Browse content similar to 10/12/2012. Check below for episodes and series from the same categories and more!
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Out North West. We will find out about the local actress who will | :00:15. | :00:25. | |
:00:25. | :00:27. | ||
make it big in Bollywood. In side Out has access to a street ripped | :00:27. | :00:31. | |
apart by a bomb blast. He is touring the north, promising he can | :00:31. | :00:41. | |
:00:41. | :00:46. | ||
talk to the dead. We put this man's The test. Behind the scenes with | :00:46. | :00:52. | |
Liverpool's rising Bollywood square. Yesterday was ten times as busy as | :00:52. | :01:02. | |
:01:02. | :01:11. | ||
this. We had crowds gathering and The Christmas shoppers are out in | :01:11. | :01:14. | |
force here in Liverpool. If you are preparing for the festive period, | :01:14. | :01:18. | |
spare a thought for those who Christmas will be different. For | :01:18. | :01:22. | |
some, in Shaw, in Oldham, their lives were torn apart by a gas | :01:22. | :01:27. | |
blast which destroyed some of their street and killed a young child. | :01:27. | :01:30. | |
Jacey Normand has spent the last six months following those who were | :01:31. | :01:40. | |
:01:41. | :01:45. | ||
26th June 2012, a day the people of Shaw will never forget. I thought | :01:45. | :01:51. | |
the plane had come down. The only way I could describe it was, 9/11. | :01:51. | :01:59. | |
At 1115, a huge blast killed two- year-old Jamie Heaton on Buckley | :01:59. | :02:05. | |
Street. I rang for emergency services, and I said there had been | :02:05. | :02:09. | |
a gas explosion, with three houses down. Dozens of homes were also | :02:09. | :02:18. | |
heavily damaged, as well as those. This mobile phone footage shows the | :02:18. | :02:28. | |
immediate impact of the blast. Its effects are still being felt. This | :02:28. | :02:32. | |
almost looks like this it of a movie. Yes, this is the devastation | :02:32. | :02:36. | |
caused by the gas explosion. A lot of the house has gone. Nine houses | :02:36. | :02:45. | |
have been demolished. Back in July, I was shown the full extent of the | :02:45. | :02:49. | |
damage by Jackie Hunter, who had just spent her retirement money | :02:49. | :02:53. | |
renovating the house. You cannot call it home any more, because I am | :02:53. | :02:56. | |
not living here, because of the devastation. It is such a mess, | :02:56. | :03:02. | |
with all of the damp and everything. Of the floor does not feel safe. | :03:02. | :03:07. | |
that lifted up like that on the day. I was sat there and it just lifted | :03:07. | :03:11. | |
like that and then went back down again. Because it came through, | :03:11. | :03:17. | |
like that, and then rushed the other way. It pushed the window out | :03:17. | :03:23. | |
there, and broke the dog flap. had to leave everything. I walked | :03:23. | :03:28. | |
out on the day, in the clothes I had on, no code, nothing. And your | :03:28. | :03:34. | |
kitchen, everything is as it was on the day. Exactly as it was. I have | :03:35. | :03:39. | |
still got washing in the washer. I have still got things on here ready | :03:39. | :03:45. | |
to wash. And the smell, because you have not been able to clean it up. | :03:45. | :03:50. | |
No water, so I cannot clean. are you feeling at the moment, | :03:50. | :04:00. | |
:04:00. | :04:04. | ||
aside from not being in your own home? Frightened. Devastated. | :04:04. | :04:11. | |
just want to come home. I dream it. Every night I dream it. You had | :04:11. | :04:18. | |
just done it up as well. Oh, yes, I spent all of the money you had from | :04:18. | :04:24. | |
my retirement. Have you got any idea when you might be able to come | :04:24. | :04:29. | |
back? They said Monks, rather than weeks. I am the optimist, I hope it | :04:29. | :04:33. | |
will be before Christmas. You have all been put into this big | :04:33. | :04:37. | |
situation, where you cannot be at home, and the ones who are, their | :04:37. | :04:42. | |
house is in a mess. What has it done to the community? We are all | :04:42. | :04:47. | |
split all over the place, some people are still living in a hotel. | :04:48. | :04:53. | |
Among those put in a hotel were Janet Ferreira and her disabled | :04:53. | :04:57. | |
mother, Norah. They arrived with just the clothes they were wearing | :04:57. | :05:03. | |
when they were forced to evacuate. The first night in the hotel, I was | :05:03. | :05:07. | |
full of dust and glass from the accident. I jumped in the shower | :05:07. | :05:10. | |
and realised I did not have anything to get changed into. I did | :05:10. | :05:15. | |
not have a brush, hair dryer, anything. Just things that make you | :05:15. | :05:21. | |
feel normal. We had no handbags, shoes, clothes, underwear, nothing. | :05:21. | :05:25. | |
Everything that we own is in the houses. It is difficult. You know | :05:25. | :05:30. | |
it is there that you cannot get it.. How has it been for your living in | :05:30. | :05:39. | |
the hotel, Norah? I hate not going out on my scooter, up to Shaw, and | :05:39. | :05:43. | |
seeing all of my friends. It has been very hard for her. It makes me | :05:43. | :05:48. | |
angry, and I cannot do anything. She is the only one that can do it. | :05:48. | :05:55. | |
When I hear her crying at night, it breaks my heart. It is unbelievable. | :05:55. | :06:00. | |
And the dog is in Bury, with the RSPCA, we have not seen him since | :06:00. | :06:04. | |
it happened. Everything seems to be going wrong. We do not seem to be | :06:04. | :06:08. | |
getting anywhere with anything. the hotel, I can see that you have | :06:08. | :06:15. | |
tried to make it as homely as you can. When I got the keys back, and | :06:15. | :06:18. | |
went to get my dad's picture for my mother, because she always has that | :06:18. | :06:22. | |
on the side. They were never separated all of their married life. | :06:22. | :06:30. | |
I got that for my mum, to make her feel more at home. Four months on, | :06:30. | :06:36. | |
and they have taken down some of the boarding, but as you can see, | :06:36. | :06:46. | |
:06:46. | :06:47. | ||
the devastation remains. In October, I go and see Jackie Hunter in her | :06:47. | :06:50. | |
rented house, and it is evident that she is still really struggling | :06:50. | :06:59. | |
to come to terms with what has happened. This is where I am | :06:59. | :07:03. | |
sleeping. How come you're sleeping downstairs? I am too frightened to | :07:03. | :07:07. | |
go upstairs on my own at the moment. Perhaps when I get back to my own | :07:07. | :07:12. | |
house, I will feel better. But here, I feel as though I need the escape | :07:12. | :07:19. | |
of the front door, and a patio door, so I can get out quick.. Howl on | :07:19. | :07:25. | |
your nerves? Just about, at the moment. IMC in somebody from victim | :07:25. | :07:30. | |
support, who has been helping us. - - I am seeing somebody. He did a | :07:30. | :07:35. | |
test, and he feels that I am suffering from post-traumatic | :07:35. | :07:41. | |
stress, which I did not think would be the case. I thought it was just | :07:41. | :07:46. | |
the Army, being at war, I did not realise that I would be involved in | :07:46. | :07:49. | |
anything like that. But I am having dreadful nightmares, absolutely | :07:49. | :07:56. | |
awful, like my leg has been blown off. And it does not look like | :07:56. | :08:00. | |
Janet and Norah will be home any time soon. But at least they are | :08:00. | :08:05. | |
out of the hotel and in a rented house. The houses are OK, it does | :08:05. | :08:12. | |
not feel like home. So, we cannot actually do anything to it. We just | :08:12. | :08:17. | |
have to stay in it the way it he's. Do you know how long it will be | :08:17. | :08:21. | |
before you are back home? It will be after Christmas, definitely, | :08:21. | :08:25. | |
because they have not started yet. Apparently when you have an | :08:25. | :08:31. | |
earthquake, or the ground moves, then the Willington and the bugs | :08:31. | :08:35. | |
come alive. So all the houses which were in the explosion are being | :08:35. | :08:41. | |
fumigated, one by one. -- then the fleas. It is incredible when you | :08:41. | :08:49. | |
look around. Yes, it is really bad, and it is dangerous. A few days ago, | :08:49. | :08:56. | |
we were given exclusive access to Buckley Street. We took Jackie | :08:56. | :09:00. | |
Hunter back to the site of the explosion in it you can see the | :09:00. | :09:05. | |
devastation. I had lived here since 1989. It is just like a bomb site. | :09:05. | :09:15. | |
:09:15. | :09:17. | ||
It is awful. You had hoped to be back by Christmas. Yes, but it is | :09:18. | :09:21. | |
going to be January. But that is what I am going to be leaving | :09:21. | :09:26. | |
behind. So even when you are back, you will be behind those fences, | :09:26. | :09:35. | |
how did this field? Awful. -- how does that feel?. It has been | :09:35. | :09:38. | |
incredible coming down here, it shows how your life can change | :09:38. | :09:44. | |
every night. Yes, and I have felt that every day. I knew when I came | :09:44. | :09:48. | |
running out of my house, I knew the devastation that had taken place. I | :09:48. | :09:53. | |
knew that my life would never get back to normal. I am still having | :09:53. | :10:03. | |
:10:03. | :10:04. | ||
nightmares. But ask me if I would still live in Shaw, I chose Shaw. I | :10:04. | :10:14. | |
:10:14. | :10:16. | ||
could have lived anywhere in the world, and I am still proud of Shaw. | :10:17. | :10:25. | |
And I am proud of the people that have come through one of this. -- | :10:25. | :10:29. | |
through all of this. Coming up, the actor more famous in India than in | :10:29. | :10:39. | |
:10:39. | :10:41. | ||
her home city of Liverpool. He claims to have a phone link to the | :10:41. | :10:45. | |
spirits of people who have moved on. He says he has proved that we do | :10:45. | :10:49. | |
not die. His name is Stephen Holbrook, and thousands of people | :10:49. | :10:53. | |
across the North believe in him, but he's here genuine medium, who | :10:53. | :10:57. | |
hears voices, or is he using traditional entertainer's | :10:57. | :11:03. | |
techniques? Chris Jackson has been putting his techniques to the test. | :11:03. | :11:08. | |
Central Leeds, a member of our team, wearing a secret camera, is on the | :11:08. | :11:18. | |
:11:18. | :11:19. | ||
way to film a man who says he has a phone link to the dead. This is | :11:19. | :11:24. | |
Stephen Holbrook, and that is his stiff left hand. It is like wood. | :11:24. | :11:32. | |
Sometimes it turns blue. It is a sign that Archie, Stephen's day | :11:32. | :11:36. | |
spirit guide, is on the phone. He says he channels messages, just | :11:36. | :11:40. | |
like a telephone. He reverses the charges, and his audience pays | :11:40. | :11:50. | |
:11:50. | :11:50. | ||
premium rates. Activists from the Newcastle and Mersey side Skeptics | :11:50. | :11:55. | |
Societies, fresh from checking out Stephen's performance, are not | :11:55. | :12:03. | |
impressed. He is about as clairvoyant as a teapot. He is not | :12:03. | :12:10. | |
psychic. So, who is right? Stephen Holbrook says he can genuinely hear | :12:10. | :12:14. | |
the spirits, and he claims that his powers prove there is life after | :12:14. | :12:20. | |
death. Or the sceptics, who say he is an entertainment performer, | :12:20. | :12:25. | |
using magician's tricks? It is important, because if Stephen's | :12:25. | :12:29. | |
telephone carries nuisance calls, and Archie and the spirits are not | :12:29. | :12:33. | |
real, there is a problem with the law. If it is misleading | :12:34. | :12:36. | |
information to consumers, causing people to do something that would | :12:36. | :12:39. | |
not otherwise have done, such as buying a ticket or travelling to an | :12:39. | :12:45. | |
event, then there could potentially be a criminal offence. Some mediums | :12:45. | :12:48. | |
say the performance is for entertainment purposes only. Is | :12:48. | :12:52. | |
that sufficient? If he is actually saying, I am an entertainer, a | :12:53. | :12:57. | |
magician, using cold reading techniques, and I cannot actually | :12:57. | :13:03. | |
communicate with the spirit world, and that is what he needs to say. | :13:03. | :13:07. | |
But Stephen never says it is just for entertainment. He repeated the | :13:07. | :13:17. | |
:13:17. | :13:24. | ||
Soon, audience members are in tears, as he relays messages from the | :13:24. | :13:34. | |
:13:34. | :13:39. | ||
spirits of dead babies, mums and It's one thing if they are | :13:39. | :13:49. | |
:13:49. | :13:55. | ||
receiving real messages from the This is exploitation of the worst | :13:55. | :13:59. | |
sort. It really is manipulating people at a terrible time of their | :13:59. | :14:02. | |
lives. One of the worst consequences for people who are | :14:02. | :14:05. | |
very vulnerable is they can end up stuck in that early stage of | :14:05. | :14:11. | |
grieving and will never be able to relinquish it or move on from it. | :14:11. | :14:17. | |
Back in Leeds, a large part of the performance consists of him asking | :14:17. | :14:27. | |
:14:27. | :14:52. | ||
questions. Sometimes, he appears to Stephen performs all over the north, | :14:52. | :14:59. | |
doing more than 20 shows a month, nine months a year. His website is | :14:59. | :15:09. | |
:15:09. | :15:10. | ||
full of tes moanals from satisfied -- testimonials from satisfied | :15:10. | :15:20. | |
:15:20. | :15:23. | ||
He also has his critics. Ellis told Stephen about a dead | :15:23. | :15:27. | |
boyfriend. Stephen told Ellis what he was saying. He spoke about the | :15:27. | :15:32. | |
funeral. Thank you for the funerals I had sent. He also spoke about, | :15:32. | :15:39. | |
that my boyfriend loved me and he cared for me. But Ellis's dead | :15:39. | :15:44. | |
boyfriend never existed. boyfriend is not dead. None of my | :15:44. | :15:49. | |
boy friends of the past have died. Now we get three experts to analyse | :15:49. | :15:55. | |
Stephen's performance. They all say he's using traditional | :15:56. | :16:04. | |
magician's techniques. By throwing out a random date he'll | :16:04. | :16:14. | |
:16:14. | :16:19. | ||
get a strong chance of a hit with Random pieces of information that | :16:19. | :16:29. | |
:16:29. | :16:30. | ||
people are going to launch on to. It's taken a little bit of | :16:30. | :16:35. | |
information, scattering it around to a big audience, to a big grup of | :16:35. | :16:40. | |
people, and finding that one person -- group of people and finding that | :16:40. | :16:50. | |
:16:50. | :16:50. | ||
one person. You look at someone and you read | :16:50. | :16:54. | |
their expressions. You think what is statistically likely to happen | :16:54. | :17:00. | |
with that people. At the end, the audience will believe he asked no | :17:00. | :17:04. | |
other questions and people answer only yes or no. Now Kennedy shows | :17:04. | :17:08. | |
how easily it is done. He asked people to write down the name of | :17:08. | :17:18. | |
:17:18. | :17:20. | ||
somebody they haven't seen for a Kennedy will tell them the name | :17:20. | :17:25. | |
using classic magician's tricks. He guesses their personal details | :17:25. | :17:31. | |
using a cold reading. This is the person with the dark hair, yes? | :17:31. | :17:37. | |
This sort of length? Yes. Why is she saying about the dogs? It makes | :17:37. | :17:43. | |
more sense to you than me. Something to do with the dogs? | :17:43. | :17:51. | |
That's creepy. What happened? I used to work, sometimes we use to | :17:51. | :18:01. | |
:18:01. | :18:04. | ||
get puppies in who were training. It's Doreen or Doriane. | :18:04. | :18:12. | |
My ex-boss. She died about four years ago. I'm not psychic, but I | :18:12. | :18:15. | |
am able to work out things about people by your reaction. So they | :18:15. | :18:19. | |
all think Stephen is putting on an act. Stephen - for such a good | :18:19. | :18:25. | |
talker, he turned remarkably quiet. He gave us a statement which said, | :18:25. | :18:29. | |
he will never succumb to cold reading. His questions are for | :18:29. | :18:34. | |
clarification of the facts and our experts are not in the least bit | :18:34. | :18:39. | |
qualified to judge his work. It said Stephen did not advertise them | :18:40. | :18:44. | |
as entertainment shows because they were genuine. While he told us that | :18:44. | :18:49. | |
he changed his website to say they were for entertainment only. He | :18:49. | :18:54. | |
would not explain that contradiction. Stranger still, the | :18:54. | :18:58. | |
messages he received on the psychic phone from Ellis's fictional dead | :18:58. | :19:03. | |
boyfriend. Remember - the one she made up. His statement said, that | :19:03. | :19:06. | |
was an appalling example of theft because the spirit's message was | :19:06. | :19:12. | |
real and meant for another person. Ellis had stolen it. He would not | :19:12. | :19:17. | |
exwhy the spirit didn't just say, no, that's not my ex-girlfriend. We | :19:18. | :19:22. | |
have presented evidence suggesting he east not the real thing. He uses | :19:22. | :19:29. | |
techniques employed by entertainers. He now admits on his website he is | :19:29. | :19:34. | |
an entertainer. For years, Stephen Holbrook made a lot of money | :19:34. | :19:37. | |
exploiting people's grief. Some may get comfort from what he does. They | :19:37. | :19:47. | |
:19:47. | :19:48. | ||
need to consider the tricks of the Now the glamour of Bollywood seems | :19:48. | :19:54. | |
a million miles away to us here in the Northwest. One actress from | :19:54. | :19:59. | |
here in Liverpool is on the front cover of glossy magazines in India | :19:59. | :20:05. | |
and is forging a career in the multi-million dollar movie industry. | :20:05. | :20:11. | |
Nazia Mogra has been on set with the girl from Woolton, who is set | :20:11. | :20:15. | |
to take Bollywood by storm. Amy Jackson may not be a household | :20:15. | :20:20. | |
name in the UK, but in India, her films have been seen by millions of | :20:20. | :20:30. | |
:20:30. | :20:37. | ||
Stop the car! She's already conquered Kollywood, | :20:37. | :20:42. | |
the Tamil-speaking film industry in the south of India. If Amy crooks | :20:42. | :20:51. | |
Bollywood, in Mumbai, she could become an international film star. | :20:51. | :20:58. | |
If she made it into Bollywood, we are talking big time. It is shown | :20:58. | :21:03. | |
around the world. It doesn't feel real. I can't actually believe I'm | :21:03. | :21:08. | |
doing these things. I thought I'd never, ever end up on the cover of | :21:08. | :21:13. | |
Vogue. That's every girl's dream. And what makes Amy Jackson's rise | :21:13. | :21:18. | |
to fame in India more surprising is she is not Asian. She was in fact | :21:18. | :21:25. | |
born in the Isle of Man and grew up in Liverpool. | :21:25. | :21:31. | |
Girls this age would fly the nest and fly to university, but Amy has | :21:31. | :21:34. | |
flown to India. On the other side of the world to. Be honest, at | :21:34. | :21:38. | |
first, I was heart broken. Inside, I never let mer know that, now I | :21:38. | :21:45. | |
can. Because I have got over that rench of her going. What is it like | :21:45. | :21:49. | |
having a daughter so famous in India? Bad. Inside, I am so proud | :21:49. | :21:58. | |
of her. And tonight, Inside Out is going | :21:58. | :22:02. | |
exclusively behind the scenes on the set of her latest film. The | :22:02. | :22:07. | |
movie is set in London and filming has been taking place at some of | :22:07. | :22:11. | |
the capital's famous landmarks. is fabulous. This is the first time | :22:11. | :22:16. | |
I have shot here. What is amazing is yesterday we shot in Trafalgar | :22:16. | :22:19. | |
Square, which is ten times as busy as this. We had hundreds of crowds | :22:19. | :22:25. | |
gathering, watching. I am not the most confident dancer. It is all | :22:25. | :22:30. | |
about the moves. So that put the nerves on a bit. Today, we have a | :22:30. | :22:34. | |
slightly more relaxed atmosphere here on the bridge. You get stopped | :22:35. | :22:39. | |
while you are walking and try to do a dance scene. Lots of people are | :22:39. | :22:43. | |
curious. There are lots of Asians on holiday and also living here who | :22:43. | :22:48. | |
have seen a couple of my movies. I was shocked because I didn't | :22:48. | :22:56. | |
realise how big it was back in the UK and worldwide. | :22:56. | :23:02. | |
It's been a massive rise to fame. She was spotted by an Indian film | :23:02. | :23:08. | |
director on the internet after winning the Miss Teen World | :23:08. | :23:16. | |
competition. The director saw me on the Miss Teen World website. That | :23:16. | :23:21. | |
was it. He flew to England. He said I had the ideal look for his movie. | :23:21. | :23:28. | |
A week later I was shooting for my first South Indian movie. | :23:28. | :23:33. | |
Behind me, Amy is getting ready for her next scene on this city's | :23:33. | :23:43. | |
:23:43. | :23:49. | ||
biggest landmark - the London Eye. The film is a thriller about a | :23:49. | :23:56. | |
British-born Indian girl, who wins Miss London and gets drawn into a | :23:56. | :24:02. | |
spying conspiracy. It is made for the Tamil equivalent of Bollywood. | :24:02. | :24:09. | |
She has had to learn to speak Hindu and India. It is a Tamil movie. It | :24:09. | :24:17. | |
is difficult. It is a bit like abrupt. It is taking time for me to | :24:17. | :24:22. | |
get used to it. How long do you have to learn those | :24:22. | :24:26. | |
all-important lines then? Tamil? How long do I get? They usually | :24:26. | :24:31. | |
give them to me on the spot. If I am lucky I'll get a couple of hours | :24:31. | :24:35. | |
beforehand. It is a big challenge for a white English actress to play | :24:35. | :24:40. | |
a lead role in an Indian film. Not everyone approves. She's entering a | :24:41. | :24:46. | |
global film market. It is a global film market, just like Bollywood. | :24:46. | :24:50. | |
It shouldn't matter what background the actor or actress is, so long as | :24:50. | :24:57. | |
he or she looks the part. These cinema-goers at the Trafford Centre | :24:57. | :25:02. | |
know who Amy Jackson is. How do they feel about a western actress | :25:02. | :25:06. | |
staring in the Indian films? It is a mixed society now. It is great to | :25:06. | :25:13. | |
see it in Bollywood films. It is not just about Indian people. | :25:13. | :25:19. | |
Do you think Amy will be a huge success? She should be. She's | :25:19. | :25:24. | |
really pretty. You are obviously a British girl with pale skin, do | :25:24. | :25:31. | |
they have to make you up, make you tanned? In my last movie they | :25:31. | :25:36. | |
bronzed me slightly. But you know, the majority of the actresses, they | :25:36. | :25:41. | |
completely stay out of the sun and they are not tanned whatsoever. | :25:41. | :25:46. | |
Where over here, everybody likes to be tanned and bronzed, back in | :25:46. | :25:53. | |
India, it is the complete opposite. Isn't it beautiful, Liverpool? | :25:53. | :25:57. | |
is. It has some gorgeous architecture. Amy is currently | :25:57. | :26:02. | |
living in Mumbai, but filming in the UK has meant she's been able to | :26:02. | :26:05. | |
spend time seeing family and friends back home in Liverpool. | :26:05. | :26:11. | |
Every time I come back and I feel very nostalgic I think of home, | :26:11. | :26:17. | |
it's always on my mind. It's great to be back seeing family and | :26:17. | :26:20. | |
friends. She especially missed her parents | :26:20. | :26:24. | |
and sister while living in India. have a great mum. She came over and | :26:24. | :26:28. | |
she spent the first three months with me in Mumbai. | :26:29. | :26:34. | |
Amy's mum has been by her side during long filming days in the UK. | :26:34. | :26:39. | |
I'm there for her when ever she needs me. It's OK. It works out OK, | :26:39. | :26:45. | |
doesn't it? She puts up with my mood swings and things. She takes | :26:46. | :26:52. | |
it. If she gets bad tempered she takes it out on me. But I don't | :26:52. | :26:57. | |
mean it! Is it is like for you being on a film set of a Kollywood | :26:57. | :27:02. | |
movie? Is it a bit surreal? To be honest, I never thought in my | :27:02. | :27:05. | |
wildest dreams I would be here today and I never thought I would | :27:05. | :27:10. | |
have a famous daughter, but I have. Being her mum, I think she's really | :27:10. | :27:13. | |
beautiful. I really do. You're going to be on camera now. | :27:13. | :27:20. | |
Nice to meet you. So nice to meet you. In Liverpool Amy can walk | :27:20. | :27:24. | |
around virtually unnoticed apart from Indian tourists who are | :27:24. | :27:29. | |
surprised to come across a star on the dock. This would be impossible | :27:29. | :27:36. | |
for Amy to do in Mumbai. I can go out with my hair in a bun and sweat | :27:36. | :27:41. | |
pants, but in India I would be traumatised if I got caught looking | :27:41. | :27:44. | |
like that. It is nice to actually be able to come home and relax and | :27:44. | :27:54. | |
:27:54. | :27:55. | ||
just be me. So what is next for Amy Jackson? If | :27:55. | :28:03. | |
she can conquer this, the sky's the limit. It is something I could not | :28:03. | :28:13. | |
:28:13. | :28:19. | ||
turn down. It was huge. So far it's Do you know what, if she leads a | :28:19. | :28:22. | |
leading man, I have been working on my moves! | :28:22. | :28:28. | |
Maybe not! Listen, that's all from inside Out North West. If you have | :28:28. | :28:32. | |
missed the programme you can catch it on the iPlayer. I am back next | :28:32. | :28:40. | |
Monday night, 7.30pm, BBC One. Until then, have a good week. | :28:40. | :28:43. |