Browse content similar to 20/02/2012. Check below for episodes and series from the same categories and more!
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Tonight, we are on Liverpool's famous waterfront and find it now | :00:08. | :00:13. | |
plans for major developments. Those plans are by one of the north- | :00:13. | :00:17. | |
west's most influential developers. They have developed the Mersey | :00:17. | :00:22. | |
Docks, Salford Quays, the Trafford Centre, the airports centre, they | :00:22. | :00:25. | |
are transformational. But they are also ruthless in the pursuit of | :00:26. | :00:32. | |
their own goals. Also, we investigate the mysterious | :00:32. | :00:38. | |
sightings in Windermere. You can see a dark object. This is four | :00:38. | :00:42. | |
metres in length. The bit which is sticking up, that is estimated at | :00:43. | :00:48. | |
one meeting in height. And at Lenny Henry on finally embracing | :00:48. | :00:55. | |
Shakespeare's. I was scared of it, I thought it was a construct for | :00:55. | :01:05. | |
:01:05. | :01:14. | ||
Keep your eye on this area over the next 50 years and much of it should | :01:14. | :01:21. | |
changed dramatically. The developer Peel wants to create a development | :01:21. | :01:26. | |
called Liverpool Waters alongside Wirral Waters. Their plans expend - | :01:26. | :01:30. | |
- extend all the weight of the Manchester is ship canal in a | :01:31. | :01:35. | |
scheme called Ocean Gateway. As our political editor reports, some | :01:35. | :01:45. | |
people living near to the projects think that Peel is pushing too hard. | :01:45. | :01:51. | |
From the way we travelled to how we shop, to what we watch, Peel has | :01:51. | :01:55. | |
already shaped the way we live. Now the property company has plans to | :01:55. | :02:01. | |
transform it. Peel are one of the most impressive countries -- | :02:01. | :02:05. | |
companies in the property scene in Britain. They have developed the | :02:05. | :02:09. | |
Mersey Docks, everything at Salford Quays, Trafford Centre, the airport | :02:09. | :02:13. | |
centre, they are transformational. They are also extremely ruthless in | :02:13. | :02:20. | |
the pursuit of their own goals. Take Salford Quays. It is now home | :02:20. | :02:26. | |
to the BBC and Media City. Some remember it as a busy docks, part | :02:26. | :02:34. | |
of the Manchester Ship Canal. used to have the Flying Angel. | :02:34. | :02:41. | |
There was summer to get a bed for the night. It was a vibrant place. | :02:41. | :02:49. | |
Dynamic. Cargo from the four corners of the world. There were | :02:49. | :02:55. | |
loads of big families working on the docks. All of this was timber. | :02:55. | :03:02. | |
Ships were lined up. It was busy in the 60s and early 70s by the 1980s, | :03:02. | :03:07. | |
the canal was struggling to cope. It was ideal for the ships of the | :03:07. | :03:13. | |
time, over 100 years ago. But since then, ships have got larger, | :03:13. | :03:19. | |
containers have taken over. The big ships could not get down the canal. | :03:19. | :03:24. | |
They were too wide and too long. After trade dried up, an | :03:24. | :03:30. | |
entrepreneur called John Whittaker seized his opportunity. In 1988, he | :03:30. | :03:34. | |
bought the Manchester Ship Canal, creating an artery through which | :03:34. | :03:39. | |
Peel's future fortunes would flow. But opponents at lunched together | :03:39. | :03:43. | |
afterwards, it was a stormy meeting with accusations of devious contact | :03:43. | :03:50. | |
being levelled in all directions. John Whittaker, a man of few public | :03:50. | :03:53. | |
words, said nothing during the meeting. Afterwards, he dismissed | :03:53. | :04:00. | |
his critics fears. I think there is a certain amount of the old brigade | :04:00. | :04:06. | |
or the old shareholders not accepting defeat like gentlemen. | :04:06. | :04:11. | |
was privileged enough to interview him, one of only two people. He is | :04:11. | :04:16. | |
an absolutely fascinating character, very intense, but also very driven. | :04:16. | :04:19. | |
He is a devout Catholic. He is passionate about the North of | :04:19. | :04:23. | |
England. He could have done what he has done had made more money by | :04:23. | :04:27. | |
doing this in the south of England. He could have sold out at various | :04:27. | :04:32. | |
points. He is absolutely committed. That commitment led to one of the | :04:32. | :04:36. | |
longest planning battles of all time and ultimately the Trafford's | :04:36. | :04:43. | |
shopping centre. Now Peel is planning something bigger. The | :04:43. | :04:47. | |
Ocean Gateway. It is a series of developments starting at the River | :04:47. | :04:49. | |
Mersey and stretching down the Manchester Ship Canal to the centre | :04:49. | :04:54. | |
of Manchester itself. It is hugely ambitious, 50 projects over 50 | :04:54. | :05:01. | |
years, costing �50 billion. Transport is key. It involves the | :05:01. | :05:04. | |
modernisation of the docks at Liverpool and Birkenhead, | :05:04. | :05:08. | |
developing ports in Warrington and Salford and the expansion of Barton | :05:08. | :05:17. | |
Aerodrome. Green energy is another priority. He wants a wind farm in | :05:17. | :05:22. | |
bull -- in Frodsham and biomass energy plants. There are also plans | :05:22. | :05:25. | |
for massive regeneration in Liverpool and Wirral. The scale of | :05:26. | :05:29. | |
the development is so vast that there is only one way to see it | :05:29. | :05:39. | |
:05:39. | :05:48. | ||
We are now flying over Birkenhead. This is going to be redeveloped as | :05:49. | :05:55. | |
Wirral Waters. On the other side of the River Mersey, the plan is to | :05:55. | :05:58. | |
develop Liverpool Waters. You can see the huge scale of the project. | :05:58. | :06:04. | |
Remember, this is only the start of the Ocean Gateway. For Birkenhead, | :06:04. | :06:08. | |
it is an opportunity to catch up. Liverpool Waters already has | :06:08. | :06:13. | |
planning permission. As you can see, hearing Birkenhead, we have got | :06:13. | :06:19. | |
fairly desolate at the moment. Anything that happens here will be | :06:19. | :06:24. | |
seen as a bonus. Will it look really different? Yes, it will look | :06:24. | :06:27. | |
radically different. It will probably give people in Liverpool | :06:27. | :06:35. | |
the same sort of pleasant iconic you. -- pleasant iconic view. | :06:35. | :06:38. | |
of the best use is reserved for customers at Woodside Ferry | :06:38. | :06:42. | |
Terminal. The cafe owner is excited at the potential business | :06:42. | :06:48. | |
opportunity. You get on the ferry and look back at Wirral and | :06:48. | :06:51. | |
Birkenhead and the skyline is near enough exactly the same as it was | :06:51. | :06:56. | |
10 years ago. People lacked confidence. They think, there is | :06:57. | :07:02. | |
our big cities. Let us be part of what is going on. The plan is not | :07:02. | :07:09. | |
just to develop Liverpool Waters but also -- Wirral Waters but also | :07:09. | :07:13. | |
live Mark and Patrick. It is also a Unesco World Heritage Site. But | :07:13. | :07:16. | |
does not just cover the famous Three Graces. It stretches all the | :07:16. | :07:22. | |
way up the river. The docks are historic you recognise, even though | :07:22. | :07:26. | |
they are now derelict and redundant. You have got to look to other | :07:26. | :07:29. | |
cities for inspiration, like Amsterdam. They can build | :07:29. | :07:32. | |
sustainable developments in a modern way around the historic | :07:32. | :07:39. | |
waterways. It is a conversation with the locality. Here we seem to | :07:39. | :07:45. | |
have got a set of plans which bills Shanghai on Mersey. The city | :07:45. | :07:50. | |
council says Peel has already compromised enough. Let us not | :07:50. | :07:54. | |
water down the scheme too much. Let us look at what it has to offer | :07:54. | :07:58. | |
because this is about attracting business to the city. It is not | :07:58. | :08:01. | |
just building the infrastructure. It is about making sure we can | :08:01. | :08:06. | |
attract business. We have got to say, look at what is on offer. | :08:06. | :08:14. | |
it came to it, you would rather have the regeneration, the business, | :08:14. | :08:20. | |
Thant the Unesco heritage site badge? If it came to it, I would | :08:20. | :08:23. | |
prefer the regeneration and investment rather than keeping a | :08:23. | :08:32. | |
certificate. We have moved from Liverpool and Birkenhead, the start | :08:32. | :08:37. | |
of the Ocean Gateway project, and we are travelling over the | :08:37. | :08:42. | |
Manchester Ship Canal. This entire area is part of the corridor which | :08:42. | :08:49. | |
was an be regenerated. It goes or the way over to Manchester itself. | :08:49. | :08:53. | |
-- it does all the way over. Communities in the way can feel | :08:53. | :08:59. | |
pushed around. Peel wants to build a biomass energy part in Trafford. | :08:59. | :09:02. | |
Local campaigners fear that although it has been rejected by | :09:02. | :09:07. | |
the council, it is not the end of the matter. Peel will probably | :09:07. | :09:13. | |
appeal. There will be a public inquiry. They are pretty up-to-date | :09:13. | :09:17. | |
with public inquiries. They have got the money to employ barristers | :09:17. | :09:24. | |
and experts. We spoke to one of the directors on our sister programme, | :09:24. | :09:28. | |
Sunday Politics. He accepted that these developments can accept -- | :09:28. | :09:34. | |
upset people. We take seriously the consultation and we contact as many | :09:34. | :09:38. | |
people as we can do. It is not always easy for people to | :09:38. | :09:42. | |
understand and accept change when it affects them locally. | :09:42. | :09:51. | |
consult, but do you compromise? do compromise. We absolutely do. | :09:51. | :09:55. | |
Peel has ever lost a planning battle. One council leader who is | :09:55. | :09:58. | |
used to dealing with them supports the Ocean Gateway but says you have | :09:58. | :10:02. | |
got to push them. They make good profit margins on developments and | :10:02. | :10:07. | |
what they try to say is that they cannot afford to put the extra | :10:07. | :10:10. | |
facilities in. That is where the robust discussions take place | :10:10. | :10:15. | |
during the planning progress. Unless they engage with their | :10:15. | :10:18. | |
communities in a way that is more positive than they have done in the | :10:18. | :10:23. | |
past, in the future, they will not get much development. Peel has | :10:23. | :10:28. | |
already left its mark on bits of the region. The only thing my | :10:28. | :10:34. | |
father would recognise anywhere on the docks would be the Swimbridge | :10:34. | :10:40. | |
behind me and the water. Whether he would approve of it, we would never | :10:40. | :10:46. | |
know. I would dearly love to be able to walk him around here. | :10:46. | :10:51. | |
of us will not get to see what Peel has planned either. The Ocean | :10:51. | :10:56. | |
Gateway will not be completed for 50 years. If it succeeds, the | :10:56. | :11:01. | |
region's fortunes will be more closely aligned to Peel's fortunes | :11:01. | :11:11. | |
:11:11. | :11:11. | ||
Coming up, Shakespeare with a Northern twist. | :11:11. | :11:16. | |
It was a sort of revolutionary things to do in 1992 with a bunch | :11:16. | :11:21. | |
of Northern actors using their Northern cadences. | :11:21. | :11:25. | |
The Lake District has always attracted visitors to see its | :11:25. | :11:28. | |
wildlife and natural beauty but more recently visitors have been | :11:28. | :11:33. | |
drawn to help solve a mystery of the deep. We sent Jacey Normand to | :11:33. | :11:36. | |
investigate. Some people would have you believe | :11:36. | :11:40. | |
that the local waters of Windermere have something lurking in them. | :11:40. | :11:44. | |
Sightings of a creature not dissimilar to the Loch Ness monster | :11:44. | :11:48. | |
have caused a stir in the normally quiet waters of the Lake District. | :11:48. | :11:55. | |
Tom Noblett, a local hotel owner, believes he is not alone in the | :11:55. | :12:03. | |
water. That looks cold down their! Is at | :12:03. | :12:13. | |
:12:13. | :12:13. | ||
freezing? Very cold. You have been swimming once before, haven't you? | :12:13. | :12:20. | |
One morning, before our Channel Swimming, and we almost had the | :12:20. | :12:26. | |
lake to ourselves, about 5:30am, 6:00am, and we left to swim across | :12:26. | :12:36. | |
:12:36. | :12:37. | ||
the lake, knowing the leg would be ours. -- the lake. We got to an | :12:37. | :12:44. | |
area here which is called the Deeps. You always get an eerie feeling | :12:44. | :12:54. | |
:12:54. | :12:55. | ||
when you cross here because the name gives it a mysterious feel. | :12:55. | :13:00. | |
I felt something brushed past me which caused me to stop and in a | :13:00. | :13:05. | |
split second something lifted me up and dropped me down. I turned to | :13:05. | :13:09. | |
Andrew, who was on the swim with me and I asked, what the hell was | :13:10. | :13:15. | |
that? What was it? It felt like a mysterious submarine or something | :13:15. | :13:20. | |
that had gone past underneath. We did not know, we did not know | :13:20. | :13:27. | |
anything about any monsters. This was not the first strange encounter | :13:27. | :13:31. | |
at Windermere. Linden Adams was at the top of Gummer's How when | :13:31. | :13:34. | |
something caught his eye. Fortunately for us, he is a | :13:34. | :13:40. | |
professional photographer. This is pretty much the view. | :13:40. | :13:45. | |
are the pictures he took. What do you think it is? It remains a | :13:45. | :13:49. | |
mystery. I took a series of photographs, eight photographs. It | :13:49. | :13:54. | |
lasted for about 10 minutes. There is a dark object just cutting along | :13:54. | :14:04. | |
:14:04. | :14:06. | ||
the top of the water. On a block you can see this. -- a blow up. The | :14:06. | :14:10. | |
bit that -- the bit that is sticking up has been estimated at | :14:10. | :14:17. | |
one metre of height. Did you get home that night and tell everybody? | :14:17. | :14:23. | |
Quite the opposite, really. It is quite strange, thinking am I go on | :14:23. | :14:27. | |
to release the images to the general public? It was the last | :14:27. | :14:35. | |
thing on my mind. What did you think you -- they would think? | :14:35. | :14:39. | |
I was crazy. You start questioning what it could be and you Chekhov A- | :14:39. | :14:49. | |
:14:49. | :14:49. | ||
list in your mind, could it be a dear? -- what it could be and you | :14:49. | :14:58. | |
start to Chekhov. I got on board with Dr Ian Winfield and his team | :14:58. | :15:04. | |
for a scent -- scientific study. The computer does a lot of the work. | :15:04. | :15:08. | |
It is just monitoring the fish populations in the lake, which we | :15:08. | :15:15. | |
have been doing for many, many years. It is fair to say that if | :15:15. | :15:19. | |
there was anything out he would have detected it by now. I think so. | :15:19. | :15:26. | |
We have been doing it every month since 1990 during the day and the | :15:26. | :15:30. | |
night. If anything large and unexplained is here, I think we | :15:30. | :15:35. | |
would have picked it up. A number of people seem to think they have | :15:35. | :15:39. | |
experienced something, so what do you think it is? I don't honestly | :15:39. | :15:48. | |
know. If it is a fish, if it is a metre or so, it would be a large | :15:48. | :15:58. | |
:15:58. | :15:59. | ||
pike or something. Pike and salmon can really make the lake report. -- | :15:59. | :16:07. | |
ripple. Judging absolute size is very difficult. What do you think | :16:07. | :16:13. | |
it is? I think the size of something has been misjudged. There | :16:13. | :16:18. | |
are a lot of otters in the area and a couple of them swimming around on | :16:18. | :16:22. | |
the lake on a calm day can look very big. Windermere does not give | :16:22. | :16:26. | |
up its secrets easily and it is only when you come out here that | :16:26. | :16:31. | |
you can appreciate the tricks the waves and play with light and shade, | :16:31. | :16:37. | |
so is Bownessie and alive and well and looking down their, or is it a | :16:37. | :16:43. | |
case of mistaken identity? -- lurking. Lisa Clarke is an expert | :16:43. | :16:49. | |
in marine zoology. In the UK we get a lot of large fish in our rivers, | :16:49. | :16:55. | |
we get the Atlantic salmon for example. They can grow to one metre | :16:55. | :17:00. | |
in size. The ferox trout are very ferocious, they are very large and | :17:00. | :17:06. | |
can grow up to a metre. Pike can grow up to considerable sizes in | :17:06. | :17:13. | |
terms of freshwater fish and they grow up to one metre. It is quite | :17:13. | :17:17. | |
reclusive, it tends to dwell at the bottom. Going further afield, out | :17:17. | :17:24. | |
to the coastal waters, you have the basking shark, a marine species | :17:24. | :17:32. | |
which can grow to considerable sizes, up to 26 ft and more. | :17:32. | :17:37. | |
have looked at Linden's photographs. What do you think? In my opinion it | :17:37. | :17:43. | |
is an animal. It could be a sturgeon. From not witness accounts | :17:43. | :17:47. | |
I have looked at and descriptions, this could be one of the more | :17:47. | :17:54. | |
likely fish. They are known to grow to a considerable size, in excess | :17:54. | :18:02. | |
of 16 feet in length, and even up to 20. Linden's photographs are | :18:02. | :18:07. | |
quite significant to you, aren't they? Yes, they are the best | :18:07. | :18:11. | |
evidence at the moment of the sightings. There had been no | :18:11. | :18:18. | |
photographs so far but these are quite clear, the clearest to date. | :18:18. | :18:22. | |
It is an animal of some description in my opinion, an animal that was | :18:22. | :18:28. | |
moving against the current of the lake and appears to be a quite | :18:28. | :18:32. | |
considerable size. It needs more investigation and it needs a long- | :18:32. | :18:36. | |
term investigation to give it the best possible chance of discovering | :18:36. | :18:43. | |
what it is. I propose to do much more in-depth studies with a team | :18:43. | :18:47. | |
of other professional researchers and a disciplinary team and we | :18:47. | :18:52. | |
ought to do that over the summer. With Lisa convinced that his | :18:52. | :18:57. | |
photographs are genuine, I went to see Daetech, for -- specialists in | :18:57. | :19:01. | |
forensic visual computing, whose analysis is used by police forces | :19:02. | :19:07. | |
all over the world. Do any of the four pictures make | :19:07. | :19:13. | |
you think they could be something lurking? There is 1, which is this | :19:13. | :19:20. | |
one. We can see quite clearly that something is quite long in length. | :19:20. | :19:27. | |
It looks like ahead here, possibly. We are trying all kinds of four | :19:27. | :19:36. | |
elements of analysis, trying to increase the size. What does it | :19:36. | :19:44. | |
look like to you after doing that? It is certainly an object. We are | :19:44. | :19:50. | |
not sure whether it is an object or an animal. There is certainly | :19:50. | :19:54. | |
something in the water. Like most great mysteries, we found something | :19:54. | :19:59. | |
but the results are inconclusive, which is not bad news for everybody. | :19:59. | :20:03. | |
We asked Cumbria Tourism what they thought it was. | :20:03. | :20:08. | |
There are so many theories. could be a giant pike or slim | :20:08. | :20:18. | |
throwback to the ice age. -- some. Is it your interest in keeping it a | :20:18. | :20:22. | |
mystery? They have done that very well in Scotland and I have kept | :20:22. | :20:29. | |
visitors coming back year after year. -- they have. No sightings so | :20:29. | :20:37. | |
far. I would love to. I will keep my eyes glued. We came looking for | :20:37. | :20:45. | |
it with the family. You are admitting you don't really want to | :20:45. | :20:51. | |
find out in case it is a big eel or pike? Whatever it is, I am sure the | :20:51. | :20:56. | |
mystery will continue. 20 years ago, if you went to see a | :20:56. | :21:00. | |
Shakespeare play, you would expect all the actors to speak in a | :21:00. | :21:04. | |
particular way, but that changed in 1992, winner but -- a theatre | :21:04. | :21:09. | |
company was set up to speak to the Bard's words in a Northern accent. | :21:09. | :21:19. | |
:21:19. | :21:21. | ||
We went along to meet the man who created Northern broadsides. | :21:21. | :21:26. | |
Barrie Rutter is the creator of the Northern Broadsides Theatre Company. | :21:26. | :21:30. | |
Richard III was the first play to be performed by them and they | :21:30. | :21:37. | |
performed it here, in Hull. Fellow actors thought I was mad. It | :21:37. | :21:47. | |
was a kind of revolutionary thing to do in 1992. Classic plays with a | :21:47. | :21:57. | |
:21:57. | :21:58. | ||
bunch of Northern actors, using their Northern cadences. A | :21:58. | :22:01. | |
newspaper had printed "An hoss, an hoss, muh - spelt muh - kingdumm | :22:01. | :22:06. | |
for an hoss!" Of course I didn't do the line like that. It was "A horse, | :22:06. | :22:13. | |
boom, boom, a horse, boom, boom, my kingdom for a horse, boom boom!" | :22:13. | :22:17. | |
Northern broadsides has worked with many actors over the years but one | :22:17. | :22:22. | |
in particular lost his career in a very different director despite | :22:22. | :22:25. | |
direction after playing a famous Shakespearean lead. | :22:25. | :22:29. | |
Lenny Henry surprised everybody in 2009 when he took the role of | :22:29. | :22:34. | |
Othello for Northern Broadsides. Othello launched me as a serious | :22:34. | :22:38. | |
actor and it was fantastic. For the first time people saw me in another | :22:38. | :22:43. | |
light. I love being a comedian because it is my job but I love | :22:43. | :22:49. | |
movies and seen drama and I am always crying at the back. I wanted | :22:50. | :22:58. | |
to be in a play where I make people cry and Barrie gave me the chance. | :22:58. | :23:04. | |
What was it like to work with Barry? I had been scared of | :23:04. | :23:08. | |
Shakespeare as something for posh people who wear tights and speak | :23:08. | :23:14. | |
with a lisp. My league! I did not imagine for a second that it was | :23:14. | :23:18. | |
that people like me who talked a bit like this. He said, let's | :23:18. | :23:24. | |
approach it like this, your dad was a foundryman, mine was a trawlerman, | :23:24. | :23:27. | |
let's go to work. The fact that Northern Broadsides allows people | :23:27. | :23:33. | |
from all over the country to participate men's -- meant that my | :23:33. | :23:37. | |
resistance was broken down. They are part of the landscape and we | :23:37. | :23:41. | |
should be thankful to them because they make it welcome to people who | :23:41. | :23:50. | |
don't necessarily speak with a Received pronunciation accent. | :23:50. | :23:54. | |
Northern Broadsides is about to embark on a five-month tour. We | :23:54. | :23:58. | |
caught up with Barrie, in Stoke mack, rehearsing Love's Labour's | :23:58. | :24:04. | |
Lost. It is a real boxer of verbal | :24:04. | :24:09. | |
fireworks. You can't hope to get every single word or witty conceit | :24:09. | :24:13. | |
within it, but it is delightful to play and I am hoping it will be | :24:13. | :24:18. | |
delightful to watch. A Barrie is playing the part of the | :24:18. | :24:25. | |
schoolmaster but he is also directing accompany a 17 actors. | :24:25. | :24:31. | |
I play Don Adriano de Amado. To congratulate the princess in her | :24:31. | :24:34. | |
pavilion in the posteriors of the day which the rude multitude call | :24:34. | :24:39. | |
the afternoon. He is a fantastical Spaniard and a | :24:39. | :24:42. | |
braggart and he is very full of himself that he is possibly not as | :24:42. | :24:52. | |
:24:52. | :24:54. | ||
intelligent as he thinks. I play Costard, the clown. | :24:54. | :25:00. | |
There has been a degree that nobody should mess with women and he is | :25:00. | :25:08. | |
caught in the park with one. I play the Princess. She is a bit | :25:08. | :25:12. | |
bolshie, she is not one of the fainting, falling in love, running | :25:12. | :25:21. | |
after men, she is a real woman with an old head on her shoulders. | :25:21. | :25:24. | |
There is a bit of extra pressure because the rehearsal will be | :25:24. | :25:33. | |
watched by a small audience. We have an open day where we invite | :25:33. | :25:34. | |
friends to come and absurd, no matter what stage we are at. By | :25:34. | :25:40. | |
less polished, the better. This afternoon they will see the big | :25:40. | :25:44. | |
event before the messenger comes in with the news. | :25:44. | :25:48. | |
For those of you who have never seen Love's Labour's Lost, here is | :25:48. | :25:54. | |
what happens. At the end of it, myself and Adam, | :25:54. | :26:02. | |
who plays Costard, have a bit of a fight, which ends up as a Morris | :26:02. | :26:10. | |
dance, as all good fights do! They have me dancing in this, | :26:10. | :26:15. | |
fighting with sticks, throwing knives and all sorts. | :26:15. | :26:20. | |
Where does the messenger fit into this merriment? | :26:20. | :26:23. | |
There is a famous interruption near the end of the play where the | :26:23. | :26:27. | |
Princess gets the news of her dad's death and has to leave and they | :26:27. | :26:37. | |
also, but we are in love with you. That is the last of the title. -- | :26:37. | :26:43. | |
the lost. It is the day before opening night | :26:43. | :26:47. | |
in Stoke and everybody is getting ready for the dress rehearsal. | :26:47. | :26:52. | |
This is the last chance to put anything right. If you have not | :26:52. | :26:56. | |
learnt it by now it is your own stupid fault, really. I am feeling | :26:57. | :27:01. | |
surprisingly calm. A couple of weeks ago on was pretending to be a | :27:01. | :27:05. | |
glamourous Princess and now the make-up and hair people are turning | :27:05. | :27:13. | |
me into one. I want actors to be comfortable, know what they are | :27:13. | :27:18. | |
doing, and then through the next 36 hours they will get the inspiration | :27:18. | :27:28. | |
of an audience and the extra sparkle and twinkle that naturally | :27:28. | :27:30. | |
happens. The moment when everything comes | :27:30. | :27:38. | |
together, it is just like, it took -- it has landed. A little pleasure | :27:38. | :27:42. | |
bottom gets pressed. It is quite delightful when that happens, | :27:42. | :27:50. | |
whether you're doing Othello all this bloke. | :27:51. | :27:54. | |
They have come a long way since that first performance of Richard | :27:54. | :27:58. | |
III in 1992. Up at it was not all plain sailing. | :27:58. | :28:07. | |
There were problems and cynicism but we transcended it all. | :28:07. | :28:10. | |
"Our strong arms be our conscience, swords our law! March on, join | :28:10. | :28:14. | |
bravely. Let us to it pellmell. If not to heaven, then hand in hand to | :28:14. | :28:23. | |
hell!" That is all for this week. If you have missed any of the | :28:23. | :28:29. | |
programme you can watch again on the BBC iPlayer. You can follow us | :28:29. | :28:37. | |
on Twitter. The address is on the screen now. I am back next Monday | :28:37. | :28:43. |