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that! On Meet The Author Rebecca Jones speaks to the bestselling | :00:00. | 3:59:59 | |
writer James Patterson. He plans to transform reading habits. | :00:00. | :00:07. | |
James Patterson is the worlds biggest selling author. He is | :00:08. | :00:11. | |
best-known for his thrillers but has written science fiction, novels for | :00:12. | :00:15. | |
young people, romance and nonfiction. To date he has published | :00:16. | :00:21. | |
over 140 books selling more than 350 million copies around the world. And | :00:22. | :00:26. | |
she is the most borrowed author at UK libraries. That isn't enough for | :00:27. | :00:31. | |
James, he now wants an even bigger audience by selling books to people | :00:32. | :00:35. | |
he thinks have abandoned reading. And his solution is called book | :00:36. | :00:39. | |
shops. -- BookShots. So, welcome James Patterson. What | :00:40. | :01:01. | |
are BookShots? Hopefully a revolution in reading and the way we | :01:02. | :01:06. | |
look at books, at the least and evolution, under 150 pages, | :01:07. | :01:13. | |
relatively inexpensive and hopefully impossible to put down. It is one of | :01:14. | :01:21. | |
my regular books except at 145 pages, very tight. You can get on | :01:22. | :01:25. | |
the train, go to work, go home and you have read one, you have | :01:26. | :01:29. | |
accomplished something which is cool. The slogan is all thriller, no | :01:30. | :01:34. | |
filler. What makes you think someone will pick up one of these rather | :01:35. | :01:39. | |
than a magazine? Books are like reading a movie. There is no fact. | :01:40. | :01:48. | |
It is all story, hopefully with good characters. If you like Alex Cross, | :01:49. | :01:52. | |
here is when you have not read before but it happened so quickly. | :01:53. | :01:57. | |
In England we will start with six, it is a category, and Alex Cross, a | :01:58. | :02:06. | |
zoo, one about the Royals which is kind of fun, one about a big heist, | :02:07. | :02:12. | |
a diamond heist. Recently I was interviewed and I pulled out these | :02:13. | :02:17. | |
eight very deep drawers and I have 107 of these book shops that finish | :02:18. | :02:27. | |
now or in process -- what-macro. 80 of them are stories that I created. | :02:28. | :02:34. | |
It is like, oh my God. The people interview me when like this, this is | :02:35. | :02:39. | |
insane and I said great, insane. But for readers this is going to be a | :02:40. | :02:46. | |
boon. Because they are addictive. You have written some of them but | :02:47. | :02:50. | |
like your full-length novel, you employ a team of co-writers, tell us | :02:51. | :02:55. | |
a bit about how that works, in practice? I wrote last year over | :02:56. | :03:04. | |
2000 pages of outlines and they threw for drafts. It is an insane | :03:05. | :03:08. | |
amount of writing. And usually when I want to co-write a book, I write | :03:09. | :03:14. | |
an outline, for these it may be 30 pages and it is chapter by chapter. | :03:15. | :03:20. | |
And what I will do with the co-writer is given the outline, I | :03:21. | :03:23. | |
will say please contribute to the outline because that is useful and | :03:24. | :03:31. | |
it gets the co-writer feeling involved in the process. The | :03:32. | :03:36. | |
template for the book shops -- BookShots is every single chapter | :03:37. | :03:39. | |
moves both the characterisation and the story forward and turns on the | :03:40. | :03:44. | |
movie project in our heads so if that isn't happening, meaning you | :03:45. | :03:49. | |
cannot see and feel and taste and smell it, if it is not moving | :03:50. | :03:52. | |
forward and I'm not interested characters I will say, hold on, we | :03:53. | :03:58. | |
have lost something. Then I will make suggestions and occasionally I | :03:59. | :04:03. | |
did not do the outline correctly or the co-writer...! We will correct. | :04:04. | :04:13. | |
If you look at them, they are smaller and thinner and hopefully on | :04:14. | :04:20. | |
the trains and planes you will see people reading this smaller book. I | :04:21. | :04:27. | |
have read that you work seven days a week, 52 weeks of the year, is that | :04:28. | :04:33. | |
true, do not take Christmas day of? Christmas I would cite would be a | :04:34. | :04:39. | |
light day but generally it is seven days a week. Somebody said you are | :04:40. | :04:42. | |
lucky if you find something you like to do and it is a miracle people pay | :04:43. | :04:47. | |
you to do it. And that is situation. Doing these BookShots, it has been | :04:48. | :04:53. | |
the most fun year of my life because I love to tell stories and I was | :04:54. | :04:58. | |
blocked with books I had because I had the Alex Cross and woman's | :04:59. | :05:03. | |
murder club and we do not need any more hardback, there was no place | :05:04. | :05:08. | |
for me to let my imagination go and now there is. I would have more | :05:09. | :05:15. | |
content by the end of this year. It is little wonder that you are known | :05:16. | :05:18. | |
as the busiest man in publishing not just because of the number of books | :05:19. | :05:23. | |
you bite but because of the time and the money you spend on championing | :05:24. | :05:28. | |
literacy, why is that so important? For me, the most important thing is | :05:29. | :05:34. | |
getting kids reading. Because if our kids do not become competent | :05:35. | :05:38. | |
readers, especially kids at risk, how they get jobs and go to school? | :05:39. | :05:43. | |
If they get through, ten and 11 and they are not competent it... | :05:44. | :05:51. | |
There'll be a drag on society and the city and all of us and it will | :05:52. | :05:56. | |
make for a harder life for them and the thing about... As individuals I | :05:57. | :06:04. | |
can't do much to solve global warming or health care crisis but as | :06:05. | :06:08. | |
an individual we can all get the kids in our homes reading mostly, we | :06:09. | :06:14. | |
can help the local school, we can help the local libraries, libraries | :06:15. | :06:19. | |
are a big issue now and how they get funded in England. I just hope that | :06:20. | :06:24. | |
people will stand up and say, the libraries are importance of need the | :06:25. | :06:28. | |
money for libraries. How much does your interest in this stem from the | :06:29. | :06:32. | |
fact you had a son who was a reluctant reader? Well, he is a | :06:33. | :06:41. | |
bright sky, when he was eight that summer we said you can read every | :06:42. | :06:44. | |
day and he said do I have to do and we said yes unless you want to live | :06:45. | :06:48. | |
in the garage because we read in the house. But we said this is going to | :06:49. | :06:55. | |
be painless, will buy books you like so we've got a dozen books on Percy | :06:56. | :07:02. | |
Jackson and one of mine and by the end of the summer Jack had read a | :07:03. | :07:05. | |
dozen books and is reading skills went up dramatically and ultimately | :07:06. | :07:12. | |
they have SAT scores in America so a perfect score in reading is 800 and | :07:13. | :07:17. | |
T had 800 and is going to an Ivy League college. In terms of what can | :07:18. | :07:24. | |
happen, if you take charge with your children, make it your | :07:25. | :07:27. | |
responsibility. There was nothing more important that a mother or | :07:28. | :07:31. | |
father or grandparents do than make sure the kids read. It is good you | :07:32. | :07:35. | |
get them out with exercise but they have to be able to read. You are | :07:36. | :07:41. | |
hugely successful, a writer of commercial fiction, do you hanker | :07:42. | :07:47. | |
after writing the great American novel? I Hafal birdie but they are | :07:48. | :07:52. | |
commercial! No, I love what I do -- I have all ready. I want people to | :07:53. | :08:05. | |
say James kept people up late at night and BookShots revolution. This | :08:06. | :08:07. | |
is going to change the way people breed. Great to talk to. Thank you. | :08:08. | :08:15. | |
-- the way people | :08:16. | :08:16. |