Browse content similar to 03/03/2014. Check below for episodes and series from the same categories and more!
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Welcome to the programme. In the next half hour, the former | :00:10. | :00:17. | |
gang member convicted of murder who is trying to clear his name. I | :00:18. | :00:23. | |
partly feel responsible because it was my group of friends that was | :00:24. | :00:29. | |
responsible. How families of fans killed in the Hillsborough disaster | :00:30. | :00:32. | |
are racing against time to find witnesses for the new inquests that | :00:33. | :00:37. | |
start this month. They were with my dad in his last minutes. They try to | :00:38. | :00:41. | |
save his life. My dad responded and opened his eyes while he was behind | :00:42. | :00:49. | |
the goal. PSN trick and troubled company in -- the eccentric artist | :00:50. | :00:56. | |
being compared to LS Lowry. One was sold for ?4000. | :00:57. | :01:15. | |
The Court of Appeal is set to hear the case of a former Manchester gang | :01:16. | :01:23. | |
member and convicted murderer. Dwaine George was jailed for 12 | :01:24. | :01:26. | |
years when a teenager was shot dead. He denied the murder, but was | :01:27. | :01:31. | |
found guilty when the jury heard detailed forensic evidence about the | :01:32. | :01:37. | |
gun. We asked Michael Gladwell, one of the most the back country's most | :01:38. | :01:43. | |
experienced detectives to investigate. | :01:44. | :01:50. | |
He will be sadly missed. The murder in 2001 of 18-year-old Daniel Dale | :01:51. | :01:52. | |
shocked Manchester, a city already dubbed Gunchester as gang warfare | :01:53. | :01:59. | |
claimed 30 lives in just five years. Disputes over drugs, money, | :02:00. | :02:01. | |
territory and reputations spiralled into killings. | :02:02. | :02:07. | |
Bullets took criminals and innocents alike. | :02:08. | :02:15. | |
This is the man convicted by a jury of Daniel Dale's murder. Dwaine | :02:16. | :02:20. | |
George served 12 years in prison and was released late last year. He's | :02:21. | :02:23. | |
always denied involvement in the killing, and now hopes to clear his | :02:24. | :02:28. | |
name. He was a teenager when he joined the notorious Cheetham Hill | :02:29. | :02:33. | |
gang. People feared it. You went places, people respect you because | :02:34. | :02:39. | |
they feared it. As a gang, we was known for robberies, drugs, | :02:40. | :02:43. | |
partying. We'd get in fights from time to time. And that was the life | :02:44. | :02:49. | |
really. Were people scared of you? Some people were, yeah. Incidents | :02:50. | :02:55. | |
would happen spur of the moment. In town, in different areas. You could | :02:56. | :03:00. | |
just meet a group of guys, and something could happen, a | :03:01. | :03:03. | |
confrontation and we could end up fighting. | :03:04. | :03:12. | |
The events that led to Dwaine's imprisonment began here on the steps | :03:13. | :03:16. | |
of Manchester Crown Court on the afternoon of Tuesday July the 24th, | :03:17. | :03:22. | |
2001. Another murder, but a different case. | :03:23. | :03:27. | |
The white boys are supporting the victim's family. It includes | :03:28. | :03:29. | |
18-year-old Daniel Dale who is due to give evidence. Dwaine George is | :03:30. | :03:34. | |
part of the Cheetham Hill gang who are friends of the alleged killers. | :03:35. | :03:38. | |
A noisy scuffle breaks out. One witness alleges Dwaine George made a | :03:39. | :03:41. | |
death threat, but no-one else corroborates him. George denies it. | :03:42. | :03:48. | |
The confrontation is the start of a chain reaction that will lead, | :03:49. | :03:51. | |
within 24 hours, to Daniel Dale's murder and the start of another | :03:52. | :03:52. | |
trial. One day later, and there's been | :03:53. | :04:05. | |
another incident. Cheetham Hill has backed down in a street encounter | :04:06. | :04:08. | |
with the white boys who outnumbered them. Now, they feel they've been | :04:09. | :04:11. | |
disrespected, and some are seeking retaliation. Dwaine George admits he | :04:12. | :04:18. | |
was there, but says he argued against revenge. So why didn't you | :04:19. | :04:25. | |
retaliate on this occasion? I said leave it till another time. And what | :04:26. | :04:31. | |
would that have been? It could have been anything. It could have just | :04:32. | :04:34. | |
been bats, it could have been sticks, it could have been if people | :04:35. | :04:38. | |
wanted guns, but for me at my particular moment that time for me | :04:39. | :04:42. | |
was not the time. At his home, Aaron Cunningham stores a gun for Cheetham | :04:43. | :04:45. | |
Hill in return for regular supplies of cannabis. Nathan Loftus, an old | :04:46. | :04:51. | |
school friend of Dwaine George, makes a call. I'm coming to get that | :04:52. | :05:00. | |
thing. Right. A minute later, Nathan calls back. The arrangement's | :05:01. | :05:03. | |
changed, I'm not coming, it'll be Dwaine George. Now, Aaron Cunningham | :05:04. | :05:14. | |
is expecting to see Dwaine George. In Miles Platting, the white youths, | :05:15. | :05:16. | |
including some from yesterday's fracas at court, are on edge. | :05:17. | :05:22. | |
They're expecting retaliation. Aaron Cunningham waits in his house, ready | :05:23. | :05:27. | |
to deliver the weapon. Later he tells police, I saw the car drive | :05:28. | :05:30. | |
off through the kitchen window, Dwaine was driving and Ryan was in | :05:31. | :05:37. | |
the front passenger seat. Later, when this case came to court, | :05:38. | :05:40. | |
Aaron Cunningham, who was under police protection, appeared as a | :05:41. | :05:45. | |
Crown witness. He changed his story. He said, I didn't see him properly. | :05:46. | :05:51. | |
I didn't really have a proper look and that. I just presumed it was | :05:52. | :06:00. | |
Dwaine. The Red Honda has already been seen | :06:01. | :06:03. | |
once. Suddenly it re-appears further down the road. I immediately knew it | :06:04. | :06:11. | |
was the Cheetham Hill lads, and I just knew they would have guns. | :06:12. | :06:17. | |
When you start to analyse what each of the witnesses saw in this murder, | :06:18. | :06:25. | |
you end up with a confusing picture. Two men got out from the front near | :06:26. | :06:29. | |
side and rear near side doors of the red car and both had a gun. They | :06:30. | :06:32. | |
were about 5'10" and both wore masks. Both rear doors opened and | :06:33. | :06:36. | |
two black males got out. The guy behind the driver's seat was small | :06:37. | :06:40. | |
in height. The second guy was much bigger, about six" to 6'3". Both | :06:41. | :06:42. | |
didn't have anything covering their faces. I'm trying to find out why | :06:43. | :06:52. | |
witnesses to the same event can often see things completely | :06:53. | :06:54. | |
differently. So I've come here today to the Royal Holloway University | :06:55. | :06:58. | |
near Windsor to speak to one of the world's leading forensic | :06:59. | :07:00. | |
psychologists and hope that they can shed some light on exactly why that | :07:01. | :07:03. | |
is. Why does it happen that there are so many different accounts by | :07:04. | :07:05. | |
these witnesses? This is not too surprising because | :07:06. | :07:08. | |
the witnesses are not expecting to have their memories tested so | :07:09. | :07:11. | |
they'll be attending to different things, they'll be experiencing | :07:12. | :07:13. | |
different levels of emotion, they'll have different priorities as to what | :07:14. | :07:20. | |
they all notice. Witnesses find it very difficult to make judgements of | :07:21. | :07:25. | |
say height. For example, I'm quite short so I'm likely to describe you | :07:26. | :07:30. | |
as very tall. The last two decades of research show that eyewitnesses | :07:31. | :07:36. | |
can be unreliable. When detectives investigate a shooting they look for | :07:37. | :07:39. | |
gunshot residue - the microscopic particles ejected during firing. | :07:40. | :07:46. | |
These particles can land on the shooter and their clothing. The more | :07:47. | :07:51. | |
particles, the stronger the link between weapon and suspect. In a | :07:52. | :07:56. | |
coat at Dwaine George's house, forensic teams find gunshot residue, | :07:57. | :08:05. | |
but only two minute particles. And, in a car belonging to Dwaine's | :08:06. | :08:07. | |
mother, they discover a spent cartridge case which he admitted was | :08:08. | :08:14. | |
his. I was in a house with my friend, he had a gun. | :08:15. | :08:28. | |
He was messing around with the gun. The gun accidentally went off and he | :08:29. | :08:35. | |
shot me in the foot. The shell case wasn't connected to the murder, but | :08:36. | :08:38. | |
could it have contaminated the coat? A spent cartridge was found in a car | :08:39. | :08:41. | |
that is associated with Dwaine George, could that have a bearing on | :08:42. | :08:45. | |
anything? Very much so. One spent cartridge case will contain tens if | :08:46. | :08:48. | |
not hundreds of thousands of gunshot residue particles. It'll be a | :08:49. | :08:52. | |
repository of gunshot residue. And because these particles are so | :08:53. | :08:55. | |
small, normally one, two, three microns, that even from a spent | :08:56. | :08:58. | |
cartridge they can become easily airborne and contaminate everything | :08:59. | :09:05. | |
round them. In the years since the murder, courts have become cautious | :09:06. | :09:09. | |
about the value of gunshot residue. So with just two particles of the | :09:10. | :09:12. | |
dust-like material, was it reliable evidence? Today, if an investigation | :09:13. | :09:19. | |
found this sort of gunshot residue evidence, as an expert witness, what | :09:20. | :09:25. | |
would you be advising the police? I would be advising the police that | :09:26. | :09:29. | |
those levels are so low that you really can't come to any conclusion. | :09:30. | :09:36. | |
In effect, they are insignificant. Did you murder Daniel Dale? No. Do | :09:37. | :09:42. | |
you feel any responsibility for his do you ever think about the family? | :09:43. | :09:56. | |
Yes. Do you feel any responsibility for his death? I partly feel | :09:57. | :10:00. | |
responsible because it was my group of friends that was actually | :10:01. | :10:02. | |
responsible for this murder. Dwaine George's case was prepared by law | :10:03. | :10:05. | |
students in Cardiff working for the Innocence Project, set up to free | :10:06. | :10:10. | |
people wrongly imprisoned. He converted to Islam in jail, and | :10:11. | :10:12. | |
achieved a first class honours degree in social sciences. | :10:13. | :10:17. | |
He's out of prison, but he can't escape his past. | :10:18. | :10:21. | |
What do you feel about the friends who, you say, have let you rot in | :10:22. | :10:26. | |
jail? There's definitely a sense of | :10:27. | :10:29. | |
resentment, but at the same time there was a code that we had amongst | :10:30. | :10:36. | |
ourselves that was a norm to honour. You know, you don't grass. It was | :10:37. | :10:41. | |
just the expected thing, it was the norm. That's why if you did grass | :10:42. | :10:44. | |
there'd be such bad repercussions against your family, your loved ones | :10:45. | :10:51. | |
because it was a golden rule. And as much as now as a mature adult | :10:52. | :10:55. | |
I see the fallacy of them values, they were the values that we lived | :10:56. | :10:57. | |
by at the time. Coming up, why Cumbrian artist Percy | :10:58. | :11:16. | |
Kelly died penniless? He wrote a nice letter with an illustration and | :11:17. | :11:19. | |
would say, I am missing that painting, do you think I could have | :11:20. | :11:20. | |
it back? There are just four weeks to go | :11:21. | :11:33. | |
before the new inquests into a of the 96 Liverpool fans who died in | :11:34. | :11:38. | |
the Hillsborough disaster. Their families want a different result | :11:39. | :11:43. | |
from the original accidental death verdicts. After campaigning for 25 | :11:44. | :11:47. | |
years, they have spent the last few months in a desperate search for new | :11:48. | :11:49. | |
witnesses and evidence. I didn't understand that my dad has | :11:50. | :12:03. | |
gone to a football match and died, because he always went to the | :12:04. | :12:08. | |
football. What I can change is hopefully that my brother didn't die | :12:09. | :12:14. | |
a life. After more than 20 years of | :12:15. | :12:24. | |
campaigning, the original accidental death verdict on the 96 people who | :12:25. | :12:28. | |
died at Hillsborough were overturned. The court sought new | :12:29. | :12:34. | |
inquest after an independent panel revealed alleged failings in the way | :12:35. | :12:40. | |
that emergency services responded to the crash. Tonight, with a new | :12:41. | :12:44. | |
inquest less than a month away, we report on the family's at all to | :12:45. | :12:48. | |
find vital witnesses ahead of the new inquests. We went to games home | :12:49. | :12:58. | |
and abroad, away, everywhere. Charlotte Hennessy is one of those | :12:59. | :13:03. | |
searching for witnesses. She was six when her dad went to watch Liverpool | :13:04. | :13:11. | |
play Nottingham Forest. He was 29 when he died. I don't render his | :13:12. | :13:17. | |
voice. I don't remember his life, but I do remember him being there, I | :13:18. | :13:22. | |
do remember loving him so much and being such a daddy's girl and | :13:23. | :13:28. | |
feeling that love back. I think if I was ever hurt or injured, it will be | :13:29. | :13:35. | |
my dad that I would want. The idea that their relatives' | :13:36. | :13:41. | |
deaths were accidental has always infuriated the Hillsborough | :13:42. | :13:45. | |
families. The judge who investigated the disaster said it was mainly | :13:46. | :13:50. | |
caused by the police losing control of the crowd. Yet an inquest jury in | :13:51. | :13:56. | |
Sheffield decided that all 96 deaths were accidental. | :13:57. | :14:06. | |
It took 20 years of campaigning to set the Hillsborough panel. They | :14:07. | :14:12. | |
said many had the potential to survive if the emergency response | :14:13. | :14:16. | |
had been different. One of the 41 was Jimmy Hennessy. Now his daughter | :14:17. | :14:22. | |
is searching for a St John's ambulance man who tried to revive | :14:23. | :14:26. | |
his father behind the goal. She hopes to find the ambulance men in | :14:27. | :14:29. | |
time for the new inquests. Della mac they withdrew my dad in the last | :14:30. | :14:35. | |
minutes. They tried to save his life. My dad responded and opened | :14:36. | :14:39. | |
his eyes while he was behind the goal, so of course he needs to give | :14:40. | :14:47. | |
evidence. Charlotte and the other families have already travelled to | :14:48. | :14:51. | |
London five times for hearings to sort out legal and practical issues | :14:52. | :14:56. | |
before the new inquests. She is hoping there may also be news of her | :14:57. | :15:02. | |
search in the latest hearing. Growing up, one thing that used to | :15:03. | :15:06. | |
bother me was whether or not my dad was frightened. That used to really | :15:07. | :15:14. | |
upset me. We will never know if he was still alive, if he was found, if | :15:15. | :15:22. | |
he died later. Shallot joins other Hillsborough Family Support Group | :15:23. | :15:24. | |
reign quest hearing, but there is no news today of the man she believes | :15:25. | :15:29. | |
helped her family. There was still no mention of St John ambulance | :15:30. | :15:34. | |
people who have come forward, so I think it is just waiting for another | :15:35. | :15:41. | |
update. Shallot's surge is important, because these new | :15:42. | :15:44. | |
inquests will have a wider scope than the original ones. One of the | :15:45. | :15:49. | |
most controversial aspects of the original inquests was the coroner's | :15:50. | :15:53. | |
decision not to hear evidence about what happened after 3:15pm on the | :15:54. | :15:58. | |
day of the disaster. He ruled that while 96 would have suffered their | :15:59. | :16:02. | |
fatal injuries by then. But that meant that the response of the | :16:03. | :16:08. | |
police, the ambulance people, and others, was never examined at the | :16:09. | :16:11. | |
inquest. That response will be examined at the new hearings, and | :16:12. | :16:16. | |
that is why it is so important for the families to find as many | :16:17. | :16:25. | |
witnesses as they can. I'm sure he was a Scouse in a previous life, | :16:26. | :16:28. | |
because anything to do with Liverpool, his favourite | :16:29. | :16:35. | |
programmes, he even used to talk Scouse. Louise Brooks's brother died | :16:36. | :16:43. | |
at Hillsborough. He was 26. Louise is still searching for a man she | :16:44. | :16:48. | |
thinks may have been a doctor, who apparently helped Andrew on the | :16:49. | :16:52. | |
peerage after 3:15pm. Entry is still searching for another man, marked | :16:53. | :16:58. | |
with a red arrow, pictured near Andrew in the crowd. I feel I am | :16:59. | :17:07. | |
against the clock. I just want my brother to... I want all of the | :17:08. | :17:14. | |
information possible about this at my brother's inquest. So everybody | :17:15. | :17:20. | |
has the full facts. I can't come back in ten years' time and say, | :17:21. | :17:24. | |
excuse me, I found something else, because that will never happen. What | :17:25. | :17:35. | |
I can change is, hopefully, change that my brother didn't die a lie. | :17:36. | :17:46. | |
That's what hopefully I can participate in changing. The | :17:47. | :17:54. | |
inquests are part of three enquiries into Hillsborough. The Independent | :17:55. | :17:57. | |
Police Complaints Commission is looking at the ledge of the least | :17:58. | :18:01. | |
misconduct after the disaster. At offices in Warrington, Operation | :18:02. | :18:06. | |
Resolve is examining whether any crimes were committed before it. But | :18:07. | :18:12. | |
both Operation Resolve and the IPCC are also gathering evidence for the | :18:13. | :18:22. | |
new inquests. One of the areas being investigated are safety, | :18:23. | :18:25. | |
preparations for the match, and crowd management, as well as the | :18:26. | :18:31. | |
cause of death for all 96. They have already interviewed more than 1000 | :18:32. | :18:36. | |
people. One new feature the resulting will provide for the | :18:37. | :18:40. | |
inquests are individual diaries of the movements of each of the | :18:41. | :18:45. | |
victims. They have made compilations of CCTV, police, and TV images, | :18:46. | :18:48. | |
showing the victims arriving at the grounds, in the ground, and in some | :18:49. | :18:53. | |
cases, on the pitch after the crutch. -- crash. This woman lost | :18:54. | :19:03. | |
her stepson. She has already seen his video. When I saw was horrific. | :19:04. | :19:09. | |
It was not because the police were being brutal, but because they had | :19:10. | :19:13. | |
to get people out so quickly, and they were tangled, and it was like | :19:14. | :19:22. | |
they were being batted out of a small hole of a doorway. The new | :19:23. | :19:34. | |
inquest starts in Warrington on March 31. It could last until | :19:35. | :19:40. | |
Christmas or beyond. I never went to my brother's original inquest. If I | :19:41. | :19:44. | |
look back now, I feel I should have been there. I understand why my | :19:45. | :19:51. | |
parents tried to protect me, so I feel I have aged second chants now | :19:52. | :19:56. | |
to do right by my brother. -- a second chance. Is about doing the | :19:57. | :20:01. | |
best I could to find out what happened to my dad. I want to be his | :20:02. | :20:08. | |
voice, because he went to a football match and didn't come home. | :20:09. | :20:16. | |
Wordsworth, Ruskin, Wainwright - all famous names who've been inspired by | :20:17. | :20:24. | |
Cumbria's landscape. What about the name Percy Kelly? If not, you still | :20:25. | :20:33. | |
will -- you still will Jacey Normand has been on the trail of Percy, a | :20:34. | :20:36. | |
troubled and eccentric artist, who only after his death is getting | :20:37. | :20:37. | |
wider recognition for his work. He drew everything in sight all his | :20:38. | :20:49. | |
life. It was compulsive. He couldn't not paint or draw. He was amazing. A | :20:50. | :20:58. | |
one-off. I don't know what it is, but it is something that makes | :20:59. | :21:01. | |
people think, I want that, and I like it. This is the landscape that | :21:02. | :21:09. | |
Percy Kelly loved, so I've come to find out more about a prolific | :21:10. | :21:12. | |
artist with an equally incredible life story. He wasn't interested in | :21:13. | :21:17. | |
the chocolate box district, but of the down to earth beauty of West | :21:18. | :21:21. | |
Cumbria. So that is where I'm headed. I'm meeting up with Chris, a | :21:22. | :21:24. | |
former art gallery owner. She's researched and written about Percy's | :21:25. | :21:35. | |
life and work. When did Percy says come to hear? His first wife moved | :21:36. | :21:40. | |
here with him in 1958. They gave up the post office and bought Glen | :21:41. | :21:48. | |
cottage around the corner. What was his early life like? The family were | :21:49. | :21:57. | |
porn. The family were poor. They were a religious family, and he was | :21:58. | :22:04. | |
a twin. Really? Yes. Use the back room as his studio, which was a tiny | :22:05. | :22:08. | |
room. He had a huge printing press in there. And Percy, who was always | :22:09. | :22:14. | |
short of cash is still remembered in the village shop today. He used to | :22:15. | :22:21. | |
want to exchange his paintings for groceries. Did you take any? ? mac | :22:22. | :22:27. | |
know, but I wish we did now. But his time in Allonby came to a swift end | :22:28. | :22:31. | |
one night when he revealed a secret to his wife. She could see a fire | :22:32. | :22:40. | |
flickering, and thought a good, Percy is home. There was a strange | :22:41. | :22:43. | |
man sitting with his back to her. The woman turned around, and it was | :22:44. | :22:47. | |
Percy in her dress. He was asking for help with his make up. She threw | :22:48. | :22:52. | |
him out and locked him out and changed the locks. He never lived | :22:53. | :22:54. | |
here again. Throughout the rest of his life, he'd alternate between | :22:55. | :22:56. | |
being Percy and Roberta. My next stop is a short drive cross | :22:57. | :23:04. | |
country to Isel, near Cockermouth. I've come to visit an old friend of | :23:05. | :23:07. | |
Percy's, who spotted the potential of his work. I thought it was very | :23:08. | :23:18. | |
good. So original. The chief thing about it was it belonged to Cumbria, | :23:19. | :23:22. | |
and he adored Cumbria. Mary was the director of the Abbot Hall Art | :23:23. | :23:25. | |
Gallery in Kendal, and exhibited his work in the 1960s. He was fixed on | :23:26. | :23:37. | |
artistry. I think that was why he was successful. After the break-up | :23:38. | :23:41. | |
of his marriage, he came to Mendel 's Hall with his new partner | :23:42. | :23:44. | |
Christine. He lived in one of these cottages a few miles from the famous | :23:45. | :23:47. | |
topiary. Mavis Aitchison remembers visiting Percy. Mavis remembers a | :23:48. | :23:51. | |
prolific artist, who refused to cash in on his work. When it we came to | :23:52. | :23:59. | |
visit him, we went into the hall, and there was a stack of paintings | :24:00. | :24:04. | |
along the hall. I think they were some of the ones he painted when we | :24:05. | :24:10. | |
in Brittany. They were highly coloured and floral. They were very | :24:11. | :24:15. | |
attractive. I said, are you going to sell any of these? No, no. One | :24:16. | :24:25. | |
critic said he was one of those artists who believed in his own | :24:26. | :24:28. | |
value, and he wanted others to share that high opinion. But it is coming | :24:29. | :24:33. | |
come around to selling his artwork in order to achieve it. In other | :24:34. | :24:37. | |
words, he craved recognition, but couldn't part with his paintings. He | :24:38. | :24:42. | |
was always sorry when a painting went, and sometimes he asked for | :24:43. | :24:47. | |
them back. He would like to somebody a nice letter with an illustration | :24:48. | :24:50. | |
and say, I really miss that painting. Do you think I could have | :24:51. | :24:57. | |
it back? He changed his mind. Yes. In 1973, Percy and Christine moved | :24:58. | :25:01. | |
to St David's, in Wales, and then on to Norfolk. | :25:02. | :25:06. | |
And after years of hardship, and Percy refusing to sell his work, | :25:07. | :25:11. | |
Christine could take no more - she left him. | :25:12. | :25:19. | |
I think she couldn't stand being so poor, and the frustration of knowing | :25:20. | :25:29. | |
there was this wealth of dutiful art, really interesting paintings, | :25:30. | :25:32. | |
just sitting there not doing anything. -- beautiful art. So with | :25:33. | :25:40. | |
Percy alone and in exile in Norfolk, how did his work find its way back | :25:41. | :25:43. | |
to his home county? I'm heading to Kendal in search of answers. "Dear | :25:44. | :25:48. | |
Miss David. Thank you so much for your letter, which arrived today. | :25:49. | :25:51. | |
Your very kind and appreciative words about my work really touched | :25:52. | :25:54. | |
me. It is so rare to hear such compliments, and since I am | :25:55. | :25:57. | |
experiencing the darkest period of my life, I got quite a lift. He was | :25:58. | :26:07. | |
replying to join David, an art lover from Kendal. She'd been captivated | :26:08. | :26:10. | |
by one of Percy's pictures, and wrote to him asking to buy some of | :26:11. | :26:17. | |
his work. Was the tentative beginnings of a feud letters going | :26:18. | :26:22. | |
back and forwards rapidly developed into something on an ongoing basis. | :26:23. | :26:28. | |
Did he have any idea how many letters they were? No, not until we | :26:29. | :26:33. | |
opened the trunk after my mother's death, and it turns out they're | :26:34. | :26:38. | |
worth around 1500 letters in the trunk. It is amazing, because mother | :26:39. | :26:44. | |
and Percy only met for a five times in their lives. "Dear Mr Kelly. | :26:45. | :26:50. | |
"What an amazingly generous person you are. I have been living on air | :26:51. | :26:53. | |
since your most beautiful painted letter arrived." She sent him the | :26:54. | :27:01. | |
stamps, so he didn't even have to pay for the stamps to keep the | :27:02. | :27:04. | |
correspondence going. And it was his good friend Joan, and Chris, who | :27:05. | :27:07. | |
rescued the artwork crammed into Percy's tiny Norfolk cottage after | :27:08. | :27:12. | |
his death in 1993. Finally his work would get a wider audience. In 1994, | :27:13. | :27:22. | |
no one really knew about him, and yet when the catalogue went out, I | :27:23. | :27:27. | |
had a queue down the hill for those paintings. Every exhibition since | :27:28. | :27:31. | |
then, there has been a queue outside the door. Now he has hit London. He | :27:32. | :27:39. | |
hit London about three or four years ago, and last December, one of his | :27:40. | :27:45. | |
paintings sold for ?4000. I think he would be very startled at that now. | :27:46. | :27:49. | |
It's now highly prized - he's even been compared to LS Lowry. So Percy | :27:50. | :27:57. | |
Kelly - "talented", "troubled", "a genius", "warm" - all descriptions | :27:58. | :28:00. | |
made about him. He's certainly not been forgotten in his beloved | :28:01. | :28:02. | |
Cumbria. Sadly, long after his death, interest continues to grow in | :28:03. | :28:05. | |
his work- but then he always knew that would be the case. I cannot | :28:06. | :28:14. | |
paint for monetary gain. I would rather starve than sell one piece of | :28:15. | :28:18. | |
my work. But I know when I depart this world, people. And wonder at | :28:19. | :28:21. | |
the beauty and truth that I have portrayed. | :28:22. | :28:29. | |
What a fascinating life story. That is it from us for this week, and for | :28:30. | :28:35. | |
the series. Don't forget you can catch is again on I player, but we | :28:36. | :28:38. | |
will be back in the autumn. Until, goodbye. | :28:39. | :28:44. |