Browse content similar to 24/01/2018. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Tonight, the Presidents Club
shuts down, the charity | 0:00:06 | 0:00:08 | |
money is handed back,
and Britain's business and political | 0:00:08 | 0:00:10 | |
elite run for cover. | 0:00:10 | 0:00:13 | |
But this annual event has been
going on for 30 years, | 0:00:13 | 0:00:21 | |
so are people really shocked,
or have they just been exposed? | 0:00:21 | 0:00:24 | |
We ask government
minister Margot James. | 0:00:24 | 0:00:25 | |
We'll discuss with a woman
who previously worked | 0:00:25 | 0:00:27 | |
as a hostess at the event
and another who was asked to, | 0:00:27 | 0:00:30 | |
but turned it down. | 0:00:30 | 0:00:32 | |
Also, a rare interview
with a firefighter who tackled | 0:00:32 | 0:00:33 | |
the blaze at Grenfell. | 0:00:33 | 0:00:34 | |
How are those on the front line
coping more than six months on? | 0:00:34 | 0:00:38 | |
I still feel guilt
and I think I will | 0:00:38 | 0:00:40 | |
feel eternally guilty. | 0:00:40 | 0:00:43 | |
My job, the reason I joined this
job, is to make sure the person | 0:00:43 | 0:00:46 | |
I'm saving doesn't die. | 0:00:46 | 0:00:48 | |
Ultimately, that's the point,
the black and white of my job. | 0:00:48 | 0:00:51 | |
So, when so many innocent people
lose their lives it's very, | 0:00:51 | 0:00:54 | |
very hard to take. | 0:00:54 | 0:00:58 | |
Is Cape Town about to become
the first global city | 0:00:58 | 0:01:00 | |
to run out of water? | 0:01:00 | 0:01:02 | |
We'll ask the politician
who's trying to halt | 0:01:02 | 0:01:04 | |
an unprecedented crisis. | 0:01:04 | 0:01:10 | |
And the death was announced
this evening of the Fall | 0:01:15 | 0:01:17 | |
singer Mark E Smith. | 0:01:17 | 0:01:21 | |
We look back on a life
of Manchester, music and colourful | 0:01:21 | 0:01:23 | |
appearances on Newsnight. | 0:01:23 | 0:01:25 | |
And I allowed to speak now? Yeah, go
ahead. Yeah, what ever you say. Are | 0:01:25 | 0:01:33 | |
you the new DJ? Yeah, probably,
probably. | 0:01:33 | 0:01:38 | |
And we'll speak live
to his friend Tim Burgess. | 0:01:38 | 0:01:44 | |
Good evening. | 0:01:45 | 0:01:49 | |
The Presidents Club's "men only"
annual dinner has been | 0:01:49 | 0:01:51 | |
taking place for more than 30 years. | 0:01:51 | 0:01:53 | |
But on the strength of one
excoriating investigative report, | 0:01:53 | 0:01:56 | |
and 24 hours of public outrage,
it has just announced | 0:01:56 | 0:01:58 | |
it's shutting its doors. | 0:01:58 | 0:02:00 | |
Tonight, as charities handed back
the money they received | 0:02:00 | 0:02:04 | |
from the fundraiser,
and a chief organiser was fired | 0:02:04 | 0:02:08 | |
from his role in government,
it is easy to see why business folk | 0:02:08 | 0:02:11 | |
could not move quicker to distance
themselves from the event. | 0:02:11 | 0:02:14 | |
Tonight, a minister told me
it was a watershed moment. | 0:02:14 | 0:02:18 | |
Yet even in 2018, when allegations
of sexual abuse and misuse of power | 0:02:18 | 0:02:23 | |
have permeated pubic discourse
for months, more than 300 men chose | 0:02:23 | 0:02:26 | |
to go to an event where the only
women they would find would be | 0:02:26 | 0:02:29 | |
working as hostesses. | 0:02:29 | 0:02:31 | |
Forced to have their underwear
dictated to them, their mobile | 0:02:31 | 0:02:34 | |
phones removed, and sign disclaimers
that absolved the club | 0:02:34 | 0:02:36 | |
from any blame. | 0:02:36 | 0:02:37 | |
So, have attitudes really changed? | 0:02:37 | 0:02:39 | |
Or just been exposed? | 0:02:39 | 0:02:44 | |
And what real consequences
will there be and should | 0:02:44 | 0:02:46 | |
there be for those involved? | 0:02:46 | 0:02:47 | |
Here's Helen Thomas. | 0:02:47 | 0:02:54 | |
It has been a day of outrage. | 0:02:54 | 0:02:57 | |
Women were bought as bait. | 0:02:57 | 0:03:03 | |
The organisers chose to make
this a men-only event. | 0:03:03 | 0:03:06 | |
They chose to treat
the hostesses in this way | 0:03:06 | 0:03:08 | |
to make them parade
across the stage in front of men, | 0:03:08 | 0:03:10 | |
to make them wear black,
skimpy outfits and specify | 0:03:10 | 0:03:13 | |
the colour of their underwear. | 0:03:13 | 0:03:17 | |
A charity is prepared
to facilitate that | 0:03:17 | 0:03:18 | |
behaviour as long as wealthy men
open their cheque | 0:03:18 | 0:03:20 | |
books beggars belief. | 0:03:20 | 0:03:21 | |
The revelations from the Presidents
Club pose many questions. | 0:03:21 | 0:03:24 | |
Not least how is it that an event
which seems to have been running | 0:03:24 | 0:03:27 | |
in roughly this form
for at least a decade has | 0:03:27 | 0:03:29 | |
attracted so little scrutiny. | 0:03:29 | 0:03:31 | |
But, there's been
soul-searching elsewhere, too. | 0:03:31 | 0:03:34 | |
What is acceptable in the name
of charity fundraising | 0:03:34 | 0:03:37 | |
and what checks could or should
charities be doing | 0:03:37 | 0:03:39 | |
on their donations? | 0:03:39 | 0:03:41 | |
In 2016 alone, nearly 60
charities received a donation | 0:03:41 | 0:03:43 | |
from The Presidents Club,
according to its accounts. | 0:03:43 | 0:03:51 | |
If fundraising isn't
being carried out in a way | 0:03:51 | 0:03:57 | |
that is generally acceptable,
and ethical, then the fact that | 0:03:57 | 0:04:00 | |
you raise lots of money is,
in a way, neither here nor there. | 0:04:00 | 0:04:03 | |
We want fundraising by charities
to be open, honest and respectful | 0:04:03 | 0:04:06 | |
of those who donate. | 0:04:06 | 0:04:13 | |
It's really important
because it is about public trust | 0:04:13 | 0:04:14 | |
and confidence in what charities do
and how they do it. | 0:04:14 | 0:04:17 | |
The Presidents Club wasn't
being entirely straightforward. | 0:04:17 | 0:04:21 | |
Last week's auction included a tour
of the Bank of England | 0:04:21 | 0:04:24 | |
and tea with the governor,
Mark Carney. | 0:04:24 | 0:04:29 | |
Newsnight understands that
that had previously been | 0:04:29 | 0:04:31 | |
sold at another event -
for the Lord Mayor's | 0:04:31 | 0:04:35 | |
Appeal last November. | 0:04:35 | 0:04:39 | |
And that Bruce Ritchie, the
Presidents Club's joint chairman, | 0:04:39 | 0:04:41 | |
was the buyer. | 0:04:41 | 0:04:43 | |
The bank says it was resold last
week, without its permission. | 0:04:43 | 0:04:45 | |
And that the successful
bidder will not be taking | 0:04:45 | 0:04:47 | |
tea with the governor. | 0:04:47 | 0:04:51 | |
Given the importance of its annual
event to fundraising, | 0:04:51 | 0:04:54 | |
the charity disclosed almost no
details about it. | 0:04:54 | 0:04:59 | |
In 2016, the dinner raised
nearly £1.6 million. | 0:04:59 | 0:05:01 | |
It cost almost £600,000,
according to its accounts. | 0:05:01 | 0:05:08 | |
Many charities would be
pleased with that ratio. | 0:05:09 | 0:05:10 | |
Look back to 2013 and it's
a different story. | 0:05:10 | 0:05:13 | |
The event raised £264,000
but cost £400,700. | 0:05:21 | 0:05:22 | |
True, the dinner also generated
donations accounted for seven | 0:05:22 | 0:05:26 | |
leave from event income,
usually £2000 or £3000. | 0:05:26 | 0:05:28 | |
But still, from 2012 to 2015,
the cost of putting | 0:05:28 | 0:05:30 | |
on the dinner was roughly the same
or higher than the amount | 0:05:30 | 0:05:33 | |
it paid out to charity
beneficiaries each year. | 0:05:33 | 0:05:36 | |
The Presidents Club
declined to comment. | 0:05:36 | 0:05:41 | |
Charity sector experts told us that
sometimes these big, glitzy dinners, | 0:05:41 | 0:05:47 | |
even those without 130
hired hostesses, don't | 0:05:47 | 0:05:49 | |
make a great profit. | 0:05:49 | 0:05:52 | |
Still, they said, the Presidents
Club governance looked weak | 0:05:52 | 0:05:54 | |
for a charity of its size. | 0:05:54 | 0:05:57 | |
It only had three trustees, all men. | 0:05:57 | 0:06:00 | |
Still, the head of fundraising at
one well-known charity told us that | 0:06:00 | 0:06:08 | |
their checks wouldn't have
picked up an event of | 0:06:08 | 0:06:10 | |
this type and they said,
if they had questions | 0:06:10 | 0:06:16 | |
or concerns, they weren't sure
which of the sector's regulators | 0:06:16 | 0:06:18 | |
and watchdogs they
should ask for help. | 0:06:18 | 0:06:20 | |
So, at the moment,
the Charity Commission | 0:06:20 | 0:06:22 | |
for England and Wales,
we have just about | 0:06:22 | 0:06:24 | |
300 civil servants
working for us across | 0:06:24 | 0:06:25 | |
167,000 charities. | 0:06:25 | 0:06:26 | |
That's not a lot. | 0:06:26 | 0:06:28 | |
Our capacity is very stretched. | 0:06:28 | 0:06:30 | |
We've had some good news
this week, in fact, | 0:06:30 | 0:06:35 | |
that the Treasury has recognised
the demands on us, the volumes, | 0:06:35 | 0:06:41 | |
and has agreed, on a
short-term basis, to give | 0:06:41 | 0:06:43 | |
it a bit more funding,
£5 million a year more funding. | 0:06:43 | 0:06:49 | |
The Charity Commission has
launched an investigation. | 0:06:49 | 0:06:54 | |
The fallout from last week's 5-star
dinner is only just beginning. | 0:06:54 | 0:06:58 | |
Earlier, I talked to
the Culture Minister Margot James. | 0:06:58 | 0:07:00 | |
I asked what she thought
the Presidents Club event showed. | 0:07:00 | 0:07:03 | |
Well, I think it represents the very
worst form of sexism | 0:07:03 | 0:07:05 | |
with a smile on its face. | 0:07:05 | 0:07:12 | |
You know, very clubby,
apparently a "men only" event, and, | 0:07:12 | 0:07:15 | |
at which, women were
paraded around in a sort | 0:07:15 | 0:07:17 | |
of "paid for" hostess role. | 0:07:17 | 0:07:23 | |
A lot of stuff gets done in the name
of charity, I guess. | 0:07:23 | 0:07:27 | |
Do you think charities have
to be the moral arbiter | 0:07:27 | 0:07:30 | |
of these kinds of events? | 0:07:30 | 0:07:36 | |
Well, I think you can expect them
to be, if they're organising them. | 0:07:36 | 0:07:39 | |
I mean, this organisation,
The Presidents Club, | 0:07:39 | 0:07:41 | |
they booked these hostesses. | 0:07:41 | 0:07:41 | |
They sanctioned the conditions
under which they worked, | 0:07:41 | 0:07:48 | |
the nature of the clothing,
or lack thereof, that they | 0:07:48 | 0:07:50 | |
were allowed to wear,
and what we've heard about the sort | 0:07:50 | 0:07:53 | |
of instructions they were given,
as to how they were supposed | 0:07:53 | 0:07:56 | |
to entertain the men
attending the dinner. | 0:07:56 | 0:07:59 | |
The organisers put disclaimers out,
warning that they couldn't take | 0:07:59 | 0:08:02 | |
responsibility for anything that
happened to the women there. | 0:08:02 | 0:08:05 | |
That breaks the law, doesn't it? | 0:08:05 | 0:08:06 | |
I hope so, yes. | 0:08:06 | 0:08:09 | |
Certainly, that would be something
I would want to be investigated | 0:08:09 | 0:08:11 | |
and I know that the minister
responsible, who answered | 0:08:11 | 0:08:15 | |
the question very, very effectively
in the Commons earlier, | 0:08:15 | 0:08:17 | |
Anne Milton, is going to look
into whether there has | 0:08:17 | 0:08:20 | |
been any legal breaches. | 0:08:20 | 0:08:22 | |
Quite right, too. | 0:08:22 | 0:08:26 | |
When you see all these men,
the organisations, the business | 0:08:26 | 0:08:32 | |
figures distance themselves today,
in the last 24 hours, | 0:08:32 | 0:08:34 | |
from The Presidents Club,
what does that tell you? | 0:08:34 | 0:08:37 | |
Well, I think, actually,
it gives me signs of hope. | 0:08:37 | 0:08:41 | |
I don't think 20 years ago
they would have been bothered. | 0:08:41 | 0:08:45 | |
So, I think that it's a watershed
moment in the excess | 0:08:45 | 0:08:48 | |
of this kind of culture. | 0:08:48 | 0:08:52 | |
And I think that charities
and companies will think long | 0:08:52 | 0:08:56 | |
and hard before they hire women
to be groped by men or certainly | 0:08:56 | 0:08:59 | |
to entertain men in this kind
of environment in the future, | 0:08:59 | 0:09:02 | |
under the guise
of charitable giving. | 0:09:02 | 0:09:07 | |
You say it's a watershed moment. | 0:09:07 | 0:09:09 | |
Clearly, you're horrified
by the reports you've read. | 0:09:09 | 0:09:11 | |
But I wonder if you can honestly say
that you're shocked or surprised. | 0:09:11 | 0:09:19 | |
Um, I am surprised that such
an event happens with so many | 0:09:23 | 0:09:28 | |
captains of industry
and banking and what have | 0:09:28 | 0:09:30 | |
you in the Dorchester Hotel. | 0:09:30 | 0:09:33 | |
The Minister for Children and
Families, Nadhim Zahawi, was there. | 0:09:33 | 0:09:36 | |
Are you comfortable with him
carrying on in his government role? | 0:09:36 | 0:09:39 | |
Yes, I am because he
didn't stay long. | 0:09:39 | 0:09:41 | |
In fact, he left after
an hour and a half. | 0:09:41 | 0:09:43 | |
I think he left at 9:30 pm. | 0:09:43 | 0:09:45 | |
I've spoken to him. | 0:09:45 | 0:09:47 | |
I wanted to get the facts. | 0:09:47 | 0:09:50 | |
He went home very shortly
after the hostesses were announced | 0:09:50 | 0:09:52 | |
by the presenter and paraded
around the room. | 0:09:52 | 0:09:58 | |
I think that that indicates to me
that he was shocked by the events, | 0:09:58 | 0:10:02 | |
didn't like the culture,
the atmosphere, and left. | 0:10:02 | 0:10:09 | |
Why wouldn't he report it, though? | 0:10:09 | 0:10:12 | |
Why wouldn't he leave an event,
saying that was deeply | 0:10:12 | 0:10:14 | |
uncomfortable and tell someone? | 0:10:14 | 0:10:15 | |
Well, I think he went
home and told his wife. | 0:10:15 | 0:10:18 | |
But, the point is that
I think events degenerated | 0:10:18 | 0:10:22 | |
further into the evening. | 0:10:22 | 0:10:23 | |
I mean he... | 0:10:23 | 0:10:27 | |
I have been to, sort of, big dinners
occasionally and you're barely | 0:10:27 | 0:10:30 | |
in the main course by 9:30 pm. | 0:10:30 | 0:10:33 | |
So, I think he probably didn't
realise how bad it got. | 0:10:33 | 0:10:35 | |
Your thoughts now
on "male only" events. | 0:10:35 | 0:10:37 | |
Nadhim Zahawi wrote today
that he was never going | 0:10:37 | 0:10:40 | |
to attend another one. | 0:10:40 | 0:10:41 | |
No.
I think that's very wise. | 0:10:41 | 0:10:44 | |
What about male-only clubs? | 0:10:44 | 0:10:45 | |
Well, I think they should
be things of the past. | 0:10:45 | 0:10:49 | |
I was at an event a couple of years
ago and I went to have a meeting | 0:10:49 | 0:10:53 | |
after the breakfast in the drawing
room of this club in Pall Mall, | 0:10:53 | 0:10:56 | |
The Travellers Club,
and I was told to move. | 0:10:56 | 0:10:58 | |
No women in the drawing room. | 0:10:58 | 0:11:02 | |
I mean, this kind of thing,
this disdain, lack of equality, | 0:11:02 | 0:11:05 | |
demeaning attitude
that devalues women has got to end. | 0:11:05 | 0:11:13 | |
Joining me now is Carolyn Mason,
managing director | 0:11:15 | 0:11:17 | |
of Exhibition Girls Limited. | 0:11:17 | 0:11:20 | |
She was a hostess at
The Presidents Club, five years ago. | 0:11:20 | 0:11:24 | |
And Gina Miller, a prominent
business woman and city figure. | 0:11:24 | 0:11:29 | |
She was also asked to be a hostess
and I will bring back in. What was | 0:11:29 | 0:11:37 | |
it like when you worked there? Do
you recognise this? I would say that | 0:11:37 | 0:11:42 | |
The Presidents Club in general was
an unusual event. The girls who work | 0:11:42 | 0:11:48 | |
at it... It wasn't a standard event
in the fact that they were... So | 0:11:48 | 0:11:52 | |
many of us working at this event. I
wouldn't say, as I was saying to | 0:11:52 | 0:11:58 | |
Jena earlier, it was not a
representation of a normal event I | 0:11:58 | 0:12:01 | |
would be staffing. We staff for
charity events, evening events, with | 0:12:01 | 0:12:05 | |
professional girls and hostesses to
work. When you were there, the kind | 0:12:05 | 0:12:09 | |
of things we have heard is that it
was uncomfortable for the women, | 0:12:09 | 0:12:13 | |
phones were removed, there was
groping, harassment, there was new | 0:12:13 | 0:12:22 | |
behaviour on all levels. Is that
something that you experienced or | 0:12:22 | 0:12:24 | |
recognised? -- there was lewd
behaviour. What I wanted to say | 0:12:24 | 0:12:30 | |
today is that this is not a
representation of the corporate | 0:12:30 | 0:12:35 | |
event industry. This is a
professional industry. The girls, | 0:12:35 | 0:12:38 | |
the hostesses they are there to do a
job, they are events assistance, | 0:12:38 | 0:12:43 | |
they are there to support the event
in terms of hospitality. This one, | 0:12:43 | 0:12:50 | |
did it have a reputation? Was it
notorious? This was unusual. In | 0:12:50 | 0:12:53 | |
terms of the friends who work in the
industry. We talk about this event. | 0:12:53 | 0:12:59 | |
It was unusual because there were so
many hostesses in correlation to | 0:12:59 | 0:13:02 | |
attendees at the event. Did girls go
back, women go back year after year. | 0:13:02 | 0:13:08 | |
Was there a sense they knew then
what -- they knew what they were | 0:13:08 | 0:13:13 | |
getting into, they didn't mind, the
pay was good or was its new women as | 0:13:13 | 0:13:17 | |
they didn't know what to expect? It
was at the Dorchester Hotel, a set | 0:13:17 | 0:13:22 | |
time, I didn't feel unsafe working
at this event. It was the amount of | 0:13:22 | 0:13:27 | |
girls that were at this event.
Personally, I didn't feel at risk or | 0:13:27 | 0:13:33 | |
at any time... I wasn't aware that
the girls around me were. It was | 0:13:33 | 0:13:38 | |
again and it was an auction. There
was limited time -- it was a dinner. | 0:13:38 | 0:13:44 | |
There was a bar environment after
the event. I wouldn't say this is a | 0:13:44 | 0:13:50 | |
standard corporate or charity event.
I want to come back to your business | 0:13:50 | 0:13:55 | |
in a second, the Gina | 0:13:55 | 0:13:57 | |
I want to come back to your business
in a second, the Gina, you were | 0:13:57 | 0:13:58 | |
asked to be a hostess at The
Presidents Club in the 90s. This | 0:13:58 | 0:14:01 | |
event is notorious. I have come
across it twice, once when I was a | 0:14:01 | 0:14:07 | |
single mother, student, like lots of
the girls that were hired. For extra | 0:14:07 | 0:14:12 | |
money, you do it, part-time
actresses, streams, what ever. I | 0:14:12 | 0:14:15 | |
have spoken to girls who had been at
this event and said it was very | 0:14:15 | 0:14:19 | |
uncomfortable. And that they felt it
was actually something that they | 0:14:19 | 0:14:23 | |
didn't feel safe at. I had heard
that so I turned it down. Later, | 0:14:23 | 0:14:29 | |
2004, 2005, when I was running my
agency in the city I heard about it | 0:14:29 | 0:14:32 | |
again. I hadn't heard about it since
then. I had presumed it had become | 0:14:32 | 0:14:39 | |
an PC and that it had disappeared. I
was very surprised to hear it was | 0:14:39 | 0:14:44 | |
happening now. It shot you? It
shocked me that it was going on. -- | 0:14:44 | 0:14:49 | |
it shocks you? In the background of
Harvey Weinstein. Why would you turn | 0:14:49 | 0:14:56 | |
up to an event like this in the
environment in which we are in at | 0:14:56 | 0:15:00 | |
the moment? Are we in a different
environment? I think we are. The | 0:15:00 | 0:15:05 | |
public at which has been
considerable today that 300 or so | 0:15:05 | 0:15:09 | |
men still attended the event last
week. | 0:15:09 | 0:15:15 | |
This is not a normal charity event.
To try to tar fundraising charities | 0:15:15 | 0:15:19 | |
as these sort of events is
completely wrong. Do think it is | 0:15:19 | 0:15:25 | |
one-of-a-kind? Yes. The type of men
who attended our captains of | 0:15:25 | 0:15:33 | |
industry, men with real power and
influence and many men who, by day, | 0:15:33 | 0:15:39 | |
are spouting equality for women and
at night they are going to events | 0:15:39 | 0:15:43 | |
like this. It is completely wrong.
What does that say that the cultures | 0:15:43 | 0:15:47 | |
they are perpetuating in their own
organisations? Tell us about your | 0:15:47 | 0:15:51 | |
business. You run and events
management team and hire women. | 0:15:51 | 0:15:55 | |
Would you ever imagine putting on
those sorts of requests about what | 0:15:55 | 0:15:59 | |
women wear and having their phones
removed or things like that or do | 0:15:59 | 0:16:05 | |
they signed nondisclosure agreements
that is it normal? If it is normal, | 0:16:05 | 0:16:09 | |
explain to us. A lot of people do
not understand the hostess industry | 0:16:09 | 0:16:14 | |
in general. We are event support. It
is very professional. The girls are | 0:16:14 | 0:16:24 | |
engaged to support events in a
capacity of professionalism. They | 0:16:24 | 0:16:31 | |
are used as meet and greet and
hospitality. Not just girls. I am | 0:16:31 | 0:16:39 | |
proudest is a professional
environment. I have had a business | 0:16:39 | 0:16:42 | |
for five years and have worked in it
for six years myself. I would not | 0:16:42 | 0:16:47 | |
put girls in a position where they
feel uncomfortable. Do you think | 0:16:47 | 0:16:52 | |
your industry is now in trouble as a
result of this? I guess that is why | 0:16:52 | 0:16:57 | |
I wanted to come on today foot of
this industry provides great | 0:16:57 | 0:17:03 | |
professional safe work for
actresses, dancers, and models. I'd | 0:17:03 | 0:17:08 | |
feel it is positive. Students as
well. It is a positive and safe | 0:17:08 | 0:17:13 | |
industry. What I did want to bring
up is I do feel there should be more | 0:17:13 | 0:17:20 | |
regulation of this industry. I am
very pro-employee rights, agency | 0:17:20 | 0:17:24 | |
rights. I have been speaking to my
local MP about this. I thought there | 0:17:24 | 0:17:29 | |
should be a high level of
protection. One question is where it | 0:17:29 | 0:17:33 | |
starts being hypocritical. There are
plenty of women who work in this | 0:17:33 | 0:17:39 | |
industry, as Carolyn was saying. It
might come across... Does it sound | 0:17:39 | 0:17:46 | |
to you like a sexist industry, an
industry you would want to tell | 0:17:46 | 0:17:50 | |
women in general to get out because
they are being hostesses? I think it | 0:17:50 | 0:17:56 | |
is this eventful more to say about
the men in this event and the | 0:17:56 | 0:18:01 | |
organisers of this event. Feeling
you can use them. Would be just as | 0:18:01 | 0:18:06 | |
bad if it were men being told to
wear tight trousers and butter now | 0:18:06 | 0:18:10 | |
shouts. The fact is the NDA is in
particular, you cannot sign away | 0:18:10 | 0:18:16 | |
your what -- your rights. You cannot
sign something where you agree harm | 0:18:16 | 0:18:23 | |
against yourself and stop it is
being used, not because it is | 0:18:23 | 0:18:28 | |
legally binding that as a bullying
tactics. We do have a role to play | 0:18:28 | 0:18:33 | |
for that we are hired as
hospitality. We are signed as meet | 0:18:33 | 0:18:42 | |
and greets. This is an actual job
that girls are providing. We are | 0:18:42 | 0:18:47 | |
event support. It is about making it
run smoothly. Thank you both very | 0:18:47 | 0:18:52 | |
much. | 0:18:52 | 0:18:55 | |
The fire at Grenfell left a profound
effect on a whole community. | 0:18:55 | 0:18:58 | |
Not just those who suffered
so terribly from its effects, | 0:18:58 | 0:19:00 | |
but also those who came
to their rescue that | 0:19:00 | 0:19:02 | |
dreadful night in June. | 0:19:02 | 0:19:04 | |
Many of the fire fighters
have sought counselling | 0:19:04 | 0:19:05 | |
and support since then. | 0:19:05 | 0:19:06 | |
124 have received it directly,
another 500 have been contacted | 0:19:06 | 0:19:10 | |
by London Fire Brigades Counselling
and welfare teams. | 0:19:10 | 0:19:15 | |
At its helm is Dany Cotton,
the first ever female boss | 0:19:15 | 0:19:18 | |
of the London Fire Brigade,
who in her first year, oversaw | 0:19:18 | 0:19:22 | |
London's repeated terrorist
attacks and Grenfell. | 0:19:22 | 0:19:25 | |
Tonight, we speak to her and to one
of her firefighters. | 0:19:25 | 0:19:28 | |
Ricky Nuttall wrote an emotional
poem in the week after Grenfell. | 0:19:28 | 0:19:31 | |
It's the first time
he's spoken publicly | 0:19:31 | 0:19:33 | |
about what happened on the night,
and the impact it had. | 0:19:33 | 0:19:41 | |
I still feel guilt and I think
I will feel eternally guilty. | 0:19:49 | 0:19:53 | |
When so many people,
innocent people, lose their lives, | 0:19:53 | 0:19:55 | |
it's very, very hard to take. | 0:19:55 | 0:20:00 | |
I would defy anyone who attended
that night not to have been | 0:20:00 | 0:20:02 | |
affected, in some way. | 0:20:02 | 0:20:03 | |
And it definitely did affect me. | 0:20:03 | 0:20:05 | |
The whole incident
was so overwhelming. | 0:20:05 | 0:20:11 | |
You know, I've, sort of,
gone to work one person and I've | 0:20:11 | 0:20:14 | |
come back, effectively,
a different person. | 0:20:14 | 0:20:16 | |
With the police investigation
and inquiry ongoing, | 0:20:16 | 0:20:18 | |
it's very rare for firefighters
to speak publicly about | 0:20:18 | 0:20:20 | |
what happened at Grenfell. | 0:20:20 | 0:20:28 | |
Right, stretcher and myself
are both in the system. | 0:20:31 | 0:20:34 | |
And this week, the London Fire
Brigade gave Newsnight access to two | 0:20:34 | 0:20:37 | |
staff members who were there. | 0:20:37 | 0:20:38 | |
During a training session
at London's Chelsea fire station, | 0:20:38 | 0:20:40 | |
we met Ricky Nuttall,
a firefighter from | 0:20:40 | 0:20:42 | |
Battersea Red Watch,
who went into Grenfell | 0:20:42 | 0:20:44 | |
more than once. | 0:20:44 | 0:20:48 | |
And the commissioner,
who led the operation that night. | 0:20:48 | 0:20:56 | |
It was... | 0:20:58 | 0:21:01 | |
It was immediately obvious how
serious a fire it was | 0:21:01 | 0:21:03 | |
and how bad a fire it was. | 0:21:03 | 0:21:05 | |
You know, you get called
to a high-rise fire and you expect | 0:21:05 | 0:21:08 | |
to see flames in a window. | 0:21:08 | 0:21:09 | |
Not... | 0:21:09 | 0:21:10 | |
Multiple windows. | 0:21:10 | 0:21:11 | |
I think, for me, the main image that
will always last in my memory | 0:21:11 | 0:21:15 | |
is when I first arrived. | 0:21:15 | 0:21:16 | |
And when I looked up
at the building and thought to | 0:21:16 | 0:21:19 | |
myself, "This just can't
be happening, here". | 0:21:19 | 0:21:22 | |
And, for me, the responsibility was
absolutely enormous, on that night. | 0:21:22 | 0:21:30 | |
You know, I haven't been backwards
in coming forwards about saying | 0:21:30 | 0:21:33 | |
I went and sought counselling quite
early with our counselling | 0:21:33 | 0:21:36 | |
well-being team. | 0:21:36 | 0:21:38 | |
I know that when I joined,
a very long time ago, you know, | 0:21:38 | 0:21:41 | |
we didn't much talk about stuff,
because we just got on with stuff. | 0:21:41 | 0:21:44 | |
And, actually, that
was the way it was. | 0:21:44 | 0:21:46 | |
Most of the firefighters around this
table attended the Grenfell fire. | 0:21:46 | 0:21:49 | |
I saw my counsellor last week. | 0:21:49 | 0:21:51 | |
Their Commissioner's been open
about the psychological impact | 0:21:51 | 0:21:53 | |
and the experience on her. | 0:21:53 | 0:21:56 | |
The LFB has had a mental
health awareness drive | 0:21:56 | 0:21:58 | |
to support its staff since the fire. | 0:21:58 | 0:22:05 | |
The watch at the fire station
are quite a close watch. | 0:22:05 | 0:22:08 | |
They've been there for each
other and talked about | 0:22:08 | 0:22:10 | |
things in great depth. | 0:22:10 | 0:22:11 | |
124 firefighters have received
individual counselling, | 0:22:11 | 0:22:12 | |
directly related to Grenfell
in the months since. | 0:22:12 | 0:22:17 | |
You don't realise you're
going through it. | 0:22:17 | 0:22:19 | |
It's only when you start coming
through the other side, | 0:22:19 | 0:22:21 | |
you look back at your
mindset, your attitude. | 0:22:21 | 0:22:24 | |
For Ricky, Grenfell
was the catalyst for his own mental | 0:22:24 | 0:22:26 | |
health difficulties. | 0:22:26 | 0:22:28 | |
He too is having counselling. | 0:22:28 | 0:22:30 | |
It's the first time he's spoken
to the media about what happened. | 0:22:30 | 0:22:33 | |
The sheer scale of the incident was
like nothing I've ever seen before | 0:22:33 | 0:22:37 | |
and, hopefully, will
never see it again. | 0:22:37 | 0:22:40 | |
So, any feelings after that,
they, sort of, reared | 0:22:40 | 0:22:44 | |
their heads at a later point. | 0:22:44 | 0:22:47 | |
You know, in the days and the weeks
and the months afterwards. | 0:22:47 | 0:22:50 | |
Did you hit a crisis point? | 0:22:50 | 0:22:51 | |
I mean, how did you realise? | 0:22:51 | 0:22:56 | |
One morning I, literally, just...
Sort of... | 0:22:56 | 0:22:58 | |
I guess...
Had a form of a breakdown. | 0:22:58 | 0:23:06 | |
You know, I started crying
and I couldn't stop | 0:23:06 | 0:23:09 | |
for a good few hours. | 0:23:09 | 0:23:10 | |
And I phoned my girlfriend
and I phoned my dad and I spoke | 0:23:10 | 0:23:13 | |
to family and I'm very lucky that
I've got a very close family. | 0:23:13 | 0:23:16 | |
Who I can rely on. | 0:23:16 | 0:23:17 | |
But that was the moment, really,
that I realised I need... | 0:23:17 | 0:23:20 | |
You know, this is... | 0:23:20 | 0:23:21 | |
I'm not in a good place,
I need more help here. | 0:23:21 | 0:23:25 | |
I was offered, by my GP,
when I spoke to my GP, | 0:23:25 | 0:23:28 | |
she asked me, "You know,
do you need time off work?" | 0:23:28 | 0:23:31 | |
And, to be honest with you,
that's the last thing I wanted. | 0:23:31 | 0:23:34 | |
I wanted to be at work, sort of,
speaking to people that have been... | 0:23:34 | 0:23:37 | |
That were there at the incident
with me and that, you know, have | 0:23:37 | 0:23:41 | |
had their own struggles and stuff. | 0:23:41 | 0:23:43 | |
Because you belong there, you know,
they're like a second family. | 0:23:43 | 0:23:46 | |
How valuable has it been,
the fact that your boss, | 0:23:46 | 0:23:50 | |
your top loss, Dany Cotton,
has talked very openly | 0:23:50 | 0:23:52 | |
about the counselling she is having? | 0:23:52 | 0:23:53 | |
I think it's... | 0:23:53 | 0:23:55 | |
Unquantifiably important. | 0:23:55 | 0:24:00 | |
I think it just reassures people
when you say, "OK, you know, | 0:24:00 | 0:24:04 | |
I haven't got anything to be fearful
of here, no-one is going to throw me | 0:24:04 | 0:24:07 | |
on the scrapheap, I'm
having some problems, | 0:24:07 | 0:24:09 | |
but so is the Chief". | 0:24:09 | 0:24:11 | |
Ready when you guys are... | 0:24:11 | 0:24:14 | |
More than half of a firefighter's
working life is spent | 0:24:14 | 0:24:17 | |
in training scenarios. | 0:24:17 | 0:24:19 | |
It's been widely reported
that the fire at Grenfell didn't | 0:24:19 | 0:24:22 | |
behave as firefighter had expected
it to, but here, they believed | 0:24:22 | 0:24:26 | |
they were as prepared
as they could have been. | 0:24:26 | 0:24:30 | |
Casualties on the deck. | 0:24:30 | 0:24:34 | |
You know, I'd be lying if I said
I wasn't apprehensive | 0:24:34 | 0:24:36 | |
about going in, if I didn't feel
a bit scared. | 0:24:36 | 0:24:39 | |
But I felt confident
in the capabilities of my equipment | 0:24:39 | 0:24:41 | |
and the capabilities of myself,
through the training I had received. | 0:24:41 | 0:24:44 | |
And with the people
I'm going in with. | 0:24:44 | 0:24:46 | |
You know, they're people that
I work with most days | 0:24:46 | 0:24:48 | |
of the week for a lot of years. | 0:24:48 | 0:24:50 | |
They're people that
I trust with my life. | 0:24:50 | 0:24:52 | |
The conditions themselves weren't
too dissimilar to any others. | 0:24:52 | 0:24:54 | |
The effort you had to
put in was different, | 0:24:54 | 0:24:57 | |
because of the length of time
you were in the incident for. | 0:24:57 | 0:24:59 | |
In a two-storey building,
going up one flight of stairs... | 0:24:59 | 0:25:02 | |
Going up a flight of stairs
in a fire condition is hard work. | 0:25:02 | 0:25:05 | |
It's smoky, you have
poor visibility. | 0:25:05 | 0:25:10 | |
Going up one flight of stairs
in Grenfell was exactly the same. | 0:25:10 | 0:25:13 | |
With the difference that you've got
to go up to 20 flights of stairs | 0:25:13 | 0:25:16 | |
or 15 flights of stairs. | 0:25:16 | 0:25:18 | |
Which, obviously,
is much more taxing. | 0:25:18 | 0:25:19 | |
The conditions were very, very hard. | 0:25:19 | 0:25:27 | |
After Grenfell, fire stations
across London received an outpouring | 0:25:28 | 0:25:31 | |
of support from the public. | 0:25:31 | 0:25:34 | |
The horror of the tragedy
affected so many. | 0:25:34 | 0:25:37 | |
And there are questions
about whether more lives | 0:25:37 | 0:25:39 | |
could have been saved. | 0:25:39 | 0:25:41 | |
Our filming was agreed
on the basis that neither | 0:25:41 | 0:25:43 | |
could talk about the specifics
of what happened, because of | 0:25:43 | 0:25:45 | |
the ongoing investigation. | 0:25:45 | 0:25:48 | |
But I did ask the Commissioner
about the "stay put" advice | 0:25:48 | 0:25:50 | |
given to Grenfell residents. | 0:25:50 | 0:25:53 | |
Do you ever, in the middle
of the night, wake up, | 0:25:53 | 0:25:56 | |
as part of your coming to terms
with this and think, | 0:25:56 | 0:25:59 | |
"Did we give the right advice? | 0:25:59 | 0:26:00 | |
Should we have told
people to leave?" | 0:26:00 | 0:26:02 | |
I can't answer that. | 0:26:02 | 0:26:04 | |
Because of the investigation? | 0:26:04 | 0:26:05 | |
Because of the investigation. | 0:26:05 | 0:26:06 | |
That is absolutely right,
that is part of the investigation | 0:26:06 | 0:26:09 | |
and it needs to come out,
as part of that, so, you know... | 0:26:09 | 0:26:12 | |
But, the whole purpose of what we do
and the advice we give is normally | 0:26:12 | 0:26:16 | |
based on an absolute sound set
of principles about how | 0:26:16 | 0:26:19 | |
buildings behave in fire. | 0:26:19 | 0:26:21 | |
And the normal advice
about staying inside, | 0:26:21 | 0:26:23 | |
if your flat is not affected,
is the right advice to give, | 0:26:23 | 0:26:26 | |
because that's what goes
in, day in, day out, | 0:26:26 | 0:26:28 | |
through the whole of the UK. | 0:26:28 | 0:26:29 | |
You know, and that's the way that
buildings should respond. | 0:26:29 | 0:26:32 | |
So... | 0:26:32 | 0:26:33 | |
I just don't want to do anything
to jeopardise the inquiry. | 0:26:33 | 0:26:36 | |
It's really important to me
that people get answers. | 0:26:36 | 0:26:41 | |
You question yourself for weeks
and months afterwards, | 0:26:41 | 0:26:42 | |
"Did I do everything? | 0:26:42 | 0:26:44 | |
Could I have pushed a bit harder? | 0:26:44 | 0:26:45 | |
Could I have done
anything different?" | 0:26:45 | 0:26:48 | |
As long as you can answer those
questions honestly to yourself | 0:26:48 | 0:26:51 | |
and know that you couldn't have
pushed any harder and know that | 0:26:51 | 0:26:53 | |
you did do everything you could,
and, literally, went out of your way | 0:26:53 | 0:26:57 | |
as much as possible to help those
people, which I did, | 0:26:57 | 0:26:59 | |
and I'm happy and confident that
I did, then at least | 0:26:59 | 0:27:03 | |
whether the guilt is there
or not, I can square that | 0:27:03 | 0:27:06 | |
away as unwarranted. | 0:27:06 | 0:27:09 | |
For me, you know, it is about
knowing that people gave their all. | 0:27:09 | 0:27:12 | |
I saw firefighters who were lying
on the ground, exhausted, | 0:27:12 | 0:27:15 | |
completely and utterly drained. | 0:27:15 | 0:27:18 | |
And yet, within ten minutes,
they wanted to go back | 0:27:18 | 0:27:20 | |
in and recommit and do it all again. | 0:27:20 | 0:27:22 | |
Because everybody just had that
absolute sheer sense of purpose. | 0:27:22 | 0:27:28 | |
My breaths were too few. | 0:27:28 | 0:27:30 | |
My body exhausted. | 0:27:30 | 0:27:34 | |
Now mentally, too. | 0:27:34 | 0:27:37 | |
The silence of death... | 0:27:37 | 0:27:39 | |
Immediately after Grenfell,
Ricky wrote a poem to try to make | 0:27:39 | 0:27:42 | |
sense of what happened. | 0:27:42 | 0:27:44 | |
It's now been made into a video
to get the message out further. | 0:27:44 | 0:27:48 | |
One firefighter's feelings
shared by many, no doubt, | 0:27:48 | 0:27:49 | |
about the impact of the fire. | 0:27:49 | 0:27:53 | |
I just felt broken. | 0:27:53 | 0:27:55 | |
Heartbroken by what had happened,
heartbroken to think | 0:27:55 | 0:27:57 | |
about the people that had suffered. | 0:27:57 | 0:28:00 | |
Heartbroken that I couldn't do more. | 0:28:00 | 0:28:04 | |
So I don't think I'll ever... | 0:28:04 | 0:28:08 | |
Sort of, you know, square
Grenfell away as, "Oh, | 0:28:08 | 0:28:11 | |
I'm fine about that," I won't ever
be fine about it. | 0:28:11 | 0:28:16 | |
I don't think anyone will. | 0:28:16 | 0:28:22 | |
Cape Town - one of the most
beautiful cities in the world - | 0:28:22 | 0:28:25 | |
is on the brink of crisis: a drought
so severe the city's taps | 0:28:25 | 0:28:28 | |
may run completely dry. | 0:28:28 | 0:28:31 | |
Years of unseasonably dry weather
means the sprawling city, | 0:28:31 | 0:28:35 | |
home to four million people,
could become the first major | 0:28:35 | 0:28:38 | |
metropolis to run out of water. | 0:28:38 | 0:28:42 | |
Experts believe unless residents
come together to radically reduce | 0:28:42 | 0:28:45 | |
the amount they use,
the taps and toilets | 0:28:45 | 0:28:47 | |
will run dry on April 12th. | 0:28:47 | 0:28:50 | |
It's an event the authorities
are calling "Day Zero". | 0:28:50 | 0:28:55 | |
Over the last two years, the city
has seen historically low rainfall, | 0:28:55 | 0:29:03 | |
with 153.5mm recorded
at Cape Town's airport | 0:29:03 | 0:29:07 | |
in 2017 compared to more
than 500mm in 2014. | 0:29:07 | 0:29:10 | |
If that happens, businesses say that
overnight they will have | 0:29:10 | 0:29:14 | |
to shut down or cut back on staff,
putting more pressure | 0:29:14 | 0:29:16 | |
on South Africa's stagnant economy. | 0:29:16 | 0:29:17 | |
The city's residents are already
heavily restricted on how much water | 0:29:17 | 0:29:20 | |
they can use and have been told
to cut down even more. | 0:29:20 | 0:29:23 | |
Well, a short time ago
I spoke to the Premier | 0:29:23 | 0:29:26 | |
of Western Cape, Helen Zille. | 0:29:26 | 0:29:27 | |
She is the former leader
of the Democratic Alliance and has | 0:29:27 | 0:29:29 | |
been in charge of the Cape Town
region as both Mayor | 0:29:29 | 0:29:32 | |
and Premier for over a decade. | 0:29:32 | 0:29:36 | |
I asked her what she expects
will happen in the city | 0:29:36 | 0:29:38 | |
when Day Zero hits. | 0:29:38 | 0:29:42 | |
Well, first of all, we are trying
to prevent Day Zero, | 0:29:42 | 0:29:44 | |
for all we're worth. | 0:29:44 | 0:29:47 | |
But, when the dams are,
on average 13.5% full, | 0:29:47 | 0:29:49 | |
we will announce Day Zero. | 0:29:49 | 0:29:53 | |
That means that the taps to much
of Cape Town will be switched off | 0:29:53 | 0:29:56 | |
and we will have to rely
on the distribution and the fetching | 0:29:56 | 0:30:00 | |
of water for people to have drinking
water in their homes. | 0:30:00 | 0:30:06 | |
Do you actually think the taps
in Cape Town will run dry then? | 0:30:06 | 0:30:12 | |
Well, there is a chance of that. | 0:30:12 | 0:30:13 | |
There's no doubt about that.
We're not too far from 13.5%, now. | 0:30:13 | 0:30:18 | |
We're at 26% and we have a way to go
till the winter rains come. | 0:30:18 | 0:30:24 | |
So, unless every single person
cuts water consumption | 0:30:24 | 0:30:25 | |
for all their usages out
of the municipal system to under 50 | 0:30:25 | 0:30:32 | |
litres per person per day,
we will hit Day Zero. | 0:30:32 | 0:30:35 | |
We're doing everything
we can to prevent it, | 0:30:35 | 0:30:36 | |
but that is the reality. | 0:30:36 | 0:30:39 | |
Our viewers will know that Cape Town
is a city of huge inequality. | 0:30:39 | 0:30:43 | |
There is enormous wealth, gardens
with sprinklers, swimming pools. | 0:30:43 | 0:30:45 | |
Is water still going
into those resources now? | 0:30:45 | 0:30:48 | |
Definitely not. | 0:30:48 | 0:30:51 | |
People are not allowed
to fill summing pools. | 0:30:51 | 0:30:54 | |
People have not been allowed
to water their gardens | 0:30:54 | 0:30:58 | |
for a very long time. | 0:30:58 | 0:31:00 | |
People have been very innovative. | 0:31:00 | 0:31:02 | |
What are we to make,
then, of these reports | 0:31:02 | 0:31:04 | |
of resentment of anger,
that some citizens feel about others | 0:31:04 | 0:31:09 | |
overusing their water,
refusing to modify their behaviour? | 0:31:09 | 0:31:13 | |
Yes, there is a lot of anger, and I
can understand that, absolutely. | 0:31:13 | 0:31:17 | |
You know, South Africans
are very good in pulling | 0:31:17 | 0:31:19 | |
together in a real crisis. | 0:31:19 | 0:31:24 | |
But our back has got to be
against the wall, | 0:31:24 | 0:31:26 | |
before we can read
the writing on it. | 0:31:26 | 0:31:28 | |
What I'm saying to South Africans
now, especially Capetonians, | 0:31:28 | 0:31:33 | |
is that our backs
are against the wall, | 0:31:33 | 0:31:36 | |
is that our backs are against
the wall, and let's do what we've | 0:31:36 | 0:31:39 | |
done many times before in Cape Town
and in South Africa, | 0:31:39 | 0:31:43 | |
particularly, and pull ourselves
out of the hole we've | 0:31:43 | 0:31:45 | |
dug by our bootstraps. | 0:31:45 | 0:31:47 | |
You have said in the past
that this is a challenge that | 0:31:47 | 0:31:49 | |
exceeds anything a major city has
had to face anywhere in the world | 0:31:49 | 0:31:53 | |
since World War II or 9/11. | 0:31:53 | 0:31:54 | |
Is that hyperbole or do you believe
it's that serious, now? | 0:31:54 | 0:31:57 | |
Well, I believe running out
of water is that serious. | 0:31:57 | 0:31:59 | |
There are four and a half million
people in Cape Town. | 0:31:59 | 0:32:02 | |
If municipal water systems run
dry in a city of this | 0:32:02 | 0:32:05 | |
size, it is serious,
and it is that serious. | 0:32:05 | 0:32:10 | |
I'm not saying it's
bigger than 9/11, but I'm | 0:32:10 | 0:32:12 | |
saying it poses as much
of a challenge as a catastrophe such | 0:32:12 | 0:32:15 | |
as 9/11 did, but in
a completely different way. | 0:32:15 | 0:32:20 | |
So, that's why we have all hands
on deck, but we have more time | 0:32:20 | 0:32:23 | |
to prepare than they did at 9/11
and that's what makes a difference | 0:32:24 | 0:32:27 | |
and we have to be prepared. | 0:32:27 | 0:32:29 | |
Do you have a message,
at this point for Western leaders, | 0:32:29 | 0:32:32 | |
for your leaders watching this,
to try and understand | 0:32:32 | 0:32:34 | |
the gravity of the situation? | 0:32:34 | 0:32:40 | |
My message is simply this:
we have to keep our water | 0:32:40 | 0:32:42 | |
consumption until the rains come
and even after the rains have | 0:32:42 | 0:32:49 | |
come, to below 50 litres
per person, per day. | 0:32:49 | 0:32:55 | |
This drought could never
have been foreseen. | 0:32:55 | 0:32:58 | |
The South African Weather Services
have said to me that their models | 0:32:58 | 0:33:01 | |
don't work any more,
in an era of climate change. | 0:33:01 | 0:33:03 | |
The climate change projections
were to have hit us in 2025. | 0:33:03 | 0:33:06 | |
They came ten years before that. | 0:33:06 | 0:33:09 | |
This is very real
and very challenging. | 0:33:09 | 0:33:12 | |
And we all have to pull together,
when the experts can't predict | 0:33:12 | 0:33:16 | |
anything any more, and we have
to make sure that we control | 0:33:16 | 0:33:20 | |
what we can control,
which is our own behaviour. | 0:33:20 | 0:33:23 | |
And make sure we are ready
for Day Zero and that we're | 0:33:23 | 0:33:29 | |
pulling together as,
really, South Africans can | 0:33:29 | 0:33:31 | |
do, when they need to. | 0:33:31 | 0:33:36 | |
Earlier this evening,
the death was announced | 0:33:36 | 0:33:39 | |
of Mark E Smith, founder,
frontman and sometimes | 0:33:39 | 0:33:41 | |
fearsome capo of the British
post-punk rockers The Fall. | 0:33:41 | 0:33:44 | |
He was 60. | 0:33:44 | 0:33:47 | |
Mark E Smith was one of many
stars-to-be who attended | 0:33:47 | 0:33:49 | |
a near-mythical Sex Pistols gig
in his native Manchester in 1976, | 0:33:49 | 0:33:52 | |
and decided a career
in music was for him. | 0:33:52 | 0:33:54 | |
Through four decades,
and more than 30 albums, | 0:33:54 | 0:33:58 | |
Smith was the one constant
in The Fall, parting company | 0:33:58 | 0:34:01 | |
with more than 50 band
members and entourage, | 0:34:01 | 0:34:03 | |
including a number of his own wives. | 0:34:03 | 0:34:05 | |
Many fellow musicians have
been offering tributes | 0:34:05 | 0:34:08 | |
to Smith this evening,
though it's doubtful if any | 0:34:08 | 0:34:13 | |
of them will quite compare
to his own farewell to his champion, | 0:34:13 | 0:34:15 | |
the late DJ John Peel. | 0:34:15 | 0:34:17 | |
That made for one of the truly
memorable Newsnight moments, | 0:34:17 | 0:34:19 | |
as Stephen Smith reports. | 0:34:19 | 0:34:22 | |
I came top in English, like, two
years on the run and they never | 0:34:27 | 0:34:32 | |
thought it was me. I like that, it
was good being a Smiths, you get | 0:34:32 | 0:34:41 | |
away with murder, you know. | 0:34:41 | 0:34:44 | |
Even by the standards of punk, from
which The Fall emerged, Mark E Smith | 0:34:49 | 0:34:54 | |
was unlikely front man. Let me tune
it up. Just play it. Couldn't play | 0:34:54 | 0:35:02 | |
an instrument, couldn't dance and
with a vocal style once described as | 0:35:02 | 0:35:06 | |
a unique one note delivery somewhere
between amphetamine spiked rant and | 0:35:06 | 0:35:11 | |
alcohol Yadav yarn -- | 0:35:11 | 0:35:20 | |
alcohol Yadav yarn -- alcohol
yaddled yarn. But he outlasted | 0:35:20 | 0:35:23 | |
almost all of his contemporaries,
becoming a unique and influential | 0:35:23 | 0:35:27 | |
figure in British music and culture.
He was the one constant of The | 0:35:27 | 0:35:33 | |
Fall's line-up. By one estimate, the
band got 366 members in its four | 0:35:33 | 0:35:38 | |
decades or so. Smith said he was the
only man apart from Kalex Mac prince | 0:35:38 | 0:35:42 | |
who could recruit talent off the
street. -- apart from Prince. | 0:35:42 | 0:35:51 | |
As for his songwriting, one critic
called it a kind of northern English | 0:35:51 | 0:35:57 | |
magic realism that mixed industrial
grime with the North Lake that with | 0:35:57 | 0:36:02 | |
the unearthly and the uncanny. | 0:36:02 | 0:36:09 | |
-- mixed industrial grime with the
unearthly. The former champion by | 0:36:09 | 0:36:14 | |
the Radio 1 DJ John Peel on it was
inevitable that grub turned to Smith | 0:36:14 | 0:36:18 | |
went John Peel died in 2004 -- that
Newsnight turned to Smith. He became | 0:36:18 | 0:36:23 | |
obsessed with The Fall from various
points, he played endlessly and | 0:36:23 | 0:36:27 | |
endlessly, must have been an
incredible compliment. What, for The | 0:36:27 | 0:36:34 | |
Fall? Yeah. Yeah. Me and John had an
agreement, we were never friends or | 0:36:34 | 0:36:41 | |
anything like that. This is what I
admired about him, he was always | 0:36:41 | 0:36:44 | |
objective. People forget that. I'm
interested to know what you thought | 0:36:44 | 0:36:51 | |
of his programme, Mark? When you
listened to it, presumably you | 0:36:51 | 0:36:54 | |
listen to it a lot. I listened to it
in the early 70s when I was a | 0:36:54 | 0:36:58 | |
teenager and that. And I heard a lot
of Jamaican staff and German staff | 0:36:58 | 0:37:04 | |
through him. -- German | 0:37:04 | 0:37:12 | |
. He seemed to find something for
every generation including The Fall? | 0:37:13 | 0:37:18 | |
Am I allowed to speak now? Yeah, go
ahead. Yeah, whatever you say. Are | 0:37:18 | 0:37:24 | |
you the new DJ? Yeah, probably,
probably. | 0:37:24 | 0:37:35 | |
Truth be told, an interview with
Mark E Smith was sometimes even more | 0:37:38 | 0:37:42 | |
enjoyable than a new album. In one
of his last interviews, Smith said | 0:37:42 | 0:37:47 | |
"People still cross the road from
me, I've still got that, I can clear | 0:37:47 | 0:37:51 | |
a pub when I want to, it's a
talent". | 0:37:51 | 0:37:57 | |
I'm joined now by Tim Burgess
from The Charlatans. | 0:37:57 | 0:38:00 | |
He was a close friend
of Mark E Smith and he's with us | 0:38:00 | 0:38:03 | |
on Skype from Cheshire. | 0:38:03 | 0:38:05 | |
It's very nice of you to join us.
Manchester and Salford boys, you | 0:38:05 | 0:38:12 | |
must be feeling this very deeply
tonight? I'm gutted. It's a | 0:38:12 | 0:38:19 | |
really... You know, if they really
sad night to night. -- it's a really | 0:38:19 | 0:38:25 | |
sad night tonight. He was such a
character. We saw him at his best or | 0:38:25 | 0:38:30 | |
maybe you think at his worst in the
Newsnight Ndidi but he took so much | 0:38:30 | 0:38:36 | |
pleasure in that cantankerous nurse
and rebelliousness -- Newsnight | 0:38:36 | 0:38:40 | |
interview. He was always
unpredictable. I have loved The Fall | 0:38:40 | 0:38:45 | |
since I was 15 years old. They had
been there all my life. Mark has | 0:38:45 | 0:38:49 | |
been there all through my life. So,
you know, it's really sad news. I | 0:38:49 | 0:38:55 | |
did get to know him. You know, we
became friends. You know, I would | 0:38:55 | 0:39:01 | |
just sit and listen to his stories,
really. He's just fascinating. You | 0:39:01 | 0:39:07 | |
know, quoting Nietzsche one minute
and then scrounging a cigarette the | 0:39:07 | 0:39:13 | |
next minutes. His favourite artist
was Weird Al Yankovich and he really | 0:39:13 | 0:39:23 | |
meant it. He drew on everything and
he used a lot of poetry, he was very | 0:39:23 | 0:39:29 | |
lyrical. And sci-fi came into his
work as well, didn't it? Was there | 0:39:29 | 0:39:33 | |
anything he didn't touch? No. You
know, every lyric is just pure gold, | 0:39:33 | 0:39:41 | |
really. What do you make of that
idea, Steve was counting up the band | 0:39:41 | 0:39:49 | |
members he'd lost along the way. But
he used that amazing phrase that he | 0:39:49 | 0:39:53 | |
could recruit from the street. What
was that? Was that a very personal | 0:39:53 | 0:39:58 | |
approach? Or was it something that
he spotted in other people? Because | 0:39:58 | 0:40:04 | |
he is a nonmusician, I think to find
a rawness in other people, that | 0:40:04 | 0:40:13 | |
helped him propel his vision. You
know, he was always in the present. | 0:40:13 | 0:40:20 | |
You know, he, kind of, you know,
always relevant. And I think... That | 0:40:20 | 0:40:25 | |
one of the reasons. John Peel
described The Fall is always | 0:40:25 | 0:40:32 | |
different and always the same. I
wonder if you can, sort of, unpick | 0:40:32 | 0:40:39 | |
that's for us, how do you hear that?
Well, any time I ever spent time | 0:40:39 | 0:40:43 | |
with him he would always ask what my
dad did. Or what does your dad too. | 0:40:43 | 0:40:51 | |
I obviously told him he worked in a
chemical factory but he always used | 0:40:51 | 0:40:55 | |
to find that really important. I
always used to... You know, I | 0:40:55 | 0:41:01 | |
wouldn't feel satisfied that I've
had a proper conversation with him | 0:41:01 | 0:41:04 | |
unless he asked me that question. I
guess, in some ways, we know he | 0:41:04 | 0:41:10 | |
stopped touring and his death was
not completely unexpected, but, give | 0:41:10 | 0:41:17 | |
us, if you can, your sense of the
memory or the phrase, I don't know, | 0:41:17 | 0:41:21 | |
the look that will remain with you
from his friendship. Just... Well... | 0:41:21 | 0:41:27 | |
I mean... I'll always think of him
as a genius. | 0:41:27 | 0:41:33 | |
I can't really say much more than
that. Smiling. | 0:41:34 | 0:41:41 | |
Laughing in the pub. It's great to
speak to you, thank you. You are | 0:41:41 | 0:41:47 | |
welcome. | 0:41:47 | 0:41:47 | |
That's all we have time for. | 0:41:47 | 0:41:48 | |
I will be back tomorrow. I hope to
see you then. Goodbye. | 0:41:48 | 0:42:01 |