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Now on BBC News it's
time for HARDTalk. | 0:00:01 | 0:00:06 | |
Welcome in too HARDtalk from New
York, with me. The city and Los | 0:00:13 | 0:00:18 | |
Angeles are the twin capitals of
America's giant movie, media and | 0:00:18 | 0:00:23 | |
entertainment is Mr. A business that
has been rocked by allegations of | 0:00:23 | 0:00:32 | |
systemic sexism, misogyny and
abusive behaviour. My guest today is | 0:00:32 | 0:00:37 | |
Ashley Judd, the actor and activist
and one of the first women to go | 0:00:37 | 0:00:41 | |
public with her accusations about
the mega producer Harvey Weinstein. | 0:00:41 | 0:00:46 | |
What began with voices of anger and
pain has become a movement, | 0:00:46 | 0:00:53 | |
demanding radical change. How far
can it go? | 0:00:53 | 0:01:01 | |
Ashley Judd, welcome to HARDtalk.
Thank you. In recent weeks and | 0:01:24 | 0:01:30 | |
months something quite extraordinary
has happened. Kickstarted, I | 0:01:30 | 0:01:36 | |
suppose, by the allegations
concerning Harvey Weinstein and what | 0:01:36 | 0:01:40 | |
we see now is the growth of a real
movement of women speaking out. Are | 0:01:40 | 0:01:46 | |
you satisfied that this has come
about or are you deeply frustrated | 0:01:46 | 0:01:51 | |
that it has taken so long for this
to come about, what is your | 0:01:51 | 0:01:55 | |
overriding emotion right now? Julie.
-- Joy. Unmitigated comic | 0:01:55 | 0:02:05 | |
electrifying accurate three. I am so
happy is here. I have been telling | 0:02:05 | 0:02:10 | |
the story of a long time from the
moment it happened in fact, my | 0:02:10 | 0:02:15 | |
particular moments of harassment
with Harvey Weinstein, I am a teller | 0:02:15 | 0:02:19 | |
to use the words used at the Golden
Globes, I am a taddler. I was | 0:02:19 | 0:02:27 | |
molested when I was 11 years old and
the first thing I did was go to a | 0:02:27 | 0:02:32 | |
grown up and said this happened. As
so many times have been the case, I | 0:02:32 | 0:02:36 | |
was told this is an old man, this is
not what he meant. At a remained | 0:02:36 | 0:02:42 | |
absolute inmate truth in telling
this was what has happened and that | 0:02:42 | 0:02:47 | |
is why am such a crusader for gender
equality and the eradication of | 0:02:47 | 0:02:53 | |
gender and sexual -based violence. I
experienced it as a youth and in | 0:02:53 | 0:02:57 | |
Hollywood and has been the core of
my work 15 years and now that this | 0:02:57 | 0:03:02 | |
movement has collectivised and
catalyse and is here, it is | 0:03:02 | 0:03:06 | |
incredibly gratifying to me. We
stick with Harvey Weinstein for a | 0:03:06 | 0:03:10 | |
moment, what happened to you with
Harvey happened in 1997 but the | 0:03:10 | 0:03:18 | |
truth in your story in so many
others people stories has only | 0:03:18 | 0:03:21 | |
emerged in the last few months. So
what happened to the telling that | 0:03:21 | 0:03:25 | |
you did at the time? No one could
hear me. No one could hear me. And I | 0:03:25 | 0:03:31 | |
told the story in great detail to
variety magazine two years to the | 0:03:31 | 0:03:37 | |
month prior to the publication of
the New York Times piece and | 0:03:37 | 0:03:40 | |
everybody knew that I was talking
about Harvey, he was named in the | 0:03:40 | 0:03:44 | |
comments that were posted on
variety's website. Sometimes people | 0:03:44 | 0:03:47 | |
called him by name, sometimes people
used loosely disguised names. But | 0:03:47 | 0:03:54 | |
you didn't name him in the peace.
Though I didn't, I was talking with | 0:03:54 | 0:04:00 | |
variety in their women in film
issue, powerful women in Hollywood | 0:04:00 | 0:04:04 | |
issue, whatever they call it. The
journalist asked the question if I | 0:04:04 | 0:04:08 | |
had already been harassed. I was
like yes, hell yes. Everyone in the | 0:04:08 | 0:04:14 | |
room was like no. Of course ain't
telling the story, my dad was with | 0:04:14 | 0:04:17 | |
me when it happened I came straight
from the hotel to the lobby and told | 0:04:17 | 0:04:22 | |
my dad immediately what had
happened, including everybody that | 0:04:22 | 0:04:24 | |
night with whom I was dawning on
Kiss the girls, the director, writer | 0:04:24 | 0:04:29 | |
and producer. All of whom over the
years have discussed it in an | 0:04:29 | 0:04:34 | |
ongoing way with me and it is just
that now the world could hear. The | 0:04:34 | 0:04:39 | |
pattern is clear from so many of the
different stories, he often | 0:04:39 | 0:04:43 | |
operating out of a hotel room, him
summoning a female actor to his room | 0:04:43 | 0:04:49 | |
and appearing in the bath robe and
demanding different tax clearly of a | 0:04:49 | 0:04:55 | |
sexual nature. You fled when that
pretty much happened to you. Were | 0:04:55 | 0:05:02 | |
you then, for a long time,
frightened of Harvey Weinstein? I | 0:05:02 | 0:05:08 | |
was not frightened of Harvey
Weinstein and I think that is why he | 0:05:08 | 0:05:12 | |
blackballed me. I think that is why
he blacklisted me and unfortunately | 0:05:12 | 0:05:17 | |
did such a successful job sabotaging
my career as he continued to harass | 0:05:17 | 0:05:22 | |
me between 1997 and 1999 and I have
other examples and I haven't torn | 0:05:22 | 0:05:27 | |
into detail because I don't want to
give it oxygen. You know what I have | 0:05:27 | 0:05:31 | |
to do, I have to say that he
continues to absolutely deny in any | 0:05:31 | 0:05:37 | |
of the cases that have been
discussed in the last few that he | 0:05:37 | 0:05:41 | |
ever acted in a way that was not
consensual when it came to sexual | 0:05:41 | 0:05:46 | |
activity. Right, he also hasn't
denied that he harassed me and in | 0:05:46 | 0:05:52 | |
fact he has apologise for it. My
particular example he said, a direct | 0:05:52 | 0:05:56 | |
quote, he didn't lay a glove on me.
He didn't because as you noticed I | 0:05:56 | 0:06:02 | |
was able to escape from the room, he
harassed me, abused his power and he | 0:06:02 | 0:06:07 | |
lorded it over me, this imbalance
between us. With vitriol and abuse | 0:06:07 | 0:06:14 | |
of charm for two years and then all
of a sudden... You continue to see | 0:06:14 | 0:06:19 | |
him? I bumped into him at the hotel,
at different events and he was | 0:06:19 | 0:06:26 | |
always like wink wink, I will find a
great part to you. At double | 0:06:26 | 0:06:32 | |
jeopardy in 1999I reached the point
where I could not go further. Arbour | 0:06:32 | 0:06:38 | |
Walters was to my right and I
thought unconsciously having a | 0:06:38 | 0:06:42 | |
powerful woman next to me helped
inflame my own audacious courage | 0:06:42 | 0:06:46 | |
because I started to go at him. I
literally started to go at him and | 0:06:46 | 0:06:50 | |
was getting ready to call him out in
front of whoever happened to hear to | 0:06:50 | 0:06:54 | |
be within the distance, whatever I
am trying to say. He knew it and he | 0:06:54 | 0:07:00 | |
said you know, I'm going to let you
out that little deal we made. Said, | 0:07:00 | 0:07:06 | |
you do that Harvey. You did that. He
never bothered me again but of | 0:07:06 | 0:07:12 | |
course he blacklisted me which Peter
Jackson and Fran Walsh had | 0:07:12 | 0:07:18 | |
confirmed. He said you and another
actress were difficult were | 0:07:18 | 0:07:24 | |
difficult and you shouldn't be
touched because you were too | 0:07:24 | 0:07:27 | |
demanding and too difficult and
Peter Jackson has since said I to | 0:07:27 | 0:07:32 | |
that information and I wish I
hadn't. Does it leave you feeling | 0:07:32 | 0:07:38 | |
that your career has, in a
substantial way, been ruined? -- | 0:07:38 | 0:07:42 | |
ruined by this man? Not ruined, but
definitely impacted. I deeply | 0:07:42 | 0:07:49 | |
appreciate Peter and Fran's apology
and that they wrote me a very | 0:07:49 | 0:07:54 | |
detailed letter with an absolute
blow by blow Timeline of what | 0:07:54 | 0:07:58 | |
happened and what was said and how
it was confusing for them because | 0:07:58 | 0:08:02 | |
this notion that I was difficult to
match their experience of me | 0:08:02 | 0:08:05 | |
personally. It really, it is in a
way it a relief because it explains | 0:08:05 | 0:08:12 | |
what previously had been
inexplicable, why I was always, at | 0:08:12 | 0:08:16 | |
the time I was was the highest paid
e-mail actor in Hollywood -- female | 0:08:16 | 0:08:23 | |
actor. Then when I was on that
shortlist, Julia Roberts, Sandro | 0:08:23 | 0:08:28 | |
Bullock and me and a couple of other
people. Without explanation it will | 0:08:28 | 0:08:34 | |
come down to it that I wouldn't get
the offer and I didn't know why. | 0:08:34 | 0:08:38 | |
Miramax have denied that they put
out a bike with or blackballed | 0:08:38 | 0:08:43 | |
individuals including yourself.
There are a lot of contradictions in | 0:08:43 | 0:08:47 | |
there and other people have since
come forward and said yes, that is | 0:08:47 | 0:08:50 | |
what we heard, we had a feeling it
wasn't true. The good news is I have | 0:08:50 | 0:08:55 | |
such a robust life and I have a
great curiosity about the world and | 0:08:55 | 0:09:00 | |
in a way that led me to the
humanitarian work that I have been | 0:09:00 | 0:09:04 | |
doing so passionately for all of
these years since. I have been to 18 | 0:09:04 | 0:09:10 | |
countries around the world, in
particular I visited Congo and | 0:09:10 | 0:09:14 | |
Rwanda many times and I visited
India, the wars and in Ukraine and | 0:09:14 | 0:09:20 | |
Jordan recently and on my way to
Bangladesh and shrunk, to use an | 0:09:20 | 0:09:23 | |
expression used in Texas, I have
made a hand. A good handful myself. | 0:09:23 | 0:09:29 | |
In a sense you are saying it
certainly modified the trajectory of | 0:09:29 | 0:09:33 | |
your life. It did, yes. It did.
Let's talk about the somewhat bigger | 0:09:33 | 0:09:40 | |
picture because this is part of
something much bigger. In a | 0:09:40 | 0:09:44 | |
fascinating head talk that you
delivered last year, you talked of | 0:09:44 | 0:09:51 | |
sexism, misogyny, of viable, violent
abuse that you had been getting | 0:09:51 | 0:09:58 | |
online. -- macro true. -- Capri.
This is nothing to do with the | 0:09:58 | 0:10:04 | |
specifics of the Harvey Weinstein
cake, this is about some Twitter | 0:10:04 | 0:10:08 | |
comments you had put up at a
basketball game. Yes, that was an | 0:10:08 | 0:10:14 | |
ovarian moment, where I thought I
had to up my game. I was at a | 0:10:14 | 0:10:20 | |
Kentucky basketball game, that is my
team, Celtic is my team. I didn't | 0:10:20 | 0:10:24 | |
like a piece of refereeing at and I
said something about it in my tweet | 0:10:24 | 0:10:29 | |
and all of a sudden it went viral
and it was caught a cyber mob and | 0:10:29 | 0:10:33 | |
suddenly it was rape threats and
decapitation threats and just all | 0:10:33 | 0:10:38 | |
kinds of extraordinarily
misogynistic, it was hate speech. It | 0:10:38 | 0:10:44 | |
was hate speech and I decided to
write about it. What about your | 0:10:44 | 0:10:48 | |
attitudes to date about men. --
today. Rate as a girl, suffered at | 0:10:48 | 0:10:56 | |
the hands of people like Harvey
Weinstein. What is your feelings | 0:10:56 | 0:11:03 | |
today of our relations between men
and women are. -- at three. I could | 0:11:03 | 0:11:08 | |
have cut you off at the beginning
and said I love men. I love men. I | 0:11:08 | 0:11:12 | |
love noise and men. The problem is
toxic masculinity and the patriarchy | 0:11:12 | 0:11:18 | |
of the system that we live in,
including me. I think that the | 0:11:18 | 0:11:23 | |
patriarchy is as constraining and
limiting to boys and men as it is to | 0:11:23 | 0:11:29 | |
girls and women are. You all might
not see it that way because when one | 0:11:29 | 0:11:33 | |
is entitled and has privilege and
seems to have a status that affords | 0:11:33 | 0:11:44 | |
different kinds of power and
licences, that that actually is as | 0:11:44 | 0:11:50 | |
limiting and unfulfilling to boys
and men as it is to girls and women | 0:11:50 | 0:11:54 | |
are. The MeToo campaign that has
arisen this focus on Hollywood and | 0:11:54 | 0:12:02 | |
misogyny and sexism began, the MeToo
campaign according to some women has | 0:12:02 | 0:12:06 | |
gone too far. If I quote you one
American writer and journalist, she | 0:12:06 | 0:12:13 | |
says that mass stereo has set in and
become a classic moral parrot down | 0:12:13 | 0:12:18 | |
like -- neck, which can be as
damaging to women as tremendous of | 0:12:18 | 0:12:24 | |
the Kingussie where she is coming
from? I think there is always room | 0:12:24 | 0:12:27 | |
for critique and that we can be
spacious enough in our perspective | 0:12:27 | 0:12:31 | |
to hold paradox and dissent. There
may be summoned to learn from that | 0:12:31 | 0:12:38 | |
and she maybe also, in my opinion,
simply have missed the point. And... | 0:12:38 | 0:12:43 | |
One of the points is about the
inflation about different kinds of | 0:12:43 | 0:12:48 | |
behaviours of. This alleged banality
of Harvey Weinstein and then there | 0:12:48 | 0:12:53 | |
is what other women writers have
called the presumptuous nurse and | 0:12:53 | 0:12:56 | |
boorishness that women have seen in
men and dealt with men for time | 0:12:56 | 0:13:04 | |
immemorial. Is there a danger of
completing different behaviours and | 0:13:04 | 0:13:08 | |
criminalising some behaviours which,
while many regard them as | 0:13:08 | 0:13:12 | |
unacceptable, are not criminal?
Think it is fantastic to have the | 0:13:12 | 0:13:18 | |
conversation and starting to
articulate and identify and really, | 0:13:18 | 0:13:23 | |
have a gradient of behaviours and
understand that there is a spectrum | 0:13:23 | 0:13:27 | |
of de Gea. That is so important.
Unless we talk about this and he's | 0:13:27 | 0:13:32 | |
each part of it out we can't
understand what is unacceptable and | 0:13:32 | 0:13:36 | |
what is and we also need the lexicon
for describing the behaviour. | 0:13:36 | 0:13:40 | |
Yesterday I switched my TV on and
there was use of another act, James | 0:13:40 | 0:13:44 | |
Franco, who has been the subject of
a number of different accusations | 0:13:44 | 0:13:50 | |
from women, mostly online. James
Franco's response is look, Hague, I | 0:13:50 | 0:13:57 | |
didn't do the things that I am
accused of if I did in the past | 0:13:57 | 0:14:01 | |
behaved badly then I am going to
work my very hardest to put things | 0:14:01 | 0:14:06 | |
right. -- hey. I wonder now about
the atmosphere that you see in your | 0:14:06 | 0:14:11 | |
industry and in entertainment and
other industries too where, it seems | 0:14:11 | 0:14:16 | |
that some men feel that they are, in
a sense, being presumed guilty. | 0:14:16 | 0:14:22 | |
Without due process. | 0:14:22 | 0:14:25 | |
I think that what James said is
terrific, and I think that we have | 0:14:25 | 0:14:32 | |
all behaved at a certain level
unconsciously, and done things that | 0:14:32 | 0:14:37 | |
were insensitive, inappropriate,
without necessarily understanding | 0:14:37 | 0:14:43 | |
that they were. I mean, we've all
are paraded with a certain amount of | 0:14:43 | 0:14:48 | |
tone deafness, and I like the
culpability, and we have to have | 0:14:48 | 0:14:52 | |
restorative justice. This is about
men and women being altogether, and | 0:14:52 | 0:14:56 | |
having a more equitable and just
workplace, home life, social spaces. | 0:14:56 | 0:15:01 | |
I mean, we know that when women are
empowered in the work place, and are | 0:15:01 | 0:15:06 | |
in decision-making positions, that
workplaces have better financial | 0:15:06 | 0:15:09 | |
outcomes. And there is less
harassment when there is more | 0:15:09 | 0:15:14 | |
diversity. And it takes that kind of
individual accountability to | 0:15:14 | 0:15:18 | |
collectively make a change, on a
large scale. This is political, | 0:15:18 | 0:15:21 | |
though, isn't it, for you?
Absolutely. You have become legal in | 0:15:21 | 0:15:27 | |
that you are a goodwill ambassador
for the population fund at United | 0:15:27 | 0:15:30 | |
Nations. You travel the world, as
you said, often addressing women's | 0:15:30 | 0:15:34 | |
groups and talking to women and
girls about the need for them to be | 0:15:34 | 0:15:38 | |
part of a campaign to deliver better
lives across the world for females. | 0:15:38 | 0:15:44 | |
Look at the United States. How much
work does there need to be in the | 0:15:44 | 0:15:50 | |
United States on these issues? A
ton, a ton. Our teen pregnancy is | 0:15:50 | 0:15:57 | |
skyrocketing. We have some of the
highest teen pregnancy in the | 0:15:57 | 0:16:00 | |
developed world. You know, we don't
have paid family leave, except that | 0:16:00 | 0:16:06 | |
individual companies who have had
the courage to lead internally. And | 0:16:06 | 0:16:10 | |
I am very aware that we have great
strides to be made here. I mean, | 0:16:10 | 0:16:15 | |
there are 49 countries in the world
that don't have laws prohibiting | 0:16:15 | 0:16:19 | |
intimate partner and domestic
violence, and while we do have laws | 0:16:19 | 0:16:22 | |
against it, they too need to be more
evenly enforced. And are restraining | 0:16:22 | 0:16:28 | |
orders are in some instances quite
ineffective, and grant the abuser | 0:16:28 | 0:16:34 | |
all kinds of freedom of movement
that constrain the victim to certain | 0:16:34 | 0:16:39 | |
hours and safe zones. Well, it was
very striking at the Golden Globes | 0:16:39 | 0:16:44 | |
the other day, you and many other
leading actors were dressed in | 0:16:44 | 0:16:47 | |
black, and many of you invited as
your guest activists from different | 0:16:47 | 0:16:54 | |
spheres across the United States,
representing all sorts of different | 0:16:54 | 0:16:57 | |
ethnic and working groups of women.
And I know that the #MeToo campaign | 0:16:57 | 0:17:04 | |
said that one of its absolute
driving forces was the | 0:17:04 | 0:17:08 | |
correspondence it had had with
700,000 female farmworkers whom it | 0:17:08 | 0:17:12 | |
was determined to draw into this
campaign for equality, equal pay, | 0:17:12 | 0:17:16 | |
women's rights. Do you think, in all
honesty, that you and other movie | 0:17:16 | 0:17:20 | |
stars, and very famous women, are
best placed to be relatable, and to | 0:17:20 | 0:17:26 | |
deliver real change, for people like
the female farmworkers of America? I | 0:17:26 | 0:17:32 | |
believe we are best placed to clean
up our own industry, and we are | 0:17:32 | 0:17:35 | |
doing that. You know, we are writing
codes of conduct across unions and | 0:17:35 | 0:17:40 | |
our business so that, for example,
business meetings can no longer take | 0:17:40 | 0:17:44 | |
place in hotel rooms. And we are
working for equal representation | 0:17:44 | 0:17:49 | |
both behind the camera and in front
of the camera. We are working | 0:17:49 | 0:17:52 | |
towards equal pay. You have miles to
go on all of that. We have miles to | 0:17:52 | 0:17:57 | |
go, and I am so glad that the story
about the disparity in pay between | 0:17:57 | 0:18:01 | |
the great Michelle Williams who has
been nominated for two Oscars and | 0:18:01 | 0:18:05 | |
Mark Warburg has come out. Because I
knew those facts myself, and it | 0:18:05 | 0:18:09 | |
wasn't my story to tell. And it is
so egregious, I am grateful it has | 0:18:09 | 0:18:13 | |
become public. Are we the most
reliable, are we the most | 0:18:13 | 0:18:17 | |
well-placed? I don't know. They
reached out to us and our collective | 0:18:17 | 0:18:21 | |
and individual empathy and
understanding is absolutely with | 0:18:21 | 0:18:23 | |
them. You know, we responded to
their identification with us, | 0:18:23 | 0:18:28 | |
because, you know, it doesn't...
Whether it is the server who gets | 0:18:28 | 0:18:33 | |
her bum pinched or the factory
worker who is harassed by the line | 0:18:33 | 0:18:39 | |
boss, or the female janitor who is
trapped in a building after hours | 0:18:39 | 0:18:44 | |
with men who threaten her, we
experience it in the brain stem the | 0:18:44 | 0:18:50 | |
same way. Any kind of threat is a
physiological experience, and it | 0:18:50 | 0:18:56 | |
doesn't matter what the pay is or
what the setting is. Men and women | 0:18:56 | 0:19:02 | |
experience it the same, and that's
really what we are addressing. Trump | 0:19:02 | 0:19:07 | |
and his supporters do tend to
portray people in your business as | 0:19:07 | 0:19:11 | |
out of touch elites, Liberals who
know nothing, frankly, of the lives | 0:19:11 | 0:19:18 | |
of white, working class Americans in
middle America. Do you think that | 0:19:18 | 0:19:24 | |
fault line could be dangerous, if it
develops further? I am from eastern | 0:19:24 | 0:19:32 | |
Kentucky. And my people have been
there for ten generations, and I | 0:19:32 | 0:19:38 | |
grew up around the coal mines. I
live in rural middle Tennessee, | 0:19:38 | 0:19:42 | |
surrounded by folks who voted for
our current president. I think that | 0:19:42 | 0:19:47 | |
I am uniquely positioned as an
American to understand all kinds of | 0:19:47 | 0:19:53 | |
people from all backgrounds and all
classes, and all levels of | 0:19:53 | 0:19:57 | |
achievement. Well, let's just
continue the politics conversation a | 0:19:57 | 0:20:03 | |
little further. You... It is
reported, seriously considered | 0:20:03 | 0:20:07 | |
running for the Senate and I think
2013, 20 12- 2013. Do you still feel | 0:20:07 | 0:20:14 | |
they might be a political career for
you? I want to be useful. You know, | 0:20:14 | 0:20:19 | |
I want to be useful to my fellows,
and to the God of my understanding, | 0:20:19 | 0:20:26 | |
and I like to think I am willing to
do whatever it takes to be useful. | 0:20:26 | 0:20:30 | |
It seems right now I am in the right
space, and I wouldn't rule it out, | 0:20:30 | 0:20:35 | |
and it is not a Cory answer. I just
don't know. I was very serious at | 0:20:35 | 0:20:41 | |
the time, and then a young person
with a -- and my family came to live | 0:20:41 | 0:20:46 | |
with me -- coy. I was given an
opportunity to help finish raising a | 0:20:46 | 0:20:50 | |
16-year-old child, and that is why I
chose not to run, and I am very | 0:20:50 | 0:20:54 | |
content with that decision. I think
Mitch McConnell needs to be | 0:20:54 | 0:20:57 | |
unseated, I am really hoping a
Democrat can win the seat that has | 0:20:57 | 0:21:01 | |
been vacated by Bob Corker. I am
supporting a candidate in Marcia's | 0:21:01 | 0:21:06 | |
seat, as he has been held hostage
for so many years. But right now I | 0:21:06 | 0:21:10 | |
am not a candidate. And would you
back Oprah Winfrey, for example? | 0:21:10 | 0:21:14 | |
Much talk post Golden Globes of her
being possible presidential material | 0:21:14 | 0:21:18 | |
if she wanted, if she has ambition?
If she... You know, she is clearly a | 0:21:18 | 0:21:24 | |
genuinely exceptional human being,
and she has a capacity to bring | 0:21:24 | 0:21:27 | |
people together which is maybe the
single greatest balm and healing | 0:21:27 | 0:21:36 | |
glue that our nation is right now.
What I really heard, and what she | 0:21:36 | 0:21:40 | |
said the other night, and I was mere
feet away from her, was one person | 0:21:40 | 0:21:44 | |
can spark change that then inflames
a second person, who may go on to do | 0:21:44 | 0:21:52 | |
something that changes the whole
world. Lets them by returning to | 0:21:52 | 0:21:56 | |
your own industry, and your future
in it. -- let's end. Having | 0:21:56 | 0:22:05 | |
experienced what you experienced, do
you want a future in a? I do, I love | 0:22:05 | 0:22:10 | |
acting and I love being creative.
And it has given the opportunities | 0:22:10 | 0:22:15 | |
to work with the UNFPA, and working
with organisations around the world | 0:22:15 | 0:22:19 | |
that help ring reproductive health
and access to millions of women who | 0:22:19 | 0:22:24 | |
don't have it, and of course that is
the key to eradicating poverty. And | 0:22:24 | 0:22:28 | |
I love being creative. Yes, but you
have said it yourself. You work in | 0:22:28 | 0:22:33 | |
an industry where I think of the top
100 grossing movies of 2016, only 6% | 0:22:33 | 0:22:38 | |
were made by women. Women are still,
compared to men, underpaid in all | 0:22:38 | 0:22:43 | |
the different aspects of your
industry. And of those 6%, only four | 0:22:43 | 0:22:48 | |
were women of colour. But some are
Hayek and I have enjoyed a precious | 0:22:48 | 0:22:55 | |
friendship or 20 something years. I
now have that kind of French ship | 0:22:55 | 0:22:59 | |
with women I have admired on the
screen for years. The way we have | 0:22:59 | 0:23:03 | |
come together is something
terrifying to the industry. For now | 0:23:03 | 0:23:06 | |
on -- from now on, will you only
take jobs where you know you are | 0:23:06 | 0:23:11 | |
paid equally with the male lead,
whether it be in a movie, whether it | 0:23:11 | 0:23:14 | |
be the theatre production? Are you
going to be different in way that | 0:23:14 | 0:23:18 | |
you handle your career in future? It
is a great question, and the answer | 0:23:18 | 0:23:24 | |
is yes. In addition to asking for
50% male female participation below | 0:23:24 | 0:23:30 | |
the line, which means all the crew
members, including equal | 0:23:30 | 0:23:34 | |
representation of men and women as
department heads. Because it is | 0:23:34 | 0:23:37 | |
behind the camera where we start
telling the story that the story | 0:23:37 | 0:23:40 | |
emerges on film. So this is a
movement which can change your | 0:23:40 | 0:23:46 | |
business, and maybe change America.
I am an optimist. I believe that we | 0:23:46 | 0:23:53 | |
are at... You know, it is a great
time to be alive, and it is a great | 0:23:53 | 0:23:58 | |
time to be a woman. And revolutions
are messy, and they are not linear. | 0:23:58 | 0:24:02 | |
And we don't have the playbook for
this, and that's all right. What | 0:24:02 | 0:24:06 | |
matters is that we keep our nose to
the grindstone, and we do it. We | 0:24:06 | 0:24:11 | |
have a singleness of purpose, worse
than men, girls and women, are | 0:24:11 | 0:24:15 | |
equally valuable. And all of our
spaces need to reflect that. We have | 0:24:15 | 0:24:19 | |
to end there. At Ashley Judd, thank
you so much for being on HARDtalk. | 0:24:19 | 0:24:27 | |
Thank you very much, I really
appreciate it. | 0:24:27 | 0:24:30 |