Browse content similar to 08/09/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to BBC Inside Out. Why residents are seeing red about | :00:11. | :00:23. | |
planning decisions. You can't except that you are going to have ` brick | :00:24. | :00:28. | |
wall in front of you. How fdars tourists can be damaging thd Lake | :00:29. | :00:35. | |
District Park. the very thing they come to love. | :00:36. | :00:46. | |
And it is this year's must see stage production. A journey on worldwide | :00:47. | :00:53. | |
success. How can you adapt ` book that goes all the | :00:54. | :01:01. | |
First World War, swap sides from the Allied side is | :01:02. | :01:06. | |
Housing supply in England is struggling to keep up | :01:07. | :01:08. | |
with demand despite a new l`w to make planning applications simpler. | :01:09. | :01:11. | |
But building on Greenfield sites is controversial and ` as Jacex Normand | :01:12. | :01:13. | |
has been finding out ` some North West residents believe the new | :01:14. | :01:26. | |
guidelines are helping developers more than local communities. It s | :01:27. | :01:28. | |
the most expensive thing most of us ever buy in our lives. | :01:29. | :01:35. | |
What people want to do is ptt up the drawbridge and live in their own | :01:36. | :01:39. | |
little cocoon and forget thd fact that their home was once a new home | :01:40. | :01:44. | |
When you've been used to looking out over a green field, you can't accept | :01:45. | :01:49. | |
that you're going to have a brick wall in front of yot. | :01:50. | :02:12. | |
Pani regulations come into force today. Some say it can lead to a | :02:13. | :02:22. | |
free for all. Two years on, not everyone hs happy | :02:23. | :02:24. | |
about how the new rules are working. A report out today by the c`mpaign | :02:25. | :02:37. | |
for expresses concern about the number | :02:38. | :02:41. | |
of greenfield approved in the north`west. They say | :02:42. | :02:52. | |
the current policy is encouraging causing the problem. | :02:53. | :03:09. | |
It's proven to be a delicate balance for Head Planner | :03:10. | :03:11. | |
It's her job to recommend which sites should or shouldn't be | :03:12. | :03:18. | |
developed to the County Planning Committee. | :03:19. | :03:20. | |
The whole purpose of the localism act was to give people power, not to | :03:21. | :03:24. | |
stop developments but to actually say yes we'll have developmdnts | :03:25. | :03:27. | |
It wasn't a legislation to tse a hackney word, for nimbies to say no. | :03:28. | :03:38. | |
It was actually for them to say yes we'll have this but we'll h`ve it | :03:39. | :03:41. | |
This is Hartford, a small vhllage in the heart of leafy Cheshhre. | :03:42. | :03:45. | |
650 new homes have been givdn the go ahead, despite local | :03:46. | :03:47. | |
They feel the changes have put planning in the developers favour. | :03:48. | :03:51. | |
They opposed two large`scald developments and are still `ngry | :03:52. | :03:55. | |
about the decision to give them the green light. This site here is | :03:56. | :03:58. | |
actually open countryside and it also has the added protection of an | :03:59. | :04:01. | |
AS LEV which is the area of significant local environmental | :04:02. | :04:06. | |
value so it means a lot to the people that | :04:07. | :04:09. | |
However that didn't count whth the development and the devdlopment | :04:10. | :04:15. | |
It's just the number of properties because this site plus the other | :04:16. | :04:22. | |
site it bringing 650 houses to Hartford which is increasing our | :04:23. | :04:25. | |
sixe by 30% ` that's quite ` drastic and very large sort of development. | :04:26. | :04:34. | |
Rita can see one of the sitds from her back`garden. | :04:35. | :04:38. | |
And she's worried about the impact on traffic in the village. | :04:39. | :04:40. | |
Before the changes, objectors had to show that | :04:41. | :04:43. | |
congestion would be significant as a result of new housing developments. | :04:44. | :04:48. | |
Now they have to show it wotld be severe, something she believes | :04:49. | :04:51. | |
Independent transport consultant Michael Kitching has been working | :04:52. | :05:00. | |
in Hartford with Rita and other objectors. | :05:01. | :05:02. | |
I asked him what constitutes a severe traffic problem. | :05:03. | :05:06. | |
And one person's severe may be very different to another. | :05:07. | :05:19. | |
Nobody wants to see highway safety compromised and it's import`nt to | :05:20. | :05:25. | |
make sure that emergency vehicles can pass through the area as well. | :05:26. | :05:31. | |
In terms of the relaxation of the laws if that's how you'd deem | :05:32. | :05:34. | |
them, are you seeing a shift in opinion really? | :05:35. | :05:36. | |
I think certainly from our experience the planning | :05:37. | :05:38. | |
inspectorate seems to be taking a more relaxed view now in terms | :05:39. | :05:41. | |
of things like walking, cycling public transport and frequency | :05:42. | :05:42. | |
So maybe the hard and fast figures that we are used to seeing `re being | :05:43. | :05:48. | |
relaxed slightly and development is being allowed to proceed. | :05:49. | :05:54. | |
The developer in this case is Redrow. | :05:55. | :05:57. | |
They deny that the building of 650 new homes in the village will | :05:58. | :05:59. | |
I suspect that the car movements are going to be | :06:00. | :06:05. | |
It's a very, very sustainable development it's walking distance to | :06:06. | :06:18. | |
the railway station so if you work in Liverpool or Manchester ht's | :06:19. | :06:20. | |
You don't even need a bicycle to get there you can walk therd. | :06:21. | :06:31. | |
It''s walking distance to the shops, and it's walkable to schools. | :06:32. | :06:33. | |
There has been opposition to this project, as a developer how | :06:34. | :06:36. | |
difficult is it to balance that with your needs which is as a business? | :06:37. | :06:39. | |
Well I mean people don't like change ` | :06:40. | :06:44. | |
but something's got to give in that as there's 1.5 million people on | :06:45. | :06:48. | |
housing waiting lists at thd moment and we need to build more homes | :06:49. | :06:51. | |
And I think people accept that, they just don't like it near them. | :06:52. | :06:54. | |
So there has to be a mind`sdt change really in the countrx. | :06:55. | :07:09. | |
There have been calls for Britain to stay a green and pleasant l`nd. | :07:10. | :07:25. | |
granted applications on somd brownfield sites, but they `re just | :07:26. | :07:36. | |
not moving ahead because thdy may be areas not particularly attr`ctive | :07:37. | :07:40. | |
and people might not want to live there anyway. And let's facd it | :07:41. | :07:43. | |
developers aren't going to build houses unless they can sell them. | :07:44. | :07:50. | |
But Steve Morgan from Redrow disagrees There's a total f`llacy | :07:51. | :07:53. | |
Actually two thirds of what we do anyway is | :07:54. | :07:59. | |
on brownfield sites so it's totally untrue to say that builders just | :08:00. | :08:01. | |
And we don't mind building on brownfield sites at all. | :08:02. | :08:08. | |
The site we are going to now is a greenfield site | :08:09. | :08:14. | |
but it's not greenbelt, but it is in a conservation area. | :08:15. | :08:18. | |
So there is an additional dtty when considering applications. | :08:19. | :08:25. | |
Fiona Hore is on her way to assess the site to see | :08:26. | :08:28. | |
She will then make her recommendation to the | :08:29. | :08:33. | |
So here we are at the start of the site and this is a shte | :08:34. | :08:38. | |
It's quite a well`planned and well laid out site with the | :08:39. | :08:45. | |
access coming in off the ro`d and they will keep this green wddge and | :08:46. | :08:48. | |
there's a good line of trees along here and they will all be protected | :08:49. | :08:51. | |
Isn't this just an easy target though | :08:52. | :08:55. | |
because it is a little bit of green space in quite a built up area? | :08:56. | :08:58. | |
Yes I think you're right, it is quite an easy target. | :08:59. | :09:00. | |
Developers do things to makd a profit. | :09:01. | :09:03. | |
If they can minimise their costs upfront then thdy are | :09:04. | :09:05. | |
going to make a bigger profht on the houses and a lot of people | :09:06. | :09:08. | |
that think that's a really bad thing but we have to be realistic, | :09:09. | :09:11. | |
But if you look at it objectively it's | :09:12. | :09:15. | |
an area surrounded by development and it's the next logical step | :09:16. | :09:18. | |
and the next logical place for a village like this to dxpand. | :09:19. | :09:20. | |
You need to keep the village going by bringing | :09:21. | :09:23. | |
in new blood to get children in the schools and things like that. | :09:24. | :09:26. | |
It's the way you sustain communities | :09:27. | :09:27. | |
Fiona estimates 99% of applhcations on greenfield sites are met with | :09:28. | :09:29. | |
But Rita found as an objector she had limited legal rights. | :09:30. | :09:35. | |
Yes, and disappointed I think as well, | :09:36. | :09:42. | |
because the localism bill qtite clearly stated that they were taking | :09:43. | :09:46. | |
responsibility away from thd man in Whitehall so that communitids can | :09:47. | :09:52. | |
say how they'd want their community or town to develop in the ftture. | :09:53. | :09:58. | |
Rita may have lost her fight, but in Tarporley the planning | :09:59. | :10:01. | |
application has been turned down ` despite Fiona's recommendathons | :10:02. | :10:08. | |
The developers are planning to appeal but for the time being | :10:09. | :10:11. | |
at least, residents will kedp their green field. | :10:12. | :10:18. | |
The new regulations which were brought in to silplify | :10:19. | :10:20. | |
Although people recognise a growing demand for new homes in the region, | :10:21. | :10:27. | |
the arguments about where exactly to build them look set to continue. | :10:28. | :10:34. | |
The second we open the show`homes we sell. | :10:35. | :10:40. | |
I can't justify and tell solebody who's lived next to a green field | :10:41. | :10:43. | |
for 40 years that's it's gohng to be wonderful and that are going to | :10:44. | :10:47. | |
be really happy to have a housing development up against their back | :10:48. | :10:50. | |
yard because I'm never going to be able to convince them of th`t | :10:51. | :10:53. | |
It is sad because we have got to think about future generations, and | :10:54. | :10:59. | |
if we lose all the open countryside, it's going to be a concrete jungle | :11:00. | :11:03. | |
and future generations are not going to be able to enjoy | :11:04. | :11:05. | |
We're meant to be writing stories today. | :11:06. | :11:13. | |
The Curious Incident Of The Dog In The Night`Time comes to Salford | :11:14. | :11:19. | |
The story is basically about him on a detective hunt to find out who | :11:20. | :11:22. | |
the murderer is but on this journey he discovers all | :11:23. | :11:27. | |
It's 65 years since an act of Parliament signalled the birth | :11:28. | :11:35. | |
The first opened in the Peak District and was quickly followed | :11:36. | :11:42. | |
by nine more including the Lake District here in the North West | :11:43. | :11:45. | |
Today there are 15 and, despite vast differences in geography, | :11:46. | :11:50. | |
they've all been very successful and are now facing similar challenges. | :11:51. | :11:52. | |
They are the picture perfect landscapes. | :11:53. | :12:02. | |
The distinctive scenery which gives a sense of placd, | :12:03. | :12:09. | |
inspiring artists, exhausting ramblers and protecting wildlife. | :12:10. | :12:14. | |
Over six decades, the National Parks have become the | :12:15. | :12:16. | |
The idea for public access to large tracts of the countryside bdgan | :12:17. | :12:29. | |
a century or so before it became enshrined hn law. | :12:30. | :12:34. | |
It was an event in 1932 which is credited as being the catalxst | :12:35. | :12:38. | |
During the Kinder Scout Mass Trespass, 400 | :12:39. | :12:48. | |
people walked onto a privatdly owned rocky plateau in the Peak Dhstrict. | :12:49. | :12:50. | |
Five were jailed, and the controversy prompted | :12:51. | :12:53. | |
National Parks are about educating people. | :12:54. | :12:59. | |
Colin Speakman, a founding lember of the Yorkshire Dales Socidty, has | :13:00. | :13:02. | |
He believes the mass trespass was a critical moment. | :13:03. | :13:09. | |
Although people didn't know it at the time, it created a m`rtyr | :13:10. | :13:14. | |
And I think people were so outraged that these young men were sdnt to | :13:15. | :13:21. | |
jail purely for walking on the hills, it really set people thinking | :13:22. | :13:24. | |
and, although it took anothdr 2 `odd years until after the Second World | :13:25. | :13:28. | |
War before we finally got the legislation we needed, | :13:29. | :13:30. | |
The Council for the Preserv`tion of Rural England are urging | :13:31. | :13:37. | |
the Government to create thdse National Parks. | :13:38. | :13:39. | |
With the fresh clean air coling across the hills and dales. | :13:40. | :13:42. | |
With their quiet still waters offering | :13:43. | :13:43. | |
Today, across the North, the five National Parks havd | :13:44. | :13:53. | |
about a million residents and roughly 50 million tourists a year. | :13:54. | :13:59. | |
Idyllic sanctuaries for picnics and walks. | :14:00. | :14:05. | |
To residents, they are both home and workplace. | :14:06. | :14:09. | |
The authorities which run the National Parks must | :14:10. | :14:10. | |
They have to conserve and enhance the landscape, the | :14:11. | :14:15. | |
They have also got to bring in the visitors. | :14:16. | :14:21. | |
Generally, it's agreed they've done a pretty good job. | :14:22. | :14:26. | |
But in doing so they've had to walk a tightrope between the needs | :14:27. | :14:29. | |
On the one hand, visitors bring traffic, | :14:30. | :14:33. | |
On the other, tourism is vital to the economy and local peopld also | :14:34. | :14:40. | |
need their livelihoods and landscapes protected. | :14:41. | :14:48. | |
Steve Tatlock has been a ranger in the Lake District | :14:49. | :14:50. | |
Originally from Horwich in Lancashire, | :14:51. | :15:00. | |
His patch covers Langdale, Windermere and Cartmell Fell. | :15:01. | :15:08. | |
The one who has walk that thghtrope between the conflicts of interest. | :15:09. | :15:16. | |
So many people in such a delicate area, they can wear away thd very | :15:17. | :15:18. | |
So we get involved in making the infrastructurd more | :15:19. | :15:23. | |
sustainable, more robust and find that balance about providing that | :15:24. | :15:26. | |
without destroying what people come to see is a constant challenge. | :15:27. | :15:30. | |
So as well as having the technical ability to put that in, somdtimes | :15:31. | :15:33. | |
you sort of need to draw on your own perception of what looks right. | :15:34. | :15:36. | |
How do you blend it in with the curves and contours | :15:37. | :15:41. | |
of the hillside rather than just putting a big motorway throtgh? | :15:42. | :15:43. | |
So it's that constant balance that we're looking for. | :15:44. | :15:56. | |
With scenery like this, no wonder properties in the National | :15:57. | :15:59. | |
According to one national estate agent, | :16:00. | :16:06. | |
Now those prices stay high because of stringent planning | :16:07. | :16:15. | |
controls and there's not much in the way of new house constrtction. | :16:16. | :16:20. | |
Without large scale estates and developments, there's | :16:21. | :16:21. | |
This is Grassington in the Craven District of the Yorkshire D`les | :16:22. | :16:29. | |
The cost of an average housd here is around ?200,000. | :16:30. | :16:34. | |
To buy one with a 75% mortgage you'd need an annual | :16:35. | :16:36. | |
The average salary here is well below 20,000. | :16:37. | :16:46. | |
This building site is being developed by a housing charhty | :16:47. | :16:48. | |
which provides new homes for rent to local people. | :16:49. | :16:53. | |
Five houses and two flats are under construction | :16:54. | :16:54. | |
They will go to people on social housing waiting lhsts | :16:55. | :17:01. | |
The charity says building in a National Park cannot bd done | :17:02. | :17:03. | |
Working with the community, and the National Park, and the local | :17:04. | :17:09. | |
So it's quite often that sole of these sites might be in the working | :17:10. | :17:17. | |
for two or three years before they actually even get to this stage | :17:18. | :17:22. | |
A lot of the brownfield sites have bden taken | :17:23. | :17:24. | |
The cost of building in the National Park, because we have to usd natural | :17:25. | :17:30. | |
materials, you're building puite small sites so economies of scale | :17:31. | :17:34. | |
So a number of challenges, not problems, | :17:35. | :17:40. | |
There is a bus stop at the dnd of a long day's hike, | :17:41. | :17:49. | |
especially when you're wanddring about that last bus home. | :17:50. | :17:52. | |
When the parks first opened, there were regular bus servhces | :17:53. | :17:55. | |
But many of those routes have since been abandoned. | :17:56. | :17:58. | |
Seven years ago, Colin Speakman helped set up DalesBus, | :17:59. | :18:01. | |
It took on the management of many of the Sunday routes within | :18:02. | :18:07. | |
the Yorkshire Dales, and has seen passenger numbers treble. | :18:08. | :18:13. | |
The people who use the buses decide where they'll go, what they'll cost. | :18:14. | :18:15. | |
We work very closely with rdgular users, local people, | :18:16. | :18:21. | |
local organisations, the National Park and the bus companies. | :18:22. | :18:25. | |
So between us because we're all walkers we know what walkers want. | :18:26. | :18:29. | |
Every year we have a financhal crisis and once again the ftnding | :18:30. | :18:32. | |
we've had for three years is about to disappear so we're going to | :18:33. | :18:35. | |
plan a major conference in @utumn bringing everybody together to try | :18:36. | :18:38. | |
and impress upon Government, regionally and nationally, | :18:39. | :18:41. | |
And it doesn't cost a lot in the scale of things but without | :18:42. | :18:46. | |
that kind of money even the volunteers can't achieve thhngs | :18:47. | :18:53. | |
60 years ago, no`one had cohned the term global warming. | :18:54. | :18:56. | |
Today, dealing with changes in our climate is a prioritx | :18:57. | :19:00. | |
This is Rydal Beck high above Ambleside. | :19:01. | :19:17. | |
A water source which has provided hydro electric power to the estate | :19:18. | :19:20. | |
Now it's being upgraded, and the surplus power, enough for about 400 | :19:21. | :19:29. | |
It's big engineering in a normally tranquil spot. | :19:30. | :19:41. | |
I think no matter how careftlly you plan this, there comes a pohnt | :19:42. | :19:44. | |
when you think, "My goodness me this is very impactful." | :19:45. | :19:46. | |
Providing we do the restoration works properly, | :19:47. | :19:49. | |
at the end of it, nature soon recovers and so, providing we limit | :19:50. | :19:52. | |
the damage, localise it, within a few year's time you won't actually | :19:53. | :19:56. | |
It says a lot about the Nathonal Parks that in 65 years views | :19:57. | :20:04. | |
Compare that to the alterathons made to our urban landscapes. | :20:05. | :20:11. | |
But change is coming and no`one really knows what | :20:12. | :20:14. | |
The Government hasn't ruled out the possibility of fracking | :20:15. | :20:20. | |
And the authorities all facd cuts which will see shrinking | :20:21. | :20:26. | |
The past has always been protected in our National P`rks | :20:27. | :20:33. | |
Will they continue to be an archive of our natural and cultural | :20:34. | :20:39. | |
The play War Horse has been this year's must`see production here in | :20:40. | :20:50. | |
the north`west where it is currently running at the Lowry Theatrd. | :20:51. | :20:53. | |
Chris Hawkins caught up with the show's director | :20:54. | :20:56. | |
Marianne Elliott, who has gone from Stockport to worldwide succdss, and | :20:57. | :21:01. | |
he found out more about her latest hit which is heading our wax. | :21:02. | :21:04. | |
This film does contain some flashing images. | :21:05. | :21:06. | |
War Horse tells the tale of Joey, a horse serving on the Westdrn | :21:07. | :21:17. | |
Its heartrending story and clever use of puppetry has | :21:18. | :21:22. | |
delighted audiences the world over since it was conceived | :21:23. | :21:25. | |
at the National Theatre in London by co`director Marianne Ellhott | :21:26. | :21:31. | |
I genuinely thought this is absolutely crazy. | :21:32. | :21:34. | |
How can you adapt a book th`t has the horse as the first person | :21:35. | :21:41. | |
speaking all the way through the story, goes all the way through the | :21:42. | :21:44. | |
First World War, swaps sides from the Allied side to the Germ`n side? | :21:45. | :21:48. | |
What is essentially also a kids book, | :21:49. | :21:52. | |
Yeah, and a puppet being the main character. | :21:53. | :21:57. | |
The guys who puppeteer Joey are incredibly bonded and unifidd. | :21:58. | :22:07. | |
They have to be very attuned to each other | :22:08. | :22:08. | |
Often in rehearsals you just say, "Joey, could you come over here | :22:09. | :22:14. | |
Where has he been with you around the world? | :22:15. | :22:19. | |
He's an incredibly travelled horse, so he has been to Berlin, | :22:20. | :22:22. | |
He's been on a UK tour all around the UK and the USA. | :22:23. | :22:32. | |
He's a bit big in the cockpht but he seems to be OK on the jotrney. | :22:33. | :22:40. | |
So will you ever work with animals again? | :22:41. | :22:42. | |
Marianne was born into theatrical life. | :22:43. | :22:51. | |
Her mother is the actress Rosalind Knight and her father, the director | :22:52. | :22:54. | |
Michael Elliott, founded thd Royal Exchange Theatre in Manchester. | :22:55. | :22:58. | |
Here he is speaking to Joan Bakewell prior to the theatre's openhng | :22:59. | :23:00. | |
A few people since we've bedn in Manchester thought we were here | :23:01. | :23:05. | |
That our aim was to be in London and to use Manchester as a jumphng off | :23:06. | :23:11. | |
We are here because we want to be in Manchester as long as profession | :23:12. | :23:19. | |
finds it rewarding to work xou, the best people will be herd. | :23:20. | :23:22. | |
As long as the best people `re here, it'll be a very good theatrd. | :23:23. | :23:25. | |
We wanted the building and the company eventually to become | :23:26. | :23:28. | |
I think I thought it was very uncool to be into theatre | :23:29. | :23:34. | |
and I used to complain about them talking shop quite | :23:35. | :23:37. | |
a lot at home, so I did anything I could not go into the theatre. | :23:38. | :23:40. | |
Yeah, they did take me to plays and there | :23:41. | :23:45. | |
I can still remember some of the plays better than sole | :23:46. | :23:52. | |
But I still didn't really w`nt to have anything to do with it. | :23:53. | :24:00. | |
I wanted to forge my own wax, and it wasn't really until ly father | :24:01. | :24:03. | |
died when I was 17 that I started to think maybe I could do this. | :24:04. | :24:09. | |
I went to university and did drama at university. | :24:10. | :24:15. | |
And it was at the Royal Exchange that Marianne started her own | :24:16. | :24:17. | |
When I started there as an assistant, | :24:18. | :24:20. | |
I loved the fact it was in the round. | :24:21. | :24:26. | |
I loved the fact it had this huge magical weird hall behind it. | :24:27. | :24:32. | |
You could see the actors approaching the theatre. | :24:33. | :24:35. | |
And the audience were so close to the stage. | :24:36. | :24:39. | |
It meant you could do very hntimate things but also incredibly big, | :24:40. | :24:41. | |
Marianne was talent spotted and worked at | :24:42. | :24:49. | |
London's Royal Court Theatrd before being taken on by the National | :24:50. | :24:51. | |
Theatre, where she has established herself as one of the country's | :24:52. | :24:53. | |
I love the craft of acting and I see how difficult it hs and I | :24:54. | :25:05. | |
So I suppose when I'm in a room with actors, that is | :25:06. | :25:11. | |
My job, I feel, is to encourage I suppose. | :25:12. | :25:20. | |
We're meant to be writing stories today. | :25:21. | :25:27. | |
So why don't you write about what happened to Wellington last night? | :25:28. | :25:31. | |
One of her latest successes is her adaptation of Mark Haddon's book | :25:32. | :25:37. | |
The Curious Incident Of The Dog In The Night`Time which comes to | :25:38. | :25:39. | |
It's basically about a boy who is incredibly bright in | :25:40. | :25:50. | |
And he loves animals more than humans, really. | :25:51. | :26:00. | |
And he finds his neighbour's dog killed at the beginning of the show, | :26:01. | :26:03. | |
And the story is basically about him going on a detecthve hunt | :26:04. | :26:09. | |
Mark Haddon describes Christopher as a boy not with a disabilhty, | :26:10. | :26:21. | |
It's a story about difference, not disability. | :26:22. | :26:25. | |
We wanted the audience to sde things through Christopher's eyes. | :26:26. | :26:27. | |
To feel things through Christopher's eyes. | :26:28. | :26:29. | |
Our set is basically Christopher's workings out. | :26:30. | :26:31. | |
It's not a brain on stage, but there's lots of graph p`per | :26:32. | :26:39. | |
He loves maths and science `nd working things out like a ddtective. | :26:40. | :26:43. | |
And out of that quite open stage come all sorts of things in | :26:44. | :26:47. | |
So if he decides he's in thd kitchen one moment and then he is on the | :26:48. | :26:54. | |
train station the next, the train station just emerges with the actors | :26:55. | :26:56. | |
Let's just have a moment of quiet and concentration. | :26:57. | :27:05. | |
It's a little bit dissipated, the concentration today, | :27:06. | :27:08. | |
which means that we might gdt an injury, so let's just have | :27:09. | :27:11. | |
You started the snow show in the round in the West End. | :27:12. | :27:19. | |
What will audiences in the Lowry experience? | :27:20. | :27:24. | |
because I've worked a lot of theatre in the north`west, is that there is | :27:25. | :27:29. | |
an immediacy and actually there is a warmth that comes | :27:30. | :27:32. | |
So I'm sure that they will be able to access Christopher | :27:33. | :27:38. | |
And I'm sure that they will love the wit. | :27:39. | :27:45. | |
He's very, very witty, Christopher, so I'm sure that's something they | :27:46. | :27:47. | |
So where do you go from herd as a director? | :27:48. | :27:54. | |
I think you just keep trying to push your own boundaries. | :27:55. | :27:56. | |
We are back next Monday at 7.30pm on BBC One. | :27:57. | :28:22. | |
Next week why millions of pdople are turning their backs on penshons | :28:23. | :28:33. | |
One thing seems to be coming through loud and clear. | :28:34. | :28:37. | |
If you're not making provishons for your future now, you could be in for | :28:38. | :28:39. | |
This summer, war returned to Europe. Somebody's just fired, one of the | :28:40. | :30:11. | |
rebels and the situation is chaotic. The West faces a new threat from | :30:12. | :30:12. |