Browse content similar to 02/09/2012. Check below for episodes and series from the same categories and more!
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The rural Oxfordshire. Picturesque villages, rolling countryside. | 0:00:26 | 0:00:30 | |
But it just wouldn't be England without a country house | 0:00:31 | 0:00:35 | |
complete with a rather eccentric garden. | 0:00:35 | 0:00:38 | |
Every mansion has its impressive gardens | 0:00:40 | 0:00:44 | |
and the ultimate in Jacobean design is topiary. | 0:00:44 | 0:00:47 | |
That's a squirrel, and, believe it or not, | 0:00:47 | 0:00:50 | |
that is a goblin, even though his head's fallen off. | 0:00:50 | 0:00:53 | |
Later on I'm going to be let loose on them with a pair of these. | 0:00:53 | 0:00:57 | |
There's all kinds of winged wonders living here, too. | 0:01:00 | 0:01:04 | |
I'm taking a walk on the wild side to see some of the beasties | 0:01:04 | 0:01:07 | |
that call the Oxfordshire countryside their home | 0:01:07 | 0:01:09 | |
like the solitary bee, but to see them up close | 0:01:09 | 0:01:13 | |
I'm going to need...a Frisbee... | 0:01:13 | 0:01:15 | |
..and some washing-up liquid. | 0:01:17 | 0:01:19 | |
Intriguing. | 0:01:19 | 0:01:20 | |
And wild Britain's provided the inspiration | 0:01:20 | 0:01:24 | |
for our photographic competition. You sent him some super images | 0:01:24 | 0:01:27 | |
and now it's up to Chris Packham, Jo Brand | 0:01:27 | 0:01:29 | |
and our very own John Craven to choose the 12 that will feature | 0:01:29 | 0:01:32 | |
in our calendar, sold in aid of Children In Need. | 0:01:32 | 0:01:36 | |
The theme of this year's competition is A Walk On The Wild Side, | 0:01:37 | 0:01:41 | |
and we've come here to Eltham Palace near Greenwich | 0:01:41 | 0:01:43 | |
to select the final 12 photos. | 0:01:43 | 0:01:46 | |
And remember - it's up to you to vote for the overall winner. | 0:01:47 | 0:01:51 | |
I'll be telling you how later, but meanwhile, Jo, Chris - | 0:01:51 | 0:01:55 | |
let's get down to business. | 0:01:55 | 0:01:57 | |
And in North Wales, Tom's investigating | 0:01:57 | 0:02:00 | |
the rise in sea temperatures around our shores. | 0:02:00 | 0:02:04 | |
It's going to have a huge impact on the animals that live out there | 0:02:04 | 0:02:08 | |
and the people who depend on catching them for a living | 0:02:08 | 0:02:11 | |
so as our sea gets warmer, who'll be the winners or losers? | 0:02:11 | 0:02:15 | |
I'll be finding out. | 0:02:15 | 0:02:17 | |
Oxfordshire is one of the most visited counties of England | 0:02:28 | 0:02:32 | |
and, to coin an American phrase, it's located south central. | 0:02:32 | 0:02:36 | |
It's a popular destination because here you get an historic city centre | 0:02:36 | 0:02:41 | |
surrounded by miles of serene countryside. | 0:02:41 | 0:02:44 | |
In honour of our Countryfile photographic competition theme, | 0:02:44 | 0:02:48 | |
today I'm going on a walk on the wild side | 0:02:48 | 0:02:51 | |
throughout this fair county and going in search | 0:02:51 | 0:02:53 | |
of some of the animals and beasties that live here right under our noses. | 0:02:53 | 0:02:57 | |
But without expert help, you'd never even know that they were there. | 0:02:57 | 0:03:01 | |
'Hugh Warwick is a hedgehog-loving ecologist, but he's worried. | 0:03:02 | 0:03:06 | |
'Research says our spiny little friends are in trouble.' | 0:03:06 | 0:03:10 | |
What's happening to the numbers here? | 0:03:10 | 0:03:12 | |
We found that conservatively now, | 0:03:12 | 0:03:14 | |
there's been a 25% decline in hedgehogs | 0:03:14 | 0:03:16 | |
in this country in the last ten years alone | 0:03:16 | 0:03:19 | |
and that actually the figure could be far, far worse. | 0:03:19 | 0:03:21 | |
In some parts of the country, it may be up to 50%. | 0:03:21 | 0:03:23 | |
And why, then? | 0:03:23 | 0:03:25 | |
Were in Bagley woods, just outside Oxford, | 0:03:25 | 0:03:28 | |
and to our right we got the A34. | 0:03:28 | 0:03:31 | |
It's a fantastic way of getting through Oxfordshire as quickly as possible, | 0:03:31 | 0:03:34 | |
but that means hedgehogs cannot cross in that direction. | 0:03:34 | 0:03:37 | |
And then on our other side, we've got suburbia. | 0:03:37 | 0:03:40 | |
Now, suburbia is in many ways absolutely perfect hedgehog habitat. | 0:03:40 | 0:03:45 | |
It is this amazing mosaic of different sorts of environment. | 0:03:45 | 0:03:48 | |
You've got people making efforts for having wildlife-friendly gardens, | 0:03:48 | 0:03:51 | |
they'll probably be trying to attract birds into them, | 0:03:51 | 0:03:55 | |
but inadvertently they'll attract loads of other things, | 0:03:55 | 0:03:57 | |
including hedgehogs. But the problem suburbia faces | 0:03:57 | 0:04:00 | |
is it, too, has become increasingly fragmented. | 0:04:00 | 0:04:04 | |
'But there are things we can do to help hedgehogs in our own back gardens | 0:04:04 | 0:04:08 | |
'and Hugh's got some great tips for those willing to make a few changes.' | 0:04:08 | 0:04:12 | |
Hello, Tracey. Well, listen - this garden feels very welcoming for me, | 0:04:12 | 0:04:15 | |
but obviously this is all about the hedgehogs, | 0:04:15 | 0:04:17 | |
so, Tracey, have you seen any evidence? | 0:04:17 | 0:04:19 | |
Yes, well, actually I saw a hedgehog over there | 0:04:19 | 0:04:22 | |
while we were having a barbecue | 0:04:22 | 0:04:24 | |
and I've never seen a hedgehog before | 0:04:24 | 0:04:26 | |
and when I went to go and have a look, | 0:04:26 | 0:04:28 | |
this little thing with little spikes, eyes hardly open, | 0:04:28 | 0:04:31 | |
was sort of looking up at me and it got me really excited. | 0:04:31 | 0:04:35 | |
Good, how about on that side of the fence, | 0:04:35 | 0:04:37 | |
cos you live over there, don't you? So have you seen any evidence, Mum? | 0:04:37 | 0:04:40 | |
We did a few months ago, didn't we? We found one had wandered | 0:04:40 | 0:04:43 | |
into a cage we had in the garden, but we haven't seen one since. | 0:04:43 | 0:04:46 | |
Right, good. Well, it's a good job we brought Hugh | 0:04:46 | 0:04:49 | |
because he's here to help, so, Hugh, this is kind of... | 0:04:49 | 0:04:51 | |
Well, it's a lovely garden so let's start from here | 0:04:51 | 0:04:53 | |
and work our way around and what's good and what's bad. | 0:04:53 | 0:04:56 | |
The first and most obvious thing here, which is fantastic, | 0:04:56 | 0:04:59 | |
is that this fence has got gaps underneath | 0:04:59 | 0:05:01 | |
it because you look at this big fence and you go, "Oh, my gosh - impenetrable," | 0:05:01 | 0:05:04 | |
But hedgehogs will be able to make their way underneath the fence | 0:05:04 | 0:05:08 | |
and you start moving around here. | 0:05:08 | 0:05:10 | |
You've got wood which starts to rot, providing shelter, but as it rots | 0:05:10 | 0:05:13 | |
the fungi attracts lots of insects and the insects larvae is hedgehog food. | 0:05:13 | 0:05:16 | |
It would improve things for the hedgehog | 0:05:16 | 0:05:19 | |
if it could move between your garden and all the way through. | 0:05:19 | 0:05:24 | |
I'm leaving the gang to it. I need to check | 0:05:24 | 0:05:27 | |
a motion sensitive camera we set up last night on the off chance | 0:05:27 | 0:05:30 | |
we might have captured a passing hedgehog on film. | 0:05:30 | 0:05:33 | |
We set these nightvision cameras | 0:05:34 | 0:05:37 | |
but unfortunately we've not got a hedgehog. | 0:05:37 | 0:05:40 | |
But look at that. Doesn't that look like a hedgehog? It's it all. | 0:05:40 | 0:05:43 | |
-Are you sure? -But we've been through all 2055 frames. | 0:05:43 | 0:05:48 | |
-There's nothing on there. -You can improve your chances. | 0:05:48 | 0:05:50 | |
You can bait the garden with good hedgehog food. | 0:05:50 | 0:05:53 | |
The best thing is meaty pet food, cat food - not bread and milk | 0:05:53 | 0:05:57 | |
even though they'll eat it. | 0:05:57 | 0:05:59 | |
The best thing to do is just the whole idea of communicating | 0:05:59 | 0:06:03 | |
with your neighbours and The People's Trust For Endangered species | 0:06:03 | 0:06:07 | |
and British Hedgehog Preservation Society set up the Hedgehog Street project. | 0:06:07 | 0:06:10 | |
We're trying to get as many people as possible to talk | 0:06:10 | 0:06:13 | |
to their neighbours, start working with their neighbours, | 0:06:13 | 0:06:16 | |
start doing amazing stuff that Tracey is doing, | 0:06:16 | 0:06:19 | |
getting people to start making their garden hedgehog friendly | 0:06:19 | 0:06:22 | |
and porous so they can move through. | 0:06:22 | 0:06:23 | |
The more people sign up the better. | 0:06:23 | 0:06:26 | |
If you'd like more details about becoming a hedgehog champion | 0:06:26 | 0:06:29 | |
just go to our website. | 0:06:29 | 0:06:31 | |
Sadly I've not seen any wildlife yet but thousands of you have. | 0:06:31 | 0:06:35 | |
You've been using it to show off your camera skills for this year's | 0:06:35 | 0:06:38 | |
Countryfile photographic competition themed Walk On The Wild Side. | 0:06:38 | 0:06:42 | |
Last year thanks to you and our Countryfile calendar, we raised | 0:06:44 | 0:06:48 | |
more than £1.2 million for Children In Need. | 0:06:48 | 0:06:52 | |
It's never easy choosing the winning 12 photos | 0:06:52 | 0:06:55 | |
and that's why we're asking for your help as one or two of you | 0:06:55 | 0:06:59 | |
know exactly what it's like to be winners. | 0:06:59 | 0:07:01 | |
With 50,000 entries this year for our photographic competition | 0:07:04 | 0:07:07 | |
there'll be no shortage of strong contenders for the next | 0:07:07 | 0:07:11 | |
Countryfile calendar with its theme of a Walk On The Wild Side. | 0:07:11 | 0:07:15 | |
We've been asking for photos of wildlife, | 0:07:15 | 0:07:18 | |
wild landscapes and even wild weather. | 0:07:18 | 0:07:21 | |
Where do we start? | 0:07:21 | 0:07:22 | |
These previous winners definitely have the eye for it | 0:07:22 | 0:07:26 | |
and they're taking on the gargantuan task of whittling down the list | 0:07:26 | 0:07:29 | |
to just 3,000. | 0:07:29 | 0:07:30 | |
Wow! I think we're going to have our work cut out here. | 0:07:30 | 0:07:34 | |
Then they'll pass on the baton to the final judges. | 0:07:34 | 0:07:38 | |
The teams are working in pairs to go through the images. | 0:07:38 | 0:07:42 | |
Our first team of experts is Michael Mutimer, finalist two years ago | 0:07:42 | 0:07:47 | |
and Mark Blake, one of last year's chosen 12. | 0:07:47 | 0:07:50 | |
The standard is absolutely fantastic. | 0:07:52 | 0:07:55 | |
Take a lot of wildlife images myself and upload them, | 0:07:55 | 0:07:59 | |
search through them on the computer. | 0:07:59 | 0:08:03 | |
Now and again you get that one where you go, "Yes!" | 0:08:03 | 0:08:07 | |
That's what I'm looking for today. | 0:08:07 | 0:08:10 | |
If you open the computer and that's what you've taken, it hits you. | 0:08:10 | 0:08:13 | |
-Wow factor. -Absolutely. -You're going to use that. | 0:08:13 | 0:08:16 | |
It's absolutely beautiful. | 0:08:16 | 0:08:18 | |
Team two is 2008 finalist Terry Heath | 0:08:18 | 0:08:22 | |
and last year's overall winner Sarah Williams. | 0:08:22 | 0:08:25 | |
That is a walk on the wild side. | 0:08:25 | 0:08:27 | |
They've ditched their shoes and gone into the waves. | 0:08:27 | 0:08:29 | |
-You can't get any better than that, can you? -No, not at all. | 0:08:29 | 0:08:32 | |
But it looks like some people have taken this year's theme | 0:08:32 | 0:08:35 | |
to the extreme. | 0:08:35 | 0:08:37 | |
Some quite extraordinary ones which probably won't make it through | 0:08:37 | 0:08:40 | |
are some dinosaurs! | 0:08:40 | 0:08:42 | |
It's certainly wild! | 0:08:43 | 0:08:45 | |
Pen Rashbass won the competition back in 2010 and today she's working | 0:08:45 | 0:08:49 | |
with 2009 finalist Tony Lovell. | 0:08:49 | 0:08:53 | |
There's been a variety of things | 0:08:53 | 0:08:56 | |
from jellyfish through to fungi and there are nice stags here. | 0:08:56 | 0:09:01 | |
And landscapes. | 0:09:01 | 0:09:04 | |
It's a nice wide range and it's a lot of fun to look at. | 0:09:04 | 0:09:08 | |
I'm really looking for something which I had taken | 0:09:08 | 0:09:11 | |
and if I think, "God I wish I was there and I wish I could see | 0:09:11 | 0:09:14 | |
"that picture" or "I wish I had my camera and was taking that", | 0:09:14 | 0:09:17 | |
then that's a definite yes. | 0:09:17 | 0:09:19 | |
Our last team is 2005 winner Rosie Burke and Geoffrey Hill | 0:09:19 | 0:09:24 | |
2009 finalist. | 0:09:24 | 0:09:25 | |
We've really got a group that will that nothing slip through the net. | 0:09:25 | 0:09:29 | |
This is one of my favourite ones here | 0:09:29 | 0:09:33 | |
because although the top is cropped we've got this amazing wild head. | 0:09:33 | 0:09:37 | |
We've got an eye and a biting mouth here | 0:09:37 | 0:09:40 | |
and the manes are standing up on end so there's movement. | 0:09:40 | 0:09:45 | |
Plus excitement, so that to me, really represents something wild. | 0:09:45 | 0:09:50 | |
I'm amazed at the quality and quantity of the entries. | 0:09:50 | 0:09:54 | |
I know what it's like to capture wildlife. | 0:09:54 | 0:09:57 | |
You've to spend hours and hours to get a shot. | 0:09:57 | 0:10:00 | |
I can look at all these and say right whoever has taken this has | 0:10:00 | 0:10:04 | |
really put their heart and soul into getting the shot. | 0:10:04 | 0:10:08 | |
Our thanks to everyone who took time to enter and has made | 0:10:08 | 0:10:11 | |
the competition such a success. | 0:10:11 | 0:10:13 | |
I think that's it, Geoff. | 0:10:13 | 0:10:16 | |
-How are we doing? -That's the last two yeses'. | 0:10:16 | 0:10:19 | |
I think we've earned a drink, Rosie. | 0:10:20 | 0:10:22 | |
Our huge thanks to | 0:10:22 | 0:10:24 | |
the team who brought the colossal amount of photos | 0:10:24 | 0:10:27 | |
down to a more manageable level. | 0:10:27 | 0:10:29 | |
And now it's time to pick the winners. | 0:10:31 | 0:10:33 | |
The final 12 photographs that make up the next Countryfile calendar | 0:10:33 | 0:10:37 | |
and those pictures are somewhere in these boxes. | 0:10:37 | 0:10:41 | |
And this is where we're going to be making the big decision | 0:10:41 | 0:10:44 | |
in the magnificent setting of Eltham Palace not far | 0:10:44 | 0:10:47 | |
from the River Thames near Greenwich. | 0:10:47 | 0:10:49 | |
Accompanying me on the hunt for the chosen dozen are fellow judges | 0:10:51 | 0:10:54 | |
Jo Brand and Chris Packham. | 0:10:54 | 0:10:57 | |
So join us later when we get cracking. | 0:10:57 | 0:10:59 | |
Matt and I are exploring the rolling hills and gentle valleys | 0:11:05 | 0:11:08 | |
of Oxfordshire. | 0:11:08 | 0:11:10 | |
Tucked away in a quiet corner of this stunning landscape | 0:11:11 | 0:11:14 | |
sits Chastleton House - | 0:11:14 | 0:11:16 | |
a majestic memory of times gone by. | 0:11:16 | 0:11:19 | |
At first glance, a wealthy stately pile, | 0:11:19 | 0:11:22 | |
but on closer inspection, it's much, much more. | 0:11:22 | 0:11:26 | |
This sprawling manor was built in the 17th century by Walter Jones | 0:11:26 | 0:11:31 | |
the grandson of a wealthy wool merchant. | 0:11:31 | 0:11:35 | |
The wool trade in the Cotswolds was booming, | 0:11:35 | 0:11:37 | |
and this grand house stood as testament to that wealth and power | 0:11:37 | 0:11:41 | |
but it wasn't to last. | 0:11:41 | 0:11:43 | |
After backing the wrong side in the English Civil War | 0:11:43 | 0:11:46 | |
and the collapse of the wool trade, almost 30 years after the house was built | 0:11:46 | 0:11:50 | |
the family found themselves penniless. | 0:11:50 | 0:11:52 | |
Remarkably, the property stayed in the same family. | 0:11:54 | 0:11:58 | |
But unable to afford any further improvements, | 0:11:58 | 0:12:00 | |
the house remained largely unchanged for almost 400 years. | 0:12:00 | 0:12:05 | |
The family owned the house until 1991. | 0:12:05 | 0:12:08 | |
Now it's run by the National Trust | 0:12:08 | 0:12:10 | |
and this 400 year old time capsule is open for everybody to see. | 0:12:10 | 0:12:15 | |
'I'm meeting Sarah Jewell, | 0:12:17 | 0:12:19 | |
'grand-daughter of Barbara Clutton-Brock, | 0:12:19 | 0:12:21 | |
'the last member of the family to live at Chastleton.' | 0:12:21 | 0:12:25 | |
What an absolutely beautiful room. | 0:12:26 | 0:12:29 | |
There's detail everywhere, isn't there? | 0:12:29 | 0:12:32 | |
So this is the Long Gallery and it's what I think | 0:12:32 | 0:12:37 | |
and most people think is the most beautiful room in the house. | 0:12:37 | 0:12:40 | |
It is 72 foot long | 0:12:40 | 0:12:42 | |
and was built for exercise. | 0:12:42 | 0:12:45 | |
Did you ever actually live here? | 0:12:45 | 0:12:47 | |
No, my grandfather inherited the house, Alan Clutton-Brock. | 0:12:47 | 0:12:51 | |
My mother lived here as a child for periods | 0:12:51 | 0:12:54 | |
but I used to visit with my sisters | 0:12:54 | 0:12:57 | |
and come for tea at weekends | 0:12:57 | 0:13:00 | |
and just roam around the house playing | 0:13:00 | 0:13:03 | |
and having great fun exploring | 0:13:03 | 0:13:06 | |
and finding out all the secrets of the house. | 0:13:06 | 0:13:09 | |
If houses could talk this place has a lot to say, doesn't it? | 0:13:09 | 0:13:12 | |
For instance in this room there's the long hobbyhorse | 0:13:12 | 0:13:15 | |
that me and my two sisters would run up and down on | 0:13:15 | 0:13:19 | |
and the exercise horse at the end we would bounce on. | 0:13:19 | 0:13:22 | |
As you wander round, it's very lived-in | 0:13:22 | 0:13:25 | |
and isn't dusted intentionally is it? | 0:13:25 | 0:13:28 | |
The family saying was, "Built in 1610, never dusted since" | 0:13:28 | 0:13:33 | |
and certainly that was a nice thing as a child because you could come | 0:13:33 | 0:13:36 | |
and play and it wasn't all pristine. | 0:13:36 | 0:13:39 | |
When the National Trust took over the property they faced a dilemma. | 0:13:40 | 0:13:44 | |
Restore it to a former glory it never really had, | 0:13:44 | 0:13:47 | |
or leave the house in its charming state of gentle decay. | 0:13:47 | 0:13:52 | |
In the end, they decided to keep it as they found it. | 0:13:52 | 0:13:55 | |
Preservation not restoration has been the focus here - | 0:13:55 | 0:13:59 | |
dusting only once a year! | 0:13:59 | 0:14:01 | |
Wow! What an amazing room. What was this room? | 0:14:01 | 0:14:05 | |
This is the Great Hall and when I was married | 0:14:05 | 0:14:08 | |
this is where we had my wedding party and reception. | 0:14:08 | 0:14:14 | |
-Brilliant! -A huge fire burning | 0:14:14 | 0:14:15 | |
and it was wonderful - everyone dancing and eating | 0:14:15 | 0:14:18 | |
and this is the stag, which is actually reindeer antlers. | 0:14:18 | 0:14:22 | |
No-one knows the origination of it | 0:14:22 | 0:14:25 | |
but part of the family history. | 0:14:25 | 0:14:27 | |
There are juxtapositions of old and new all around - | 0:14:30 | 0:14:33 | |
signs of generation upon generation of one family | 0:14:33 | 0:14:37 | |
who lived at Chastleton for 400 years, | 0:14:37 | 0:14:40 | |
whose descendants simply remember it as a great family home. | 0:14:40 | 0:14:45 | |
Later, I'll be exploring the gardens. | 0:14:46 | 0:14:48 | |
They've certainly seen change over the years. | 0:14:48 | 0:14:51 | |
But it's change in our seas that Tom's investigating. | 0:14:52 | 0:14:57 | |
The sea temperature around Britain is rising. | 0:14:57 | 0:15:00 | |
So, what impact are our warmer waters having on life beneath the waves? | 0:15:00 | 0:15:05 | |
'You can't tell just by looking at the surface | 0:15:09 | 0:15:12 | |
'but a dramatic change is starting to take place in the seas' | 0:15:12 | 0:15:16 | |
around Britain. | 0:15:16 | 0:15:18 | |
Some of the marine life we know and love is in decline | 0:15:18 | 0:15:22 | |
while other more exotic species are turning up off our shores. | 0:15:22 | 0:15:26 | |
So what's behind this upheaval in an underwater world? | 0:15:26 | 0:15:30 | |
Changes in our climate are warming up the oceans. Here in Britain | 0:15:30 | 0:15:35 | |
the sea temperature has increased by more than half a degree | 0:15:35 | 0:15:38 | |
in the last two decades and the speed of that change is getting faster. | 0:15:38 | 0:15:42 | |
So, our seas are getting warmer | 0:15:44 | 0:15:45 | |
and it's causing big changes to life beneath the waves. | 0:15:45 | 0:15:49 | |
But what does it mean for those who make their living from the sea? | 0:15:49 | 0:15:53 | |
To find out, I'm going to have to get out and get my waders on! | 0:15:53 | 0:15:58 | |
So where are we off to James? | 0:16:00 | 0:16:02 | |
-Follow me. -OK. | 0:16:02 | 0:16:05 | |
'James Wilson runs a mussel farming business in north-west Wales. | 0:16:05 | 0:16:10 | |
'He's taking me out to some mussel beds in the mud flats on the Menai Strait.' | 0:16:10 | 0:16:14 | |
Getting quite heavy going. | 0:16:14 | 0:16:16 | |
-It's a bit sticky. -On the squelchy side. | 0:16:16 | 0:16:19 | |
'James regularly checks these beds for invaders from warmer shores.' | 0:16:19 | 0:16:24 | |
There's a species we're concerned about at the moment - | 0:16:24 | 0:16:27 | |
Didemnum vexillum. It's a sort of brown gelatinous seaweed | 0:16:27 | 0:16:31 | |
and if that settles on the mussels that would cause high mortality | 0:16:31 | 0:16:35 | |
or make them unmarketable. | 0:16:35 | 0:16:36 | |
I gather that invasive species is quite close to hear | 0:16:36 | 0:16:39 | |
at Holyhead already. | 0:16:39 | 0:16:41 | |
At Holyhead it was the first finding of this species in mainland UK. | 0:16:41 | 0:16:45 | |
It's a species that tends to like warmer waters? | 0:16:45 | 0:16:48 | |
Yeah, it's originally from the Pacific | 0:16:48 | 0:16:51 | |
so it's natural tolerances are associated with its original habitat. | 0:16:51 | 0:16:55 | |
If water temperatures warm over here | 0:16:55 | 0:16:57 | |
there is an increased likelihood of it becoming more established. | 0:16:57 | 0:17:00 | |
If this rusty coloured seaweed makes the short trip from Holyhead | 0:17:00 | 0:17:05 | |
these mussels could be devastated. | 0:17:05 | 0:17:07 | |
But foreign invaders muscling in aren't the only concern. | 0:17:07 | 0:17:10 | |
Warmer water brings threats of its own. | 0:17:10 | 0:17:14 | |
Our big concern with rapid climate change is that | 0:17:14 | 0:17:17 | |
the mussels don't have enough time to adapt | 0:17:17 | 0:17:19 | |
to any rapid change in temperature. | 0:17:19 | 0:17:22 | |
That could cause expiration of the species | 0:17:22 | 0:17:25 | |
in a local area very rapidly. | 0:17:25 | 0:17:27 | |
Warmer seas don't just affect mussel beds. | 0:17:27 | 0:17:30 | |
Stocks of fish like cod and haddock could decline too | 0:17:30 | 0:17:33 | |
and they are likely to head north in search of cooler water. | 0:17:33 | 0:17:36 | |
For today though, James has got more pressing problems. | 0:17:36 | 0:17:40 | |
One thing I noticed since we talked is you're getting lower! | 0:17:42 | 0:17:45 | |
You're actually sinking! | 0:17:45 | 0:17:46 | |
I know, I know. It's one of the perils of the job! | 0:17:46 | 0:17:49 | |
But while some creatures could be vanishing, | 0:17:50 | 0:17:53 | |
climate change means we are seeing more of others. | 0:17:53 | 0:17:57 | |
Exotic species, like ocean sunfish, trigger fish and blue fin tuna, | 0:17:57 | 0:18:00 | |
are already being spotted off the south coast | 0:18:00 | 0:18:03 | |
and here in Wales, you've now got a better chance | 0:18:03 | 0:18:06 | |
of seeing some family favourites. | 0:18:06 | 0:18:08 | |
We're heading out into the Irish Sea with marine scientist Peter Evans | 0:18:09 | 0:18:14 | |
to search for signs of these new arrivals. | 0:18:14 | 0:18:17 | |
His research has revealed huge changes | 0:18:17 | 0:18:20 | |
in both our whale and dolphin populations. | 0:18:20 | 0:18:23 | |
The British Isles is blessed with having a third of the world's | 0:18:23 | 0:18:26 | |
whales and dolphin species. | 0:18:26 | 0:18:28 | |
It has 29 species in Britain and Ireland | 0:18:28 | 0:18:31 | |
and of those we have had four new species just in the last 25 years. | 0:18:31 | 0:18:36 | |
Those are all warm water species - | 0:18:36 | 0:18:38 | |
species from the tropics or sub-tropics. | 0:18:38 | 0:18:41 | |
And it's not just these totally new ones you're seeing? | 0:18:41 | 0:18:44 | |
Some of the rarer visitors are becoming much more frequent now? | 0:18:44 | 0:18:48 | |
That's right. Striped dolphins are regular now | 0:18:48 | 0:18:51 | |
in fact you get them regularly off the coast of Scotland | 0:18:51 | 0:18:54 | |
which you couldn't do over 20 years ago | 0:18:54 | 0:18:56 | |
and then common dolphins have extended their range | 0:18:56 | 0:19:00 | |
right up into the North Sea. | 0:19:00 | 0:19:02 | |
But warmer waters aren't the only reason | 0:19:03 | 0:19:06 | |
life beneath the waves is changing. We've had a hand in it too. | 0:19:06 | 0:19:10 | |
I'm meeting Mike Kaiser, | 0:19:10 | 0:19:12 | |
a marine biologist who's spent more than 25 years | 0:19:12 | 0:19:15 | |
studying the life in our seas. | 0:19:15 | 0:19:17 | |
-Would you be Mike? -I am. Welcome aboard. | 0:19:17 | 0:19:19 | |
-Thank you. The Prince Madog. -It certainly is. | 0:19:19 | 0:19:24 | |
Climate change certainly has a major impact | 0:19:24 | 0:19:27 | |
but of course fishing activities | 0:19:27 | 0:19:29 | |
have been one of the biggest impact on the marine environment | 0:19:29 | 0:19:31 | |
and currently we are taking about | 0:19:31 | 0:19:34 | |
90 million tons per annum from the world's oceans. | 0:19:34 | 0:19:37 | |
It must quite difficult to disentangle the impacts of climate change | 0:19:37 | 0:19:40 | |
and the impact we are having through fishing? | 0:19:40 | 0:19:43 | |
It's extremely difficult and a real conundrum, very often. | 0:19:43 | 0:19:48 | |
But we can actually do it and we know that sometimes | 0:19:48 | 0:19:51 | |
the effects of climate change and fishing have worked together | 0:19:51 | 0:19:55 | |
to produce some fairly negative outcomes. | 0:19:55 | 0:19:57 | |
Cod would be a particularly good example because they were very heavily exploited | 0:19:57 | 0:20:02 | |
to very low levels when everybody said, "Wow, stop, | 0:20:02 | 0:20:04 | |
"we need to introduce some management", | 0:20:04 | 0:20:06 | |
but of course at that point | 0:20:06 | 0:20:08 | |
it was too late because the environmental conditions had changed | 0:20:08 | 0:20:11 | |
such that the environment | 0:20:11 | 0:20:13 | |
was not particularly favourable for cod larvae. | 0:20:13 | 0:20:15 | |
We still see cod in the shops, but it mostly comes from abroad. | 0:20:17 | 0:20:20 | |
That's not helping our fishing industry. | 0:20:20 | 0:20:23 | |
It's struggled in the last few decades | 0:20:23 | 0:20:26 | |
because of strict quotas and declining stocks, | 0:20:26 | 0:20:29 | |
so could climate change be the final straw? | 0:20:29 | 0:20:31 | |
'Well, not necessarily.' | 0:20:31 | 0:20:34 | |
-Hi there, Shaun. -Hiya. | 0:20:34 | 0:20:36 | |
Got a very attractive-looking display here, but what am I looking at? | 0:20:36 | 0:20:39 | |
Today in, we've got some rock salmons, | 0:20:39 | 0:20:42 | |
we've got rock lings, we've got plaice, scallops, oysters... | 0:20:42 | 0:20:45 | |
'Shaun Mitchell's been a fishmonger in Northwest Wales for 12 years. | 0:20:45 | 0:20:49 | |
'He's certainly seen a change in the catch. | 0:20:49 | 0:20:52 | |
'Local fishermen are now supplying him with new species | 0:20:52 | 0:20:55 | |
'such as black bream, as well as another striking delicacy.' | 0:20:55 | 0:20:59 | |
Something in the back of the van! | 0:20:59 | 0:21:02 | |
Wow! | 0:21:06 | 0:21:08 | |
Those look pretty fearsome. | 0:21:08 | 0:21:10 | |
Should I be worried? | 0:21:10 | 0:21:11 | |
Uh, no, just don't put your hands anywhere near the pincers. | 0:21:11 | 0:21:15 | |
Look at that. | 0:21:15 | 0:21:16 | |
That is tremendous. What is it? | 0:21:17 | 0:21:19 | |
It's a spider crab. | 0:21:19 | 0:21:21 | |
Amazing! And these are now found in these waters? | 0:21:21 | 0:21:24 | |
Yeah, literally from within a few miles of here. | 0:21:24 | 0:21:27 | |
Wow. And are you seeing many more of these come into your shop? | 0:21:27 | 0:21:30 | |
-Yeah, a lot more. -Yeah? | 0:21:30 | 0:21:32 | |
Tell me how often, how many, | 0:21:32 | 0:21:34 | |
give me a feeling of how often the fishermen are bringing them in. | 0:21:34 | 0:21:37 | |
All the time. Whereas it used to be a fairly regular thing, | 0:21:37 | 0:21:41 | |
now they bring them all the time. | 0:21:41 | 0:21:42 | |
'Shaun's not the only one seeing more spider crabs. | 0:21:44 | 0:21:47 | |
'They're traditionally found in large numbers | 0:21:47 | 0:21:49 | |
'off the coast of France and northern Spain | 0:21:49 | 0:21:52 | |
'but nearby, in Cardigan Bay, | 0:21:52 | 0:21:54 | |
'hauls have increased more than tenfold in seven years. | 0:21:54 | 0:21:57 | |
'Last year, around 120 tonnes were landed.' | 0:21:57 | 0:22:01 | |
Can you sell them? | 0:22:01 | 0:22:02 | |
We sell a few of these to local people | 0:22:02 | 0:22:05 | |
but most of these will go to the hotels and restaurants, | 0:22:05 | 0:22:08 | |
and then whatever surplus is left will go much further afield. | 0:22:08 | 0:22:13 | |
They are a beautiful and amazing creature. | 0:22:13 | 0:22:15 | |
I'm treating them rather gingerly here! | 0:22:15 | 0:22:18 | |
'Spider crabs may look challenging | 0:22:18 | 0:22:20 | |
'but apparently, they taste pretty good. | 0:22:20 | 0:22:22 | |
'They could represent a serious business opportunity | 0:22:22 | 0:22:25 | |
'for people like Shaun, and there's more where that came from.' | 0:22:25 | 0:22:29 | |
On the south coast of England, | 0:22:29 | 0:22:31 | |
fishermen are bringing in more John Dory and Red Mullet | 0:22:31 | 0:22:35 | |
and in the future, it's predicted | 0:22:35 | 0:22:37 | |
they'll be catching more anchovies and sea bass - | 0:22:37 | 0:22:40 | |
all fish which you associate more with sun-drenched holidays in the Med | 0:22:40 | 0:22:45 | |
or southern Europe, rather than our own rather grey and cloudy shores. | 0:22:45 | 0:22:51 | |
Our changing marine life offers new opportunities for those | 0:22:52 | 0:22:56 | |
who make their living from the sea, | 0:22:56 | 0:22:58 | |
but with our underwater ecosystem shifting, | 0:22:58 | 0:23:02 | |
can we make the most of them? | 0:23:02 | 0:23:04 | |
Just as what lives in the sea | 0:23:04 | 0:23:06 | |
is being forced to adapt to warmer waters, | 0:23:06 | 0:23:09 | |
so will those who make a living from it. | 0:23:09 | 0:23:11 | |
And if we want to carry on eating fresh, locally-caught fish, | 0:23:11 | 0:23:15 | |
we're going to have to evolve our appetite too. | 0:23:15 | 0:23:19 | |
I'm walking on the wild side in Oxfordshire, | 0:23:25 | 0:23:29 | |
a county part rural, part urban, | 0:23:29 | 0:23:31 | |
with a centre that boasts a skyline | 0:23:31 | 0:23:33 | |
once described as a city dreaming of spires. | 0:23:33 | 0:23:36 | |
But travel a few miles east of the city, and the bustle is gone. | 0:23:37 | 0:23:42 | |
The sky is empty, apart from the odd bird, | 0:23:42 | 0:23:44 | |
and if you look close enough, the bees. | 0:23:44 | 0:23:47 | |
It's these insects that lure Ivan Wright to Shotover Park. | 0:23:48 | 0:23:53 | |
He's an amateur entomologist | 0:23:53 | 0:23:55 | |
and spends hours studying lonesome creatures | 0:23:55 | 0:23:58 | |
called solitary bees and wasps. | 0:23:58 | 0:24:00 | |
Well, Ivan, you've got an incredible display of bees down here. | 0:24:01 | 0:24:05 | |
I recognise the bumbles on this side. Now, these ones, | 0:24:05 | 0:24:08 | |
-these are solitary bees? -These are all solitary bees, yes. | 0:24:08 | 0:24:11 | |
The principal difference is they have a much more simple lifestyle. | 0:24:11 | 0:24:14 | |
The female operates quite solitarily in building a nest, | 0:24:14 | 0:24:18 | |
very simple nest, not a colony. | 0:24:18 | 0:24:19 | |
'And they seem to like it here, thanks to its sandy soil. | 0:24:21 | 0:24:24 | |
'It's the perfect habitat to call home.' | 0:24:24 | 0:24:27 | |
Sandy soils are unusual in Oxfordshire. It's a clayey county | 0:24:27 | 0:24:32 | |
but the easy digging in the sands and the good flowers here | 0:24:32 | 0:24:37 | |
suits this particular group of insects very, very well indeed. | 0:24:37 | 0:24:40 | |
And it's these holes, then, that we're looking at. | 0:24:40 | 0:24:43 | |
Yes, you can see small holes, large holes, there's a large one there. | 0:24:43 | 0:24:47 | |
-There's one in there, look! -Is there one in there? -Yeah. | 0:24:47 | 0:24:50 | |
-That will be... -It's popping its little head up! | 0:24:50 | 0:24:53 | |
-That'll be the ornate-tailed digger wasp. -Right. -Very yellow face. | 0:24:53 | 0:24:58 | |
Down that hole, there will be a little chamber | 0:24:58 | 0:25:01 | |
that she will dig for each of her eggs that she lays. | 0:25:01 | 0:25:04 | |
She'll put food in each of those chambers, seal them up | 0:25:04 | 0:25:08 | |
and then that is ready for the next year. | 0:25:08 | 0:25:11 | |
They don't see their offspring, | 0:25:11 | 0:25:13 | |
the offspring develop into adults in the hole | 0:25:13 | 0:25:15 | |
and dig their way out the following year. | 0:25:15 | 0:25:18 | |
-That is... -It is unbelievable. | 0:25:18 | 0:25:20 | |
They come out, they know where to get their food, | 0:25:20 | 0:25:23 | |
they know how to build a nest, they know how to defend themselves. | 0:25:23 | 0:25:26 | |
It is absolutely extraordinary. | 0:25:26 | 0:25:29 | |
The complex life biology of these insects | 0:25:29 | 0:25:31 | |
is passed on simply in the genetics. | 0:25:31 | 0:25:34 | |
Ivan's spent the last three years carrying out research | 0:25:36 | 0:25:39 | |
on this site of special scientific interest, or Triple-S-I. | 0:25:39 | 0:25:43 | |
And he uses some rather unusual equipment. | 0:25:43 | 0:25:46 | |
It all sounds very intriguing, this, Ivan. | 0:25:47 | 0:25:49 | |
Research using a Frisbee and some washing up liquid. | 0:25:49 | 0:25:52 | |
What's the idea here? | 0:25:52 | 0:25:54 | |
Well, here's the Frisbee. | 0:25:54 | 0:25:56 | |
It imitates a yellow flower | 0:25:56 | 0:25:58 | |
so the bees and wasps are attracted to it. | 0:25:58 | 0:26:01 | |
Without the washing up liquid, you would have surface tension | 0:26:01 | 0:26:05 | |
and the smaller bees and wasps would stand on the water and walk out. | 0:26:05 | 0:26:09 | |
The washing-up liquid just breaks that surface tension | 0:26:09 | 0:26:12 | |
so as soon as they arrive on the water, | 0:26:12 | 0:26:14 | |
they go under and they're sampled. | 0:26:14 | 0:26:16 | |
The whole objective is to understand the site | 0:26:16 | 0:26:19 | |
and get the site protected for particular types of insects, | 0:26:19 | 0:26:23 | |
-so it's a case of sacrificing a few... -Yes. | 0:26:23 | 0:26:27 | |
..but for the much greater good of the site | 0:26:27 | 0:26:29 | |
and the species and the countryside. | 0:26:29 | 0:26:31 | |
What are you finding out from doing this? | 0:26:31 | 0:26:34 | |
What we're finding | 0:26:34 | 0:26:35 | |
is that the small bees are not able to travel as far as we thought, | 0:26:35 | 0:26:41 | |
and so what it means is, | 0:26:41 | 0:26:43 | |
the smaller bees need their flowers inside the Triple-S-I here, | 0:26:43 | 0:26:48 | |
whereas the larger bees are able to use the hay meadows | 0:26:48 | 0:26:53 | |
that are beyond the Triple-S-I, | 0:26:53 | 0:26:56 | |
so it gives you a much better understanding | 0:26:56 | 0:27:00 | |
of how to manage these different habitats. | 0:27:00 | 0:27:03 | |
Now, our judges - Chris Packham, Jo Brand, as well as John - | 0:27:09 | 0:27:13 | |
are poised and ready to choose the final 12 photographs | 0:27:13 | 0:27:16 | |
that will make it into our Countryfile calendar. | 0:27:16 | 0:27:19 | |
But first, here's how it all started. | 0:27:19 | 0:27:21 | |
Back in May, we launched our annual photographic competition, | 0:27:24 | 0:27:27 | |
a highlight of the Countryfile year, | 0:27:27 | 0:27:29 | |
with the help of Chris Packham | 0:27:29 | 0:27:31 | |
and someone who you don't readily associate with the countryside, | 0:27:31 | 0:27:35 | |
-Jeremy Clarkson. -Ooh, yes! | 0:27:35 | 0:27:37 | |
But he's got a farm in Oxfordshire, and among other things, | 0:27:37 | 0:27:41 | |
Chris pointed out to him an aspect of the wildlife there. | 0:27:41 | 0:27:43 | |
This is fascinating, a little pellet like this. | 0:27:43 | 0:27:46 | |
-You say pallet, but I've got another word in my head. -No! | 0:27:46 | 0:27:49 | |
-This comes out through the mouth. -Like vomit? | 0:27:49 | 0:27:52 | |
-This is the regurgitated... -Vomited mouse. | 0:27:52 | 0:27:54 | |
Why don't we take a picture of this? | 0:27:54 | 0:27:56 | |
I think it would go very well as the July page of the calendar. | 0:27:56 | 0:28:00 | |
'Well, I think we can do a little bit better than that.' | 0:28:00 | 0:28:03 | |
This year's theme is "A Walk on the Wild Side" | 0:28:03 | 0:28:05 | |
and you've sent in around 50,000 images. | 0:28:05 | 0:28:08 | |
With the help of a panel of past winners, | 0:28:08 | 0:28:10 | |
we now have a shortlist of 3,000 | 0:28:10 | 0:28:13 | |
and it's time to choose the final 12. | 0:28:13 | 0:28:15 | |
And this is where we'll be revealing our winners, | 0:28:17 | 0:28:20 | |
in the mediaeval great hall of Eltham Palace, | 0:28:20 | 0:28:23 | |
once the childhood home of King Henry VIII. | 0:28:23 | 0:28:26 | |
I'll be discovering more about this wonderful building later | 0:28:26 | 0:28:29 | |
but first, let's get started on that shortlist. | 0:28:29 | 0:28:32 | |
'And to do that, we're going to need | 0:28:33 | 0:28:35 | |
'some strong personal opinions from our regular judging team | 0:28:35 | 0:28:38 | |
'of Chris Packham and Jo Brand. | 0:28:38 | 0:28:40 | |
'I'll be putting my tuppenceworth in as well.' | 0:28:40 | 0:28:43 | |
Chris is a fantastic photographer in his own right | 0:28:43 | 0:28:46 | |
and when it comes to appreciating the wild, | 0:28:46 | 0:28:49 | |
his credentials go way back. | 0:28:49 | 0:28:51 | |
That's enough of the trailers, let's get on with the main feature. Dee! | 0:28:51 | 0:28:55 | |
AUDIENCE GASPS | 0:28:55 | 0:28:57 | |
Jo is no stranger to photography herself | 0:28:57 | 0:28:59 | |
and she's always got her own unique view. | 0:28:59 | 0:29:02 | |
Who's more attractive? | 0:29:02 | 0:29:05 | |
Yeah, all right, it's that, all right! | 0:29:05 | 0:29:07 | |
So, without further ado, | 0:29:07 | 0:29:09 | |
let's get started. | 0:29:09 | 0:29:11 | |
What we're looking for are a dozen truly stunning pictures | 0:29:11 | 0:29:15 | |
featuring the theme of | 0:29:15 | 0:29:16 | |
"a walk on the wild side through the British countryside" | 0:29:16 | 0:29:19 | |
so Chris, what will you be looking for? | 0:29:19 | 0:29:22 | |
I'm looking for something quirky, original, for sure, | 0:29:22 | 0:29:25 | |
unique, something I've never seen before, | 0:29:25 | 0:29:27 | |
but definitely with an artistic component. | 0:29:27 | 0:29:29 | |
I need it to look nice as well as be interesting. | 0:29:29 | 0:29:33 | |
Jo, what do you think will catch your eye? | 0:29:33 | 0:29:35 | |
Well, as the theme is "A Walk on the Wild Side," I'm looking for | 0:29:35 | 0:29:39 | |
a picture of Lou Reed on a Shetland pony with a clown suit on | 0:29:39 | 0:29:42 | |
and if I don't find that... | 0:29:42 | 0:29:44 | |
It's got to have something artistic about it, | 0:29:44 | 0:29:46 | |
it's got to be framed in a particular way | 0:29:46 | 0:29:49 | |
that just kind of hits you between the eyes. | 0:29:49 | 0:29:52 | |
Well, I'm sure we'll find them. Let's get going. | 0:29:52 | 0:29:55 | |
'First impressions are that the standard is very high indeed.' | 0:30:03 | 0:30:08 | |
How about a nice octopus for 30 days, John? | 0:30:08 | 0:30:11 | |
I think it would take me 28 days to work out it was an octopus. | 0:30:13 | 0:30:17 | |
One thing that people like doing is having animals by a sign | 0:30:17 | 0:30:21 | |
that says "Keep Off" or "No Fishing" | 0:30:21 | 0:30:25 | |
or "Don't stand here if you're an animal." | 0:30:25 | 0:30:28 | |
It's always quite a good one. | 0:30:28 | 0:30:29 | |
Do you think that's natural? | 0:30:32 | 0:30:34 | |
Do you think they might have been placed in that heart shape? | 0:30:34 | 0:30:38 | |
-I don't think so, no. May I examine the molluscular integrity? -You may. | 0:30:38 | 0:30:42 | |
They're all living. It would be very difficult | 0:30:42 | 0:30:44 | |
to get all of these animals in this position. | 0:30:44 | 0:30:48 | |
There must be something underlying where they are, | 0:30:48 | 0:30:50 | |
which they can attach to. | 0:30:50 | 0:30:52 | |
What, like peanut butter or something? | 0:30:52 | 0:30:55 | |
JOHN LAUGHS | 0:30:55 | 0:30:56 | |
Mussels, yeah, they really go for peanut butter(!) | 0:30:56 | 0:30:59 | |
Look, marvellous. | 0:31:02 | 0:31:04 | |
An albino grey squirrel - | 0:31:04 | 0:31:06 | |
intrinsically, a very beautiful animal | 0:31:06 | 0:31:08 | |
but look, it's got a muddy nose! | 0:31:08 | 0:31:10 | |
A lot of people would find that rather appealing. | 0:31:10 | 0:31:13 | |
What, the dirty nose? | 0:31:13 | 0:31:14 | |
A white squirrel with a little bit of mud on its nose. | 0:31:14 | 0:31:17 | |
-Jo? -Not me. -No? | 0:31:19 | 0:31:21 | |
Unless they've got clean noses, I don't want to know squirrels. | 0:31:21 | 0:31:24 | |
'Well, we're about halfway through now | 0:31:26 | 0:31:28 | |
'and while we give our eyes a rest for five minutes or so, | 0:31:28 | 0:31:31 | |
'it's a good opportunity for me to find out more about our location, | 0:31:31 | 0:31:35 | |
'Eltham Palace. | 0:31:35 | 0:31:36 | |
Historian Jeremy Ashbee is going to give me an insight.' | 0:31:36 | 0:31:40 | |
The Royals came here repeatedly | 0:31:40 | 0:31:42 | |
for several hundred years. This is one of their favourite properties. | 0:31:42 | 0:31:45 | |
-And a fantastic roof in there. -Absolutely amazing roof, | 0:31:45 | 0:31:49 | |
very elegant, sophisticated of its time, the late 15th century, | 0:31:49 | 0:31:52 | |
but also very sturdy, and it needed to be, | 0:31:52 | 0:31:55 | |
because in 1940, during the Battle of Britain, | 0:31:55 | 0:31:57 | |
an incendiary bomb landed on this end of it | 0:31:57 | 0:32:00 | |
and burned its way through the covering | 0:32:00 | 0:32:02 | |
but the whole roof survived. | 0:32:02 | 0:32:03 | |
Then, sort of tacked onto the mediaeval building, | 0:32:03 | 0:32:06 | |
you've got this very large, very 1930s stately home. | 0:32:06 | 0:32:10 | |
Um, yes, that's a slightly weird combination | 0:32:10 | 0:32:12 | |
that you wouldn't expect to see, but I think it's actually | 0:32:12 | 0:32:15 | |
perfectly in keeping with the history of the site. | 0:32:15 | 0:32:17 | |
It was built between 1934 and 1936 by Stephen and Virginia Courtauld. | 0:32:17 | 0:32:21 | |
Very, very rich, very leading figures in society, | 0:32:21 | 0:32:25 | |
and they built it as a luxurious home for themselves | 0:32:25 | 0:32:28 | |
and to entertain their friends. | 0:32:28 | 0:32:29 | |
They were really able to let themselves go | 0:32:29 | 0:32:31 | |
with every sophisticated device for comfortable and luxurious living. | 0:32:31 | 0:32:35 | |
And there's a reason this place is an appropriate venue for our theme, | 0:32:35 | 0:32:39 | |
"A Walk on the Wild Side." Jo's going to tell us more. | 0:32:39 | 0:32:43 | |
The thing I like about this place | 0:32:43 | 0:32:45 | |
is that instead of a mangy old moggy | 0:32:45 | 0:32:47 | |
or a faithful old pooch that broke wind every five minutes, | 0:32:47 | 0:32:51 | |
they actually gave a wild animal the run of the place. | 0:32:51 | 0:32:55 | |
The Courtaulds had a family pet - | 0:32:55 | 0:32:57 | |
a wild lemur called Jongy. | 0:32:57 | 0:32:59 | |
Now, he had his own room on the upper floor of the house, | 0:32:59 | 0:33:02 | |
complete with a hatch down to the flower room, whatever that is. | 0:33:02 | 0:33:07 | |
Jongy was a little bit of a cantankerous old devil, though, | 0:33:07 | 0:33:10 | |
and if he didn't like people, he'd bite them. | 0:33:10 | 0:33:13 | |
Well, I can identify with that attitude. | 0:33:13 | 0:33:16 | |
'So, back to the judging, and Chris is already hard at it.' | 0:33:19 | 0:33:22 | |
Well, no lemurs allowed here, Jo. | 0:33:22 | 0:33:24 | |
-Indeed not. -British wildlife only. | 0:33:24 | 0:33:26 | |
-How's it going, Chris? -Very well, thank you. | 0:33:26 | 0:33:28 | |
Only 1,000 or so to go now. | 0:33:28 | 0:33:30 | |
'And there's always the ones that surprise us.' | 0:33:35 | 0:33:37 | |
I think that man is going to be thinking... | 0:33:37 | 0:33:41 | |
-He put it in the wrong envelope. -"What happened to my passport photos? | 0:33:41 | 0:33:44 | |
"Why have I got this stunning photo of the English countryside?" | 0:33:44 | 0:33:47 | |
-The passport office are going, "Oh, we've got a sheep..." -A swan. | 0:33:47 | 0:33:51 | |
-"..that wants a passport." -It's not even a good passport photo. | 0:33:51 | 0:33:54 | |
THEY LAUGH | 0:33:54 | 0:33:56 | |
It's hopeless. | 0:33:56 | 0:33:57 | |
So if this is you and you want your passport photos, | 0:33:57 | 0:34:02 | |
tough. | 0:34:02 | 0:34:04 | |
'Not a serious contender, but there are plenty of photos that are. | 0:34:06 | 0:34:09 | |
'Join us in a little while, when we'll be fine-tuning our decisions | 0:34:09 | 0:34:13 | |
'and from this lot, picking our final 12.' | 0:34:13 | 0:34:16 | |
Nestling in a quiet corner of North Oxfordshire is Chastleton House. | 0:34:20 | 0:34:24 | |
It's the epitome of shabby chic. A Jacobean mansion | 0:34:24 | 0:34:28 | |
that once oozed majesty | 0:34:28 | 0:34:30 | |
is now a picture of gentle decline. | 0:34:30 | 0:34:34 | |
When the National Trust took over in 1991, | 0:34:34 | 0:34:36 | |
rather than renovate it, they decided to preserve | 0:34:36 | 0:34:39 | |
the lived-in look and feel of the 400-year-old house. | 0:34:39 | 0:34:42 | |
It's an idea they extended to the garden as well. | 0:34:42 | 0:34:46 | |
Over the centuries, family members have come and gone | 0:34:46 | 0:34:50 | |
and at times, the gardens have taken on a life of their own, | 0:34:50 | 0:34:54 | |
as gardener Anna Derrett found out when she took over. | 0:34:54 | 0:34:57 | |
Anna, what was this place like when the National Trust took over? | 0:34:57 | 0:35:00 | |
It was quite neglected. | 0:35:00 | 0:35:01 | |
It had gone through a period of considerable neglect | 0:35:01 | 0:35:04 | |
and you can see here, this is what one part of the garden looked like | 0:35:04 | 0:35:08 | |
so it was very overgrown, | 0:35:08 | 0:35:10 | |
with a lot of wild trees and cherry trees growing in it, | 0:35:10 | 0:35:14 | |
but the ethos here is to represent periods of decline with the gentry, | 0:35:14 | 0:35:19 | |
so what we're trying to do is show romantic neglect | 0:35:19 | 0:35:22 | |
but keep the health and welfare of the garden. | 0:35:22 | 0:35:25 | |
So what makes a Jacobean garden so distinctive? | 0:35:25 | 0:35:29 | |
The Jacobean garden was distinctive | 0:35:29 | 0:35:31 | |
because you only entered certain parts of the garden, | 0:35:31 | 0:35:34 | |
depending on your social status in the house. | 0:35:34 | 0:35:36 | |
So this is the best garden, and it would have been entered by the best, | 0:35:36 | 0:35:40 | |
by the master and his guests from the best room in the house. | 0:35:40 | 0:35:43 | |
-Are we privileged enough to go in it now? -Yes, yes. | 0:35:43 | 0:35:45 | |
Classed as the best guests? | 0:35:45 | 0:35:48 | |
This is amazing. | 0:35:48 | 0:35:49 | |
Yes, this is topiary, and topiary is very traditional to Jacobean gardens. | 0:35:49 | 0:35:54 | |
Quite often in Jacobean times, you came in and you read your garden, | 0:35:54 | 0:35:58 | |
so they had themes to their topiary, | 0:35:58 | 0:36:00 | |
like the stars and planets or myths and legends, | 0:36:00 | 0:36:03 | |
but over the years, things have morphed into different shapes. | 0:36:03 | 0:36:07 | |
I'm annoyed that my imagination isn't that good. What was this? | 0:36:07 | 0:36:11 | |
Have a go at guessing what you think it was. | 0:36:11 | 0:36:14 | |
That looks like a helter-skelter. | 0:36:14 | 0:36:16 | |
-Yeah, that's right. -Is that right? Yes! -Yes, it's right! | 0:36:16 | 0:36:21 | |
-That looks like a teapot, this one over here. -This is a teapot, | 0:36:21 | 0:36:25 | |
this is a ship in sail, | 0:36:25 | 0:36:27 | |
and you've got a squirrel here. | 0:36:27 | 0:36:30 | |
That's not a squirrel! | 0:36:30 | 0:36:32 | |
'They may look like blobs, but it's intentional, | 0:36:32 | 0:36:36 | |
'all part of the image of romantic neglect | 0:36:36 | 0:36:38 | |
'that the house and gardens represent. | 0:36:38 | 0:36:40 | |
'But they still need a trim from time to time.' | 0:36:40 | 0:36:43 | |
-This is the peacock. -This is the peacock? | 0:36:43 | 0:36:45 | |
Yep. You're taking off the nice new growth to get a nice smooth finish | 0:36:45 | 0:36:50 | |
on his round front belly. | 0:36:50 | 0:36:51 | |
Are you ever tempted to just take them back to how they were? | 0:36:54 | 0:36:57 | |
You know, recreate the peacock? | 0:36:57 | 0:36:59 | |
If I was to manicure it back to its heyday, | 0:36:59 | 0:37:01 | |
it wouldn't fit in with the philosophy of the garden. | 0:37:01 | 0:37:04 | |
ANNA LAUGHS | 0:37:07 | 0:37:09 | |
I'm not supposed to be going for it quite so much, am I? | 0:37:09 | 0:37:11 | |
-No, that's fine! -It's not going to be a peacock by the end of the day. | 0:37:11 | 0:37:15 | |
It'll be a tiny little robin! | 0:37:15 | 0:37:16 | |
As well as the Jacobean tradition of topiary, | 0:37:20 | 0:37:23 | |
17th-century houses also tended to be self-sufficient, | 0:37:23 | 0:37:27 | |
having kitchen gardens to grow produce for the house. | 0:37:27 | 0:37:31 | |
I'm meeting volunteer John Pool, to find out what's been thriving here. | 0:37:31 | 0:37:35 | |
There's a lot of fruit in this garden | 0:37:36 | 0:37:38 | |
and the Jacobeans, we know, liked to show off what they had. | 0:37:38 | 0:37:42 | |
Was fruit another example of that? | 0:37:42 | 0:37:43 | |
Some of the fruits here are quite exotic, aren't they? | 0:37:43 | 0:37:46 | |
Well, yes, that's right, | 0:37:46 | 0:37:48 | |
and the advantage they had is this marvellous wall, | 0:37:48 | 0:37:51 | |
this wall which faces south-west, | 0:37:51 | 0:37:54 | |
warm, cosy, supportive, | 0:37:54 | 0:37:57 | |
and therefore, we can grow on it things that are a bit special | 0:37:57 | 0:38:01 | |
-like peaches. -I can see a lot of peaches on that tree, | 0:38:01 | 0:38:04 | |
which is surprising, bearing in mind the wet summer we've had, isn't it? | 0:38:04 | 0:38:09 | |
Well, this is where I claim, um... success with these peaches. | 0:38:09 | 0:38:15 | |
The problem is that the bees didn't come out of the hive | 0:38:15 | 0:38:19 | |
so the pollination was dreadful | 0:38:19 | 0:38:22 | |
but with the peaches, because they are such a special crop, | 0:38:22 | 0:38:26 | |
I hand-pollinated them, | 0:38:26 | 0:38:29 | |
I took a paintbrush and went from flower to flower, | 0:38:29 | 0:38:33 | |
flitting along like a bee, pollinating the peaches. | 0:38:33 | 0:38:38 | |
The annoying thing is that they're rotting before they're fully ripe | 0:38:38 | 0:38:42 | |
and the other annoying thing is that | 0:38:42 | 0:38:45 | |
they're attracting bluebottles, wasps, | 0:38:45 | 0:38:48 | |
so do we pick them or don't we? | 0:38:48 | 0:38:51 | |
That one's quite hard, but that one does feel soft | 0:38:51 | 0:38:53 | |
-so am I all right...? -Yes, yes, give it a go. | 0:38:53 | 0:38:56 | |
We certainly could do with picking... | 0:38:56 | 0:38:58 | |
It's kind of now or never, I guess? | 0:38:58 | 0:39:01 | |
-I think that's right. -Those ones feel rock hard, though! -Yes. | 0:39:01 | 0:39:05 | |
Now, why don't you try that? | 0:39:05 | 0:39:08 | |
That's delicious. | 0:39:08 | 0:39:10 | |
-That's all right, is it? -Very juicy, very ripe. | 0:39:10 | 0:39:12 | |
I know it's early, but to me, that is absolutely perfect. | 0:39:12 | 0:39:16 | |
Yes, well, you couldn't have said a better word. | 0:39:16 | 0:39:18 | |
Delicious. Cheers, John. | 0:39:21 | 0:39:23 | |
It's almost time to find out who the finalists are | 0:39:23 | 0:39:25 | |
in the Countryfile photographic competition, | 0:39:25 | 0:39:28 | |
but which ones will the judges pick and which will be your favourites? | 0:39:28 | 0:39:32 | |
Let's find out what John, Jo and Chris are up to. | 0:39:32 | 0:39:34 | |
We're at Eltham Palace, and after many hours of debating, | 0:39:38 | 0:39:41 | |
'the original 50,000 entries have been whittled down to about 100. | 0:39:41 | 0:39:45 | |
'Now we have to agree on that final 12. | 0:39:45 | 0:39:48 | |
'I've been looking at landscapes and the weather.' | 0:39:48 | 0:39:52 | |
-I like that one myself. -Do you, yeah? The composition is good on this one. | 0:39:52 | 0:39:56 | |
Nice colours in this one, isn't there? And again in that one. | 0:39:56 | 0:39:59 | |
'Jo's been picking some flowers. This year, they're as popular as ever.' | 0:40:00 | 0:40:04 | |
-I know which one's my favourite. -I'm very conscious that we had | 0:40:04 | 0:40:08 | |
-a flower meadow in last year's calendar. -We did. | 0:40:08 | 0:40:11 | |
That one's got the bumblebee in | 0:40:11 | 0:40:13 | |
and it's beautifully sharp, and it's so simple. | 0:40:13 | 0:40:16 | |
-My favourite's actually those poppies. -This one? | 0:40:16 | 0:40:18 | |
-Yeah. -There's a dead poppy here in the foreground. | 0:40:18 | 0:40:21 | |
-That one there. -Outrageous! Dead poppy! | 0:40:21 | 0:40:23 | |
Wilted petals, that's not happy, I'm not happy with that. | 0:40:23 | 0:40:27 | |
And Chris has found some fantastic wildlife photos. | 0:40:27 | 0:40:30 | |
I'll finish up this little flurry with a fabulous picture, | 0:40:30 | 0:40:34 | |
-what I think is a fabulous picture of a badger. -That's wonderful. | 0:40:34 | 0:40:37 | |
How often do you see anything like that in broad daylight? | 0:40:37 | 0:40:40 | |
A badger trotting down a country lane. | 0:40:40 | 0:40:42 | |
And the badger's taking his own walk on the wild side. | 0:40:42 | 0:40:45 | |
-I tell you what, it's a fine spread, isn't it? -Isn't it? | 0:40:45 | 0:40:47 | |
Final 24 or so, and we need 12. | 0:40:47 | 0:40:51 | |
'The current calendar raised over £1.2 million for Children In Need, | 0:40:51 | 0:40:55 | |
'so the pressure's on to find another set of winning images for 2013.' | 0:40:55 | 0:41:01 | |
I like Peeping Seal in this envelope of light. | 0:41:01 | 0:41:05 | |
This one up here is one of my favourites. | 0:41:05 | 0:41:07 | |
It's the one I think looks like | 0:41:07 | 0:41:09 | |
a Victorian painting, rather than a photograph. | 0:41:09 | 0:41:12 | |
Does it need a subject? That's my only thought there. Does it need... | 0:41:12 | 0:41:16 | |
-A giraffe? -If there was something just there, | 0:41:16 | 0:41:19 | |
if there was an alien or anything... | 0:41:19 | 0:41:22 | |
-An alien? -Well, I don't know. | 0:41:22 | 0:41:25 | |
This is a bit of a comedy one. | 0:41:25 | 0:41:27 | |
It's a puffin, but it also seems to be, like, surfing on the water. | 0:41:27 | 0:41:32 | |
This is comedy as well, but it's just got a lot of action in it | 0:41:32 | 0:41:35 | |
cos this guy has obviously just got soaked. You can tell | 0:41:35 | 0:41:39 | |
cos he's standing like that, and his mate's getting soaked. | 0:41:39 | 0:41:43 | |
This one, for me... It takes the biscuit. | 0:41:43 | 0:41:45 | |
It's an Arctic Tern. You've the sun | 0:41:45 | 0:41:47 | |
bleeding through its translucent wings, and that beautiful cloud, | 0:41:47 | 0:41:50 | |
it's perfectly placed between the cloud here and here, | 0:41:50 | 0:41:53 | |
and then wrapping up with this Barn Owl flying over a reed bed | 0:41:53 | 0:41:56 | |
and it's the reeds complementing the colour of the owl. | 0:41:56 | 0:41:59 | |
-To me, that's a definite. -It's a definite. -That's a definite. | 0:41:59 | 0:42:02 | |
-That for me would be a definite as well. -Yeah, right. | 0:42:02 | 0:42:06 | |
-Let's have February. -What about...? | 0:42:06 | 0:42:08 | |
-Yeah. -February, the mussels? -Undoubtedly. | 0:42:08 | 0:42:11 | |
I think most people would prefer that. | 0:42:11 | 0:42:14 | |
-Prefer the simplicity of that one? -I'm not saying a word. -Oh, go on. | 0:42:14 | 0:42:18 | |
-Which word? -All right, that one. -Let's get rid of this. | 0:42:18 | 0:42:21 | |
-One more to go. -So I think, take that one out and put those in. | 0:42:21 | 0:42:25 | |
-Perfect. -This is our final 12 for the calendar. | 0:42:25 | 0:42:29 | |
Many thanks, as always, Jo and Chris, | 0:42:30 | 0:42:32 | |
for all your help in picking our winners. | 0:42:32 | 0:42:34 | |
And now, it's up to you at home to select the overall winner. | 0:42:34 | 0:42:39 | |
Whoever that is will receive £1,000 worth of photographic equipment | 0:42:39 | 0:42:43 | |
and it's almost time to pick your favourite. | 0:42:43 | 0:42:45 | |
In a minute, I'll give you the phone numbers to vote for. | 0:42:45 | 0:42:48 | |
Calls cost 10p from a BT landline. | 0:42:48 | 0:42:51 | |
Other operators may vary, and calls from mobiles may cost more. | 0:42:51 | 0:42:55 | |
Don't vote yet, because you may be charged | 0:42:55 | 0:42:58 | |
and your vote won't be registered. | 0:42:58 | 0:43:00 | |
I'll tell you when you can start to vote. | 0:43:00 | 0:43:02 | |
So, here again are those final 12 photos | 0:43:02 | 0:43:05 | |
with their all-important numbers. | 0:43:05 | 0:43:08 | |
If Winter Wanderers is your favourite... | 0:43:08 | 0:43:10 | |
For Love on the Rocks, dial the same number with 02 at the end. | 0:43:16 | 0:43:20 | |
Right, those lines are now open, and you can start voting. | 0:44:32 | 0:44:36 | |
They'll stay open until midnight next Sunday, that's the 9th of September. | 0:44:36 | 0:44:41 | |
But just a warning - if you phone after then, | 0:44:41 | 0:44:43 | |
your vote won't be counted and you may be charged. | 0:44:43 | 0:44:46 | |
You'll find all the details of the phone vote on our website, | 0:44:46 | 0:44:50 | |
along with information about the BBC's code of conduct | 0:44:50 | 0:44:53 | |
for competitions and voting. | 0:44:53 | 0:44:55 | |
There'll be another chance to see our finalists | 0:44:59 | 0:45:01 | |
at the end of the programme. and we'll be revealing | 0:45:01 | 0:45:04 | |
which one of them is the overall winner, thanks to your votes, | 0:45:04 | 0:45:07 | |
and which one is the judges' favourite, on October the 7th. | 0:45:07 | 0:45:11 | |
I've been taking my own walk on the wild side in Oxfordshire, | 0:45:16 | 0:45:20 | |
to find out more about the wildlife that calls this county home, | 0:45:20 | 0:45:24 | |
and my hunt is warming up. | 0:45:24 | 0:45:25 | |
Well, I've hunted for hedgehogs and I've searched for solitary bees, | 0:45:25 | 0:45:29 | |
but the last leg of my journey is set to get even wilder | 0:45:29 | 0:45:32 | |
because believe it or not, | 0:45:32 | 0:45:34 | |
Oxfordshire is home to the UK's largest population of... | 0:45:34 | 0:45:38 | |
crocodiles! | 0:45:38 | 0:45:40 | |
And a few alligators. | 0:45:40 | 0:45:42 | |
But don't worry, they're not swimming in the rivers. | 0:45:42 | 0:45:44 | |
They belong to Shaun Foggett. | 0:45:46 | 0:45:49 | |
He has a passion for this fearsome predator, | 0:45:49 | 0:45:51 | |
usually found in more tropical climates. | 0:45:51 | 0:45:54 | |
Well, Shaun, I never, ever thought | 0:45:55 | 0:45:57 | |
I'd be stood in Oxfordshire holding a crocodile! | 0:45:57 | 0:46:00 | |
-No. -It's quite something. How old are these two? | 0:46:00 | 0:46:04 | |
These guys are West African dwarf crocodiles. | 0:46:04 | 0:46:06 | |
We have a two-year-old and a one-year-old. | 0:46:06 | 0:46:09 | |
So how did it all start, this? | 0:46:09 | 0:46:11 | |
I always had a fascination with crocodiles. | 0:46:11 | 0:46:13 | |
I remember watching the David Attenborough shows | 0:46:13 | 0:46:15 | |
where the crocodiles get so close to their prey without being detected | 0:46:15 | 0:46:18 | |
and that made me want to learn more, | 0:46:18 | 0:46:20 | |
and I started keeping the first crocodile after two years of research | 0:46:20 | 0:46:25 | |
about the captive husbandry, and the licensing requirements | 0:46:25 | 0:46:28 | |
that go with it in this country, when I was 21. | 0:46:28 | 0:46:30 | |
We've got 12 of the 23 existing crocodile species, | 0:46:31 | 0:46:35 | |
and we have 83 crocodiles here in total | 0:46:35 | 0:46:38 | |
and we also have 17 eggs in the incubator. | 0:46:38 | 0:46:40 | |
What is the ultimate goal with this? | 0:46:41 | 0:46:43 | |
The ultimate goal, really, is to educate people about crocodiles | 0:46:43 | 0:46:46 | |
and their conservation needs. They're very endangered. | 0:46:46 | 0:46:49 | |
There are several species where there's under 500 in the wild, | 0:46:49 | 0:46:52 | |
one in particular with under 100. | 0:46:52 | 0:46:54 | |
They're not cute and cuddly, | 0:46:54 | 0:46:55 | |
so people don't really give them the time of day | 0:46:55 | 0:46:57 | |
when it comes to the conservation race | 0:46:57 | 0:46:59 | |
but they do need a lot of help where they are in the wild. | 0:46:59 | 0:47:04 | |
Shaun's long-term dream is to get some of these Jurassic beasts | 0:47:06 | 0:47:10 | |
released back into the wild in their native countries. | 0:47:10 | 0:47:13 | |
Until then, they're staying right here, in the heart of Oxfordshire. | 0:47:13 | 0:47:18 | |
Well, if you've been mulling over | 0:47:18 | 0:47:19 | |
which of the "Walk on the Wild Side" photo competition finalists | 0:47:19 | 0:47:23 | |
to vote for, we'll have a reminder at the end of the programme. | 0:47:23 | 0:47:26 | |
And what a shame there isn't a shot of a crocodile in there | 0:47:26 | 0:47:28 | |
but let's find out if things are going to warm up weather-wise, | 0:47:28 | 0:47:32 | |
with the Countryfile forecast. | 0:47:32 | 0:47:33 | |
. | 0:49:50 | 0:49:57 | |
While Matt's been taking a walk on the wild side in Oxfordshire, | 0:50:10 | 0:50:14 | |
I've been exploring one of its hidden Jacobean gems - Chastleton House. | 0:50:14 | 0:50:18 | |
Its history is described as remarkably uneventful, | 0:50:18 | 0:50:22 | |
with nothing of historical moment ever happening here. | 0:50:22 | 0:50:26 | |
But that's not strictly true. | 0:50:26 | 0:50:28 | |
One momentous thing for lovers of lawn sports happened here, in 1866. | 0:50:28 | 0:50:33 | |
Walter Whitmore-Jones made sense of the game of croquet. | 0:50:33 | 0:50:37 | |
A direct descendent of the man who built Chastleton House, | 0:50:40 | 0:50:43 | |
Whitmore-Jones was a croquet lover, | 0:50:43 | 0:50:45 | |
and an eccentric fellow, to say the very least. | 0:50:45 | 0:50:48 | |
In the 1860s, no high-society tea party was complete | 0:50:48 | 0:50:52 | |
without a game of croquet. | 0:50:52 | 0:50:54 | |
It was being played on manicured lawns across the land, | 0:50:54 | 0:50:57 | |
but one problem persisted - there were no universal rules. | 0:50:57 | 0:51:01 | |
How hard can it be?! | 0:51:01 | 0:51:03 | |
I'm meeting the manager of the Croquet Association, Liz Larsson, to find out. | 0:51:03 | 0:51:09 | |
-Liz, hello! -Hi. -I've brought my mallet so that I can join in. -Good! | 0:51:09 | 0:51:13 | |
But first, tell me a bit about the rules. How complicated are they? | 0:51:13 | 0:51:17 | |
They can be a bit complex. | 0:51:17 | 0:51:18 | |
Back in the 1860s, the rules that you'd play to depended on who'd made your croquet set, | 0:51:18 | 0:51:24 | |
because all the manufacturers had different rules, | 0:51:24 | 0:51:27 | |
so there was no consistency, and Walter Whitmore-Jones, | 0:51:27 | 0:51:30 | |
who lived here and wrote a set of rules, | 0:51:30 | 0:51:33 | |
he wrote the set that became accepted. | 0:51:33 | 0:51:35 | |
So, where do we start? | 0:51:35 | 0:51:37 | |
I think the first thing is to read the rules. | 0:51:37 | 0:51:39 | |
I was a bit eager with this, wasn't I? I'll be back, Liz. | 0:51:39 | 0:51:42 | |
With a croquet stroke, the roqueted ball is known as the croquet ball, | 0:51:44 | 0:51:48 | |
and the striker's ball is said to take croquet from it. | 0:51:48 | 0:51:50 | |
Interferences with play are irregularities other than errors, and are dealt with... | 0:51:50 | 0:51:54 | |
..a fault is committed if, during the striker's period... | 0:51:54 | 0:51:57 | |
..subject to law 53G... | 0:51:57 | 0:52:00 | |
..the striker is said to take croquet. | 0:52:00 | 0:52:02 | |
There is a lot more to this game than meets the eye. | 0:52:03 | 0:52:06 | |
The aim of the game is for one team to get both their balls | 0:52:06 | 0:52:10 | |
through all six hoops and back again before hitting the winning peg. | 0:52:10 | 0:52:14 | |
-At least that's what I think! -The first thing is, yellow is going to be your ball. | 0:52:14 | 0:52:18 | |
-You're playing with yellow. -OK. -You want to get through this hoop. | 0:52:18 | 0:52:21 | |
You want to use blue to help you get through the hoop. | 0:52:21 | 0:52:24 | |
So, you want to hit yellow onto blue, and try and get blue | 0:52:24 | 0:52:27 | |
-close to the hoop. -I want to hit him there. | 0:52:27 | 0:52:30 | |
So then, what you do now is, you want to hit it reasonably hard | 0:52:30 | 0:52:33 | |
so that yellow gets in front of the hoop | 0:52:33 | 0:52:36 | |
and blue gets on the other side. | 0:52:36 | 0:52:38 | |
-OK. -Pfff! What can I say? | 0:52:38 | 0:52:43 | |
There aren't that many sports | 0:52:43 | 0:52:45 | |
in which men and women compete on the same level, are there? | 0:52:45 | 0:52:48 | |
In this, you're equal. | 0:52:48 | 0:52:50 | |
Absolutely. And they always have been, | 0:52:50 | 0:52:52 | |
which was why croquet was so popular | 0:52:52 | 0:52:54 | |
and it really took off. | 0:52:54 | 0:52:55 | |
Yes! | 0:52:57 | 0:52:58 | |
'Croquet may be perceived as an elitist game, | 0:53:02 | 0:53:06 | |
'but it's not all jolly hockey sticks and Pimm's on the lawn. | 0:53:06 | 0:53:09 | |
'It takes skill... | 0:53:09 | 0:53:12 | |
'co-ordination...' | 0:53:12 | 0:53:13 | |
Aw, that was terrible. | 0:53:13 | 0:53:15 | |
'..and sometimes, just a bit of brute force.' | 0:53:15 | 0:53:19 | |
Yes! | 0:53:19 | 0:53:20 | |
Someone else who knows all about smashing balls around the croquet lawn is Rachel Rowe. | 0:53:20 | 0:53:26 | |
She's been playing since she was 16. | 0:53:26 | 0:53:28 | |
Now 23, she's the youngest ever women's world champion at golf croquet. | 0:53:28 | 0:53:33 | |
I've got my head around the rules. I've had a practice. | 0:53:33 | 0:53:35 | |
Is there any other terminology or etiquette that I need to know? | 0:53:35 | 0:53:39 | |
You'll hear croquet players use quite a few other words, | 0:53:39 | 0:53:42 | |
that make it sound a bit like a different language at times. | 0:53:42 | 0:53:45 | |
Common ones are roquet, croquet, | 0:53:45 | 0:53:47 | |
and then you've got things to describe your shots, | 0:53:47 | 0:53:50 | |
so a roll shot, a stop shot, a rush. | 0:53:50 | 0:53:52 | |
Or just whack it! | 0:53:53 | 0:53:55 | |
Yes! | 0:54:01 | 0:54:03 | |
Does that count, or not? | 0:54:06 | 0:54:08 | |
-That was very close! -Oh! -How are you doing? | 0:54:08 | 0:54:10 | |
-All right? -Look at you! | 0:54:10 | 0:54:12 | |
-I thought you two would be a little bit more, you know... -No, no. | 0:54:12 | 0:54:16 | |
-Come on. In for a penny, in for a pound. -I've brought you this. | 0:54:16 | 0:54:19 | |
-Hang on, are you allowed high heels on this pitch? -Oh, all right. | 0:54:19 | 0:54:23 | |
-Thanks a lot(!) -You do that and I'll get some practice in. | 0:54:23 | 0:54:26 | |
-Whoa, whoa, whoa. Steady with the practice. -Looks good! | 0:54:31 | 0:54:34 | |
-Sudden death? -Yeah? | 0:54:34 | 0:54:36 | |
-Rachel and myself versus you and Liz. -Hang on - you've got the world champion. | 0:54:36 | 0:54:40 | |
-I didn't think you knew that! -No, I found that out already. | 0:54:40 | 0:54:44 | |
Look at this! My mallet's getting caught in the skirt. | 0:54:44 | 0:54:49 | |
That was miles away. | 0:54:49 | 0:54:52 | |
You need at least to go back about 20 metres. | 0:54:52 | 0:54:55 | |
-Yes! -It's that one, Liz. Yes! | 0:54:57 | 0:55:00 | |
-Right, it's all on me, then. -Back to you, partner. | 0:55:00 | 0:55:03 | |
-Yes! -Oh, what? | 0:55:03 | 0:55:06 | |
-I blame this skirt. I need another shot. -OK, right. | 0:55:06 | 0:55:10 | |
-We'll give you another go. -Come on! | 0:55:10 | 0:55:12 | |
Speaking of winners, for all those people that are eager | 0:55:12 | 0:55:15 | |
to vote for the winner of this year's photographic competition, | 0:55:15 | 0:55:17 | |
-here's a reminder of the 12 finalists... -Yes! -Very good. | 0:55:17 | 0:55:20 | |
..and the all-important numbers for you to vote for your favourite. | 0:55:20 | 0:55:23 | |
If Winter Wanderers is your favourite, call... | 0:55:23 | 0:55:26 | |
For Love On The Rocks, dial the same number with 02 at the end. | 0:55:30 | 0:55:35 | |
For Diamonds At Dawn, add an 03. | 0:55:37 | 0:55:41 | |
For Feed Me!, the last digits are 04. | 0:55:45 | 0:55:49 | |
To vote for On The Move, add 05. | 0:55:52 | 0:55:56 | |
For Lone Stoat, it's 06. | 0:55:58 | 0:56:02 | |
To opt for High Flyer, you need to dial 07. | 0:56:05 | 0:56:10 | |
If your choice is Poppy Pit Stop, then it's 08. | 0:56:12 | 0:56:16 | |
To vote for Owl On The Prowl, add 09. | 0:56:21 | 0:56:24 | |
For Rainbow's End, it's a 10. | 0:56:26 | 0:56:31 | |
If Storm Force takes your fancy, then it's 11. | 0:56:33 | 0:56:38 | |
And for Highland Flurry, add 12. | 0:56:40 | 0:56:44 | |
And you can see those photos again | 0:56:50 | 0:56:52 | |
by pressing the red button. | 0:56:52 | 0:56:54 | |
I think we should have another go, because we're even now. | 0:56:54 | 0:56:57 | |
-The game's over. -Oh, convenient. -Go on, you can have one more try. | 0:56:57 | 0:57:01 | |
Ready... | 0:57:01 | 0:57:02 | |
Oh, you didn't even touch the sides. Now, that was impressive. | 0:57:02 | 0:57:07 | |
OK. Well, that is all we've got time for. | 0:57:07 | 0:57:09 | |
Next week, we're going to be on the Furness Peninsula in West Cumbria, | 0:57:09 | 0:57:12 | |
where I'll be taking to the water on board the Hearts of Oak, | 0:57:12 | 0:57:15 | |
the last sailboat to be built in Ulverston, 100 years ago. | 0:57:15 | 0:57:18 | |
But that is now it. I'm not going to have another go. | 0:57:18 | 0:57:21 | |
-You're drawing a line under the game. Bye-bye. -See you next week. | 0:57:21 | 0:57:24 | |
Subtitles by Red Bee Media Ltd | 0:57:37 | 0:57:40 |