Browse content similar to 07/10/2013. Check below for episodes and series from the same categories and more!
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Hello, and welcome to Inside Out Southwest, stories and | :00:06. | :00:12. | |
investigations from where you live. Come on. Tonight, from red squirrel | :00:12. | :00:21. | |
to flying squirrel. A special delivery to help save this | :00:22. | :00:28. | |
threatened creature. Look at that. Also, inside the care homes whose | :00:28. | :00:36. | |
owners didn't care. We put our faith in people who run these homes and we | :00:36. | :00:41. | |
put our parents into these homes, thinking they will be safe, and | :00:41. | :00:49. | |
looked after. And the painters who captured a way of life. What amazing | :00:49. | :00:56. | |
pictures. But it is easy to forget that life at sea in those days was | :00:56. | :01:02. | |
cold, hard work and intensely dangerous. I'm Sam Smith, and this | :01:02. | :01:07. | |
is Inside Out Southwest. The red squirrel is one of our most | :01:08. | :01:25. | |
treasured native creatures, but they're also one of our most | :01:25. | :01:29. | |
endangered. Now, a new project is hoping to boost numbers by providing | :01:29. | :01:33. | |
them with a brand new home in the south west, one that many of us | :01:33. | :01:39. | |
would be envious of. Mike Dilger reports. | :01:39. | :01:45. | |
Tresco — an island paradise. With a resident population of just 175 and | :01:45. | :01:57. | |
a garden that boasts some of the world's most exotic species. Now | :01:57. | :02:06. | |
there is to be a new arrival. The red squirrel is coming to stay. A | :02:06. | :02:11. | |
lot of people who are in the know have said this is the ideal place | :02:11. | :02:18. | |
for them. They can thrive. Our own trees from California have codes on | :02:18. | :02:23. | |
them and are plentiful in supply. Red squirrels have been driven to | :02:23. | :02:27. | |
the brink of extinction in England by their grey cousins, which carry | :02:27. | :02:30. | |
the squirrelpox virus. It's harmless to greys, but deadly to the reds. | :02:30. | :02:35. | |
But there are no grey squirrels anywhere on Scilly. We'll have to | :02:35. | :02:40. | |
see how it goes, but we've got plenty of space and food. We hope | :02:40. | :02:49. | |
they will naturalise quite quickly. David Hamilton is the Abbey's | :02:49. | :02:52. | |
vegetable gardener. He'll be in day—to—day charge of the squirrel | :02:52. | :02:58. | |
project. I'm really excited. This is when the real project pics of | :02:58. | :03:03. | |
properly, and hopefully it will be a success story for the red scroll. —— | :03:03. | :03:12. | |
the red squirrel. The squirrels will be coming from Surrey in VIP style. | :03:12. | :03:20. | |
We have been in touch with the RAF, and as part of each reading | :03:20. | :03:23. | |
exercise, it will bring us over from Cornwall, so we are driving up that | :03:23. | :03:30. | |
morning from Surrey, we'll be into the helicopter within 25 minutes and | :03:30. | :03:35. | |
landing on Tresco and putting them in a more serene environment. This | :03:35. | :03:41. | |
has been the squirrels' home until now — the British Wildlife Centre, | :03:41. | :03:44. | |
which runs the UK's biggest red squirrel breeding programme. David | :03:44. | :03:51. | |
Mills is the owner. You have to be very careful because they're very | :03:51. | :03:57. | |
prone to stress. The actual boxing of them will be done by my head | :03:57. | :04:01. | |
keeper, who works with them all the time. They do get stressed. They can | :04:01. | :04:08. | |
die of heart failure. We don't want that to happen. | :04:08. | :04:13. | |
You're just going to sit there on my hand. What are you going to do? It | :04:13. | :04:21. | |
is the day of the collection. Mike and Dave have arrived with 20 boxes | :04:21. | :04:29. | |
to fill. They've got their whole team helping us. They have filled | :04:29. | :04:34. | |
them with bedding, they have put food in and they will be covered | :04:35. | :04:39. | |
with a blanket as we drive so they will struggle down for the night, | :04:39. | :04:42. | |
and hopefully tomorrow will be in Tresco. It is a careful process with | :04:42. | :04:51. | |
the scrolls' welfare of the number one priority. We're going to | :04:51. | :05:02. | |
transfer her into this box now. That's easier said than done. The | :05:02. | :05:06. | |
squirrels are being allowed to take their time. | :05:06. | :05:13. | |
Take two. Definitely got it. It takes four hours, but they're | :05:13. | :05:32. | |
finally all ready to go. We'll take good care of them. I hope so. Mike, | :05:32. | :05:38. | |
Dave and 20 red squirrels start the 350—mile journey to Cornwall. But | :05:38. | :05:45. | |
there's a setback. Bad weather's set in, delaying the flight, leaving the | :05:45. | :05:53. | |
squirrels stuck in their boxes. I was very concerned. We have been | :05:53. | :05:58. | |
keeping in touch with the wildlife centre. The animals that get | :05:58. | :06:02. | |
stressed easily. But 24 hours later, the weather's cleared. And at the | :06:02. | :06:13. | |
RAF base, it is all hands on deck to get the scrolls to Tresco, pronto. | :06:13. | :06:20. | |
—— the squirrels. And there are some encouraging signs. They are | :06:20. | :06:25. | |
scurrying in their boxes, so the yard where something is going on. —— | :06:25. | :06:33. | |
they are aware. It's all systems go. Even the pilot lends a hand. | :06:33. | :06:57. | |
30 minutes later, and the helicopter with its precious cargo touches down | :06:57. | :07:00. | |
on Tresco. Once the helicopter is gone, | :07:00. | :07:26. | |
Tresco's usual peace and tranquillity is restored. Just | :07:26. | :07:31. | |
putting the finishing touch to ask rural cage, actual squirrels. With | :07:31. | :07:38. | |
shelter and food put in place, it is then a waiting game. Ooh... Maybe? | :07:38. | :07:51. | |
Maybe not! Say hello to your new home. That is a result, isn't it? It | :07:51. | :07:59. | |
has made it all worthwhile, all those problems, they are actually | :07:59. | :08:04. | |
here and running around the enclosure. In two days, it will be | :08:04. | :08:11. | |
free on Tresco, so quite a special moment. After their long journey, | :08:11. | :08:16. | |
they're left to settle down, locked in the enclosure for two days. With | :08:16. | :08:20. | |
the first one out, Mike and Dave just have to hope the others follow | :08:20. | :08:22. | |
suit. It's the day of the release, and the | :08:22. | :08:28. | |
culmination of all Mike and Dave's hard work. Goodness, look at that. | :08:28. | :08:37. | |
Seems like there's hundreds of them in there. It is difficult to count | :08:37. | :08:43. | |
them, but I coded them about six times and came with the same figure, | :08:43. | :08:52. | |
17. Lucy Dorienne Smith, who leases the island from the Duchy, has the | :08:52. | :09:03. | |
honour of opening the cage. And the very first, and bravest squirrel, | :09:03. | :09:04. | |
ventures out. It's taken a wife, —— a while, and | :09:04. | :09:28. | |
the really big arrest, but not as keen as I thought. They are still | :09:28. | :09:33. | |
mostly in there, but it has been a great journey and we're looking | :09:33. | :09:38. | |
forward to seeing how they breed and get on. Look at that, isn't that | :09:38. | :09:50. | |
great? Whizzing down the park. Sadly, two of the scrolls died in | :09:50. | :09:55. | |
transit, but with the delay, having 18 survive was better than anyone | :09:55. | :10:00. | |
expected. Only time will tell if they like it here enough to breed. | :10:00. | :10:04. | |
The hope is Tresco will offer them a valuable sanctuary in their fight | :10:04. | :10:06. | |
for survival. Tales of badly run care homes are | :10:06. | :10:21. | |
unfortunately nothing new, but imagine a situation where owners | :10:21. | :10:24. | |
abandon their business, staff and their elderly residents. We have | :10:24. | :10:30. | |
been investigating here in Plymouth. Caroline Jude believed her mother | :10:30. | :10:34. | |
Jean was going to be properly cared for when she made the difficult | :10:34. | :10:37. | |
decision to place her in a care home. But within months of Jean | :10:37. | :10:40. | |
entering this home, South View, Caroline grew alarmed by her weight | :10:40. | :10:47. | |
loss. One time, she would spend a whole day in bed, another time she | :10:47. | :10:53. | |
spent two days in bed. I don't think meals were being taken into her and | :10:53. | :10:59. | |
she wasn't getting up for them, so it seemed she wasn't eating. When | :10:59. | :11:04. | |
she got to the home where she is now, she had lost weight to the | :11:04. | :11:08. | |
extent where she was just over six stone, and then all of a sudden, she | :11:08. | :11:15. | |
just seemed to lose that spark. That is when it became really | :11:15. | :11:18. | |
frightening, that's when I knew that she had to leave South View because | :11:18. | :11:23. | |
I truly believe if I hadn't moved her, she would not be here now. In | :11:23. | :11:36. | |
March, Caroline took her mother out of South View, one of two care homes | :11:36. | :11:40. | |
run by a husband and wife team in the city. But Caroline wasn't the | :11:40. | :11:44. | |
only one who was worried. Two workers at the homes, Launa | :11:44. | :11:47. | |
Llewellyn Jones and Rose Parker, had already been to the city council | :11:47. | :11:53. | |
with their concerns. My eyes were opened as soon as I walked in. It | :11:53. | :12:01. | |
was awful and upsetting. The was never any heating in the winter. We | :12:01. | :12:05. | |
would get told to put a blanket over them. Staff used to say to me that | :12:05. | :12:15. | |
they had no bread or a washing—up liquid will stop support the | :12:15. | :12:33. | |
elderly! Blowing the whistle cost them their jobs. In August, they | :12:33. | :12:36. | |
staged a sit in at Park View, the sister home to South View. That is | :12:36. | :12:41. | |
how residents sleep on their beds. Nick Chapman charges them. Within | :12:41. | :12:50. | |
weeks of starting there as a kitchen helper, Rose had been made deputy | :12:50. | :12:53. | |
manager of South View, but would work in both homes. She says | :12:53. | :12:56. | |
relatives often complained to her. They would ask why their mother had | :12:56. | :13:00. | |
not been showered. The Bath never worked. The Bath never worked. They | :13:01. | :13:09. | |
had cold water, but we never had hot water. Launa, too, was promoted to | :13:09. | :13:22. | |
senior carer within a month, and says she struggled with her work | :13:22. | :13:27. | |
load. People had to wait even to get out of bed because you couldn't do | :13:27. | :13:30. | |
medication and get somebody up, but some needed their medication, so | :13:31. | :13:33. | |
what did you do? The council launched an investigation into the | :13:34. | :13:37. | |
running of the homes, owned by Nick Chapman and his wife Anna. She is | :13:37. | :13:40. | |
also a director of their company Ashley Residential Care and was the | :13:40. | :13:44. | |
registered manager of South View. Mr Chapman had an impressive background | :13:44. | :13:47. | |
in care of the elderly — he was, until February 2010, an assistant | :13:47. | :13:50. | |
director of social care provision for older people at Devon County | :13:50. | :13:55. | |
Council. Whatever his qualifications, we've evidence the | :13:55. | :13:58. | |
Chapmans weren't the right people to be looking after the elderly. | :13:58. | :14:01. | |
Plymouth council — whose job it is to ensure Plymouth's care homes are | :14:01. | :14:05. | |
safe — had to send teams of people in to the two homes time and time | :14:05. | :14:09. | |
again to try and improve standards, but without lasting success. We've | :14:09. | :14:17. | |
also looked through the inspection reports of the government's care | :14:17. | :14:19. | |
watchdog, the Care Quality Commission. They reveal evidence of | :14:19. | :14:22. | |
multiple failures over at least two years, including failing to meet | :14:22. | :14:24. | |
residents' "nutritional needs", failing to safeguard them from | :14:24. | :14:27. | |
"abuse" and most recently, failing to administer "medicines" properly. | :14:27. | :14:36. | |
At the last inspection in February, South View failed nine out of 11 | :14:36. | :14:48. | |
essential standards. In here, this is the freezer were the frozen food | :14:48. | :14:53. | |
would be kept. This is jacket potatoes. You would get them to feed | :14:54. | :15:00. | |
the residence. I would cook two trays of these and some baked beans. | :15:00. | :15:05. | |
We would share that between 19 residents. Plymouth councillor Sue | :15:05. | :15:08. | |
Macdonald had been hearing concerns about the lack of everyday | :15:09. | :15:12. | |
necessities at the homes. She was appalled by the CQC report. I | :15:12. | :15:21. | |
thought I thought it would lead to closure. I wondered what they had to | :15:21. | :15:29. | |
do to be closed. You can see whether mice have been. How disgusting is | :15:29. | :15:38. | |
that? The CQC says these homes were "on its radar" — but closing them | :15:38. | :15:42. | |
wasn't that simple. We can close a home in a day but there are | :15:42. | :15:52. | |
consequences... There has to be a balance of risks to people but it | :15:52. | :15:57. | |
would be better to move them rather than putting extra resources and to | :15:57. | :16:06. | |
keep them safe. In hindsight do you feel CQC should have stepped in | :16:06. | :16:09. | |
before this crisis, and this couple abandoned that home and these | :16:09. | :16:12. | |
people. I feel that we have done all that we could do. The council | :16:12. | :16:19. | |
stopped placing residents in the homes from April. But they were | :16:19. | :16:25. | |
still open. By June, things reached crisis point. Once again a | :16:25. | :16:27. | |
publicly—funded help squad was sent in to run Park View. Without warning | :16:27. | :16:31. | |
— and with 30 residents still in the homes — Nick and Anna Chapman had | :16:31. | :16:37. | |
upped sticks — and disappeared. We provided the food, we got a plumber | :16:37. | :16:41. | |
to fix the toilets that were blocked. The Chapmans had abandoned | :16:41. | :16:46. | |
those homes. They were not contactable. How would you | :16:46. | :16:52. | |
characterise their actions? Irresponsible. Unethical. The | :16:52. | :17:00. | |
council decided to move the residents out — effectively closing | :17:00. | :17:05. | |
the care homes down. So the council finally pulled the plug on homes | :17:05. | :17:08. | |
they'd tried, and failed, to get up to scratch. But no one told the | :17:08. | :17:11. | |
relatives they'd been under investigation by the council for the | :17:11. | :17:17. | |
previous five months. Janine Roberts had had concerns about Park View | :17:17. | :17:20. | |
after her mother's clothes went missing and her wheelchair was | :17:20. | :17:23. | |
broken. The first she knew the authorities shared her worries was | :17:23. | :17:26. | |
when her mother, Valerie, was moved out in June. One Christmas, the | :17:26. | :17:35. | |
manager at the time said to me, we have had to all chip together | :17:35. | :17:40. | |
because they had not had any extras from the Chapmans to do a Christmas | :17:40. | :17:45. | |
dinner. They bought the turkey. The staff bought the turkey? Yes, they | :17:45. | :17:57. | |
did. We put our faith in people who run these homes and we put our | :17:57. | :18:00. | |
parents into these homes, thinking that they will be safe and looked | :18:01. | :18:06. | |
after. You should not be able to do that with old people. It is their | :18:06. | :18:11. | |
lives at the end of the day and that is the worrying thing and it is | :18:11. | :18:15. | |
upsetting. The CQC told Inside Out that by June it HAD decided to close | :18:15. | :18:19. | |
the homes — but the council acted first. Then Mr Chapman took himself | :18:19. | :18:26. | |
off the CQC register. Does that mean he could run a care home again? He | :18:26. | :18:31. | |
could apply to run a care home. We do have a memory here and we are | :18:31. | :18:39. | |
aware of his record. He is not automatically disqualified? Note. In | :18:39. | :18:42. | |
the aftermath of the hurried closures, Rose and Launa are worried | :18:42. | :18:45. | |
that confidential files about residents have been left behind. Oh | :18:45. | :18:55. | |
my God! We went inside. This is appalling. All the care plans are | :18:55. | :19:02. | |
there. All those folders are all the residents, private and confidential. | :19:02. | :19:05. | |
Rose and Launa are still waiting for the £40,000 compensation that | :19:05. | :19:08. | |
between them they were awarded from the Chapmans' company for unfair | :19:08. | :19:11. | |
dismissal. On top of that, they now owe Mr Chapman over £800 in legal | :19:11. | :19:15. | |
costs after he had them evicted from Park View. Rose reported all this to | :19:15. | :19:24. | |
the police. The building has since been secured. Since been secured. | :19:24. | :19:29. | |
And what of the Chapmans? Well, they haven't responded to our letters and | :19:30. | :19:34. | |
phone calls. According to the CQC, their company was "struggling | :19:34. | :19:37. | |
financially", and staff, food suppliers, tradesmen, the gas | :19:37. | :19:39. | |
company, and Launa and Rose, are all owed money. One reason, perhaps, why | :19:39. | :19:45. | |
they seem to have left their empty care homes behind — leaving others | :19:45. | :20:01. | |
to pick up the pieces. Point, press and there you go. A picture in an | :20:01. | :20:06. | |
instant. 130 years ago, speech was of the essence for a group of | :20:06. | :20:12. | |
artists who painted passing boats. Our history man Mark Horton has been | :20:12. | :20:29. | |
to Washington to find out more. Imagine you're a 19th century | :20:29. | :20:32. | |
captain and you want a portrait of your ship. Photographers were rare | :20:32. | :20:36. | |
then of course, so if you wanted a picture of your pride and joy you'd | :20:36. | :20:39. | |
seek out a Pierhead Painter and one of the best lived here. A welcome | :20:39. | :20:50. | |
sight indeed coming into the port at Watchet for sailors on these tricky | :20:50. | :20:54. | |
waters of the Bristol Channel. They would have been looking forward to a | :20:54. | :20:58. | |
day or two in port, but the skippers might also have been hoping to get a | :20:58. | :21:02. | |
picture of their vessel from the famous pierhead painter, Thomas | :21:02. | :21:13. | |
Chidgey. Born in Watchet in 1855, the young Thomas Chidgey went to sea | :21:13. | :21:17. | |
— and started painting — in his mid teens. By the early 1880's he was a | :21:17. | :21:26. | |
captain and well known as a maritime artist. Pierhead Painters, like | :21:26. | :21:33. | |
Thomas, had to work incredibly quickly. For if they were to sell a | :21:33. | :21:36. | |
painting to the Captain it would have to be finished in the time it | :21:36. | :21:40. | |
took to unload the cargo and load the next. Hello, Jim. Hello Mark. So | :21:41. | :21:57. | |
this is wonderful Watchet. Port of a thousand years. Jim Nicholas is the | :21:57. | :22:03. | |
curator of Watchet's Market House Museum. So what kind of vessels came | :22:03. | :22:06. | |
here? They were all small everyday working boats, ketches, schooners, | :22:07. | :22:09. | |
smacks. So no Cutty Sark's then. The ships that docked in Watchet were | :22:10. | :22:13. | |
the white vans of their day, the sort you wouldn't look twice at. | :22:13. | :22:16. | |
Luckily for maritime historians, Thomas Chidgey did. This is a yawl | :22:16. | :22:20. | |
and would probably have been sailed with just maybe one, two men. And | :22:20. | :22:27. | |
then this is the Astra I can see. She's a topsail schooner. So what | :22:27. | :22:30. | |
would be carried on a ship like that? The ship itself, the vessel, | :22:30. | :22:42. | |
is painted with the most extraordinary attention to detail. | :22:42. | :22:47. | |
The artists were the photographers of the day. They have left this | :22:48. | :23:09. | |
extraordinary social record. The reason for all this nautical | :23:09. | :23:12. | |
accuracy was due to the intended recipient of the painting: most | :23:12. | :23:19. | |
often the Captain. Margaret Norman married into a Watchet seafaring | :23:19. | :23:28. | |
family. This is the ketch Charlotte, skippered by my father—in—law, | :23:28. | :23:31. | |
Captain Frank Norman. And the painting would have been done as a | :23:31. | :23:36. | |
commission by Thomas Chidgey. But he loved the work and of course knew | :23:37. | :23:40. | |
every little piece of rigging. And they used to say he knew every | :23:40. | :23:43. | |
detail. It's particularly important to the skippers because they knew | :23:43. | :23:47. | |
where it all went and they would very quickly pick up if the rigging | :23:47. | :23:50. | |
was attached to the outside of an attachment rather than the inside. | :23:50. | :23:53. | |
And obviously it was a special treasure for them to have a painting | :23:53. | :23:57. | |
of the ship they had skippered. Every piece of string may have been | :23:57. | :24:01. | |
in the right place but just how true to life were his ship portraits? | :24:01. | :24:05. | |
Blake Museum in Bridgwater has a few exhibits that should give us a | :24:05. | :24:11. | |
fuller picture... This painting is of the ketch Irene. She was made | :24:11. | :24:14. | |
specifically for the local brick and tile industry and she often brought | :24:14. | :24:18. | |
back loads of coal from South Wales. Captain Chidgey apparently owed some | :24:18. | :24:21. | |
money to a man called Attwell who was the foreman of the dockyard that | :24:21. | :24:25. | |
made here and in order to clear the debt but it's not necessarily an | :24:25. | :24:28. | |
accurate account of what it was like when she was working. It is an | :24:29. | :24:37. | |
accurate account of what the ship was like. We've got a number of | :24:37. | :24:43. | |
historic photographs pictures of her both when she was sailing and we've | :24:43. | :24:46. | |
got pictures of her in Bridgwater Docks being laden with goods and you | :24:47. | :24:51. | |
can see all the paint is scruffy and the woodwork is manky. She would | :24:51. | :24:54. | |
have been going into all sorts of small harbours and, as she came in, | :24:54. | :24:58. | |
she'd have been bashed and battered against the walls. She was basically | :24:58. | :25:11. | |
cheap and cheerful sailing coaster. So even a scruffy old cargo ship | :25:11. | :25:15. | |
looks her best in a Thomas Chidgey painting. For knowing how much a | :25:15. | :25:19. | |
skipper loved his ship, Captain Tom exercised a fair amount of artistic | :25:19. | :25:23. | |
license, a sort of airbrushing for the 19th century! Thomas Chidgey | :25:23. | :25:30. | |
never made much money from his paintings. In fact he was often | :25:30. | :25:41. | |
prepared to do it for free if the skippers provided him with a canvas. | :25:41. | :25:44. | |
For many years his paintings lay half—forgotten in attics in places | :25:44. | :25:47. | |
like Watchet but nowadays they're highly collectable. To look at one | :25:47. | :25:52. | |
of his paintings they are totally unmistakeable and I can recognise | :25:52. | :25:56. | |
them at a hundred yards because each vessel has its personality and | :25:56. | :25:59. | |
character and that is what he was trying to convey. Marine historian | :25:59. | :26:04. | |
John Gilman married into the Chidgey family. To ask a value of a picture | :26:04. | :26:13. | |
is very interesting. "Antiques Roadshow" would put between three to | :26:13. | :26:17. | |
five thousand on a Chidgey. Their real value lies in them being a | :26:17. | :26:21. | |
remnant of an artistic heritage. The sailors' made paintings were unique. | :26:21. | :26:24. | |
They knew what they were painting; they were painting a way of life, | :26:24. | :26:27. | |
and that's what Chidgey was all about. The Chidgey family is still | :26:27. | :26:39. | |
prominent in this corner of Somerset and I've come to meet a direct | :26:39. | :26:42. | |
descendent of the man himself, deep sea surveyor John Chidgey. I have | :26:42. | :26:47. | |
come to meet a direct descendant of the man himself. So John, these are | :26:47. | :26:54. | |
the paintings still in the family. Yep. Oh gosh aren't they wonderful, | :26:55. | :27:00. | |
what do they show? Here is the Louise and that's the Louisa. So | :27:00. | :27:04. | |
they were both owned by the family? They were both owned by the family. | :27:04. | :27:09. | |
So he was actually a ship owner himself and a skipper? Owner, driver | :27:09. | :27:13. | |
as it would be today I would imagine. I mean do we actually know | :27:13. | :27:17. | |
what he looked like? Well, we've got a self—portrait of him as an older | :27:17. | :27:21. | |
man. I'll go and fetch that one. I'll look after your precious | :27:21. | :27:24. | |
paintings! Right, there he is. The man himself. Thomas Chidgey, he's a | :27:24. | :27:28. | |
sort of dour Edwardian gentleman, isn't he? But the family resemblance | :27:28. | :27:31. | |
is incredible! My father told me that he can remember as a child him | :27:31. | :27:35. | |
seeing him paint this from a mirror image. I mean he's not a bad artist! | :27:35. | :27:42. | |
Wasn't bad looking was he?! What's lovely is to see the man behind the | :27:42. | :27:46. | |
paintings. We've seen his boats. Now we can see the man behind the easel. | :27:46. | :28:02. | |
What amazing pictures! But it's easy to forget that life in those days | :28:02. | :28:05. | |
were cold, hard work and intensely dangerous. But for me what those | :28:05. | :28:10. | |
pictures convey is the intense pride that those sailors and their | :28:11. | :28:14. | |
skippers had in their ships and in their way of life. That is all from | :28:14. | :28:35. | |
this week's Inside Out South West. We will be back next Monday. See you | :28:35. | :28:38. | |
then. | :28:38. | :28:40. |