Browse content similar to 06/02/2012. Check below for episodes and series from the same categories and more!
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This week I am in Suffolk. This is what is coming up on tonight's | 0:00:00 | 0:00:05 | |
Inside Out: The dangers of the social network. | 0:00:05 | 0:00:10 | |
Find out how information about you online could be affecting your job | 0:00:10 | 0:00:15 | |
prospects. If you are not going to say to somebody's face, do not say | 0:00:15 | 0:00:20 | |
it on social media. A revolutionary treatment for Crete -- victims of | 0:00:20 | 0:00:26 | |
scarring. Spray-on skin. This is the first treatment where we can | 0:00:26 | 0:00:34 | |
spray on new skin and the liver -- deliver new results. And the sounds | 0:00:34 | 0:00:44 | |
0:00:44 | 0:01:02 | ||
that link the Antarctic with John This is a town in Suffolk. Later in | 0:01:02 | 0:01:06 | |
the programme, we will find out how the countryside around here may | 0:01:06 | 0:01:10 | |
have sounded 200 years ago. You see people looking at their phones all | 0:01:10 | 0:01:17 | |
the time, looking at all kinds of social media. Nearly a third of all | 0:01:17 | 0:01:21 | |
people say that the in the -- information they share online | 0:01:21 | 0:01:24 | |
damage is their reputation. Are we doing enough to protect ourselves | 0:01:25 | 0:01:33 | |
online? We shall lives with the world more | 0:01:33 | 0:01:37 | |
than ever before. We post information, pictures, even our | 0:01:38 | 0:01:42 | |
thoughts on the internet for friends, family and the rest of the | 0:01:42 | 0:01:50 | |
universe to see. Facebook, Twitter, Google. These are strange words to | 0:01:50 | 0:01:54 | |
some people, but to some people they are social networks that are a | 0:01:54 | 0:01:59 | |
way of life. I have been discovering how the willingness to | 0:01:59 | 0:02:03 | |
share our lives cannier -- impact our job prospects. A if you are | 0:02:03 | 0:02:10 | |
looking for a job, you need to think about how it will look. | 0:02:10 | 0:02:13 | |
Analysts think that if I will not say to somebody's face, I will not | 0:02:13 | 0:02:19 | |
put it on Facebook. Everybody has a preconception now before you even | 0:02:19 | 0:02:23 | |
meet somebody. That preconception can forfeit your opportunity to get | 0:02:23 | 0:02:28 | |
a job. The chances are you are being judged by you who are and | 0:02:28 | 0:02:36 | |
what you do online. This is Laura. She you works in broker support at | 0:02:36 | 0:02:41 | |
an insurance firm. She is keen to break into marketing and design. | 0:02:41 | 0:02:45 | |
She is very active on the internet, and uses plenty of social networks. | 0:02:45 | 0:02:51 | |
She is also taking part in the regional heats of Miss Universe. If | 0:02:51 | 0:02:58 | |
you Goole her, you will find out plenty of other things about her. | 0:02:58 | 0:03:02 | |
With hundreds of Facebook friends and over 1,600 people following her | 0:03:02 | 0:03:07 | |
on Twitter, his lawyer concerned about how what she shares may | 0:03:07 | 0:03:16 | |
affect her career prospects? I hope not. I am just me online. What you | 0:03:16 | 0:03:23 | |
see is what you get. Yes. Do you think it helps your reputation when | 0:03:23 | 0:03:28 | |
it comes to future prospects for your career, given what you have | 0:03:28 | 0:03:31 | |
put online? Are I have not thought about it that much, but I like to | 0:03:32 | 0:03:39 | |
think I am fairly positive. I would not think that it would detract | 0:03:39 | 0:03:43 | |
from me possibly getting a job in future, at least I would hope not. | 0:03:43 | 0:03:47 | |
According to our survey, almost one-third of those questioned say | 0:03:47 | 0:03:55 | |
they are concerned about how much information they share online. Do | 0:03:55 | 0:04:00 | |
prospective employers looking up? This woman recruits for one of the | 0:04:00 | 0:04:07 | |
world's largest PR and marketing firms. I always look on | 0:04:07 | 0:04:11 | |
professional networks, and Twitter as well. Sometimes on Facebook as | 0:04:11 | 0:04:16 | |
well. So across the board. Absolutely. My first port of call | 0:04:16 | 0:04:26 | |
0:04:26 | 0:04:28 | ||
to identify it new talent is Linked Him. I often do an initial | 0:04:28 | 0:04:31 | |
interview with somebody based on their online profile. It is | 0:04:31 | 0:04:35 | |
important to find out more about people's backgrounds and where | 0:04:35 | 0:04:38 | |
their interests lie. This would always be in line with our normal | 0:04:38 | 0:04:43 | |
recruitment process. Laura is trying to break into the world of | 0:04:43 | 0:04:51 | |
PR and marketing. We do look at her digital footprint and her online | 0:04:51 | 0:04:55 | |
reputation. What does this all mean? If you are sharing lots of | 0:04:55 | 0:04:59 | |
yourself with the rest of the world, it means the rest of the world can | 0:04:59 | 0:05:04 | |
look you up on the internet at any point. What can you do to make sure | 0:05:04 | 0:05:09 | |
you do not share too much and give people the right first impression? | 0:05:09 | 0:05:12 | |
Making sure that photo of you at that party does not end up in the | 0:05:12 | 0:05:18 | |
wrong hands. This social media expert thinks it is common sense. | 0:05:18 | 0:05:22 | |
If you are looking for a job or using social media as a business | 0:05:22 | 0:05:27 | |
tool, you need to think how it will look from an employer's point of | 0:05:27 | 0:05:30 | |
view. Does it come across as professional? It is fine to have | 0:05:30 | 0:05:34 | |
personality, but just think that if you are not going to say to | 0:05:34 | 0:05:38 | |
somebody's face, do not say it on social media. In other words, | 0:05:38 | 0:05:42 | |
showing your boss what you do in private might not go down too well | 0:05:42 | 0:05:51 | |
I have just been a way to cure their! De want to see my holiday | 0:05:51 | 0:05:56 | |
snaps? In fact, almost half all people we surveyed said that they | 0:05:56 | 0:06:02 | |
knew somebody who had regretted posting something online. It is | 0:06:02 | 0:06:06 | |
pretty difficult to comprehend that the things you do, say, share | 0:06:06 | 0:06:10 | |
online can stay with you for the rest of your life. They really can | 0:06:10 | 0:06:16 | |
have an impact. We are not just talking about dodgy photos and | 0:06:16 | 0:06:22 | |
saying stupid games. This man used to be a rally driver and went on to | 0:06:22 | 0:06:25 | |
work in motorsport PR. He was made redundant and spent nine months | 0:06:25 | 0:06:34 | |
trying to get a job in marketing. was not getting anywhere. It was a | 0:06:34 | 0:06:40 | |
case of anything other than motorsport I did not get a look-in. | 0:06:40 | 0:06:44 | |
I think it transpired later on that people were looking at the online | 0:06:44 | 0:06:52 | |
to see what they could get from it. They've found a lot more about the | 0:06:52 | 0:06:56 | |
then I wanted them to. motorsport past was therefore to | 0:06:56 | 0:07:00 | |
see, all over the internet, and it meant that potential employers were | 0:07:00 | 0:07:03 | |
making their mind about his career before they even let him. So he | 0:07:03 | 0:07:10 | |
went about changing his on my reputation. I heads -- I had a | 0:07:10 | 0:07:15 | |
website which was used for promoting sponsors, so I changed it. | 0:07:15 | 0:07:21 | |
I took the rally website down. Everything I was doing on Facebook | 0:07:21 | 0:07:26 | |
and Twitter and anything that was updated on my regular basis, I'd | 0:07:26 | 0:07:34 | |
make sure I toned down the motorsport side of it. I emphasised | 0:07:34 | 0:07:40 | |
my ex -- expertise in marketing. worked, and now he is a marketing | 0:07:40 | 0:07:45 | |
manager at an international trading company. So what about Nora? Does | 0:07:45 | 0:07:49 | |
our recruitment expert then she has shed too much? What does she think | 0:07:49 | 0:07:56 | |
of her on my reputation? You are clearly committed to social media. | 0:07:56 | 0:08:03 | |
That is fantastic and definitely the way that globally we are | 0:08:03 | 0:08:07 | |
becoming much more digitally savvy. I know you are keen to get into | 0:08:07 | 0:08:11 | |
digital design, but as a recruit a, I cannot see that through your | 0:08:11 | 0:08:17 | |
online reputation. OK. Also, and part of the Miss Universe Norfolk | 0:08:17 | 0:08:21 | |
competition, would that adversely affect any of my opportunities | 0:08:21 | 0:08:25 | |
further down the line? I do not think it would adversely affect | 0:08:25 | 0:08:31 | |
your career opportunities going forward, I think it is better to | 0:08:31 | 0:08:35 | |
not counteract, but maybe alongside that, demonstrate your interest in | 0:08:35 | 0:08:39 | |
the design industry, because that is ultimately what you want to get | 0:08:39 | 0:08:48 | |
into. So Laura just needs to get talking more about the interest -- | 0:08:48 | 0:08:53 | |
industry that interests her on her social networks. I got really drunk | 0:08:53 | 0:08:58 | |
last night. I feel really rough. I do not want to be here! Whether you | 0:08:58 | 0:09:02 | |
share your innermost thoughts, private information or even career | 0:09:02 | 0:09:09 | |
information, it is online, it is therefore the world to see. Change | 0:09:09 | 0:09:13 | |
my digital footprint enabled me to get in front of different people. | 0:09:13 | 0:09:19 | |
It helped me get a job. The problem is, if you're not online, you are | 0:09:19 | 0:09:23 | |
seen as behind the times. If you are online, you have to be really | 0:09:23 | 0:09:33 | |
0:09:33 | 0:09:34 | ||
careful about what you share. Tomorrow, the BBC has advice on how | 0:09:34 | 0:09:40 | |
to protect your online reputation. If there is something you think we | 0:09:40 | 0:09:50 | |
should investigate here on Inside Out, email B. Or you can find me on | 0:09:50 | 0:09:58 | |
Twitter. Later, what the Suffolk countryside has in common with the | 0:09:58 | 0:10:05 | |
South Pole. Our next story is about the | 0:10:05 | 0:10:09 | |
remarkable treatment to repair damaged skin by regenerating skin | 0:10:09 | 0:10:14 | |
and spraying it on. Colleen Harris has been finding out how it works. | 0:10:14 | 0:10:21 | |
I would probably go for a costume now, because of the scarring. | 0:10:21 | 0:10:24 | |
Alison Portass goes shopping for swimwear, there is always something | 0:10:24 | 0:10:31 | |
to remind her of a very painful time in her life. You look | 0:10:31 | 0:10:37 | |
gorgeous! Thank you. I do not feel it. Sometimes I am a bit self- | 0:10:37 | 0:10:43 | |
conscious. I can understand you are just not comfortable with the | 0:10:43 | 0:10:46 | |
scarring. No. They could not do anything else when they did the | 0:10:46 | 0:10:51 | |
operation, so I understand that. But it would be lovely to have it a | 0:10:51 | 0:10:56 | |
little bit better than that. Alison knows she is lucky to be alive, but | 0:10:56 | 0:11:01 | |
she hates the scar that surgery has left her with. I have had breast | 0:11:01 | 0:11:07 | |
cancer twice. I opted for full reconstruction. That meant I had to | 0:11:07 | 0:11:12 | |
be cut from hip to hip and have the tissue from my stomach made into a | 0:11:12 | 0:11:19 | |
press. Although it is different surgery, it looks quite neat now, | 0:11:19 | 0:11:23 | |
and although it has left me with a scar, I am hoping to improve it | 0:11:23 | 0:11:31 | |
today. It is a selfish thing, I suppose. It was quite a big thing | 0:11:31 | 0:11:39 | |
to go through. I just would like to have the biggest scar on my body | 0:11:39 | 0:11:44 | |
reduced slightly so I could wear the things I would like to wear on | 0:11:44 | 0:11:49 | |
holiday. Alison is pinning her hopes on a pioneering treatment. | 0:11:49 | 0:11:55 | |
Ind two hours, instead of a scar, she will have new spray-on skin. | 0:11:55 | 0:12:02 | |
For the first time, technology enables doctors to replace damaged | 0:12:02 | 0:12:06 | |
tissue with new skin grown from a patient the's new cells. The spray- | 0:12:06 | 0:12:13 | |
on skin makes wounds and burns grow more quickly. All-Stars and | 0:12:13 | 0:12:19 | |
discolouration can be reduced. going to take the craft from the | 0:12:19 | 0:12:27 | |
back of your bum. I will then scrape the skin off, harvested and | 0:12:27 | 0:12:36 | |
suspend that in a cell suspension and I will use a laser quite deeply, | 0:12:36 | 0:12:40 | |
it will be like hot sand being passed on your skin. I will take | 0:12:40 | 0:12:45 | |
the dead skin off and spray the new cells on your skin and put a | 0:12:45 | 0:12:55 | |
0:12:55 | 0:13:00 | ||
Alison's being treated at a private clinic in Norwich. The technique | 0:13:00 | 0:13:02 | |
called recell is incredibly quick. First consultant Zahida Butt is | 0:13:02 | 0:13:08 | |
taking a small sample of Alison's skin to collect healthy cells. The | 0:13:08 | 0:13:12 | |
skin sample is put into a solution which allows the cells to be | 0:13:12 | 0:13:22 | |
0:13:22 | 0:13:22 | ||
separated. We are going to start the laser treatment. It shouldn't | 0:13:22 | 0:13:27 | |
be too bad, OK? Meanwhile, Alison's scar has to be removed, ready for | 0:13:27 | 0:13:37 | |
0:13:37 | 0:13:44 | ||
the new skin. How was that? Well done. I am going to carry on. | 0:13:44 | 0:13:49 | |
Burns victims, surgical scars, acne scarring - they all have a | 0:13:49 | 0:13:56 | |
psychological impact on patients. It is a non cosmetic use, because | 0:13:56 | 0:14:02 | |
you are helping these patients improve their quality of life, and | 0:14:02 | 0:14:06 | |
there is no other treatment that works like this, so I am very | 0:14:06 | 0:14:13 | |
passionate about it. OK, so that is the skin graft. I have pleaded with | 0:14:13 | 0:14:17 | |
a buffer solution. Just 20 minutes later, and the skin cells are ready | 0:14:17 | 0:14:20 | |
to be harvested and mixed in a solution for spraying onto Alison's | 0:14:20 | 0:14:30 | |
0:14:30 | 0:14:32 | ||
wound. We just draw up the cell suspension. It is a bit cloudy, as | 0:14:32 | 0:14:38 | |
you can see, because there are cells suspended in the medium. Then | 0:14:38 | 0:14:47 | |
I will basically spray it on to the skin. This is the first treatment | 0:14:47 | 0:14:53 | |
where we can a spray-on news again, and deliver results by promoting | 0:14:53 | 0:14:59 | |
new collagen growth. It is very exciting. It looks like water, but | 0:14:59 | 0:15:03 | |
there are millions of cells in here, and they will carry on multiplying | 0:15:03 | 0:15:11 | |
across the whole area. I will leave a tiny bit for the skin graft. We | 0:15:11 | 0:15:18 | |
are creating new collagen, helping to create new college and. Several | 0:15:18 | 0:15:23 | |
million cells become a lot more cells, and they create new skin | 0:15:23 | 0:15:30 | |
over the injured area. The secondary dressing has come off. | 0:15:30 | 0:15:39 | |
Her skin should heal within five days. Old scars can never be | 0:15:39 | 0:15:42 | |
completely removed, but because Alison will have healthy new skin | 0:15:42 | 0:15:45 | |
made from her own cells, the colour and texture should match the | 0:15:45 | 0:15:54 | |
surrounding area much better. are getting healing within seven | 0:15:54 | 0:16:01 | |
days. Amazing! Because of the healing is very rapid, it makes it | 0:16:01 | 0:16:11 | |
0:16:11 | 0:16:11 | ||
a very safe result. It was great. It wasn't painful. Nothing at all. | 0:16:11 | 0:16:18 | |
It was a little bit warm, that's all. It just feels like warm sand, | 0:16:18 | 0:16:23 | |
and that was it. Recell has been licensed in the UK since 2005. It's | 0:16:23 | 0:16:26 | |
marketed by Cambridge-based company Avita Medical. They're training | 0:16:26 | 0:16:31 | |
more and more private cosmetic doctors in the technique. | 0:16:31 | 0:16:34 | |
Demonstrating today is one of a handful of consultants who are now | 0:16:34 | 0:16:44 | |
0:16:44 | 0:16:45 | ||
also using it to treat burns on the NHS. This technology came out of | 0:16:45 | 0:16:52 | |
needing to use cell based therapies to keep -- treat pavement -- treat | 0:16:52 | 0:17:00 | |
burns victim patients. It is also to treat patients with problematic | 0:17:00 | 0:17:04 | |
scars. Lots of different areas in which we are using it, both acutely | 0:17:04 | 0:17:09 | |
in terms of injuries, but also in reconstructive and aesthetic | 0:17:09 | 0:17:12 | |
procedures. Very deep burns still need traditional skin grafts but | 0:17:12 | 0:17:16 | |
when spray-on skin CAN be used, the faster healing reduces the risk of | 0:17:16 | 0:17:19 | |
infection as well as scarring. Unlike scar tissue, the new skin | 0:17:19 | 0:17:29 | |
will stretch and grow, minimising pain and problems in the future. | 0:17:29 | 0:17:34 | |
is a relatively new technique, which only recently has been more | 0:17:34 | 0:17:40 | |
widely used. I particularly use it in burns patients, but it takes | 0:17:40 | 0:17:43 | |
time for expertise to filter out across the industry so that more | 0:17:43 | 0:17:49 | |
people are aware of its benefits in terms of using it in reconstructive | 0:17:49 | 0:17:53 | |
plastic surgery as well as cosmetic surgery. A week later, Alison | 0:17:53 | 0:17:56 | |
returns to the clinic for the dressings to be removed it's the | 0:17:56 | 0:18:04 | |
first time she'll see if the new skin is growing. Let have a look at | 0:18:04 | 0:18:11 | |
this addressing, Alison. That is looking pretty good. That is | 0:18:11 | 0:18:16 | |
looking nice and dry. Would you like to have a look? I would love | 0:18:17 | 0:18:26 | |
to, thank you. Oh my goodness! I am amazed at the result. Look at that! | 0:18:26 | 0:18:31 | |
Certainly healing nicely. That is wonderful. I am looking forward to | 0:18:31 | 0:18:36 | |
seeing the end result. It will take six months for the new skin to be | 0:18:36 | 0:18:39 | |
fully mature. I met up with Alison recently, having a well-earned | 0:18:39 | 0:18:47 | |
pampering session to see how it's coming along. It has been for | 0:18:47 | 0:18:53 | |
months, how you feeling. Great. It has been an experience, and I am | 0:18:54 | 0:19:00 | |
very happy with it. And I have a look? Yes. It is flatter. There is | 0:19:00 | 0:19:05 | |
no twisting of the scar, and the pigmentation will come back | 0:19:05 | 0:19:10 | |
eventually. It is my own skin, regrown. I am delighted with the | 0:19:10 | 0:19:16 | |
process. So you won't be wearing a high-waisted bikini is? Hopefully | 0:19:16 | 0:19:24 | |
not. Our last story is about a sound | 0:19:24 | 0:19:31 | |
recorder with a fantastic job. Chris Watson had to travel to the | 0:19:31 | 0:19:34 | |
north and south poles, but now he has been asked to recreate the | 0:19:34 | 0:19:43 | |
sound from this countryside from 200 years ago, when it was being | 0:19:43 | 0:19:49 | |
painted. You've probably never heard of Chris Watson, but there's | 0:19:49 | 0:19:59 | |
0:19:59 | 0:20:02 | ||
every chance you've heard the world through his ears. More animals and | 0:20:02 | 0:20:07 | |
species inhabit this tree than any other tree. It is literally full of | 0:20:07 | 0:20:15 | |
life. It is full of sound, to my ears. It was amazing what I heard - | 0:20:15 | 0:20:24 | |
the insects inside this oak tree, feeding off the Oakwood and but. I | 0:20:25 | 0:20:29 | |
have been passionate about working with the sound for a long time. | 0:20:29 | 0:20:35 | |
There are lots of devices and equipment such as this for getting | 0:20:35 | 0:20:37 | |
sound on location, but what interests me is getting microphones | 0:20:37 | 0:20:47 | |
0:20:47 | 0:20:49 | ||
into places where we would not normally want to put our ears. It | 0:20:49 | 0:20:56 | |
sounds great. It is thunderous. You really get that sense of power | 0:20:56 | 0:21:06 | |
0:21:06 | 0:21:14 | ||
A lot of my work was to investigate the sounds at the ports. The songs | 0:21:14 | 0:21:22 | |
of seals can be heard over 15 miles away. This beautiful, haunting | 0:21:23 | 0:21:30 | |
voice, which reflected the reality of their lives, because very little | 0:21:30 | 0:21:35 | |
was built. So the liver may sound of sound -- world of sound and | 0:21:35 | 0:21:39 | |
vibrations. Chris has recorded the sound for many of the BBC Natural | 0:21:39 | 0:21:44 | |
History programmes. The penguin is the most southerly nesting over all | 0:21:44 | 0:21:48 | |
Penguins. He has been working alongside David Attenborough for 15 | 0:21:48 | 0:21:58 | |
0:21:58 | 0:21:58 | ||
years. 200 penguins came out of the sea, and ran across to our | 0:21:58 | 0:22:04 | |
helicopter, and stood in a group. This set up this little semi-circle, | 0:22:04 | 0:22:08 | |
and they sat and stared at our helicopter. The wildlife came to | 0:22:08 | 0:22:16 | |
ask. His interest started in childhood. My parents bought me | 0:22:16 | 0:22:21 | |
this gift of a tape recorder. I had a bird table, and could see the | 0:22:21 | 0:22:26 | |
birds but could not hear them. It was like the silent film. I took my | 0:22:26 | 0:22:31 | |
record outside, put a microphone on the bird table. I really learnt | 0:22:31 | 0:22:37 | |
about recording this way. I started to hear the world in a new and | 0:22:37 | 0:22:41 | |
exciting way. One of the best ways to do that is close your eyes and | 0:22:41 | 0:22:51 | |
0:22:51 | 0:23:11 | ||
And what works in your back garden This recording is a hugely scaled | 0:23:11 | 0:23:21 | |
0:23:21 | 0:23:23 | ||
up version of the garden experiment. These subcultures, in Kenya. -- | 0:23:23 | 0:23:26 | |
Park vultures. Chris also creates sounds for paintings. The National | 0:23:26 | 0:23:29 | |
Gallery commissioned him to create a soundtrack to one of its | 0:23:29 | 0:23:37 | |
masterpieces to hold visitors' attention. The average time people | 0:23:37 | 0:23:46 | |
spend looking at those paintings is four seconds. I chose the cornfield. | 0:23:46 | 0:23:56 | |
0:23:56 | 0:23:58 | ||
I created the sound of the view that Constable had created. In the | 0:23:58 | 0:24:04 | |
middle of the 19th century, Suffolk isn't played by noise pollution as | 0:24:04 | 0:24:12 | |
it is now. You see this village, which must have been full of life | 0:24:12 | 0:24:16 | |
and sound. Constable would not only have been able to see into the | 0:24:16 | 0:24:26 | |
distance, he would have been able to hear it. I got a commission to | 0:24:26 | 0:24:31 | |
work on a piece as a residency, and produce a piece of work at the end | 0:24:31 | 0:24:36 | |
of the residency. I knew about coastal erosion and what had | 0:24:36 | 0:24:40 | |
happened on that part of the coast. I wanted to work with the sound of | 0:24:40 | 0:24:45 | |
that. I heard the story when I was in Suffolk about the sunken bells | 0:24:45 | 0:24:51 | |
of the medieval city of Dunwich, which was inundated by coastal | 0:24:51 | 0:24:58 | |
erosion, in a huge storm. But the fishermen still tell the story that | 0:24:58 | 0:25:03 | |
they know Wendy weather is going to be bad of that part of the coast. | 0:25:03 | 0:25:08 | |
They can hear the bells from Dunwich beneath the waves, and that | 0:25:08 | 0:25:17 | |
caught my imagination. I wanted to work with that. I spent time | 0:25:17 | 0:25:24 | |
recording on the Suffolk coast. also recorded the sounds of the | 0:25:24 | 0:25:29 | |
incoming and outgoing tide. I want to turn represent how that | 0:25:29 | 0:25:35 | |
landscape is being eroded and sculpted every day. I produced a | 0:25:35 | 0:25:42 | |
piece of work which reflected that. It was called Longshaw drift. It | 0:25:42 | 0:25:49 | |
concludes by hearing the bells tolling under the surface of the | 0:25:49 | 0:25:59 | |
0:25:59 | 0:26:03 | ||
sea. I am on Cape Evans in Antarctica. The sound or quietness | 0:26:04 | 0:26:09 | |
here is almost below the threshold of this equipment. I don't think | 0:26:09 | 0:26:15 | |
there is any other place on earth as quiet as this, and there is | 0:26:15 | 0:26:25 | |
certainly no noise pollution here. I think down below, the sounds they | 0:26:25 | 0:26:31 | |
would have heard are much the same as I can record today. The sound of | 0:26:31 | 0:26:34 | |
silence above ground enables Chris to record the actual noise of the | 0:26:34 | 0:26:43 | |
planet itself. You get a sense that this is not some inert silence. It | 0:26:43 | 0:26:49 | |
is actually heaving with life, and literally straining and groaning to | 0:26:49 | 0:26:55 | |
make this very slow journey across the rocks into the sea. The sound | 0:26:55 | 0:26:58 | |
is actually inaudible to the human ear, just as the movement of the | 0:26:58 | 0:27:01 | |
glacier is invisible the eye but speed them both up and they come | 0:27:01 | 0:27:11 | |
0:27:11 | 0:27:12 | ||
Frozen Planet took more than two years to film, so the crew | 0:27:12 | 0:27:21 | |
inevitably needed lots of stories to keep each other entertained. | 0:27:21 | 0:27:25 | |
Chris has extraordinary discriminating ears. For example, | 0:27:25 | 0:27:29 | |
he maintains he can tell the difference between the sound of | 0:27:29 | 0:27:34 | |
waves in the Pacific, and waves and the Atlantic. The fact is that we | 0:27:34 | 0:27:39 | |
don't know whether he is joking or not! And though Chris has travelled | 0:27:39 | 0:27:42 | |
the world with David Attenborough, he still regards the Suffolk coast | 0:27:42 | 0:27:49 | |
as a special place. There are places in Suffolk of which there | 0:27:49 | 0:27:55 | |
are few left in our overcrowded, noisy British Isles. But there are | 0:27:55 | 0:27:58 | |
places, such as the place where Constable painted, were you can go | 0:27:58 | 0:28:03 | |
and get some sense of tranquillity, although noise pollution has | 0:28:03 | 0:28:09 | |
invaded many of those corners. If you listen carefully, there are | 0:28:09 | 0:28:17 | |
great places. You need to be seriously patient to do a job like | 0:28:17 | 0:28:23 | |
Chris's. But is it for us. See you next week. When I will be back with | 0:28:23 | 0:28:27 | |
the story's. Next week: We revealed how using | 0:28:27 | 0:28:32 | |
false ID to get into a nine live can ruin your future career. Well | 0:28:32 | 0:28:36 | |
farmers have to choose between growing enough food or protecting | 0:28:36 | 0:28:45 |