Browse content similar to 13/02/2012. Check below for episodes and series from the same categories and more!
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Tonight - in sickness and in health - parted after a lifetime by a stay | :00:07. | :00:12. | |
in hospital that went terribly wrong. | :00:12. | :00:15. | |
I can see her every day and I know that she's comfortable and that's | :00:15. | :00:23. | |
consolation, but it doesn't bring her back home. | :00:23. | :00:26. | |
We take a Valentine's day trip to the cinema and a love affair with | :00:26. | :00:29. | |
Tyneside's silver screen. He was just entranced by the magic | :00:29. | :00:37. | |
of the cinema and the pleasure it could bring to ordinary people. | :00:37. | :00:40. | |
And the tomb readers casting light on a mysterious medieval message | :00:40. | :00:50. | |
:00:50. | :00:50. | ||
from England's bloodiest battle. Stories from the heart of the North | :00:50. | :01:00. | |
:01:00. | :01:11. | ||
Elderly, frail, vulnerable - the people who could most expect the | :01:11. | :01:17. | |
very best from the NHS. But even the prime minister has said there | :01:17. | :01:21. | |
is a real problem with nursing care for older people in our hospitals. | :01:21. | :01:26. | |
Is he right? I've been contacted about some worrying cases right | :01:26. | :01:34. | |
here in the North East. Nurses who attended to your every | :01:34. | :01:37. | |
need. Who'd find time to keep you company. It may be a rose-tinted | :01:37. | :01:40. | |
view. But still, it's a very different picture of healthcare | :01:40. | :01:44. | |
than the one I've been told about. Staggered and gutted that a human | :01:44. | :01:51. | |
being can be treated in that way. That person who's there, they're | :01:51. | :01:55. | |
the world to you, but for them tohe's just a number, well he's not | :01:55. | :02:00. | |
he was my dad - my daughter's granddad. | :02:00. | :02:03. | |
People have contacted me to say they were worried at standards of | :02:03. | :02:07. | |
care their relatives received. It's put on one particular hospital in | :02:07. | :02:12. | |
the spotlight. The University Hospital of North Durham - or UHND. | :02:12. | :02:15. | |
Opened in 2001 and run by the County Durham and Darlington NHS | :02:15. | :02:25. | |
:02:25. | :02:29. | ||
Foundation Trust. Elderly patient Betty Howarth went in there with | :02:29. | :02:32. | |
shingles last winter. Whenever we went in, there was a | :02:32. | :02:35. | |
strong smell of urine. On three occasions we had to ask for bedding | :02:35. | :02:41. | |
to be changed because it was soaked. We reckon she was not showered for | :02:41. | :02:46. | |
seven weeks. Her hair wasn't washed for a month. | :02:46. | :02:52. | |
Then there's Fred Simpson, a cancer patient. He couldn't swallow, so | :02:52. | :02:55. | |
when he was brought any meals they were just left on the table because | :02:55. | :02:59. | |
he couldn't eat it. I proceeded to bring him soup every day. | :02:59. | :03:02. | |
should you be expected to bring in food for your own dad in hospital? | :03:02. | :03:05. | |
Not really, I would not have thought so, because he's in their | :03:05. | :03:13. | |
care. And generally what Sandra saw on the ward worried her. One time I | :03:13. | :03:16. | |
went in there were tablets on the floor. There was an elderly guy | :03:16. | :03:19. | |
wandering around with his pyjama bottoms off. There was a gentleman | :03:19. | :03:23. | |
in the bed opposite me Dad and every time we went in, myself, my | :03:23. | :03:26. | |
husband told the nurses that he'd soiled himself. The room absolutely | :03:26. | :03:32. | |
stank. It doesn't end there. A patient | :03:32. | :03:42. | |
:03:42. | :03:42. | ||
emailed us. An older lady on the same ward asked three different | :03:42. | :03:46. | |
nurses to go to the toilet. They all told her to wait so over an | :03:46. | :03:50. | |
hour later she had an accident in the bed. Nurse said, "Do you go in | :03:50. | :03:54. | |
the bed at home Edna? No. Well you need to tell someone if you want to | :03:54. | :04:00. | |
go." So what are the standards of elderly care in there really like? | :04:00. | :04:03. | |
The body which inspects hospitals, the Care Quality Commission, says | :04:03. | :04:06. | |
it went into the hospital last August. They are still finalising | :04:06. | :04:09. | |
their report - but they did publish a draft on their website before | :04:09. | :04:12. | |
withdrawing it again. I have a copy and it makes for interesting | :04:12. | :04:16. | |
reading. "Elderly patients told the Care | :04:16. | :04:20. | |
Quality Commission they were treated with respect and dignity." | :04:20. | :04:30. | |
:04:30. | :04:31. | ||
But for patients with dementia it doesn't look as good. The | :04:31. | :04:34. | |
inspection team wrote, "We saw on more than one occasion that staff | :04:34. | :04:37. | |
were rather dismissive or ignored their behaviour. One lady who was | :04:38. | :04:42. | |
in a ward at the end of a corridor was crying out - we had to prompt a | :04:42. | :04:45. | |
nurse to offer the lady reassurance." The inspectors also | :04:45. | :04:47. | |
observed five patients who"'were not given the help or prompting | :04:47. | :04:51. | |
they needed to eat or drink" and when the meals were cleared away, | :04:51. | :04:55. | |
most of it was uneaten. The staff were also overheard referring to | :04:55. | :05:01. | |
patients who needed help with eating as "feeders". The draft we | :05:01. | :05:03. | |
have seen from the visit last August says that improvements must | :05:03. | :05:13. | |
be made in two key areas surrounding respect and nutrition. | :05:13. | :05:16. | |
A CQC spokesman told us the inspectors returned in January to | :05:16. | :05:19. | |
check that was happening and that the final report is now likely to | :05:19. | :05:22. | |
show that hospital is compliant with essential standards. It's a | :05:22. | :05:25. | |
far cry from this idealistic view of hospital care. Even so, the | :05:25. | :05:27. | |
Patients Association and the Alzheimer's Society say these | :05:27. | :05:30. | |
worrying stories are repeated across the country. Angela Rippon | :05:30. | :05:36. | |
campaigns for both organisations. Ream after ream after ream. Case | :05:36. | :05:39. | |
after case after case. Of individuals all basically saying | :05:39. | :05:42. | |
the same thing, that their buzzers are ignored, they're not fed | :05:42. | :05:44. | |
properly, they're becoming dehydrated, they're not being | :05:44. | :05:47. | |
helped with the toilet. Imagine lying in a bed in your own faeces, | :05:47. | :05:57. | |
:05:57. | :05:58. | ||
and your own urine, how degrading is that? | :05:58. | :06:02. | |
Even the Prime Minister is calling for change in our hospitals. But | :06:02. | :06:08. | |
why is it happening? It's easy to talk about nurses being too busy | :06:08. | :06:12. | |
but surely this is just about basic care? Absolutely and it makes | :06:12. | :06:15. | |
really difficult reading and very painful things for us to hear, but | :06:15. | :06:19. | |
what that is telling me is that the amount of work and care that is | :06:19. | :06:22. | |
required on that ward, there are insufficient people available to do | :06:22. | :06:32. | |
:06:32. | :06:32. | ||
We've met the trust here in Durham - they told us that they now have | :06:32. | :06:35. | |
more staff on elderly wards and have a number of schemes to make | :06:35. | :06:39. | |
sure the patients are fed properly. They said they had not been given | :06:39. | :06:42. | |
sufficient information about the families we featured so couldn't | :06:42. | :06:44. | |
comment, but they say they are fully compliant with the required | :06:44. | :06:49. | |
standards. The Trust added that "As in any hospital there are times | :06:49. | :06:52. | |
when we do not meet the expectations of patients - we work | :06:52. | :06:58. | |
hard to make sure that lessons are learned." Fred Simpson's daughter | :06:58. | :07:04. | |
was shocked when she visited after he'd had a routine biopsy. | :07:05. | :07:09. | |
I leaned over to kiss him on the head and when I put the hand on the | :07:09. | :07:13. | |
bed and lifted it up, there was a hand print of blood where I put my | :07:13. | :07:16. | |
hand down. I pulled the sheet back and where they'd done this liver | :07:16. | :07:19. | |
biopsy it was just running out like a tap. The blood was everywhere, it | :07:20. | :07:26. | |
was horrendous. In its annual report the Trust says | :07:26. | :07:32. | |
that the number of patients falling in its care is a cause for concern. | :07:32. | :07:35. | |
He'd been buzzing to go to the toilet during the night, and no-one | :07:35. | :07:39. | |
came and he'd got up to go to the toilet and next day when I went in, | :07:39. | :07:44. | |
he had this massive gash on his head. You can imagine seeing him | :07:44. | :07:51. | |
and thinking what's happened to you? And it happened to Betty | :07:51. | :07:59. | |
Howarth as well. She fell going to the toilet on her own. Betty had | :07:59. | :08:02. | |
broken her femur - her hip joint. What happened next - it's all there | :08:02. | :08:05. | |
in black and white. In the hospital's own notes. Nurses find | :08:05. | :08:11. | |
Betty on the toilet floor. They call for a doctor. That was at | :08:11. | :08:15. | |
9.30pm. Three hours pass. Still no sign, that doctor was too busy so | :08:15. | :08:18. | |
they were told to call another doctor. 2am - still no medical | :08:18. | :08:28. | |
attention from a doctor. It's now 3.30am. Betty's been six hours with | :08:28. | :08:31. | |
a broken bone and no proper pain relief, doctors are bleeped again. | :08:31. | :08:35. | |
No-one came. It was 10 and � hours from the record of the fall, to a | :08:35. | :08:39. | |
doctor actually seeing her. 10 and � hours! What do you make of that? | :08:39. | :08:42. | |
Well, I could have got assistance there more quickly had we been on | :08:42. | :08:50. | |
the fells in Cumbria. In an inquiry the Trust accepted that Betty's | :08:50. | :08:53. | |
wait for a doctor to was" entirely inappropriate "although the fall | :08:53. | :08:57. | |
could not have been prevented. The Trust also accepted that the level | :08:57. | :09:02. | |
of personal care for Betty was" unacceptable ". Because the Trust | :09:02. | :09:04. | |
said it would address these shortcomings the ombudsman decided | :09:04. | :09:09. | |
not to investigate further. Betty only went into hospital with | :09:09. | :09:12. | |
shingles, but when it was time to leave, a nurse delivered the news | :09:12. | :09:18. | |
Brian feared most. I sat listening and then her hand | :09:18. | :09:28. | |
:09:28. | :09:37. | ||
came on mine and on Betty's and they said she'll not be coming home. | :09:37. | :09:40. | |
I've known Betty for 72 years and to have her taken away is... I can | :09:40. | :09:43. | |
see her every day and I know that she's comfortable and that's | :09:43. | :09:51. | |
consolation, but it doesn't bring her back home. | :09:51. | :09:54. | |
So have we gone from this idyllic view of nursing, to an altogether | :09:54. | :09:59. | |
different picture nowadays? In terms of Fred Simpson's cancer, | :09:59. | :10:03. | |
there was nothing anyone could've done. He passed away a few weeks | :10:03. | :10:09. | |
later. Sandra was too upset to complain about his treatment. | :10:09. | :10:12. | |
Meanwhile Brian Howarth's getting used to living apart from his wife | :10:12. | :10:22. | |
:10:22. | :10:30. | ||
after 60 years. Betty's now in a private care home. I know she's | :10:30. | :10:33. | |
well cared for and when I go to bed at night, she's not there, beside | :10:34. | :10:37. | |
me but I can rest my head on the pillow and go to sleep knowing that | :10:37. | :10:43. | |
she's cared for. It was prying he got in contact and last as to tell | :10:43. | :10:48. | |
this story, so if you have anything like this to tell us, please get in | :10:48. | :10:57. | |
touch with us. If you do not have your Valentine's | :10:57. | :11:01. | |
gift yet, how about a romantic night-time attack the cinema? | :11:01. | :11:05. | |
Newcastle has had a love affair with the silver screen. The | :11:05. | :11:09. | |
Tyneside Cinema is 75 years old this month and despite admitting to | :11:09. | :11:19. | |
:11:19. | :11:20. | ||
a facelift, it still has a special place in the heart of its audience. | :11:20. | :11:24. | |
Down an alley way, some time in their mid- 80s, the cinema were | :11:24. | :11:28. | |
Kirsop and notebook filled with short hand. What he had found was | :11:28. | :11:34. | |
the key to one of the greatest love stories Tyneside has ever known, | :11:34. | :11:39. | |
Britain by the cinema's founder, Dixon Scott. He was just entranced | :11:39. | :11:44. | |
by the magic of the cinema and the pleasure and a light he could bring | :11:44. | :11:54. | |
:11:54. | :11:59. | ||
to ordinary people. Laughter, tears, glamour, beauty. We do that for you. | :11:59. | :12:06. | |
It began 75 years ago this month course stop an entrepreneurial | :12:06. | :12:10. | |
picture house owner had had a brainwave, he called at the | :12:10. | :12:14. | |
Newcastle News theatre. People who did not have access to television | :12:14. | :12:19. | |
at the time, they may not have the time would the money to buy again | :12:19. | :12:24. | |
the newspaper, they could drop by the use the term. They could see | :12:24. | :12:28. | |
the news reels with the news of the day. He was not just in it for what | :12:28. | :12:33. | |
the money. He wanted a place where working people and their families | :12:33. | :12:38. | |
could gain information about what was happening in the world. It was | :12:38. | :12:42. | |
expanding people's understanding of the world in ways that had a been | :12:42. | :12:50. | |
possible up to that point. He did create a place where the | :12:50. | :12:54. | |
experiences of people could be whitened and their interests | :12:54. | :13:04. | |
:13:04. | :13:04. | ||
developed. Big occasions for me where Cup finals, when Newcastle | :13:04. | :13:14. | |
:13:14. | :13:22. | ||
United used to win. 1951. 52. 55. It was the only way, if he did not | :13:22. | :13:29. | |
go to the match, to feel the at the sphere. It was a place that had a | :13:29. | :13:34. | |
big effect on people, the unforgettable images they saw, of | :13:34. | :13:42. | |
guns booming out during the Battle of El Alamein. The images of the | :13:42. | :13:52. | |
:13:52. | :13:54. | ||
death camps. But also beyond that, it was in its design, and a sort of | :13:54. | :14:04. | |
:14:04. | :14:06. | ||
Cathedral, a palace of culture from a different world. Everywhere was | :14:06. | :14:12. | |
black, monochrome, so to come to a place like this, it really knocked | :14:12. | :14:22. | |
:14:22. | :14:25. | ||
to your eyes out. It was really exotic, it was like something out | :14:25. | :14:30. | |
of Arabian nights. It is just as Dixon Scott had planned it. He had | :14:31. | :14:35. | |
lovingly wrapped his gift in the most elegant of boxers. He was very | :14:36. | :14:39. | |
much behind the look of the building, a reflection of the | :14:39. | :14:44. | |
places he had visited, the styles he liked, and they were all put | :14:44. | :14:54. | |
:14:54. | :14:55. | ||
together in slightly zany way in It is very inviting the way you are | :14:55. | :15:00. | |
invited upstairs. It feels like a series of secret. People are | :15:00. | :15:03. | |
pushing on doors and poking their noses into doors where they should | :15:03. | :15:07. | |
not go. But I like that people have that sense of ownership of the | :15:07. | :15:12. | |
building. People can walk in off the street. How about having a | :15:12. | :15:15. | |
knitting circle? If we can accommodate these people, I would | :15:15. | :15:25. | |
:15:25. | :15:28. | ||
The place has not changed at all in the 28 years I have been here. | :15:28. | :15:32. | |
has not changed a lot. When they did the redevelopment, I spent so | :15:32. | :15:35. | |
much money on the new tables, new chairs and new fittings, and yet, | :15:35. | :15:39. | |
what I wanted from it was people to walk in and say, this is great, it | :15:39. | :15:47. | |
has never changed. Poached egg on toast has been on the menu since | :15:47. | :15:53. | |
1937. Remember the book found in the skip | :15:53. | :16:00. | |
in the alleyway in the Eighties? That was Dixon Scott's notebook. | :16:00. | :16:03. | |
His own private thoughts about how cinema can bring culture to the | :16:03. | :16:09. | |
masses. How the cinemas grew, through the | :16:09. | :16:12. | |
great social need and industrial communities, with no hobbies and no | :16:12. | :16:20. | |
possibility of hobbies, it opened the world to them. | :16:20. | :16:27. | |
This little building has stamped its mark across the crop. -- globe. | :16:27. | :16:29. | |
It has influenced the careers of some of the world's best-known | :16:29. | :16:34. | |
film-makers. Many director is -- many of the | :16:34. | :16:37. | |
directors would not be making the films they are today but was not | :16:37. | :16:42. | |
for this place. They range from Ridley Scott... | :16:42. | :16:45. | |
I forgot to tell you, they are actually Dixon Scott's great | :16:45. | :16:47. | |
nephews. Marshall, Anderson, all of these | :16:47. | :16:50. | |
film-makers who come from the north-east. All of them have been | :16:50. | :16:55. | |
two and loved the Tyneside Cinema. I have an office behind the circle | :16:55. | :17:01. | |
in cinema one. The posters and the ice creams were kept there. For me, | :17:01. | :17:04. | |
and for my directing partner, we developed, produced, post produced | :17:04. | :17:07. | |
and then screened our very first feature film, Killing Time, all at | :17:07. | :17:14. | |
the Tyneside Cinema. It felt like my private cinema so I felt | :17:14. | :17:19. | |
incredibly lucky and incredibly grateful. | :17:19. | :17:21. | |
The film's people saw and experiences they had inspired | :17:21. | :17:29. | |
careers from writer to rock star. The first time I went to the | :17:29. | :17:33. | |
Tyneside Cinema was on an art trip. A Francis Bacon film called Love Is | :17:33. | :17:38. | |
The Devil. I have a very vivid memory of going | :17:38. | :17:43. | |
to see a French film from the 1970s at Tyneside Cinema. I was just | :17:43. | :17:48. | |
entranced by it. I had a real yearning for culture, | :17:49. | :17:53. | |
as I still do. Whatever is available, I will seek it out. And | :17:53. | :17:57. | |
be inspired by it. When you see something as brilliant | :17:57. | :18:01. | |
as that, you think, I would really like to get into this business. I | :18:01. | :18:07. | |
would really like to make stories, to make films. | :18:07. | :18:10. | |
Michael went on to write many successful TV series. And a book | :18:10. | :18:14. | |
about the cinema. It has always aimed to bring challenging films to | :18:14. | :18:20. | |
its audiences. It is a nice place to be. They run | :18:20. | :18:23. | |
mainstream films but they also run films that would appeal to a | :18:23. | :18:26. | |
smaller audience. It is very important that kind of tradition is | :18:26. | :18:32. | |
kept up. Cinema is an art form at the end of the day. | :18:33. | :18:37. | |
It was Dixon Scott's greatest passion. | :18:37. | :18:42. | |
Here is, for a man, the perfect love. | :18:42. | :18:46. | |
The course of true love never did it once made. This man has seen | :18:46. | :18:49. | |
some dark days like when the British Film Institute got its | :18:49. | :18:54. | |
hands on the place. It was run from London, and the | :18:54. | :18:57. | |
interest was not there. It was something they had to do in the | :18:57. | :19:02. | |
regions. I am sure most of these places were set up to fail. | :19:03. | :19:06. | |
It looks like it would close in fact, it did. People refused to | :19:06. | :19:09. | |
accept the fact it was closing and they organised themselves, a series | :19:09. | :19:19. | |
:19:19. | :19:21. | ||
of protests screenings, and people Skipping a scene or two, after many | :19:21. | :19:25. | |
minor neck sand tracks and a major facelift, the old lady is as | :19:25. | :19:29. | |
radiant as she was when Newcastle first fell in love with her. -- | :19:29. | :19:38. | |
minor nips and tucks. We have built a business for the | :19:38. | :19:43. | |
public, that all the highbrows and their allies cannot kill. | :19:43. | :19:46. | |
He was very imaginative. He came up with this idea of marking the | :19:46. | :19:52. | |
screening of the a film called Broken Blossoms. Down from the | :19:52. | :19:54. | |
ceiling of the cinema flutter today's little artificial blossoms, | :19:54. | :19:56. | |
and thousands upon thousands of these little flower blossoms | :19:56. | :20:04. | |
fluttering down and the audience were completely entranced by this. | :20:04. | :20:12. | |
It is the same with the cinema today. It is a magical place. | :20:12. | :20:15. | |
We have just been amplifying his original vision, in terms of his | :20:15. | :20:18. | |
vision for the space but also his passion for film. We are just | :20:18. | :20:26. | |
carrying on that. I would be lost without the cinema. | :20:26. | :20:29. | |
The next film we are going to see his Australian, and it is | :20:29. | :20:38. | |
erotically explicit. I am sure that from his portrait on | :20:38. | :20:41. | |
the staircase, as you go up through the cinema, he is looking around | :20:41. | :20:45. | |
and nodding with approval at what is going on 75 years after he first | :20:45. | :20:55. | |
:20:55. | :20:58. | ||
If you look around, there are plenty of clues that tell us about | :20:58. | :21:01. | |
our history but in North Yorkshire there is an inscription about a | :21:01. | :21:03. | |
famous battle more than five centuries ago that has baffled | :21:03. | :21:09. | |
historians. It is a a mystery that a noble man slain in that battle | :21:09. | :21:17. | |
took to his grave. Literally. In a chill winter, 550 years ago, | :21:17. | :21:27. | |
:21:27. | :21:28. | ||
the Wars of the Roses tore through On Towton Fields near Tadcaster | :21:28. | :21:32. | |
they lined up for what would become the bloodiest battle ever fought on | :21:32. | :21:38. | |
English soil. Archer against archer, cousin against cousin, steel | :21:38. | :21:48. | |
:21:48. | :21:58. | ||
The unfreezing was it, to cut her last it from dawn until dusk. Many | :21:58. | :22:03. | |
thousands of men died. Countless foot soldiers were lost and many | :22:03. | :22:09. | |
noblemen, too, were to perish on that Palm Sunday in. One of them, | :22:09. | :22:19. | |
the Lancastrian Lord Dacre, would fall in the thick of the action. | :22:19. | :22:23. | |
Fighting in full armour would have been hard work. Hot and thirsty, | :22:23. | :22:28. | |
the Lord removed his helmet and drank what would be his last drink. | :22:28. | :22:31. | |
Some accounts tell of a boy with a crossbow hiding in a burr tree, | :22:31. | :22:34. | |
others say it was a lucky archer who spotted the vulnerable | :22:34. | :22:43. | |
commander. Either way, the end was the same. He fell dead and narrow | :22:43. | :22:46. | |
in his neck. The unlucky Lord ended up buried | :22:46. | :22:49. | |
close to where he fell. In the nearby village of Saxton, the | :22:49. | :22:52. | |
churchyard is the last resting place for the bones of both | :22:52. | :22:58. | |
Lancastrians and Yorkists. They're all equal now. But the ground | :22:58. | :23:04. | |
beneath my feet will be heaving with the dead of the battle. Most | :23:04. | :23:08. | |
of them do not have their names in the rest of -- in the history books | :23:08. | :23:12. | |
but this is the final resting place of LAT port. | :23:12. | :23:15. | |
The tomb dates from the 15th century and the years have been far | :23:15. | :23:19. | |
from kind. The ancient inscription has all but worn away and the last | :23:19. | :23:22. | |
time the words were legible enough to transcribe was probably in the | :23:22. | :23:25. | |
Victorian era. No-one can be sure how accurate the previous | :23:25. | :23:28. | |
interpretations of the complicated Latin actually were, and in recent | :23:28. | :23:30. | |
times, archaeologists have never attempted to record exactly what | :23:30. | :23:40. | |
:23:40. | :23:44. | ||
remains of the inscription. Until now. | :23:44. | :23:47. | |
A team from the University of York, led by archaeologist Tim Sutherland, | :23:47. | :23:49. | |
are hoping to make a definitive record of the tomb's Latin | :23:50. | :23:52. | |
inscription and confirm what was actually chiselled into the stone | :23:52. | :24:02. | |
:24:02. | :24:08. | ||
500 years ago. It says, here lies Lord Baker. -- Lord Dacre. Although | :24:08. | :24:11. | |
it is abbreviated Latin text, and therefore not a simple case of | :24:12. | :24:19. | |
reading it, and also, as you can see, there are sizable chunk | :24:19. | :24:26. | |
missing. Recording best with millimetre precision for the first | :24:26. | :24:31. | |
time will give us new information. The person who originally | :24:31. | :24:36. | |
transcribed to this did it several hundred years ago and so, do we | :24:36. | :24:44. | |
believe them? As with everything, we think we know a lot more than we | :24:44. | :24:49. | |
actually do know. The team set up their equipment and | :24:49. | :24:52. | |
prepare to take hundreds of photographs of the top of the tomb. | :24:52. | :24:55. | |
Before they can begin, though, they'll need darkness and a lot of | :24:55. | :25:05. | |
:25:05. | :25:06. | ||
patience on a chilly night. We are moving a lighter over the surface | :25:06. | :25:10. | |
to bring out the shadows and taking photographs from multiple | :25:10. | :25:13. | |
directions and then we will stitch it together to see as much detail | :25:13. | :25:23. | |
:25:23. | :25:30. | ||
as possible. We will combine a all of these photos into one photograph | :25:30. | :25:34. | |
and that will allow us to record the inscription that was left on | :25:34. | :25:37. | |
the tomb. It is a real jigsaw of light but | :25:37. | :25:39. | |
immediately the photographs offer a tantalising glimpse of abbreviated | :25:39. | :25:49. | |
Latin text. That is brilliant. You can see a really faint but in the | :25:49. | :25:59. | |
middle. Is that a bit of graffiti? It is going very well, we are | :25:59. | :26:05. | |
already finding things. There appears to be some graffiti. | :26:05. | :26:13. | |
Probably 200 years old or something. You can see the effect now. It is | :26:13. | :26:18. | |
blindingly obvious. Almost impossible to think you cannot see | :26:18. | :26:22. | |
this in daylight. The team work through the night, | :26:22. | :26:32. | |
:26:32. | :26:38. | ||
managing to faithfully record every mark on the top of the tomb. It is | :26:38. | :26:41. | |
just over one month since they photographed that to him. Now that | :26:41. | :26:45. | |
the University of York they are starting to peace it together. And | :26:46. | :26:48. | |
initial analysis quickly shows that the weathering of the tomb's | :26:48. | :26:58. | |
:26:58. | :26:58. | ||
lettering is far worse than anyone thought. It is obvious that a lot | :26:58. | :27:03. | |
of the stone has gone and it is extremely difficult to read full | :27:03. | :27:11. | |
words or reconstruct the entire -- entire inscription. We have lost a | :27:11. | :27:20. | |
lot of the surface. When this was fresh, it would have been almost as | :27:21. | :27:30. | |
smooth as this table top. This is just the start. Now we need to put | :27:30. | :27:33. | |
the day trying to a computer and now we have to spend a long time | :27:33. | :27:38. | |
manipulating all of the images, and interpreting every single line on | :27:38. | :27:44. | |
the surface of that to him. Once the letters are pieced together, | :27:44. | :27:50. | |
Latin experts will have their say on the meaning of the words. 10 is | :27:50. | :27:59. | |
convinced it is worth Prix effort. It will only exist in this manner | :27:59. | :28:09. | |
:28:09. | :28:13. | ||
for a certain amount of time before it is crumbling into dust. For the | :28:13. | :28:16. | |
moment, the exact inscription on Lord Dacre's tomb may remain a | :28:16. | :28:18. | |
perplexing puzzle but the archaeologists have managed, at the | :28:18. | :28:21. |