Browse content similar to 30/10/2017. Check below for episodes and series from the same categories and more!
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On this week's Inside Out... | 0:00:07 | 0:00:08 | |
Tonight, murdered in Australia. | 0:00:08 | 0:00:09 | |
Now her mum's campaigning to make it
safer for backpackers. | 0:00:09 | 0:00:12 | |
What I can do is to carry
on trying to bring your | 0:00:12 | 0:00:19 | |
kids like Mia home in one piece,
having had the time of their life, | 0:00:19 | 0:00:22 | |
which is what travel is all about. | 0:00:22 | 0:00:25 | |
Skin fragile as a butterfly's wings. | 0:00:25 | 0:00:35 | |
But Assya is determined
to live her life to the full. | 0:00:36 | 0:00:39 | |
I'm in pain, 24-7. | 0:00:39 | 0:00:40 | |
I've had it all my life
and it's never changed. | 0:00:40 | 0:00:42 | |
You shouldn't be afraid
to go out | 0:00:42 | 0:00:44 | |
because of your condition. | 0:00:44 | 0:00:45 | |
And the boat that survived
almost unchanged | 0:00:45 | 0:00:46 | |
for millennia. | 0:00:46 | 0:00:48 | |
So here she is.
I'll finish her off for you. | 0:00:48 | 0:00:50 | |
Wow! | 0:00:50 | 0:00:51 | |
Terry, she's beautiful. | 0:00:51 | 0:00:53 | |
Those are natural.
She's a natural. | 0:00:53 | 0:00:56 | |
I m Ayo Akinwolere and this
is Inside Out West Midlands. | 0:00:56 | 0:01:06 | |
Hello, we're in Bewdley
in Worcestershire, on the banks | 0:01:19 | 0:01:21 | |
of the River Severn ? a river that's
played a key part in the story | 0:01:21 | 0:01:25 | |
of that ancient craft, the coracle. | 0:01:25 | 0:01:26 | |
More on that later. | 0:01:26 | 0:01:27 | |
First though, Australia's
a magnet for young people | 0:01:27 | 0:01:29 | |
in search of adventure. | 0:01:29 | 0:01:30 | |
But one mum's campaigning to make
conditions safer for backpackers | 0:01:30 | 0:01:33 | |
after her daughter was murdered. | 0:01:33 | 0:01:34 | |
It was at the Backpackers hostel | 0:01:34 | 0:01:35 | |
where she was living
that she was attacked. | 0:01:35 | 0:01:37 | |
The attacker was a 29-year-old
French national. | 0:01:37 | 0:01:41 | |
Last year every parent's
worst nightmare became | 0:01:41 | 0:01:42 | |
Rosie Ayliffe's reality. | 0:01:42 | 0:01:44 | |
Her daughter Mia was murdered
by a fellow backpacker. | 0:01:44 | 0:01:46 | |
This was Mia just a few
days ago on her way | 0:01:46 | 0:01:49 | |
to work on a farm. | 0:01:49 | 0:01:49 | |
The death happened in Australia. | 0:01:51 | 0:01:53 | |
Somewhere most consider
a safe place to travel. | 0:01:53 | 0:01:56 | |
If Mia walked into a
room, she lit it up. | 0:01:56 | 0:02:00 | |
Mia was working long hours
for little pay in | 0:02:04 | 0:02:06 | |
the gruelling Aussie heat to get her
second year's Visa. | 0:02:06 | 0:02:12 | |
If you want to stay longer
than a year on a working holiday | 0:02:12 | 0:02:15 | |
visa in Australia then you need
to do 88 days ? three months ? | 0:02:15 | 0:02:21 | |
of work in agricultural or various
other industries in remote regions. | 0:02:21 | 0:02:24 | |
So how dangerous is it for young
travellers to do this | 0:02:24 | 0:02:27 | |
farm work in Australia? | 0:02:27 | 0:02:37 | |
Like Mia - Rachel from
Birmingham has also done it | 0:02:47 | 0:02:50 | |
and says it was incredibly tough. | 0:02:50 | 0:02:51 | |
They were in a working hostel
like I was and I've seen | 0:02:51 | 0:02:54 | |
for myself how
pressurised it can be. | 0:02:54 | 0:02:56 | |
She thinks the harsh
conditions could have added | 0:02:56 | 0:02:58 | |
to the killer's frame of mind.
| 0:02:58 | 0:02:59 | |
It would've been very hot | 0:02:59 | 0:03:00 | |
where she was working outside
all day and it's quite small space | 0:03:00 | 0:03:03 | |
when you're living and working
with people the same time. | 0:03:03 | 0:03:06 | |
It can be
quite a pressure pot. | 0:03:06 | 0:03:07 | |
The murderer has now been jailed ?
but Rachel thinks the fundamental | 0:03:07 | 0:03:10 | |
problem behind Mia's death remains. | 0:03:10 | 0:03:11 | |
Sadly I've heard stories of sexual
assault on some female backpackers, | 0:03:11 | 0:03:14 | |
physical assault ? and I've met
people who've been hit. | 0:03:14 | 0:03:16 | |
Obviously what happened
to Mia could happen | 0:03:16 | 0:03:18 | |
anywhere. | 0:03:18 | 0:03:21 | |
But I think the conditions
they would have been living in, the | 0:03:21 | 0:03:24 | |
pressure that it puts on people,
I think that could've been a | 0:03:24 | 0:03:26 | |
contributing factor, definitely. | 0:03:26 | 0:03:27 | |
Rosie wants to make a difference. | 0:03:27 | 0:03:32 | |
She's heading to Australia to start
a campaign for better | 0:03:32 | 0:03:37 | |
working conditions. | 0:03:37 | 0:03:38 | |
I have to do my best
to do something, to stop | 0:03:38 | 0:03:40 | |
what's happening here. | 0:03:41 | 0:03:42 | |
Perhaps retracing
Mia's footsteps can | 0:03:42 | 0:03:43 | |
put her own mind to rest as well. | 0:03:43 | 0:03:46 | |
I don't know which way it's
going to go but hopefully it | 0:03:46 | 0:03:49 | |
will help me come to terms
with her death. | 0:03:49 | 0:03:51 | |
So just how bad are the conditions? | 0:03:51 | 0:03:54 | |
Rosie's journey begins
at a farm to find out. | 0:03:54 | 0:03:58 | |
I think the crop we're
passing is sugar cane. | 0:03:58 | 0:04:02 | |
And when you see how tall
it is and imagine Mia working | 0:04:02 | 0:04:07 | |
in that field - it would
be way over her head. | 0:04:07 | 0:04:10 | |
And it's pretty hot out there. | 0:04:10 | 0:04:13 | |
For Rachel, it isn't just
the heat but the isolation. | 0:04:13 | 0:04:16 | |
Some people I've met have been | 0:04:16 | 0:04:23 | |
on cattle stations or dairy farms,
that are literally hundreds | 0:04:23 | 0:04:30 | |
of miles away from the nearest shop. | 0:04:30 | 0:04:34 | |
Even more in the desert - it can be
extremely remote. | 0:04:34 | 0:04:37 | |
If you're in a remote
area like that it can be | 0:04:37 | 0:04:40 | |
extremely hard to get out. | 0:04:40 | 0:04:41 | |
and Charlotte right now. | 0:04:41 | 0:04:43 | |
And the experiences just get worse. | 0:04:54 | 0:05:00 | |
Everybody have a story
about the 88 days. | 0:05:00 | 0:05:03 | |
About the working in
the farm, a lot of stories. | 0:05:03 | 0:05:06 | |
Bad stories, yeah. | 0:05:06 | 0:05:10 | |
I've seen incidences
where people have been | 0:05:10 | 0:05:12 | |
denied water, denied
going to the toilet. | 0:05:12 | 0:05:14 | |
We're speaking
about people working | 0:05:14 | 0:05:20 | |
in 40 degrees - some
are 18, 19 years old. | 0:05:20 | 0:05:24 | |
People collapse mentally.
They just break down. | 0:05:24 | 0:05:26 | |
It's almost like being in prison
rather than in Australia. | 0:05:26 | 0:05:28 | |
But most backpackers are only
finding this out when it's too late. | 0:05:28 | 0:05:31 | |
I don't think there's
that much information | 0:05:31 | 0:05:33 | |
regarding...working in Australia. | 0:05:33 | 0:05:38 | |
Any information you do get
is from backpackers' | 0:05:38 | 0:05:40 | |
experiences really. | 0:05:40 | 0:05:43 | |
So this is what Rosie wants to focus
on - raising awareness. | 0:05:43 | 0:05:47 | |
It's been quite a journey. | 0:05:47 | 0:05:52 | |
I've met several backpackers who've
encountered quite harsh | 0:05:52 | 0:05:56 | |
conditions in the field
and who've had experiences, | 0:05:56 | 0:06:03 | |
which, you know, I don't
think people back home | 0:06:03 | 0:06:09 | |
would be happy about.
I've got to get the story out there. | 0:06:09 | 0:06:12 | |
But is getting the story
out there enough? | 0:06:12 | 0:06:18 | |
Rachel thinks the Australian
government need to do more. | 0:06:18 | 0:06:20 | |
I do think that if the government
wants backpackers to be doing this | 0:06:20 | 0:06:23 | |
work to get their Visa, they do need
to be regulating it a little bit | 0:06:23 | 0:06:27 | |
more and keeping
a better eye on things. | 0:06:27 | 0:06:29 | |
Rosie's turned to the media
to get some action. | 0:06:29 | 0:06:31 | |
What in particular did you find
out about the farm work | 0:06:31 | 0:06:34 | |
scheme and how young people
are possibly being exploited by it? | 0:06:34 | 0:06:36 | |
I started to hear stories | 0:06:36 | 0:06:38 | |
about other young people
who were involved in the same | 0:06:38 | 0:06:40 | |
government programme that
Mia was involved with. | 0:06:40 | 0:06:42 | |
And frankly I was shocked. | 0:06:42 | 0:06:45 | |
I was horrified by
some of the stories. | 0:06:45 | 0:06:47 | |
It's started to work. | 0:06:47 | 0:06:50 | |
Anti-slavery campaigners
in Australia are now on the case. | 0:06:50 | 0:06:54 | |
If it's raining for two
weeks, as it often does | 0:06:54 | 0:06:57 | |
in tropical Queensland,
there's no work. | 0:06:57 | 0:07:01 | |
The backpackers are getting further
into debt and that's when we see | 0:07:01 | 0:07:06 | |
sick practices like seizure
of passports, seizure of laptops | 0:07:06 | 0:07:09 | |
and things like that in order
to stop people from leaving. | 0:07:09 | 0:07:13 | |
And things are beginning to change. | 0:07:13 | 0:07:17 | |
Three out of the six Australian
states are planning to bring | 0:07:17 | 0:07:20 | |
in regulations. | 0:07:20 | 0:07:23 | |
But for Rosie, the hardest
part is yet to come. | 0:07:23 | 0:07:32 | |
That must be the hostel,
because I can see hostellers. | 0:07:32 | 0:07:35 | |
This is the hostel
where Mia was murdered. | 0:07:35 | 0:07:39 | |
The owner has agreed to let Rosie
in - but we have to stay outside. | 0:07:39 | 0:07:46 | |
I'm sitting in the cubicle
where Mia died and apparently | 0:07:46 | 0:07:49 | |
she fought for her life. | 0:07:49 | 0:07:52 | |
Even with chest injuries,
even with a blow to the heart, | 0:07:52 | 0:07:56 | |
Mia was still fighting for her life. | 0:07:56 | 0:08:01 | |
For Rosie, all that's left
are painful memories. | 0:08:01 | 0:08:04 | |
Just the thought of my
girl lying here dying | 0:08:04 | 0:08:11 | |
in a toilet - it's just not easy. | 0:08:11 | 0:08:13 | |
She's now heading
back to Derbyshire. | 0:08:13 | 0:08:15 | |
Did the journey bring any closure? | 0:08:15 | 0:08:21 | |
My conscious and unconscious
minds have been searching | 0:08:21 | 0:08:26 | |
for answers to what happened that
night and now that I've had | 0:08:26 | 0:08:30 | |
the police account and I can't do
any better than that. | 0:08:30 | 0:08:33 | |
Back home, Rosie's set
up a website to offer | 0:08:33 | 0:08:36 | |
advice and support and it's making
a difference to Shaun & Charlotte. | 0:08:36 | 0:08:42 | |
You hear a lot of
horror stories mainly. | 0:08:42 | 0:08:49 | |
don't work on these kinds
of farms. | 0:08:49 | 0:08:51 | |
We've been warned. | 0:08:51 | 0:08:53 | |
Rosie's also getting Rachel to help
out with the campaign when she heads | 0:08:53 | 0:08:56 | |
back to Australia. | 0:08:56 | 0:09:02 | |
You don't expect to get
there and not come back. | 0:09:02 | 0:09:05 | |
It's desperately sad
what happened to Mia and that's why | 0:09:05 | 0:09:08 | |
I really want to help Rosie | 0:09:09 | 0:09:10 | |
and her campaign to make it safer
for backpacker to go there. | 0:09:10 | 0:09:13 | |
It's the end of a hard
year for Rosie. | 0:09:13 | 0:09:15 | |
Nothing will bring Mia back. | 0:09:15 | 0:09:16 | |
But knowing that others
will hopefully be safer gives Rosie | 0:09:16 | 0:09:19 | |
a little more peace. | 0:09:19 | 0:09:20 | |
Something Mia would have liked. | 0:09:20 | 0:09:25 | |
What I can do is to carry on trying
to bring kids like Mia home | 0:09:25 | 0:09:31 | |
in one piece and also having had
the time of their life, | 0:09:31 | 0:09:33 | |
which is what travel is all about. | 0:09:33 | 0:09:39 | |
And if you'd like to drop me a line
about that film or about anything | 0:09:39 | 0:09:46 | |
else in the programme or in fact
in this series it's [email protected] | 0:09:46 | 0:09:49 | |
Later the boat that's integral
of the history of the River Severn, | 0:09:50 | 0:09:53 | |
though it's not always the most
stable of craft. | 0:09:53 | 0:09:54 | |
CHEERING AND WHOOPING | 0:09:57 | 0:10:02 | |
Next, a young woman from Birmingham
with a rare and challenging | 0:10:07 | 0:10:12 | |
skin condition is refusing to let it
limit the life she leads. | 0:10:12 | 0:10:16 | |
Assya's in constant pain and even
everyday tasks can be a challenge, | 0:10:16 | 0:10:25 | |
but she's determined to be
an inspiration to others | 0:10:25 | 0:10:27 | |
with the condition. | 0:10:27 | 0:10:29 | |
They land on you so
perfectly, so subtly. | 0:10:29 | 0:10:35 | |
And you just sit there wondering.
Wow! | 0:10:35 | 0:10:37 | |
Assya Shabir adores butterflies. | 0:10:37 | 0:10:38 | |
She has a certain
attachment to them. | 0:10:38 | 0:10:41 | |
They just want to be loved and just
want to be appreciated | 0:10:41 | 0:10:46 | |
because butterflies
are so beautiful - and so are we. | 0:10:46 | 0:10:48 | |
She's fond of them
because the two have | 0:10:48 | 0:10:50 | |
something in common. | 0:10:50 | 0:10:52 | |
Assya's skin is as delicate
as a butterfly's wing. | 0:10:52 | 0:11:00 | |
She and I clicked right
the way from the beginning. | 0:11:00 | 0:11:02 | |
We just sat and nattered | 0:11:02 | 0:11:03 | |
about all sorts of other
things apart from skin. | 0:11:03 | 0:11:05 | |
Assya might be fragile
on the outside but inside, | 0:11:05 | 0:11:07 | |
she's made of tougher stuff. | 0:11:07 | 0:11:11 | |
She's a very lovely
person, she's very brave. | 0:11:11 | 0:11:16 | |
Assya often talks about how
when she meets people, | 0:11:16 | 0:11:18 | |
they often see the EB first
and not her. | 0:11:18 | 0:11:22 | |
And this year, just
like the majestic butterfly, | 0:11:22 | 0:11:25 | |
Assya feels like she's emerged
from her own cocoon. | 0:11:25 | 0:11:34 | |
EB, epidermolysis bullosa,
is the name for a group | 0:11:34 | 0:11:37 | |
of rare and incurable genetic
conditions which cause the skin | 0:11:37 | 0:11:39 | |
to break and blister
with the tiniest of touches. | 0:11:39 | 0:11:41 | |
In the UK, there are
an estimated 5,000 people | 0:11:41 | 0:11:46 | |
living with it, leaving sufferers
like Assya | 0:11:46 | 0:11:48 | |
wounded and sore from birth. | 0:11:48 | 0:11:49 | |
I'm in pain 24/7.
I've had it for all my life, | 0:11:58 | 0:12:03 | |
it's never changed, sometimes it
gets extremely painful. | 0:12:03 | 0:12:05 | |
When my skins really
bad, I need help. | 0:12:05 | 0:12:07 | |
I'm literally like a baby. | 0:12:07 | 0:12:08 | |
Help getting changed,
help getting up... | 0:12:08 | 0:12:09 | |
But sometimes the reaction she gets
from others can be just | 0:12:09 | 0:12:12 | |
as painful as her skin. | 0:12:12 | 0:12:13 | |
I get fed up, left, right
and centre on a daily basis, | 0:12:13 | 0:12:17 | |
no matter what happens, but I can
tell by body language, and how | 0:12:17 | 0:12:22 | |
someone speaks to me,
how they actually feel. | 0:12:22 | 0:12:24 | |
Sometimes it does take me back. | 0:12:24 | 0:12:27 | |
They would be nice to my face,
but you can see from | 0:12:27 | 0:12:30 | |
the way they are standing.
I can read it. | 0:12:30 | 0:12:32 | |
When I was younger, I used to put
on a tough side, like a wall. | 0:12:32 | 0:12:40 | |
So anything would come and it
would just stick in my head. | 0:12:40 | 0:12:45 | |
But over the years, she's tried
to break down that wall | 0:12:45 | 0:12:48 | |
to embrace life,
and for good reason. | 0:12:48 | 0:12:50 | |
When she was born, doctors predicted
that Assya would live | 0:12:50 | 0:12:55 | |
for only 24 hours
| 0:12:55 | 0:12:59 | |
but this year, she's
reached a milestone birthday. | 0:12:59 | 0:13:01 | |
It's her 30th and plans
for a party are well under way. | 0:13:01 | 0:13:07 | |
Today, Assya and her friend Husna
are meeting with Birmingham | 0:13:07 | 0:13:12 | |
designer Rima Tadmory, who's giving
up her spare time | 0:13:12 | 0:13:17 | |
to make Assya the bespoke
gown of her dreams. | 0:13:17 | 0:13:19 | |
Assya and the condition
and everything | 0:13:19 | 0:13:23 | |
that she's gone through leading up
now to her 30th birthday, | 0:13:23 | 0:13:26 | |
I felt like I've always been
waiting for something | 0:13:26 | 0:13:28 | |
to happen in my life
where an opportunity comes along | 0:13:28 | 0:13:31 | |
and I'm able to give back
to the community and I felt | 0:13:31 | 0:13:34 | |
like this is something I have
to grab with both hands and I have | 0:13:34 | 0:13:37 | |
to run with it and I'm really
excited actually to meet them both | 0:13:37 | 0:13:40 | |
and I'm going to go do that now. | 0:13:40 | 0:13:43 | |
If | 0:13:43 | 0:13:43 | |
The idea to throw the party
is all down to Husna. | 0:13:43 | 0:13:46 | |
She just couldn't let such an
important birthday pass unnoticed. | 0:13:46 | 0:13:53 | |
She's just such a loving
person and she's so bubbly | 0:13:53 | 0:13:57 | |
and regardless of the challenges
that she faces with EB, | 0:13:57 | 0:14:00 | |
she's still such a joy to be around. | 0:14:00 | 0:14:02 | |
She's always smiling,
laughing and she's really just | 0:14:02 | 0:14:03 | |
giving love out and I wanted
to give that back to her. | 0:14:03 | 0:14:08 | |
But, it's not all glamourous
dress designing. | 0:14:08 | 0:14:12 | |
Trips to the hospital are part
and parcel of Assya's life. | 0:14:12 | 0:14:16 | |
Hello, Squirt, how are you? | 0:14:16 | 0:14:19 | |
But luckily Assya's got a great bond
with the doctors and nurses | 0:14:19 | 0:14:25 | |
who've been treating her
for most of her life, | 0:14:25 | 0:14:27 | |
and she's in safe hands. | 0:14:27 | 0:14:32 | |
The skin clinic at Solihull Hospital
is a centre of excellence for EB. | 0:14:32 | 0:14:38 | |
if | 0:14:38 | 0:14:39 | |
Sometimes you need to be more human
and Dr Hegerty | 0:14:39 | 0:14:41 | |
and the EB team around Solihull
are absolutely amazing. | 0:14:41 | 0:14:43 | |
We always have this banter
which is amazing and they make | 0:14:43 | 0:14:46 | |
you feel more relaxed. | 0:14:46 | 0:14:50 | |
Interestingly, Assya's
condition hasn't really | 0:14:50 | 0:14:51 | |
changed over the years.
She's grown in spite of it all. | 0:14:51 | 0:14:56 | |
if | 0:14:56 | 0:14:56 | |
A lot of the problem with EB apart
from the blistering is pain and it | 0:14:56 | 0:15:00 | |
suddenly hit me that they really do
have a lot of baggage. | 0:15:00 | 0:15:02 | |
And that's something Dr H,
as Assya calls him, wanted to fix. | 0:15:02 | 0:15:06 | |
He brought in psychologists
to specifically help patients | 0:15:06 | 0:15:09 | |
manage their pain and it's paid off. | 0:15:09 | 0:15:16 | |
if | 0:15:16 | 0:15:17 | |
She's changed psychologically,
massively, and now | 0:15:17 | 0:15:18 | |
I see a young lady who is biting
the world back. | 0:15:18 | 0:15:21 | |
Assya's sessions with
Dr Kate Martin have helped her | 0:15:21 | 0:15:24 | |
if | 0:15:24 | 0:15:24 | |
to open up and overcome
a lot of issues. | 0:15:24 | 0:15:27 | |
I would just get moody and nervous. | 0:15:27 | 0:15:31 | |
I kind of go, like, I shut down. | 0:15:31 | 0:15:34 | |
if | 0:15:34 | 0:15:34 | |
But in the beginning,
therapy wasn't easy. | 0:15:34 | 0:15:42 | |
Assya was originally very avoidant
of therapy | 0:15:42 | 0:15:52 | |
in the same way as coming
to her medical appointments | 0:15:55 | 0:15:57 | |
but that is | 0:15:57 | 0:15:58 | |
because of her
difficulties with trust. | 0:15:58 | 0:15:59 | |
The way that our body heals
itself is intricately | 0:15:59 | 0:16:02 | |
affected by our mood,
how we're feeling. | 0:16:02 | 0:16:03 | |
I realised stress is
a big thing with EB. | 0:16:03 | 0:16:07 | |
When I'm stressed, when I'm upset,
when I'm feeling worried or even | 0:16:07 | 0:16:11 | |
exhaustion makes the skin worse,
but the worst thing is stress. | 0:16:11 | 0:16:14 | |
When I start keeping things inside,
my skin erupts like a volcano, | 0:16:14 | 0:16:17 | |
literally, and I learnt
with Kate that I shouldn't | 0:16:17 | 0:16:21 | |
if | 0:16:21 | 0:16:22 | |
be keeping stuff in. | 0:16:22 | 0:16:28 | |
Going to her has made my
skin so much better. | 0:16:28 | 0:16:30 | |
But it's not just Kate and the team
who have been a source | 0:16:30 | 0:16:33 | |
of support for Assya. | 0:16:33 | 0:16:36 | |
if | 0:16:36 | 0:16:36 | |
She's also found inspiration
from fellow EB sufferers. | 0:16:36 | 0:16:45 | |
RADIO CHATTER | 0:16:45 | 0:16:50 | |
that means that there is severe
rotation in its form. | 0:16:50 | 0:16:55 | |
I got to meet Sam when I was 16/17,
after I'd just left school. | 0:16:55 | 0:16:58 | |
She taught me to live, not give up
because of her condition. | 0:16:58 | 0:17:07 | |
Samantha Hall didn't
let EB hold her back. | 0:17:07 | 0:17:12 | |
she became a storm chaser,
travelling across America. | 0:17:12 | 0:17:15 | |
I'm lucky enough to have
found something | 0:17:15 | 0:17:16 | |
that I deeply, deeply enjoy. | 0:17:16 | 0:17:19 | |
I probably will have
to stop at some point, | 0:17:19 | 0:17:22 | |
definitely because,
you know, if it gets | 0:17:22 | 0:17:27 | |
to a point where I am needing
a | 0:17:27 | 0:17:30 | |
lot more care, it's
going to be rough. | 0:17:30 | 0:17:32 | |
So that's why it's like,
make the most of now, you know? | 0:17:32 | 0:17:36 | |
I don't want to think about that! | 0:17:36 | 0:17:38 | |
SHE LAUGHS | 0:17:38 | 0:17:41 | |
Sadly, Sam died last year | 0:17:42 | 0:17:44 | |
but Assya feels more empowered
by her than ever. | 0:17:44 | 0:17:50 | |
So much so, that she's decided
to step wildly out of her comfort | 0:17:50 | 0:17:54 | |
zone and just like the butterflies
she admires, | 0:17:54 | 0:17:56 | |
Assya too wants to take flight. | 0:17:56 | 0:17:59 | |
Right into that skydive. | 0:18:01 | 0:18:02 | |
You're not scared. | 0:18:02 | 0:18:04 | |
Not yet. | 0:18:04 | 0:18:12 | |
You wouldn't know it
but Assya's afraid of heights. | 0:18:12 | 0:18:19 | |
But she's overcome it to motivate
others like her and raise money | 0:18:19 | 0:18:22 | |
for charity at the same time. | 0:18:22 | 0:18:23 | |
Something her mum is proud of. | 0:18:23 | 0:18:26 | |
It is very difficult
to say no to her. | 0:18:26 | 0:18:35 | |
When she strung up,
I'm very up with her. | 0:18:35 | 0:18:43 | |
I'm very happy because she's
achieved what she wants to do. | 0:18:43 | 0:18:46 | |
With her feet firmly back on ground, | 0:18:46 | 0:18:48 | |
it's time to celebrate what has been
a massive year in Assya's life | 0:18:48 | 0:18:52 | |
If | 0:18:52 | 0:18:52 | |
with a makeover and the
unveiling of THAT dress. | 0:18:52 | 0:18:56 | |
This dress has made me feel
like $1 million, or maybe more. | 0:18:56 | 0:18:59 | |
Because it's just priceless. | 0:18:59 | 0:19:02 | |
I'm just so happy that
everyone's come and made time | 0:19:02 | 0:19:04 | |
to see me and stuff.
It means the world. | 0:19:04 | 0:19:07 | |
It's clearly a very
special moment for Assya, | 0:19:07 | 0:19:11 | |
and with the party in full swing,
let's leave her to enjoy her moment. | 0:19:11 | 0:19:13 | |
We've come along to Bewdley Museum
to take a look | 0:19:21 | 0:19:25 | |
at these little beauties.
They are called coracles. | 0:19:25 | 0:19:27 | |
They're quick and cheap
to make and light to carry. | 0:19:27 | 0:19:29 | |
For our final film, film
Mary-Ann Ochota has travelled | 0:19:29 | 0:19:31 | |
upstream along the River Severn
to Ironbridge to discover how | 0:19:31 | 0:19:33 | |
these simple boats helped
save lives in times of crisis. | 0:19:33 | 0:19:37 | |
This is Ironbridge, birthplace
of the Industrial Revolution. | 0:19:39 | 0:19:46 | |
That's the famous bridge,
the first bridge in the world | 0:19:46 | 0:19:48 | |
to be built entirely of cast iron. | 0:19:48 | 0:19:52 | |
It was built in the late 1700s
when this place was rich in the raw | 0:19:52 | 0:19:55 | |
materials for industry.
Coal, iron ore and of course water. | 0:19:55 | 0:19:59 | |
At the same time as technology that
would power an industrial revolution | 0:19:59 | 0:20:02 | |
was being developed here,
| 0:20:02 | 0:20:03 | |
the primitive coracle
was to prove a lifeline. | 0:20:03 | 0:20:12 | |
For one thing, you could use it
to cross the river without paying | 0:20:12 | 0:20:15 | |
the expensive toll
on the fancy new bridge. | 0:20:15 | 0:20:17 | |
Talk to anyone around
here about coracles and before long | 0:20:17 | 0:20:19 | |
they'll mention the Rogers family. | 0:20:19 | 0:20:25 | |
To say they were the heart
of the Ironbridge coracle community | 0:20:25 | 0:20:28 | |
over the past few centuries
is somewhat of an understatement. | 0:20:28 | 0:20:30 | |
We been making coracles my
ancestors for 300 years. | 0:20:30 | 0:20:31 | |
As well as making them,
they would use their coracles | 0:20:33 | 0:20:37 | |
to help in times of crisis,
rescuing people and animals | 0:20:37 | 0:20:39 | |
from floods, or even retrieving dead
bodies from the river. | 0:20:39 | 0:20:45 | |
Tommy Rogers, his son Harry
and his son Eustace must have built | 0:20:45 | 0:20:49 | |
hundreds of coracles from the 1800s
right up to 2003 when Eustace died. | 0:20:49 | 0:20:56 | |
Their workshop - built
by Harry in the 1920s. | 0:20:56 | 0:21:01 | |
It still bears his mark:
Harry Rogers Coracle Man. | 0:21:01 | 0:21:04 | |
Come on in and have a look. | 0:21:04 | 0:21:05 | |
Jude Pilgrim from the
Ironbridge Coracle Society | 0:21:05 | 0:21:07 | |
is going to show me round. | 0:21:07 | 0:21:10 | |
Mind the floor, it's not too safe. | 0:21:10 | 0:21:12 | |
Wow, look at this. | 0:21:12 | 0:21:15 | |
Since Eustace's death in 2003,
with no one in the family to pass | 0:21:15 | 0:21:18 | |
the business onto,
the shed has stood empty. | 0:21:18 | 0:21:20 | |
How fantastic! | 0:21:20 | 0:21:24 | |
Much as it was when
they were building | 0:21:24 | 0:21:26 | |
coracles on here. | 0:21:26 | 0:21:28 | |
There were more tools,
but it's basically the same | 0:21:28 | 0:21:30 | |
shed. | 0:21:30 | 0:21:31 | |
They used to leave little
messages on the walls. | 0:21:31 | 0:21:37 | |
Severn frozen over, Jan 20th, 1940. | 0:21:37 | 0:21:40 | |
So presumably no
coracling that month. | 0:21:40 | 0:21:43 | |
But Eustace knew how
to keep himself busy. | 0:21:43 | 0:21:47 | |
Eustace used to make these model
coracles and he used to be | 0:21:47 | 0:21:52 | |
so pleased with himself
if he could sell them | 0:21:52 | 0:21:54 | |
to tourists for £5. | 0:21:54 | 0:21:55 | |
Made his day. | 0:21:55 | 0:21:58 | |
a | 0:21:58 | 0:21:59 | |
But the family wasn't always
on the right side of the law. | 0:21:59 | 0:22:02 | |
Here's Eustace, in 1972. | 0:22:02 | 0:22:05 | |
Oh, bit of poaching. | 0:22:05 | 0:22:07 | |
It was a main industry
here at one time. | 0:22:07 | 0:22:09 | |
Tell us about it. | 0:22:10 | 0:22:17 | |
There was about 15 of these poachers
living like large off the land. | 0:22:17 | 0:22:22 | |
With names like Hellfire Jack
and Gunnar Bodin, these sound | 0:22:22 | 0:22:24 | |
like outlaws from the Wild West,
not the West Midlands but for many, | 0:22:24 | 0:22:27 | |
during the 19th and early 20th
centuries, times were hard. | 0:22:27 | 0:22:30 | |
Unemployment, cholera
and tougher fishing regulations | 0:22:30 | 0:22:35 | |
meant it was a simple
choice: poach or starve. | 0:22:35 | 0:22:39 | |
The penalties were severe
but it was the coracle men, | 0:22:39 | 0:22:42 | |
with Eustace's grandfather Tommy
amongst their number, | 0:22:42 | 0:22:44 | |
who were at the heart
of the poaching scene. | 0:22:44 | 0:22:47 | |
They played hell with
the policemen on occasion | 0:22:47 | 0:22:49 | |
but it hasn't always been one-sided. | 0:22:49 | 0:22:53 | |
The poachers got some scars
to show many a time. | 0:22:53 | 0:23:01 | |
if | 0:23:01 | 0:23:02 | |
Matter of fact one got
drownded one time. | 0:23:02 | 0:23:04 | |
You can imagine them
floating down the river. | 0:23:04 | 0:23:08 | |
Picking up a few rabbits
from the snares. | 0:23:08 | 0:23:10 | |
And maybe a few pheasants. | 0:23:10 | 0:23:14 | |
So they weren't just stealing fish
but the fruit of the land? | 0:23:14 | 0:23:17 | |
They certainly were. | 0:23:17 | 0:23:18 | |
and that was what made
the coracle so useful for them. | 0:23:18 | 0:23:21 | |
because they could escape and nobody
could follow them. | 0:23:21 | 0:23:24 | |
But they weren't just
doing it for themselves, | 0:23:24 | 0:23:26 | |
but for all the families
in the area. | 0:23:26 | 0:23:28 | |
And the distribution
point was the barber's. | 0:23:28 | 0:23:32 | |
So the men would go in for a short
back and sides and he would say | 0:23:32 | 0:23:38 | |
if | 0:23:38 | 0:23:38 | |
"Something for the weekend?" | 0:23:38 | 0:23:48 | |
if | 0:23:48 | 0:23:48 | |
And they would walk out with a
rabbit or pheasant for the weekend. | 0:23:48 | 0:23:51 | |
We can still meet people today
who say I wouldn't be alive | 0:23:51 | 0:23:54 | |
if the coracle men hadn't
put food on our table. | 0:23:54 | 0:23:57 | |
Since Eustace died,
Terry Kenny's been Ironbridge's | 0:23:57 | 0:23:58 | |
premier coracle maker. | 0:23:59 | 0:24:03 | |
He's going to help me make my very
own traditional Ironbridge coracle. | 0:24:03 | 0:24:08 | |
a 5th | 0:24:08 | 0:24:08 | |
And that is particularly
handy, because I'm going | 0:24:08 | 0:24:10 | |
to be needing one. | 0:24:10 | 0:24:12 | |
Turns out Ironbridge hosts
an annual coracle regatta | 0:24:12 | 0:24:15 | |
and I'm going to be taking part! | 0:24:15 | 0:24:22 | |
To get me started Terry's already
made the gunnel, the circular rim, | 0:24:22 | 0:24:25 | |
and put the seat post in but there's
still plenty for me to do. | 0:24:25 | 0:24:28 | |
First job is to make
the frame using ash laths. | 0:24:28 | 0:24:31 | |
Reasonably gentle. | 0:24:31 | 0:24:32 | |
Not quite so critical as the centre. | 0:24:32 | 0:24:34 | |
That's about right, yes. | 0:24:34 | 0:24:37 | |
The whole frames takes 25 laths. | 0:24:37 | 0:24:41 | |
I work on a basis of 30
because you're going to break a few | 0:24:41 | 0:24:46 | |
You do a lot of this by eye. | 0:24:46 | 0:24:50 | |
And to do that you have to make
a special coracle maker's stance. | 0:24:50 | 0:24:56 | |
Which is thus. | 0:24:56 | 0:24:59 | |
Whilst I might have
perfected the stance | 0:24:59 | 0:25:01 | |
I'm not sure about my handiwork. | 0:25:01 | 0:25:04 | |
It's a bit rubbish isn't it? | 0:25:04 | 0:25:08 | |
I'd been expecting to using
traditional woodworking methods. | 0:25:08 | 0:25:10 | |
Genuine medieval power drill that. | 0:25:10 | 0:25:16 | |
Well I think you can certainly see
what it's meant to be. | 0:25:16 | 0:25:19 | |
Time to fit the cover. | 0:25:19 | 0:25:29 | |
It won't be made
with an animal hide. | 0:25:30 | 0:25:31 | |
We're using a modern
fabric ? but you can | 0:25:31 | 0:25:34 | |
use anything really. | 0:25:34 | 0:25:35 | |
People down here at
Ironbridge apparently used | 0:25:35 | 0:25:38 | |
to use old bed sheets. | 0:25:38 | 0:25:43 | |
as long as you have a platform for
the tar, that is all you need. | 0:25:43 | 0:25:51 | |
So actually using whatever
you've got to hand | 0:25:51 | 0:25:56 | |
IS the traditional way, even if it's
quite a modern material. | 0:25:56 | 0:25:58 | |
Yes that's right. | 0:25:58 | 0:25:59 | |
Excellent teacher . | 0:25:59 | 0:26:01 | |
I'd be prepared to go in this. | 0:26:01 | 0:26:05 | |
Once it's tarred of course. | 0:26:05 | 0:26:07 | |
I'll take that! | 0:26:07 | 0:26:08 | |
All that's left now is to paint
the wood and tar the cover | 0:26:08 | 0:26:11 | |
to make it waterproof. | 0:26:11 | 0:26:13 | |
And THAT's how you make
an Ironbridge coracle. | 0:26:13 | 0:26:15 | |
This is the Ironbridge
coracle regatta. | 0:26:15 | 0:26:18 | |
People have come from far and wide
for a day of paddling and racing | 0:26:18 | 0:26:21 | |
and I get to see my very
own coracle for the first time. | 0:26:21 | 0:26:26 | |
Wow! | 0:26:26 | 0:26:30 | |
Terry, she's beautiful. | 0:26:30 | 0:26:33 | |
Thank you. | 0:26:33 | 0:26:40 | |
You even put my Anna Jones on it.
Look at that! -- my initials on it. | 0:26:40 | 0:26:53 | |
This is all very nice,
but it's time to get serious. | 0:26:53 | 0:26:57 | |
I've been entered
into some of the races | 0:26:57 | 0:26:58 | |
and because I've done a bit
of coracling before, | 0:26:58 | 0:27:01 | |
I'm in the intermediate category. | 0:27:01 | 0:27:04 | |
It's really hard work! | 0:27:04 | 0:27:07 | |
And it doesn't help when you get
stuck under a tree. | 0:27:07 | 0:27:12 | |
I didn't win any of my races, | 0:27:12 | 0:27:17 | |
but I didn't go overboard either. | 0:27:17 | 0:27:24 | |
It's time for the experts
to show us how it's done. | 0:27:24 | 0:27:27 | |
And I have the honour
of starting them. | 0:27:27 | 0:27:33 | |
Ready, steady... | 0:27:34 | 0:27:39 | |
Who'd've have thought a coracle
could go so quickly? | 0:27:39 | 0:27:42 | |
But then again, the coracle
is full of surprises. | 0:27:42 | 0:27:45 | |
These simple boats have proven
themselves dependable, | 0:27:45 | 0:27:51 | |
versatile and fun for centuries. | 0:27:51 | 0:27:54 | |
I reckon they'll be around
for another few centuries still. | 0:27:54 | 0:28:00 | |
Good effort. | 0:28:00 | 0:28:04 | |
And you can see more
about the coracle in | 0:28:04 | 0:28:06 | |
Britain Afloat ? a BBC 2 series. | 0:28:06 | 0:28:12 | |
We will see you next week at the
same time. Have a good one. Goodbye. | 0:28:12 | 0:28:20 | |
Next week, Stoke-on-Trent is known
the world over as the potteries, but | 0:28:20 | 0:28:23 | |
the ceramics industry has been in
decline for decades. Now there's a | 0:28:23 | 0:28:27 | |
growing confidence around ceramics
led by a new generation and | 0:28:27 | 0:28:30 | |
cutting-edge designs. | 0:28:30 | 0:28:32 |