Browse content similar to 27/01/2014. Check below for episodes and series from the same categories and more!
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Hello from Melton Mowbray in Leicestershire. Tonight: They might | :00:00. | :00:11. | |
be legal but are they safe? We investigate the mind altering drugs | :00:12. | :00:12. | |
you can buy over 0 investigate the mind altering drugs | :00:13. | :00:14. | |
you can buy over the internet. The scientists warn you don't know what | :00:15. | :00:18. | |
you're buying. But will that stop users looking for a good time? Your | :00:19. | :00:28. | |
mind is just full of imagination. It is so awesome I cannot explain. | :00:29. | :00:36. | |
Unfortunately, we are seeing these cases too light, when the patient | :00:37. | :00:40. | |
has already died. Also tonight, the amazing canine partners who offer a | :00:41. | :00:43. | |
lifeline to people with disabilities. Now that I have got | :00:44. | :00:52. | |
him, people take a lot less notice of the chair and see me as a person | :00:53. | :00:57. | |
who happens to be walking a dog. And burlesque is back with a bang | :00:58. | :00:58. | |
I'm 0 0 And burlesque is back with a bang | :00:59. | :01:00. | |
I'm Marie Ashby and this is Inside Out East Midlands They're called | :01:01. | :01:03. | |
LEGAL highs, but just because you're not breaking the law when you take | :01:04. | :01:05. | |
them, doesn't mean they're safe. They are called legal highs. But | :01:06. | :01:37. | |
because you are not breaking the law does not mean they are safe. In fact | :01:38. | :01:41. | |
the most recent figures show deaths related to these synthetic drugs | :01:42. | :01:47. | |
have almost doubled. But plenty of people are still prepared to take | :01:48. | :01:57. | |
the risk. Some even share their experiences online. We take more | :01:58. | :02:05. | |
legal highs in the UK than anywhere else in Europe. I know the dangers | :02:06. | :02:13. | |
and the risks. You can buy it online. It is my kind of fun. You | :02:14. | :02:25. | |
can smoke it, injected, swallow it. Deaths have risen dramatically. I | :02:26. | :02:31. | |
know lots of people who have taken them. Not just youngsters, older | :02:32. | :02:36. | |
people, middle`aged people. You cannot stop it. It will not go away. | :02:37. | :02:42. | |
So, me and legal highs. I don't do them all the time... Coran Wright is | :02:43. | :02:46. | |
20 and from Derbyshire. She records herself and other people smoking | :02:47. | :02:50. | |
legal highs. Then posts them on the internet. Exodus. I bought it today | :02:51. | :03:00. | |
and already wrecked. This man thinks he's sat in a tree with a bear. He | :03:01. | :03:07. | |
decides to escape the bear. Here Coran is lighting up with Clockwork | :03:08. | :03:13. | |
Orange. But other people don't find it so funny. | :03:14. | :03:26. | |
I lost three friends. It was a big wake`up call. A chemical reaction | :03:27. | :03:36. | |
ended up with ruptured bowels. A friend committed suicide. John | :03:37. | :03:40. | |
Marriott believes legal highs killed three friends. One of the substances | :03:41. | :03:44. | |
they used, mephedrone is now banned. John says he became a legal high | :03:45. | :03:47. | |
addict, sleeping rough in the park in Sutton in Ashfield. I was | :03:48. | :03:57. | |
selling, I wouldn't care, I would sell anything. I lost my hearing | :03:58. | :04:01. | |
over it. I ended up with cancer of the neck. I don't know of that was | :04:02. | :04:08. | |
caused by it. It might be legal, but you don't know what is in it. There | :04:09. | :04:11. | |
are concerns the very phrase legal high, to describe a mind altering | :04:12. | :04:14. | |
synthetic chemical, is giving out the wrong message. The experts | :04:15. | :04:24. | |
prefer the term, new or novel psychoactive substances. Or, NPS. | :04:25. | :04:35. | |
But whenever one is banned, the manufacturers just create another | :04:36. | :04:37. | |
one, very similar, still legal. The science is moving faster than the | :04:38. | :04:41. | |
law. But temporary bans are put in place while tests are carried out on | :04:42. | :04:51. | |
substances causing concern. These packets all say, not fit for human | :04:52. | :04:55. | |
consumption. It is that there only use? Yes. It is an irrelevance, but | :04:56. | :05:02. | |
is it a get out clause, because the manufacturers say, you do so at your | :05:03. | :05:07. | |
own risk. Fiona Coope and her team of forensic scientists based near | :05:08. | :05:10. | |
Burton on Trent try to find out what's in a new psychoactive | :05:11. | :05:13. | |
substance. Police send them for analysis when they're linked to a | :05:14. | :05:16. | |
death or serious illness. Like the two incidents in Lincoln where four | :05:17. | :05:20. | |
people were found unconscious on the street. It's not unusual to find | :05:21. | :05:23. | |
illegal substances in a legal high product. In this case it has got a | :05:24. | :05:28. | |
large amount of 0 product. In this case it has got a | :05:29. | :05:33. | |
large amount of care to mine. `` ketamine. That is a horse | :05:34. | :05:39. | |
anaesthetic. We bought our own legal highs then asked Fiona's lab team to | :05:40. | :05:42. | |
test them. We found the packaging may be different but the contents | :05:43. | :05:46. | |
can be exactly the same. Like these three. Modern marketing, ?10 a | :05:47. | :05:50. | |
packet. But you just don't know what's inside. There are things that | :05:51. | :06:01. | |
we have never seen before. We have not got a way of easily identifying | :06:02. | :06:06. | |
them. We had to work out what they are. Not only are they knew to us, | :06:07. | :06:10. | |
but nobody knows what effect they will have. The 0 | :06:11. | :06:15. | |
but nobody knows what effect they will have. The green stuff, it is | :06:16. | :06:20. | |
just plants. The chemical sprayed on it, that is just something so you | :06:21. | :06:24. | |
have got something to smoke with it, isn't it? So what happened when | :06:25. | :06:31. | |
Coran took it for the first time? 30 seconds later... My mind was just | :06:32. | :06:39. | |
full of imagination that I could not get rid of for 20 minutes. And she's | :06:40. | :06:49. | |
taken it plenty more since. I would love to draw when I am on legal | :06:50. | :06:52. | |
highs. The imagination that comes from my head onto the paper, wow! I | :06:53. | :07:05. | |
take full responsibility, if anything bad happens, I blame | :07:06. | :07:08. | |
myself. But Coran's warned her internet audience it can go wrong. I | :07:09. | :07:16. | |
learned my lesson at the weekend. I had no tobacco and I rolled a pure | :07:17. | :07:23. | |
spliff. To be honest, I was... BLEEP. I had one bad experience and | :07:24. | :07:31. | |
thought I was going to die. You cannot think of anything, you are | :07:32. | :07:35. | |
zoning out. Used air of something, but you cannot think of anything | :07:36. | :07:42. | |
will stop `` you stay at something. Paul Smith is a forensic | :07:43. | :07:45. | |
toxicologist at the Leicester Royal Infirmary who tries to uncover | :07:46. | :07:47. | |
exactly what patients have taken when patients turn up at A We had | :07:48. | :07:58. | |
a 0 when patients turn up at A We had | :07:59. | :08:01. | |
a case of five friends who had all taken the same psychoactive | :08:02. | :08:05. | |
substance. Only one of them had a seizure and cardiac arrest, | :08:06. | :08:20. | |
unfortunately, he did. Died. Back in 2007 forensic toxicologists at the | :08:21. | :08:23. | |
LRI didn't find any new psychoactive substances during postmortem | :08:24. | :08:27. | |
examinations. Five years later there were nine deaths involving NPS. If | :08:28. | :08:33. | |
we don't know what the compounds are just difficult to give the correct | :08:34. | :08:40. | |
treatment. Unfortunately, in forensic toxicology we are seeing | :08:41. | :08:42. | |
these cases too late. The patient has already died. Matthew | :08:43. | :08:46. | |
Hilton`Turner is one of the lucky ones. He was just fourteen when he | :08:47. | :08:49. | |
was rushed to hospital. He'd taken legal highs for the first time, with | :08:50. | :08:53. | |
friends, in the centre of Chesterfield. He told his Dad never | :08:54. | :08:57. | |
again. Matthew was one of five young people found collapsed 0 | :08:58. | :08:58. | |
again. Matthew was one of five young people found collapsed in this area | :08:59. | :09:00. | |
in one week after taking legal highs. I could not breathe. I just | :09:01. | :09:12. | |
could not move at all. I couldn't even see my arms or legs. I felt | :09:13. | :09:20. | |
like I was going to die. Even if this gets banned, they just add | :09:21. | :09:24. | |
another ingredient and call it something else. That will take its | :09:25. | :09:27. | |
place. Matthew's Dad has learned a lot since 0 | :09:28. | :09:27. | |
place. Matthew's Dad has learned a lot since he thought he might lose | :09:28. | :09:31. | |
his son. He's been left confused and frustrated that the legal high trade | :09:32. | :09:41. | |
is able to operate. I am 55 and I cannot buy more than two packets of | :09:42. | :09:43. | |
paracetamol 0 cannot buy more than two packets of | :09:44. | :09:43. | |
paracetamol from my local supermarket. It is a mess. The | :09:44. | :09:50. | |
police must sort this out. It is available online and my son could | :09:51. | :09:58. | |
have died. It is legal, but why? Basically we're playing catch up. | :09:59. | :10:03. | |
Toxicologists are plain catch up with the producers. The government | :10:04. | :10:07. | |
will announce in the Spring how it plans to deal with the trade in new | :10:08. | :10:12. | |
psychoactive substances. Sold not just on the internet, but in places | :10:13. | :10:16. | |
like so called headshops, in a town near you. My family are not happy | :10:17. | :10:26. | |
with me doing this. They cannot stop me. It 0 | :10:27. | :10:26. | |
with me doing this. They cannot stop me. It is what 0 | :10:27. | :10:27. | |
with me doing this. They cannot stop me. It is what I like to do for fun. | :10:28. | :10:31. | |
There will be a time when I will just stop everything. In the | :10:32. | :10:36. | |
meantime, I have nothing to do, I am trying to find a job, trying my | :10:37. | :10:38. | |
best. I won't be doing it 0 trying to find a job, trying my | :10:39. | :10:42. | |
best. I won't be doing it all my life. 0 | :10:43. | :10:43. | |
best. I won't be doing it all my life. The trouble is no one can tell | :10:44. | :10:47. | |
Coran if her life, her mental or physical health, has already been | :10:48. | :10:58. | |
damaged beyond repair. I used to be, not addicted, but I would smoke at | :10:59. | :11:02. | |
all the time. I don't miss it. I really don't miss it. | :11:03. | :11:17. | |
This sculpture of a German Shepherd in Melton celebrates the courage and | :11:18. | :11:22. | |
dedication of military dogs. They train at the Defence Animal Centre | :11:23. | :11:25. | |
just down the road from here, to work in war zones around the world. | :11:26. | :11:29. | |
Well now there's another training centre recently opened near here | :11:30. | :11:32. | |
which trains puppies to help in battles much closer to home. These | :11:33. | :11:35. | |
dogs can transform the lives of people with disabilities. Rob | :11:36. | :11:37. | |
Whitehouse reports on the extraordinary skills of these canine | :11:38. | :11:38. | |
partners. If you thought this film was going | :11:39. | :11:53. | |
to be all about cute dogs doing clever tricks, then you would be | :11:54. | :11:59. | |
right. These animals can open doors, go shopping, find keys, help with | :12:00. | :12:04. | |
dressing and even be there when short of cash. But the real trick is | :12:05. | :12:12. | |
the way they are changing lives. Now that I have him, people take a lot | :12:13. | :12:19. | |
less notice of the chair and see me as a person. It brings tears to my | :12:20. | :12:26. | |
eyes to see the quality of life the dog 0 | :12:27. | :12:26. | |
eyes to see the quality of life the dog will give to 0 | :12:27. | :12:26. | |
eyes to see the quality of life the dog will give to somebody. She makes | :12:27. | :12:35. | |
me smile. It has changed everything. In Leicestershire at these future | :12:36. | :12:39. | |
life changers are put through their paces by Canine Partners, a charity | :12:40. | :12:46. | |
established 24 years ago. When they watch you, they look at your eyes. | :12:47. | :12:54. | |
It is important you play with your poppies because it 0 | :12:55. | :12:56. | |
It is important you play with your poppies because it is a bonding | :12:57. | :12:59. | |
time. They have to be puppies and we then develop with them. Playing with | :13:00. | :13:05. | |
them is important because they bond with people. They will then want to | :13:06. | :13:15. | |
do things for you. At the moment, Canine Partners placed 70 assistant | :13:16. | :13:20. | |
dogs with disabled people every year but have plans for growth. Thereon | :13:21. | :13:23. | |
1.2 million people 0 but have plans for growth. Thereon | :13:24. | :13:28. | |
1.2 million people in the UK who use wheelchairs. Drama student Rachel | :13:29. | :13:40. | |
Ross from Nottingham was born with cerebral palsy. Her canine partner | :13:41. | :13:46. | |
is Chudeigh. He was an instant hit. He jumped straight on my lap and was | :13:47. | :13:52. | |
licking me to death the first time I met him. I was aware that he was a | :13:53. | :13:59. | |
bundle of energy and I really liked that about him. Fellow students at | :14:00. | :14:06. | |
Coventry University have got used to seeing Chudeigh chilling out while | :14:07. | :14:16. | |
Rachel studies. Give. Good boy. If I drop my keys on the floor, he is | :14:17. | :14:22. | |
there to pick them up. I do not have to ring anybody. It 0 | :14:23. | :14:25. | |
there to pick them up. I do not have to ring anybody. It is 0 | :14:26. | :14:25. | |
there to pick them up. I do not have to ring anybody. It is all the | :14:26. | :14:29. | |
little things. All of that has given Rachel more independence on campus | :14:30. | :14:35. | |
and around her student flat which means a lot to her parents. It is | :14:36. | :14:41. | |
reassuring to know she has Chudeigh with her. He is her bodyguard when | :14:42. | :14:53. | |
she goes out and about. You can see a good relationship, a good bond | :14:54. | :14:54. | |
between 0 a good relationship, a good bond | :14:55. | :14:58. | |
between them now and it has helped Rachel. People realise that a dog | :14:59. | :15:04. | |
can unload a washing machine or open and close a door, but that is only | :15:05. | :15:10. | |
part of the picture. Dogs being dogs are able to work on your psychology, | :15:11. | :15:15. | |
make you feel better, give you a routine. They bring out nurturing | :15:16. | :15:20. | |
instincts instead of just sitting back being cared for, you are now | :15:21. | :15:26. | |
responsible for another animal. That is a powerful motivation. Canine | :15:27. | :15:31. | |
partners train every dog to meet the individual needs of their clients. | :15:32. | :15:35. | |
Today had there and Debbie are getting acquainted with their new | :15:36. | :15:36. | |
best friends. `` Heather 0 getting acquainted with their new | :15:37. | :15:40. | |
best friends. `` Heather and Debbie. There is Carter a giant golden | :15:41. | :15:48. | |
doodle who has been matched with Heather. He is lovely. Carter was | :15:49. | :15:56. | |
selected for his size. Heather has problems with her balanced and he | :15:57. | :16:01. | |
has been changed to give her support. That will be huge, it will | :16:02. | :16:09. | |
give me the confidence to go out and do things. 0 | :16:10. | :16:11. | |
give me the confidence to go out and do things. It is amazing. I cannot | :16:12. | :16:16. | |
explain how much that will help me. Opening doors for Debbie is any. It | :16:17. | :16:25. | |
is incredible what they can do. She is fantastic. We have bonded well. | :16:26. | :16:31. | |
Debbie and Heather will spend two weeks living with their new | :16:32. | :16:35. | |
companions to forge a new relationship that will hopefully | :16:36. | :16:42. | |
last a lifetime. The partners often showered the dogs with so much love | :16:43. | :16:47. | |
that the bond happens fairly quickly over those two weeks. Back in | :16:48. | :16:55. | |
Coventry, Rachel entertains some of her 0 | :16:56. | :16:55. | |
Coventry, Rachel entertains some of her fellow students with C's latest | :16:56. | :17:04. | |
tricks. He makes it a lot easier for people to approach me because they | :17:05. | :17:10. | |
see a dog owner as opposed to a wheelchair user. He changed how | :17:11. | :17:15. | |
life. He made such a difference not just with the tasks that he does for | :17:16. | :17:24. | |
her. He broke the ice. Rachel cannot go down in 0 0 | :17:25. | :17:25. | |
her. He broke the ice. Rachel cannot go down in town without people | :17:26. | :17:29. | |
saying hello and stopping and talking to her, so it breaks that | :17:30. | :17:35. | |
barrier. Debbie is now back home in Cardiff with any but it has not been | :17:36. | :17:49. | |
plain sailing. It is difficult. I was quite anxious and rightly so | :17:50. | :17:54. | |
because things did not go to plan, she 0 | :17:55. | :17:54. | |
because things did not go to plan, she was testing me and she was | :17:55. | :17:59. | |
relearning everything because from the environment she was in, | :18:00. | :18:08. | |
everything changed. But Debbie has persevered and it has paid staff. | :18:09. | :18:13. | |
Every day the bond has grown and you can see it. We just enjoy each | :18:14. | :18:20. | |
other's company. It is wonderful. She is helping me with doors, | :18:21. | :18:25. | |
lettuce and door buttons. She pays for the cashier and she is starting | :18:26. | :18:33. | |
to help me at the ATM, taking out the card and the money. She senses | :18:34. | :18:42. | |
my moods, she makes efforts to cheer me up, she gives me hugs regularly. | :18:43. | :18:51. | |
Every day she is responding to me that little bit more and it is like | :18:52. | :18:54. | |
we have 0 that little bit more and it is like | :18:55. | :18:57. | |
we have been together for much longer. She is very precious. | :18:58. | :19:15. | |
Weren't they amazing? Now our political editor is used to | :19:16. | :19:18. | |
dealing with controversial subjects, which is just as well because he | :19:19. | :19:22. | |
certainly found some strong opinions when he set out to make a film about | :19:23. | :19:24. | |
burlesque. 0 when he set out to make a film about | :19:25. | :19:28. | |
burlesque. Some of Britain's top performers in this somewhat risque | :19:29. | :19:31. | |
form of entertainment come from the East Midlands. But one council has | :19:32. | :19:37. | |
banned a burlesque show and some people are asking whether this style | :19:38. | :19:40. | |
of performance is demeaning women or liberating 0 | :19:41. | :19:40. | |
of performance is demeaning women or liberating them. John Hess has been | :19:41. | :19:52. | |
backstage. The finishing touches before a show. | :19:53. | :19:54. | |
But for some, this type of entertainment crosses a line. | :19:55. | :20:00. | |
Burlesque is sexual entertainment and I do think it's regressive. I | :20:01. | :20:07. | |
would say it's totalling empowering. There are those who think it's very | :20:08. | :20:12. | |
raunchy, like striptease. Rubbish. It's not just about stripping. | :20:13. | :20:21. | |
Burlesque is booming. More classes are being set up, training would`be | :20:22. | :20:28. | |
performers in the art of the tease. The question is ` does the new | :20:29. | :20:32. | |
burlesque empower or demean women in 21st century Britain? In the heart | :20:33. | :20:45. | |
of Leicester, shop assistant Emma Knight tempts a customer. Within | :20:46. | :20:48. | |
hours, she'll offering a different exotic mix. Outside a Leicester | :20:49. | :20:54. | |
night club, the former De Montford University student is transformed | :20:55. | :20:56. | |
into her stage personality ` Eliza De Lite, a rising international star | :20:57. | :21:04. | |
of modern British burlesque. The thing to overcome about burlesque is | :21:05. | :21:08. | |
that it's not about the nudity. It's about what you are not showing and | :21:09. | :21:12. | |
teasing the audience with fabric and costumes. Eliza is one of an | :21:13. | :21:20. | |
increasing number of burlesque performers in a thriving East | :21:21. | :21:33. | |
Midlands scene. A lot of burlesque performers are coming off a stage | :21:34. | :21:37. | |
wearing more than you would see on a beach. In Nottingham, burlesque with | :21:38. | :21:40. | |
pens and felt tips. Artists on stage and sketched by artists 0 | :21:41. | :21:41. | |
pens and felt tips. Artists on stage and sketched by artists in the | :21:42. | :21:48. | |
audience. On stage, there's no traffic to stop for performer Heidi | :21:49. | :21:52. | |
Bang Tidy. But the new burlesque revival almost shuddered to a halt | :21:53. | :21:59. | |
when a council banned her show. As soon as somebody tries to tell me | :22:00. | :22:03. | |
what I choose to do with my time, and what is a genuine passion in my | :22:04. | :22:10. | |
life, I'm going to fight for that. The Hebden 0 | :22:11. | :22:11. | |
life, I'm going to fight for that. The Hebden Bridge Picture House in | :22:12. | :22:13. | |
West Yorkshire, where burlesque was banned. They're rather lot of | :22:14. | :22:22. | |
concerns by a number in the community. I went to see Susan | :22:23. | :22:24. | |
Press, the chair 0 0 community. I went to see Susan | :22:25. | :22:25. | |
Press, the chair of the town's Picture House Committee. Her | :22:26. | :22:28. | |
politics were forged in the heat of 1970s feminism. I do see it as a | :22:29. | :22:37. | |
sexual form of entertainment and it's regressive and it's something | :22:38. | :22:40. | |
we fought against a generation against in the '70s and it's | :22:41. | :22:49. | |
sexually orientated. The ban was gold`dust for radio phone`in hosts. | :22:50. | :23:01. | |
, Guy from Nottingham says it's not as though the women are forced into | :23:02. | :23:05. | |
burlesque. They make a choice to do it. And a lot of comment went to | :23:06. | :23:08. | |
that particular point, yes there's an 0 | :23:09. | :23:08. | |
that particular point, yes there's an argument that it's exploitative | :23:09. | :23:12. | |
and if they want to do it, then that's fine. Look at this audience. | :23:13. | :23:23. | |
It is mostly female and dressed for the occasion. It is a lot of girls | :23:24. | :23:31. | |
having a bit of a dress up, having a bit of fun. It boosts your | :23:32. | :23:38. | |
confidence. The performer Ellie from Derbyshire 0 | :23:39. | :23:38. | |
confidence. The performer Ellie from Derbyshire rejoices in the stage | :23:39. | :23:43. | |
name of scarlet daggers. She produces her own burlesque show in | :23:44. | :23:50. | |
Nottingham, the Gilded Merkin. You see amazing questions, women of all | :23:51. | :23:55. | |
shapes and sizes being extremely confident on stage and that has | :23:56. | :24:00. | |
inspired a lot of women to be comfortable in their own skin. You | :24:01. | :24:04. | |
see big women, skinny women and it makes a lot of women feel good about | :24:05. | :24:12. | |
themselves. Dr Jacki Willson is a Nottingham `based expert on | :24:13. | :24:18. | |
Britain's new burlesque. A burlesque performer is both a flirt and a | :24:19. | :24:19. | |
feminist. I think 0 performer is both a flirt and a | :24:20. | :24:24. | |
feminist. I think that the idea of concealing and revealing and playing | :24:25. | :24:27. | |
with the gays, it is all about the gays. It is almost quite a | :24:28. | :24:35. | |
vulnerable thing 0 gays. It is almost quite a | :24:36. | :24:38. | |
vulnerable thing to do, to get on stage and take your clothes off. If | :24:39. | :24:44. | |
you can do that, then what cannot you do? But why the revival now? | :24:45. | :24:51. | |
This phenomenon of burlesque does happen when 0 | :24:52. | :24:51. | |
This phenomenon of burlesque does happen when the economy downturns. | :24:52. | :25:02. | |
Women then have this DIY approach to wanting to make their own clothes | :25:03. | :25:05. | |
,earning a bit of cash through cabaret. In the audience at | :25:06. | :25:13. | |
Scarlett's show, fashion designer Aislinn Ball. She's part of a | :25:14. | :25:17. | |
flourishing link between the region's creative industries and | :25:18. | :25:23. | |
burlesque performers. We have to work together to think about how | :25:24. | :25:27. | |
this dress is going to look. Will it be a show stopper because this dress | :25:28. | :25:31. | |
is the first thing the audience sees when the performer comes on stage. | :25:32. | :25:38. | |
But they also have to think about how to get out of the dress. This is | :25:39. | :25:44. | |
an evening class for burlesque costume designers in Nottingham. | :25:45. | :25:47. | |
They're reviving dress making skills and finding a market. We are in a | :25:48. | :25:51. | |
recession. People want something cheerful, that are fun. They're | :25:52. | :25:57. | |
glamorous. They're sexy. And they want it all on a budget. Burlesque | :25:58. | :26:08. | |
as a fashion. You see it in independent designers. Corsets are | :26:09. | :26:11. | |
seen in the high street now. They're adding the final flourishes at Dr | :26:12. | :26:14. | |
Sketchys, that's inspiring top talent from the computer games | :26:15. | :26:20. | |
industry. You get costumes you get dynamic posers, narrative and all of | :26:21. | :26:26. | |
that feeds back into our work. As an illustrator, getting involved in the | :26:27. | :26:29. | |
burlesque scene was an opportunity to be involved in something that's | :26:30. | :26:32. | |
very, very vibrant and its very inspiring. It's absolutely | :26:33. | :26:41. | |
beautiful. Back in Leicester, Eliza is rummaging. The revival in | :26:42. | :26:45. | |
burlesque coincides with a boom for vintage clothing. They go hand in | :26:46. | :26:52. | |
glove. So what attracts me to this piece is the crystal detailing and | :26:53. | :26:56. | |
all the bead work. I had been thinking for a long time to create a | :26:57. | :26:59. | |
Zeigfeld Follies routine, specifically in homage to Heddi | :27:00. | :27:03. | |
Lemahr, in the film Zeigfeld Girls. My Ziegfeld girl costume is actually | :27:04. | :27:04. | |
an original 1950s 0 My Ziegfeld girl costume is actually | :27:05. | :27:06. | |
an original 1950s dance costume which I found in a vintage shop in | :27:07. | :27:08. | |
Nottingham. Eliza prepares for her next show. | :27:09. | :27:30. | |
You do have the issue of costume malfunction. It's happened before, | :27:31. | :27:32. | |
you'll throw a glove then it'll get stuck in your headdress. Could this | :27:33. | :27:39. | |
Burlesque revival become stuck or will it go mainstream? I don't now | :27:40. | :27:50. | |
whether I would want it to be completely mainstream. It would lose | :27:51. | :27:58. | |
it's edge. As much as we might complain about the talent show | :27:59. | :28:01. | |
society, it's probably done a lot for the burlesque industry. It's | :28:02. | :28:08. | |
made people aware of variety again. Subversive, fun, feminist? Whatever | :28:09. | :28:12. | |
the qualities and debate about New Burlesque. It's certainly not dull. | :28:13. | :28:23. | |
Certainly an eye opener. And John Hess has written more about | :28:24. | :28:27. | |
burlesque on his blog. You can find that at www.bbc.co.uk/johnhess. | :28:28. | :28:34. | |
That's it from us this week. Next week: The King in the car park | :28:35. | :28:39. | |
and the legal row over his remains that's left his reburial in limbo. | :28:40. | :28:43. | |
This is not a fight over an object or a tussle. It's about laying to | :28:44. | :28:48. | |
rest a human being in the most appropriate manner. | :28:49. | :29:11. | |
Jude Law has given evidence at the phone hacking trial. The court heard | :29:12. | :29:16. | |
a family member had sold stories about him. | :29:17. | :29:19. |