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We're out in Wolf Wood, where the pack are looking restless. | 0:00:04 | 0:00:07 | |
It's a sign. | 0:00:07 | 0:00:08 | |
Yes, Freda, the alpha female, is due to give birth at any moment. | 0:00:08 | 0:00:12 | |
We'll be following her progress closely throughout the programme. | 0:00:12 | 0:00:15 | |
Today on Animal Park - Darcy the bongo has escaped. | 0:00:38 | 0:00:42 | |
Now, one false move, and he could break a leg. | 0:00:42 | 0:00:47 | |
A demonstration of what not to wear? | 0:00:47 | 0:00:49 | |
No, it's an exclusive show of Lord Bath's favourite fashions. | 0:00:49 | 0:00:54 | |
And, dramatic developments on Gorilla Island. | 0:00:54 | 0:00:57 | |
In fact, it's the end of an era. | 0:00:57 | 0:01:00 | |
But now, up in Wolf Wood, they're expecting some exciting news. | 0:01:02 | 0:01:07 | |
In a well-ordered wolf pack, it's only the alpha male | 0:01:09 | 0:01:12 | |
and alpha female who mate and breed, | 0:01:12 | 0:01:14 | |
producing just one litter of pups each year. | 0:01:14 | 0:01:17 | |
Here at Longleat, the leaders of the pack | 0:01:17 | 0:01:20 | |
are Two Tips, the male, and his partner, Freda. | 0:01:20 | 0:01:23 | |
Right now, she's heavily pregnant. | 0:01:23 | 0:01:25 | |
In fact, she's due to give birth any day. | 0:01:25 | 0:01:29 | |
So, keeper Bob Trollope has been watching her closely. | 0:01:29 | 0:01:32 | |
It's absolutely great to see Freda pregnant again. | 0:01:32 | 0:01:37 | |
She's absolutely huge. This'll be her third litter as alpha female. | 0:01:37 | 0:01:44 | |
So she knows what she's doing. | 0:01:44 | 0:01:48 | |
And hopefully, judging by the size of her, | 0:01:48 | 0:01:51 | |
we'll have plenty of youngsters. | 0:01:51 | 0:01:53 | |
Over the past 30 years, they've had about 150 pups here. | 0:01:55 | 0:02:00 | |
But when wolves give birth, things can go horribly wrong. | 0:02:00 | 0:02:04 | |
One of their young mothers died in labour, | 0:02:04 | 0:02:06 | |
and there have been times when pups where unexpectedly found dead. | 0:02:06 | 0:02:10 | |
It would help if the keepers could monitor them closely, | 0:02:10 | 0:02:13 | |
but the trouble is, wolves are incredibly secretive. | 0:02:13 | 0:02:17 | |
It's actually very hard to catch a wolf giving birth. | 0:02:17 | 0:02:21 | |
It's one of these things that you just don't see. | 0:02:21 | 0:02:24 | |
They normally give birth after we've gone home for the night, | 0:02:24 | 0:02:28 | |
and everything is nice and quiet here. | 0:02:28 | 0:02:31 | |
So, when Freda was pregnant last year, the keepers installed | 0:02:31 | 0:02:34 | |
a purpose-built wooden den box inside the wolf house. | 0:02:34 | 0:02:38 | |
And, in order to check on the wolves, | 0:02:38 | 0:02:40 | |
it was fitted with an infra red CCTV camera | 0:02:40 | 0:02:43 | |
that would be able to see in the dark. | 0:02:43 | 0:02:46 | |
Kate went along to help set it up. | 0:02:46 | 0:02:49 | |
Bob, can you go into the den, please? | 0:02:49 | 0:02:54 | |
We'll just show you how this works. | 0:02:54 | 0:02:57 | |
Everything was done to make the artificial den | 0:02:57 | 0:03:00 | |
as comfortable as possible. | 0:03:00 | 0:03:01 | |
But, despite some interest, when her time came, Freda gave birth | 0:03:01 | 0:03:06 | |
in the middle of the night, out under a tree in the wood. | 0:03:06 | 0:03:10 | |
This year, Bob reckons | 0:03:10 | 0:03:12 | |
there is a good chance Freda will give birth inside. | 0:03:12 | 0:03:15 | |
In fact, he's installing an extra CCTV camera | 0:03:15 | 0:03:19 | |
in order to cover the wolf house more closely. | 0:03:19 | 0:03:22 | |
I think one of the main problems last year is the fact that this | 0:03:22 | 0:03:26 | |
was all new to them, and it takes a while for any animal to get used to | 0:03:26 | 0:03:30 | |
something new in their environment. | 0:03:30 | 0:03:32 | |
This being quite a big thing, it obviously put them off a little bit. | 0:03:32 | 0:03:38 | |
Hopefully, this year, it will be slightly different in that | 0:03:38 | 0:03:42 | |
they've had all year to get used to it. | 0:03:42 | 0:03:45 | |
It's one of the reasons why we're setting up these cameras prior to | 0:03:45 | 0:03:50 | |
them giving birth, so that we can monitor | 0:03:50 | 0:03:52 | |
which ones are coming in and which ones aren't. | 0:03:52 | 0:03:55 | |
Hopefully, we'll see Freda coming in. | 0:03:55 | 0:03:59 | |
And now, it's become even more important | 0:03:59 | 0:04:01 | |
for Freda to have her babies indoors. | 0:04:01 | 0:04:04 | |
Recent wet weather has left the ground waterlogged. | 0:04:04 | 0:04:08 | |
Any den dug under a tree is in serious danger of flooding. | 0:04:08 | 0:04:12 | |
So, if Freda had her pups out here, they could easily drown. | 0:04:12 | 0:04:18 | |
There's an advantage for giving birth in here. | 0:04:18 | 0:04:22 | |
The weather is absolutely terrible at the moment, and heaven forbid, | 0:04:22 | 0:04:25 | |
if you were born outside in this, | 0:04:25 | 0:04:27 | |
you've got a worse chance of survival, basically. | 0:04:27 | 0:04:32 | |
With the risk of flooding so high, drastic measures have had to be | 0:04:33 | 0:04:37 | |
taken to protect the pups from the danger of drowning. | 0:04:37 | 0:04:40 | |
Keeper Craig Faggeter must stop them | 0:04:40 | 0:04:43 | |
from digging birthing dens under the trees. | 0:04:43 | 0:04:46 | |
This is the start of a hole | 0:04:46 | 0:04:47 | |
that looked like they were going to start digging at. | 0:04:47 | 0:04:50 | |
We've gone round virtually every single tree up in the Wolves. | 0:04:50 | 0:04:53 | |
That took a couple of days | 0:04:53 | 0:04:55 | |
to actually go round and fill the holes in. | 0:04:55 | 0:04:58 | |
This should discourage them from using this tree, or any other tree. | 0:04:58 | 0:05:02 | |
So, fingers crossed now. | 0:05:02 | 0:05:04 | |
With all the possible den sites blocked up, and the weather | 0:05:06 | 0:05:09 | |
deteriorating, surely this year will be different from last. | 0:05:09 | 0:05:13 | |
You can't predict an animal. | 0:05:13 | 0:05:17 | |
We wanted her inside, she had them outside. | 0:05:17 | 0:05:19 | |
So, where will Freda gave birth? | 0:05:19 | 0:05:21 | |
And will she and her pups survive? | 0:05:21 | 0:05:25 | |
We'll be back in Wolf Wood later to find out. | 0:05:25 | 0:05:28 | |
Right now, the whole safari park has just gone on to red alert. | 0:05:38 | 0:05:42 | |
One of their animals is on the loose. | 0:05:43 | 0:05:46 | |
And of course, an escape is the keepers' worst nightmare. | 0:05:46 | 0:05:50 | |
Kate and I have just rushed down because we've had an urgent message | 0:05:51 | 0:05:55 | |
from Deputy Head Warden Ian Turner | 0:05:55 | 0:05:57 | |
that Darcy the bongo has escaped from his enclosure. | 0:05:57 | 0:06:01 | |
He crossed, remarkably, a cattle grid, | 0:06:01 | 0:06:04 | |
and he is now between the entrance to the park | 0:06:04 | 0:06:07 | |
and the main entrance where the cars come into the safari park. | 0:06:07 | 0:06:10 | |
There's a tiger enclosure just down there, with the tigers out. | 0:06:10 | 0:06:14 | |
So what the keepers are now trying to do, and you can see that people | 0:06:14 | 0:06:18 | |
are standing around here, | 0:06:18 | 0:06:19 | |
they're trying to shut the tigers back into their house | 0:06:19 | 0:06:23 | |
so that they can drive Darcy down this safe route here | 0:06:23 | 0:06:27 | |
and back into the park, not over a cattle grid. | 0:06:27 | 0:06:30 | |
If he crosses a cattle grid again, he could break a leg. | 0:06:30 | 0:06:34 | |
So it's a very delicate, very calm operation. | 0:06:34 | 0:06:39 | |
Although it doesn't feel very calm sitting here at the moment. | 0:06:39 | 0:06:43 | |
The tigers must be driven out of their enclosure | 0:06:43 | 0:06:45 | |
and down into their house. | 0:06:45 | 0:06:47 | |
Not because they could get at Darcy, | 0:06:47 | 0:06:49 | |
but because there's a chance he might see them through the fence. | 0:06:49 | 0:06:53 | |
And if he did, who knows where he'd be | 0:06:55 | 0:06:58 | |
when he eventually stopped running. | 0:06:58 | 0:07:00 | |
(RADIO) "Tigers are in." | 0:07:02 | 0:07:03 | |
Ooh, the tigers are in. OK. | 0:07:03 | 0:07:06 | |
So, the tigers are in, we've just heard on the radio. | 0:07:06 | 0:07:11 | |
Kevin is out with Darcy now. | 0:07:11 | 0:07:13 | |
-What's the plan? -I think it's just changed. | 0:07:13 | 0:07:15 | |
We're going to try and walk him through this wooded bit | 0:07:15 | 0:07:18 | |
-and then take the fence down on the other side. -Right. | 0:07:18 | 0:07:20 | |
And literally, he's just got a bucket of food there. | 0:07:20 | 0:07:24 | |
-That's the idea. -He's so quiet. | 0:07:24 | 0:07:26 | |
The problem as well is that the safari park is still open, | 0:07:26 | 0:07:29 | |
so we've got cars coming through. | 0:07:29 | 0:07:30 | |
Absolutely. | 0:07:30 | 0:07:32 | |
It looks like Kevin isn't having a great deal of luck with his bananas. | 0:07:37 | 0:07:42 | |
It'll work with most animals. | 0:07:42 | 0:07:45 | |
I don't know what plan that was, whether it was A, B, C or D... | 0:07:45 | 0:07:49 | |
So he'll happily cross cattle grids, but he won't go on tarmac! | 0:07:49 | 0:07:52 | |
He won't go on tarmac, correct. | 0:07:52 | 0:07:54 | |
Even though he's walked across it once, | 0:07:54 | 0:07:56 | |
if he crosses it again and anything spooks him, | 0:07:56 | 0:07:58 | |
because they're very easily spooked, | 0:07:58 | 0:08:00 | |
and he just takes off, it's a broken leg. | 0:08:00 | 0:08:02 | |
It's extraordinary that he managed to cross it at all. | 0:08:02 | 0:08:06 | |
They're lethal things, even for us, to try and cross one. | 0:08:06 | 0:08:10 | |
I think the next plan of action is to try to slowly walk it | 0:08:10 | 0:08:14 | |
towards the cattle grid. Because it's so quiet. | 0:08:14 | 0:08:17 | |
They're hoping that it'll just walk across nice and peacefully. | 0:08:17 | 0:08:20 | |
They've just gotta watch for vehicles so they don't get spooked. | 0:08:20 | 0:08:22 | |
Crossing the road near the gate means Kevin can use | 0:08:24 | 0:08:27 | |
the fence to help block Darcy from turning away. | 0:08:27 | 0:08:30 | |
But it does mean taking him perilously close | 0:08:30 | 0:08:33 | |
to that cattle grid. | 0:08:33 | 0:08:34 | |
It's a very tense moment, and we'll be back shortly to see what happens. | 0:08:36 | 0:08:41 | |
Longleat's two gorillas are getting old. | 0:08:47 | 0:08:50 | |
In fact, at 46, they're amongst the very oldest gorillas in Britain. | 0:08:50 | 0:08:54 | |
Keeper Mark Tye has been looking after Nico, the male, | 0:08:54 | 0:08:58 | |
and Samba, the female, for 18 years now. | 0:08:58 | 0:09:01 | |
So to him, they're very special. | 0:09:01 | 0:09:04 | |
But then, gorillas ARE special. | 0:09:04 | 0:09:07 | |
After all, our DNA is about 98% the same. | 0:09:07 | 0:09:11 | |
Perhaps that's why, like all the great apes, | 0:09:11 | 0:09:14 | |
gorillas are capable of emotions that we think of as uniquely human. | 0:09:14 | 0:09:19 | |
Emotions such as grief. | 0:09:19 | 0:09:21 | |
Nico and Samba certainly have lots of character, as Mark knows well. | 0:09:23 | 0:09:29 | |
I'd say Samba's personality is very calm. | 0:09:29 | 0:09:32 | |
Very laid back. She doesn't get too stressed about anything. | 0:09:32 | 0:09:36 | |
She's quite nice. Nico's almost quite the opposite. | 0:09:36 | 0:09:40 | |
Very bolshie, very stroppy. | 0:09:40 | 0:09:42 | |
I've got older, they got older, | 0:09:45 | 0:09:47 | |
and we kind of all know where we stand and how we are. | 0:09:47 | 0:09:50 | |
If we're in good or bad moods, | 0:09:50 | 0:09:52 | |
I think we all kind of accept how it is. | 0:09:52 | 0:09:54 | |
But of course, getting old brings other problems. | 0:09:59 | 0:10:02 | |
Nico has been dogged by poor health for some time. | 0:10:02 | 0:10:05 | |
But last winter, it was Samba who fell dangerously ill. | 0:10:05 | 0:10:09 | |
The vet came straight over to Gorilla Island, | 0:10:09 | 0:10:12 | |
along with Deputy Head Warden Ian Turner. | 0:10:12 | 0:10:15 | |
His diagnosis was cold-cum-flu symptoms, | 0:10:15 | 0:10:18 | |
which obviously wouldn't be too bad. | 0:10:18 | 0:10:20 | |
But when a 45-year-old gorilla, | 0:10:20 | 0:10:22 | |
and in Sam's case, it could be quite serious. | 0:10:22 | 0:10:25 | |
One of the main hiccups with Sam is, she doesn't like taking medication. | 0:10:25 | 0:10:28 | |
It's the age thing. If you look at 45 years of age on a gorilla, | 0:10:28 | 0:10:33 | |
you're talking of a real senior citizen, 80 plus on a human being. | 0:10:33 | 0:10:37 | |
If a senior citizen gets a cold, it always takes them down. | 0:10:37 | 0:10:40 | |
The good thing about it, we just keep them in. | 0:10:40 | 0:10:42 | |
They're not one of those animals | 0:10:42 | 0:10:44 | |
what get really stressy being kept inside. | 0:10:44 | 0:10:47 | |
It's easy to think that a cold or flu isn't really that serious. | 0:10:47 | 0:10:52 | |
But the vet, Duncan Williams, was very concerned. | 0:10:52 | 0:10:55 | |
The danger with illnesses like that is, if they don't eat | 0:10:55 | 0:10:58 | |
and drink properly, there's a danger of becoming dehydrated. | 0:10:58 | 0:11:04 | |
That can often be pretty serious, | 0:11:04 | 0:11:07 | |
and possibly even fatal if it goes on for too long. | 0:11:07 | 0:11:10 | |
Samba spent the next week in her warm bed, tucked up in front of the TV, | 0:11:14 | 0:11:19 | |
dosed up on medicine, and plenty of her favourite treats. | 0:11:19 | 0:11:22 | |
So when the vet returned, he found a different Samba. | 0:11:22 | 0:11:27 | |
-All right, babe. -Hello, Sam. | 0:11:27 | 0:11:30 | |
-She doesn't look too bad, does she? -No, she's looking all right. | 0:11:30 | 0:11:33 | |
Definitely stop the antibiotics, | 0:11:33 | 0:11:36 | |
and treat her as normal. | 0:11:36 | 0:11:37 | |
-Look at her! She hasn't got many teeth left, has she? -No. | 0:11:37 | 0:11:40 | |
You've heard of the expression "long in the tooth". That's what she is! | 0:11:40 | 0:11:45 | |
She's took all this medication, hasn't she, really well. | 0:11:45 | 0:11:50 | |
-That's unusual for her. -Yeah, that's right. | 0:11:50 | 0:11:52 | |
That was the worry, that we couldn't get the medication into her. | 0:11:52 | 0:11:55 | |
And she's been really good, haven't ya? | 0:11:55 | 0:11:58 | |
So maybe you realised it was gonna do you good, for a change. | 0:11:58 | 0:12:01 | |
It took Samba a long time to recover - | 0:12:02 | 0:12:05 | |
the rest of the winter, and well into the spring. | 0:12:05 | 0:12:08 | |
But when the good weather came, she did venture out with Nico | 0:12:08 | 0:12:13 | |
to enjoy the pleasures of Gorilla Island. | 0:12:13 | 0:12:15 | |
Then, as summer turned to autumn, | 0:12:17 | 0:12:19 | |
and winter followed on, Samba's health once more began to fail. | 0:12:19 | 0:12:24 | |
In the wild, gorillas rarely reach even their 30th birthday. | 0:12:24 | 0:12:29 | |
So at 46, what happened next should have been no surprise. | 0:12:29 | 0:12:35 | |
Once again, it started like a cold or a touch of the flu. | 0:12:35 | 0:12:38 | |
But this time, there was no stopping it. | 0:12:38 | 0:12:42 | |
Then, almost without warning, | 0:12:44 | 0:12:47 | |
Samba just faded away and died in the night. | 0:12:47 | 0:12:50 | |
It was two days before Mark Tye was ready to talk about it. | 0:12:56 | 0:13:01 | |
We've lost Samba. | 0:13:01 | 0:13:03 | |
And it's been... | 0:13:04 | 0:13:08 | |
a very, very sad time for all of us, | 0:13:08 | 0:13:14 | |
Nico included. | 0:13:14 | 0:13:16 | |
And myself, I don't know, I wouldn't say conditioned myself to it, | 0:13:16 | 0:13:20 | |
but I kind of knew it was always going to happen at some point. | 0:13:20 | 0:13:24 | |
But that's not made it any easier. | 0:13:24 | 0:13:28 | |
I mean, it's been 18 years of my life working with the pair of them. | 0:13:28 | 0:13:33 | |
I suppose it's like having one arm taken off. | 0:13:33 | 0:13:38 | |
She went downhill very, very quickly, | 0:13:38 | 0:13:43 | |
and she's been great to us all those years | 0:13:43 | 0:13:47 | |
and she was great to us at the end by not giving us a decision to make. | 0:13:47 | 0:13:53 | |
That was something I didn't want to have to do, and in a way she went | 0:13:53 | 0:13:57 | |
the way I wanted her to go, which was curled up in bed and just gone. | 0:13:57 | 0:14:02 | |
And that was tough, and it was tough taking her off the island. | 0:14:02 | 0:14:08 | |
It's hard work. | 0:14:09 | 0:14:11 | |
Coming to work becomes hard work. | 0:14:11 | 0:14:15 | |
But, we've still got Nico about, and for him we've got to be strong. | 0:14:15 | 0:14:21 | |
You know, you can tell he's upset. | 0:14:21 | 0:14:23 | |
He's very funny with us. | 0:14:23 | 0:14:26 | |
I think he thinks we've done something to her, | 0:14:26 | 0:14:29 | |
and he cries a bit for her. | 0:14:29 | 0:14:31 | |
He's constantly looking. | 0:14:31 | 0:14:33 | |
He's always looking in the places where she was, like the large bamboo | 0:14:33 | 0:14:36 | |
bush at the end of the island and things like that. | 0:14:36 | 0:14:39 | |
It's tough for us all to deal with. | 0:14:41 | 0:14:44 | |
Poor Nico. One of the oldest gorillas in Britain, and now he's all alone. | 0:14:46 | 0:14:51 | |
We'll be back later to see how he copes | 0:14:51 | 0:14:54 | |
with his loneliness and his grief. | 0:14:54 | 0:14:56 | |
Back at the bongo breakout, everyone's being quiet and gentle, | 0:15:01 | 0:15:05 | |
so that Darcy won't get spooked and charge off. | 0:15:05 | 0:15:08 | |
The keepers are concerned, | 0:15:08 | 0:15:10 | |
not just because he weighs more than two sumo wrestlers | 0:15:10 | 0:15:13 | |
and has pointy horns over half a metre long, | 0:15:13 | 0:15:16 | |
but also, if he tried to run over the cattle grid, | 0:15:16 | 0:15:19 | |
he'd almost certainly break a leg. | 0:15:19 | 0:15:21 | |
It looks like the keepers have now successfully got Darcy the bongo | 0:15:23 | 0:15:27 | |
to the other side of the road, | 0:15:27 | 0:15:29 | |
and they've now got one of the workmen to start taking down | 0:15:29 | 0:15:34 | |
part of the fence, so that they can persuade him to go through the woods | 0:15:34 | 0:15:38 | |
and back in on the other side. | 0:15:38 | 0:15:40 | |
The park's head warden, Keith Harris, | 0:15:40 | 0:15:42 | |
has rushed down to deal with the emergency. | 0:15:42 | 0:15:45 | |
So, Keith. This is proving to be much more complicated | 0:15:45 | 0:15:48 | |
than actually it first looked. What's happening now? | 0:15:48 | 0:15:52 | |
The way we wanted him to go through the undergrowth, | 0:15:52 | 0:15:54 | |
it's actually very, very thick. | 0:15:54 | 0:15:56 | |
So he keeps looking to come back the easy way. | 0:15:56 | 0:15:59 | |
So we're just going to alter some more fencing, | 0:15:59 | 0:16:03 | |
take a bit more fencing. | 0:16:03 | 0:16:05 | |
Then we can bring him out, take him through a fence in the corner, | 0:16:05 | 0:16:08 | |
and then back out a fence down the side. | 0:16:08 | 0:16:10 | |
Cos it's so quiet, it helps. | 0:16:10 | 0:16:12 | |
So, essentially you're gonna weave him back out here, back over, | 0:16:12 | 0:16:16 | |
and then out on the other side? | 0:16:16 | 0:16:17 | |
-That's it, yeah. -That's the plan. -Easier said than done. | 0:16:17 | 0:16:20 | |
At the moment, as I say, he's been quiet. | 0:16:20 | 0:16:24 | |
We don't mind. If it takes an hour, it takes an hour. | 0:16:24 | 0:16:28 | |
-If it takes two, it takes two. -It's just about patience, isn't it? | 0:16:28 | 0:16:31 | |
That's it. We've got the rest of the day. And because he's not upset, | 0:16:31 | 0:16:35 | |
he'll probably go in there and fill his belly anyway. | 0:16:35 | 0:16:38 | |
It's all action stations still. | 0:16:38 | 0:16:40 | |
The fence is being brought down, but the truth is, the bongo is | 0:16:40 | 0:16:43 | |
still on the loose and it could run across the cattle grid at any time. | 0:16:43 | 0:16:46 | |
We'll keep you updated with the progress | 0:16:46 | 0:16:48 | |
a little bit later in the programme. | 0:16:48 | 0:16:50 | |
The safari park is home to around 90 different species of animals | 0:16:59 | 0:17:02 | |
that come in all shapes and sizes, shades and textures. | 0:17:02 | 0:17:06 | |
But, for sheer vibrancy and display, | 0:17:06 | 0:17:09 | |
none of them can quite match Longleat's most colourful resident. | 0:17:09 | 0:17:14 | |
Lord Bath is famous for his flamboyant costumes. | 0:17:14 | 0:17:18 | |
His family have lived here for over four centuries | 0:17:18 | 0:17:22 | |
and this year, he turned 75. | 0:17:22 | 0:17:23 | |
To mark the occasion, Lord Bath has invited us for an exclusive look at | 0:17:23 | 0:17:28 | |
some of his favourite fashion gems from down the decades. | 0:17:28 | 0:17:33 | |
It all began back in the late 1940s. | 0:17:35 | 0:17:38 | |
Well, up until my last year at Eton, | 0:17:38 | 0:17:41 | |
I didn't have the slightest interest in fashion. | 0:17:41 | 0:17:45 | |
It was only when suddenly there was this possibility of | 0:17:45 | 0:17:48 | |
being colourful in what one wore, | 0:17:48 | 0:17:51 | |
when I was in Pop at Eton, that's the equivalent of being a prefect, | 0:17:51 | 0:17:55 | |
and you were allowed then to wear anything colourful, | 0:17:55 | 0:17:59 | |
that it suddenly came to the fore. | 0:17:59 | 0:18:02 | |
I was permitted to display my authority | 0:18:02 | 0:18:05 | |
by preening myself like a peacock. | 0:18:05 | 0:18:08 | |
So that was the first time that I was consciously trying | 0:18:08 | 0:18:12 | |
to out-colour my contemporaries. | 0:18:12 | 0:18:15 | |
I like to be the most colourful one. | 0:18:15 | 0:18:18 | |
The headmaster once told me off for wearing a peacock feather | 0:18:18 | 0:18:22 | |
instead of a button hole, | 0:18:22 | 0:18:26 | |
so I avoided it in his presence after that! | 0:18:26 | 0:18:32 | |
After leaving school, Lord Bath put his penchant for preening on hold | 0:18:32 | 0:18:36 | |
while he did his National Service and studied at Oxford. | 0:18:36 | 0:18:41 | |
Then, as the 1950s came to a close, the time was right | 0:18:41 | 0:18:45 | |
for a whole new look. | 0:18:45 | 0:18:48 | |
# Eagerly pursuing all the latest fads and trends | 0:18:48 | 0:18:52 | |
# Cos he's a dedicated follower of fashion... # | 0:18:52 | 0:18:57 | |
Then it was after that, with the '60s beginning, | 0:18:57 | 0:19:02 | |
reading everywhere that London had become | 0:19:02 | 0:19:05 | |
the fashion capital of the world, | 0:19:05 | 0:19:08 | |
and as the Swinging '60s began to roll, yes, | 0:19:08 | 0:19:12 | |
I felt I could play my part constructively. | 0:19:12 | 0:19:16 | |
And so gradually, there was a certain development of an image | 0:19:16 | 0:19:20 | |
that was mine, and not somebody else's. | 0:19:20 | 0:19:22 | |
# ...Oh, yes, he is. # | 0:19:22 | 0:19:24 | |
Lord Bath has kept many items from all those decades ago. | 0:19:24 | 0:19:28 | |
So, it's quite a treat to get a peek into his wardrobe | 0:19:28 | 0:19:32 | |
and at these priceless pictures. | 0:19:32 | 0:19:35 | |
To start with, I had colourful sweaters, | 0:19:35 | 0:19:37 | |
and then I went to specially made clothes. | 0:19:37 | 0:19:41 | |
This came in a batch where I had some eveningwear made. | 0:19:41 | 0:19:46 | |
It's pony skin, and sort of fun fur. | 0:19:46 | 0:19:50 | |
Instead of black tie, I'd be wearing that. | 0:19:50 | 0:19:54 | |
As the '60s turned into the '70s... | 0:19:55 | 0:19:58 | |
..Lord Bath's image took a new direction. | 0:19:59 | 0:20:02 | |
And here, I'm wearing kaftans for the first time, | 0:20:02 | 0:20:05 | |
a style that became much more frequent when I was down in France. | 0:20:05 | 0:20:12 | |
I've got a house near St Tropez. | 0:20:12 | 0:20:15 | |
I wear thin clothes, or no clothes, whichever I feel like. | 0:20:15 | 0:20:19 | |
It's nice to be able to make the decision on the spur of the moment. | 0:20:19 | 0:20:25 | |
From kaftans, it was a short step to other kinds of long robes. | 0:20:25 | 0:20:29 | |
MUSIC: "Cum On Feel The Noize" by Slade | 0:20:29 | 0:20:33 | |
I met somebody who knew a Ugandan tailor, | 0:20:37 | 0:20:40 | |
who was happy to make a garment to cover everything. | 0:20:40 | 0:20:44 | |
I can quickly slip it on | 0:20:44 | 0:20:46 | |
and I can be dressed within ten minutes, within five minutes. | 0:20:46 | 0:20:50 | |
This is a cape that caught my eye | 0:20:50 | 0:20:52 | |
in a second hand store, on a peg in a shop. | 0:20:52 | 0:20:57 | |
Again, I thought, that's my sort of style. | 0:20:57 | 0:21:02 | |
It would be eveningwear, but it wouldn't have to be. | 0:21:02 | 0:21:05 | |
I could go out at midday in that. It's open to all possibilities! | 0:21:05 | 0:21:10 | |
In a wardrobe crammed with every imaginable colour, | 0:21:10 | 0:21:13 | |
could there be anything even vaguely subdued? | 0:21:13 | 0:21:16 | |
This is black and relatively plain on the front, | 0:21:18 | 0:21:23 | |
yet if I'm fearing I'm going to be taken as plain, | 0:21:23 | 0:21:27 | |
then I can turn round | 0:21:27 | 0:21:28 | |
and it becomes a bit more colourful on the back. | 0:21:28 | 0:21:32 | |
It's good to be able to go to black fashion, sometimes. | 0:21:32 | 0:21:36 | |
If I'm in mourning. | 0:21:36 | 0:21:38 | |
But it's not too often you'll catch Lord Bath | 0:21:40 | 0:21:43 | |
in anything so inconspicuous as black. | 0:21:43 | 0:21:46 | |
Then, more recently, it's combinations of, | 0:21:46 | 0:21:50 | |
say, a shirt like that, within a jacket like that. | 0:21:50 | 0:21:56 | |
I know that I've been painted in that one. | 0:21:56 | 0:21:59 | |
I think I chose it for the garment to be painted in because it puts | 0:21:59 | 0:22:02 | |
the painter to quite a test, | 0:22:02 | 0:22:04 | |
to see if he can get the colours in the accurate order. | 0:22:04 | 0:22:08 | |
Lord Bath's wardrobe still has more surprises yet to be revealed. | 0:22:08 | 0:22:13 | |
We'll be delving deeper into the decades a little later on. | 0:22:13 | 0:22:16 | |
Back up in the park, the operation to rescue Darcy, the escaped bongo, | 0:22:24 | 0:22:29 | |
has reached a critical stage. | 0:22:29 | 0:22:31 | |
We've been allowed out of the Land Rover now, although Keith | 0:22:35 | 0:22:38 | |
has given us specific instructions that if anything goes wrong, | 0:22:38 | 0:22:41 | |
we've got to head straight back to it. | 0:22:41 | 0:22:43 | |
Just in front of this Land Rover here, you can see that Kevin Nibbs, | 0:22:43 | 0:22:49 | |
the deputy head of section who looks after the bongos, | 0:22:49 | 0:22:52 | |
is managing to lead Darcy through the gap | 0:22:52 | 0:22:55 | |
that they've opened up in the fence. | 0:22:55 | 0:22:57 | |
This is the crucial point now. | 0:22:57 | 0:22:59 | |
If they can get him through here, | 0:22:59 | 0:23:02 | |
he's almost back in the enclosure where he belongs. | 0:23:02 | 0:23:06 | |
But most importantly, | 0:23:06 | 0:23:08 | |
they won't need to worry about him bolting over the cattle grid. | 0:23:08 | 0:23:11 | |
Go on, Darcy! | 0:23:13 | 0:23:16 | |
It's really nerve racking, isn't it? | 0:23:16 | 0:23:18 | |
-It is. -Once they've got him through on that side, | 0:23:18 | 0:23:20 | |
they then have to attract him back out on the other side. | 0:23:20 | 0:23:26 | |
There he goes. He's through the gap. | 0:23:26 | 0:23:29 | |
And now, he can come through, | 0:23:29 | 0:23:32 | |
back into the enclosure. Keith, that seemed like a great success? | 0:23:32 | 0:23:36 | |
What can you do about this? | 0:23:36 | 0:23:38 | |
This is an animal that clearly hasn't bonded with the other three bongos. | 0:23:38 | 0:23:42 | |
And, he seems to be able to get over cattle grids, your main | 0:23:42 | 0:23:47 | |
device for keeping the hoofed animals in the park. | 0:23:47 | 0:23:50 | |
-You're gonna have to come up with a plan, aren't you? -We are. | 0:23:50 | 0:23:54 | |
With him bonding, things like that take time, | 0:23:54 | 0:23:56 | |
and bongo in the wild are actually quite solitary. | 0:23:56 | 0:23:59 | |
So, it's not unusual that they will go off on their own. | 0:23:59 | 0:24:02 | |
But he's back out almost safely away now, | 0:24:02 | 0:24:04 | |
and you just have a bit of fencing to repair. | 0:24:04 | 0:24:07 | |
And a bit of a mystery to solve as to how he got out. | 0:24:07 | 0:24:10 | |
I'm going to lunch! But seriously, yeah, | 0:24:10 | 0:24:13 | |
we'll put all the fencing back and get everything sorted out. | 0:24:13 | 0:24:16 | |
We'll slowly feed him on down to the house. | 0:24:16 | 0:24:19 | |
He's undamaged, we know he's not hurt, | 0:24:19 | 0:24:21 | |
so that's the main thing, that his health's good. | 0:24:21 | 0:24:23 | |
He seems quite relaxed. | 0:24:23 | 0:24:24 | |
The boys are feeding him and pushing him on home. | 0:24:24 | 0:24:27 | |
It may sometimes look easy, but it's not. | 0:24:27 | 0:24:29 | |
It's a little bit more awkward and a bit more understanding goes into it | 0:24:29 | 0:24:32 | |
-than people think. -Of course. | 0:24:32 | 0:24:33 | |
-Yes. -As I say, everyone has done what they should do. | 0:24:33 | 0:24:36 | |
-A well-oiled machine. -That's it, yes. -Brilliant, Keith. | 0:24:36 | 0:24:39 | |
Well, thank you very much indeed. | 0:24:39 | 0:24:41 | |
We are going to let Darcy get settled | 0:24:41 | 0:24:43 | |
and we will catch up with him a little bit later in the programme. | 0:24:43 | 0:24:46 | |
Back in Wolf Wood, keepers Bob and Craig | 0:24:58 | 0:25:01 | |
are monitoring Freda, the alpha female, closely. | 0:25:01 | 0:25:04 | |
She's due to give birth any day now, and everyone is hoping she will have | 0:25:04 | 0:25:08 | |
her babies inside the wolf house | 0:25:08 | 0:25:09 | |
where they'll be able to keep an eye on things with CCTV cameras. | 0:25:09 | 0:25:14 | |
It's now even more important, | 0:25:14 | 0:25:16 | |
because outside, the weather has gone from bad to worse. | 0:25:16 | 0:25:20 | |
Bob and Craig are checking the CCTV to try to figure out | 0:25:20 | 0:25:23 | |
what the wolves are thinking. | 0:25:23 | 0:25:25 | |
-There's another one coming in. -Oh, right. That's good. | 0:25:25 | 0:25:29 | |
At least we know we've got them coming in quite regularly now. | 0:25:29 | 0:25:33 | |
That's another male, by the looks of things. Not Freda, yet. | 0:25:33 | 0:25:37 | |
No sign of her. | 0:25:37 | 0:25:40 | |
That's Two Tips. That's the boss. He's just come to have a look. | 0:25:40 | 0:25:44 | |
Another one coming in. | 0:25:44 | 0:25:45 | |
That looks like One Tip. | 0:25:45 | 0:25:48 | |
So, the boss and the foreman are in there! | 0:25:48 | 0:25:51 | |
We just want the first lady to come in. | 0:25:53 | 0:25:55 | |
This is a good sign as well, because | 0:25:55 | 0:25:58 | |
they're actually nest-building, and they're nest-building properly. | 0:25:58 | 0:26:02 | |
They're banking it all the way up, | 0:26:02 | 0:26:05 | |
-making sure it's draught proof, I suppose. -Yep. | 0:26:05 | 0:26:08 | |
So that they can have a nice little shallow. | 0:26:08 | 0:26:11 | |
And he's really working at it, this one. | 0:26:11 | 0:26:13 | |
You know, he could be making nice little areas, | 0:26:13 | 0:26:16 | |
-and she could come in, and that's actually saving her a job. -Yeah. | 0:26:16 | 0:26:20 | |
And all she's got to do then is go in there and | 0:26:20 | 0:26:22 | |
save her energy, and just pop out the youngsters. | 0:26:22 | 0:26:25 | |
I'd like to see her come in now, that's for sure. | 0:26:25 | 0:26:29 | |
If we could catch the whole birth on film, that'd be brilliant. | 0:26:29 | 0:26:33 | |
But they are so nervous about anything new. | 0:26:33 | 0:26:37 | |
Maybe it's to our benefit that the weather has changed for the worse, | 0:26:37 | 0:26:43 | |
which hopefully may draw her into coming into the house | 0:26:43 | 0:26:46 | |
and giving birth there. | 0:26:46 | 0:26:47 | |
Even if she's only in there for a few days, | 0:26:47 | 0:26:50 | |
it's one step closer than what we got last year. | 0:26:50 | 0:26:54 | |
Freda is due very soon indeed. | 0:26:54 | 0:26:56 | |
Will the birth of her pups be a happy event, or turn into tragedy? | 0:26:56 | 0:27:01 | |
We'll find out later on. | 0:27:01 | 0:27:03 | |
This is a family tree of all the zebras here at Longleat. | 0:27:09 | 0:27:12 | |
There are 30 names on this board, | 0:27:12 | 0:27:15 | |
but the most important of all is this one, Ingrid, at the top. | 0:27:15 | 0:27:19 | |
She is the mummy of the lot of them, or grandmummy, or great grandmummy. | 0:27:19 | 0:27:24 | |
She's 30 years old this year, which is a staggering age for a zebra | 0:27:24 | 0:27:27 | |
and I'm going to go and meet deputy head of section Ryan Hockley | 0:27:27 | 0:27:31 | |
to find out how she's doing. | 0:27:31 | 0:27:32 | |
We're coming up to this little group of zebras now. Which one is Ingrid? | 0:27:32 | 0:27:39 | |
You can see Ingrid. She's right at the front here. | 0:27:39 | 0:27:41 | |
OK, so a slightly browner coat compared to the other three. | 0:27:41 | 0:27:45 | |
Yeah. She's still got a bit of winter coat there. | 0:27:45 | 0:27:48 | |
What you tend to find is, that lovely black and white | 0:27:48 | 0:27:51 | |
-striping on them is their pure, summer coat, really. -Right. | 0:27:51 | 0:27:56 | |
In the winter, certainly in our climate, | 0:27:56 | 0:27:58 | |
they do grow their coats a bit thicker. | 0:27:58 | 0:28:01 | |
It does have this slightly brown tinge to it. | 0:28:01 | 0:28:04 | |
You can see Steph behind, | 0:28:04 | 0:28:05 | |
who still has a little bit of winter coat as well. | 0:28:05 | 0:28:07 | |
I think the older they are, | 0:28:07 | 0:28:08 | |
it seems the longer they keep that brown winter coat going. | 0:28:08 | 0:28:12 | |
Obviously, Ingrid being 30 this year, | 0:28:12 | 0:28:14 | |
she's got a lot more winter coat than everyone else. | 0:28:14 | 0:28:17 | |
30 years old. | 0:28:17 | 0:28:19 | |
Presumably a zebra in the wild would never live that long, would it? | 0:28:19 | 0:28:23 | |
No, we don't think so. | 0:28:23 | 0:28:25 | |
Around about 20 I think would be a really good age. | 0:28:25 | 0:28:29 | |
Obviously in the wild there's a lot more factors | 0:28:29 | 0:28:32 | |
to why they wouldn't reach this sort of age, | 0:28:32 | 0:28:34 | |
predation by the big cats obviously being the number one thing. | 0:28:34 | 0:28:38 | |
Lions just seem to love zebra. It's their roast dinner. | 0:28:38 | 0:28:42 | |
She looks amazingly healthy. | 0:28:42 | 0:28:46 | |
It's hard to see that she looks any older than any of the others. | 0:28:46 | 0:28:51 | |
Is there any secret to her long life, do you think? | 0:28:51 | 0:28:54 | |
We have absolutely no idea. | 0:28:54 | 0:28:56 | |
I mean, we believe that possibly she's the oldest zeb in captivity. | 0:28:56 | 0:29:00 | |
-Really? -Yeah. And possibly by a long chalk as well. | 0:29:00 | 0:29:04 | |
Like I say, once they reach their twenties, | 0:29:04 | 0:29:07 | |
you tend to find them slowing down very quickly, to be honest. | 0:29:07 | 0:29:10 | |
You know, you'd expect to see a lot more bone exposed at her age, | 0:29:10 | 0:29:14 | |
where the muscle's fallen off. | 0:29:14 | 0:29:16 | |
I must admit, maybe in the last couple of years, we've noticed her | 0:29:16 | 0:29:19 | |
lose a fair bit of muscle mass off her front legs. | 0:29:19 | 0:29:21 | |
High up on the front leg she had these Schwarzenegger-esque muscles | 0:29:21 | 0:29:25 | |
bulging away there a few years ago. | 0:29:25 | 0:29:27 | |
-Not very feminine! -No, not very feminine at all. | 0:29:27 | 0:29:30 | |
Over the last couple of years she's lost a bit of that muscle mass. | 0:29:30 | 0:29:33 | |
But she certainly doesn't look emaciated or skinny. | 0:29:33 | 0:29:39 | |
She's not a bag of bones by a long chalk. | 0:29:39 | 0:29:40 | |
Well, she's a credit to all your work looking after her. | 0:29:40 | 0:29:43 | |
Of course the zebras have now left us as if to prove she's not an old lady. | 0:29:43 | 0:29:47 | |
She's practically the other side of the park, | 0:29:47 | 0:29:49 | |
but it's great to see her, | 0:29:49 | 0:29:51 | |
may she have many happy more years here at Longleat. | 0:29:51 | 0:29:54 | |
Thanks, Ryan. | 0:29:54 | 0:29:56 | |
While Kate's up with the zebras, | 0:29:59 | 0:30:01 | |
I've come down to Pets Corner to meet some much smaller creatures. | 0:30:01 | 0:30:05 | |
I'm here in the degu enclosure with keeper Bev Allen. | 0:30:06 | 0:30:10 | |
They're extraordinary looking creatures, | 0:30:10 | 0:30:12 | |
where are they from originally? | 0:30:12 | 0:30:13 | |
They come from South America, high up in the mountains. | 0:30:13 | 0:30:16 | |
And we've got eight degus in here all together. | 0:30:16 | 0:30:19 | |
So out in the wild what would they live off? | 0:30:19 | 0:30:22 | |
They would eat things like roots of plants, | 0:30:22 | 0:30:26 | |
grass they would find up, | 0:30:26 | 0:30:28 | |
-they live on the dew from the grass for water. -Really? -Yeah. | 0:30:28 | 0:30:32 | |
Do you try to mimic that here, then? The feed and things? | 0:30:32 | 0:30:35 | |
We do. We give them quite a strict diet, actually. | 0:30:35 | 0:30:38 | |
You have to be careful with diabetes in degus. | 0:30:38 | 0:30:40 | |
We give them a diet of rabbit pellets and chinchilla pellets. | 0:30:40 | 0:30:44 | |
And now and then we give them a bit of carrot | 0:30:44 | 0:30:46 | |
because healthy degus usually have orange teeth. | 0:30:46 | 0:30:49 | |
If they've got white teeth, it usually means they're not very well. | 0:30:49 | 0:30:52 | |
-Really? -Mmm. -Very different to us. | 0:30:52 | 0:30:54 | |
It is, yeah. | 0:30:54 | 0:30:55 | |
Thank you very much. Here's what's still to come on today's programme. | 0:30:55 | 0:31:01 | |
There are surprises in store up in Wolf Wood. | 0:31:01 | 0:31:04 | |
I'll be helping when it's bath time for their biggest tortoise. | 0:31:04 | 0:31:09 | |
And if Samba's death has been hard for the keepers, | 0:31:09 | 0:31:13 | |
it's been worse for Nico. | 0:31:13 | 0:31:15 | |
We'll find out if he can ever recover. | 0:31:15 | 0:31:18 | |
But now, up in Wolf Wood, | 0:31:22 | 0:31:23 | |
everyone is waiting anxiously for the birth of a new litter of pups. | 0:31:23 | 0:31:29 | |
Freda, the alpha female, is due very soon and keepers Bob and Craig | 0:31:29 | 0:31:34 | |
are watching her closely for any tell-tale signs. | 0:31:34 | 0:31:37 | |
Freda's actual behaviour today is really erratic. | 0:31:37 | 0:31:41 | |
She's running around a lot, whimpering, lying down, up again. | 0:31:41 | 0:31:45 | |
Now she's been seen urinating a lot. | 0:31:45 | 0:31:47 | |
So these are signs of imminent or the next day or so. | 0:31:47 | 0:31:53 | |
In previous years, Freda has given birth out in the wood, | 0:31:53 | 0:31:58 | |
but Craig and Bob want her to use the house | 0:31:58 | 0:32:00 | |
where she and her pups would be safe and dry. | 0:32:00 | 0:32:03 | |
Now Freda has started to bring sticks in to make a nest. | 0:32:03 | 0:32:07 | |
It's an encouraging sign. | 0:32:07 | 0:32:09 | |
Last year especially she wasn't too bothered about going into the house | 0:32:09 | 0:32:13 | |
but now I've seen her in her there more this year than ever before. | 0:32:13 | 0:32:18 | |
The fact that she's making all | 0:32:18 | 0:32:20 | |
the right noises, she's very restless at this moment in time. | 0:32:20 | 0:32:25 | |
If I was a gambling man then I would put money on the fact that | 0:32:25 | 0:32:29 | |
she is gonna give birth tonight, | 0:32:29 | 0:32:31 | |
if not tonight then tomorrow morning and hopefully indoors. | 0:32:31 | 0:32:36 | |
First thing the next morning, Bob heads straight up to Wolf Wood | 0:32:47 | 0:32:51 | |
to see if his hunch was correct. | 0:32:51 | 0:32:53 | |
What we're doing is we'll check this section first | 0:32:56 | 0:32:59 | |
and if we can't find her out here | 0:32:59 | 0:33:01 | |
than we'll have to go into the house and see if she's there. | 0:33:01 | 0:33:04 | |
Just gonna have a quick head count. | 0:33:04 | 0:33:06 | |
If you can look over there by that oak tree, | 0:33:06 | 0:33:10 | |
Freda is laid there curled up. | 0:33:10 | 0:33:13 | |
I just...oh, yeah, look, look, look. | 0:33:19 | 0:33:21 | |
There's a pup. | 0:33:21 | 0:33:23 | |
She's had pups. | 0:33:25 | 0:33:27 | |
She's had them not in the place | 0:33:27 | 0:33:30 | |
where we would have loved her to have them but she's had some. | 0:33:30 | 0:33:34 | |
It was imminent she was gonna have them by the signs yesterday. | 0:33:34 | 0:33:37 | |
So obviously during the night time she's decided | 0:33:37 | 0:33:43 | |
to give birth outside. | 0:33:43 | 0:33:45 | |
She's virtually done what she done last year and instead of going into | 0:33:45 | 0:33:49 | |
the house she's actually just dug a little shallow near a tree. | 0:33:49 | 0:33:54 | |
And that is one of the trees that has been a den site in the past. | 0:33:54 | 0:33:59 | |
She's getting up. Oh, there's probably about three or four there. | 0:33:59 | 0:34:04 | |
One, two, she's just rearranging herself. | 0:34:04 | 0:34:08 | |
She doesn't want to stand on them. | 0:34:08 | 0:34:10 | |
The first few hours and days are critical for wolf pups. | 0:34:10 | 0:34:15 | |
They're born blind and don't even open their eyes | 0:34:15 | 0:34:18 | |
until they're about two weeks old. | 0:34:18 | 0:34:20 | |
This makes them very vulnerable | 0:34:20 | 0:34:22 | |
and in the wild around half don't survive. | 0:34:22 | 0:34:25 | |
Here at Longleat, although they're not in danger from predators | 0:34:25 | 0:34:30 | |
or lack of food, this is still a nervous time. | 0:34:30 | 0:34:33 | |
The way that she is | 0:34:33 | 0:34:34 | |
I wouldn't have thought that she's finished giving birth yet. | 0:34:34 | 0:34:38 | |
So possibly there's more to come. | 0:34:38 | 0:34:41 | |
I suppose it is a little bit worrying | 0:34:41 | 0:34:43 | |
because this isn't the best of weathers. | 0:34:43 | 0:34:45 | |
You know, rain last night, | 0:34:45 | 0:34:48 | |
I think the forecast is that it's gonna rain again today. | 0:34:48 | 0:34:53 | |
This is a very sort of tense time obviously for the pack. | 0:34:53 | 0:34:56 | |
But it's also a time when we can see | 0:34:56 | 0:34:59 | |
just how tight-knit the relationships are within the wolf pack. | 0:34:59 | 0:35:04 | |
She's got a helper alongside. | 0:35:04 | 0:35:07 | |
That's Two Tips, who's the father. | 0:35:07 | 0:35:10 | |
He's obviously gonna be staying near her. | 0:35:10 | 0:35:13 | |
You can't mess with nature. If she feels safe out here | 0:35:13 | 0:35:16 | |
with the fellow pack members around her | 0:35:16 | 0:35:19 | |
then she's obviously has chosen this as her place. | 0:35:19 | 0:35:23 | |
The fact that they do look lively is a bonus. | 0:35:23 | 0:35:26 | |
With the pups just hours or even minutes old, | 0:35:26 | 0:35:29 | |
we mustn't disturb Freda by trying to get a closer look. | 0:35:29 | 0:35:33 | |
We'll just have to be patient and come back later | 0:35:33 | 0:35:37 | |
to find out how many pups she has and if they all survive. | 0:35:37 | 0:35:41 | |
Senior Warden Bev Evans and I have come up to the tortoise paddock | 0:35:46 | 0:35:50 | |
to meet Michelle, an African spurred tortoise. | 0:35:50 | 0:35:53 | |
Now, she is gigantic, isn't she? | 0:35:53 | 0:35:55 | |
She is pretty big, although she's not fully grown. | 0:35:55 | 0:35:57 | |
How much bigger will she go? | 0:35:57 | 0:35:59 | |
-She'll probably get another two thirds bigger. -Wow! | 0:35:59 | 0:36:01 | |
And I'm right in thinking that we're actually here to give her a bath. | 0:36:01 | 0:36:05 | |
Yes, she generally... as you can see, she's quite clean anyway, | 0:36:05 | 0:36:08 | |
but sometimes they can get quite dirty underneath. | 0:36:08 | 0:36:11 | |
And also it's very good to keep them hydrated in the warmer weather. | 0:36:11 | 0:36:14 | |
OK, so how on earth are we gonna go about giving her a bath? | 0:36:14 | 0:36:17 | |
We have a special tortoise pond in the bottom of the paddock. | 0:36:17 | 0:36:19 | |
She's here, which means we've got to get her there. | 0:36:19 | 0:36:21 | |
-Yes. -I imagine she's quite heavy. -She's about 20 kilograms in weight. | 0:36:21 | 0:36:25 | |
I suppose I should be gallant and volunteer. | 0:36:25 | 0:36:29 | |
-Shall I pick her up like this? -That's fine just underneath there. | 0:36:29 | 0:36:31 | |
Wow! That's a very heavy tortoise. | 0:36:31 | 0:36:34 | |
-So are we just gonna lead her down this way, are we? -Yes. | 0:36:34 | 0:36:37 | |
-OK. -She does wiggle a little bit but she's generally quite good. | 0:36:37 | 0:36:40 | |
Right. OK so presumably this is the washing pond? | 0:36:40 | 0:36:43 | |
Yeah, if you just dip her into there. | 0:36:43 | 0:36:45 | |
-OK, just pop her down like that? -Yeah, that's fine. | 0:36:45 | 0:36:47 | |
-And she likes that, does she? -She does. | 0:36:47 | 0:36:49 | |
We've made this specially designed for our tortoises. | 0:36:49 | 0:36:52 | |
It's not too deep in the middle. | 0:36:52 | 0:36:53 | |
-OK. -So they're never gonna get themselves into any trouble. | 0:36:53 | 0:36:57 | |
OK, and how do we go about it? Literally just splash some water? | 0:36:57 | 0:37:00 | |
Yeah if you do that. As you can see she's not overly keen. | 0:37:00 | 0:37:03 | |
-Some days are better than others. -Just like this? | 0:37:03 | 0:37:05 | |
Yeah, you need to keep basically the top of the shell | 0:37:05 | 0:37:09 | |
quite clean, if there's any big bits | 0:37:09 | 0:37:11 | |
of mud or anything on there it can inhibit their intake of sunlight | 0:37:11 | 0:37:15 | |
and all the vitamin D and UV. | 0:37:15 | 0:37:17 | |
They pick up vitamins through sunlight | 0:37:17 | 0:37:18 | |
that goes through the shell? | 0:37:18 | 0:37:20 | |
Yeah. So you need to keep that clean, that's why you should never | 0:37:20 | 0:37:23 | |
varnish or do anything to the shell. Just keep it as natural as possible. | 0:37:23 | 0:37:25 | |
Would you do that with household tortoises? | 0:37:25 | 0:37:29 | |
Yeah, just keep it clean, keep it nice and tidy. | 0:37:29 | 0:37:31 | |
Especially round the rear end. | 0:37:31 | 0:37:32 | |
Obviously they're very low to the ground so they can get quite mucky. | 0:37:32 | 0:37:36 | |
Just keep them clean. | 0:37:36 | 0:37:37 | |
But she's very good. She'll come into this pond and bathe herself | 0:37:37 | 0:37:40 | |
from time to time as well. | 0:37:40 | 0:37:41 | |
Do you think she's enjoying this? | 0:37:41 | 0:37:43 | |
Kind of. She's not running off. | 0:37:43 | 0:37:45 | |
She's not running off. | 0:37:45 | 0:37:47 | |
Now I'm assuming she can't feel that through her shell? | 0:37:47 | 0:37:49 | |
Its kind of like a very thick finger nail. | 0:37:49 | 0:37:52 | |
There is blood running through the shell | 0:37:52 | 0:37:54 | |
so if you did break, you can get shell rot and things like that. | 0:37:54 | 0:37:57 | |
So you do have to keep the shells in good condition. | 0:37:57 | 0:38:00 | |
And does she have a mate here? | 0:38:00 | 0:38:02 | |
She does, Thomas, he's wandering around over down by the house. | 0:38:02 | 0:38:05 | |
Thomas is over there. Does Thomas like having a bath? | 0:38:05 | 0:38:07 | |
-He hates it. -Does he? -He absolutely hates it. | 0:38:07 | 0:38:09 | |
Whereas Michelle as I said does go in herself. Thomas won't. | 0:38:09 | 0:38:13 | |
He'll walk through it by accident but he'd never stay in there. | 0:38:13 | 0:38:16 | |
He's quite a dirty little boy, bless him. | 0:38:16 | 0:38:17 | |
Do you have to force him in there if he's really grubby? | 0:38:17 | 0:38:20 | |
Yeah, we'll dip him in there from time to time, certainly. | 0:38:20 | 0:38:23 | |
Tortoises obviously have a reputation for being very slow, | 0:38:23 | 0:38:27 | |
but actually that's a reasonable pace, isn't it? | 0:38:27 | 0:38:29 | |
Yes, the sun has been out quite strongly today | 0:38:29 | 0:38:32 | |
and once they're warmed up and at their full temperature | 0:38:32 | 0:38:34 | |
that's it, they go, they're like a solar panel, | 0:38:34 | 0:38:36 | |
they can go quite fast. | 0:38:36 | 0:38:38 | |
That was a very quick shower. | 0:38:38 | 0:38:39 | |
Are you happy that I've done a reasonable job? | 0:38:39 | 0:38:41 | |
To be honest she's not that dirty today so not too bad. | 0:38:41 | 0:38:45 | |
OK, well, thank you very much, | 0:38:45 | 0:38:47 | |
I'm not sure that I'd ever get a job as a tortoise washer. | 0:38:47 | 0:38:50 | |
Back on Gorilla Island, the mood is still sombre. | 0:39:01 | 0:39:04 | |
A few days ago, after a short illness, | 0:39:04 | 0:39:08 | |
Samba passed away in the night. | 0:39:08 | 0:39:10 | |
Mark Tye has spent the last 18 years of his life | 0:39:10 | 0:39:15 | |
looking after Samba and her partner Nico. | 0:39:15 | 0:39:18 | |
Now it's hard for him to come to terms with the loss. | 0:39:18 | 0:39:22 | |
Tough. It's tough to deal with. You know, and sometimes, you think, | 0:39:22 | 0:39:26 | |
"OK, I've had my cry, and I've got to get on with it," | 0:39:26 | 0:39:30 | |
and then all of a sudden something will happen, | 0:39:30 | 0:39:32 | |
and make you think about it some more, | 0:39:32 | 0:39:35 | |
and you know, particularly if you see Nico being a bit upset about it. | 0:39:35 | 0:39:39 | |
That's hard to deal with. | 0:39:39 | 0:39:42 | |
You know, we're all trying to be there for each other, | 0:39:42 | 0:39:45 | |
and prop each other up. | 0:39:45 | 0:39:47 | |
You know, like with everything in life we will get over it, | 0:39:48 | 0:39:52 | |
but at the moment, it's still quite raw. | 0:39:52 | 0:39:55 | |
On Gorilla Island, the memories are everywhere. | 0:39:56 | 0:40:01 | |
Samba was just the nice one, you know? | 0:40:01 | 0:40:05 | |
She never had that nasty streak that she wanted to hurt people. | 0:40:05 | 0:40:09 | |
With Nico it's always like, "Can I get one over on you?" | 0:40:09 | 0:40:13 | |
With her it was always different, she was always very nice, | 0:40:13 | 0:40:16 | |
and always very welcoming, and I think she was with a lot of people. | 0:40:16 | 0:40:20 | |
Mark isn't the only one who's been remembering the good times. | 0:40:20 | 0:40:25 | |
Before he was deputy head warden, Ian Turner looked after the gorillas. | 0:40:25 | 0:40:29 | |
My abiding memory of Samba is a loving tom-girl. | 0:40:29 | 0:40:35 | |
She's not as affectionate as Nico is, | 0:40:36 | 0:40:39 | |
cos he'll come over and chat to you, and she wouldn't, | 0:40:39 | 0:40:42 | |
but she was gentle, and she was a character, | 0:40:42 | 0:40:46 | |
so it was quite heartbreaking when she went. | 0:40:46 | 0:40:48 | |
You still sometimes expect to see her. | 0:40:48 | 0:40:50 | |
You open the door and expect to see her run in. | 0:40:50 | 0:40:54 | |
It's really strange, that feeling. | 0:40:54 | 0:40:55 | |
Living on an island in the lake, | 0:40:56 | 0:40:58 | |
the only way for visitors to see the gorillas was to take the boat trip. | 0:40:58 | 0:41:04 | |
Bill Lord has been conducting the tours for over ten years. | 0:41:04 | 0:41:08 | |
If you can call her a friend, she was a friend. | 0:41:08 | 0:41:11 | |
She was always out there when we wanted her. | 0:41:11 | 0:41:14 | |
You could go out there and you knew if the hippos were hiding, | 0:41:14 | 0:41:17 | |
the sea lions had gone for walkabout or something, | 0:41:17 | 0:41:19 | |
the gorillas were there. | 0:41:19 | 0:41:20 | |
And she was always there for us. | 0:41:20 | 0:41:22 | |
Course I'm going to miss her. Miss her enormously. | 0:41:22 | 0:41:26 | |
Darren Beasley did a long stint on the boats | 0:41:28 | 0:41:31 | |
before he became head of Pets' Corner. | 0:41:31 | 0:41:34 | |
I think my favourite overriding memory of Samba | 0:41:34 | 0:41:37 | |
is one day we were out on the boats, | 0:41:37 | 0:41:40 | |
and the boat decided it wasn't going to make it | 0:41:40 | 0:41:43 | |
completely all the way round the journey. | 0:41:43 | 0:41:45 | |
It was just one of those mechanical things, no panic, | 0:41:45 | 0:41:48 | |
but we were drifting towards the island, | 0:41:48 | 0:41:50 | |
and my commentary was saying about how gorillas are peaceful, | 0:41:50 | 0:41:52 | |
gentle animals and I was thinking, | 0:41:52 | 0:41:54 | |
"Oh, I hope they really are, we're about to hit the island. | 0:41:54 | 0:41:57 | |
And she came running out, acting all tough, | 0:41:57 | 0:42:00 | |
picked up a dirty great huge clod of soil, | 0:42:00 | 0:42:03 | |
and threw it in the air, as if to say, "Stand back from my island." | 0:42:03 | 0:42:07 | |
We bounced off the island, and carried on drifting round. | 0:42:07 | 0:42:09 | |
And I thought to myself, "If all wars could be solved like that!" | 0:42:09 | 0:42:14 | |
But the one who knew Samba the best is, of course, Nico. | 0:42:14 | 0:42:18 | |
After all, they spent their entire lives together. | 0:42:18 | 0:42:22 | |
The whole idea of getting the gorillas in the first place, | 0:42:22 | 0:42:24 | |
the male and female, was to have babies. | 0:42:24 | 0:42:27 | |
And Nico and Samba were got over here as a breeding pair, as it was. | 0:42:27 | 0:42:32 | |
But to everyone's disappointment, there never were any babies. | 0:42:32 | 0:42:38 | |
What we think happened was they'd literally just grown up as brother and sister. | 0:42:38 | 0:42:42 | |
And just got, you know, so used to knowing each other | 0:42:42 | 0:42:46 | |
that that side of it didn't enter his head. | 0:42:46 | 0:42:49 | |
But now she's gone, how does Nico feel? | 0:42:49 | 0:42:52 | |
Do gorillas really feel grief like us? | 0:42:52 | 0:42:56 | |
You can't make any bones about it, he's upset. | 0:42:56 | 0:42:59 | |
When you've worked with an animal that long, | 0:42:59 | 0:43:02 | |
they don't have to do much different to know that they're not happy, | 0:43:02 | 0:43:05 | |
and you can tell by his face. | 0:43:05 | 0:43:07 | |
And his facial expressions and reactions like that, to be honest, | 0:43:07 | 0:43:12 | |
that make you know he's upset. | 0:43:12 | 0:43:14 | |
And sometimes his eyes look through you. | 0:43:14 | 0:43:18 | |
Nico is very old. In human years, he would be well into his 90s. | 0:43:25 | 0:43:30 | |
So the question is, after a blow like this, will he ever recover? | 0:43:30 | 0:43:35 | |
We'll find out later on. | 0:43:35 | 0:43:38 | |
His family have lived at Longleat for 13 generations, | 0:43:45 | 0:43:49 | |
but the present Lord Bath must be the most colourful one ever. | 0:43:49 | 0:43:54 | |
To mark his 75th birthday, he's invited us in | 0:43:54 | 0:43:58 | |
for an exclusive peep at his kaleidoscopic collection of clothes. | 0:43:58 | 0:44:02 | |
The garment he's most famous for is the waistcoat. | 0:44:02 | 0:44:06 | |
# If everybody looked the same | 0:44:06 | 0:44:09 | |
# We'd get tired of looking at each other...# | 0:44:09 | 0:44:13 | |
Well, the reason I really like waistcoats | 0:44:15 | 0:44:17 | |
is that you can choose something complex in texture and colour, | 0:44:17 | 0:44:21 | |
and if I'm wearing some straight colour like that colour beneath, | 0:44:21 | 0:44:27 | |
this can go over the top of it, | 0:44:27 | 0:44:29 | |
and bring the mind to much more detailed things. | 0:44:29 | 0:44:31 | |
Very often designers, approach me, | 0:44:31 | 0:44:34 | |
including little snippets of material, | 0:44:34 | 0:44:36 | |
and say they'd like to make a waistcoat, | 0:44:36 | 0:44:39 | |
and very often, if it's the sort of material I do like, I will say yes, | 0:44:39 | 0:44:45 | |
and when I get too many of them, my wardrobe is full. | 0:44:45 | 0:44:49 | |
And now, Lord Bath has inspired a new fashion craze | 0:44:50 | 0:44:55 | |
down in one of the Longleat gift shops. | 0:44:55 | 0:44:57 | |
This one is called Jungle Blues. | 0:44:57 | 0:45:00 | |
Manager Barbara Savage has got in a line of Lord Bath waistcoats | 0:45:00 | 0:45:03 | |
that have turned out very popular, | 0:45:03 | 0:45:05 | |
particularly with the American visitors. | 0:45:05 | 0:45:08 | |
-Do they make them this big? -Yes! | 0:45:08 | 0:45:11 | |
-If you'd like to try one on, you certainly can. -Sure. | 0:45:11 | 0:45:15 | |
This one is called Quadrophenia. | 0:45:15 | 0:45:18 | |
Can you wear a sports jacket or something over this? | 0:45:18 | 0:45:21 | |
Absolutely. Absolutely. It makes you look much slimmer. | 0:45:21 | 0:45:24 | |
It does, doesn't it! | 0:45:24 | 0:45:26 | |
Get my sunglasses on! | 0:45:26 | 0:45:28 | |
And there you are, you see, you look really quite smart in that one. | 0:45:28 | 0:45:32 | |
-Whereabouts in America are you from? -Houston, Texas. | 0:45:34 | 0:45:37 | |
Houston? Would you like to take one back to Houston with you? | 0:45:37 | 0:45:40 | |
If you wrap it up! | 0:45:40 | 0:45:42 | |
I would stand out. | 0:45:42 | 0:45:43 | |
I don't think Longleat would be anything like what it is | 0:45:45 | 0:45:48 | |
if we had Lord Bath dressed in his suit. | 0:45:48 | 0:45:51 | |
We're used to Lord Bath in his bright, vibrant clothing, | 0:45:51 | 0:45:54 | |
which reflects on his life and passion for Longleat. | 0:45:54 | 0:45:57 | |
It's not just in the shop | 0:45:57 | 0:46:00 | |
where Lord Bath's sense of style has been a big hit. | 0:46:00 | 0:46:02 | |
When he goes around the estate, he always turns heads. | 0:46:02 | 0:46:06 | |
It's not clothing that I would wear myself, | 0:46:06 | 0:46:09 | |
but I don't think it looks at all out of place. | 0:46:09 | 0:46:12 | |
When we see Lord Bath, he stands out, | 0:46:12 | 0:46:14 | |
and that's the way it should be. | 0:46:14 | 0:46:16 | |
I love the way he wears really funky shirts underneath | 0:46:16 | 0:46:19 | |
that have no pattern whatsoever to do with the waistcoat, | 0:46:19 | 0:46:22 | |
and I think that's what works really good. | 0:46:22 | 0:46:24 | |
With his waistcoats now all the rage in Houston, Texas, | 0:46:28 | 0:46:32 | |
has Lord Bath ever been tempted | 0:46:32 | 0:46:34 | |
to break into the world of haute couture? | 0:46:34 | 0:46:36 | |
After all, the contents of his wardrobe | 0:46:36 | 0:46:38 | |
could be worth a small fortune. | 0:46:38 | 0:46:40 | |
All of the items I'm liable to suddenly reach in and think, | 0:46:40 | 0:46:44 | |
"I haven't worn that for a while," and bring it out. | 0:46:44 | 0:46:48 | |
I don't tend to say goodbye to a garment. | 0:46:48 | 0:46:51 | |
I know people have said, would I put up a garment for charity? | 0:46:51 | 0:46:56 | |
No! I wear them still! | 0:46:56 | 0:46:57 | |
One can be highly sober in one's clothing, | 0:46:57 | 0:47:00 | |
but I've never thought of myself as highly sober. | 0:47:00 | 0:47:04 | |
But then once you start on the colourful campaign, | 0:47:04 | 0:47:08 | |
it's quite difficult to stop, | 0:47:08 | 0:47:10 | |
and there's always got to be one better than the others! | 0:47:10 | 0:47:13 | |
It's now been over a month | 0:47:21 | 0:47:23 | |
since Freda had her pups outside in Wolf Wood. | 0:47:23 | 0:47:26 | |
In the end, she had six, though, sadly, two of them soon died. | 0:47:26 | 0:47:31 | |
That's not unusual. | 0:47:31 | 0:47:32 | |
In the wild, you'd expect only about half the litter to survive. | 0:47:32 | 0:47:36 | |
Happily, since then, everything has been going smoothly. | 0:47:36 | 0:47:41 | |
I'm out in Wolf Wood with deputy head of section Bob Trollope, | 0:47:41 | 0:47:46 | |
and this is my favourite time, I think, | 0:47:46 | 0:47:49 | |
because the wolf cubs are just beginning to emerge | 0:47:49 | 0:47:52 | |
from out of the den and show themselves. | 0:47:52 | 0:47:56 | |
You've got a glimpse of one there, Bob. What age are they now? | 0:47:56 | 0:48:00 | |
-They're just about five or six weeks. -Right. | 0:48:00 | 0:48:02 | |
As you can see, they blend in really well. | 0:48:02 | 0:48:05 | |
It's impossible to see! Our poor cameraman is gonna really struggle. | 0:48:05 | 0:48:09 | |
You can just see them at the base of that tree there. | 0:48:09 | 0:48:12 | |
This little one's being quite adventurous, | 0:48:12 | 0:48:14 | |
but it's lovely seeing one of the adults there just looking like he, | 0:48:14 | 0:48:18 | |
or she, is keeping an eye on him. | 0:48:18 | 0:48:20 | |
You normally find wherever there's a pup, | 0:48:20 | 0:48:22 | |
there's gonna be an adult not far away. | 0:48:22 | 0:48:25 | |
We can't see Mum at the moment. Can we drive around and see if we can...? | 0:48:25 | 0:48:30 | |
We can try and pick her out. | 0:48:30 | 0:48:33 | |
She's obviously going from pup to pup to just check on how they are. | 0:48:33 | 0:48:37 | |
-I'll just drive over here. -OK. | 0:48:39 | 0:48:41 | |
-You can see two titches there, waiting for us. -Oh, yes. | 0:48:41 | 0:48:44 | |
So, alpha male on guard. | 0:48:44 | 0:48:47 | |
Does that tell you the pups might well be under that tree? | 0:48:47 | 0:48:51 | |
They most probably will be here. | 0:48:51 | 0:48:53 | |
You can see one little sleeping one. | 0:48:53 | 0:48:55 | |
Yeah, just here. That just shows how well they blend in, though. | 0:48:55 | 0:48:58 | |
-It's extraordinary, how well they're camouflaged. -Fast asleep. | 0:48:58 | 0:49:02 | |
-I'll just turn the engine off. -Absolutely adorable. | 0:49:02 | 0:49:09 | |
They look so fragile at this age, but they are quite robust. | 0:49:09 | 0:49:13 | |
They are really hardy. Their teeth, they're razor sharp. | 0:49:13 | 0:49:16 | |
-Like little pins. -Like little needles. | 0:49:16 | 0:49:19 | |
Yeah. They'd shred our skin with no problem. | 0:49:19 | 0:49:24 | |
-Look at that little thing. -That's mum under the tree, | 0:49:25 | 0:49:28 | |
so there's most probably pup up there as well. | 0:49:28 | 0:49:30 | |
-There, as well. -I did notice that she's got a bit of a limp. | 0:49:30 | 0:49:35 | |
Oh, has she? If this limp continues, | 0:49:35 | 0:49:40 | |
what do you do about that? You try and keep hands off with the wolves. | 0:49:40 | 0:49:43 | |
Yeah. We're lucky, in a way. | 0:49:43 | 0:49:45 | |
Our policy is to try and treat them as wild as wild, | 0:49:45 | 0:49:49 | |
and they thrive on that. | 0:49:49 | 0:49:52 | |
If we have to intervene, especially with a mum, | 0:49:52 | 0:49:55 | |
and you have to take her out the equation for a day... | 0:49:55 | 0:49:58 | |
Here's another one. | 0:49:58 | 0:49:59 | |
Coming out from the tree! | 0:49:59 | 0:50:01 | |
The pups are going to be quite vulnerable. | 0:50:01 | 0:50:04 | |
They still need that milk, | 0:50:04 | 0:50:06 | |
and we wouldn't want to put anything into her | 0:50:06 | 0:50:08 | |
that would be passed through the milk. | 0:50:08 | 0:50:10 | |
So the best policy is just to leave her, and hope that it heals itself. | 0:50:10 | 0:50:15 | |
Yeah. Obviously, if it was a bad cut that needed stitching, | 0:50:15 | 0:50:19 | |
we'd have to do it. | 0:50:19 | 0:50:20 | |
All the wolves have suddenly decided to come together. | 0:50:20 | 0:50:24 | |
-There's lots of communication suddenly. -Yeah. | 0:50:24 | 0:50:27 | |
Sometimes they all run together, just to reinforce the pack numbers, | 0:50:27 | 0:50:32 | |
make sure that everyone's safe and sound. | 0:50:32 | 0:50:35 | |
When will the pups start to communicate? | 0:50:35 | 0:50:38 | |
Do you hear them making noises, even at this very early stage? | 0:50:38 | 0:50:41 | |
It is amazing, because at a very young age, | 0:50:41 | 0:50:44 | |
about now, they attempt it, but it's very high pitched. | 0:50:44 | 0:50:50 | |
But presumably, like human mothers, | 0:50:52 | 0:50:54 | |
Freda will hear that immediately, she'll pick it up. | 0:50:54 | 0:50:58 | |
If any of them were in distress, they'd make whimpering noises, | 0:50:58 | 0:51:02 | |
little howling noise, and then Mum or Dad, or one of the braver ones, | 0:51:02 | 0:51:06 | |
would actually go and retrieve it. | 0:51:06 | 0:51:08 | |
If it wasn't picking it up, it would make it follow. | 0:51:08 | 0:51:11 | |
-Wow. -Try to shove it around with its nose. -That's amazing. | 0:51:11 | 0:51:15 | |
The complexities of Wolf Wood. | 0:51:15 | 0:51:18 | |
Bob, thank you very much indeed, | 0:51:18 | 0:51:20 | |
and of course, we will be keeping you updated | 0:51:20 | 0:51:23 | |
with the wolf pups' progress over the series. | 0:51:23 | 0:51:25 | |
On Gorilla Island, there's now just one inhabitant. | 0:51:39 | 0:51:43 | |
Nico's lifelong companion passed away just a month ago. | 0:51:43 | 0:51:47 | |
The keepers noticed that he was lost without Samba, | 0:51:47 | 0:51:49 | |
and have been trying to fill the gap in his life. | 0:51:49 | 0:51:52 | |
Good boy, aren't you? Hey? | 0:51:52 | 0:51:55 | |
He, like us, is struggling, but we're doing what we can. | 0:51:55 | 0:52:00 | |
We're spending more time with him. | 0:52:00 | 0:52:03 | |
They are social creatures, and without another gorilla, | 0:52:03 | 0:52:06 | |
we are somewhat limited as to what we can do for him, | 0:52:06 | 0:52:11 | |
but giving him our time is what we can do. | 0:52:11 | 0:52:15 | |
Nic! Hello! | 0:52:18 | 0:52:21 | |
Hey, boy! | 0:52:21 | 0:52:23 | |
Mark has known Nico for 18 years. | 0:52:23 | 0:52:26 | |
But it's been tough, | 0:52:26 | 0:52:27 | |
even for those who've only been here for a couple of years, | 0:52:27 | 0:52:31 | |
like keeper Michelle Stevens. | 0:52:31 | 0:52:33 | |
You do have to be really strong for him. | 0:52:33 | 0:52:35 | |
He will react off of your behaviour, | 0:52:35 | 0:52:38 | |
and if he sees you crying, you don't know, | 0:52:38 | 0:52:40 | |
it might have an effect on him, | 0:52:40 | 0:52:42 | |
so you do have to talk to him in an upbeat manner, | 0:52:42 | 0:52:48 | |
try not to be too stressed around him. | 0:52:48 | 0:52:52 | |
It is really difficult. | 0:52:52 | 0:52:53 | |
You definitely have to look forward to the future. | 0:52:53 | 0:52:56 | |
He is our priority now. | 0:52:56 | 0:52:58 | |
Yes, we've lost Samba, but we still have him, | 0:52:58 | 0:53:01 | |
and more so, now, he needs us. | 0:53:01 | 0:53:03 | |
He needs our company, he needs us to give him challenges, | 0:53:03 | 0:53:07 | |
so he really, in a way, does depend on us more now. | 0:53:07 | 0:53:11 | |
Michelle has been doing lots to try and keep Nico busy | 0:53:11 | 0:53:15 | |
and occupied with other things. | 0:53:15 | 0:53:18 | |
This is a new enrichment device I've thought up. | 0:53:18 | 0:53:20 | |
We put the food in, | 0:53:20 | 0:53:22 | |
and he has to use his fingers to manipulate | 0:53:22 | 0:53:25 | |
and push the food through. | 0:53:25 | 0:53:27 | |
He has to also get up on his hind legs, as well. | 0:53:27 | 0:53:31 | |
It's a little bit of a work-out for him, as well. | 0:53:31 | 0:53:34 | |
NICO GRUNTS | 0:53:34 | 0:53:36 | |
Good noises. | 0:53:36 | 0:53:38 | |
That's the sort of noises we want to hear, | 0:53:38 | 0:53:41 | |
those long rumbling noises, sort of happy noises. | 0:53:41 | 0:53:43 | |
Michelle shares the feeding duties with Mark. | 0:53:47 | 0:53:50 | |
As the days go by, he's noticed a definite improvement. | 0:53:50 | 0:53:54 | |
He's a lot better than he was. | 0:53:56 | 0:53:58 | |
Obviously, the first week was pretty horrendous for him, and us, | 0:54:00 | 0:54:06 | |
pretty bad having to listen to him whimpering, cos he was crying. | 0:54:06 | 0:54:10 | |
But he's picked himself up, and he has now pulled himself back, | 0:54:10 | 0:54:15 | |
and he is more like his normal self. | 0:54:15 | 0:54:18 | |
I won't say 100%, but at least 90% his normal self. | 0:54:18 | 0:54:22 | |
And Nico is always pleased to see his old keeper, Ian Turner, | 0:54:22 | 0:54:26 | |
not least because there's a good chance | 0:54:26 | 0:54:29 | |
he'll have a chocolate biscuit on him. | 0:54:29 | 0:54:31 | |
You like stuff like this. We shouldn't spoil you, really. | 0:54:31 | 0:54:35 | |
NICO GRUNTS | 0:54:35 | 0:54:36 | |
Woo! That's a happy sound. | 0:54:36 | 0:54:39 | |
He's quietened down a lot, hasn't he? From what it was. | 0:54:40 | 0:54:44 | |
Still like to rip the lens off a camera, wouldn't you? | 0:54:44 | 0:54:47 | |
Some kinds of aggressive behaviour | 0:54:47 | 0:54:49 | |
are perfectly normal for a silverback male. | 0:54:49 | 0:54:53 | |
Oi! | 0:54:53 | 0:54:54 | |
Let go! | 0:54:54 | 0:54:56 | |
That may have been bad news for the camera, but it's good news for Nico, | 0:54:58 | 0:55:02 | |
because it shows he's now getting back to his old self. | 0:55:02 | 0:55:06 | |
And for everyone else, Samba may have passed away, | 0:55:07 | 0:55:10 | |
but as long as she's remembered here with affection, | 0:55:10 | 0:55:14 | |
she'll never really be gone. | 0:55:14 | 0:55:15 | |
Earlier today, Darcy, the new bongo to the safari park, | 0:55:36 | 0:55:41 | |
tried to exit Longleat. | 0:55:41 | 0:55:42 | |
Yes, a whole group of keepers had to work very closely together | 0:55:42 | 0:55:46 | |
to try and coax him back into the safari park and into safety. | 0:55:46 | 0:55:50 | |
You may think that that is Darcy, but, oh, no - | 0:55:50 | 0:55:54 | |
he has been confined to quarters, | 0:55:54 | 0:55:56 | |
and deputy head warden Ian Turner is here. | 0:55:56 | 0:55:59 | |
Ian, the operation seemed to go extremely well. | 0:55:59 | 0:56:02 | |
It was actually very calm and very ordered. | 0:56:02 | 0:56:04 | |
One of the lucky things is he's quiet. | 0:56:04 | 0:56:06 | |
That's one of the good things. | 0:56:06 | 0:56:08 | |
The hiccup is, because he's quiet, | 0:56:08 | 0:56:10 | |
he caused the problem he caused, by walking across a cattle grid. | 0:56:10 | 0:56:13 | |
I know one of the problems | 0:56:13 | 0:56:15 | |
was that Darcy liked to keep himself to himself | 0:56:15 | 0:56:18 | |
and away from the other bongo. | 0:56:18 | 0:56:20 | |
Behind us is evidence they rather like him! Is that so? | 0:56:20 | 0:56:23 | |
They obviously know something's happened today. | 0:56:23 | 0:56:26 | |
He's been on a bit of a journey. They've come to see what's going on. | 0:56:26 | 0:56:30 | |
So what's going to be the plan? | 0:56:30 | 0:56:34 | |
Clearly, he can't stay shut in here forever. | 0:56:34 | 0:56:37 | |
We'll keep him in a little bit longer, so he gets used to them, | 0:56:37 | 0:56:41 | |
and we'll maybe try and mix one of them inside, | 0:56:41 | 0:56:44 | |
which we did before, and they got on quite well, | 0:56:44 | 0:56:47 | |
but as soon as they came outside he just wandered off on his own. | 0:56:47 | 0:56:51 | |
He doesn't seem to be a mixer, do you? | 0:56:51 | 0:56:53 | |
Ian, you've been here for... Well, we won't say how many years! | 0:56:53 | 0:56:58 | |
-Thanks, Ben! -But you must have had animals breaching fences | 0:56:58 | 0:57:01 | |
in the past. How do you think the whole exercise earlier went? | 0:57:01 | 0:57:05 | |
Lovely. He was a pain when we got him back in, | 0:57:05 | 0:57:08 | |
and walked him down towards the house. | 0:57:08 | 0:57:10 | |
As soon as we got him towards here, he went off again. | 0:57:10 | 0:57:13 | |
Straight towards the cattle grid, | 0:57:13 | 0:57:14 | |
but we managed to stop him in time again and got him in a trailer. | 0:57:14 | 0:57:18 | |
You were put in the trailer. We'll have to sort out the cattle grid, | 0:57:18 | 0:57:22 | |
because that one there is broken. So that wants fixing, | 0:57:22 | 0:57:25 | |
and maybe we'll have to do some stand-off fencing at the side, | 0:57:25 | 0:57:28 | |
cos one of the things he doesn't like doing is walking on concrete, | 0:57:28 | 0:57:32 | |
which is why we wanted to get him out of the paddock early, | 0:57:32 | 0:57:36 | |
back into the open. | 0:57:36 | 0:57:37 | |
While we've been talking, | 0:57:37 | 0:57:38 | |
another bongo has also come up to check on Darcy. | 0:57:38 | 0:57:42 | |
They can all be reassured that he's fine. | 0:57:42 | 0:57:44 | |
They can, and so can we. He's looking fantastic. | 0:57:44 | 0:57:47 | |
Ian, I'm glad that everything went well today. | 0:57:47 | 0:57:49 | |
Sadly, that's all we've got time for on today's programme, | 0:57:49 | 0:57:52 | |
but here's what's coming up on the next Animal Park. | 0:57:52 | 0:57:54 | |
The little kid goat who was rejected by her mother, just hours old. | 0:57:56 | 0:57:59 | |
It'll be a miracle if she survives. | 0:57:59 | 0:58:04 | |
We're up with the giraffes, | 0:58:04 | 0:58:05 | |
to see the other part of their body that's very long. | 0:58:05 | 0:58:09 | |
And there are big moves afoot | 0:58:11 | 0:58:13 | |
to stop the monkeys from getting up to mischief on the visitors' cars. | 0:58:13 | 0:58:17 | |
We'll have all that, and more, next time on Animal Park. | 0:58:17 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:40 | |
Email [email protected] | 0:58:40 | 0:58:43 |