Browse content similar to 27/02/2012. Check below for episodes and series from the same categories and more!
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They to have a real knock-on effect we do a lot of weddings of the | :02:49. | :02:59. | |
:02:59. | :03:02. | ||
hotel. If the if we can do these days, the go elsewhere. If people | :03:02. | :03:07. | |
council, the cannot go cap in hand to the wedding party. | :03:07. | :03:11. | |
Japanese tours often start in Edinburgh and end in London. But | :03:11. | :03:17. | |
this summer, hotel prices in the capital are up to six times higher. | :03:17. | :03:22. | |
One operator who normally brings 5000 Japanese in July and August | :03:22. | :03:26. | |
told me that they have no tours planned during the games. On the | :03:26. | :03:31. | |
lake, that means lost business. We have had cancellations of parts of | :03:31. | :03:35. | |
the series from some of the inbound operators. We wondered whether that | :03:35. | :03:40. | |
was going to happen, but now the cancellations have materialised. | :03:40. | :03:46. | |
When the council, are they telling you for sure what is happening? | :03:46. | :03:56. | |
:03:56. | :03:57. | ||
we see that there -- that the series that clashes with at the | :03:57. | :04:04. | |
Olympics have been cancelled. London is an integral part of the | :04:04. | :04:09. | |
tour and they cannot get hotel bookings. Other woman, it is | :04:09. | :04:13. | |
several 1000 bookings that have been cancelled. But it is a bit | :04:13. | :04:17. | |
difficult to quantify. It is OK to measure the bookings that have been | :04:17. | :04:22. | |
cancelled, but it is harder to estimate that bookings it never | :04:22. | :04:32. | |
:04:32. | :04:33. | ||
materialised. If you are a Japanese visitor, this is the place to come. | :04:33. | :04:38. | |
It is a hilltop farm near Hawkshead, the home of the to exporter. Every | :04:38. | :04:48. | |
:04:48. | :04:49. | ||
year, Japanese tourists come here to emerge themselves in this world. | :04:49. | :04:53. | |
It is our number one market by a long way. It comes down to one | :04:53. | :05:00. | |
things, their books. The Japanese use these books to learn English. | :05:00. | :05:04. | |
We have poured generations in Japan who wrote stories from there. It | :05:04. | :05:08. | |
prevents a beautiful picture of Britain, very picturesque, very | :05:08. | :05:14. | |
traditional. It is what people imagine the Lake District to be. | :05:14. | :05:20. | |
they do not come, what will happen? It will be a challenge for us. It | :05:20. | :05:24. | |
will be one of the things that we are looking up at the moment. But | :05:24. | :05:30. | |
the way that the group's work, they start to cancel as we are closer to | :05:30. | :05:35. | |
the time. -- Groups. Despite the uncertainty, John things up the | :05:35. | :05:45. | |
:05:45. | :05:46. | ||
Olympics will benefit the lakes. is a bit of a risk for this one | :05:46. | :05:50. | |
time. But the whole of the world will be looking at Britain and the | :05:50. | :05:55. | |
benefit for us there is really enormous. And that is the message | :05:55. | :06:03. | |
that the government will try to put out when the Culture Minister kicks | :06:03. | :06:07. | |
of the Cultural Olympiad. If there is one message that I hope everyone | :06:07. | :06:13. | |
takes away from this morning, it is that next year, it is going to be a | :06:14. | :06:18. | |
once in a lifetime opportunity to promote business in Cumbria and the | :06:18. | :06:23. | |
north-west. Every bit as much as it is to promote what London has to | :06:23. | :06:29. | |
offer. But not everyone agrees. Despite a big push from the | :06:29. | :06:35. | |
government to encourage us all to fill the gap left by Japanese | :06:35. | :06:43. | |
tourists. But to advertise on the government's website, you have to | :06:43. | :06:48. | |
drop your price. It is like asking Harrods it to give a discount | :06:48. | :06:55. | |
during the one up to Christmas. It is biased towards the big operators, | :06:55. | :06:59. | |
and they do not operate in the leaks. The lakes consist of private | :06:59. | :07:07. | |
operators. -- Lakes. Many businesses are already producing | :07:07. | :07:13. | |
those kind of deals as part of their normal marketing strategies. | :07:13. | :07:18. | |
They will have special offers on one particular parts of the day or | :07:18. | :07:22. | |
parts of the year. We are asking them to take those existing things | :07:22. | :07:27. | |
that they would be doing anyway am joined with the government in a | :07:27. | :07:29. | |
Countrywide marketing plan to harness the opportunities of the | :07:29. | :07:36. | |
Olympics. This is the most important time of the year. It is | :07:36. | :07:41. | |
going to cost my hotel tens of thousands. We know that. And for | :07:41. | :07:51. | |
:07:51. | :07:52. | ||
the legs as a whole, it will cost millions. -- Lakes. Not everyone is | :07:52. | :08:02. | |
:08:02. | :08:04. | ||
a pessimist. Stephen went to Japan to market his company. It is good | :08:04. | :08:07. | |
to Dr them debate. We cannot just sit in the Lake District and wait | :08:07. | :08:14. | |
for them to come. -- it is good to talk to them direct. He has some | :08:14. | :08:20. | |
practical suggestions for would-be tourists. Come through other | :08:20. | :08:26. | |
airports in Europe. Come through Helsinki, Amsterdam, Paris. And | :08:26. | :08:34. | |
come into regional airports such as Manchester, Glasgow, Edinburgh. We | :08:34. | :08:38. | |
have definitely got some business coming through a regional airport | :08:38. | :08:45. | |
are rather than coming in through London. It is clear from my travels | :08:45. | :08:53. | |
through the legs that there already have been some Olympic losers. -- | :08:53. | :09:03. | |
Lakes. It will only be after the Games are over whether there will | :09:03. | :09:13. | |
:09:13. | :09:16. | ||
be commiserations are celebrations Still to come to light. The soul of | :09:16. | :09:22. | |
the River Tyne. As you have never heard it before. I the sounds will | :09:22. | :09:25. | |
be affected by what the public decide to do. It is a collaboration | :09:25. | :09:30. | |
between the river and the people as to the type of sound created. It | :09:30. | :09:40. | |
:09:40. | :09:40. | ||
None of us want to face it. Writing a will it does seem rather dramatic. | :09:40. | :09:45. | |
But as well as thinking about what happens after we die, perhaps we | :09:45. | :09:52. | |
should consider how we shuffle off this mortal coil. Chris | :09:52. | :10:02. | |
:10:02. | :10:04. | ||
passionately believes that if we Death touches everybody's life at | :10:04. | :10:11. | |
some point. In that sense, everybody has a story. My story | :10:11. | :10:16. | |
would be a I lost my own mother to cancer about 18 months ago. She | :10:16. | :10:22. | |
died at home which was her choice, surrounded by the people she loved. | :10:23. | :10:28. | |
I am quite passionate about about that, that people should be given | :10:28. | :10:32. | |
the power to make those choices. I have heard that there are a number | :10:32. | :10:36. | |
of schemes in the north-east which are setting out to allow people to | :10:36. | :10:40. | |
do that. I am hoping to find out more about that during the making | :10:40. | :10:50. | |
:10:50. | :10:50. | ||
of this film. Why spend your last days crime? -- crying? I want them | :10:50. | :10:55. | |
to be happy and fun and having a laugh at. It was quite shattering | :10:55. | :11:00. | |
when they told me. I still do not think it was me that they were | :11:00. | :11:05. | |
talking about. Linda has that lethal bacteria and her lungs. She | :11:05. | :11:10. | |
could live for years, but then she could die any time. A I have | :11:11. | :11:15. | |
planned my funeral. Right down to all the details. I have picked my | :11:15. | :11:25. | |
:11:25. | :11:30. | ||
own music. An eco-friendly coffin. Any particular reason? I'd of that | :11:30. | :11:40. | |
brand. How is it helping you to do all this? My grandmother did not | :11:40. | :11:45. | |
want what she got when she passed away. And they do know what my | :11:45. | :11:51. | |
children to do all this. Basically, it is selfish. It is about control. | :11:51. | :11:56. | |
What do you family bit of it? said to do what I want. I cannot | :11:56. | :12:01. | |
believe how flag she is. But some of the more unusual requests had | :12:02. | :12:06. | |
been a possible because of a pioneering scheme on Tyneside | :12:06. | :12:16. | |
:12:16. | :12:18. | ||
called a good death. I'm Jeannie Penman. I work for Home | :12:18. | :12:21. | |
Group which is a social housing provider and they are running a | :12:21. | :12:23. | |
pilot. Basically, we are here to support people on practical and | :12:23. | :12:27. | |
emotional issues so that they can remain at home until the end. What | :12:27. | :12:30. | |
kind of people do you work with? The referrals come through Macillan | :12:30. | :12:33. | |
and it is people at home who are struggling. It's nice to know that | :12:33. | :12:36. | |
there is someone there who can help you with almost anything. Sometimes, | :12:36. | :12:40. | |
people forget what the person sounds like when they've gone. | :12:41. | :12:44. | |
Jeannie got me a dictaphone so that I could leave some messages for my | :12:44. | :12:51. | |
daughter. She arranged for me to meet Boyz II Men backstage. Really? | :12:51. | :12:55. | |
Yes. And did you spend some time with them? Yes, about 10 to 15 | :12:55. | :13:03. | |
minutes. I made them late for their concert! For this new pilot project, | :13:03. | :13:10. | |
funding is tight. Jeannie is the only worker on it. But she is | :13:10. | :13:15. | |
gaining new clients all the time. was diagnosed in 2001 with bladder | :13:15. | :13:24. | |
cancer. They gave me a 40 per cent chance of a five-year survival. | :13:24. | :13:32. | |
I've lived over ten, and not doing too bad. I got referred to Jeannie. | :13:32. | :13:36. | |
She is getting us a new bed, which is absolutely fabulous. It means I | :13:36. | :13:39. | |
can actually go to bed and be comfortable and get a full night's | :13:39. | :13:43. | |
sleep. Little things that people take for granted that we can't | :13:43. | :13:48. | |
afford. It is unbelievable. We didn't know that was there. That | :13:48. | :13:58. | |
:13:58. | :14:04. | ||
helps. Alan and Anne were actually homeless for a time. Cancer can | :14:04. | :14:06. | |
also lead to extreme poverty. Jeannie's project tries to give | :14:06. | :14:09. | |
more people the chance to stay at home. If somebody is emotionally | :14:09. | :14:12. | |
feeling in a better place, they don't need to turn to picking up | :14:12. | :14:16. | |
the phone and going into hospital because it's easier. My needs are | :14:16. | :14:21. | |
catered for. In a practical sense, it will save money. Yes, hopefully | :14:21. | :14:24. | |
everybody wins. The individual gets their wishes and basically they are | :14:24. | :14:27. | |
not wasting their time going in out of hospital when nothing can be | :14:27. | :14:33. | |
done. When you talk to people like Linda and Alan, I think the work | :14:33. | :14:36. | |
that Jeannie does has a massive impact on their lives. When my | :14:36. | :14:40. | |
mother died, we as a family did most of that. A common theme seems | :14:40. | :14:44. | |
to be to empower people to make their own decisions. But what | :14:44. | :14:48. | |
happens if it goes the other way? If people don't get what they want | :14:48. | :14:55. | |
when they die? My dad requested that if his heart stopped, he did | :14:55. | :14:58. | |
not want it restarting and he wanted to end his days in familiar | :14:58. | :15:05. | |
surroundings, in the care home was his home. He had made his wishes | :15:05. | :15:08. | |
pretty clear, he even wrote them down on headed notepaper. But when | :15:08. | :15:12. | |
he collapsed one day, it all went wrong. When the paramedics arrived, | :15:12. | :15:15. | |
for all it was recognised that his heart had stopped, they did not | :15:15. | :15:23. | |
recognise the document that my dad had. He had a tube down his throat | :15:23. | :15:28. | |
and was being whisked away. When they got to the hospital, it wasn't | :15:28. | :15:34. | |
a sudden event, he took a couple of breaths and passed away. Because my | :15:34. | :15:37. | |
father was dead, he had to be moved somewhere else through A&E, had to | :15:37. | :15:44. | |
put an oxygen mask on and pretend he was alive and still. I can never | :15:44. | :15:47. | |
forget how that made me feel. Just the trauma around it was so | :15:47. | :15:57. | |
:15:57. | :16:12. | ||
unnecessary. That clouded the rest Has think what came across was just | :16:12. | :16:18. | |
how long after it was anything we forget what an impact it has on | :16:18. | :16:25. | |
families. You should be celebrating the life of the person rather than | :16:25. | :16:34. | |
regretting what went wrong. Luckily, when it comes to dealing | :16:34. | :16:37. | |
with death, you could say the North East is the most progressive region | :16:37. | :16:42. | |
in Britain. What we want to say, is given the | :16:42. | :16:45. | |
choice and death is normal, it doesn't have to be a medical event. | :16:45. | :16:48. | |
It doesn't require tests, tubes, drips, and for most people they're | :16:48. | :16:51. | |
more at home in their own environment. With their family | :16:51. | :16:54. | |
around them, with their dog with their TV in their own social | :16:54. | :16:59. | |
setting. Coming into hospital takes a lot of those things away. | :16:59. | :17:02. | |
Dr Pugh has been working on a groundbreaking document called the | :17:02. | :17:05. | |
Good Death Charter. It's about giving people more control over | :17:05. | :17:14. | |
their life and death but also break taboos. | :17:14. | :17:18. | |
It's a normal event. We want children to be seeing loved ones | :17:18. | :17:21. | |
who are dying, not afraid to see relatives. To go and see grandpa, | :17:21. | :17:24. | |
who's still grandpa, even though he's ill. | :17:24. | :17:28. | |
This month, a pilot project's begun. It's the first of its kind in the | :17:28. | :17:32. | |
UK, called Deciding Right. Patients in the North East can write down | :17:32. | :17:34. | |
advanced decisions about their treatment, on a form everyone from | :17:34. | :17:41. | |
hospices like St Oswalds here, to hospitals, will recognise. | :17:41. | :17:43. | |
Sometimes choices are ignored or sidelined and that's ignoring | :17:43. | :17:48. | |
people's rights. There are a number of patients that | :17:48. | :17:50. | |
are suddenly empowered, because they can make decisions they know | :17:50. | :18:00. | |
will be legally binding. Doctors are also referring patients here. | :18:00. | :18:03. | |
It's another first. Lega Care is a charity in Ponteland, giving free | :18:03. | :18:13. | |
legal advice to people who are dying. It is reducing the time that | :18:13. | :18:18. | |
the doctors and nurses are having to spend on legal issues, and | :18:18. | :18:24. | |
letting them concentrate on patient care. We are desperately in need of | :18:24. | :18:32. | |
more solicitors and more help so we can open the gates wider. | :18:32. | :18:35. | |
When Peter Ridden became terminally ill, he thought his employers were | :18:35. | :18:44. | |
trying to get rid of him illegally. Meg took on his case. She fought | :18:44. | :18:52. | |
for man and he fought back. The to the company involved to a tribunal. | :18:52. | :18:59. | |
All he wanted was an apology and he got it. That is what he wanted. He | :18:59. | :19:08. | |
got one. I am delighted to think the North East can give people more | :19:08. | :19:16. | |
choice, more dignity and be able to live their lives any more fool way. | :19:16. | :19:21. | |
Did think that something of use will have come out of this there | :19:21. | :19:26. | |
will have been some purpose to it all. | :19:26. | :19:28. | |
They call these statues the conversation piece' and somehow it | :19:28. | :19:38. | |
:19:38. | :19:38. | ||
seems like a good place to end. I don't think we like to talk about | :19:38. | :19:48. | |
:19:48. | :19:52. | ||
death. But it is an inevitability. Everybody will die. If you have | :19:52. | :20:00. | |
everything you need in place, it can help. So one passing away | :20:00. | :20:09. | |
should not be maudlin. I would recommend everyone to do it. Life | :20:09. | :20:13. | |
is a journey and the final destination will be your death, but | :20:13. | :20:23. | |
:20:23. | :20:29. | ||
you can have a hell of a time getting there. | :20:29. | :20:32. | |
The River Tyne, one of our most iconic rivers.For centuries we've | :20:32. | :20:35. | |
relied on it for work, even life, harnessing it's power and natural | :20:35. | :20:38. | |
resource. And now you can experience the waters that ebb and | :20:38. | :20:41. | |
flow like you have never heard it before. The project has been in the | :20:41. | :20:48. | |
making for three years and it's going to be quite a spectacle. | :20:49. | :20:58. | |
:20:59. | :21:01. | ||
Believe it or not you're listening to the Tyne. The whole idea based | :21:01. | :21:05. | |
on the Tyne came from the idea of how did it affect the waterways | :21:05. | :21:08. | |
have affected other regions and how the regions changed over the years, | :21:08. | :21:13. | |
and industry has moved on. And this famous river is the star in a very | :21:13. | :21:16. | |
unusual arts project and you will be able to sample and mix the music | :21:16. | :21:26. | |
it makes. Because it is interactive, at the sounds that are created will | :21:26. | :21:31. | |
be dependent on the public, so it is an interaction of people and a | :21:31. | :21:41. | |
:21:41. | :21:41. | ||
natural flow of the river. This is how the Tyne will sound. And this | :21:41. | :21:45. | |
is where the musical journey begins. FLOW"as it's known has been three | :21:45. | :21:47. | |
years in the making the large floating musical instrument is | :21:47. | :21:55. | |
being built here in Amble. This is the first time in 20 on Cheers we | :21:55. | :22:05. | |
have been asked to do this. We have never produced a structure like | :22:05. | :22:13. | |
this with the art in Florence or the water wheel. Hong Think of it | :22:13. | :22:15. | |
as mad music laboratory housed in this structure Clip Nick new | :22:15. | :22:25. | |
:22:25. | :22:30. | ||
Timelapse. Sure I think it will be a real life for everyone. The half | :22:30. | :22:33. | |
million pound project is celebrating the Olympic Games this | :22:33. | :22:35. | |
summer- part of the Cultural Olympiad- and it's provided much | :22:35. | :22:38. | |
needed work for the yard T1 01:12:40 it was very important that | :22:38. | :22:41. | |
we got this task, we unfortunately have been affected by the downturn | :22:41. | :22:44. | |
in business and the recession, it was important that we brought the | :22:44. | :22:47. | |
project to the yard and it has maintained employment throughout | :22:47. | :22:57. | |
:22:57. | :23:01. | ||
the winter for us. The centrepiece of FLOW is an enormous water wheel | :23:01. | :23:11. | |
:23:11. | :23:17. | ||
to harness the power of the Tyne. Fills one's the axle as in place, | :23:17. | :23:24. | |
the Ket will come together almost like a Meccano set. But what of | :23:24. | :23:30. | |
beer will power these willing workers. The sounds are generated | :23:30. | :23:36. | |
from samples throughout the River Tyne cycle. This one measures | :23:36. | :23:44. | |
demand in the river. The scanning the water and looking for little | :23:44. | :23:51. | |
particles of months. The more particles ago through the laser, | :23:51. | :24:01. | |
:24:01. | :24:01. | ||
the more noise they create. This device will measure the salt level | :24:02. | :24:10. | |
in the river. This control panel means that the audience members | :24:10. | :24:17. | |
will be able to change the duration of the notes a third instrument | :24:17. | :24:27. | |
:24:27. | :24:28. | ||
will create sounds from the bubbles of the River Tyne. We have got be a | :24:28. | :24:38. | |
:24:38. | :24:40. | ||
traditional re created below, but if I push this. What of the things | :24:41. | :24:49. | |
we were looking at was harnessing natural energy. Of this there, it | :24:49. | :24:56. | |
is part of the Olympiad and it was great to be able to tie these | :24:56. | :25:06. | |
:25:06. | :25:08. | ||
things together. Before daybreak, it makes it out of the shed. She is | :25:08. | :25:16. | |
on the water for the first time in the dark. A few weeks later and it | :25:16. | :25:22. | |
is really coming together. On the guys know what has to be done and | :25:22. | :25:32. | |
:25:32. | :25:35. | ||
the guys have got a plan together. We have positioned the first bridge | :25:35. | :25:42. | |
deck in position on the outer hall. We are putting the bolts into place. | :25:42. | :25:49. | |
It is quite difficult with the movement of the two structures. | :25:49. | :25:55. | |
far, so good, but now for the tricky bit, dropping the wheel into | :25:55. | :26:04. | |
place. There are weather is perfect. I do not anticipate any troubles. I | :26:04. | :26:13. | |
do not anticipate any trouble, but anything could happen! That we | :26:13. | :26:18. | |
always the tons and is too heavy to drop right then. A few last-minute | :26:18. | :26:25. | |
adjustments are required. The axle is slightly too long, but | :26:26. | :26:31. | |
fortunately we can lose a bit of length quite easily. Hopefully, | :26:31. | :26:41. | |
:26:41. | :26:59. | ||
But then we all jobs in perfectly. It is just great to go from a | :26:59. | :27:02. | |
sketch to all the different versions which have gone through | :27:02. | :27:05. | |
and with all the different people who have been involved with | :27:05. | :27:10. | |
different ideas and processes, to see this come to fruition, it is | :27:10. | :27:17. | |
very exciting. The building is now complete and the instruments are | :27:17. | :27:23. | |
fitted into their new home for. There is just the small matter of | :27:23. | :27:33. | |
:27:33. | :27:35. | ||
calling her up the River Tyne time. The only thing that may be against | :27:35. | :27:42. | |
us could be the weather. But then, she will be able to sing the noises | :27:42. | :27:49. | |
of a river to those visitors on board. If think it will be a | :27:50. | :27:57. | |
remarkable experience at all fled it will represent the river, give | :27:57. | :28:03. | |
it a sonic representation that people do not normally get. To find | :28:03. | :28:08. | |
out exactly when Flo will be in position on the quayside, stay in | :28:08. | :28:16. |