me to feel guilty. | 0:13:50 | 0:13:55 | |
Millions of others live in war,
poverty,... | 0:13:55 | 0:14:05 | |
Cerebral palsy doesn't define who I
am. I accepted, but it is part of my | 0:14:05 | 0:14:11 | |
story. ICAC be to include it in my
comedy because it's part of who I | 0:14:11 | 0:14:15 | |
am. -- I am happy to include. If I
want to take a drink right now I | 0:14:15 | 0:14:21 | |
need a straw. Depending that's not
the reality does nothing to lessen | 0:14:21 | 0:14:25 | |
the impact my life. You went to
university in Arizona and studied | 0:14:25 | 0:14:29 | |
drama. You said how you were very
disappointed when there was a role | 0:14:29 | 0:14:34 | |
in a drama which needed somebody
with cerebral palsy and they cast an | 0:14:34 | 0:14:38 | |
able-bodied person in the role. So I
was a straight-A student in theatre. | 0:14:38 | 0:14:45 | |
I knew I had talent, a new eye was a
good actress and I knew I wasn't | 0:14:45 | 0:14:50 | |
getting cast but I didn't know why.
Senior year they had a story about a | 0:14:50 | 0:14:54 | |
girl with cerebral palsy and I was
like... I was literally born to do | 0:14:54 | 0:14:58 | |
this. And then I didn't get the role
and when I asked why they said it | 0:14:58 | 0:15:03 | |
was because I couldn't do the
stumps. The reality was -- stunts. | 0:15:03 | 0:15:08 | |
The reality was the university was
reflecting Hollywood, which shuns | 0:15:08 | 0:15:12 | |
people with disabilities. We are by
far the largest minority in the | 0:15:12 | 0:15:16 | |
world. We are 20% of the population
and only 2% of the images you see on | 0:15:16 | 0:15:22 | |
American television. Of those 2% 95%
are played by nondisabled actors. A | 0:15:22 | 0:15:29 | |
lot of us in the disability
community, which is kind of led by | 0:15:29 | 0:15:33 | |
me, I'm kind of the queen of us,
find it very offensive for | 0:15:33 | 0:15:37 | |
nondisabled actors to play
disability on screen. We think of it | 0:15:37 | 0:15:44 | |
like race. It's not something that
you can act. When someone plays | 0:15:44 | 0:15:47 | |
cerebral palsy and they are
twitching and flailing about, that's | 0:15:47 | 0:15:54 | |
not what the disability years and
it's offensive, inauthentic and it | 0:15:54 | 0:15:59 | |
takes away our opportunities. As
well as being someone with a | 0:15:59 | 0:16:02 | |
disability you are also an Arab
American and another way you've | 0:16:02 | 0:16:06 | |
tried to use your comedy is you've
tried to normalise the perceptions | 0:16:06 | 0:16:09 | |
of Muslims when many are really
seeking to demonise them. In 2003 | 0:16:09 | 0:16:13 | |
you co-founded the New York Arab
American comedy festival and he | 0:16:13 | 0:16:18 | |
travelled all over the world to
showcase the talents of Arab | 0:16:18 | 0:16:21 | |
Americans right across the
entertainment industry. Do you feel | 0:16:21 | 0:16:26 | |
that Arabs or Muslims in the
entertainment industry are also | 0:16:26 | 0:16:29 | |
getting a raw deal? Yeah. Starting
off with Arabs, it was Arab and | 0:16:29 | 0:16:34 | |
Muslim isn't synonymous. Arabs were
trailblazers in American comedy. We | 0:16:34 | 0:16:39 | |
have Danny Thomas, this great
comedic figures. Posted 911 we | 0:16:39 | 0:16:46 | |
became caricatures of terrorists and
nothing more and so that was | 0:16:46 | 0:16:50 | |
something I was really concerned
about shifting and giving Arabs the | 0:16:50 | 0:16:53 | |
opportunity to be seen on screen as
something other than a taxi driver | 0:16:53 | 0:16:58 | |
terrorist. But also being the person
of colour is a challenge and Arab is | 0:16:58 | 0:17:03 | |
considered a person of colour, so
you have to break through that | 0:17:03 | 0:17:07 | |
barrier. I was going to say,
couldn't it be an advantage? One | 0:17:07 | 0:17:12 | |
Arab actors said recently that when
he complained about being depicted | 0:17:12 | 0:17:15 | |
as a terrorist and saying it was
racial profiling he was told, you're | 0:17:15 | 0:17:20 | |
lucky and you can use your ethnicity
as a playing card in which the | 0:17:20 | 0:17:26 | |
industry overlooks white actors.
That's an obscene comment, that | 0:17:26 | 0:17:30 | |
people even consider that being a
minority in Hollywood is a good | 0:17:30 | 0:17:35 | |
thing. It's not. We are still
completely outnumbered. But it's not | 0:17:35 | 0:17:41 | |
just him, others have Arab heritage.
One of them won an Emmy. He was put | 0:17:41 | 0:17:53 | |
on screen by an Arab. People
breakthrough, matter who they are. | 0:17:53 | 0:18:02 | |
There are always exceptions to the
rule. At the reality is I haven't | 0:18:02 | 0:18:07 | |
been given that opportunity. I had
to write my own TV show to get on | 0:18:07 | 0:18:12 | |
television. I have a deal from my
own sitcom with universal studios. I | 0:18:12 | 0:18:21 | |
can't even get a guest role to play
as before I star on my own show. | 0:18:21 | 0:18:26 | |
That's how wants discrimination
there is. So when we have | 0:18:26 | 0:18:31 | |
breakthrough stars, people who defy
the odds, it's because they defy the | 0:18:31 | 0:18:35 | |
odds. It's not because there are
genuinely more opportunities for | 0:18:35 | 0:18:39 | |
minorities than white people. On
television. Especially with | 0:18:39 | 0:18:43 | |
disability. You said Arab and Muslim
of course are not synonymous and you | 0:18:43 | 0:18:49 | |
are absolutely right, but when it
comes to the way Muslims are | 0:18:49 | 0:18:53 | |
perceived the American actor Samuel
L Jackson says young Muslim | 0:18:53 | 0:18:59 | |
Americans need to start telling
their stories in the same way that | 0:18:59 | 0:19:02 | |
African-Americans fought and found
ways to make films about their lives | 0:19:02 | 0:19:07 | |
and experiences. Do you see people
doing that? Is it happening? I | 0:19:07 | 0:19:12 | |
absolutely see people doing that and
I'm one of the people who is doing | 0:19:12 | 0:19:16 | |
that. I think I have a real
privilege as a Muslim because as a | 0:19:16 | 0:19:19 | |
Muslim woman I am not what people
picture when they think of a Muslim | 0:19:19 | 0:19:23 | |
woman, but I represent a lot of
other Muslim women. Not every Muslim | 0:19:23 | 0:19:28 | |
woman chooses to cover. Most Muslim
women are not being oppressed in | 0:19:28 | 0:19:35 | |
America, where I live and where a
corrupt. So I think it's a great | 0:19:35 | 0:19:40 | |
opportunity for me to have written a
show with a Muslim family as a | 0:19:40 | 0:19:44 | |
centrepiece, where the father is
devout, the mother is a doctor who | 0:19:44 | 0:19:48 | |
doesn't believe in God, to show that
Muslims are again not a monolith. We | 0:19:48 | 0:19:53 | |
are not all these one note screaming
terrorists that we are depicted as | 0:19:53 | 0:19:58 | |
on television, that Muslim women to
look like me, that you can be devout | 0:19:58 | 0:20:03 | |
and have faith, and still live 100%
at Clematis to the American | 0:20:03 | 0:20:10 | |
lifestyle that I think right now
they are trying to other as. -- | 0:20:10 | 0:20:16 | |
acclimatise. So people often say to
me, go back to your own country, and | 0:20:16 | 0:20:21 | |
I say, where? New Jersey? Audrey
tell me I have to accept Jesus and I | 0:20:21 | 0:20:26 | |
say I do, he is a profit in Islam.
-- or they tell me. Despite your | 0:20:26 | 0:20:33 | |
initial comment about living in
Donald Trump's America, when you | 0:20:33 | 0:20:39 | |
look at all the opinion polls, Arab
Americans are actually quite well | 0:20:39 | 0:20:44 | |
integrated as US citizens. When you
look at the indices they are better | 0:20:44 | 0:20:48 | |
off than the average person in the
population, they've got high | 0:20:48 | 0:20:53 | |
education achievements and that sort
of thing. So it's not all bad. It's | 0:20:53 | 0:20:58 | |
not all bad and again Arab Islam
isn't a monolith, some are more | 0:20:58 | 0:21:07 | |
integrated, some are less, but also
80% of Americans are Christian and | 0:21:07 | 0:21:11 | |
that has an impact on their ability
to blend in. Seizing the problem is | 0:21:11 | 0:21:15 | |
more of a Muslim one than an Arab
one? -- so you see. I do and that's | 0:21:15 | 0:21:21 | |
different to a decade ago. Right now
it is absolutely terrifying to be | 0:21:21 | 0:21:25 | |
Muslim in America. Why? We are under
siege every day. Hate against | 0:21:25 | 0:21:30 | |
Muslims is mainstream. Courts agree
with hate against Muslims and we are | 0:21:30 | 0:21:37 | |
not really given a voice to combat
the negative images that are being | 0:21:37 | 0:21:43 | |
displayed of us. Do you experience
it yourself? Every day. I feel the | 0:21:43 | 0:21:51 | |
anti-Muslim sentiment every day. In
what way? I was living in the New | 0:21:51 | 0:21:58 | |
York area posts 9/11 and I never
felt this kind of hate and backlash | 0:21:58 | 0:22:01 | |
and dehumanisation. First of all I
do find it very disturbing that an | 0:22:01 | 0:22:06 | |
American president can invoke and
incite violence against Muslims | 0:22:06 | 0:22:11 | |
without any ramifications. He
wouldn't say that, he just says... | 0:22:11 | 0:22:16 | |
Are you referring to the videos? To
the rhetoric and the videos. He | 0:22:16 | 0:22:21 | |
would just say he is stating facts,
that there's a problem with | 0:22:21 | 0:22:25 | |
terrorism that is committed by
people of the Muslim faith and he is | 0:22:25 | 0:22:29 | |
just stating facts. IT is not
actually stating facts. As somebody | 0:22:29 | 0:22:34 | |
who is watching it, I know that he
is inciting violence against me. I | 0:22:34 | 0:22:38 | |
know he is ignoring the true dangers
in America. I mean, in Las Vegas, | 0:22:38 | 0:22:45 | |
600 people were shot. That's a true
risk. Finally, you go to the | 0:22:45 | 0:22:52 | |
Palestinian territories, you've
worked with refugees, bringing | 0:22:52 | 0:22:54 | |
comedy as a kind of therapy to
change people's lives. You've talked | 0:22:54 | 0:23:00 | |
about how you use comedy for people
with disabilities, Muslim Americans, | 0:23:00 | 0:23:05 | |
that kind of thing. Does comedy
really have the power to do all | 0:23:05 | 0:23:10 | |
that? To transform lives and
attitudes in society? Comedy | 0:23:10 | 0:23:14 | |
absolutely has the ability to
transform lives. I always say if | 0:23:14 | 0:23:18 | |
someone is laughing at you they are
less likely to kill you, but also if | 0:23:18 | 0:23:22 | |
someone is laughing they are more
likely to understand something that | 0:23:22 | 0:23:25 | |
they never understood before.
Because there a difference between | 0:23:25 | 0:23:29 | |
lecturing a person or yelling a
person for saying something ignorant | 0:23:29 | 0:23:33 | |
and getting on stage and doing a
joke and having them realise, I'm | 0:23:33 | 0:23:37 | |
the biggest, I'm the one who didn't
know the facts. -- bigot. This woman | 0:23:37 | 0:23:49 | |
is a Muslim and there's no reason
for me to hate her. When I do it | 0:23:49 | 0:23:53 | |
worldwide it's more about the
disability because when I do comedy | 0:23:53 | 0:23:56 | |
worldwide I am putting out an image
a lot of people have never seen. A | 0:23:56 | 0:24:00 | |
functional independent disabled
person. And it lets them know they | 0:24:00 | 0:24:04 | |
have the potential, or their child
has the potential, the XL in the | 0:24:04 | 0:24:09 | |
same way I have. Thank you so much
for coming on HARDtalk you are so | 0:24:09 | 0:24:17 | |
welcome. And if I can can, you can
can! | 0:24:17 | 0:24:23 |