Browse content similar to 23/01/2017. Check below for episodes and series from the same categories and more!
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You just felt as though you had to go along with what he said to get | :00:00. | :00:12. | |
Should we bother saving a half finished painting? | :00:13. | :00:18. | |
And who threw Kenny Everett a lifeline when his | :00:19. | :00:24. | |
Tomorrow I have got to go and do a press reception | :00:25. | :00:28. | |
Police forces across the country have been investigating allegations | :00:29. | :00:47. | |
A number of top clubs had been named, including Southampton, | :00:48. | :00:53. | |
whose youth development coach also ran a football academy | :00:54. | :00:56. | |
Jeff Twentyman and has been speaking to some former players scarred | :00:57. | :01:03. | |
by their experience of training under Bob Higgins. | :01:04. | :01:10. | |
I have been involved in football all my life. | :01:11. | :01:14. | |
As a schoolboy I played for Liverpool reserves. | :01:15. | :01:17. | |
As an adult I played for Bristol Rovers for seven years. | :01:18. | :01:26. | |
In my time playing the game I never experienced anything untoward. | :01:27. | :01:32. | |
But an increasing number of men who as boys were coached | :01:33. | :01:35. | |
by Bob Higgins in an academy near Bath say they did. | :01:36. | :01:39. | |
We have heard of naked, soapy massages. | :01:40. | :01:43. | |
They would massage your groins, all in your groin area. | :01:44. | :01:45. | |
There was the odd touch on your private parts, | :01:46. | :01:47. | |
your genitals, and it wasn't uncommon for a young lad to be sat | :01:48. | :01:50. | |
Driving along, and he got my head and put my head down on his lap. | :01:51. | :01:58. | |
And do you know what, I can actually still smell the urine | :01:59. | :02:01. | |
So how could this have happened in the sport that I love so much? | :02:02. | :02:12. | |
In the 1980s, Bob Higgins was the youth development officer | :02:13. | :02:15. | |
He brought on future England stars Matt Le Tissier and Alan Shearer. | :02:16. | :02:27. | |
He also ran the Bob Higgins soccer Academy, which had a training centre | :02:28. | :02:30. | |
He coached young boys between the ages of 12 and 16 here. | :02:31. | :02:37. | |
It is now the site of Bath Spa University. | :02:38. | :02:42. | |
Jason Upshaw from Street in Somerset trained at the Academy here every | :02:43. | :02:45. | |
It is his first time back and it is a bit raw. | :02:46. | :02:54. | |
How does it feel, then, Jason, back here this morning and there | :02:55. | :02:56. | |
Meant to be an enjoyable time for you, but it is not. | :02:57. | :03:03. | |
It happened all those years ago, but obviously it has still got | :03:04. | :03:06. | |
Yeah, I think you try and bottle it up. | :03:07. | :03:10. | |
Jason was often invited to stay over the night at Higgins's | :03:11. | :03:25. | |
house in Southampton, along with other lads before | :03:26. | :03:27. | |
I was asked to go down to his house in terms of, this | :03:28. | :03:35. | |
was developing for homesickness, you know, for when we become | :03:36. | :03:37. | |
Because I never did that, there was times and occasions that | :03:38. | :03:43. | |
Basically I had to go through another coach for stuff. | :03:44. | :03:52. | |
What, he didn't speak to you for six months? | :03:53. | :03:55. | |
Jason travelled to Sweden with Southampton's youth team to compete | :03:56. | :04:00. | |
He says he was ordered to take part in soap and water massages there. | :04:01. | :04:08. | |
We were told, naked, get your towels, go up. | :04:09. | :04:12. | |
One of your fellow would do one leg, and one of your fellow... | :04:13. | :04:15. | |
Yeah, team-mates, would do the other. | :04:16. | :04:17. | |
He followed me down and said this is about team-building, | :04:18. | :04:26. | |
He really forcefully told me to get back up there and do it. | :04:27. | :04:33. | |
Someone else who was on that tour is Nick Good from Yate. | :04:34. | :04:40. | |
He was destined to be a football star from a very early age. | :04:41. | :04:44. | |
Even at the age of 11, he has competed in tournaments in France, | :04:45. | :04:47. | |
30 years later, and he has agreed to meet me near his home. | :04:48. | :04:53. | |
Like Jason, Nick also experienced soap and water massages. | :04:54. | :04:58. | |
And I have heard there was the odd, sort of, | :04:59. | :05:04. | |
touch on your private parts, your genitals. | :05:05. | :05:05. | |
It wasn't uncommon for young lads to be sat there with erections. | :05:06. | :05:13. | |
It was deemed acceptable and a bit of fun. | :05:14. | :05:15. | |
Unlike Jason, Nick was part of the inner circle and often stayed | :05:16. | :05:24. | |
When I first went down there, went into the front room, Bob was there. | :05:25. | :05:31. | |
The really bizarre thing, he has got two young boys | :05:32. | :05:33. | |
He has got one lead across his front and the other one sort | :05:34. | :05:42. | |
Again, my age, 12, 13 at the time, just accepted that for being | :05:43. | :05:46. | |
that is what you do, sort of thing, and I went and sat | :05:47. | :05:49. | |
down on the floor and sort of just cuddled into his legs, | :05:50. | :05:52. | |
He did ask me to sit on his lap, which, it is not normal, | :05:53. | :05:57. | |
Another former academy player is Dean Radford. | :05:58. | :06:03. | |
His schoolboy dream was to play for Southampton football club, | :06:04. | :06:07. | |
He has brought me to Hanham in Bristol, where it all began for him. | :06:08. | :06:16. | |
And there is your own, like, personal football pitch. | :06:17. | :06:18. | |
And that is where all the dreams and aspirations of being | :06:19. | :06:22. | |
a footballer playing for Southampton, your | :06:23. | :06:24. | |
I think they even used to call it the Dell. | :06:25. | :06:29. | |
I used to come out and have my own little crowd in my head. | :06:30. | :06:32. | |
That dream did come true when he made it into Southampton's | :06:33. | :06:41. | |
first-team, coming up through the ranks with Alan Shearer, | :06:42. | :06:44. | |
There is no suggestion that Alan Shearer was | :06:45. | :06:50. | |
Bob Higgins, the man in charge of all of this at that age, | :06:51. | :06:55. | |
He was the guy that made the decision whether I would become | :06:56. | :07:01. | |
You had to go along with what he said to get | :07:02. | :07:04. | |
At the time they don't realise there is an inner circle. | :07:05. | :07:12. | |
All you want to be is one of Bob's favourite. | :07:13. | :07:15. | |
You could call it a favourite, one of his favourites. | :07:16. | :07:18. | |
If you were out of favour with him because he hadn't said the right | :07:19. | :07:21. | |
thing to him or maybe I had declined staying at his house that weekend, | :07:22. | :07:25. | |
He would grunt at you and not be affectionate towards | :07:26. | :07:28. | |
So he would build you up to make you feel the most | :07:29. | :07:35. | |
special thing, and then that is when the control started. | :07:36. | :07:38. | |
I remember one day, driving along and he got my head and put my head | :07:39. | :07:49. | |
down in his lap for an hour and a half, drove | :07:50. | :07:52. | |
It sounds gross, but I can actually still smell urine | :07:53. | :08:02. | |
A graphic thing to say, but it is just disgusting. | :08:03. | :08:10. | |
Soapy massages, just tell me about your experience | :08:11. | :08:13. | |
At the time you don't question it, and it is embarrassing to say this, | :08:14. | :08:19. | |
but he manipulated me so much that he would be gutted | :08:20. | :08:23. | |
if he spent 30 seconds longer on the player in front of you, | :08:24. | :08:31. | |
because you felt he doesn't love me as much as what he | :08:32. | :08:34. | |
Dean's most harrowing experience happened after he bruised his lower | :08:35. | :08:40. | |
He said I am going to massage the bruise. | :08:41. | :08:43. | |
He pulled my shorts and pants down and he basically got his fingers | :08:44. | :08:49. | |
And that went on for about 30 seconds, half a minute. | :08:50. | :08:54. | |
He then got up, didn't say a word, washed his hands and said, | :08:55. | :08:57. | |
just said to me then, "That should sort it for you. | :08:58. | :09:00. | |
Did you ever seek help from anyone on this? | :09:01. | :09:04. | |
Because I was so afraid that I would come out of the, | :09:05. | :09:14. | |
you just called it inner circle, but that is what it is. | :09:15. | :09:17. | |
I wanted to be part of what I needed to do... | :09:18. | :09:20. | |
Dean's case against Higgins went to court in 1991, | :09:21. | :09:35. | |
but the trial collapsed because of a lack of evidence. | :09:36. | :09:38. | |
We approached Bob Higgins for comment, but he hasn't responded. | :09:39. | :09:41. | |
In the past he has always denied any allegations of wrongdoing. | :09:42. | :09:50. | |
Bob Higgins left Southampton football club in 1989 under a cloud. | :09:51. | :09:52. | |
The reason he left is not entirely clear. | :09:53. | :09:59. | |
But he went on to coach other teams around the country right up | :10:00. | :10:02. | |
The lads I have met, the men I have met, their lives | :10:03. | :10:09. | |
so profoundly affected in such a bad way from the great | :10:10. | :10:12. | |
The other thing that I find really difficult is that no one challenged | :10:13. | :10:19. | |
Bob Higgins and said to him, what you are doing | :10:20. | :10:21. | |
Jason, Nick and Dean have all reported their allegations | :10:22. | :10:29. | |
Nationally over 1000 allegations of historic abuse in football have | :10:30. | :10:34. | |
It is clear that what Bob Higgins is alleged to have done may be part | :10:35. | :10:44. | |
A problem we are only just starting to tackle. | :10:45. | :10:53. | |
If you have been affected by any issues in this film, | :10:54. | :10:55. | |
there is a BBC Action Line you can contact. | :10:56. | :10:57. | |
The National that but the painting is Portrait Gallery in London | :10:58. | :11:10. | |
wants to buy a painting by a Bristol born artist. | :11:11. | :11:12. | |
Nothing unusual in that, but the painting is unfinished, | :11:13. | :11:14. | |
there are dozens of portraits of the same person and they want | :11:15. | :11:17. | |
If you like a nice portrait, you will love | :11:18. | :11:30. | |
They have got thousands of pictures of the great and the good. | :11:31. | :11:40. | |
This is a portrait of the Duke of Wellington. | :11:41. | :11:56. | |
It is over 180 years old, just one of dozens painted of the Duke, | :11:57. | :11:59. | |
and the gallery wants to buy it for ?1.3 million. | :12:00. | :12:05. | |
So why does the National Portrait Gallery want to raise all that money | :12:06. | :12:14. | |
for another portrait of another dead white guy? | :12:15. | :12:17. | |
We do not, in the collection as it currently stands, | :12:18. | :12:20. | |
have a portrait that can do Wellington justice, and he is one | :12:21. | :12:23. | |
of the most major heroes and historical figures | :12:24. | :12:27. | |
The painting is owned by an anonymous collector | :12:28. | :12:31. | |
and it is only on loan until the end of March. | :12:32. | :12:34. | |
To keep it forever the gallery is asking the public | :12:35. | :12:36. | |
It was painted by one of the greatest artists of the age, | :12:37. | :12:45. | |
Today Bristol is probably better known for street artists | :12:46. | :12:55. | |
But this is where Sir Thomas Lawrence was born | :12:56. | :13:05. | |
His father ran a pub, but the business failed. | :13:06. | :13:19. | |
So he tried again in divisors, running this in catering | :13:20. | :13:21. | |
for the travelling between London and Bath. | :13:22. | :13:23. | |
It turned out that Thomas Lawrence was a child genius. | :13:24. | :13:26. | |
He painted portraits of the paying guests who flocked | :13:27. | :13:29. | |
Which was fortunate, because this business also failed. | :13:30. | :13:34. | |
The family then followed the money to Bath, where from the age of ten | :13:35. | :13:38. | |
Lawrence supported them by selling his portraits. | :13:39. | :13:41. | |
So just how good was this child prodigy? | :13:42. | :13:49. | |
To find out I am having my portrait drawn by Bill, who teaches | :13:50. | :13:52. | |
So, Lawrence's portraits when he was 14, what are your views on those? | :13:53. | :14:02. | |
They are incredible for a 14-year-old, aren't they? | :14:03. | :14:06. | |
I would guess he had a wig at home which he copied, | :14:07. | :14:11. | |
because I don't think a sitter could have stayed there long enough | :14:12. | :14:15. | |
I think he has taken them home and polished them and worked on them | :14:16. | :14:22. | |
and he was well tuned in to the standard ideals | :14:23. | :14:25. | |
So it is almost like he Photoshopped them in the 18th century? | :14:26. | :14:30. | |
If you can bring out their individuality and their quirks | :14:31. | :14:39. | |
and still please them, that is the idea, isn't it, | :14:40. | :14:41. | |
But if you're not being commissioned, you can | :14:42. | :14:46. | |
Lawrence's teenage line drawings belonged to Bath's Holborn Museum. | :14:47. | :15:02. | |
They own another unfinished oil painting, done when he was 22. | :15:03. | :15:05. | |
Last year the Museum raised ?400,000 to buy it. | :15:06. | :15:09. | |
We were actually looking quite actively for a portrait by Lawrence, | :15:10. | :15:15. | |
and when we saw this one we realised this was the one. | :15:16. | :15:18. | |
It is a preliminary study for the finished work, | :15:19. | :15:22. | |
so this is just getting the likeness of the sitter. | :15:23. | :15:29. | |
And it is quite rare, because we rarely see oil | :15:30. | :15:31. | |
He loved drawing, he collected drawings as well. | :15:32. | :15:35. | |
But oil sketches that have a finished companion are quite rare. | :15:36. | :15:43. | |
While in Bath, he first painted the famous actress Sarah Siddons, | :15:44. | :15:46. | |
a meeting which led to a complicated and rather scandalous relationship | :15:47. | :15:50. | |
with her two daughters, starting with Sally. | :15:51. | :15:55. | |
How did his love life transpire through his life? | :15:56. | :16:02. | |
He was in love with Sally, but he wasn't in a financial | :16:03. | :16:05. | |
So understandably Sarah Siddons and her husband weren't going | :16:06. | :16:08. | |
Later he decided he preferred her much more beautiful | :16:09. | :16:15. | |
younger sister Maria, who sadly was dying of consumption. | :16:16. | :16:20. | |
I don't think she was a very good patient, and she was petulant | :16:21. | :16:24. | |
And her elder sister suddenly became much more attractive again, | :16:25. | :16:30. | |
so Lawrence fell in love with the older sister | :16:31. | :16:32. | |
But on her deathbed Maria made Sally promised she would | :16:33. | :16:37. | |
Whether or not she felt bound by that promise, I don't know, | :16:38. | :16:43. | |
In fact Lawrence never married at all, and poor Sally followed | :16:44. | :16:49. | |
after her sister and only five years later she died in 1803. | :16:50. | :16:55. | |
While his love life unravelled, Thomas Lawrence moved | :16:56. | :16:57. | |
to London to study painting at the Royal Academy, | :16:58. | :17:03. | |
becoming its president in 1820 at the age of 51. | :17:04. | :17:09. | |
This flattering and polished style made him one of the most important | :17:10. | :17:14. | |
He became the Prince Regent's go to image maker, always portraying | :17:15. | :17:26. | |
Time for the slightly nerve wracking reveal of Bill's work. | :17:27. | :17:39. | |
That was a unique experience for me, but back then of course it was how | :17:40. | :17:47. | |
Lawrence always understood the importance of being expensive. | :17:48. | :17:57. | |
So, you know, it is like a courtier now. | :17:58. | :18:03. | |
You know, a fashion designer, you go and have an individual | :18:04. | :18:06. | |
relationship and get the portrait that you and the artist sort of make | :18:07. | :18:09. | |
But it would be reassuringly expensive. | :18:10. | :18:13. | |
Not only was the Duke of Wellington a hugely important military figure, | :18:14. | :18:20. | |
Lawrence's painting shows him in his later years when he | :18:21. | :18:22. | |
Sadly Lawrence died before he could finish it. | :18:23. | :18:27. | |
This unfinished moment, this moment sort of frozen in time, | :18:28. | :18:30. | |
I think gives us the opportunity to engage with Wellington in a way | :18:31. | :18:38. | |
that I think is less easy when you have a completely | :18:39. | :18:40. | |
watertight finished historical portrait in front of you. | :18:41. | :18:43. | |
?1.3 million as a lot of money for a piece of art. | :18:44. | :18:49. | |
This work will be an incredibly well priced Lawrence, | :18:50. | :18:55. | |
and it will sit on the walls of the gallery on permanent display | :18:56. | :19:00. | |
in perpetuity to represent the achievements that Wellington | :19:01. | :19:06. | |
and Lawrence both made to the history of British life and culture. | :19:07. | :19:10. | |
To me, you can't actually put a price tag on that. | :19:11. | :19:12. | |
Even if they raise the cash, there is no plan to bring | :19:13. | :19:15. | |
the picture to Bristol, so perhaps we will just | :19:16. | :19:17. | |
Kenny Everett was a legend in the world of broadcasting, | :19:18. | :19:31. | |
but in 1970 he was sacked from Radio 1. | :19:32. | :19:33. | |
He hit rock bottom, and his career seemed to be over. | :19:34. | :19:39. | |
Until he was thrown an unlikely lifeline. | :19:40. | :19:43. | |
Yes, friends it's your very own Ken back on the BBC. | :19:44. | :20:00. | |
Suddenly, a barrage of red tape came... | :20:01. | :20:08. | |
It was an amazing coup at the time, but it wasn't altogether popular | :20:09. | :20:11. | |
with the senior management of the BBC. | :20:12. | :20:17. | |
Somebody like Ken was like a mad little imp causing great joy | :20:18. | :20:20. | |
for the listeners and not a little worry for the men in suits. | :20:21. | :20:26. | |
Kenny Everett was in the original line-up of DJs when Radio | :20:27. | :20:37. | |
Then three years later he was sacked. | :20:38. | :20:43. | |
A joke about the Transport Minister's wife was the last straw. | :20:44. | :20:48. | |
Because the BBC, the Beeb, it was his idea of heaven. | :20:49. | :20:56. | |
I think he would have liked to have been dead. | :20:57. | :21:00. | |
He was so devastated, he was just on the floor. | :21:01. | :21:03. | |
I was always good at picking him up, because he was quite, | :21:04. | :21:07. | |
he was oversensitive anyway, but that was the worst thing that | :21:08. | :21:09. | |
The following year here at the BBC in Bristol, | :21:10. | :21:16. | |
the youngest local radio manager in the country was grappling | :21:17. | :21:19. | |
How do you attract a bigger audience to a fledgling radio station? | :21:20. | :21:27. | |
But he wanted to take four weeks off to go on holiday. | :21:28. | :21:37. | |
I wasn't sure what to do, and then I suddenly thought, | :21:38. | :21:43. | |
So I thought, let's have a go, so I rang him up. | :21:44. | :21:47. | |
Was it a bit of a risky role of the dice taking on Kenny Everett? | :21:48. | :21:51. | |
When you are 26 you don't think too deeply about such things. | :21:52. | :21:54. | |
I just saw an opportunity to indulge in a nice piece of public relations | :21:55. | :21:57. | |
with a performer who had been sacked by the BBC and was | :21:58. | :22:01. | |
The news soon reached the corridors of power | :22:02. | :22:07. | |
And David picked up the phone to hear the stern voice of the BBC's | :22:08. | :22:13. | |
managing director of radio, Ian Trethowan. | :22:14. | :22:17. | |
He said, "We have a file and it says on the file that he must not be | :22:18. | :22:22. | |
taken on by anybody in the BBC without reference upwards. | :22:23. | :22:24. | |
So I said, "Well, I didn't even know it was there." | :22:25. | :22:30. | |
So what are you going to do about it?" | :22:31. | :22:34. | |
He said, "If this goes wrong, be it on your own head." | :22:35. | :22:38. | |
We had a young lady on our staff at Radio Bristol, who was a toughie. | :22:39. | :22:54. | |
I was confident that she could say no to anybody, certainly | :22:55. | :23:03. | |
to Kenny Everett, if he were to go off the rails. | :23:04. | :23:08. | |
I remembered this terrible moment, David looked around at these | :23:09. | :23:12. | |
aghast people and said, "Kate, you're the producer..." | :23:13. | :23:18. | |
Although David's BBC career was already on the line, | :23:19. | :23:23. | |
he invited the national papers and a TV crew to announce | :23:24. | :23:26. | |
Tomorrow I have got to go and do a press reception | :23:27. | :23:34. | |
They are putting me on Radio Bristol. | :23:35. | :23:39. | |
Don't you think that you have been in some way browbeaten into coming | :23:40. | :23:53. | |
back because this is the only outlet of radio in this country? | :23:54. | :23:56. | |
No, I don't feel strange about my dismissal. | :23:57. | :23:59. | |
I have never been in The Daily Mirror more in my life. | :24:00. | :24:04. | |
No, I look upon Radio Bristol as a cuddly little radio station | :24:05. | :24:08. | |
Now, from our newsroom, dear Ken, please come back to Radio 1. | :24:09. | :24:17. | |
If you don't come back, I know I will have to do | :24:18. | :24:21. | |
Like running into Woolworths and shouting, Marks and Spencers! | :24:22. | :24:25. | |
So please come back, yours faithfully, Kenny Everett. | :24:26. | :24:30. | |
He used to put in the most enormous amount of preparation | :24:31. | :24:33. | |
And I had said to him, I am your producer. | :24:34. | :24:44. | |
I lived off it for years saying I was Kenny Everett's producer. | :24:45. | :24:48. | |
After nearly half a century, David is meeting up again | :24:49. | :24:59. | |
Kenny and Lee were married for over ten years and lived | :25:00. | :25:04. | |
Where Kenny would spend hours in his home recording studio making | :25:05. | :25:13. | |
jingles and other creations for his radio shows. | :25:14. | :25:16. | |
Which disc jockey would be complete without a music room? | :25:17. | :25:20. | |
# I look high, I look, I looked everywhere I go...# | :25:21. | :25:41. | |
They really warned him so many times, they said, you can't do that. | :25:42. | :25:45. | |
I went to see the director-general the other day. | :25:46. | :25:48. | |
I have often wondered, after 46 years, what happened | :25:49. | :25:58. | |
I said, how do you fancy a few shows on BBC Radio Bristol? | :25:59. | :26:02. | |
I think he was a bit shocked that he could be hired | :26:03. | :26:07. | |
We had just got our first mortgage, so we were really in it up to there, | :26:08. | :26:18. | |
and so you saved our life in a funny way. | :26:19. | :26:26. | |
They had realised that she could syndicate the programmes | :26:27. | :26:30. | |
and sell them to other BBC local radio stations. | :26:31. | :26:34. | |
In the end we were just posting them out, you know, | :26:35. | :26:36. | |
He used everything in my kitchen for sound effects. | :26:37. | :26:47. | |
I had heard things in my studio and it was my tea towels. | :26:48. | :26:52. | |
In the end I started locking things up. | :26:53. | :26:55. | |
I should have locked him up actually, I would | :26:56. | :26:59. | |
Eventually the couple split up and Kenny came out as gay, | :27:00. | :27:04. | |
but they remained good friends and Kenny was best man | :27:05. | :27:07. | |
at Lee's wedding to actor John Alkin from the Sweeney. | :27:08. | :27:12. | |
All it takes is for a radio Bristol to take a little twiddly bit | :27:13. | :27:16. | |
on their transmitter and you can get it in stereo. | :27:17. | :27:18. | |
Mind you, you would have to walk about with two radios. | :27:19. | :27:21. | |
Ken was clearly both wild and mad and sparky, | :27:22. | :27:25. | |
You heard little edited bits of tape, bits of music, | :27:26. | :27:31. | |
including classical music, what he used to call | :27:32. | :27:34. | |
And he would meld them into this extraordinary | :27:35. | :27:44. | |
continuous stream of fun, music, jokes, quirky remarks. | :27:45. | :27:51. | |
Kenny went on to an enormous national success. | :27:52. | :28:03. | |
In 1995 he died of an HIV-related illness. | :28:04. | :28:07. | |
As for David, he went on to be a senior manager in the BBC. | :28:08. | :28:13. | |
I am still very proud of my contact with Kenny Everett, | :28:14. | :28:19. | |
and I still love the clips that come up on the television and the little | :28:20. | :28:23. | |
The clearer rockers and the Rod Stewart sketch. | :28:24. | :28:29. | |
It was all in the best possible taste! | :28:30. | :28:34. | |
Don't forget there is more on Facebook and Twitter, | :28:35. | :28:39. | |
There could be up to six people sleeping rough. | :28:40. | :29:06. | |
Hello, I'm Riz Lateef with your 90 second update. | :29:07. | :29:09. | |
The Government says national security means it won't confirm | :29:10. | :29:12. | |
if an unarmed nuclear missile veered off course during testing. | :29:13. | :29:16. | |
Theresa May now admits she knew about the test. | :29:17. | :29:18. | |
She refused to answer the question yesterday. | :29:19. | :29:23. | |
In his first day in the job as US President, | :29:24. | :29:26. | |
Donald Trump met businesses | :29:27. | :29:27. | |
and said he'll cut taxes and slash red tape, | :29:28. | :29:29. | |
as long as they don't move jobs abroad. | :29:30. | :29:31. | |
That's the message after nearly 8,000 drivers were caught | :29:32. | :29:35. | |
in just one week during a police crackdown. | :29:36. | :29:39. | |
Brothers Erwin and Krystian Markowski illegally | :29:40. | :29:42. | |
recruited Poles to work at Sports Direct. | :29:43. | :29:44. | |
But they threatened them, and kept most of their wages. | :29:45. | :29:47. | |
A fond farewell to 'Allo 'Allo star Gordon Kaye | :29:48. | :29:56. | |
He played cafe owner Renee in the series in the 1980s. | :29:57. | :30:03. |