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Now, what would you say if I were to tell you | 0:00:11 | 0:00:13 | |
that a freshwater mussel | 0:00:13 | 0:00:15 | |
was one of THE most devious animals on the planet? | 0:00:15 | 0:00:19 | |
Well, I know what you're thinking, you're thinking, | 0:00:20 | 0:00:22 | |
"Is that honestly the best he can do? | 0:00:22 | 0:00:25 | |
"Starting the programme with a mollusc, a watery snail?" | 0:00:25 | 0:00:29 | |
Well, let me ask you for something. The next two minutes of your life. | 0:00:29 | 0:00:33 | |
Because if you give them to me, | 0:00:33 | 0:00:35 | |
I can promise to show you something utterly remarkable. | 0:00:35 | 0:00:39 | |
You see, when it comes to looking after her young, | 0:00:39 | 0:00:42 | |
this little mussel has a big problem. | 0:00:42 | 0:00:45 | |
Like all mothers, | 0:00:48 | 0:00:49 | |
she wants to provide her precious offspring with food and protection. | 0:00:49 | 0:00:54 | |
But in a fast-flowing, barren river, that's an impossible challenge. | 0:00:54 | 0:00:59 | |
Unless she can enlist help from an unsuspecting neighbour. | 0:01:02 | 0:01:06 | |
Like, say, a bass. | 0:01:08 | 0:01:10 | |
But first of all, she's got to well and truly dupe it. Just watch this. | 0:01:12 | 0:01:18 | |
Hidden inside her shell is something extraordinary. | 0:01:20 | 0:01:24 | |
The perfect fish lure. | 0:01:34 | 0:01:36 | |
An incredible copy of the small fishes she lives alongside. | 0:01:38 | 0:01:43 | |
Which happen to be the bass' favourite prey. | 0:01:46 | 0:01:50 | |
It's totally tricked. | 0:01:57 | 0:01:58 | |
And when the bass attacks... | 0:02:02 | 0:02:04 | |
..the mussel fires her young straight into its face. | 0:02:06 | 0:02:10 | |
Because this is exactly where she wants them. | 0:02:13 | 0:02:16 | |
You see, her little ones snap shut on the fish's gills, | 0:02:16 | 0:02:20 | |
where they feed on nutrients from its blood. | 0:02:20 | 0:02:22 | |
Her brood are safe. | 0:02:25 | 0:02:28 | |
And when they're big enough, they drop down to the riverbed | 0:02:28 | 0:02:31 | |
and grow into adults. | 0:02:31 | 0:02:33 | |
She's pulled off the perfect con. | 0:02:35 | 0:02:37 | |
The most extraordinary thing is | 0:02:39 | 0:02:40 | |
that this mussel doesn't even have any eyes. | 0:02:40 | 0:02:43 | |
She can't even see the fish she's mimicking in minute detail | 0:02:43 | 0:02:48 | |
to get exactly what she wants. | 0:02:48 | 0:02:52 | |
This is a very sneaky solution to a childcare conundrum. | 0:02:52 | 0:02:57 | |
It's transformed the modest mussel into a master of deception. | 0:02:58 | 0:03:04 | |
And it turns out that this mussel isn't the only one | 0:03:04 | 0:03:07 | |
tricking other animals to start and raise a family. | 0:03:07 | 0:03:11 | |
All animals face the same ultimate challenge. | 0:03:27 | 0:03:30 | |
They've got to successfully produce the next generation. | 0:03:30 | 0:03:34 | |
But it's far from straightforward. | 0:03:34 | 0:03:36 | |
They have to win a mate... | 0:03:39 | 0:03:41 | |
..and then care for their young... | 0:03:42 | 0:03:44 | |
..to make sure they survive. | 0:03:46 | 0:03:47 | |
So, how do animals increase their chances in the minefield | 0:03:50 | 0:03:54 | |
of the mating game? | 0:03:54 | 0:03:56 | |
Would they lie, cheat, | 0:03:56 | 0:03:58 | |
even steal from one another just to get an advantage? | 0:03:58 | 0:04:02 | |
Come on! Of course they would. | 0:04:02 | 0:04:05 | |
Join me as I met seductive sneaks... | 0:04:09 | 0:04:13 | |
..love rats | 0:04:15 | 0:04:17 | |
and some very dysfunctional families. | 0:04:17 | 0:04:20 | |
Animals doing whatever it takes to survive. | 0:04:22 | 0:04:25 | |
'The first problem animals face is finding a mate. | 0:04:39 | 0:04:43 | |
'But this is far from straightforward.' | 0:04:44 | 0:04:47 | |
You see, many animals live in complex social groups, | 0:04:51 | 0:04:54 | |
where only certain individuals are allowed to breed. | 0:04:54 | 0:04:58 | |
Take these long-tailed macaques, for example. | 0:05:00 | 0:05:03 | |
Somewhere in this group is a dominant male, the alpha male. | 0:05:03 | 0:05:07 | |
And he enforces his dominance | 0:05:07 | 0:05:09 | |
for the right to mate with all of the females here. | 0:05:09 | 0:05:12 | |
SNARLING | 0:05:14 | 0:05:15 | |
So amongst many types of animals, when it comes to mating, | 0:05:17 | 0:05:20 | |
there are rules. | 0:05:20 | 0:05:22 | |
But, of course, we're talking about deception here, | 0:05:22 | 0:05:25 | |
so those rules are made to be broken. | 0:05:25 | 0:05:27 | |
So, how are those animals at the bottom of the pecking order | 0:05:32 | 0:05:36 | |
going to get what they want? | 0:05:36 | 0:05:38 | |
BIRDSONG | 0:05:44 | 0:05:46 | |
A mob of red kangaroos. | 0:05:54 | 0:05:55 | |
This male is a long way down in the group's hierarchy. | 0:05:57 | 0:06:01 | |
If he wants to have young, he's going to have to take on this guy. | 0:06:04 | 0:06:08 | |
The alpha male. | 0:06:13 | 0:06:15 | |
Only he has the right to mate with the females in this group. | 0:06:17 | 0:06:21 | |
Now, our young male could choose the hard way. | 0:06:23 | 0:06:26 | |
The honest way. | 0:06:28 | 0:06:29 | |
And fight his way to the top. | 0:06:31 | 0:06:33 | |
But it could take years to grow strong enough | 0:06:36 | 0:06:39 | |
to dominate his rivals. | 0:06:39 | 0:06:42 | |
And it's risky. | 0:06:42 | 0:06:44 | |
With a kick that can crush bone, | 0:06:45 | 0:06:48 | |
kangaroo fights can end in serious injury. | 0:06:48 | 0:06:50 | |
So instead, he opts for Plan B. | 0:06:54 | 0:06:57 | |
Cheat. | 0:06:59 | 0:07:01 | |
If the alpha male isn't looking... | 0:07:03 | 0:07:06 | |
..and it's always worth checking... | 0:07:09 | 0:07:11 | |
..he takes a chance. | 0:07:18 | 0:07:19 | |
This illicit liaison is also in the interest of the female. | 0:07:23 | 0:07:29 | |
By mating with other males, | 0:07:29 | 0:07:31 | |
she's mixing up the group's gene pool, | 0:07:31 | 0:07:34 | |
which could give her offspring an advantage. | 0:07:34 | 0:07:37 | |
The crafty pair have got scot clean away with it | 0:07:39 | 0:07:44 | |
and the old alpha male has absolutely no idea | 0:07:44 | 0:07:47 | |
that he may not have fathered the next generation. | 0:07:47 | 0:07:51 | |
This sneaky strategy is seen right across the world. | 0:07:57 | 0:08:00 | |
BIRDSONG | 0:08:00 | 0:08:02 | |
Take this blackback gorilla in Uganda. | 0:08:05 | 0:08:09 | |
The only way that he can become a father | 0:08:10 | 0:08:13 | |
is to try going behind the silverback's back. | 0:08:13 | 0:08:16 | |
In fact, research shows that 15% of mountain gorillas | 0:08:21 | 0:08:26 | |
aren't fathered by the dominant male at all. | 0:08:26 | 0:08:29 | |
So it's a successful tactic. | 0:08:31 | 0:08:34 | |
Despite the risk of getting caught in the act. | 0:08:36 | 0:08:40 | |
HOOTING | 0:08:40 | 0:08:41 | |
ROARING | 0:08:46 | 0:08:47 | |
Breaking the rules gives males low in the pecking order | 0:08:53 | 0:08:57 | |
a chance to continue their line. | 0:08:57 | 0:08:59 | |
But for most males, the biggest challenge is convincing | 0:09:00 | 0:09:04 | |
a female to mate with him in the first place. | 0:09:04 | 0:09:07 | |
And some of them have come up with incredibly calculated cons | 0:09:08 | 0:09:13 | |
just to get their attention. | 0:09:13 | 0:09:14 | |
'One of nature's greatest cheats lives here. | 0:09:16 | 0:09:19 | |
'The grasslands of the Maasai Mara.' | 0:09:21 | 0:09:24 | |
Where predator and prey... | 0:09:30 | 0:09:31 | |
..are locked in a battle to survive. | 0:09:34 | 0:09:36 | |
But remarkably, one animal has turned | 0:09:39 | 0:09:42 | |
this ever-present danger to his advantage. | 0:09:42 | 0:09:46 | |
He's the sneakiest pick-up artist on the plains. | 0:09:46 | 0:09:50 | |
The topi. | 0:09:53 | 0:09:54 | |
Africa's unlikely Lothario. | 0:09:56 | 0:09:58 | |
The topi are gathering for the breeding season. | 0:10:02 | 0:10:05 | |
But playing the mating game here...isn't easy. | 0:10:07 | 0:10:11 | |
Fortunately, topi are ever-alert to the danger. | 0:10:16 | 0:10:20 | |
With ears pricked and a knowing stare, | 0:10:25 | 0:10:29 | |
they warn the herd with a loud snort. | 0:10:29 | 0:10:32 | |
SNORT! | 0:10:32 | 0:10:33 | |
SNORT! | 0:10:35 | 0:10:37 | |
SNORT! | 0:10:38 | 0:10:39 | |
SNORT! | 0:10:41 | 0:10:43 | |
SNORT! | 0:10:43 | 0:10:45 | |
Once her cover's blown... | 0:10:46 | 0:10:48 | |
..a lioness has no chance of sneaking up unnoticed. | 0:10:49 | 0:10:53 | |
So it's back to the matter at hand. | 0:10:56 | 0:10:58 | |
And time is running out. | 0:11:00 | 0:11:03 | |
You see, female topi are only in season for one day of the year. | 0:11:03 | 0:11:08 | |
And they have a whole herd of prospective partners to choose from. | 0:11:10 | 0:11:14 | |
So competition between these males is intense. | 0:11:16 | 0:11:19 | |
Losing a fight means making do with | 0:11:30 | 0:11:33 | |
a position on the outskirts of the herd, | 0:11:33 | 0:11:36 | |
where it's much harder to attract a mate. | 0:11:36 | 0:11:40 | |
Fortunately, a female is passing by. | 0:11:43 | 0:11:47 | |
It's his big chance to impress. | 0:11:49 | 0:11:52 | |
But she barely notices him. | 0:12:06 | 0:12:08 | |
He's going to have to try something a bit more, well, underhand. | 0:12:15 | 0:12:21 | |
First, he scans the scene. | 0:12:23 | 0:12:27 | |
No sign of danger. | 0:12:27 | 0:12:30 | |
Which makes what he's about to do very devious indeed. | 0:12:30 | 0:12:35 | |
SNORT! | 0:12:35 | 0:12:36 | |
SNORT! | 0:12:36 | 0:12:38 | |
SNORT! | 0:12:38 | 0:12:40 | |
SNORT! | 0:12:40 | 0:12:42 | |
This alarm call will stop any female in her tracks | 0:12:43 | 0:12:46 | |
because it means that a predator must be nearby. | 0:12:46 | 0:12:50 | |
SNORT! | 0:12:50 | 0:12:52 | |
But it's a complete con. | 0:12:52 | 0:12:54 | |
A false alarm just to keep her close. | 0:12:56 | 0:13:00 | |
And by delaying a female just a little bit, | 0:13:01 | 0:13:04 | |
he gives himself another vital chance to mate. | 0:13:04 | 0:13:09 | |
And she is none the wiser. | 0:13:12 | 0:13:14 | |
Now, male topi who use this trick, and many of them do, | 0:13:17 | 0:13:20 | |
get on average three more matings with every female that they fool. | 0:13:20 | 0:13:26 | |
OK, it may be dishonest, but it works. | 0:13:29 | 0:13:35 | |
And you know the really smart bit? | 0:13:37 | 0:13:40 | |
They don't use these false alarm calls outside of the breeding season. | 0:13:40 | 0:13:45 | |
So our two-faced topi never gets caught crying wolf. | 0:13:45 | 0:13:49 | |
So a strategically-timed trick can keep a female close at hand. | 0:13:54 | 0:13:59 | |
But other ladies are far more demanding. | 0:14:02 | 0:14:04 | |
And to win their attention, males have to pull off | 0:14:07 | 0:14:10 | |
the most elaborate deceptions in the natural world. | 0:14:10 | 0:14:14 | |
'The outback - tough, unforgiving. | 0:14:23 | 0:14:26 | |
HE EXHALES | 0:14:27 | 0:14:29 | |
'Just like one of its female residents. | 0:14:29 | 0:14:32 | |
'And in an attempt to impress her, | 0:14:35 | 0:14:37 | |
'one male has created something truly extraordinary.' | 0:14:37 | 0:14:42 | |
But this designer has a devious side. | 0:14:46 | 0:14:49 | |
I give you the one and the only great bowerbird. | 0:14:51 | 0:14:56 | |
'Yes! He's one of nature's greatest architects. | 0:15:01 | 0:15:04 | |
'But this isn't a nest, it's a bower. | 0:15:06 | 0:15:09 | |
'It's built purely to impress a female.' | 0:15:10 | 0:15:13 | |
It's designed to entice her, to intrigue her, | 0:15:17 | 0:15:20 | |
to keep her around long enough to give him a chance to mate. | 0:15:20 | 0:15:24 | |
I think it's a fair comparison to say that this bower is | 0:15:26 | 0:15:30 | |
a bit like the male's internet dating profile. | 0:15:30 | 0:15:33 | |
It's something that he's got to tinker with, | 0:15:33 | 0:15:36 | |
fiddle with until he gets it exactly right. | 0:15:36 | 0:15:39 | |
Because it's got to work. | 0:15:39 | 0:15:41 | |
It's got to attract a member of the opposite sex. | 0:15:41 | 0:15:44 | |
But let's be honest, we all know how this game works. | 0:15:46 | 0:15:49 | |
Dating profiles are always improved | 0:15:49 | 0:15:52 | |
with a few, let's say, embellishments. | 0:15:52 | 0:15:56 | |
And our bird has done something similar. | 0:15:58 | 0:16:00 | |
He's built something sneaky into his bower. | 0:16:00 | 0:16:03 | |
An incredible visual trick. | 0:16:04 | 0:16:07 | |
Let me demonstrate. | 0:16:09 | 0:16:10 | |
By taking objects that we know the scale of | 0:16:25 | 0:16:28 | |
and playing with the perspective, we can trick the mind | 0:16:28 | 0:16:32 | |
and make it think that they've magically changed size. | 0:16:32 | 0:16:37 | |
It's an illusion we called forced perspective. | 0:16:37 | 0:16:40 | |
And the bowerbird's curious construction | 0:16:44 | 0:16:47 | |
is using just this technique. | 0:16:47 | 0:16:49 | |
An abandoned bower can show us how. | 0:16:51 | 0:16:54 | |
The design of the bower is based around this central avenue here, | 0:16:54 | 0:17:00 | |
which opens out on to an arena at each end. | 0:17:00 | 0:17:04 | |
And that's made up of small grey or white objects. | 0:17:04 | 0:17:08 | |
And we call it the gesso. | 0:17:08 | 0:17:10 | |
There are some more objects, a pile of stones right in the centre here. | 0:17:10 | 0:17:14 | |
The male hopes that the female will watch him | 0:17:14 | 0:17:17 | |
from that spot as he displays outside, on that arena. | 0:17:17 | 0:17:22 | |
But recently, scientists have discovered that the male has | 0:17:24 | 0:17:27 | |
created an extraordinary illusion. | 0:17:27 | 0:17:31 | |
And it's all down to the arrangement of the objects on the gesso. | 0:17:31 | 0:17:35 | |
Take a look. Those closest to the avenue entrance are quite small. | 0:17:35 | 0:17:41 | |
Those halfway across are a little larger. | 0:17:41 | 0:17:46 | |
And those furthest away are the biggest of all. | 0:17:46 | 0:17:52 | |
So let's see how this tricks a prospective mate. | 0:17:53 | 0:17:57 | |
She's inside the bower. | 0:18:03 | 0:18:05 | |
In just the position for the illusion to work. | 0:18:06 | 0:18:10 | |
Now, usually, the further things are away from us, the smaller they look. | 0:18:14 | 0:18:19 | |
But our bowerbird has reversed this with his gradient of stones. | 0:18:21 | 0:18:28 | |
And when the female stands in the bower... | 0:18:28 | 0:18:31 | |
..it changes how the world is supposed to look. | 0:18:32 | 0:18:36 | |
And just like us looking at the cars, | 0:18:39 | 0:18:43 | |
or other forced-perspective illusions... | 0:18:43 | 0:18:46 | |
..it takes her a while to make sense of what she's seeing. | 0:18:48 | 0:18:53 | |
And this makes her stay a few crucial seconds longer. | 0:18:55 | 0:19:01 | |
His beautiful illusion is enhanced | 0:19:03 | 0:19:05 | |
by the movement of objects that he tosses in front of it. | 0:19:05 | 0:19:09 | |
Watch this. | 0:19:09 | 0:19:10 | |
Come on, you have to admire the lengths he's going to | 0:19:40 | 0:19:43 | |
to pull his bird. | 0:19:43 | 0:19:45 | |
SQUAWKING | 0:19:45 | 0:19:47 | |
Success! | 0:20:00 | 0:20:02 | |
This is the first time that any animal on earth | 0:20:04 | 0:20:07 | |
has been seen to be using the illusion of forced perspective. | 0:20:07 | 0:20:12 | |
It's an illusion, it's a strategy that works. | 0:20:14 | 0:20:18 | |
What a bird! What...a bird! | 0:20:18 | 0:20:22 | |
Remarkable new science is revealing that animals across the world... | 0:20:28 | 0:20:33 | |
..are using mind-bending optical illusions in the mating game. | 0:20:35 | 0:20:40 | |
In the forests of South America... | 0:20:42 | 0:20:44 | |
..this male wire-tailed manakin | 0:20:45 | 0:20:48 | |
displays to a mate with his bright colouration. | 0:20:48 | 0:20:51 | |
And he's got a neat trick to maximise his assets. | 0:20:52 | 0:20:56 | |
Now, take a look at this. | 0:21:00 | 0:21:02 | |
What would you say if I told you that this strip | 0:21:02 | 0:21:05 | |
running across the centre of the panel was all the same colour? | 0:21:05 | 0:21:10 | |
You might disbelieve me because your eyes, like mine, | 0:21:10 | 0:21:13 | |
are probably telling you | 0:21:13 | 0:21:15 | |
that it's darker at this end and lighter at this. | 0:21:15 | 0:21:18 | |
But I can prove that we've got it wrong. | 0:21:18 | 0:21:21 | |
If I take the strip off and hold it down here, | 0:21:21 | 0:21:25 | |
you can see that it is indeed all the same colour. | 0:21:25 | 0:21:29 | |
And this is an example of the simultaneous brightness | 0:21:29 | 0:21:33 | |
contrast effect. | 0:21:33 | 0:21:35 | |
And the sneaky manakin is using just this illusion. | 0:21:40 | 0:21:45 | |
He needs to appear to be as bright, as vivid as possible. | 0:21:47 | 0:21:51 | |
Yet he displays in dark shadows under the rainforest canopy. | 0:21:53 | 0:21:58 | |
So, why on earth would he do that? | 0:22:00 | 0:22:02 | |
Let's imagine each of these discs | 0:22:05 | 0:22:07 | |
represents a male brightly-coloured bird of the same species. | 0:22:07 | 0:22:12 | |
I'll put the first one of these male birds on here | 0:22:12 | 0:22:15 | |
and then I'll put the second one displaying over here, in the shade. | 0:22:15 | 0:22:20 | |
And look at that. | 0:22:20 | 0:22:22 | |
There's absolutely no doubt at all | 0:22:22 | 0:22:24 | |
that the bird that's displaying in the shade looks much brighter. | 0:22:24 | 0:22:29 | |
And this isn't down to the way we receive things optically, | 0:22:29 | 0:22:33 | |
it's down to the way that our brains, and those of the birds, | 0:22:33 | 0:22:37 | |
register contrast. | 0:22:37 | 0:22:39 | |
It is a mind-blowing effect. | 0:22:39 | 0:22:43 | |
A shady and successful deception. | 0:22:44 | 0:22:47 | |
Visual trickery gives some males the edge when it comes to attraction. | 0:22:50 | 0:22:55 | |
But most use a far more straightforward approach. | 0:22:57 | 0:23:01 | |
Simply be THE biggest. | 0:23:01 | 0:23:04 | |
# Get up, get on up | 0:23:06 | 0:23:09 | |
# Get up, get on up...# | 0:23:09 | 0:23:11 | |
Despite all the debate, I can tell you that when it comes to | 0:23:11 | 0:23:15 | |
impressing the opposite sex, size really does matter. | 0:23:15 | 0:23:20 | |
It helps females make a choice. | 0:23:23 | 0:23:26 | |
Because it's an honest representation | 0:23:26 | 0:23:28 | |
of the male's underlying strength and fitness. | 0:23:28 | 0:23:31 | |
It's a foolproof plan. | 0:23:33 | 0:23:35 | |
Well, unless, of course, you can cheat the system. | 0:23:36 | 0:23:39 | |
Meet the fiddler crab. | 0:23:47 | 0:23:50 | |
This one enormous claw means that he's a male. | 0:23:53 | 0:23:58 | |
Eyeing up the beach, he's looking for a mate. | 0:24:02 | 0:24:05 | |
And his oversized appendage is the way to win her over. | 0:24:07 | 0:24:11 | |
So he takes pride in its appearance. | 0:24:12 | 0:24:15 | |
All he has to do is wave it in the air to attract a passing female. | 0:24:16 | 0:24:21 | |
The problem is... | 0:24:23 | 0:24:25 | |
..there's a little competition. | 0:24:26 | 0:24:28 | |
Look at it, it's heaving with them. | 0:24:35 | 0:24:37 | |
Sometimes, you can find 45 crabs in one square metre of mud. | 0:24:37 | 0:24:43 | |
Now, when the females are receptive, | 0:24:58 | 0:25:00 | |
they leave their burrows to size up the local talent. | 0:25:00 | 0:25:03 | |
And whilst most of the males sport an average appendage, | 0:25:09 | 0:25:13 | |
others are rather better endowed. | 0:25:13 | 0:25:15 | |
Which goes down pretty well with the females. | 0:25:19 | 0:25:23 | |
# Baby, here I am I'm the man on the scene | 0:25:25 | 0:25:30 | |
# I can give you what you want But you got to go home with me. # | 0:25:30 | 0:25:35 | |
And begs the question, how does the less-equipped male actually compete? | 0:25:35 | 0:25:39 | |
He needs to make his claw stand out in the crowd. | 0:25:43 | 0:25:47 | |
But how? | 0:25:49 | 0:25:51 | |
Well, scientists noticed that these crabs | 0:25:51 | 0:25:54 | |
are very particular about their neighbours. | 0:25:54 | 0:25:57 | |
Let me show you something. | 0:25:59 | 0:26:01 | |
It's a little optical illusion that might explain what's going on here. | 0:26:01 | 0:26:06 | |
And all I need is a small, round stone. | 0:26:06 | 0:26:10 | |
If we copy the stone | 0:26:17 | 0:26:20 | |
and surround one with larger stones | 0:26:20 | 0:26:23 | |
and one with smaller stones, | 0:26:23 | 0:26:25 | |
the stone on the left appears smaller than that on the right. | 0:26:25 | 0:26:31 | |
But if we switch sides... | 0:26:31 | 0:26:32 | |
..the other stone appears smaller. | 0:26:34 | 0:26:36 | |
This is a trick of visual perception | 0:26:38 | 0:26:40 | |
and it's known as the Ebbinghaus illusion. | 0:26:40 | 0:26:43 | |
If a crab could surround itself with smaller males, | 0:26:48 | 0:26:52 | |
then this trick might just work. | 0:26:52 | 0:26:55 | |
Because its claw would look larger than it really is, | 0:26:55 | 0:26:59 | |
just like the stone. | 0:26:59 | 0:27:02 | |
The question is, though, | 0:27:02 | 0:27:04 | |
how could an animal like a crab go about organising something like that? | 0:27:04 | 0:27:09 | |
Well, he can't just wander around and stand next to a smaller-clawed crab | 0:27:13 | 0:27:18 | |
to make his look bigger, he's got to stay near his burrow. | 0:27:18 | 0:27:22 | |
It's vital for his survival. | 0:27:22 | 0:27:24 | |
It's his bolthole at high tide. | 0:27:28 | 0:27:31 | |
And to escape from predators. | 0:27:33 | 0:27:35 | |
So instead, he does something extraordinary. | 0:27:42 | 0:27:47 | |
He manipulates his neighbours. | 0:27:47 | 0:27:49 | |
If a rival male moves into the territory next door | 0:27:50 | 0:27:55 | |
and it's got a small claw, | 0:27:55 | 0:27:58 | |
then the central crab doesn't bother to challenge it at all. | 0:27:58 | 0:28:02 | |
It will only challenge a new neighbour | 0:28:02 | 0:28:05 | |
if it arrives with a large claw. | 0:28:05 | 0:28:07 | |
And it doesn't stop there. | 0:28:11 | 0:28:13 | |
You see, he'll also defend his small-clawed neighbours | 0:28:15 | 0:28:19 | |
by driving out any intruder with a large claw. | 0:28:19 | 0:28:22 | |
All for his own gain. | 0:28:28 | 0:28:31 | |
Because if he can permanently surround himself | 0:28:31 | 0:28:34 | |
with small-clawed neighbours, | 0:28:34 | 0:28:37 | |
then his average claw will appear relatively much larger. | 0:28:37 | 0:28:43 | |
Simple and beautiful. | 0:28:43 | 0:28:46 | |
And I can actually see it happening right here, now, in front of me. | 0:28:46 | 0:28:52 | |
It's a very sneaky solution from a very crafty crustacean. | 0:28:55 | 0:29:00 | |
I love it when it's the little things that really get you going. | 0:29:04 | 0:29:07 | |
Not the tigers, the dolphins or the chimpanzees, but the crabs. | 0:29:07 | 0:29:12 | |
How many times have you not looked at a crab? | 0:29:12 | 0:29:16 | |
Just thought, "Well, it's a crab". | 0:29:16 | 0:29:18 | |
And yet their life histories, | 0:29:18 | 0:29:20 | |
their lifestyles are incredibly fascinating. | 0:29:20 | 0:29:24 | |
I mean, waving your claw about and making it look bigger. | 0:29:24 | 0:29:29 | |
It's brilliant. It's absolutely brilliant. | 0:29:29 | 0:29:32 | |
From artful illusions, let's move on to blatant cheats. | 0:29:40 | 0:29:44 | |
You see, some males will go to extreme lengths | 0:29:48 | 0:29:51 | |
to trick the competition and beguile the girl. | 0:29:51 | 0:29:54 | |
And to start the next generation, | 0:29:59 | 0:30:03 | |
one animal is even breaking the fundamental laws of nature. | 0:30:03 | 0:30:08 | |
'The Brouage wetlands are the stronghold | 0:30:12 | 0:30:15 | |
'of a spectacular bird of prey. | 0:30:15 | 0:30:17 | |
'The marsh harrier.' | 0:30:18 | 0:30:21 | |
In the breeding season, this male has a problem. | 0:30:26 | 0:30:30 | |
Competition with other males over breeding territories is intense. | 0:30:33 | 0:30:37 | |
SQUAWKING | 0:30:37 | 0:30:39 | |
But he has an extraordinary solution. | 0:30:43 | 0:30:46 | |
In fact, a ground-breaking discovery has completely changed | 0:30:49 | 0:30:54 | |
everything I thought I knew about this bird. | 0:30:54 | 0:30:58 | |
Take a look at this. | 0:30:58 | 0:31:00 | |
This is what I'd call a pretty typical adult male marsh harrier. | 0:31:00 | 0:31:05 | |
It's got these grey panels in its wings and this plain grey tail. | 0:31:05 | 0:31:10 | |
And I'd have said that was a male. I'd be pretty certain about that. | 0:31:10 | 0:31:13 | |
I'd have said that this one was a female. | 0:31:13 | 0:31:15 | |
It's a much browner bird | 0:31:15 | 0:31:17 | |
and it has these pale leading edges to the wings here and a pale head. | 0:31:17 | 0:31:22 | |
I'd have said it was a female, but I'd have been wrong. | 0:31:22 | 0:31:26 | |
You see, this isn't a female, it's a male in disguise. | 0:31:26 | 0:31:31 | |
Since he became an adult, | 0:31:33 | 0:31:35 | |
this male has grown feathers that make him look like a female. | 0:31:35 | 0:31:40 | |
It's remarkable because in many species, the harriers included, | 0:31:42 | 0:31:46 | |
males and females deliberately look different. | 0:31:46 | 0:31:51 | |
It's called sexual dimorphism. | 0:31:53 | 0:31:56 | |
Both sexes use these visual cues | 0:31:58 | 0:32:00 | |
to know how to behave towards one another. | 0:32:00 | 0:32:04 | |
Whether to fight, or to flirt. | 0:32:05 | 0:32:09 | |
So, why would this bird intentionally put on this pretence? | 0:32:10 | 0:32:16 | |
What's going on here really is quite extraordinary. | 0:32:16 | 0:32:19 | |
And scientists have been studying these birds | 0:32:19 | 0:32:22 | |
to see why they're doing something so extreme. | 0:32:22 | 0:32:25 | |
And the results they've come up with are truly remarkable. | 0:32:25 | 0:32:29 | |
'I'm in the middle of a male marsh harrier's territory. | 0:32:31 | 0:32:34 | |
'And using these models, I'm going to conduct an experiment.' | 0:32:34 | 0:32:38 | |
Under the strict guidance of the scientist working here, | 0:32:40 | 0:32:44 | |
I'm introducing an intruder into this territory | 0:32:44 | 0:32:48 | |
in the form of this decoy, | 0:32:48 | 0:32:50 | |
which has been very accurately painted | 0:32:50 | 0:32:53 | |
to look like a typical, traditionally-marked male marsh harrier. | 0:32:53 | 0:32:58 | |
'Here's the resident male.' | 0:33:05 | 0:33:07 | |
During the breeding season, | 0:33:13 | 0:33:15 | |
male marsh harriers are fiercely protective of their nesting sites. | 0:33:15 | 0:33:19 | |
He's spotted the decoy. | 0:33:21 | 0:33:23 | |
Legs down, talons out. | 0:33:31 | 0:33:33 | |
SQUAWKING | 0:33:35 | 0:33:37 | |
This is a clear threat to the intruder. | 0:33:37 | 0:33:40 | |
Who he sees as a rival. | 0:33:42 | 0:33:44 | |
'But what happens if we put out a different decoy? | 0:33:46 | 0:33:49 | |
'Enter the female mimic. | 0:33:50 | 0:33:53 | |
'How's he going to react to this one?' | 0:33:58 | 0:34:00 | |
Here is our male. It's drifting over the reeds now. | 0:34:01 | 0:34:06 | |
Here it is, here it is. | 0:34:07 | 0:34:09 | |
Right over the decoy. | 0:34:09 | 0:34:12 | |
And there's no doubt at all that he saw that decoy. | 0:34:12 | 0:34:15 | |
There was no aggression there at all. He just drifted past. | 0:34:15 | 0:34:19 | |
Pretending to be female stops these male birds from being attacked. | 0:34:21 | 0:34:26 | |
Using their devious disguise, they sneak past other males | 0:34:26 | 0:34:30 | |
and right over their turf without any conflict. | 0:34:30 | 0:34:35 | |
Then they set up their own territory right on the doorstep | 0:34:37 | 0:34:42 | |
of a typical-coloured male. | 0:34:42 | 0:34:44 | |
'But, of course, the ultimate goal for these males is still to breed.' | 0:34:47 | 0:34:52 | |
So, how does that work? | 0:34:53 | 0:34:54 | |
Well, when our cheat meets a real female, he switches tactics. | 0:34:57 | 0:35:02 | |
SQUAWKING | 0:35:02 | 0:35:04 | |
Just like a typical male, he courts her with an elaborate sky dance. | 0:35:04 | 0:35:09 | |
She has no doubts at all that he's a male bird. | 0:35:12 | 0:35:15 | |
'They settle down to raise the next generation.' | 0:35:22 | 0:35:24 | |
He gets access to prime hunting grounds | 0:35:26 | 0:35:29 | |
and can bring up his chicks without any conflict. | 0:35:29 | 0:35:33 | |
It's great, isn't it? | 0:35:33 | 0:35:35 | |
This uniquely sneaky strategy | 0:35:35 | 0:35:38 | |
means that the cross-dressing male | 0:35:38 | 0:35:41 | |
has a much easier time when it comes to rearing his family. | 0:35:41 | 0:35:45 | |
But you know the most remarkable thing of all? | 0:35:45 | 0:35:48 | |
It's such a successful strategy | 0:35:48 | 0:35:51 | |
that 40% of the male marsh harriers in this population | 0:35:51 | 0:35:56 | |
are now using it to their advantage. | 0:35:56 | 0:36:00 | |
These marsh harriers are committed to their cross-dressing colouration | 0:36:03 | 0:36:07 | |
for their entire lives. | 0:36:07 | 0:36:08 | |
But in the ocean, there is | 0:36:16 | 0:36:18 | |
an animal that can change its disguise in just an instant. | 0:36:18 | 0:36:21 | |
Giant Australian cuttlefish, up to a metre long, are gathering to breed. | 0:36:27 | 0:36:33 | |
The marble-coloured females | 0:36:36 | 0:36:38 | |
draw in their tentacles to show that they're impressed by a male. | 0:36:38 | 0:36:43 | |
The big guys with bold, | 0:36:44 | 0:36:47 | |
striped courtship patterns dominate this crowd. | 0:36:47 | 0:36:50 | |
They guard females underneath their bodies. | 0:36:52 | 0:36:55 | |
A small male has a tough time even getting a look-in. | 0:36:59 | 0:37:04 | |
The dominant male sees him off with an eight-legged arm-wrestle. | 0:37:04 | 0:37:08 | |
But this little chancer is about to pull off his party trick. | 0:37:15 | 0:37:20 | |
He draws in his tentacles to look like a female. | 0:37:23 | 0:37:27 | |
But that's not all. He even changes his pattern to complete the con. | 0:37:31 | 0:37:37 | |
Using this devious drag act, he slips underneath the male. | 0:37:47 | 0:37:52 | |
As far as the big guy's concerned, he's now protecting another female. | 0:37:53 | 0:37:59 | |
But beneath him, our cross-dresser is mating with his female! | 0:38:00 | 0:38:05 | |
And he's ensured that at least some of the next generation belong to him! | 0:38:07 | 0:38:12 | |
These elaborate illusions, tricks and cons | 0:38:20 | 0:38:23 | |
give animals an advantage when it comes to mating. | 0:38:23 | 0:38:28 | |
But there's a bigger challenge ahead once their little ones are born. | 0:38:29 | 0:38:34 | |
WAVES CRASH | 0:38:35 | 0:38:37 | |
To make sure their offspring survive, | 0:38:42 | 0:38:45 | |
animals have to provide food, shelter and protection around the clock. | 0:38:45 | 0:38:51 | |
It's a massive investment of time and energy. | 0:38:52 | 0:38:56 | |
So perhaps it's no surprise that some of them | 0:38:58 | 0:39:01 | |
have found very sneaky ways to reduce these childcare costs. | 0:39:01 | 0:39:06 | |
Introducing the emperor tamarin. | 0:39:08 | 0:39:11 | |
Ouch! | 0:39:20 | 0:39:21 | |
They're called emperor tamarins because of this extraordinary | 0:39:21 | 0:39:25 | |
moustache here. | 0:39:25 | 0:39:26 | |
Reminiscent of a Chinese emperor. | 0:39:26 | 0:39:29 | |
And as you can see, they're a very small monkey species, | 0:39:29 | 0:39:32 | |
which means they can occupy a very particular niche. | 0:39:32 | 0:39:36 | |
They can reach right to the end of the thinnest little twigs, | 0:39:36 | 0:39:40 | |
where they forage for fruits and also for insects. | 0:39:40 | 0:39:44 | |
But, of course, being small does also come with some disadvantages. | 0:39:44 | 0:39:49 | |
Particularly when it comes to having your young. Ouch! | 0:39:49 | 0:39:52 | |
Emperor tamarins live in the rainforests of South America. | 0:39:58 | 0:40:02 | |
This female, named RC because of her radio collar, is a new mum. | 0:40:05 | 0:40:10 | |
These tamarins are tiny. | 0:40:15 | 0:40:16 | |
So to make childbirth easier, | 0:40:18 | 0:40:20 | |
they have two smaller twins rather than one large baby. | 0:40:20 | 0:40:24 | |
Nevertheless, together, | 0:40:27 | 0:40:29 | |
these twins weigh about 50% of her own body weight. | 0:40:29 | 0:40:33 | |
That's a bit like me carrying a couple of... | 0:40:37 | 0:40:39 | |
Well, not just carrying a couple of toddlers around, | 0:40:39 | 0:40:42 | |
but leaping around in the branches of a tree, | 0:40:42 | 0:40:45 | |
carrying a couple of toddlers. | 0:40:45 | 0:40:47 | |
It's a real burden. | 0:40:47 | 0:40:49 | |
A burden on their ability to find food for themselves | 0:40:49 | 0:40:51 | |
and successfully rear those young. | 0:40:51 | 0:40:53 | |
They need some help. | 0:40:53 | 0:40:55 | |
And to get it, RC has been very devious indeed. | 0:40:57 | 0:41:02 | |
Scientists have discovered that she's at the centre | 0:41:07 | 0:41:11 | |
of an elaborate con. | 0:41:11 | 0:41:12 | |
They use coloured beads to identify the males in the group. | 0:41:16 | 0:41:20 | |
This one is Purple Beads. | 0:41:20 | 0:41:22 | |
RC mated with him five months ago. | 0:41:24 | 0:41:27 | |
And he's arrived to help bring up the babies. | 0:41:29 | 0:41:32 | |
That's good news. The childcare is now split 50/50. | 0:41:39 | 0:41:42 | |
But hang on. Red Beads has also reported for childcare duty. | 0:41:46 | 0:41:52 | |
And finally, No Beads is also taking a turn looking after the twins. | 0:41:57 | 0:42:03 | |
Now, with childcare covered, RC can finally forage. | 0:42:08 | 0:42:13 | |
Getting food for herself and to help produce milk for the twins. | 0:42:15 | 0:42:20 | |
The question is, how on earth has she enlisted so much help? | 0:42:23 | 0:42:26 | |
Well, back in the breeding season, | 0:42:28 | 0:42:30 | |
it turns out that RC didn't just mate with Purple Beads. | 0:42:30 | 0:42:34 | |
She deliberately mated with Red Beads. | 0:42:41 | 0:42:45 | |
And No Beads, as well. | 0:42:46 | 0:42:48 | |
It's created such confusion | 0:42:50 | 0:42:52 | |
that now, none of the males actually know who's the daddy. | 0:42:52 | 0:42:57 | |
But if there's any possibility that the twins are theirs, | 0:43:02 | 0:43:05 | |
then, of course, it makes sense to invest in looking after them. | 0:43:05 | 0:43:09 | |
So they all chip in with the childcare. | 0:43:10 | 0:43:14 | |
By playing the genetics to her advantage, | 0:43:14 | 0:43:18 | |
RC has elicited more than enough help. | 0:43:18 | 0:43:21 | |
It's an absolutely brilliant maternal monkey con. | 0:43:23 | 0:43:27 | |
It's magnificent. | 0:43:27 | 0:43:29 | |
It's hats off to the tamarin. | 0:43:29 | 0:43:31 | |
So two-timing tactics | 0:43:40 | 0:43:42 | |
are a way of shirking some parenting responsibilities. | 0:43:42 | 0:43:45 | |
But other cheats have managed to get out of childcare altogether. | 0:43:49 | 0:43:53 | |
BIRDSONG | 0:43:54 | 0:43:56 | |
And this plays out as one of the darkest deceptions of all. | 0:43:59 | 0:44:03 | |
Meet the greater honeyguide. | 0:44:06 | 0:44:09 | |
CHIRPING | 0:44:09 | 0:44:11 | |
As its name suggests, it guides people to honey-filled bees' nests. | 0:44:13 | 0:44:19 | |
The deal is that both sides get a reward. | 0:44:27 | 0:44:30 | |
So our honeyguide seems a caring, sharing kind of bird. | 0:44:34 | 0:44:39 | |
But when it comes to parenting, she has a sinister secret. | 0:44:39 | 0:44:43 | |
Because she doesn't do any at all. | 0:44:44 | 0:44:48 | |
And the key is conning another species. | 0:44:49 | 0:44:52 | |
An unsuspecting pair of little bee-eaters. | 0:44:54 | 0:44:58 | |
Their nest is just inside an abandoned aardvark burrow. | 0:45:03 | 0:45:07 | |
It's pitch-black in here, but with the help of specialist cameras, | 0:45:12 | 0:45:17 | |
we can reveal the extraordinary events inside this nest. | 0:45:17 | 0:45:21 | |
The bee-eaters incubate their precious eggs around the clock. | 0:45:26 | 0:45:29 | |
Each is barely the size of a fingernail. | 0:45:33 | 0:45:37 | |
But look closer. | 0:45:37 | 0:45:39 | |
The slightly larger one is the egg of our honeyguide. | 0:45:42 | 0:45:46 | |
Her devious plan has already been laid. | 0:45:49 | 0:45:53 | |
You see, honeyguides are brood parasites. | 0:45:54 | 0:45:58 | |
Much like another bird we're very familiar with. | 0:45:58 | 0:46:01 | |
The Eurasian cuckoo. | 0:46:04 | 0:46:06 | |
They lay their eggs in other birds' nests. | 0:46:10 | 0:46:13 | |
And apart from a small size difference, | 0:46:14 | 0:46:17 | |
they mimic them perfectly. | 0:46:17 | 0:46:19 | |
The parents, in this case, a pair of reed warblers, | 0:46:21 | 0:46:24 | |
are completely fooled, and they incubate them all. | 0:46:24 | 0:46:29 | |
Leaving the female cuckoo completely free of any responsibility. | 0:46:30 | 0:46:34 | |
Back in Africa, it's a similar story. | 0:46:37 | 0:46:40 | |
The doting bee-eaters care for all of the eggs. | 0:46:45 | 0:46:48 | |
But the honeyguide has a new problem. | 0:46:48 | 0:46:52 | |
Her chick needs the bee-eater's sole attention to survive. | 0:46:53 | 0:46:58 | |
So, how is she going to orchestrate that? | 0:47:01 | 0:47:03 | |
One of the eggs has hatched, and it's the honeyguide's. | 0:47:12 | 0:47:17 | |
Exactly as she intended. | 0:47:19 | 0:47:21 | |
Our honeyguide incubated her egg inside her body before laying it. | 0:47:24 | 0:47:30 | |
Ensuring that it hatched first. | 0:47:32 | 0:47:35 | |
The bee-eaters have been completely duped. | 0:47:39 | 0:47:42 | |
They believe this colossal chick is their helpless first-born | 0:47:44 | 0:47:49 | |
and they do everything they can to care for it. | 0:47:49 | 0:47:52 | |
Keeping it warm... | 0:47:55 | 0:47:56 | |
..and working tirelessly to find it food. | 0:47:57 | 0:48:00 | |
But as the other eggs near their hatching date... | 0:48:09 | 0:48:12 | |
..all of this is about to change. | 0:48:13 | 0:48:16 | |
Above ground, the cuckoo chick has an extremely underhand way | 0:48:21 | 0:48:25 | |
of dealing with the competition. | 0:48:25 | 0:48:27 | |
The imposter's innate response to unhatched eggs... | 0:48:30 | 0:48:34 | |
..is quite extraordinary. | 0:48:35 | 0:48:36 | |
It heaves them straight out of the nest. | 0:48:39 | 0:48:42 | |
Removing the problem. | 0:48:51 | 0:48:52 | |
And ensuring that it gets all of the food. | 0:48:54 | 0:48:58 | |
Until it's old enough to fledge, | 0:48:59 | 0:49:01 | |
no matter how...big...it gets. | 0:49:01 | 0:49:05 | |
But our honeyguide chick can't kick out the other eggs. | 0:49:14 | 0:49:19 | |
It's deep underground in a burrow. | 0:49:19 | 0:49:21 | |
And these eggs are now starting to hatch. | 0:49:21 | 0:49:25 | |
It needs another way. | 0:49:31 | 0:49:33 | |
And the chick's solution would make its scheming mother proud. | 0:49:37 | 0:49:41 | |
It's been growing a very specialised razor-sharp bill. | 0:49:50 | 0:49:55 | |
Now, remember, it can't even see its rivals. | 0:50:06 | 0:50:10 | |
But it takes a stab in the dark. | 0:50:10 | 0:50:12 | |
This is pure instinct at play. | 0:50:17 | 0:50:20 | |
One by one, each of its foster siblings is killed. | 0:50:23 | 0:50:27 | |
This behaviour is a shocking new discovery. | 0:50:29 | 0:50:32 | |
But it's also a strategy that works. | 0:50:32 | 0:50:35 | |
The honeyguide chick now has the bee-eater's undivided attention | 0:50:39 | 0:50:43 | |
until it's ready to leave the nest. | 0:50:43 | 0:50:45 | |
As for the adult honeyguide, well, not only has she got out | 0:50:48 | 0:50:53 | |
of the effort of raising a family, | 0:50:53 | 0:50:54 | |
she never even sees her own chick. | 0:50:54 | 0:50:57 | |
Surely the most devious childcare plan that's ever been hatched? | 0:50:59 | 0:51:05 | |
Crafty cuckooing has to be the sneakiest way | 0:51:12 | 0:51:16 | |
of avoiding parenting duties. | 0:51:16 | 0:51:18 | |
But even the most dedicated parents face a problem. | 0:51:21 | 0:51:25 | |
Because, often, their offspring are also trying to trick them. | 0:51:25 | 0:51:29 | |
You see, all young animals have their own agenda. | 0:51:31 | 0:51:35 | |
They want more time, more food and more attention. | 0:51:36 | 0:51:40 | |
More than their parents want to give. | 0:51:41 | 0:51:43 | |
In nature, there's always an underlying conflict between parents | 0:51:51 | 0:51:56 | |
and their offspring. | 0:51:56 | 0:51:57 | |
A form of competition. | 0:51:57 | 0:51:59 | |
At times, the adults don't want to feed the young | 0:52:01 | 0:52:04 | |
quite as much as those young would like. | 0:52:04 | 0:52:07 | |
But I've got to tell you that some youngsters have come up with | 0:52:09 | 0:52:13 | |
an extraordinary scheme to get what they want. | 0:52:13 | 0:52:16 | |
These bold and boisterous | 0:52:22 | 0:52:23 | |
black and white birds are called pied babblers. | 0:52:23 | 0:52:26 | |
These striking four birds here are the adults. | 0:52:26 | 0:52:30 | |
Hiding in the shelter of the bushes are the plainer brown youngsters. | 0:52:32 | 0:52:37 | |
But don't be fooled by their dowdiness. | 0:52:39 | 0:52:42 | |
These young chicks are out to trick their own parents. | 0:52:42 | 0:52:45 | |
BABBLERS SQUAWK | 0:52:47 | 0:52:49 | |
They already have the whole family running around after them. | 0:52:52 | 0:52:55 | |
Their parents and the older siblings are working relentlessly | 0:52:58 | 0:53:02 | |
to satisfy their appetites. | 0:53:02 | 0:53:03 | |
But as far as they're concerned, that's still not enough. | 0:53:14 | 0:53:17 | |
So, is there anything that they could possibly do that would get them | 0:53:20 | 0:53:25 | |
any more food? | 0:53:25 | 0:53:26 | |
Well, yes. | 0:53:28 | 0:53:30 | |
Actually, there is. | 0:53:30 | 0:53:31 | |
But it's pretty outrageous. | 0:53:33 | 0:53:35 | |
It involves the babblers' predators. | 0:53:38 | 0:53:41 | |
The Kalahari is a dangerous place to live. | 0:53:42 | 0:53:46 | |
So, for a young bird, staying hidden is by far the safest option. | 0:53:46 | 0:53:51 | |
And yet, this is when they do something very strange indeed. | 0:53:53 | 0:53:58 | |
Rather than hiding from predators, | 0:53:58 | 0:54:01 | |
it's almost as if they've got a death wish. | 0:54:01 | 0:54:04 | |
These two youngsters have hopped right out into the open. | 0:54:25 | 0:54:30 | |
And they're making lots of noise. | 0:54:30 | 0:54:32 | |
This is asking for trouble, surely, | 0:54:33 | 0:54:36 | |
because they're very vulnerable to any predator. | 0:54:36 | 0:54:40 | |
Why would they be doing that? | 0:54:40 | 0:54:42 | |
Well, there's a reason for everything in nature. | 0:54:42 | 0:54:45 | |
Surely, there's got to be some method in this madness? | 0:54:47 | 0:54:52 | |
There is. | 0:55:01 | 0:55:02 | |
A remarkable new discovery is revealing a manipulative masterplan. | 0:55:02 | 0:55:07 | |
Consider the scenario. | 0:55:08 | 0:55:10 | |
We've all seen it. | 0:55:10 | 0:55:11 | |
A child having a tantrum in a supermarket aisle. | 0:55:11 | 0:55:14 | |
What it's doing is making a scene in public | 0:55:14 | 0:55:17 | |
so it might just get its bag of sweets. | 0:55:17 | 0:55:20 | |
And that's exactly what's going on here. | 0:55:20 | 0:55:23 | |
These chicks are trying to extort food from their parents. | 0:55:23 | 0:55:28 | |
And I'm going to demonstrate exactly how they're doing it, | 0:55:32 | 0:55:35 | |
with the predator warning call of one of the babblers' neighbours. | 0:55:35 | 0:55:39 | |
I've got the alarm call of a starling. | 0:55:41 | 0:55:44 | |
So, I'm going to play this to these babblers | 0:55:44 | 0:55:46 | |
and see what their reaction is. | 0:55:46 | 0:55:48 | |
Obviously, if they know the alarm call, | 0:55:48 | 0:55:51 | |
they'll think that there's a predator present. | 0:55:51 | 0:55:53 | |
AGITATED BIRD CALL | 0:55:55 | 0:55:56 | |
Well, they didn't... They didn't need much of that, did they? | 0:55:58 | 0:56:01 | |
Clearly, these adults recognise that predator alarm call. | 0:56:01 | 0:56:05 | |
But just look at the chicks. | 0:56:07 | 0:56:10 | |
They're still out in the open, calling for food. | 0:56:10 | 0:56:13 | |
Now, to stop all of this noise attracting | 0:56:16 | 0:56:19 | |
the attention of predators, | 0:56:19 | 0:56:20 | |
the adults rush out to feed them. | 0:56:20 | 0:56:23 | |
They're trying to keep them quiet. | 0:56:23 | 0:56:25 | |
And by using this strategy, | 0:56:28 | 0:56:30 | |
the chicks can get fed an incredible nine times more food. | 0:56:30 | 0:56:36 | |
These chicks are blackmailing their parents. | 0:56:37 | 0:56:41 | |
It's despicable, | 0:56:41 | 0:56:42 | |
but wonderful. | 0:56:42 | 0:56:44 | |
Surely, these are the ultimate con artists? | 0:56:47 | 0:56:51 | |
Tricking their family from almost the moment they're born. | 0:56:53 | 0:56:56 | |
Parents all over the world have always suspected that they were | 0:57:02 | 0:57:06 | |
being blackmailed by their kids. | 0:57:06 | 0:57:08 | |
And, as this ground-breaking study shows, it's certainly the case. | 0:57:08 | 0:57:12 | |
Pied babbler, take a bow. | 0:57:13 | 0:57:16 | |
So, whether they're avoiding predators... | 0:57:23 | 0:57:26 | |
..finding food... | 0:57:26 | 0:57:27 | |
..or starting a family... | 0:57:28 | 0:57:30 | |
..we've met the devious animals that will stop at nothing... | 0:57:31 | 0:57:36 | |
..to get ahead in the game of life. | 0:57:36 | 0:57:39 | |
They really are the world's sneakiest animals. | 0:57:42 | 0:57:47 | |
I've been amazed, in fact, I've got to tell you I've been staggered | 0:57:52 | 0:57:55 | |
at the lengths they'll go to to transform their appearance, | 0:57:55 | 0:57:59 | |
or their behaviour. | 0:57:59 | 0:58:00 | |
I mean, you might have thought that only humans could be that crafty. | 0:58:00 | 0:58:05 | |
But, no. | 0:58:05 | 0:58:07 | |
Let's celebrate the illusionist, the con artist, those thieves. | 0:58:07 | 0:58:12 | |
The species that use spectacular deception | 0:58:12 | 0:58:16 | |
and incredible ingenuity to ensure their survival. | 0:58:16 | 0:58:21 | |
It's hats off to the natural born hustlers. | 0:58:21 | 0:58:25 |