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Tonight, Jem takes part in an experiment | 0:00:02 | 0:00:04 | |
to discover how electric light | 0:00:04 | 0:00:06 | |
may be playing havoc with our sleeping patterns. | 0:00:06 | 0:00:09 | |
It's morning light that is so important | 0:00:09 | 0:00:11 | |
for setting the body clock. | 0:00:11 | 0:00:12 | |
OK, this is it. This is truly grim. | 0:00:12 | 0:00:15 | |
And Dallas downs his toothbrush | 0:00:15 | 0:00:18 | |
to find out exactly what causes tooth decay and gum disease. | 0:00:18 | 0:00:21 | |
-Have a smell. -Eurgh! It's stinky! | 0:00:21 | 0:00:24 | |
That's Bang Goes The Theory, revealing your world with a bang. | 0:00:24 | 0:00:29 | |
Electric light, something we take totally for granted. | 0:00:29 | 0:00:33 | |
The flick of a switch, we get ourselves some indoor sunshine. | 0:00:33 | 0:00:36 | |
But worryingly, scientists are beginning to understand | 0:00:36 | 0:00:39 | |
that living under artificial light may have an unexpected effect on our bodies. | 0:00:39 | 0:00:43 | |
No one really knew why until a recent discovery | 0:00:43 | 0:00:47 | |
revealed a whole new way in which our eyes work. | 0:00:47 | 0:00:49 | |
Our eyes are one of the best-studied organs in medical science | 0:00:49 | 0:00:54 | |
yet only recently did we discover they do far more than simply see. | 0:00:54 | 0:00:59 | |
Just a few years ago, researchers at Oxford University | 0:00:59 | 0:01:02 | |
found that our eyes have another, subconscious response to light, | 0:01:02 | 0:01:08 | |
one that deeply affects our daily lives. | 0:01:08 | 0:01:11 | |
If only I could get through this impossible dark room door. | 0:01:11 | 0:01:14 | |
I'm going to find out how it works from the man who discovered it, | 0:01:14 | 0:01:18 | |
Professor Russell Foster. | 0:01:18 | 0:01:20 | |
OK, I'm going to plunge you into darkness now. | 0:01:20 | 0:01:24 | |
OK, that's pretty dark now. | 0:01:24 | 0:01:26 | |
Professor Foster starts by demonstrating | 0:01:26 | 0:01:29 | |
the two ways our eyes consciously see. | 0:01:29 | 0:01:31 | |
These are the classic tests to find out if you're colour-blind. | 0:01:31 | 0:01:35 | |
Exactly. Can you recognise any numbers in there? | 0:01:35 | 0:01:38 | |
I could tell you it's black on the outside, then sort of white there, | 0:01:38 | 0:01:42 | |
and this is neither black nor white, but actual colours, there's none. | 0:01:42 | 0:01:46 | |
It's just shades. | 0:01:46 | 0:01:49 | |
So I'm now going to increase the light a little bit. | 0:01:49 | 0:01:52 | |
Now you can tell that there's like reds and browns appearing | 0:01:52 | 0:01:57 | |
and then there's sort of greens and blues. | 0:01:57 | 0:02:01 | |
-I'm going to go for that as a six. -The most important part of the eye | 0:02:01 | 0:02:05 | |
are the light sensors or the photoreceptors. | 0:02:05 | 0:02:08 | |
There's the rods, which are used for dim light vision. | 0:02:08 | 0:02:11 | |
They're essentially brightness detectors. | 0:02:11 | 0:02:14 | |
And then the cones, which allow us to see colour. | 0:02:14 | 0:02:16 | |
In fact, there are three different types of cone in our eye. | 0:02:19 | 0:02:23 | |
Each of those cones is peaking broadly in the blue part | 0:02:23 | 0:02:26 | |
of the spectrum, the green part of the spectrum | 0:02:26 | 0:02:28 | |
and one in the orangey red part of the spectrum. | 0:02:28 | 0:02:32 | |
When you stimulate all those three receptors maximally, | 0:02:32 | 0:02:35 | |
as you would with sunlight, it appears white. | 0:02:35 | 0:02:40 | |
So to make artificial sunlight, surely all you need is to fool | 0:02:40 | 0:02:44 | |
the eye with the right mix of red, green and blue, isn't it? | 0:02:44 | 0:02:48 | |
Well, that's what we'd assumed. | 0:02:48 | 0:02:51 | |
Until Professor Foster made his stunning discovery. | 0:02:53 | 0:02:56 | |
A third type of light sensor in our eye. | 0:02:56 | 0:02:59 | |
A colleague came across a lady who had a very strange visual defect | 0:02:59 | 0:03:05 | |
whereby she'd lost all of her rod and cone cells. | 0:03:05 | 0:03:08 | |
She said she had no conscious light detection but we said, | 0:03:08 | 0:03:11 | |
"OK, just tell us when the lights were on and off." And quite remarkably, she could always do it. | 0:03:11 | 0:03:16 | |
-Wow. -And so there's another, yet another light sensor in the eye. | 0:03:16 | 0:03:21 | |
Not the rods and not the cones, but it's a group of ganglion cells. | 0:03:21 | 0:03:25 | |
They have a peak in sensitivity in the blue part of the spectrum | 0:03:25 | 0:03:29 | |
and it's at a colour or a wavelength which basically matches | 0:03:29 | 0:03:33 | |
the blueness of a blue sky. | 0:03:33 | 0:03:35 | |
These special blue sensors are nothing to do with actually seeing. | 0:03:35 | 0:03:40 | |
We thought of these new receptors in the eye as body clock light sensors. | 0:03:40 | 0:03:45 | |
We have an internal body clock which is constantly adjusting | 0:03:45 | 0:03:50 | |
and fine-tuning every aspect of our physiology. | 0:03:50 | 0:03:52 | |
So it contributes to your overall alertness, your ability to constrict your pupil, | 0:03:52 | 0:03:57 | |
adjust your body clock, and probably a whole raft | 0:03:57 | 0:04:00 | |
of other things we're just discovering. | 0:04:00 | 0:04:02 | |
The Professor thinks these sensors evolved in our early ancestors, | 0:04:02 | 0:04:06 | |
allowing them to take subconscious time cues from sunlight. | 0:04:06 | 0:04:09 | |
And they worked perfectly, until engineers like me got involved. | 0:04:09 | 0:04:14 | |
For millions of years, the only lights we had, really, | 0:04:18 | 0:04:22 | |
were sunlight and firelight. | 0:04:22 | 0:04:25 | |
But with the advent of electricity, things changed fairly dramatically. | 0:04:25 | 0:04:29 | |
This electric arc actually gives off pretty good fake sunlight. | 0:04:29 | 0:04:34 | |
Look, if I split up its colours. It's a very even spread on the spectrum. | 0:04:34 | 0:04:39 | |
We've got red, yellow, green, blue, right the way up here. | 0:04:39 | 0:04:44 | |
It's almost identical to the range of colour in natural sunlight | 0:04:44 | 0:04:49 | |
with plenty of that blue that your body clock needs. | 0:04:49 | 0:04:52 | |
Trouble is, it's far too bright to use at home. | 0:04:52 | 0:04:56 | |
Plus, it's full of dangerous ultraviolet. Protective masks indoors? Just not a good look. | 0:04:56 | 0:05:02 | |
So I'll move on swiftly, just like mankind did, | 0:05:02 | 0:05:05 | |
to this, the incandescent bulb, the kind of standard lightbulb. | 0:05:05 | 0:05:08 | |
Electricity can make a thin wire very hot | 0:05:08 | 0:05:12 | |
and at a few thousand degrees, it'll start to glow white hot. | 0:05:12 | 0:05:17 | |
But this is no ordinary wire, this is tungsten wire, | 0:05:17 | 0:05:21 | |
which melts at well over 3,000 degrees Celsius. | 0:05:21 | 0:05:24 | |
I have to put a glass over the top of it, | 0:05:24 | 0:05:26 | |
and suck the air out of it, so that wire doesn't burn when it gets hot. | 0:05:26 | 0:05:30 | |
There you go. It's now sat in a vacuum. | 0:05:33 | 0:05:36 | |
There we go. That is a lightbulb. It's like a miniature star in a jar. | 0:05:39 | 0:05:46 | |
Although this looks like sunlight, the mix of colours is not the same. | 0:05:46 | 0:05:51 | |
It has less in the way of blue and violet in it | 0:05:51 | 0:05:53 | |
than maybe bright daylight would have, so in light like this, | 0:05:53 | 0:05:57 | |
there's less of the colour those sky blue sensors respond to. | 0:05:57 | 0:06:00 | |
But traditional bulbs like this are too inefficient for moderate use. | 0:06:00 | 0:06:05 | |
Making artificial light through extreme temperatures, | 0:06:05 | 0:06:09 | |
it requires a relatively large amount of power for not that much light. | 0:06:09 | 0:06:14 | |
So in our energy efficient modern age, | 0:06:14 | 0:06:17 | |
we've moved towards lamps that operate | 0:06:17 | 0:06:20 | |
from an entirely different phenomenon. | 0:06:20 | 0:06:22 | |
Fluorescent lights work a bit like the Northern Lights, | 0:06:22 | 0:06:26 | |
where electrical energy gives the sky an eerie glow. | 0:06:26 | 0:06:30 | |
I'm pumping the air out of this tube to recreate the upper atmosphere. | 0:06:30 | 0:06:34 | |
A blast of a few thousand volts should make that low pressure air | 0:06:34 | 0:06:39 | |
produce an almost magical effect. | 0:06:39 | 0:06:41 | |
Look at that. I mean, it's a weird, pink light, | 0:06:43 | 0:06:48 | |
as you may expect from a kind of home-made aurora. | 0:06:48 | 0:06:52 | |
Of course, it's not magic. It's atomic emission of pure cold light. | 0:06:52 | 0:06:56 | |
I'm pretty chuffed with it. Though it's not much like sunlight yet, | 0:06:56 | 0:07:01 | |
but I can fix that. How do you go from that beautiful pink | 0:07:01 | 0:07:05 | |
to the classic white fluorescent we're used to? | 0:07:05 | 0:07:07 | |
Well, what you have to do is coat the inside of the tube with a powder, | 0:07:07 | 0:07:12 | |
a mix of chemicals called phosphors | 0:07:12 | 0:07:16 | |
that gives off a whole range of colours | 0:07:16 | 0:07:18 | |
when stimulated by the UV light that's also given off by those atoms. | 0:07:18 | 0:07:23 | |
Let's see how this goes. | 0:07:23 | 0:07:25 | |
Oh! | 0:07:28 | 0:07:30 | |
It's a pretty white light. | 0:07:30 | 0:07:33 | |
All strip lights work like this, | 0:07:33 | 0:07:35 | |
and it's what's coiled up inside low-energy bulbs. | 0:07:35 | 0:07:38 | |
It's still made up of different colours, but this time, | 0:07:38 | 0:07:41 | |
instead of it being a smooth spectrum from red to violet, | 0:07:41 | 0:07:45 | |
instead it's distinct bands of colour. | 0:07:45 | 0:07:48 | |
The different bands are produced by different glowing powders. | 0:07:48 | 0:07:52 | |
Now, you only need a few bands to trick the eye into seeing white, | 0:07:52 | 0:07:55 | |
but unless the right sky blue is there, | 0:07:55 | 0:07:58 | |
there's nothing for those newly discovered receptors. | 0:07:58 | 0:08:03 | |
Our modern lives are a jumble of different artificial lights | 0:08:03 | 0:08:06 | |
and it could be playing havoc with our body clock. | 0:08:06 | 0:08:09 | |
I'm going to do a little experiment and I think it's a world first. | 0:08:09 | 0:08:12 | |
I'm going to see how much of that blue light | 0:08:12 | 0:08:15 | |
I'm exposed to over a typical 24 hours and when. | 0:08:15 | 0:08:20 | |
Which means carrying this kit around with me | 0:08:20 | 0:08:22 | |
to analyse the spectrum wherever I go. | 0:08:22 | 0:08:25 | |
I'm hoping Professor Foster can tell me what all this | 0:08:43 | 0:08:46 | |
might mean for my body. | 0:08:46 | 0:08:49 | |
OK, Jem, so what we've looked at here is the amount of light | 0:08:49 | 0:08:53 | |
in the blue, the blue skylight at 480 nanometres. | 0:08:53 | 0:08:55 | |
-OK. -It's very clear that you went outside just after nine o'clock | 0:08:55 | 0:09:00 | |
and the light levels have just rocketed. | 0:09:00 | 0:09:02 | |
-They've gone absolutely huge. -I cycle to work. | 0:09:02 | 0:09:05 | |
It takes about half an hour. This day, I had to pop out and do a bunch of other stuff as well. | 0:09:05 | 0:09:10 | |
And that's really important, because it's morning light | 0:09:10 | 0:09:13 | |
that's so important for setting the body clock. So, wittingly or not, | 0:09:13 | 0:09:17 | |
you've seen light during the most important part of the day. | 0:09:17 | 0:09:20 | |
So in the winter, when you're kind of going to work and it's dark | 0:09:20 | 0:09:23 | |
and it's just getting light as you go into work quite often, | 0:09:23 | 0:09:27 | |
are you effectively giving yourself jetlag? | 0:09:27 | 0:09:29 | |
Your body's not sure what time of day it is. | 0:09:29 | 0:09:31 | |
There's increasing evidence that's exactly what we're doing. | 0:09:31 | 0:09:34 | |
I think there's an opportunity here. In the underground, | 0:09:34 | 0:09:38 | |
in the tubes, we could have augmented lighting, | 0:09:38 | 0:09:40 | |
we could actually try and provide a brighter morning light environment, | 0:09:40 | 0:09:44 | |
-which would help stabilise internal time. -Anything that makes travelling | 0:09:44 | 0:09:49 | |
on the tube slightly better for you is a good thing. | 0:09:49 | 0:09:53 | |
During the day, I'm only getting bursts | 0:09:53 | 0:09:55 | |
of that all-important blue light when I go outdoors. | 0:09:55 | 0:09:58 | |
So what's the deal with the artificial lights I'm using? | 0:09:58 | 0:10:02 | |
-Here I am in the workshop. -Oh, my goodness. | 0:10:02 | 0:10:05 | |
This has got to be fluorescent light. You can tell that | 0:10:05 | 0:10:08 | |
because of these sharp emission spectra in the blue, | 0:10:08 | 0:10:13 | |
the green and the red, but you've got very little blue. | 0:10:13 | 0:10:17 | |
So not only is it low, but it's actually lacking in blue light, which is what you want. | 0:10:17 | 0:10:22 | |
Is there an effect on me of having such low light levels at work? | 0:10:22 | 0:10:28 | |
The loss of blue light would have a distinct effect | 0:10:28 | 0:10:31 | |
on your levels of alertness. | 0:10:31 | 0:10:33 | |
Fluorescent lights give off very distinctive colours. | 0:10:33 | 0:10:37 | |
-But they're not the only lights in my life. -So what time of day? | 0:10:37 | 0:10:41 | |
-This is midday. -It's strange, because it's not fluorescent light, | 0:10:41 | 0:10:45 | |
cos there's no great big peaks. Is this a computer screen perhaps? | 0:10:45 | 0:10:49 | |
It's like talking to Derren Brown. | 0:10:49 | 0:10:53 | |
Yes, that probably is a computer screen. | 0:10:53 | 0:10:55 | |
You've got a nice blue enrichment there, | 0:10:55 | 0:10:57 | |
which means that if you were looking at a computer screen like this | 0:10:57 | 0:11:00 | |
at night, before you're going to bed, that blue enrichment | 0:11:00 | 0:11:04 | |
could actually increase alertness and so significantly delay | 0:11:04 | 0:11:07 | |
your tendency to fall asleep and go to bed. | 0:11:07 | 0:11:10 | |
My lights at home are different again. Can he identify those? | 0:11:10 | 0:11:14 | |
You don't have any big peaks in it, so it's not fluorescent light. | 0:11:14 | 0:11:18 | |
But it could be something like a halogen light, | 0:11:18 | 0:11:21 | |
and so you see the broad tungsten light, | 0:11:21 | 0:11:23 | |
relatively enriched in the red compared to the blue. | 0:11:23 | 0:11:26 | |
-You've got those little halogen lights? -Yes, I have. | 0:11:26 | 0:11:29 | |
So if I wanted lighting in my home to make me feel alert, | 0:11:29 | 0:11:33 | |
or at work, to make me feel alert, I'd be looking to have | 0:11:33 | 0:11:36 | |
lighting that had a high enough proportion, and a high enough | 0:11:36 | 0:11:40 | |
intensity of this blue, but then I wouldn't want too much of that | 0:11:40 | 0:11:44 | |
in the evening, otherwise I'd stay alert when I wanted to go to sleep. | 0:11:44 | 0:11:47 | |
Exactly. And this represents a huge problem | 0:11:47 | 0:11:50 | |
for people who don't get out very much. | 0:11:50 | 0:11:52 | |
If you're in a nursing home, with relatively dim light, | 0:11:52 | 0:11:55 | |
you'll never get that bright exposure and the body clock | 0:11:55 | 0:11:58 | |
will tend to drift through time. And also the various rhythms, | 0:11:58 | 0:12:02 | |
so the rhythms that regulate your gut function or your brain function | 0:12:02 | 0:12:06 | |
or your liver function will then start to drift apart slowly, | 0:12:06 | 0:12:11 | |
and so you won't have very fine-tuned | 0:12:11 | 0:12:13 | |
and well ordered physiology under those circumstances. | 0:12:13 | 0:12:17 | |
I think that is a really, really interesting film. | 0:12:17 | 0:12:21 | |
Off the back of that, there's obvious things you can do to help. | 0:12:21 | 0:12:25 | |
Don't be looking at your computer before you go to sleep, | 0:12:25 | 0:12:29 | |
and if you can, in the morning, go out and get a bit of sunshine. | 0:12:29 | 0:12:32 | |
It makes sense. But armed with that knowledge, presumably we can start to develop | 0:12:32 | 0:12:37 | |
technologies that are geared to how we've actually evolved, | 0:12:37 | 0:12:40 | |
because clearly, as a species, we're not evolved to live | 0:12:40 | 0:12:43 | |
-in the world we've created for ourselves. -You're bang on the money. | 0:12:43 | 0:12:48 | |
There are companies out there at the moment that are actually | 0:12:48 | 0:12:51 | |
developing artificial lights that change their spectra during the day | 0:12:51 | 0:12:54 | |
to sort of match what daylight does. | 0:12:54 | 0:12:56 | |
My view, though, no substitute for daylight. | 0:12:56 | 0:12:59 | |
Although our eyes adjust brilliantly to different light levels, | 0:12:59 | 0:13:03 | |
it can actually be thousands of times brighter outside | 0:13:03 | 0:13:06 | |
-than under domestic lights. -You can't beat the sun. | 0:13:06 | 0:13:08 | |
But in a country like this with pretty grim winters, | 0:13:08 | 0:13:12 | |
anything you could do to help you feel better is a good thing. | 0:13:12 | 0:13:15 | |
For example, I do feel really rubbish in the winter, | 0:13:15 | 0:13:19 | |
so I bought a seasonal affective disorder lamps, you know those? | 0:13:19 | 0:13:22 | |
But after watching your film, I've realised why I was disappointed. | 0:13:22 | 0:13:26 | |
I was using them in the evening after college, | 0:13:26 | 0:13:28 | |
from seven to 11 o'clock or something, | 0:13:28 | 0:13:31 | |
and now I know to have used them in the morning | 0:13:31 | 0:13:34 | |
to actually kick off my body clock, yeah? | 0:13:34 | 0:13:36 | |
Exactly. The strong morning light makes the biggest difference. | 0:13:36 | 0:13:40 | |
-And coffee. -And coffee. -Very important. | 0:13:40 | 0:13:42 | |
Interesting stuff there. Next up, it's Dr Yan. | 0:13:42 | 0:13:45 | |
He's in the kitchen this week talking about refreezing. | 0:13:45 | 0:13:48 | |
We've all been there. You take out a frozen chicken dinner | 0:13:48 | 0:13:51 | |
and you don't eat all of it but you know not to refreeze it. | 0:13:51 | 0:13:54 | |
But do you know exactly why that is? Dr Yan is about to explain all. | 0:13:54 | 0:13:58 | |
Using six chicken breasts, a punnet of strawberries and some fresh carrots, | 0:14:00 | 0:14:04 | |
I'm going to get to the bottom of this domestic dilemma. | 0:14:04 | 0:14:07 | |
These two, I'm going to put straight back in the fridge. | 0:14:07 | 0:14:11 | |
These two I'm going to leave on the side. But these, well, | 0:14:11 | 0:14:13 | |
I'm going to put them in the freezer now but I'm going to defrost them | 0:14:13 | 0:14:17 | |
and refreeze them every day for the next five days. | 0:14:17 | 0:14:20 | |
The carrots and strawberries I'm going to put in the freezer, too. | 0:14:20 | 0:14:23 | |
That's not the normal place for this stuff but it'll all become clear. | 0:14:23 | 0:14:29 | |
Now all I need to do is wait. | 0:14:29 | 0:14:31 | |
Right, this should be done now. | 0:14:36 | 0:14:38 | |
We all know that water turns solid when it freezes. | 0:14:38 | 0:14:42 | |
It forms rigid crystals of ice. | 0:14:42 | 0:14:44 | |
Well, 75% of this chicken breast and in fact, 90% of these, | 0:14:44 | 0:14:48 | |
actually is water, so these are basically just solid blocks of ice, | 0:14:48 | 0:14:52 | |
and ice crystals can be nasty things if you're a carrot. | 0:14:52 | 0:14:56 | |
Food like this is made up of individual cells. | 0:14:56 | 0:14:59 | |
Imagine them as tiny balloons filled with water. | 0:14:59 | 0:15:01 | |
When they're not frozen, they keep the carrot nice and crunchy, | 0:15:01 | 0:15:05 | |
but that all changes when the cells begin to freeze. | 0:15:05 | 0:15:09 | |
Now, ice crystals inside the carrot act like microscopic needles, | 0:15:09 | 0:15:13 | |
puncturing the cells. | 0:15:13 | 0:15:15 | |
While it's frozen, you don't notice any difference, | 0:15:20 | 0:15:22 | |
but as it defrosts, the water all oozes out. | 0:15:22 | 0:15:25 | |
Which leaves the cells saggy and empty | 0:15:29 | 0:15:32 | |
and us with a floppy, leaky carrot. Eurgh. | 0:15:32 | 0:15:36 | |
And the strawberries, well, they're even worse. Look. | 0:15:36 | 0:15:40 | |
The effect on meat is not nearly so severe | 0:15:40 | 0:15:44 | |
but the same principle applies. But that's just it. | 0:15:44 | 0:15:47 | |
It's only physical damage. Not very nice to eat, maybe, | 0:15:47 | 0:15:50 | |
but totally harmless. There is something else | 0:15:50 | 0:15:54 | |
we need to worry about, though. Bacteria. | 0:15:54 | 0:15:57 | |
We all know that harmful bacteria on food can give you a dodgy tummy. | 0:15:57 | 0:16:01 | |
On something like this, you could easily expect there to be | 0:16:01 | 0:16:04 | |
10,000 bacteria per square centimetre. | 0:16:04 | 0:16:07 | |
But under the right conditions, bacteria can quickly multiply | 0:16:07 | 0:16:10 | |
to 10 or even 100 million per square centimetre, | 0:16:10 | 0:16:14 | |
and that's when they're likely to make you ill. So does freezing, | 0:16:14 | 0:16:18 | |
thawing and refreezing chicken make the bacteria any more harmful | 0:16:18 | 0:16:22 | |
than just leaving them in the fridge or out on the side? | 0:16:22 | 0:16:25 | |
Here we go. Every morning for five days, I'm going to take the chicken | 0:16:25 | 0:16:31 | |
out of the freezer to defrost and every night put it back in again | 0:16:31 | 0:16:34 | |
to refreeze. Then, I'm sending my refrozen chicken breast, | 0:16:34 | 0:16:39 | |
along with the one I left in the fridge | 0:16:39 | 0:16:41 | |
and the one that's been at room temperature the whole time, to be tested at a lab. | 0:16:41 | 0:16:45 | |
Fantastic. | 0:16:45 | 0:16:47 | |
Now, here are the results. | 0:16:47 | 0:16:48 | |
The lab wouldn't actually send me back the samples | 0:16:48 | 0:16:51 | |
because they were so contaminated, but this is what they found. | 0:16:51 | 0:16:55 | |
Any coloured spots you see are harmful coliform bacteria. | 0:16:55 | 0:16:58 | |
These are the results from the fridge chicken. There's not that many spots. | 0:16:58 | 0:17:02 | |
There's a pair there and another two spots there | 0:17:02 | 0:17:04 | |
but, you know, that's not that many. I'd probably eat that one. | 0:17:04 | 0:17:08 | |
Here are the results from the chicken left out on the side. | 0:17:08 | 0:17:11 | |
Loads of bacteria. The blue one is E.Coli. You've probably heard of it. | 0:17:11 | 0:17:15 | |
You don't want to be eating lots of those. They thrive in a danger zone | 0:17:15 | 0:17:19 | |
between five and 55 degrees Celsius. | 0:17:19 | 0:17:23 | |
Now for the moment of truth. My refrozen chicken. | 0:17:23 | 0:17:27 | |
Whoa, look at that, there's loads of coloured dots. | 0:17:27 | 0:17:30 | |
There's fewer red ones than in the chicken left out on the side | 0:17:30 | 0:17:33 | |
but there are three E.Coli there and, together with the others, | 0:17:33 | 0:17:36 | |
enough to make you ill. The temperature's made the difference. | 0:17:36 | 0:17:40 | |
Every time this chicken was defrosted, parts of it | 0:17:40 | 0:17:43 | |
entered that temperature danger zone, from the first few minutes. | 0:17:43 | 0:17:46 | |
And they stayed there until the chicken was put back in the freezer | 0:17:46 | 0:17:50 | |
many hours later, allowing the bacteria to multiply the whole time. | 0:17:50 | 0:17:54 | |
So it's not the freezing or refreezing that's the problem, | 0:17:55 | 0:17:59 | |
it's the time the bacteria spend in the danger zone | 0:17:59 | 0:18:02 | |
while the food defrosts. And it's not just raw meat, either. | 0:18:02 | 0:18:05 | |
The same applies to re-freezing old cooked food. | 0:18:05 | 0:18:08 | |
The bacteria will still be there lying in wait. | 0:18:08 | 0:18:11 | |
I've just noticed a really interesting phenomenon. | 0:18:11 | 0:18:15 | |
Dr Yan, he's done a few experiments in kitchens | 0:18:15 | 0:18:18 | |
over the last few years, and every time, he's in a different kitchen. | 0:18:18 | 0:18:22 | |
-Not only is he a brilliant scientist, he's also a property magnate. -Nothing would surprise me about Dr Yan. | 0:18:22 | 0:18:27 | |
What I didn't quite get, surely with all those bacteria, | 0:18:27 | 0:18:31 | |
once you cook it, get it to a couple of hundred degrees, | 0:18:31 | 0:18:34 | |
-it kills the bacteria anyway? -The heat does kill them | 0:18:34 | 0:18:37 | |
but it's not the bacteria themselves that cause illness, | 0:18:37 | 0:18:40 | |
it's the toxins they release as they're metabolising in your body. | 0:18:40 | 0:18:45 | |
So, for example, nasty E.Coli. You can kill the actual bacteria | 0:18:45 | 0:18:49 | |
in the heat of the food, and you can break down some of the toxins that it produces, but not all of them, | 0:18:49 | 0:18:55 | |
-and it's the remaining toxins that make you ill. -Interesting. | 0:18:55 | 0:18:59 | |
We're going to stay on the Dr Yan lovefest theme. | 0:18:59 | 0:19:02 | |
Here is his weekly brainteaser. What is this? | 0:19:02 | 0:19:06 | |
-The moon on a piece of paper. -Not the actual moon, a picture of it. | 0:19:06 | 0:19:10 | |
Very bright. That's not actually the conundrum. | 0:19:10 | 0:19:13 | |
How many times would I have to fold this piece of paper in equal parts | 0:19:13 | 0:19:18 | |
in order for it to be able to reach that moon 250,000 miles above me? | 0:19:18 | 0:19:21 | |
That's maybe 0.1mm thick. You are looking at thousands | 0:19:21 | 0:19:24 | |
of trillions of times thicker. I don't even think you could do it. | 0:19:24 | 0:19:28 | |
It's fewer than you think because actually, it's an exponential. | 0:19:28 | 0:19:33 | |
Cryptic clue. The answer's actually the answer to the ultimate question. | 0:19:33 | 0:19:38 | |
If that's confused your brain like it has mine, don't worry, | 0:19:38 | 0:19:42 | |
Dr Yan explains it perfectly well on our website, as always, /bang. | 0:19:42 | 0:19:46 | |
OK, coming up next, it's oral hygiene. | 0:19:46 | 0:19:49 | |
Now, like most people, I brush my teeth twice a day | 0:19:49 | 0:19:51 | |
to avoid getting fillings, but it turns out | 0:19:51 | 0:19:54 | |
that the main cause of tooth decay isn't due to lack of brushing. | 0:19:54 | 0:19:58 | |
And if you don't believe me, I've got 2,000 years of evidence to prove it. | 0:19:58 | 0:20:01 | |
Meet my three new friends, all former London residents. | 0:20:01 | 0:20:07 | |
This is a female Roman skull and if you look at the teeth, | 0:20:07 | 0:20:10 | |
there's a bit of wear and tear, but no tooth decay at all. | 0:20:10 | 0:20:13 | |
Surprisingly, very good condition. Fast forward to a mediaeval skull | 0:20:13 | 0:20:17 | |
and despite the lack of electric toothbrushes at the time, | 0:20:17 | 0:20:21 | |
again, very good teeth, no sign of any decay. | 0:20:21 | 0:20:23 | |
Cut to a post-mediaeval skull, and it's not pretty. | 0:20:23 | 0:20:27 | |
You can see here, very bad tooth decay. An abscess here. | 0:20:27 | 0:20:32 | |
It's not looking good. But why is that? One word, sugar. | 0:20:32 | 0:20:36 | |
This person's generation was the first in history | 0:20:36 | 0:20:39 | |
that could easily get hold of it, and they loved it. | 0:20:39 | 0:20:43 | |
And although they were probably no worse at brushing, | 0:20:43 | 0:20:46 | |
the sweet tooth alone was enough to set in the rot. | 0:20:46 | 0:20:50 | |
Allow me to demonstrate with this tooth-shaped cake. | 0:20:50 | 0:20:53 | |
When you eat something delicious and sugary like this, | 0:20:53 | 0:20:56 | |
it's not just you that gets a treat, | 0:20:56 | 0:20:58 | |
because inside our mouth, it's full of bacteria. | 0:20:58 | 0:21:01 | |
Most of the time, it's harmless and causes us no trouble. | 0:21:01 | 0:21:04 | |
Until, that is, you decide to eat or drink something sugary. | 0:21:04 | 0:21:08 | |
The bacteria thrive on sugar and as they digest it, | 0:21:08 | 0:21:12 | |
they create acid as a by-product. | 0:21:12 | 0:21:14 | |
It's this acid that is the problem because as it bathes the teeth, | 0:21:14 | 0:21:18 | |
it starts to dissolve the enamel. | 0:21:18 | 0:21:20 | |
This process is called demineralisation | 0:21:20 | 0:21:23 | |
and it happens every time you eat or drink something sugary. | 0:21:23 | 0:21:26 | |
Enamel is actually one of the strongest parts of the body, | 0:21:28 | 0:21:31 | |
but under attack from acid, mineral ions are removed | 0:21:31 | 0:21:36 | |
and that lattice structure is weakened. | 0:21:36 | 0:21:39 | |
If it continues to come into contact with acid, | 0:21:39 | 0:21:42 | |
eventually it'll collapse and that's when you get a cavity. | 0:21:42 | 0:21:46 | |
The acid gets to work in minutes. | 0:21:47 | 0:21:49 | |
Brushing at night can't undo the damage, | 0:21:49 | 0:21:52 | |
while brushing straightaway can even make it worse. | 0:21:52 | 0:21:56 | |
Thankfully for us, we have a natural weapon against tooth decay. | 0:21:56 | 0:21:59 | |
It's called saliva and it helps to neutralise | 0:21:59 | 0:22:02 | |
and wash away that acid, but it also contains mineral ions, | 0:22:02 | 0:22:06 | |
replacing the ones that are lost through acid erosion, | 0:22:06 | 0:22:10 | |
remineralising and helping strengthen | 0:22:10 | 0:22:12 | |
that latticework structure of the teeth. | 0:22:12 | 0:22:16 | |
But if you keep on eating sugary snacks, | 0:22:16 | 0:22:18 | |
your saliva can't keep up with the repair work. | 0:22:18 | 0:22:21 | |
What starts as a small cavity gets deeper and deeper. | 0:22:21 | 0:22:24 | |
And if the cavity expands and reaches the inner, | 0:22:24 | 0:22:28 | |
living part of the tooth, the dentine, | 0:22:28 | 0:22:30 | |
it's going to get painful because that's where your nerves are. | 0:22:30 | 0:22:34 | |
Most of us at this point are going to consider a trip | 0:22:34 | 0:22:37 | |
to the dentist, but if left unchecked, you're going to get | 0:22:37 | 0:22:40 | |
full-blown tooth decay and, eventually, your tooth will fall out. | 0:22:40 | 0:22:45 | |
The best way to avoid decay, then, is to avoid sugar. | 0:22:45 | 0:22:49 | |
So what's with all the brushing? | 0:22:49 | 0:22:52 | |
I'm going to find out by hanging up my toothbrush for five days. | 0:22:52 | 0:22:56 | |
OK, this is it. This is truly grim. | 0:22:56 | 0:22:59 | |
This is the last time I'm going to brush my teeth | 0:22:59 | 0:23:02 | |
for the next five days, so don't come anywhere near me. | 0:23:02 | 0:23:06 | |
It's day three. This is the third day I haven't brushed my teeth | 0:23:06 | 0:23:10 | |
and people are avoiding me, crossing the street as I walk past. | 0:23:10 | 0:23:14 | |
The smell is becoming unbearable almost. | 0:23:14 | 0:23:18 | |
-Are your teeth clean? -Yeah. -Let's see. | 0:23:18 | 0:23:20 | |
What do you think about Daddy's teeth? | 0:23:20 | 0:23:23 | |
Yucky. | 0:23:25 | 0:23:27 | |
Oh, dear, it's now day four of not being able to brush my teeth, | 0:23:27 | 0:23:32 | |
and I think they're looking pretty horrible. | 0:23:32 | 0:23:35 | |
They certainly feel fuzzy and grim. | 0:23:35 | 0:23:38 | |
-Have a smell. -Eurgh, it's stinky. | 0:23:38 | 0:23:41 | |
This is horrible. | 0:23:41 | 0:23:44 | |
Everywhere I go, I kind of feel people are looking at me funny. | 0:23:44 | 0:23:49 | |
More funny than normal. | 0:23:49 | 0:23:51 | |
OK, no sugary snacks and my teeth haven't turned black, | 0:23:54 | 0:23:58 | |
but they are a bit furry. To find out what's going on, | 0:23:58 | 0:24:02 | |
I've come to Liverpool University's dental school. | 0:24:02 | 0:24:06 | |
They're pioneering a new camera that reveals the damage done | 0:24:06 | 0:24:11 | |
by five days of neglect. Not rot, but plaque. | 0:24:11 | 0:24:14 | |
It's difficult to see the plaque, | 0:24:14 | 0:24:18 | |
because it's white on white teeth. | 0:24:18 | 0:24:20 | |
If you look very closely, you can see some. | 0:24:20 | 0:24:22 | |
I'm a bit worried about that bit. That's a bit of last night's curry. | 0:24:22 | 0:24:26 | |
I think that's a bit of food debris. | 0:24:26 | 0:24:29 | |
But if we have a look at a different image we've taken | 0:24:29 | 0:24:32 | |
with our special camera, which is using fluorescence now, | 0:24:32 | 0:24:37 | |
then we can see some really quite heavy areas of plaque. | 0:24:37 | 0:24:42 | |
-So this orange stuff, that's plaque? -That's plaque. | 0:24:42 | 0:24:45 | |
-That's quite a lot, isn't it? -There is really quite a lot there. | 0:24:45 | 0:24:48 | |
Plaque is down to those same bacteria that produce acid. | 0:24:48 | 0:24:52 | |
Faced with a filthy mouth, they go wild, | 0:24:52 | 0:24:55 | |
billions of them forming a sticky, gooey mess all over your teeth. | 0:24:55 | 0:24:59 | |
It won't harm your teeth like acid does, | 0:24:59 | 0:25:02 | |
but if you don't brush away the plaque, it eventually hardens | 0:25:02 | 0:25:05 | |
and this time, it's your gums that pay the price. | 0:25:05 | 0:25:08 | |
So this is all stuff that's taken up residence | 0:25:10 | 0:25:12 | |
in my mouth over the last five days. It's hooked up to the microscope | 0:25:12 | 0:25:16 | |
and I'm looking at this stuff, I can actually see things wriggling about. | 0:25:16 | 0:25:20 | |
-What's that there? -These long, slender, cigar-shaped rods | 0:25:20 | 0:25:24 | |
are probably fusobacterium. | 0:25:24 | 0:25:27 | |
We've got probably some streptococci here, | 0:25:27 | 0:25:30 | |
the round-shaped bacteria. | 0:25:30 | 0:25:33 | |
But we've also got some of these motile bacteria, | 0:25:33 | 0:25:37 | |
-likely to be spirochetes. -It's a wonder I'm still alive! | 0:25:37 | 0:25:42 | |
-They're like little tadpoles swimming around. -They are. | 0:25:42 | 0:25:45 | |
I thought I felt something in my mouth, I thought there was something odd going on! | 0:25:45 | 0:25:50 | |
-So, really, this is the cause of all of our problems, isn't it? -It is. | 0:25:50 | 0:25:54 | |
That can lead to problems with your gums, | 0:25:54 | 0:25:56 | |
perhaps leading on to loose teeth and eventually tooth loss. | 0:25:56 | 0:26:01 | |
So the moral of the story is brush your teeth, I think? | 0:26:01 | 0:26:03 | |
-Brush your teeth well. -OK, so there you go. | 0:26:03 | 0:26:06 | |
-Jem, teeth, fillings. Any fillings? -Two, maybe three, actually. | 0:26:06 | 0:26:11 | |
-Liz? -My dad's a dentist, so I'm a bit embarrassed to admit this, | 0:26:11 | 0:26:14 | |
-but it's three. Sorry, Dad. -No fillings. Dentally perfect. | 0:26:14 | 0:26:18 | |
-Oh, for goodness' sake. -Actually... | 0:26:18 | 0:26:20 | |
More worrying than that still, your VT suggested | 0:26:20 | 0:26:24 | |
that brushing your teeth immediately after eating sweets | 0:26:24 | 0:26:28 | |
-does more harm than good. -If you think about it, | 0:26:28 | 0:26:30 | |
the acid is already eroding away at the enamel. | 0:26:30 | 0:26:34 | |
Add a toothbrush to that, you're aggravating the problem. | 0:26:34 | 0:26:37 | |
Ideally, you need to wait an hour between the sweet and the brushing. | 0:26:37 | 0:26:41 | |
See, that makes a lot of sense. | 0:26:41 | 0:26:42 | |
It's kind of counterintuitive but it makes a lot of sense. | 0:26:42 | 0:26:45 | |
Here's something for you. What is the best food to eat, for your teeth? | 0:26:45 | 0:26:49 | |
-What's the one food to eat? -A massive toothpaste sandwich. | 0:26:49 | 0:26:53 | |
-Which makes a lot of sense. -Or something that neutralises the acid. | 0:26:53 | 0:26:57 | |
The best food you can eat for your teeth is actually cheese. | 0:26:57 | 0:27:00 | |
It's full of calcium and phosphorus, good minerals for your teeth. | 0:27:00 | 0:27:05 | |
It's also alkaline so it helps neutralise the acid, | 0:27:05 | 0:27:07 | |
and if you use a strong cheese, like a vintage cheddar, | 0:27:07 | 0:27:10 | |
it produces lots of saliva, which helps fight tooth decay. | 0:27:10 | 0:27:13 | |
And there's plenty more about teeth at /bang. | 0:27:13 | 0:27:16 | |
Just follow the links to the Open University | 0:27:16 | 0:27:19 | |
where you can find out how teeth evolved. | 0:27:19 | 0:27:22 | |
And how doctors are using fluorescence to detect disease. | 0:27:22 | 0:27:27 | |
Next week, Dr Yan is messing around with radioactive waste. | 0:27:27 | 0:27:31 | |
You may be surprised to discover | 0:27:31 | 0:27:33 | |
just how radioactive some things are. | 0:27:33 | 0:27:35 | |
And I'm off to Amarillo in Texas to investigate | 0:27:35 | 0:27:38 | |
a potential global shortage of helium. | 0:27:38 | 0:27:41 | |
You may be thinking, "So what?", but there is more to helium | 0:27:41 | 0:27:44 | |
-that just making your voice go squeaky. -All interesting stuff. | 0:27:44 | 0:27:47 | |
I'm also going to be checking out new airport security | 0:27:47 | 0:27:50 | |
that you're going to have to be dealing with on your next flight. | 0:27:50 | 0:27:54 | |
This device finds hidden weapons through your clothes. | 0:27:54 | 0:27:57 | |
Interested? That's coming up next week as well as a new BBC project | 0:27:57 | 0:28:02 | |
called 'So You Want To Be A Scientist.' | 0:28:02 | 0:28:04 | |
We're looking for budding amateur researchers. | 0:28:04 | 0:28:07 | |
More about that next week. See you then. | 0:28:07 | 0:28:09 | |
-Bye-bye. -Bye-bye. -Take care. | 0:28:09 | 0:28:11 | |
Subtitles by Red Bee Media Ltd | 0:28:14 | 0:28:18 | |
E-mail [email protected] | 0:28:18 | 0:28:21 |