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My name's Paul Mayhew-Archer. | 0:00:04 | 0:00:06 | |
You don't know me, | 0:00:06 | 0:00:08 | |
but I may have been in your living room at Christmas time. | 0:00:08 | 0:00:11 | |
Not because I'm a thief, or Santa, but because of this. | 0:00:11 | 0:00:14 | |
-Enter if you're sexy and love Jesus! -GIGGLING | 0:00:14 | 0:00:18 | |
Evening. | 0:00:18 | 0:00:19 | |
I'm a comedy scriptwriter who's been lucky enough to work with | 0:00:21 | 0:00:24 | |
some pretty funny people. | 0:00:24 | 0:00:26 | |
OK, what does it mean when that red light's on? | 0:00:26 | 0:00:29 | |
You're a prostitute? | 0:00:29 | 0:00:30 | |
And I've always looked on my own life as a bit of a sitcom. | 0:00:32 | 0:00:36 | |
I think, actually, this was the corner where I was propositioned. | 0:00:36 | 0:00:40 | |
And I didn't like to let her down too seriously, | 0:00:40 | 0:00:42 | |
so I just said, "Not today, thank you." | 0:00:42 | 0:00:45 | |
If you don't help me now, I'm afraid I'm going to have to tell them | 0:00:45 | 0:00:48 | |
you are actually Noel Edmonds. | 0:00:48 | 0:00:51 | |
I've spent my life trying to give people a laugh, | 0:00:51 | 0:00:53 | |
so when I was told, five years ago, | 0:00:53 | 0:00:56 | |
that I've got Parkinson's disease... | 0:00:56 | 0:00:57 | |
Ooh, maybe she can cure it? | 0:00:57 | 0:00:59 | |
Yeah, it's gone, you see. Isn't that amazing? | 0:00:59 | 0:01:02 | |
..I decided to focus on the funny side. | 0:01:02 | 0:01:05 | |
-Oh, damn you! -This is my daily exercise. | 0:01:05 | 0:01:08 | |
'I'm even writing a rom-com for the BBC about Parkinson's, | 0:01:08 | 0:01:13 | |
'which is proof that my marbles have gone completely AWOL. | 0:01:13 | 0:01:16 | |
'And the funniest bit is, it's actually been commissioned, | 0:01:16 | 0:01:19 | |
'so I think their marbles have gone AWOL as well.' | 0:01:19 | 0:01:21 | |
Really weird! | 0:01:21 | 0:01:23 | |
Yes, thank you. | 0:01:23 | 0:01:25 | |
When I saw a neurologist and I was diagnosed, he said, | 0:01:26 | 0:01:29 | |
"You should expect five good years." | 0:01:29 | 0:01:32 | |
And I remember thinking, "Well, actually, you know, that's pretty good. | 0:01:32 | 0:01:35 | |
"Because up until now, I've had the odd good year, but never five!" | 0:01:35 | 0:01:40 | |
You know, wow! God, that's fantastic! | 0:01:40 | 0:01:42 | |
But those five good years are coming to an end | 0:01:44 | 0:01:47 | |
and I want to find out what might be next. | 0:01:47 | 0:01:51 | |
Five bad years? | 0:01:51 | 0:01:52 | |
Five not-so-bad years? | 0:01:52 | 0:01:54 | |
Five weeks? | 0:01:54 | 0:01:55 | |
As yet, there is no cure, so I want to find out what I might be in for, | 0:01:56 | 0:02:00 | |
who's doing what in the search for treatment... | 0:02:00 | 0:02:03 | |
Aaaaaaah! | 0:02:03 | 0:02:04 | |
..and above all, see when I'm entitled to free parking. | 0:02:04 | 0:02:07 | |
When I was diagnosed, I sort of walked up and down a little bit | 0:02:09 | 0:02:13 | |
for the professor and then he prodded me in the front and | 0:02:13 | 0:02:17 | |
then prodded me in the back and then he said, "Yeah, that's Parkinson's." | 0:02:17 | 0:02:21 | |
And my wife said, "How can you tell, just from that?" | 0:02:21 | 0:02:25 | |
And he said, "Well, no, there are other signs, | 0:02:25 | 0:02:27 | |
"like the fact that I know your writing is very small | 0:02:27 | 0:02:31 | |
"and also your facial muscles have quite frozen. | 0:02:31 | 0:02:35 | |
"For instance, you seem to be finding it quite hard to smile." | 0:02:35 | 0:02:37 | |
I said, "Well, that could be because you've told me I've got Parkinson's." | 0:02:37 | 0:02:41 | |
So, let's not start with hospital visits and neurologists. | 0:02:46 | 0:02:50 | |
Let's start with the most important thing of all. | 0:02:50 | 0:02:53 | |
I'm heading towards the most exciting aisle in any supermarket. | 0:02:53 | 0:02:59 | |
Which is of course the promised land. | 0:02:59 | 0:03:03 | |
Could you hold this for me, please? | 0:03:03 | 0:03:06 | |
Because I'm going in! | 0:03:06 | 0:03:08 | |
The vicar of Dibley was of course famous for her love of chocolate. | 0:03:11 | 0:03:14 | |
A bit of science here. | 0:03:14 | 0:03:16 | |
Parkinson's occurs when your brain produces less and less dopamine, | 0:03:16 | 0:03:20 | |
but there's a theory that chocolate encourages the brain to | 0:03:20 | 0:03:23 | |
produce dopamine, so as I see it, chocolate is a vital medicine | 0:03:23 | 0:03:28 | |
in the battle against Parkinson's and should really be on prescription. | 0:03:28 | 0:03:32 | |
A lot of people with Parkinson's, we, um... | 0:03:32 | 0:03:36 | |
From the drugs, usually, | 0:03:36 | 0:03:38 | |
we have certain obsessions. | 0:03:38 | 0:03:40 | |
I'm going to try these, I haven't tried them before. | 0:03:40 | 0:03:43 | |
It can be sexual, it can be gambling, | 0:03:43 | 0:03:46 | |
people have been known to lose thousands. | 0:03:46 | 0:03:48 | |
In my case, it's chocolate. | 0:03:48 | 0:03:52 | |
I just love chocolate. | 0:03:52 | 0:03:54 | |
If I can find a fantastic sort of bargain on chocolate, | 0:03:54 | 0:03:58 | |
that's marvellous and then of course I have to smuggle them | 0:03:58 | 0:04:01 | |
into the house, because my wife doesn't, you know, approve. | 0:04:01 | 0:04:05 | |
The trouble is, I could eat this in a day. | 0:04:05 | 0:04:08 | |
Actually, I could eat this in one sitting. | 0:04:09 | 0:04:12 | |
I COULD eat this before I even get home from the shop. Lovely. | 0:04:14 | 0:04:19 | |
The two of us are going to have the most fantastic evening together. | 0:04:23 | 0:04:27 | |
-You provide the booze and I'll provide chocolate for the evening. -Fair enough! | 0:04:27 | 0:04:30 | |
That is a good deal, isn't it? | 0:04:30 | 0:04:33 | |
One person in every 500 in the UK has Parkinson's. | 0:04:33 | 0:04:36 | |
That's 127,000 of us. | 0:04:36 | 0:04:39 | |
Which means a lot of people fumbling for change at the checkout. | 0:04:39 | 0:04:42 | |
Thank you very much. This is where it gets difficult. | 0:04:42 | 0:04:45 | |
Trying to just get the money out. | 0:04:45 | 0:04:48 | |
-Thank you very much indeed. Sorry to keep you. -That's OK. | 0:04:48 | 0:04:51 | |
What we talk about is being "off" and being "on". | 0:04:57 | 0:05:01 | |
And we're on when we're sort of alert and fine, | 0:05:01 | 0:05:05 | |
because the medication is having its maximum impact. | 0:05:05 | 0:05:08 | |
And then we're off when it's starting to lose... | 0:05:08 | 0:05:11 | |
Wear off, and we need some more. | 0:05:11 | 0:05:14 | |
But there will come a time, I'm sure, soon, when the illness | 0:05:14 | 0:05:17 | |
progresses a bit and I'll need more to keep me going, | 0:05:17 | 0:05:21 | |
because there'll be longer periods when I'm "off", as it were. | 0:05:21 | 0:05:25 | |
As usual, I'm running a little bit late. | 0:05:28 | 0:05:31 | |
I never allow enough time. I think I'm in denial, you know. | 0:05:31 | 0:05:34 | |
Fuelled by chocolate, I make a mad dash to the centre of Oxford for | 0:05:34 | 0:05:38 | |
a class run by the English National Ballet for people with Parkinson's. | 0:05:38 | 0:05:42 | |
By this time, you're probably thinking, | 0:05:42 | 0:05:44 | |
"I think he's faking it, I don't think he's got Parkinson's at all, | 0:05:44 | 0:05:47 | |
"the way he seems to be running." Maybe I haven't! | 0:05:47 | 0:05:50 | |
So you noticed this arm doesn't swing. | 0:05:52 | 0:05:55 | |
I can make it swing. | 0:05:55 | 0:05:57 | |
This used to happen naturally, | 0:05:57 | 0:06:01 | |
um, in the olden days, when the dopamine cells were producing dopamine, | 0:06:01 | 0:06:06 | |
so I have to sort of remember to do it. | 0:06:06 | 0:06:09 | |
CHANTING: Now-it-beg-ins! | 0:06:13 | 0:06:16 | |
GROANING | 0:06:18 | 0:06:19 | |
-Sorry, sorry. -Again! -Sorry, very sorry! | 0:06:19 | 0:06:22 | |
Sorry! | 0:06:23 | 0:06:24 | |
Just find a chair. | 0:06:24 | 0:06:26 | |
When you think of ballet, you probably think of Darcey Bussell and | 0:06:32 | 0:06:35 | |
Rudolf Nureyev, not a bunch of people with a form of brain damage | 0:06:35 | 0:06:39 | |
that causes a progressive degeneration of the entire nervous system. | 0:06:39 | 0:06:43 | |
But it turns out we might not be great at ballet, | 0:06:45 | 0:06:48 | |
but ballet is certainly great for us. | 0:06:48 | 0:06:51 | |
In! | 0:06:51 | 0:06:53 | |
What does it do for you, Jim? | 0:06:53 | 0:06:54 | |
It makes me walk upright and in a more balanced way. | 0:06:54 | 0:06:58 | |
And can I just check, | 0:06:58 | 0:07:00 | |
-do you leave cups of coffee lying around the house, Jim? -I do. | 0:07:00 | 0:07:03 | |
And they get cold. I quite like cold coffee though. | 0:07:03 | 0:07:06 | |
I do, too! | 0:07:06 | 0:07:08 | |
I used to like coffee hot, but now, | 0:07:08 | 0:07:09 | |
I don't seem to get to it until it's been lying around for about an hour. | 0:07:09 | 0:07:13 | |
I've got really used to cold coffee. | 0:07:13 | 0:07:15 | |
Do you find that you drink cups of cold coffee and leave them | 0:07:16 | 0:07:20 | |
lying around the house? | 0:07:20 | 0:07:21 | |
Yes. Yes, I do. | 0:07:22 | 0:07:23 | |
Aha! Have we discovered a symptom? | 0:07:23 | 0:07:26 | |
-Arabesque! Reach up! -'Probably not.' | 0:07:26 | 0:07:29 | |
Anyway, Sally was 59 when she was diagnosed. | 0:07:29 | 0:07:33 | |
She first noticed a tremor in her hand and tried to ignore it. | 0:07:33 | 0:07:37 | |
Then her voice got weaker and she became anxious in crowds. | 0:07:37 | 0:07:40 | |
So what do you get out of the dance classes? | 0:07:40 | 0:07:43 | |
When I go out, I feel I've just had an hour-and-a-half without Parkinson's. | 0:07:43 | 0:07:46 | |
I forgotten I've got Parkinson's. | 0:07:46 | 0:07:49 | |
PIANO MUSIC PLAYS | 0:07:49 | 0:07:53 | |
Now, what goes on in the middle is just remarkable. | 0:07:57 | 0:08:01 | |
-We do these lovely exercises, you and I giggle a lot... -Get told off again. -Get told off again! | 0:08:01 | 0:08:05 | |
But it's just relaxation with a lot of exercise. | 0:08:07 | 0:08:11 | |
Which sounds kind of wrong, but...it is. | 0:08:11 | 0:08:15 | |
Chris and Christine have been married for 51 years. | 0:08:20 | 0:08:23 | |
Chris is 71 and he was diagnosed nine years ago. | 0:08:23 | 0:08:28 | |
-And you get hallucinations, Chris, do you, from time to time? -Yes. | 0:08:28 | 0:08:32 | |
At the moment, he's got a second bedroom that's through the wall, | 0:08:32 | 0:08:37 | |
in the bedroom. | 0:08:37 | 0:08:39 | |
He says he goes into it, but I'm not sure how. | 0:08:39 | 0:08:44 | |
-You see children, don't you? -Yes. | 0:08:44 | 0:08:46 | |
-Two little girls? -Yes. | 0:08:46 | 0:08:49 | |
It's amazing. | 0:08:50 | 0:08:52 | |
But Chris knows that it's not actually real, even though he sees it. | 0:08:52 | 0:08:55 | |
-Which is...strange. -That's extraordinary. | 0:08:55 | 0:08:57 | |
So he knows it's a hallucination? | 0:08:57 | 0:08:59 | |
You see these things, but you know they're not real, is that right? | 0:08:59 | 0:09:03 | |
-Oh, yeah, yeah. -That they don't frighten you? -No, no. -No. | 0:09:03 | 0:09:07 | |
You always strike me as incredibly cheerful about it all. | 0:09:07 | 0:09:11 | |
Yes... Not always. There are times when it's quite hard. | 0:09:11 | 0:09:15 | |
-But we get on and make the best of it, really, don't we? -We do. | 0:09:15 | 0:09:21 | |
-And we laugh about your hallucinations, don't we? -Yeah. | 0:09:21 | 0:09:25 | |
-Because they are quite funny sometimes! -Quite strange ones. | 0:09:25 | 0:09:28 | |
Yes! | 0:09:28 | 0:09:30 | |
Anne Clark used to be a geography teacher | 0:09:31 | 0:09:34 | |
who travelled the world every chance she got, until very recently. | 0:09:34 | 0:09:38 | |
Do you find the dance itself helps? | 0:09:39 | 0:09:42 | |
Yes, I think it does. | 0:09:42 | 0:09:45 | |
How long have you had the Parkinson's? | 0:09:45 | 0:09:47 | |
Oh, ever since 1998. | 0:09:47 | 0:09:52 | |
-17 years. -Mmm. -Good Lord. | 0:09:53 | 0:09:56 | |
That's extraordinary. | 0:09:57 | 0:09:59 | |
I find the people in this group absolutely amazing. | 0:10:04 | 0:10:08 | |
Partly the fact that the people with Parkinson's remain so | 0:10:08 | 0:10:12 | |
high-spirited and joyous and positive about whatever the future might bring | 0:10:12 | 0:10:17 | |
and also the love and devotion that they get from their partners. | 0:10:17 | 0:10:20 | |
It just is really an eye-opener | 0:10:20 | 0:10:23 | |
and I find it very moving, even though I've got Parkinson's. | 0:10:23 | 0:10:27 | |
So I'm just full of admiration for them. | 0:10:27 | 0:10:30 | |
-Have you had anything to eat? -Um, no, I haven't really. | 0:10:31 | 0:10:34 | |
'My wife Julie, who'll you notice gives me bananas, not chocolate, | 0:10:34 | 0:10:39 | |
'was one of the first people to spot that the way I moved was changing. | 0:10:39 | 0:10:43 | |
'It's a bit like sometimes I'm in slow motion.' | 0:10:43 | 0:10:46 | |
Can I have a bit of chocolate? | 0:10:46 | 0:10:48 | |
'Especially peeling bananas. | 0:10:48 | 0:10:50 | |
'Gosh, this really is TV gold.' | 0:10:50 | 0:10:53 | |
Quite nice. | 0:10:53 | 0:10:55 | |
We look back and realise how long he'd had it before he was | 0:10:55 | 0:10:58 | |
diagnosed, just over four... Well, four-and-a-half years ago. | 0:10:58 | 0:11:02 | |
And it makes sense of things. | 0:11:02 | 0:11:06 | |
Now, one of the things about the pills, is that they're quite small. | 0:11:06 | 0:11:09 | |
And for someone who has not very much dexterity in their fingers, | 0:11:09 | 0:11:14 | |
it can be a bit tricky. | 0:11:14 | 0:11:15 | |
But, anyway, there are two of them, and I take two of these. | 0:11:15 | 0:11:19 | |
Often, I forget whether I've taken two lots or one lot. | 0:11:19 | 0:11:24 | |
'Cold coffee and tablets are all very well at the moment, | 0:11:24 | 0:11:27 | |
'but what of the future?' | 0:11:27 | 0:11:28 | |
You could finish this one! | 0:11:28 | 0:11:30 | |
I don't worry about the future. | 0:11:30 | 0:11:31 | |
Oh, gosh! Oh, right. That's comforting. | 0:11:32 | 0:11:36 | |
-TEARFULLY: -Sorry. I never think about that. | 0:11:40 | 0:11:44 | |
We prefer not to know in many ways. | 0:11:44 | 0:11:46 | |
Of course, one of the things I've learnt is that | 0:11:48 | 0:11:51 | |
I have to be very careful going upstairs, | 0:11:51 | 0:11:53 | |
even more so than going downstairs, because if I lose my balance | 0:11:53 | 0:11:58 | |
and I'm a bit wobbly, then I'm going to fall backwards rather than | 0:11:58 | 0:12:01 | |
forwards and then I don't actually know where I'm going to fall, so... | 0:12:01 | 0:12:05 | |
There we go, I'm up. | 0:12:05 | 0:12:07 | |
So, this is me now, coming into my little den up on the second floor. | 0:12:09 | 0:12:14 | |
This is where I write. | 0:12:14 | 0:12:16 | |
One thing I'll show you, one of the first things I noticed | 0:12:16 | 0:12:20 | |
that indicated that I actually had a problem, was my writing. | 0:12:20 | 0:12:25 | |
Because my handwriting's always been pretty bad, but if I start there... | 0:12:25 | 0:12:30 | |
There, you see. | 0:12:35 | 0:12:37 | |
If you notice, my handwriting gets smaller... | 0:12:38 | 0:12:41 | |
..and... HE LAUGHS | 0:12:43 | 0:12:45 | |
..so by the end, it's just... | 0:12:45 | 0:12:47 | |
I mean, can you read that? I mean, even I can't read that. | 0:12:47 | 0:12:50 | |
As the disease progresses, what may happen to me | 0:12:50 | 0:12:54 | |
is that I lose other abilities. | 0:12:54 | 0:12:56 | |
I might find it difficult to swallow, | 0:12:56 | 0:12:58 | |
I might have trouble with my... My voice might get weaker. | 0:12:58 | 0:13:02 | |
I'm already losing my sense of smell, I'm aware of. | 0:13:02 | 0:13:06 | |
There are various things that can happen. | 0:13:06 | 0:13:08 | |
But, on the other hand, they might not. | 0:13:08 | 0:13:10 | |
I know so little, but Oxford's full of people who might know a bit more. | 0:13:12 | 0:13:17 | |
Neuroscientist Dr Farhan Begg is one of them. | 0:13:18 | 0:13:21 | |
To start with, I'm going to read a list of words that | 0:13:23 | 0:13:25 | |
I'd like you to remember now and later on. | 0:13:25 | 0:13:28 | |
Listen carefully. | 0:13:28 | 0:13:30 | |
When I'm through, I want you to tell me as many words as you can remember. | 0:13:30 | 0:13:34 | |
It doesn't matter what order you say them. | 0:13:34 | 0:13:37 | |
Face, velvet, church, daisy, red. | 0:13:38 | 0:13:45 | |
Face, velvet, church, daisy, red. | 0:13:45 | 0:13:50 | |
Fantastic. | 0:13:50 | 0:13:52 | |
Can I just say, this is absolutely terrifying for me, | 0:13:52 | 0:13:55 | |
because I have this terrible fear that | 0:13:55 | 0:13:57 | |
if I don't remember all the words, I won't be going home. | 0:13:57 | 0:14:02 | |
I'll be going to A home, but it won't necessarily be my own home. | 0:14:02 | 0:14:06 | |
Now, repeating the words, faith, velvet, church, daisy... | 0:14:06 | 0:14:09 | |
OK, Yeah. | 0:14:09 | 0:14:11 | |
What I'm going to do is... | 0:14:11 | 0:14:12 | |
'Of course, the Holy Grail is early diagnosis | 0:14:12 | 0:14:15 | |
'and it could lie in a phone app.' | 0:14:15 | 0:14:18 | |
Now, when you're ready, I want you to say, "Aaaaaah" into the phone. | 0:14:18 | 0:14:23 | |
Aaaaaah. | 0:14:23 | 0:14:25 | |
'What can you tell from that?' | 0:14:25 | 0:14:27 | |
'We've managed to compare the differences between people | 0:14:27 | 0:14:30 | |
'with Parkinson's and people without Parkinson's.' | 0:14:30 | 0:14:33 | |
-'From an "Aaaaaah"? -From an "Aaaaaah".' | 0:14:33 | 0:14:35 | |
One of the ten main things that we look at | 0:14:35 | 0:14:38 | |
looks to see if there's a breakdown in the voice with people | 0:14:38 | 0:14:41 | |
with Parkinson's that we don't get with people without Parkinson's. | 0:14:41 | 0:14:44 | |
So, just think, my "Aaaaaah" might contribute to ultimately an, | 0:14:44 | 0:14:50 | |
"Ah! We've worked out the answer of how we can find out about Parkinson's." | 0:14:50 | 0:14:54 | |
Remember those five words? | 0:14:57 | 0:14:59 | |
I hope you do, because you'll be tested on them later. | 0:14:59 | 0:15:02 | |
Anyway, words are pretty important to me. | 0:15:02 | 0:15:04 | |
I'm at a script meeting with my producers, Hilary Bevan Jones and Ellie Wood. | 0:15:07 | 0:15:11 | |
The film's called While We Still Can and I'm writing it | 0:15:12 | 0:15:15 | |
while I still can. | 0:15:15 | 0:15:17 | |
It's about my ballet class | 0:15:18 | 0:15:20 | |
and Hilary has a very personal reason for getting involved. | 0:15:20 | 0:15:23 | |
Dad had Parkinson's for, oh, crumbs, over 20 years. | 0:15:23 | 0:15:27 | |
And what was so extraordinary was he didn't actually get tremors, | 0:15:27 | 0:15:31 | |
but he got very stiff and his muscles on his face just froze up. | 0:15:31 | 0:15:37 | |
But the one thing that he could still do was play the piano, | 0:15:37 | 0:15:40 | |
right to the end. | 0:15:40 | 0:15:41 | |
And we got him to the piano and he sat there and he could play. | 0:15:41 | 0:15:46 | |
-And it was beautiful. -And he had it for 20 years? -20 years. | 0:15:46 | 0:15:50 | |
-Which means that he probably had it for 23 or 24 years? -Probably. | 0:15:50 | 0:15:53 | |
Because normally you have it for four years. | 0:15:53 | 0:15:55 | |
-Yes. He died when he was just over 80... 82. -Gosh. | 0:15:55 | 0:15:58 | |
Well, this is giving me lots of hope! LAUGHTER | 0:15:58 | 0:16:00 | |
This is fantastic! Hooray! | 0:16:00 | 0:16:03 | |
Hillary's dad lived for music. I live for laughs. | 0:16:04 | 0:16:08 | |
Sometimes, you think, "Ooh, that's very funny." And then it's not. | 0:16:12 | 0:16:18 | |
And sometimes you think, "Hmm, yeah, that might work." | 0:16:18 | 0:16:21 | |
If any person here knows of any just cause or impediment why these | 0:16:21 | 0:16:26 | |
two should not be joined together in holy matrimony, let them speak now. | 0:16:26 | 0:16:31 | |
There was a moment in a Dibley episode where it was the | 0:16:31 | 0:16:35 | |
Alice and Hugo wedding and I had this woman coming in | 0:16:35 | 0:16:38 | |
and interrupting the service. | 0:16:38 | 0:16:40 | |
-The groom is already married. -SHOCKED GASPING | 0:16:40 | 0:16:44 | |
Oh. Sorry! | 0:16:47 | 0:16:48 | |
Wrong church. | 0:16:48 | 0:16:50 | |
And I was so excited when I wrote that joke, | 0:16:53 | 0:16:57 | |
that I actually sort of danced up and down. | 0:16:57 | 0:17:00 | |
It's sort of like discovering penicillin for me. | 0:17:02 | 0:17:06 | |
I know that sounds absolutely ridiculous, | 0:17:06 | 0:17:08 | |
but truthfully, that's what it was like. | 0:17:08 | 0:17:10 | |
HE LAUGHS | 0:17:10 | 0:17:12 | |
Slowy curl up through the spine, so gradually starting... | 0:17:12 | 0:17:14 | |
So, that was my penicillin moment. | 0:17:14 | 0:17:17 | |
Unfortunately, I don't have a cure for Parkinson's. | 0:17:17 | 0:17:20 | |
Getting taller and taller and taller. | 0:17:20 | 0:17:22 | |
Which is a pity, really, considering what some people have to put up with. | 0:17:22 | 0:17:26 | |
I get an assortment of types of nightmare that I've | 0:17:27 | 0:17:31 | |
classified over the years and one is screaming nightmares. | 0:17:31 | 0:17:36 | |
I've been on holiday once in the last two years, for a few days. | 0:17:38 | 0:17:43 | |
I had to take a friend with me, because you can't | 0:17:43 | 0:17:46 | |
scream down a whole hotel full of guests unknown to you. | 0:17:46 | 0:17:50 | |
Um, and you can't start dismantling the furniture in a hotel room, | 0:17:53 | 0:17:59 | |
because I do that at home. | 0:17:59 | 0:18:01 | |
I tried really hard to break in through the side of a wardrobe, | 0:18:01 | 0:18:05 | |
thinking it was a garage door and I was imprisoned in the garage. | 0:18:05 | 0:18:09 | |
It's not easy to live with. | 0:18:09 | 0:18:11 | |
I live on my own, I have to sleep with the bedroom windows shut | 0:18:11 | 0:18:16 | |
so that I don't wake the whole village, if I scream. | 0:18:16 | 0:18:20 | |
Blimey, Josephine. | 0:18:21 | 0:18:23 | |
And this is Anne, who also lives alone. | 0:18:24 | 0:18:27 | |
Well, at the beginning, it didn't seem all that bad, | 0:18:29 | 0:18:32 | |
though one realised it could get worse in the future. | 0:18:32 | 0:18:35 | |
But I was assured by various people that nobody died of Parkinson's. | 0:18:35 | 0:18:39 | |
RADIO: 'But if you are a stressed middle-aged woman...' | 0:18:41 | 0:18:45 | |
I find it difficult now to read, | 0:18:45 | 0:18:47 | |
which is strange, because I used to read about three books at once. | 0:18:47 | 0:18:51 | |
Now I mainly seem to be looking after myself, pills and things | 0:18:53 | 0:18:58 | |
like that and I'm finding it difficult to walk. | 0:18:58 | 0:19:03 | |
And to balance. | 0:19:05 | 0:19:07 | |
I can get up still, | 0:19:10 | 0:19:14 | |
I think without anybody else there and without anything to hold on to. | 0:19:14 | 0:19:18 | |
But I'm not sure how long that'll last for. | 0:19:19 | 0:19:22 | |
I haven't found it all that difficult, having Parkinson's. | 0:19:27 | 0:19:31 | |
And I'm grateful every time I think of the people | 0:19:31 | 0:19:33 | |
stuck in tunnels, in earthquakes... | 0:19:33 | 0:19:35 | |
..and with diseases like motor neurone disease and all that sort of thing. | 0:19:37 | 0:19:44 | |
I'm much luckier than they are. | 0:19:45 | 0:19:48 | |
Come on, everybody, shake a claw. | 0:19:50 | 0:19:54 | |
ALL: Let's hear you bellow, let's hear you roar! | 0:19:54 | 0:19:57 | |
'John Foster is a children's author | 0:19:57 | 0:19:59 | |
'and enjoys reading his poems in schools. | 0:19:59 | 0:20:03 | |
'He's had Parkinson's for over ten years and he has a serious tremor, | 0:20:03 | 0:20:07 | |
'but you wouldn't know it, because, | 0:20:07 | 0:20:10 | |
'and this is just amazing, he's got a thing in his brain which has | 0:20:10 | 0:20:14 | |
'transformed his life.' | 0:20:14 | 0:20:16 | |
Water splashed over the side... | 0:20:16 | 0:20:18 | |
-John, how are you? -Hello, James. Good to see you. -Come in, come in. | 0:20:18 | 0:20:21 | |
'I've come to the John Radcliffe Hospital in Oxford, | 0:20:21 | 0:20:24 | |
'where the deep brain stimulation device thing was put in.' | 0:20:24 | 0:20:27 | |
So, how did you know you'd got Parkinson's and at what stage | 0:20:27 | 0:20:31 | |
did it become important for you to have this thing put in your head? | 0:20:31 | 0:20:34 | |
I developed a slight tremor about ten years ago. | 0:20:34 | 0:20:39 | |
After four or five years, I was offered deep brain stimulation | 0:20:39 | 0:20:45 | |
which I was told would control the tremor. | 0:20:45 | 0:20:48 | |
It wouldn't take the tremor away, but it controls it. | 0:20:48 | 0:20:52 | |
And it's been life-changing. It gave me all my life back. | 0:20:52 | 0:20:56 | |
So, when you put this thing in his brain, | 0:20:56 | 0:20:58 | |
I mean, what's actually happening then? | 0:20:58 | 0:21:00 | |
When we put the wire in, it's a bit like | 0:21:00 | 0:21:02 | |
having a pacemaker but the wires are going in the brain | 0:21:02 | 0:21:04 | |
through small holes in the skull rather than in the heart, obviously. | 0:21:04 | 0:21:07 | |
And the electricity that is being delivered into your brain | 0:21:07 | 0:21:10 | |
is going to an area called the subthalamic nucleus, | 0:21:10 | 0:21:13 | |
which is one of the places we put wires for Parkinson's quite often | 0:21:13 | 0:21:17 | |
and it can really help with those kinds of symptoms. | 0:21:17 | 0:21:20 | |
The thing I'm thinking about is there's a Black & Decker, | 0:21:20 | 0:21:23 | |
and there's a bloke sort of... HE IMITATES DRILL | 0:21:23 | 0:21:25 | |
You know, and like a masonry drill. | 0:21:25 | 0:21:26 | |
Well, no, actually, the one we use is a hand drill. | 0:21:26 | 0:21:29 | |
And the, the... | 0:21:29 | 0:21:30 | |
PAUL HYSTERICALLY LAUGHS | 0:21:31 | 0:21:34 | |
'Oh, do calm down, Paul.' | 0:21:34 | 0:21:36 | |
Well, I am incredibly excited in a sort of, well, | 0:21:38 | 0:21:41 | |
I hope not in a ghoulish way, but also incredibly privileged to | 0:21:41 | 0:21:46 | |
actually see what happens when John switches this thing on. | 0:21:46 | 0:21:49 | |
And then obviously James is going to switch it back on again, | 0:21:49 | 0:21:53 | |
-because you won't be physically able to switch it on again. -No. | 0:21:53 | 0:21:59 | |
The tremor, it will be so...er...marked | 0:21:59 | 0:22:03 | |
that I won't be able to do it. | 0:22:03 | 0:22:04 | |
OK. Over to, to you, John. | 0:22:04 | 0:22:06 | |
BEEP | 0:22:07 | 0:22:08 | |
-It's quite a violent tremor as you can see. -Oh, my God. | 0:22:14 | 0:22:17 | |
I think that's enough. We'll put it back on. Stretch your arm out. | 0:22:17 | 0:22:21 | |
And you can see... | 0:22:22 | 0:22:23 | |
-..almost straight away. -Oh! | 0:22:25 | 0:22:27 | |
That is...absolutely astonishing. | 0:22:29 | 0:22:33 | |
It's fantastic. | 0:22:33 | 0:22:35 | |
And when it's turned off and you're shaking that, | 0:22:35 | 0:22:38 | |
how does it actually feel? | 0:22:38 | 0:22:39 | |
It's quite distressing. | 0:22:39 | 0:22:41 | |
Because I've become so used to not having the tremor that | 0:22:41 | 0:22:45 | |
when it comes back as markedly as it does, it's quite distressing. | 0:22:45 | 0:22:50 | |
-Is it painful or is it...? -No. It's just very annoying! | 0:22:50 | 0:22:54 | |
THEY LAUGH | 0:22:54 | 0:22:57 | |
Now, I'm laughing, but actually I find it incredibly moving, | 0:22:57 | 0:23:00 | |
because that could be me further down the line | 0:23:00 | 0:23:04 | |
and it's just incredibly useful and helpful to know that I could be | 0:23:04 | 0:23:10 | |
given this same sort of treatment by these people like James. | 0:23:10 | 0:23:14 | |
It's just... It's amazing. | 0:23:14 | 0:23:16 | |
'Controlling John's tremor is pretty miraculous, | 0:23:22 | 0:23:25 | |
'but what we'd really like is a cure. | 0:23:25 | 0:23:28 | |
'And I'm pinning a lot of hope on Oxford's Parkinson's Disease Centre. | 0:23:28 | 0:23:32 | |
'In this tiny room, they've made a massive discovery. | 0:23:32 | 0:23:36 | |
'Ground-breaking research, funded by Parkinson's UK, is going | 0:23:37 | 0:23:41 | |
'on here turning skin cells taken from people with Parkinson's into | 0:23:41 | 0:23:46 | |
'stem cells and then into brain cells to work out what's going wrong.' | 0:23:46 | 0:23:51 | |
You can see that we have the neurons, the brain cells, | 0:23:51 | 0:23:54 | |
growing in the dish | 0:23:54 | 0:23:55 | |
and then we can identify those which are the dopamine neurons. | 0:23:55 | 0:23:59 | |
They're the ones in green. | 0:23:59 | 0:24:01 | |
They're the ones that are not working properly. | 0:24:01 | 0:24:03 | |
In Parkinson's patients, eventually dying off, leading to the symptoms. | 0:24:03 | 0:24:07 | |
Right. So, what have you found out recently about...? | 0:24:07 | 0:24:10 | |
So, we are able to study these neurons, the dopamine neurons, the ones in green, | 0:24:10 | 0:24:14 | |
and recently we've been able to show that they accumulate | 0:24:14 | 0:24:18 | |
and release a key Parkinson's protein called alpha-synuclein. | 0:24:18 | 0:24:22 | |
This protein is mis-folded in the cell. | 0:24:22 | 0:24:25 | |
The cell can't process it properly, so it ejects it, | 0:24:25 | 0:24:28 | |
a bit like an ocean liner throwing its rubbish over the side. | 0:24:28 | 0:24:30 | |
It can't process it, it ejects it and then we think | 0:24:30 | 0:24:33 | |
it probably passes to the next neuron, the next dopamine neuron, | 0:24:33 | 0:24:37 | |
and that might be the way it spreads across the brain in a patient. | 0:24:37 | 0:24:40 | |
-So, it's like a domino effect across my brain? -Exactly. | 0:24:40 | 0:24:43 | |
And we've recently found that, and this gives us new therapeutic opportunities, | 0:24:43 | 0:24:47 | |
because for a protein to spread, | 0:24:47 | 0:24:49 | |
it needs to be released from one cell and taken up by the next cell | 0:24:49 | 0:24:53 | |
and that gives us two potential targets for therapies. | 0:24:53 | 0:24:55 | |
So, while it's between cells? | 0:24:55 | 0:24:57 | |
And while it's between cells, it gives us another opportunity | 0:24:57 | 0:25:00 | |
that the immune system might be able to see it. | 0:25:00 | 0:25:02 | |
We might be able to develop vaccines or antibody therapies | 0:25:02 | 0:25:04 | |
where the immune system can come and clear out that protein as it tries to sneak from cell to cell. | 0:25:04 | 0:25:09 | |
'And while we're waiting, life goes on. | 0:25:10 | 0:25:13 | |
'And it goes on pretty well for some of us.' | 0:25:13 | 0:25:16 | |
'I did a skydive in 2012. | 0:25:19 | 0:25:21 | |
'It was very high and I dropped like a stone. | 0:25:21 | 0:25:25 | |
'With a very, very nice Liverpudlian behind me holding me, holding me tight. | 0:25:25 | 0:25:29 | |
'At first you think life is going to stop. | 0:25:31 | 0:25:33 | |
'Life as you know it. | 0:25:33 | 0:25:35 | |
'But in the end you've just got to brace yourself | 0:25:35 | 0:25:37 | |
'and just do something that you wouldn't otherwise do. | 0:25:37 | 0:25:40 | |
'And if I hadn't got Parkinson's, I'd never have done the dive, but I did. | 0:25:40 | 0:25:45 | |
'I'm not sure whether it's therapy. | 0:25:52 | 0:25:54 | |
'I certainly don't believe it's ballet from my point of view! | 0:25:54 | 0:25:58 | |
-'Or you, Paul. -No. | 0:25:59 | 0:26:01 | |
'It's socialising, it's this meeting up at the end and talking to people. | 0:26:10 | 0:26:14 | |
'Finding out how people's last week has been. | 0:26:14 | 0:26:17 | |
'Yes, it's group therapy and R&R.' | 0:26:20 | 0:26:23 | |
APPLAUSE | 0:26:34 | 0:26:36 | |
-Now, earlier on, I did ask you to remember some words. -Yes. | 0:26:36 | 0:26:40 | |
-I wonder if you could tell them back to me, please. -'All together now...' | 0:26:40 | 0:26:44 | |
Face. | 0:26:44 | 0:26:45 | |
Velvet. | 0:26:45 | 0:26:46 | |
Church. | 0:26:46 | 0:26:47 | |
Daisy. | 0:26:47 | 0:26:49 | |
Red. Yes! Yes! | 0:26:49 | 0:26:51 | |
I'm not going to a home. | 0:26:52 | 0:26:54 | |
Oh, look, it's a sunset. I think it's time for me to go. | 0:26:58 | 0:27:02 | |
What have I learned? | 0:27:03 | 0:27:04 | |
A philosopher once said, I think it was Forrest Gump, | 0:27:06 | 0:27:09 | |
"Life is like a box of chocolates. | 0:27:09 | 0:27:11 | |
"You never know what you're going to get." | 0:27:11 | 0:27:13 | |
And Parkinson's is like a particularly rubbish sort of box of chocolates. | 0:27:13 | 0:27:17 | |
Every symptom, every chocolate is particularly disgusting. | 0:27:17 | 0:27:21 | |
But some are more disgusting than others. | 0:27:21 | 0:27:23 | |
And let's hope, as I come to the end of my five good years, | 0:27:23 | 0:27:26 | |
that I won't end up with the orange cream. | 0:27:26 | 0:27:28 | |
And there are things that I can do to help myself. | 0:27:28 | 0:27:31 | |
I can take advantage of the new therapies, | 0:27:31 | 0:27:34 | |
I can do exercise like the ballet, | 0:27:34 | 0:27:36 | |
I can keep myself cheerful by laughing at the disease, | 0:27:36 | 0:27:40 | |
and also, of course, I can have a go at this. | 0:27:40 | 0:27:43 | |
Thank you for being with me. Mmm. | 0:27:44 | 0:27:46 | |
HE LAUGHS WITH MOUTH FULL | 0:27:47 | 0:27:49 | |
Oh! | 0:27:51 | 0:27:52 | |
HE SOUNDS SATISFIED | 0:27:52 | 0:27:54 | |
Mmm. | 0:27:54 | 0:27:55 | |
Bye. | 0:27:55 | 0:27:56 | |
I did have an apple as well, but... | 0:28:03 | 0:28:06 | |
I think I'll stick to the chocolate. | 0:28:06 | 0:28:08 | |
Mmm. | 0:28:10 | 0:28:11 | |
I have no home to go to. | 0:28:16 | 0:28:18 | |
Cos my wife has chucked me out, cos I eat some chocolate, so... | 0:28:19 | 0:28:22 | |
This is actually my home now. | 0:28:22 | 0:28:25 | |
At least it's got a nice view, even though it is a bit cold. | 0:28:25 | 0:28:28 | |
Anyway, night-night. | 0:28:28 | 0:28:29 |