Browse content similar to 05/03/2018. Check below for episodes and series from the same categories and more!
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Hello.
I'm Sean Fletcher. | 0:00:04 | 0:00:06 | |
You're watching Inside Out London,
here is what is coming | 0:00:06 | 0:00:08 | |
up on tonight's show. | 0:00:08 | 0:00:10 | |
We meet the former city worker
on a mission to get rid | 0:00:10 | 0:00:13 | |
of London's plastic waste. | 0:00:13 | 0:00:15 | |
Just in one hour I've
filled up both my nets. | 0:00:15 | 0:00:19 | |
There is much more plastic
in the canal but I can't | 0:00:19 | 0:00:21 | |
collect everything. | 0:00:22 | 0:00:23 | |
Why antique furniture has plummeted
in price and popularity. | 0:00:23 | 0:00:26 | |
About ten years ago,
I'd like to think we would have got | 0:00:26 | 0:00:29 | |
£400 to £600 for this. | 0:00:29 | 0:00:31 | |
Today, it is in the
auction at £30 to £50. | 0:00:31 | 0:00:35 | |
And 75 years on, we remember
the victims of the Bethnal | 0:00:35 | 0:00:38 | |
Green tube disaster. | 0:00:38 | 0:00:41 | |
I heard all the people screaming
and calling for their mothers. | 0:00:41 | 0:00:44 | |
We just couldn't get out. | 0:00:44 | 0:00:46 | |
I couldn't get out. | 0:00:46 | 0:00:48 | |
It was a terrible, terrible night. | 0:00:48 | 0:00:55 | |
The recent broadcast of the BBC's
Blue Planet series has got everyone, | 0:01:01 | 0:01:03 | |
including the Queen
and the Prime Minister, | 0:01:03 | 0:01:06 | |
talking about how we can
reduce our plastic waste. | 0:01:06 | 0:01:09 | |
So we went to check out three very
different London projects that | 0:01:09 | 0:01:13 | |
are trying to do just that,
on the canals, in the classroom, | 0:01:13 | 0:01:16 | |
and on the high street. | 0:01:16 | 0:01:26 | |
In 2015, I raced a 70-foot yacht
from London to Rio de Janeiro. | 0:01:29 | 0:01:37 | |
And in the middle of
nowhere we found these two | 0:01:37 | 0:01:40 | |
turtles cut in a maze | 0:01:40 | 0:01:41 | |
of fishing nets and water bottles. | 0:01:41 | 0:01:42 | |
He's got yellow and orange
around his front right fin. | 0:01:42 | 0:01:45 | |
Well done. | 0:01:45 | 0:01:46 | |
In the middle of nowhere,
in this amazing ocean, | 0:01:46 | 0:01:48 | |
it is blue water everywhere and then
you have all this plastic. | 0:01:48 | 0:01:51 | |
Well done! | 0:01:51 | 0:01:52 | |
But it starts right here. | 0:01:52 | 0:01:55 | |
Everything needs to
stop at the source. | 0:01:55 | 0:01:56 | |
What is the source? | 0:01:56 | 0:01:57 | |
The source is us. | 0:01:57 | 0:02:03 | |
We couldn't have opened at a better
time if we had planned it. | 0:02:04 | 0:02:08 | |
We were looking to
open 12 months ago. | 0:02:08 | 0:02:12 | |
If we would have opened 12 months
ago, we wouldn't have been | 0:02:12 | 0:02:15 | |
as successful as we are now
so it is all to do | 0:02:15 | 0:02:17 | |
with David Attenborough. | 0:02:17 | 0:02:22 | |
If you take a plastic
bag, is it your fault? | 0:02:22 | 0:02:26 | |
I think it would be
the shop's fault. | 0:02:26 | 0:02:28 | |
Good answer. | 0:02:28 | 0:02:32 | |
In London, 66,000 tonnes of plastic
were sent for recycling last year | 0:02:32 | 0:02:37 | |
alone but nobody knows how much
was simply discarded elsewhere. | 0:02:37 | 0:02:40 | |
And while the government has pledged
to ban all avoidable | 0:02:40 | 0:02:42 | |
plastic waste by 2042,
some Londoners are | 0:02:42 | 0:02:44 | |
taking action now. | 0:02:44 | 0:02:54 | |
So today we were out with children
from Canary Wharf College and we | 0:02:58 | 0:03:01 | |
were doing plastic fishing trips. | 0:03:02 | 0:03:07 | |
It is really important to get
children involved in this | 0:03:07 | 0:03:10 | |
and excited by this from such
a young age. | 0:03:10 | 0:03:16 | |
Plastic Pirates! | 0:03:16 | 0:03:17 | |
Remember to recycle! | 0:03:17 | 0:03:21 | |
There was a recent study that showed
that 75% of fish that live | 0:03:21 | 0:03:24 | |
at the bottom of the River Thames
have plastic in their guts, | 0:03:24 | 0:03:27 | |
so it is a very real
issue here in London. | 0:03:27 | 0:03:30 | |
Back on dry land, the children
are less than impressed with | 0:03:30 | 0:03:33 | |
the government's 20-year timetable. | 0:03:33 | 0:03:34 | |
Do we think that
that is soon enough? | 0:03:34 | 0:03:36 | |
No! | 0:03:36 | 0:03:38 | |
No. | 0:03:38 | 0:03:39 | |
You're going to write a letter
to Theresa May in this lesson, | 0:03:39 | 0:03:44 | |
explaining to her why
you want to stop using | 0:03:44 | 0:03:54 | |
plastic in a time frame
that is up to for you. | 0:03:54 | 0:03:57 | |
So off you go. | 0:03:57 | 0:03:59 | |
In Battersea, this shop
is currently the only plastic | 0:03:59 | 0:04:01 | |
free shop in London. | 0:04:01 | 0:04:02 | |
Inspired by the owner's
experiences overseas. | 0:04:02 | 0:04:04 | |
There are lots of shops
like this in Australia, | 0:04:04 | 0:04:06 | |
like, every town has one. | 0:04:06 | 0:04:07 | |
I started googling about zero
waste shops in the UK | 0:04:07 | 0:04:10 | |
at the time there wasn't one. | 0:04:10 | 0:04:11 | |
I just thought, "This is not OK. | 0:04:11 | 0:04:13 | |
"I have to go back to London
and set a shop up." | 0:04:13 | 0:04:16 | |
So the idea is that you bring your
own containers from home. | 0:04:16 | 0:04:19 | |
It can be an old Tupperware
container, an old glass jar. | 0:04:19 | 0:04:21 | |
The idea is that you reuse
what you already have. | 0:04:21 | 0:04:24 | |
Then you just fill
with what you need. | 0:04:24 | 0:04:29 | |
So we have got lentils, grains,
rices, we have got cereals, | 0:04:29 | 0:04:31 | |
nuts, herbs and spices. | 0:04:31 | 0:04:33 | |
The good thing about shopping
like this is that you do not go home | 0:04:33 | 0:04:37 | |
with tonnes of products that
you are never going to use. | 0:04:37 | 0:04:39 | |
Then you just pay for what you need. | 0:04:40 | 0:04:44 | |
After cycling 150 miles
on the Thames, ex-city worker Drew | 0:04:44 | 0:04:52 | |
is now clearing plastic
from London's canals on board his | 0:04:52 | 0:04:54 | |
floating bamboo bicycle. | 0:04:54 | 0:05:00 | |
Just one hour in the canal,
I collected these two nets | 0:05:00 | 0:05:03 | |
full of plastic rubbish,
from packets, wo water | 0:05:03 | 0:05:07 | |
bottles to energy drinks
to single use packaging. | 0:05:07 | 0:05:13 | |
I can't collect everything
because if I collect | 0:05:13 | 0:05:15 | |
everything, I will sink! | 0:05:15 | 0:05:16 | |
The reaction from
the public is amazing. | 0:05:16 | 0:05:20 | |
They stop and they see and say,
"What are you doing? | 0:05:20 | 0:05:24 | |
"Are you cycling? | 0:05:24 | 0:05:25 | |
"Is that your own bike?" | 0:05:25 | 0:05:35 | |
They few people on
the loch say, "Stop." | 0:05:37 | 0:05:39 | |
So cleaning up the canal cleaning up
the river, for me personally, | 0:05:39 | 0:05:42 | |
I don't believe is a solution. | 0:05:42 | 0:05:45 | |
My whole goal is to get people
to make no more plastic pollution. | 0:05:45 | 0:05:48 | |
Talk about it. | 0:05:48 | 0:05:49 | |
Ultimately, if you're not
going to solve this, | 0:05:49 | 0:05:51 | |
we have to go and educate the young
people and make them more aware | 0:05:51 | 0:05:55 | |
of how damaging this
is and how we are destroying | 0:05:55 | 0:05:57 | |
their world, their planet. | 0:05:57 | 0:05:58 | |
You know, we're making
it worse for them. | 0:05:58 | 0:06:00 | |
Do you know, Gavin is also,
his charity is about creative ways | 0:06:00 | 0:06:04 | |
of solving some of these problems. | 0:06:04 | 0:06:05 | |
Back at Canary Wharf College,
the children are working on their | 0:06:05 | 0:06:12 | |
letters to the Prime Minister whilst
coming up with their own ideas | 0:06:12 | 0:06:15 | |
for dealing with plastic waste. | 0:06:15 | 0:06:22 | |
You could give artists or some
people who use sculptures | 0:06:22 | 0:06:25 | |
or something and maybe
they could make, like, sculptures | 0:06:25 | 0:06:27 | |
and art out of it or something. | 0:06:27 | 0:06:29 | |
In Sweden we still do this
and if you have a can or something | 0:06:29 | 0:06:32 | |
like that you bring it to the shop
and it gives you about | 0:06:32 | 0:06:35 | |
50% of what you paid. | 0:06:35 | 0:06:36 | |
But being ethical isn't always easy. | 0:06:36 | 0:06:39 | |
Starting a new business is hard
for anyone but it is even harder | 0:06:39 | 0:06:49 | |
when you're trying to find vegan,
cruelty-free, no palm | 0:06:49 | 0:06:51 | |
and minimal packaging possible. | 0:06:51 | 0:06:53 | |
And selling it for a decent price
whilst still being able | 0:06:53 | 0:06:56 | |
to afford to pay your bills. | 0:06:56 | 0:06:58 | |
But the community as a whole
is very supportive. | 0:06:58 | 0:07:06 | |
We are not against each other,
we are about helping each other | 0:07:06 | 0:07:09 | |
so that makes it easier. | 0:07:09 | 0:07:11 | |
It's mainly just the environmental
cost of using plastic. | 0:07:11 | 0:07:13 | |
I'm a geography teacher
so it is quite a big part | 0:07:13 | 0:07:16 | |
of my life, teaching people
about trying to be more mindful | 0:07:16 | 0:07:18 | |
of the waste they use. | 0:07:19 | 0:07:20 | |
I'm just really aware of not
using so much plastic. | 0:07:20 | 0:07:24 | |
I've been trying for a while now,
starting with getting loose | 0:07:24 | 0:07:27 | |
vegetables and fruit and just trying
to reduce as much as possible. | 0:07:27 | 0:07:33 | |
Hubbub has been set up for four
years and I think that in those four | 0:07:33 | 0:07:37 | |
years we have seen a real change
in public attitudes | 0:07:37 | 0:07:39 | |
and public perceptions
towards environmental issues. | 0:07:39 | 0:07:41 | |
I think there is more
of an acceptance among | 0:07:41 | 0:07:43 | |
the public that, yes,
we need to do something about these | 0:07:43 | 0:07:46 | |
issues but it does not mean
completely changing the way | 0:07:46 | 0:07:48 | |
that we live our lives. | 0:07:48 | 0:07:51 | |
It does mean re-evaluating certain
aspects of it which are just really | 0:07:51 | 0:07:54 | |
unnecessarily wasteful. | 0:07:54 | 0:07:55 | |
Seeing this plastic I feel very sad
because you are not just | 0:07:55 | 0:07:58 | |
destroying the way it looks,
you're also destroying | 0:07:58 | 0:08:00 | |
the life here. | 0:08:00 | 0:08:01 | |
If you can avoid purchasing
unnecessary plastic that would be | 0:08:01 | 0:08:03 | |
really, really helpful. | 0:08:03 | 0:08:04 | |
And if you can do it
and get your friends to do it | 0:08:04 | 0:08:08 | |
and they can get their friends to do
it it could have a real impact. | 0:08:08 | 0:08:11 | |
"Dear, Theresa May, I strongly
believe that your idea to solve | 0:08:11 | 0:08:14 | |
"the issue of plastic pollution
is great but there is just one | 0:08:14 | 0:08:17 | |
"problem, it is not soon enough." | 0:08:17 | 0:08:19 | |
"Plastic bags should be £1 each. | 0:08:19 | 0:08:23 | |
"The problem is that fish can
get trapped in them." | 0:08:23 | 0:08:27 | |
"Also, I think that if you are found
using a plastic straw, | 0:08:27 | 0:08:30 | |
"you should be fined £500." | 0:08:30 | 0:08:33 | |
"In 24 years, I will be an adult. | 0:08:33 | 0:08:37 | |
"We want it sooner. | 0:08:37 | 0:08:39 | |
"Everyone needs to come
together to help. | 0:08:39 | 0:08:41 | |
"This is our only world. | 0:08:41 | 0:08:43 | |
"Yours sincerely, Frederick." | 0:08:43 | 0:08:45 | |
"Yours sincerely, Maud." | 0:08:45 | 0:08:47 | |
"You need to act on this
fast so please help. | 0:08:47 | 0:08:50 | |
"It is embarrassing for us. | 0:08:50 | 0:08:51 | |
"Yours faithfully, Bella." | 0:08:51 | 0:08:52 | |
"Yours sincerely, Ian." | 0:08:52 | 0:08:53 | |
APPLAUSE | 0:08:53 | 0:09:00 | |
What a great way to get around
London and he's doing some | 0:09:09 | 0:09:12 | |
really important work. | 0:09:12 | 0:09:21 | |
Now then, still to come
on wonight's show... | 0:09:21 | 0:09:23 | |
In auction houses across London,
like this one in Islington, | 0:09:23 | 0:09:25 | |
there are incredible bargains
to be had. | 0:09:25 | 0:09:27 | |
Good quality, antique wooden
furniture is going for a song right | 0:09:27 | 0:09:33 | |
now but it is only those
in the know who realise what | 0:09:33 | 0:09:36 | |
a bargain you can get. | 0:09:36 | 0:09:37 | |
This weekend, a memorial service
was held in the East End to mark | 0:09:37 | 0:09:41 | |
the 75th anniversary of the worst
British civilian disaster | 0:09:41 | 0:09:42 | |
in World War II. | 0:09:42 | 0:09:49 | |
During an air raid alert,
173 people were crushed to death | 0:09:49 | 0:09:52 | |
as they fled to their nearest
shelter, the unfinished | 0:09:52 | 0:09:54 | |
Bethnal Green tube. | 0:09:54 | 0:09:58 | |
Recently, a fitting memorial
was finally unveiled at the sight | 0:09:58 | 0:10:01 | |
of the tragedy but the survivors
and families of the victims | 0:10:01 | 0:10:04 | |
are still seeking an official
apology for the way the authorities | 0:10:04 | 0:10:07 | |
handled the disaster. | 0:10:07 | 0:10:08 | |
I should warn you that some
of the details in this | 0:10:08 | 0:10:11 | |
report are disturbing. | 0:10:11 | 0:10:17 | |
Yesterday afternoon,
mourners gathered at the Church | 0:10:17 | 0:10:19 | |
of Saint John on Bethnal Green
to pay tribute to the hundred | 0:10:19 | 0:10:26 | |
--173 people, among them,
62 children who died on March | 0:10:26 | 0:10:28 | |
the 3rd 1943. | 0:10:28 | 0:10:33 | |
Only a handful of survivors from
the tragedy are still alive today. | 0:10:33 | 0:10:36 | |
We was running down
Victoria Park Square. | 0:10:36 | 0:10:41 | |
Wanting to see the entrance
to the tube which could not | 0:10:41 | 0:10:43 | |
come up fast enough. | 0:10:43 | 0:10:46 | |
Alf Morris first spoke to Inside Out
back in 2003 about his experiences. | 0:10:46 | 0:10:52 | |
He was just 13 when the air
raid sirens went off. | 0:10:52 | 0:10:55 | |
When we got down about as far
as where I am standing, | 0:10:55 | 0:11:00 | |
the rockets went across the park,
went across here. | 0:11:00 | 0:11:08 | |
There was a tremendous "shhh"
and everybody just leapt | 0:11:08 | 0:11:12 | |
forward and calling out,
"There is bombs, there is bombs." | 0:11:12 | 0:11:17 | |
In fact, the noise wasn't German
bombs but a new anti-aircraft gun | 0:11:17 | 0:11:20 | |
being fired in Victoria Park. | 0:11:20 | 0:11:25 | |
The unfamiliar noise was enough
to panic people as they headed | 0:11:25 | 0:11:27 | |
for the tube shelter. | 0:11:27 | 0:11:29 | |
There wouldn't have been the exits
that we have here today. | 0:11:29 | 0:11:31 | |
There would only have been this one. | 0:11:31 | 0:11:36 | |
It was covered in wood. | 0:11:36 | 0:11:40 | |
There was one very narrow doorway
so none of us know what dark | 0:11:40 | 0:11:49 | |
is like today but in the dark
of the black out, inky | 0:11:49 | 0:12:00 | |
dark of the black out,
people would have had to come | 0:12:04 | 0:12:06 | |
to the shelter by feeling their way
along the railings to find their way | 0:12:06 | 0:12:10 | |
here and they went through the door
and straight down these 19 steps. | 0:12:10 | 0:12:13 | |
You had 300 or 400 people trying
to get through this narrow door | 0:12:13 | 0:12:16 | |
and at that same time,
a lady at the bottom of the stairs | 0:12:16 | 0:12:19 | |
holding a child fell. | 0:12:19 | 0:12:20 | |
She pulled another man on top
of her and before they could get up, | 0:12:20 | 0:12:23 | |
others were falling on top of them. | 0:12:23 | 0:12:25 | |
And all those people coming
through this door just could not see | 0:12:25 | 0:12:28 | |
what was unfolding below them. | 0:12:28 | 0:12:29 | |
So they were falling on top
of people all the time. | 0:12:29 | 0:12:32 | |
Ray was nine years old when
he went down the steps | 0:12:32 | 0:12:34 | |
with his brothers and sisters,
just ahead of their parents | 0:12:34 | 0:12:37 | |
and grandparents. | 0:12:37 | 0:12:38 | |
It was such a surge going down,
pushing, you went with the surge | 0:12:38 | 0:12:41 | |
which ever way it went. | 0:12:41 | 0:12:42 | |
The people fell over
and people started going over | 0:12:42 | 0:12:44 | |
and that is when we were going down. | 0:12:44 | 0:12:46 | |
We got pushed out in the corner,
right at the bottom. | 0:12:46 | 0:12:49 | |
It was like a floodgate opened
and everything happened at once. | 0:12:49 | 0:12:53 | |
Ray and his siblings managed to get
out of the crush and reach the lower | 0:12:53 | 0:12:57 | |
staircase but they got separated
from their older relatives. | 0:12:57 | 0:12:59 | |
The rest of the night we stood
at the bottom of the stairs just | 0:12:59 | 0:13:02 | |
looking up waiting to see
the others come down. | 0:13:02 | 0:13:04 | |
They did not show up. | 0:13:04 | 0:13:06 | |
It was at that point,
my sister was saying, | 0:13:06 | 0:13:08 | |
"This is really bad,
this is, something really | 0:13:08 | 0:13:10 | |
"bad has happened." | 0:13:10 | 0:13:11 | |
Alf was stuck in the crush
at the bottom of the stairs. | 0:13:11 | 0:13:21 | |
I could not get out but a lady air
raid warden named Mrs Chumley | 0:13:21 | 0:13:24 | |
grabbed my hair and pulled. | 0:13:24 | 0:13:25 | |
That wouldn't happen so she put her
arms underneath my arms | 0:13:25 | 0:13:28 | |
and just yanked me out. | 0:13:28 | 0:13:36 | |
All my legs were all bleeding
and I was frightened out of my life. | 0:13:36 | 0:13:39 | |
I heard all the people screaming. | 0:13:39 | 0:13:41 | |
They were calling for their
mothers and fathers. | 0:13:41 | 0:13:43 | |
We just couldn't get out. | 0:13:43 | 0:13:44 | |
I couldn't get out. | 0:13:44 | 0:13:45 | |
Mrs Chumley pulled me out. | 0:13:45 | 0:13:47 | |
It was terrible. | 0:13:47 | 0:13:53 | |
At the time it was terrible. | 0:13:53 | 0:14:02 | |
After three hours of trying to pull
people out, the children, you know, | 0:14:02 | 0:14:10 | |
some of them were not recognisable
except by what they were wearing | 0:14:10 | 0:14:18 | |
and the rescuers really suffered
from the most horrendous trauma. | 0:14:18 | 0:14:23 | |
They laid bodies along street
here and had to go along | 0:14:23 | 0:14:28 | |
the bodies | 0:14:28 | 0:14:33 | |
with a mirror under the nose to see
if it steamed up to see | 0:14:33 | 0:14:37 | |
they were still alive. | 0:14:37 | 0:14:38 | |
My grandmother and my cousin died. | 0:14:38 | 0:14:40 | |
And my mother and my
aunt were survivors. | 0:14:40 | 0:14:42 | |
For Ray and his siblings,
it was many agonising hours before | 0:14:42 | 0:14:45 | |
the fate of their older
relatives was confirmed. | 0:14:45 | 0:14:47 | |
My sister, she was 17 at the time,
she had been round the hospitals | 0:14:47 | 0:14:50 | |
and couldn't find any of them. | 0:14:50 | 0:14:52 | |
So she ended up going
round the mortuaries | 0:14:52 | 0:14:54 | |
and that is when she found my father
and grandfather and grandmother. | 0:14:54 | 0:14:58 | |
She then carried on looking
for my mother and somebody said, | 0:14:58 | 0:15:06 | |
"Well, they took them
to the hospital in Dalston." | 0:15:06 | 0:15:08 | |
She was in a bad way
but she was alive. | 0:15:08 | 0:15:10 | |
Her face was all bruised,
her legs were bruised. | 0:15:10 | 0:15:13 | |
They went through it down there. | 0:15:13 | 0:15:16 | |
At the time, the disaster
was covered up so as not | 0:15:16 | 0:15:19 | |
to damage wartime morale. | 0:15:19 | 0:15:20 | |
And an enquiry published
after the war suggested | 0:15:20 | 0:15:26 | |
that the crowd had panicked
for no reason. | 0:15:26 | 0:15:28 | |
For the survivors, the bereaved
and the whole Bethnal Green | 0:15:28 | 0:15:31 | |
community, achieving greater public
recognition of the disaster | 0:15:31 | 0:15:33 | |
has been a long road. | 0:15:33 | 0:15:38 | |
Just before Christmas,
after a ten-year fundraising | 0:15:38 | 0:15:42 | |
campaign, a striking memorial
was finally unveiled to the victims. | 0:15:42 | 0:15:49 | |
I took one look at it and my niece
had to give me a handkerchief. | 0:15:49 | 0:15:53 | |
I got so emotional. | 0:15:53 | 0:15:56 | |
I think it is absolutely amazing
and I have said for donkeys years | 0:15:56 | 0:16:03 | |
that I wouldn't see that finished. | 0:16:03 | 0:16:06 | |
All my family come
from Bethnal Green. | 0:16:06 | 0:16:08 | |
One of my relatives died
in the tragedy in 1943, | 0:16:08 | 0:16:13 | |
Dickie Corbett, his actual
name was Coleman. | 0:16:13 | 0:16:16 | |
He is up on there. | 0:16:16 | 0:16:18 | |
Coleman. | 0:16:18 | 0:16:19 | |
He was a boxer. | 0:16:19 | 0:16:22 | |
Although I wasn't born
until 1944, the family always | 0:16:22 | 0:16:27 | |
talked about the terrible
Bethnal Green Underground disaster. | 0:16:27 | 0:16:36 | |
With due respect, we name
and honour the 173 | 0:16:36 | 0:16:38 | |
people whose names now
are here permanently, openly, | 0:16:38 | 0:16:40 | |
publicised and not hidden away. | 0:16:40 | 0:16:41 | |
I'm born and raised in the city. | 0:16:41 | 0:16:43 | |
I am a London. | 0:16:43 | 0:16:45 | |
I am a --Londoner. | 0:16:45 | 0:16:51 | |
Even I was not aware of this tragedy
until a few years ago. | 0:16:51 | 0:16:56 | |
It is important we remember
the stories that the | 0:16:56 | 0:16:58 | |
survivors still remember. | 0:16:58 | 0:17:05 | |
The memorial was designed by local
architect Harry Paticas who thought | 0:17:05 | 0:17:08 | |
that the small plaque over
the station entrance | 0:17:08 | 0:17:09 | |
was inadequate for the | 0:17:10 | 0:17:11 | |
scale of the tragedy. | 0:17:11 | 0:17:12 | |
I thought that the plaque was not
really a very sufficient reminder | 0:17:12 | 0:17:14 | |
of what actually happened. | 0:17:15 | 0:17:16 | |
I suddenly had an idea
for a memorial and the concept | 0:17:16 | 0:17:18 | |
was to take a cast of the space
where everybody died and to lift it | 0:17:18 | 0:17:22 | |
up above that stairway. | 0:17:22 | 0:17:23 | |
The memorial has become known
as the Stairway to Heaven. | 0:17:23 | 0:17:25 | |
It's a very powerful moment
to stand underneath it | 0:17:25 | 0:17:27 | |
and look up into the space
where all those people were. | 0:17:27 | 0:17:33 | |
There's 173 holes cut into the roof
of the stairway and these cones | 0:17:33 | 0:17:36 | |
are orientated towards South
and they are asymmetrical so they | 0:17:36 | 0:17:39 | |
will let the sunlight come through. | 0:17:39 | 0:17:40 | |
There will be this moment at certain
points of the year at around midday | 0:17:40 | 0:17:44 | |
when there will be 173 spots
of light that will be shining | 0:17:44 | 0:17:46 | |
through the void of the stairway
and onto the grounds. | 0:17:46 | 0:17:51 | |
We have many memorials around London
for smaller disasters so I think | 0:17:51 | 0:17:53 | |
it is incredibly important. | 0:17:53 | 0:17:56 | |
I think maybe for the national
consciousness, that this disaster | 0:17:56 | 0:17:58 | |
is properly recognised. | 0:17:59 | 0:18:01 | |
75 years have now passed
since the disaster. | 0:18:01 | 0:18:06 | |
But many still feel
that the historic record | 0:18:06 | 0:18:09 | |
of the tragedy needs to be
officially put right. | 0:18:09 | 0:18:11 | |
Certainly somebody
should be apologising. | 0:18:11 | 0:18:13 | |
This should never have happened. | 0:18:13 | 0:18:15 | |
It was preventable. | 0:18:15 | 0:18:18 | |
If only the entrance had been safer,
nobody would have fallen down. | 0:18:18 | 0:18:23 | |
The host secretary sprinkled his
statement in Parliament | 0:18:23 | 0:18:29 | |
with "the loss of self control"
phrase and so that's probably made | 0:18:29 | 0:18:32 | |
the survivors feel really guilty. | 0:18:32 | 0:18:36 | |
I hope that having this memorial
here now across the road | 0:18:36 | 0:18:42 | |
is helping them, in a way,
to have closure, that at least | 0:18:42 | 0:18:45 | |
people know what happened to them
and how awful it was. | 0:18:45 | 0:18:54 | |
20 years ago, London
was home to hundreds | 0:18:54 | 0:19:00 | |
of antique shops and dealers,
now, just a handful remain | 0:19:00 | 0:19:04 | |
because antique furniture
has plummeted in both | 0:19:04 | 0:19:06 | |
price and popularity. | 0:19:06 | 0:19:09 | |
So with brown furniture at rock
bottom, could now be a good time | 0:19:09 | 0:19:11 | |
to snap up a bargain? | 0:19:11 | 0:19:12 | |
We sent financial expert
Jasmine Birtles to find out. | 0:19:12 | 0:19:20 | |
In auction houses across London,
like this one in Islington, | 0:19:20 | 0:19:25 | |
there are incredible
bargains to be had. | 0:19:25 | 0:19:28 | |
Good quality, antique wooden
furniture is going for a song right | 0:19:28 | 0:19:31 | |
now but it is only those in the know
that realise what a | 0:19:31 | 0:19:34 | |
bargain you can get. | 0:19:34 | 0:19:38 | |
I just really want
to show you this... | 0:19:38 | 0:19:42 | |
Tracey Martin runs this
Islington auction house. | 0:19:42 | 0:19:44 | |
This is a typical
example of Victorian... | 0:19:44 | 0:19:53 | |
About ten years ago,
I would like to have thought | 0:19:53 | 0:19:57 | |
we could have got £400
to £600 for this. | 0:19:57 | 0:20:01 | |
Today it is in the
auction at £30 to £50. | 0:20:01 | 0:20:04 | |
Fire surround. | 0:20:04 | 0:20:05 | |
I can sell that for £45. | 0:20:05 | 0:20:07 | |
Sold for £45. | 0:20:07 | 0:20:09 | |
That is really sad that
that is genuinely all you think | 0:20:09 | 0:20:12 | |
it could really get. | 0:20:12 | 0:20:13 | |
It is a considerable drop. | 0:20:13 | 0:20:14 | |
I think a lot of that is
to do with fashions. | 0:20:14 | 0:20:17 | |
Things go round in circles
but I also think it is to do | 0:20:17 | 0:20:20 | |
with how it fits into our lives
and our houses. | 0:20:20 | 0:20:25 | |
This is the first time
I have been to an auction | 0:20:26 | 0:20:29 | |
and I found some great pieces. | 0:20:29 | 0:20:31 | |
There is a real mixture
of people buying here. | 0:20:31 | 0:20:41 | |
An old teacher's desk,
made of oak and it's | 0:20:43 | 0:20:45 | |
got this lovely little | 0:20:45 | 0:20:47 | |
bit at the front here. | 0:20:47 | 0:20:49 | |
I've got a very small
flat but I will use this | 0:20:49 | 0:20:51 | |
as a chest of drawers
and remember my old days teaching. | 0:20:51 | 0:20:54 | |
It is very unique. | 0:20:54 | 0:20:55 | |
That is what you're looking for. | 0:20:55 | 0:20:57 | |
I have bought many
things over the years. | 0:20:57 | 0:20:59 | |
Tables and chairs, they're just such
good value and you just can't | 0:20:59 | 0:21:01 | |
buy them for that price
new and they are better quality. | 0:21:01 | 0:21:05 | |
It is not just lower-end brown
furniture that has suffered. | 0:21:05 | 0:21:07 | |
High-end antique dealers
have also taken hit. | 0:21:07 | 0:21:09 | |
Kensington Church Street
in West London used to be | 0:21:09 | 0:21:14 | |
full of antiques shops,
now in this section, I count five. | 0:21:14 | 0:21:17 | |
The rest are being replaced
with restaurants, | 0:21:17 | 0:21:18 | |
hairdressers and nail bars. | 0:21:18 | 0:21:25 | |
Patrick Sandberg is one
of the remaining few. | 0:21:25 | 0:21:30 | |
I started 25 years ago
and it was the height of the market. | 0:21:30 | 0:21:34 | |
We had many, many Americans
and private trade. | 0:21:34 | 0:21:35 | |
It was an amazing time. | 0:21:35 | 0:21:37 | |
If people were going to buy a desk,
if they did not buy it from me, | 0:21:37 | 0:21:41 | |
they would buy it from one
of the other people on the street. | 0:21:41 | 0:21:44 | |
Everyone would get
a bite at the cherry. | 0:21:44 | 0:21:47 | |
But the millennium brought with it
minimalism, white walls | 0:21:47 | 0:21:49 | |
and flatpack furniture. | 0:21:49 | 0:21:50 | |
Antiques fell out of fashion. | 0:21:50 | 0:21:52 | |
Over the past decade,
sales of antique furniture | 0:21:52 | 0:21:54 | |
have fallen by 40%. | 0:21:54 | 0:22:00 | |
Business did get more difficult. | 0:22:00 | 0:22:02 | |
Dealers were forced to close. | 0:22:02 | 0:22:04 | |
20% have gone. | 0:22:04 | 0:22:05 | |
How have you survived? | 0:22:05 | 0:22:07 | |
I think by being competitive. | 0:22:07 | 0:22:12 | |
Someone said to me if you've got
a commodity like coffee, | 0:22:12 | 0:22:15 | |
when the value of it has dropped
to an extent that it is so stupidly | 0:22:15 | 0:22:20 | |
that it is so stupidly cheap,
then people will, forgive | 0:22:20 | 0:22:22 | |
the pun, smell the coffee
and start buying it again. | 0:22:22 | 0:22:24 | |
There is hope for the antiques trade
and I am sure we are not | 0:22:24 | 0:22:28 | |
all going to disappear. | 0:22:28 | 0:22:35 | |
Despite having had a devastating
time over the past decade, | 0:22:35 | 0:22:37 | |
things are looking up. | 0:22:37 | 0:22:46 | |
Exciting new figures released this
week by Art Market Research show | 0:22:46 | 0:22:48 | |
a small but significant
upturn in sales. | 0:22:48 | 0:22:50 | |
Talking to dealers, there
is certainly a renewed interest | 0:22:50 | 0:22:52 | |
in buying antique furniture. | 0:22:52 | 0:22:53 | |
That is exciting. | 0:22:53 | 0:22:58 | |
It is something that as a magazine,
we are championing. | 0:22:58 | 0:23:04 | |
There are some interior
designers who are using them | 0:23:04 | 0:23:06 | |
in fresh, interesting ways. | 0:23:06 | 0:23:07 | |
Jasper Conran, Ben Pentreath,
they are making | 0:23:07 | 0:23:09 | |
these pieces fashionable. | 0:23:09 | 0:23:13 | |
Caroline is one interior
designer who is championing | 0:23:13 | 0:23:15 | |
the revival of brown furniture. | 0:23:15 | 0:23:22 | |
I was brought up with nice antiques
and I have worked in the antiques | 0:23:22 | 0:23:24 | |
business for about 30 years. | 0:23:24 | 0:23:25 | |
I think mixing old and modern
can work very well. | 0:23:25 | 0:23:28 | |
Here it is. | 0:23:29 | 0:23:31 | |
Well, it's a very nice space
with lots of sunlight pouring in. | 0:23:31 | 0:23:36 | |
36-year-old Oliver has just moved
into his new home and has | 0:23:36 | 0:23:38 | |
enlisted Caroline's help. | 0:23:38 | 0:23:42 | |
If we can add height
to the room somehow... | 0:23:42 | 0:23:44 | |
What exactly do you want to achieve? | 0:23:44 | 0:23:49 | |
We just want a little
bit of theatre to it. | 0:23:49 | 0:23:52 | |
We're hoping antiques will add a bit
more character to this space. | 0:23:52 | 0:23:57 | |
A mirror there will visually open
the room and give a little | 0:23:57 | 0:23:59 | |
bounce to the sunlight. | 0:24:00 | 0:24:03 | |
Absolutely. | 0:24:03 | 0:24:04 | |
I will go away and talk
to my dealers and arrange | 0:24:04 | 0:24:07 | |
for some stuff to be sent. | 0:24:07 | 0:24:08 | |
Brilliant. | 0:24:08 | 0:24:09 | |
How exciting. | 0:24:09 | 0:24:10 | |
The younger generation don't
choose antiques enough. | 0:24:10 | 0:24:12 | |
They need to learn to appreciate
them and not regard them | 0:24:12 | 0:24:14 | |
as something their grandmother had. | 0:24:15 | 0:24:22 | |
Caroline's search for antiques
begins in Chelsea, at Lawford's. | 0:24:22 | 0:24:25 | |
I am working on a project
where a client wants to mix some | 0:24:25 | 0:24:28 | |
modern furniture that he has already
got with some 18th-century | 0:24:28 | 0:24:31 | |
style furniture. | 0:24:31 | 0:24:32 | |
OK. | 0:24:32 | 0:24:33 | |
So brown furniture. | 0:24:33 | 0:24:35 | |
Brown furniture, maybe painted | 0:24:35 | 0:24:36 | |
furniture. OK. | 0:24:36 | 0:24:37 | |
I've got this lovely book case. | 0:24:37 | 0:24:44 | |
There is nothing quite
like the grain on a wood | 0:24:44 | 0:24:47 | |
that is 100 or 200 years
old, maybe more. | 0:24:47 | 0:24:49 | |
You're not going to see it
in somebody else's house. | 0:24:49 | 0:24:52 | |
You own that one. | 0:24:52 | 0:24:54 | |
It is a lovely honey colour
and a nice fine grained oak. | 0:24:54 | 0:24:57 | |
Unfortunately, just a bit
too high for this house | 0:24:57 | 0:24:59 | |
because the ceiling is very low. | 0:24:59 | 0:25:00 | |
I think the prices have kind of gone
as low as they can go. | 0:25:00 | 0:25:04 | |
People are going to see the value
in this and they are going to start | 0:25:04 | 0:25:07 | |
looking at brown furniture. | 0:25:07 | 0:25:09 | |
There was one I saw
that had a rounded top. | 0:25:09 | 0:25:12 | |
Caroline has seen a few items
online that she likes. | 0:25:12 | 0:25:14 | |
I mean, in theory, if it is too
high, we could just not | 0:25:14 | 0:25:17 | |
put the top bit on. | 0:25:17 | 0:25:19 | |
We sell to a great many
designers and interior | 0:25:19 | 0:25:21 | |
companies across London. | 0:25:21 | 0:25:25 | |
A lot of these people are mixing
in very eclectic, cool designs. | 0:25:25 | 0:25:34 | |
It's a trend that is reflected
in magazines like House & Garden. | 0:25:34 | 0:25:39 | |
I remember one interior
designers saying you need | 0:25:39 | 0:25:41 | |
a bit of black in a room. | 0:25:41 | 0:25:44 | |
I think antiques and brown
furniture add that depth. | 0:25:44 | 0:25:47 | |
It stops it all looking bland. | 0:25:47 | 0:25:52 | |
There is a move to use colours,
not so many patterns, | 0:25:52 | 0:25:55 | |
things look a bit punchier. | 0:25:55 | 0:25:58 | |
Back at Olive'rs,
the antiques have arrived | 0:25:58 | 0:26:00 | |
and the team are hard at work. | 0:26:00 | 0:26:02 | |
Wow! | 0:26:02 | 0:26:03 | |
This is great. | 0:26:03 | 0:26:04 | |
It looks quite different
to what it was before. | 0:26:04 | 0:26:06 | |
It is just with a few pieces. | 0:26:06 | 0:26:08 | |
So talk me through it. | 0:26:08 | 0:26:09 | |
What is new and what is antique? | 0:26:09 | 0:26:11 | |
The sofa is new although
it looks very old. | 0:26:11 | 0:26:14 | |
The coffee table is 1960s or 70s. | 0:26:14 | 0:26:19 | |
These pretty painted oval chairs
are Edwardian, 18th-century style. | 0:26:19 | 0:26:21 | |
The lamps are brand-new. | 0:26:22 | 0:26:23 | |
This is lovely. | 0:26:23 | 0:26:24 | |
That is a Swedish mirror
from the early 19th century. | 0:26:24 | 0:26:26 | |
Oliver's front room has been
transformed from this to this. | 0:26:26 | 0:26:33 | |
Wow! | 0:26:33 | 0:26:34 | |
It is fantastic. | 0:26:34 | 0:26:35 | |
I like the mix of things. | 0:26:35 | 0:26:40 | |
This piece that Caroline has chosen
has made the room higher. | 0:26:40 | 0:26:42 | |
It has pushed the room further back. | 0:26:43 | 0:26:44 | |
A lot of my friends would certainly
like to use antiques. | 0:26:44 | 0:26:51 | |
There's not a lot of
education out there about | 0:26:51 | 0:26:53 | |
antiques and where to go. | 0:26:53 | 0:26:55 | |
You sort of think, "Where the hell
am I going to find these things?" | 0:26:55 | 0:26:58 | |
It is easier just to go
to IKEA or the high street. | 0:26:58 | 0:27:01 | |
Roughly how much
was this whole room? | 0:27:01 | 0:27:02 | |
I would have thought
most of this together | 0:27:02 | 0:27:06 | |
about £5000 to £6,000. | 0:27:06 | 0:27:10 | |
I didn't have the time
to really shop around. | 0:27:10 | 0:27:13 | |
If you look on the Internet
or you buy at auction, | 0:27:13 | 0:27:15 | |
then you can buy cheaper. | 0:27:15 | 0:27:17 | |
So if now is the time to buy,
what should we all be investing in? | 0:27:17 | 0:27:20 | |
Chest of drawers, little console
tables, things like that that | 0:27:20 | 0:27:22 | |
are stylish key pieces. | 0:27:22 | 0:27:26 | |
Invest in a few really good pieces,
this has to be a good time for it. | 0:27:26 | 0:27:29 | |
Fall in love with something
because if you really love a piece, | 0:27:29 | 0:27:35 | |
you can generally build around it. | 0:27:35 | 0:27:37 | |
I really hope that brown
furniture will be back. | 0:27:37 | 0:27:39 | |
I think it well. | 0:27:39 | 0:27:42 | |
Well, I will definitely
be keeping my eye out | 0:27:42 | 0:27:45 | |
for some brown bargains. | 0:27:45 | 0:27:46 | |
Jasmine Birtles reporting there. | 0:27:46 | 0:27:49 | |
Right, that is just about it
for tonight's Inside Out. | 0:27:49 | 0:27:51 | |
Before we go though,
let's have a quick look | 0:27:51 | 0:27:53 | |
at what is coming up
on next week's show. | 0:27:53 | 0:27:59 | |
Why London's commuters are deserting
the tube in their droves. | 0:27:59 | 0:28:02 | |
Tomorrow is my last
day working in London. | 0:28:02 | 0:28:04 | |
Goodbye to the commute from hell. | 0:28:04 | 0:28:05 | |
And to high childcare costs. | 0:28:05 | 0:28:11 | |
Could the much-mocked British
bungalow be coming back into vogue? | 0:28:11 | 0:28:15 | |
Architectural critics began to get
this bee in their bonnet | 0:28:15 | 0:28:18 | |
about what they call bungaloid
growth and it was a bit like working | 0:28:18 | 0:28:21 | |
people taking over the countryside
that had no rights to it. | 0:28:21 | 0:28:26 | |
And the untold story of the secret
canary girls of World War II. | 0:28:26 | 0:28:31 | |
You couldn't have had the army,
the air force and the Navy working | 0:28:31 | 0:28:34 | |
without the bombs that
were being made here. | 0:28:34 | 0:28:36 | |
Without the munitions,
the war could not have been one. | 0:28:36 | 0:28:42 | |
That is it for this
week's Inside Out. | 0:28:42 | 0:28:45 | |
Don't forget, tonight's programme
will be available on the iplayer. | 0:28:45 | 0:28:47 | |
Just head to our website. | 0:28:47 | 0:28:49 | |
BBC.co.uk/InsideOut
and click on London. | 0:28:49 | 0:28:53 | |
Thanks very much for watching. | 0:28:53 | 0:28:54 | |
See you again next week. | 0:28:54 | 0:28:59 |