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On row upon row of shelves in libraries like this one, | 0:00:25 | 0:00:29 | |
in the heart of the House of Commons, | 0:00:29 | 0:00:31 | |
there are books on philosophy, society and politics. | 0:00:31 | 0:00:34 | |
But, you know, there are only a very few authors who have managed | 0:00:34 | 0:00:37 | |
to combine all three disciplines and seen their ideas adopted | 0:00:37 | 0:00:41 | |
and sometimes put into practice. | 0:00:41 | 0:00:43 | |
Now working as a political journalist at a time | 0:00:43 | 0:00:45 | |
when politics is viewed with such scepticism, we asked some famous | 0:00:45 | 0:00:49 | |
faces to choose those political thinkers | 0:00:49 | 0:00:51 | |
they think really are worth celebrating. | 0:00:51 | 0:00:53 | |
In this programme, we're going to look at some of those who've | 0:00:53 | 0:00:56 | |
built on the ideas of the past | 0:00:56 | 0:00:58 | |
and made a modern contribution to how our politics works, | 0:00:58 | 0:01:01 | |
even if in our first instance that means tearing it all down | 0:01:01 | 0:01:05 | |
and starting again. | 0:01:05 | 0:01:07 | |
London's trashy, trendy Soho with its bars | 0:01:19 | 0:01:22 | |
and boutiques is not the first place that comes to mind | 0:01:22 | 0:01:24 | |
when you think of Karl Marx, but he'd be very at home here. | 0:01:24 | 0:01:27 | |
He was at home here. He lived in this building in the 1850s, | 0:01:27 | 0:01:30 | |
and London became the communist capital of the world at the time. | 0:01:30 | 0:01:34 | |
I'm off to meet a man who not only thinks Marx is much maligned, | 0:01:34 | 0:01:37 | |
but is still relevant today. | 0:01:37 | 0:01:39 | |
That's quite hard to do for 21st century society. | 0:01:40 | 0:01:43 | |
When the man was writing here, exiled from Paris in the 1850s, | 0:01:43 | 0:01:47 | |
but my guest wants to drag him | 0:01:47 | 0:01:49 | |
from museum relic to modern relevance, via the pub. | 0:01:49 | 0:01:52 | |
So come on, then, why do you like Marx so much? | 0:01:55 | 0:01:58 | |
To be honest, Giles, I could hardly avoid him growing up. | 0:01:58 | 0:02:01 | |
I've got four generations of family who were involved in some | 0:02:01 | 0:02:04 | |
sort of radical politics, more than a few copies of Karl Marx's books | 0:02:04 | 0:02:08 | |
-were lying around when I was growing up. -Actually, that's quite apt, | 0:02:08 | 0:02:11 | |
because we're sat in the Museum Tavern, opposite | 0:02:11 | 0:02:13 | |
the British Museum in London, and that's where he wrote Das Kapital. | 0:02:13 | 0:02:16 | |
But he's often more comfortable sat in the pub. | 0:02:16 | 0:02:18 | |
He certainly liked his drink, Marx. He's not the dour, | 0:02:18 | 0:02:20 | |
old crusty philosopher I think a lot of people think of him as. | 0:02:20 | 0:02:24 | |
He went on these infamous pub crawls. | 0:02:24 | 0:02:26 | |
He's once reputed to have smashed a mirror in this very pub with | 0:02:26 | 0:02:30 | |
a bar stool, for example. | 0:02:30 | 0:02:31 | |
He was chased by police officers because of his drunken antics. | 0:02:31 | 0:02:34 | |
Of course, it's not that that makes me so interested in Marx, | 0:02:34 | 0:02:37 | |
it's his ideas. I think, actually, a lot of them are still relevant today. | 0:02:37 | 0:02:40 | |
I'll give you one example - alienation. | 0:02:40 | 0:02:43 | |
It's this idea that by working for someone else, | 0:02:43 | 0:02:46 | |
you lose control over your own life, your own destiny, if you like. | 0:02:46 | 0:02:49 | |
You lose a bit of your own humanity. | 0:02:49 | 0:02:51 | |
I think today whether you work in a call centre or an office, | 0:02:51 | 0:02:54 | |
you can certainly drink to that. | 0:02:54 | 0:02:56 | |
-As Karl Marx would say, Prost. -Prost. | 0:02:56 | 0:02:58 | |
Dr Elizabeth Frazer, fellow in politics at New College Oxford, our | 0:03:00 | 0:03:04 | |
in-house expert says, "Like him or loathe him, Marx is a huge figure." | 0:03:04 | 0:03:09 | |
If you want an idea of how big Marx is, | 0:03:09 | 0:03:12 | |
then he's the one who's got an -ism with his name in front of it. | 0:03:12 | 0:03:16 | |
He's the only person for whom you can be a Marxist. | 0:03:16 | 0:03:21 | |
But criticism of Marx is extensive, from the academic | 0:03:21 | 0:03:24 | |
and economic to the enraged and impassioned. | 0:03:24 | 0:03:27 | |
Marx is criticised for exactly the reason that his admirers admire him. | 0:03:27 | 0:03:34 | |
According to him, it's production that explains everything else, | 0:03:34 | 0:03:38 | |
and many of his critics say that's just plain wrong. | 0:03:38 | 0:03:42 | |
There's another issue, which is that he | 0:03:42 | 0:03:45 | |
thought about the role of the Communist Party in a way that | 0:03:45 | 0:03:50 | |
with hindsight we can see enabled Lenin to | 0:03:50 | 0:03:54 | |
develop his idea of the vanguard party, and that opened up | 0:03:54 | 0:03:59 | |
the authoritarian state party systems of the Soviet era. | 0:03:59 | 0:04:04 | |
That's clearly something to put to a fan, | 0:04:07 | 0:04:08 | |
but not before I've shown him something | 0:04:08 | 0:04:11 | |
at the Marx Memorial Library. | 0:04:11 | 0:04:12 | |
There you are, Owen - Communist Manifesto. | 0:04:13 | 0:04:16 | |
Four decades after it was first published, | 0:04:16 | 0:04:18 | |
but still, that's the 1888 edition. | 0:04:18 | 0:04:20 | |
Which is extraordinary, cos that's only five years after Marx died | 0:04:20 | 0:04:23 | |
and Engels himself was still alive. | 0:04:23 | 0:04:24 | |
Don't forget, this is the second most read book on Earth after | 0:04:24 | 0:04:28 | |
-the Bible itself. -But isn't that the problem? | 0:04:28 | 0:04:31 | |
The Communist Manifesto, the connection to Marx. | 0:04:31 | 0:04:33 | |
It means of all thinkers, he's the one that gets the charge - | 0:04:33 | 0:04:37 | |
you're responsible for the death of millions of people. | 0:04:37 | 0:04:40 | |
But blaming Marx for the Stalinist totalitarian regimes which | 0:04:40 | 0:04:43 | |
killed millions of people, it's a bit like blaming Jesus for the Crusades. | 0:04:43 | 0:04:46 | |
There's absolutely nothing in his work whatsoever which backs | 0:04:46 | 0:04:50 | |
the Gulags, the Stalinist police state. | 0:04:50 | 0:04:52 | |
But there is lots in there about revolution. | 0:04:52 | 0:04:55 | |
Absolutely. But don't forget Marx was writing at a time of despots | 0:04:55 | 0:04:58 | |
and autocrats that dominated the European continent. | 0:04:58 | 0:05:01 | |
Even in Britain, there still wasn't universal suffrage even for men. | 0:05:01 | 0:05:05 | |
What Marx actually later argued was that | 0:05:05 | 0:05:08 | |
if you had universal suffrage for men, | 0:05:08 | 0:05:10 | |
you could have a democratic, peaceful transition to socialism because | 0:05:10 | 0:05:14 | |
it would allow a majority of working people to be elected to parliament. | 0:05:14 | 0:05:19 | |
So here we are, Highgate Cemetery. | 0:05:25 | 0:05:26 | |
Anyone who's seen it, Marx's grave, I think it's a fairly big monument. | 0:05:26 | 0:05:30 | |
That's the funny thing. Originally it was only a very small rock. | 0:05:30 | 0:05:33 | |
Marx was a modest man, | 0:05:33 | 0:05:34 | |
only a very few people actually even turned up to his funeral. | 0:05:34 | 0:05:37 | |
It was only the 1950s that this huge extravagant monument | 0:05:37 | 0:05:41 | |
we know today was actually put up. | 0:05:41 | 0:05:43 | |
So there he is. | 0:05:46 | 0:05:47 | |
What relevance does Marx have to our politics today, do you think? | 0:05:49 | 0:05:53 | |
Isn't it all a bit over? | 0:05:53 | 0:05:55 | |
You don't have to be an armed revolutionary or | 0:05:55 | 0:05:57 | |
even on the left to think that this was a pretty prescient bloke. | 0:05:57 | 0:06:00 | |
He predicted globalisation, he wrote of the need for capitalists to | 0:06:00 | 0:06:03 | |
constantly go across the globe for ever-expanding markets. | 0:06:03 | 0:06:07 | |
He wrote how capitalism lurched constantly from crisis to crisis, | 0:06:07 | 0:06:11 | |
and he also predicted that capitalism would create a huge working class. | 0:06:11 | 0:06:16 | |
If you look on a global scale, that's exactly what has happened. | 0:06:16 | 0:06:19 | |
If you want to understand the world, | 0:06:19 | 0:06:21 | |
if you're interested in social justice, you can't ignore Karl Marx. | 0:06:21 | 0:06:24 | |
Marx inspired a revolution, but Peter Kropotkin who lived | 0:06:31 | 0:06:34 | |
through it was an anarchist not a communist. | 0:06:34 | 0:06:37 | |
I'll make a bet that most people think | 0:06:45 | 0:06:48 | |
they know what an anarchist is | 0:06:48 | 0:06:50 | |
and wouldn't expect to find out about one | 0:06:50 | 0:06:52 | |
at the Royal Geographical Society in London, | 0:06:52 | 0:06:55 | |
but I'm here in Kensington to meet the editor of the Idler Magazine, | 0:06:55 | 0:06:58 | |
who thinks the work of Peter Alexeyevich Kropotkin can | 0:06:58 | 0:07:02 | |
tell us all about how to live our lives better. | 0:07:02 | 0:07:05 | |
-Tom, how are you? -Giles, hi. Very well. | 0:07:09 | 0:07:11 | |
Why have I come to the Royal Geographical Society to find | 0:07:11 | 0:07:14 | |
out about an anarchist? | 0:07:14 | 0:07:16 | |
Well, Kropotkin was a fascinating character. He was a Russian prince. | 0:07:16 | 0:07:20 | |
In his teens he joined the army and he served as page to the tsar, | 0:07:20 | 0:07:24 | |
and in his 20s he became an explorer. He was a geographer. | 0:07:24 | 0:07:27 | |
He did five-year trips across the mountains of Siberia, which he | 0:07:27 | 0:07:32 | |
wrote up in these learned journals and created fantastic, | 0:07:32 | 0:07:35 | |
beautiful maps which are still in use today here. | 0:07:35 | 0:07:38 | |
Later in life, he became the centuries foremost proponent | 0:07:39 | 0:07:43 | |
of anarchism as a social theory. | 0:07:43 | 0:07:45 | |
OK, so why do you like him so much? | 0:07:45 | 0:07:47 | |
I like him because I was researching a book called How To Be Free, | 0:07:47 | 0:07:51 | |
which was trying to find out how we could inject more | 0:07:51 | 0:07:56 | |
freedom into our everyday lives and free our spirits. | 0:07:56 | 0:07:59 | |
I read Kropotkin's book Mutual Aid. | 0:08:00 | 0:08:02 | |
Firstly, it's a very well-written book. | 0:08:02 | 0:08:04 | |
The first half is a scientific study of cooperation among animals. | 0:08:04 | 0:08:08 | |
He then goes on to talk about human beings, | 0:08:08 | 0:08:10 | |
and it's full of inspiring ideas on how we can improve our leisure | 0:08:10 | 0:08:15 | |
time and improve our every day lives and take control of our lives. | 0:08:15 | 0:08:19 | |
If you think this is a funny place to find an anarchist philosopher, | 0:08:19 | 0:08:22 | |
let me show you where he actually lived when he lived in England. | 0:08:22 | 0:08:25 | |
All right, let's do that. | 0:08:25 | 0:08:26 | |
When you said come and see where he lived in London, I didn't | 0:08:31 | 0:08:33 | |
think we'd end up in suburban Bromley. But this is where he lived. | 0:08:33 | 0:08:37 | |
Blue plaque says, "Theorist of anarchism." | 0:08:37 | 0:08:40 | |
What is his theory of anarchism? | 0:08:40 | 0:08:41 | |
His theory of anarchism is essentially that he | 0:08:41 | 0:08:44 | |
is against authority in whatever form it might exist. | 0:08:44 | 0:08:47 | |
He's against the potentially tyrannical power of the state, | 0:08:47 | 0:08:50 | |
which forces its citizens to do things they don't want to do. | 0:08:50 | 0:08:53 | |
He's against big business. | 0:08:53 | 0:08:55 | |
Both state and big corporations take away our individual freedoms. | 0:08:55 | 0:09:00 | |
When we're left alone, he says, and we're left to be free, | 0:09:00 | 0:09:03 | |
we cooperate voluntarily and we create wonderful things. | 0:09:03 | 0:09:07 | |
He's about as far away as you could get from the popular conception | 0:09:07 | 0:09:10 | |
of the anarchist as a Molotov cocktail-throwing, | 0:09:10 | 0:09:14 | |
bus-stop-smashing guy. | 0:09:14 | 0:09:15 | |
There's a problem in anarchism which is that the idea is | 0:09:15 | 0:09:19 | |
that in mutual society, we aren't subject to any coercion, | 0:09:19 | 0:09:24 | |
but critics want to say that just | 0:09:24 | 0:09:26 | |
because the person who's getting you to do what | 0:09:26 | 0:09:29 | |
they want to do is your equal, that's no less coercive than | 0:09:29 | 0:09:34 | |
if someone who's above you gets you to do what they want to do. | 0:09:34 | 0:09:38 | |
Come down this alleyway. | 0:09:42 | 0:09:45 | |
'Tucked away is the Freedom Press bookshop he helped found, | 0:09:45 | 0:09:48 | |
'and he's still very much on sale today.' | 0:09:48 | 0:09:51 | |
Tom, you don't think we should be afraid of the concept of anarchism. | 0:09:51 | 0:09:55 | |
Not at all. It's the most friendly of all the political philosophies. | 0:09:55 | 0:09:58 | |
It basically believes that people are good, | 0:09:58 | 0:10:01 | |
and left to their own devices, they'll do good things. | 0:10:01 | 0:10:03 | |
He does go back to Russia, but we shouldn't make a mistake - | 0:10:03 | 0:10:06 | |
he's not a communist, he's not a Bolshevik. | 0:10:06 | 0:10:08 | |
No, he's not at all a Bolshevik. | 0:10:08 | 0:10:10 | |
He's very much against any form of state socialism | 0:10:10 | 0:10:14 | |
because it's a form of power and it takes away individual freedoms. | 0:10:14 | 0:10:18 | |
He feared it would lead to totalitarianism, which it does. | 0:10:18 | 0:10:21 | |
Now he went back to Russia. | 0:10:21 | 0:10:22 | |
I can't take you to Russia cos we can't afford it, | 0:10:22 | 0:10:24 | |
but I've got the next best thing. Come with me. | 0:10:24 | 0:10:27 | |
Thank you very much indeed. | 0:10:27 | 0:10:29 | |
Tom, I couldn't take you to Russia, | 0:10:29 | 0:10:31 | |
but Abracadabra Russian restaurant in London will do. | 0:10:31 | 0:10:34 | |
The Russian we're talking about was writing in the late 19th century, | 0:10:34 | 0:10:38 | |
a world very different from ours. | 0:10:38 | 0:10:40 | |
Is he relevant to today? | 0:10:40 | 0:10:41 | |
Well, he's actually strikingly relevant | 0:10:41 | 0:10:43 | |
because we complain about not enjoying our work. | 0:10:43 | 0:10:46 | |
We say we're stuck in a boring job and people want to escape from it. | 0:10:46 | 0:10:50 | |
We also complain about a government which we feel has become too big | 0:10:50 | 0:10:55 | |
and too controlling, so what Kropotkin is saying is take some | 0:10:55 | 0:10:58 | |
responsibility back, take some power back. | 0:10:58 | 0:11:01 | |
It could be something like growing your own vegetables or organising | 0:11:01 | 0:11:04 | |
a cricket match with the neighbours, these kind of creative acts. | 0:11:04 | 0:11:08 | |
He's not just making a manifesto for just enjoying yourself, | 0:11:08 | 0:11:11 | |
he thinks this will make a better society. | 0:11:11 | 0:11:13 | |
He thinks this will make a society of responsible human beings, | 0:11:13 | 0:11:16 | |
and that's better for everybody. | 0:11:16 | 0:11:17 | |
I'm going to take control of the food chain. Have a blini. | 0:11:17 | 0:11:21 | |
Kropotkin's anarchy was non-aggressive and changed ideas. | 0:11:21 | 0:11:25 | |
Gandhi's non-aggression changed nations. | 0:11:25 | 0:11:27 | |
You know the thing about being a politician | 0:11:37 | 0:11:39 | |
and a wax figure in Madame Tussauds is you're only really relevant | 0:11:39 | 0:11:42 | |
because you're in power. | 0:11:42 | 0:11:43 | |
You're a here today, gone tomorrow politician, | 0:11:43 | 0:11:46 | |
unless of course you're a true icon. | 0:11:46 | 0:11:48 | |
Over here, there is one, | 0:11:48 | 0:11:50 | |
still relevant in 2014 even though he died in 1948 - Mohandas K Gandhi. | 0:11:50 | 0:11:56 | |
Not only a prolific political philosopher and writer, | 0:11:56 | 0:11:59 | |
but because he lived that philosophy, he managed to change the | 0:11:59 | 0:12:03 | |
course of history for four important countries, including our own. | 0:12:03 | 0:12:08 | |
But I'm off to meet a Scottish comedian and broadcaster who | 0:12:08 | 0:12:10 | |
thinks Gandhi's influence goes even further than that. | 0:12:10 | 0:12:14 | |
NEWSREEL ANNOUNCER: 'So to his Poplar home where we leave this bizarre little man whose | 0:12:14 | 0:12:18 | |
'coming has caused so much comment, complete with loincloth, | 0:12:18 | 0:12:22 | |
'spinning wheel and goats' milk.' | 0:12:22 | 0:12:24 | |
Hardeep, good to see you. | 0:12:26 | 0:12:27 | |
-Hey, how are you, Giles? -So you've brought me to Bow. -Where else? | 0:12:27 | 0:12:30 | |
And we're talking about Gandhi. | 0:12:30 | 0:12:32 | |
I gather he was here in 1931 for a huge conference, | 0:12:32 | 0:12:36 | |
loads of the countries that were part of the Empire invited. | 0:12:36 | 0:12:38 | |
It's up in the West End and he's here. | 0:12:38 | 0:12:40 | |
Well, that sort of epitomises the man. | 0:12:40 | 0:12:42 | |
He was offered to stay with the king, but being the man of the people | 0:12:42 | 0:12:45 | |
that he is, he decided to come to the East End, | 0:12:45 | 0:12:47 | |
to the gritty East End with the real people. | 0:12:47 | 0:12:49 | |
That kind of marks him out from other great statesmen and leaders. | 0:12:49 | 0:12:53 | |
They've actually got his room here where he stayed, kept as was. | 0:12:53 | 0:12:57 | |
-Simplicity is the key. -Absolutely. Would you like to have a look? | 0:12:57 | 0:13:00 | |
I've got a little loincloth and spinning wheel | 0:13:00 | 0:13:02 | |
-and some goats' milk for you. -Yeah, thank you very much. | 0:13:02 | 0:13:04 | |
No expense spent. | 0:13:04 | 0:13:05 | |
Mr Gandhi will have this for his friends | 0:13:06 | 0:13:08 | |
and be able to meet them and have talks when he likes, | 0:13:08 | 0:13:11 | |
just as we do. | 0:13:11 | 0:13:13 | |
Here we are. This is the balcony. | 0:13:13 | 0:13:16 | |
Where he was staying in 1931, pretty much as we've just seen. | 0:13:16 | 0:13:19 | |
-Yep, and this Mahatma Gandhi's room, actually. -Yeah? | 0:13:19 | 0:13:22 | |
Which I think says more about the man than anything else. | 0:13:22 | 0:13:24 | |
The aesthetic life - few cushions on the floor, that's where slept, | 0:13:24 | 0:13:27 | |
the spinning wheel. | 0:13:27 | 0:13:28 | |
Sort of like a prison cell, which is | 0:13:28 | 0:13:30 | |
kind of apt considering how much time he did spend in prison. | 0:13:30 | 0:13:34 | |
What do you think is his basic philosophy, in a nutshell? | 0:13:34 | 0:13:37 | |
Well, let's put it into context. | 0:13:37 | 0:13:39 | |
India in the '40s, incredibly febrile. | 0:13:39 | 0:13:42 | |
A war was being fought around the world. | 0:13:42 | 0:13:44 | |
India had a choice - | 0:13:44 | 0:13:45 | |
to have an armed uprising against empire or to find another way. | 0:13:45 | 0:13:49 | |
Gandhi found that other way. | 0:13:49 | 0:13:51 | |
What he did, particularly during the Salt Marches, Gandhiji | 0:13:51 | 0:13:54 | |
and the rest walked right up to the line and were | 0:13:54 | 0:13:57 | |
battered down by the sticks of the Indian members of the British Army. | 0:13:57 | 0:14:02 | |
They went back the next day and were battered down again. | 0:14:02 | 0:14:05 | |
I think what Gandhiji showed is there's only so many times you can | 0:14:05 | 0:14:08 | |
hit a man with a stick before you realise it's pointless, | 0:14:08 | 0:14:11 | |
you're losing the moral argument. | 0:14:11 | 0:14:14 | |
I think that's the point. | 0:14:14 | 0:14:15 | |
He never lost the morality of his argument. | 0:14:15 | 0:14:17 | |
It's interesting. | 0:14:17 | 0:14:18 | |
All of that influence is demonstrated in paperwork | 0:14:18 | 0:14:21 | |
from the British, that they don't know how to deal with him. | 0:14:21 | 0:14:24 | |
I can show you some documents which prove it. | 0:14:24 | 0:14:26 | |
First, he's very worried about state power, laws and policing, | 0:14:28 | 0:14:34 | |
which he thinks will always have to use violence. | 0:14:34 | 0:14:39 | |
Secondly, of course, | 0:14:39 | 0:14:40 | |
he sees the British imperialism as an archetypically violent, | 0:14:40 | 0:14:47 | |
oppressive system, and he thinks the only way to answer violence | 0:14:47 | 0:14:51 | |
is with non-violent resistance. | 0:14:51 | 0:14:55 | |
Got it. Let's have a look at this. | 0:15:02 | 0:15:04 | |
Now this is basically at the National Archives - | 0:15:08 | 0:15:13 | |
records of what the government were making of Gandhi's | 0:15:13 | 0:15:16 | |
campaign for Indian independence. | 0:15:16 | 0:15:19 | |
In 1940, they're all just reporting back his intransigence, if you like. | 0:15:19 | 0:15:25 | |
He's very clear, it's independence or nothing. | 0:15:25 | 0:15:28 | |
But then, by 1943, they've just arrested him | 0:15:28 | 0:15:32 | |
and they're saying he can't correspond with Jinnah, | 0:15:32 | 0:15:35 | |
of course the founder of Pakistan, | 0:15:35 | 0:15:37 | |
they're just not going to let him talk to him. | 0:15:37 | 0:15:39 | |
So it's clear that Gandhi is crucial to Indian independence, | 0:15:39 | 0:15:42 | |
but it's not the India that he wants that he gets. | 0:15:42 | 0:15:46 | |
I believe without Gandhiji there would be no independent India. | 0:15:46 | 0:15:49 | |
He was absolutely instrumental to the entire process. | 0:15:49 | 0:15:52 | |
But what's perhaps not as well known is the work | 0:15:52 | 0:15:54 | |
he was doing in terms of keeping the internal body politic coherent - | 0:15:54 | 0:15:58 | |
stopping the factional communal violence between the Hindus | 0:15:58 | 0:16:02 | |
and the Muslims. | 0:16:02 | 0:16:03 | |
It was a dying regret of his that partition occurred | 0:16:03 | 0:16:06 | |
and it wasn't the India, the united subcontinent he wanted. | 0:16:06 | 0:16:09 | |
But what's fascinating about Gandhiji was he managed all this change, | 0:16:09 | 0:16:14 | |
all this influence but without being a formal politician. | 0:16:14 | 0:16:17 | |
He never held office. | 0:16:17 | 0:16:18 | |
Now I know it might sound cheesy, but I'm going to take you to | 0:16:18 | 0:16:21 | |
an Indian restaurant, but there is a point to it. | 0:16:21 | 0:16:23 | |
I don't really like all that foreign muck(!) | 0:16:23 | 0:16:26 | |
-See why? -Ah! | 0:16:29 | 0:16:31 | |
Come on in, have a pew. | 0:16:35 | 0:16:36 | |
Hardeep, I brought you to Gandhi's restaurant. | 0:16:36 | 0:16:38 | |
It's not just the name, though. | 0:16:38 | 0:16:39 | |
This is a restaurant frequented by prime ministers - | 0:16:39 | 0:16:42 | |
John Major, Gordon Brown, Alistair Darling come here. | 0:16:42 | 0:16:46 | |
The Prime Minister of Bangladesh has been here. | 0:16:46 | 0:16:48 | |
Does Gandhi have any relevance to modern politics? | 0:16:48 | 0:16:51 | |
I don't think there is an international figure | 0:16:51 | 0:16:54 | |
from recent history that's had a greater impact on politics. | 0:16:54 | 0:16:58 | |
If you trace the narrative through-line | 0:16:58 | 0:17:00 | |
from Martin Luther King, Nelson Mandela, | 0:17:00 | 0:17:04 | |
what's been happening recently in Burma, that passive resistance - | 0:17:04 | 0:17:10 | |
not stepping down but neither stepping too far up has proven | 0:17:10 | 0:17:14 | |
to work time and time again. | 0:17:14 | 0:17:18 | |
I only imagine that if we had people with that Gandhian philosophy | 0:17:18 | 0:17:21 | |
around in Palestine, perhaps, and Israel, there might be peace there. | 0:17:21 | 0:17:27 | |
There may not have been a genocide in Rwanda. | 0:17:27 | 0:17:31 | |
There may not be the Crimean situation now. | 0:17:31 | 0:17:33 | |
But really I think what we should do to honour Mahatma Gandhi | 0:17:34 | 0:17:38 | |
is have a small vegetarian snack. | 0:17:38 | 0:17:40 | |
I'm not about to tell you how to eat a small Indian snack. | 0:17:40 | 0:17:43 | |
The last thing I want to do is a poppadom preach. | 0:17:43 | 0:17:45 | |
GILES LAUGHS I'm in trouble deep. | 0:17:48 | 0:17:50 | |
Gandhi wanted little personal wealth, | 0:17:51 | 0:17:54 | |
but for Hayek, money was everything. | 0:17:54 | 0:17:56 | |
You know, I think it's fair to say that these days most of us | 0:18:03 | 0:18:06 | |
have enough trouble managing our own bank accounts let alone | 0:18:06 | 0:18:09 | |
an economy, but for the people in this building, the Treasury, | 0:18:09 | 0:18:12 | |
and those outside who are economists, that is their job. | 0:18:12 | 0:18:16 | |
I'm going to meet a financial analyst and blogger who thinks | 0:18:16 | 0:18:19 | |
you can't do that job unless you've studied the work of Friedrich Hayek. | 0:18:19 | 0:18:23 | |
-Louise, nice to meet you. -Nice to meet you too, Giles. | 0:18:31 | 0:18:33 | |
We are of course in the Institute of Economic Affairs, | 0:18:33 | 0:18:37 | |
a body which Hayek inspired the founding of, | 0:18:37 | 0:18:39 | |
and we're sat at Hayek's kitchen table. | 0:18:39 | 0:18:41 | |
-I know. -Having a cup of tea. -It's quite exciting. | 0:18:41 | 0:18:44 | |
Now why do you like him so much? | 0:18:44 | 0:18:46 | |
I recognise a fellow fighter. | 0:18:46 | 0:18:50 | |
He was an Austrian immigrant to this country and his family had | 0:18:50 | 0:18:53 | |
suffered the deprivations between the walls of Vienna. | 0:18:53 | 0:18:57 | |
He came with little money, and yet he took on Keynes - | 0:18:57 | 0:19:02 | |
wealth, privilege, education, establishment, Cambridge. | 0:19:02 | 0:19:06 | |
This Austrian upstart took on Keynes. | 0:19:06 | 0:19:10 | |
For that, he's incredibly brave. | 0:19:10 | 0:19:12 | |
But, also, when it became apparent the world fell in love with Keynes, | 0:19:14 | 0:19:19 | |
he stuck to what he really, really believed in. | 0:19:19 | 0:19:22 | |
It was an unpopular message, but he kept saying it. | 0:19:22 | 0:19:25 | |
For that, you have to admire him. | 0:19:25 | 0:19:28 | |
Let's go to the LSE, where he starts his lecturing career | 0:19:28 | 0:19:31 | |
and his British economic journey, if you like. | 0:19:31 | 0:19:33 | |
Yes, you can finish your tea first. | 0:19:33 | 0:19:36 | |
I will, thank you. | 0:19:36 | 0:19:37 | |
So we're in the London School of Economics' old theatre where | 0:19:44 | 0:19:47 | |
Hayek used to lecture, but it's quite astonishing that they gave | 0:19:47 | 0:19:51 | |
him a job, because apparently his early attempts were pretty turgid. | 0:19:51 | 0:19:55 | |
Incomprehensible is also a good word. | 0:19:55 | 0:19:58 | |
He had a strong Austrian accent, | 0:19:58 | 0:20:01 | |
he spoke in long sentences with lots of sub-clauses and he drew | 0:20:01 | 0:20:06 | |
these marvellous triangular diagrams that few in the audience understood. | 0:20:06 | 0:20:10 | |
I'm very honoured to stand on the Hayekian stage | 0:20:10 | 0:20:15 | |
but his entry to the LSE wasn't that great. | 0:20:15 | 0:20:18 | |
So, if he is so incomprehensible, | 0:20:18 | 0:20:20 | |
-can you explain what it is he's trying to tell us? -Three things. | 0:20:20 | 0:20:24 | |
He believed firmly in free markets, | 0:20:24 | 0:20:28 | |
he thought that economies were highly complex and that therefore | 0:20:28 | 0:20:33 | |
government interference would always end up badly. | 0:20:33 | 0:20:36 | |
In fact, when they did interfere, the outcome was worse than | 0:20:36 | 0:20:39 | |
if they had done nothing at all. | 0:20:39 | 0:20:41 | |
Well, this audience were listening to him in the '30s, | 0:20:41 | 0:20:44 | |
it's not for another 50 years that someone really adopted him, | 0:20:44 | 0:20:46 | |
and to show you how important that is, | 0:20:46 | 0:20:48 | |
I need to take you to the old heart of Torydom on Earth. | 0:20:48 | 0:20:52 | |
So, Louise, we have come to what is now | 0:20:59 | 0:21:01 | |
Europe House in the heart of Westminster but back in the days | 0:21:01 | 0:21:04 | |
of Margaret Thatcher, this of course was Conservative Central Office. | 0:21:04 | 0:21:08 | |
And, of course, Margaret Thatcher is crucial to Hayek's story, isn't she? | 0:21:08 | 0:21:11 | |
Absolutely. Hayek was ignored for decades. | 0:21:11 | 0:21:15 | |
Everyone went mad for Keynes and his ideals. | 0:21:15 | 0:21:18 | |
And then we had the economic crisis of the '70s, stagflation, and Keynes | 0:21:18 | 0:21:23 | |
was maybe not such a great solution to the world's economic problems. | 0:21:23 | 0:21:27 | |
And what Thatcher did was go back to Hayek and, in particular, | 0:21:27 | 0:21:31 | |
it's this book, Hayek's The Constitution Of Liberty | 0:21:31 | 0:21:34 | |
and apparently she came into this building, | 0:21:34 | 0:21:37 | |
slammed it down on the table in a very Thatcher way and said, | 0:21:37 | 0:21:41 | |
"This is what we believe", which is | 0:21:41 | 0:21:44 | |
fabulous and it's all about rolling back the stage, privatising | 0:21:44 | 0:21:48 | |
state-run businesses and introducing competition as much as possible. | 0:21:48 | 0:21:52 | |
And so everybody starts studying him, his reputation is enhanced but | 0:21:52 | 0:21:57 | |
I guess the real question is now, of course, is he relevant to today? | 0:21:57 | 0:22:01 | |
For Hayek, politics is bad. | 0:22:01 | 0:22:03 | |
Whether we think of politics as governments trying to do the best | 0:22:03 | 0:22:07 | |
they can or whether we think of politics as politicians being | 0:22:07 | 0:22:10 | |
snakes, for him, both ways, politics is bound up with coercion | 0:22:10 | 0:22:16 | |
and it's always got that element of violence in it. | 0:22:16 | 0:22:19 | |
For Hayek, economics is the realm of freedom. | 0:22:19 | 0:22:24 | |
Hayek died in 1992, | 0:22:24 | 0:22:26 | |
never seeing the spectacular financial meltdown of 2008 onwards. | 0:22:26 | 0:22:31 | |
But having written a book on one form of economic theory, | 0:22:31 | 0:22:34 | |
does he have something to offer us today? | 0:22:34 | 0:22:37 | |
I brought us back to the Treasury because it seems most relevant to me | 0:22:37 | 0:22:39 | |
that what they're trying to do is clear up the mess if they can | 0:22:39 | 0:22:43 | |
and trying to prevent it happening again. | 0:22:43 | 0:22:45 | |
Does Hayek have anything to teach them? | 0:22:45 | 0:22:47 | |
Oh, without a shadow of a doubt. | 0:22:47 | 0:22:50 | |
None of the big economists have all the answers, | 0:22:50 | 0:22:52 | |
they all have something relevant to say - Keynes, Hayek and Friedman. | 0:22:52 | 0:22:56 | |
But what's interesting in this crisis, | 0:22:56 | 0:22:58 | |
America may have gone Keynes' stimulus, but here in Britain, | 0:22:58 | 0:23:03 | |
we have chosen to cut spending and impose austerity. | 0:23:03 | 0:23:06 | |
Very much Hayekian principles. | 0:23:06 | 0:23:08 | |
What I really like though are some of his comments that he wrote or | 0:23:08 | 0:23:12 | |
quotes that he made 70, 80 years ago | 0:23:12 | 0:23:14 | |
and I've chosen one and that quote is, he said, | 0:23:14 | 0:23:17 | |
"If you want to avoid the excesses of the business cycle, | 0:23:17 | 0:23:21 | |
"banks should keep a close check on their lending." | 0:23:21 | 0:23:25 | |
Oh, if only they had here in the UK, we'd have saved ourselves | 0:23:25 | 0:23:30 | |
70, 80 billion of taxpayers' money so that, as far as I'm concerned, | 0:23:30 | 0:23:34 | |
is the reason that you should all vote for Hayek. | 0:23:34 | 0:23:36 | |
That's told you. | 0:23:36 | 0:23:38 | |
Hayek had views on money but for Ayn Rand, | 0:23:40 | 0:23:43 | |
it was who made it that mattered. | 0:23:43 | 0:23:46 | |
These days, there is a huge market for books about unleashing | 0:23:56 | 0:24:00 | |
the power of the self, the potential of the individual | 0:24:00 | 0:24:03 | |
and that is essentially the philosophy of the American | 0:24:03 | 0:24:05 | |
author Ayn Rand and I've come to Borough Market in London to | 0:24:05 | 0:24:09 | |
meet a commentator and broadcaster who says | 0:24:09 | 0:24:11 | |
he can explain her philosophy through the medium of lettuce. | 0:24:11 | 0:24:15 | |
So, Charlie, why do you like Ayn Rand | 0:24:20 | 0:24:22 | |
and what does she have to do with lettuce? | 0:24:22 | 0:24:24 | |
Well, first off, The Fountainhead was a book that just changed my life, | 0:24:24 | 0:24:27 | |
it was a book I could not put down. | 0:24:27 | 0:24:29 | |
But as to the lettuce, my father was a greengrocer. | 0:24:29 | 0:24:32 | |
Maybe you've had this happen, where a parent says something that seems | 0:24:32 | 0:24:35 | |
so innocuous at the time, it holds great meaning. | 0:24:35 | 0:24:38 | |
He was stacking lettuce one day in his shop and he turned to me | 0:24:38 | 0:24:41 | |
and said, "You know why I made a pyramid?" | 0:24:41 | 0:24:43 | |
I said, "No, Dad." He said, "Because I can. I'm my own boss. | 0:24:43 | 0:24:48 | |
"No-one tells me how to stack the lettuce." | 0:24:48 | 0:24:50 | |
So, that simple act of stacking the lettuce was so Randian in that he was | 0:24:50 | 0:24:54 | |
the author of his own destiny, no-one told him how to stack the lettuce. | 0:24:54 | 0:24:58 | |
OK, that was a pyramid of lettuce. | 0:24:58 | 0:25:01 | |
Let's take you to a steel and glass pyramid not far from here, | 0:25:01 | 0:25:04 | |
the Shard, which also has a lot to do with Rand. | 0:25:04 | 0:25:06 | |
OK. | 0:25:06 | 0:25:07 | |
Ayn Rand was a Russian emigree. | 0:25:08 | 0:25:10 | |
Fiercely anti-Communist, | 0:25:10 | 0:25:12 | |
unconventional in both her thoughts and lifestyle, even her fans found | 0:25:12 | 0:25:16 | |
her tricky, but Dr Elizabeth Frazer of Oxford University says her books, | 0:25:16 | 0:25:20 | |
The Fountainhead and Atlas Shrugged, were powerful. | 0:25:20 | 0:25:24 | |
She's inspirational. | 0:25:24 | 0:25:25 | |
Her vision of free-market society has inspired so many people. | 0:25:25 | 0:25:30 | |
Very, very controversial. | 0:25:30 | 0:25:32 | |
But if there were a prize for the author who's got the most people | 0:25:32 | 0:25:36 | |
saying, "I read this book and it changed my life", she would win it. | 0:25:36 | 0:25:41 | |
Well, Charlie, we are now surrounded by the most incredible | 0:25:48 | 0:25:51 | |
view from the Aqua Shard restaurant in the Shard in London. | 0:25:51 | 0:25:54 | |
But I'm just wondering what was Ayn Rand's world view? | 0:25:54 | 0:25:58 | |
Her world view would have been the people that built this view, | 0:25:58 | 0:26:01 | |
that built the Shard, | 0:26:01 | 0:26:02 | |
she loved heroic men of vision that had intellect, | 0:26:02 | 0:26:06 | |
and this building in particular, if you go up, it's a cathedral, | 0:26:06 | 0:26:09 | |
not to God, she was an atheist, | 0:26:09 | 0:26:12 | |
but a cathedral to the powers of mankind, men were her gods. | 0:26:12 | 0:26:18 | |
She tended to present philosophical ideas as | 0:26:18 | 0:26:20 | |
though they were her own invention and that really estranged | 0:26:20 | 0:26:25 | |
serious thinkers and serious politicians as well. | 0:26:25 | 0:26:29 | |
It was extraordinary that she refused to cooperate politically, | 0:26:29 | 0:26:35 | |
including with people who really liked her ideas and would have | 0:26:35 | 0:26:39 | |
liked her to be a figurehead for new conservatism in the 20th century. | 0:26:39 | 0:26:44 | |
She was very sectarian and capable of being very nasty. | 0:26:44 | 0:26:48 | |
However nasty though, | 0:26:49 | 0:26:50 | |
how many other political philosophers have | 0:26:50 | 0:26:53 | |
had their books turned into a movie, with its enigmatic catchphrase, | 0:26:53 | 0:26:57 | |
"Who is John Galt?" | 0:26:57 | 0:27:00 | |
My medal, your railway. It's us who move the world. | 0:27:00 | 0:27:03 | |
Atlas Shrugged is all about railways, | 0:27:09 | 0:27:12 | |
steel and building a bridge but a little bit like the one we're | 0:27:12 | 0:27:15 | |
standing next to which is a little ugly, a little grubby. | 0:27:15 | 0:27:18 | |
People seem to think that Randian philosophy is a bit the same, | 0:27:18 | 0:27:20 | |
supremely selfish. Is that fair? | 0:27:20 | 0:27:23 | |
No, not if you define selfishness the way Ayn Rand did. | 0:27:23 | 0:27:26 | |
Selfishness is about the self, being true to your own ideals, | 0:27:26 | 0:27:30 | |
taking care of yourself first and foremost, | 0:27:30 | 0:27:33 | |
not living off the state, not living off of others. | 0:27:33 | 0:27:36 | |
I think it's a more nobler way and if you could do that, think of | 0:27:36 | 0:27:39 | |
how the welfare roles would shrivel up, how society would be better off. | 0:27:39 | 0:27:44 | |
I think it's a far better philosophy than living off the state. | 0:27:44 | 0:27:47 | |
Now, it's not just that many wouldn't agree with that, | 0:27:49 | 0:27:53 | |
but in October 2011, | 0:27:53 | 0:27:54 | |
some were prepared to camp out on the streets in front | 0:27:54 | 0:27:57 | |
of St Paul's Cathedral to demonstrate their opposition | 0:27:57 | 0:28:01 | |
to such views but actually, Rand herself predicted all that. | 0:28:01 | 0:28:05 | |
So, if you look over to the side of us | 0:28:05 | 0:28:07 | |
is where the protesters were, the uncut, the 99%, | 0:28:07 | 0:28:11 | |
and she described in her books this dystopian state, this welfare state. | 0:28:11 | 0:28:15 | |
The leechers and the moochers, | 0:28:15 | 0:28:17 | |
the moochers were the ones wanting the money, the entitlement state. | 0:28:17 | 0:28:20 | |
The leechers were people like the church or the government demanding | 0:28:20 | 0:28:23 | |
on a moral imperative that companies pay more tax and give more money. | 0:28:23 | 0:28:27 | |
It's easy to be altruistic with other peoples' money. | 0:28:27 | 0:28:30 | |
This was a dystopian welfare state that she described in her books, | 0:28:30 | 0:28:33 | |
the collectivism that she hated, | 0:28:33 | 0:28:34 | |
but the answer also that she did give was it's trade, it's commerce, | 0:28:34 | 0:28:39 | |
it's jobs, it's a flourishing economy - | 0:28:39 | 0:28:41 | |
that's what lifts people out of poverty, not giving them money. | 0:28:41 | 0:28:45 | |
That's why Ayn Rand is relevant for today. | 0:28:45 | 0:28:48 | |
By the way, who is John Galt? | 0:28:48 | 0:28:52 |