Browse content similar to 08/01/2012. Check below for episodes and series from the same categories and more!
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The Wolds of East Yorkshire. | 0:00:31 | 0:00:32 | |
A truly rural county. | 0:00:32 | 0:00:35 | |
Rich pasture, undulating hills | 0:00:35 | 0:00:37 | |
and pretty villages make up this untouched landscape, | 0:00:37 | 0:00:41 | |
its beauty known only by the lucky few. | 0:00:41 | 0:00:44 | |
Those in the know have been able to enjoy its quiet splendour | 0:00:44 | 0:00:48 | |
along this - | 0:00:48 | 0:00:49 | |
the Wolds Way. | 0:00:49 | 0:00:51 | |
And I'm following in their footsteps | 0:00:51 | 0:00:53 | |
to the heart of this glorious county. | 0:00:53 | 0:00:55 | |
The Wolds are a place you can escape the crowds and the traffic, | 0:00:55 | 0:00:59 | |
where you can walk for hours without seeing a soul. | 0:00:59 | 0:01:03 | |
That is, until you turn down a quiet country lane | 0:01:03 | 0:01:05 | |
and bump into the world's greatest living artist, David Hockney. | 0:01:05 | 0:01:09 | |
I'll be finding out what he's doing here. | 0:01:09 | 0:01:11 | |
And I'll be talking to the Prime Minister David Cameron | 0:01:12 | 0:01:16 | |
about the issues facing our countryside and the environment in the year ahead. | 0:01:16 | 0:01:20 | |
And down on the farm, Adam's got his hands full training a new sheepdog. | 0:01:20 | 0:01:24 | |
This is Fly. She's a very sweet four-year-old border collie - | 0:01:24 | 0:01:28 | |
good girl - and I've got her on loan | 0:01:28 | 0:01:30 | |
with the idea that if I get on with her, I'll be able to buy her. | 0:01:30 | 0:01:33 | |
I've been looking for a new sheepdog for some time, | 0:01:33 | 0:01:36 | |
so I've really got my fingers crossed. | 0:01:36 | 0:01:38 | |
but there is one problem - there's something on the farm | 0:01:38 | 0:01:41 | |
that she really doesn't like. | 0:01:41 | 0:01:43 | |
For nearly 80 miles, the Wolds Way winds its way | 0:01:57 | 0:02:01 | |
through some of Yorkshire's most spectacular countryside. | 0:02:01 | 0:02:04 | |
It stretches from the banks of the River Humber | 0:02:07 | 0:02:09 | |
to the chalk cliffs of Filey on the east coast. | 0:02:09 | 0:02:12 | |
This trail is said to be one of Yorkshire's best-kept secrets | 0:02:14 | 0:02:17 | |
and although it's 30 years old this year, | 0:02:17 | 0:02:20 | |
it's one of the least walked of all the national trails, | 0:02:20 | 0:02:23 | |
so I'm in for a treat. | 0:02:23 | 0:02:25 | |
I'm exploring a small part of it - the five miles between | 0:02:30 | 0:02:34 | |
the village of Thixendale and Wharram Percy, | 0:02:34 | 0:02:37 | |
a deserted medieval village. | 0:02:37 | 0:02:40 | |
Bar what's left of St Martin's Church, | 0:02:40 | 0:02:42 | |
not much remains of the village of Wharram Percy, | 0:02:42 | 0:02:44 | |
but this was once a thriving place with 150 people | 0:02:44 | 0:02:48 | |
and 30 houses. | 0:02:48 | 0:02:50 | |
So where did everybody go? | 0:02:51 | 0:02:53 | |
Well, it wasn't flooding, famine or even disease | 0:02:53 | 0:02:56 | |
that emptied Wharram Percy. It was sheep. | 0:02:56 | 0:03:00 | |
By the 15th century, sheep farming | 0:03:00 | 0:03:02 | |
was a lot more profitable than arable, | 0:03:02 | 0:03:04 | |
so the lord of the manor did the ultimate "get off me land" - | 0:03:04 | 0:03:07 | |
he turfed out the villagers and replaced them with woolly grazers. | 0:03:07 | 0:03:11 | |
The site was excavated from the 1950s up until the 1990s | 0:03:15 | 0:03:20 | |
and what's been unearthed here has given us | 0:03:20 | 0:03:23 | |
a significant insight into the lives of our countryside ancestors. | 0:03:23 | 0:03:27 | |
I'm meeting Dr Simon Mays, who has spent the past 20 years | 0:03:27 | 0:03:31 | |
analysing the bones of those buried in the village. | 0:03:31 | 0:03:34 | |
Simon. How are you doing? All right? | 0:03:35 | 0:03:38 | |
-Hi, good to see you. -Nice to see you too. | 0:03:38 | 0:03:40 | |
Please introduce me to your friends. Who are these? | 0:03:40 | 0:03:42 | |
These are some bones from the churchyard at Wharram Percy. | 0:03:42 | 0:03:45 | |
OK. Well, the sizes are very different. | 0:03:45 | 0:03:47 | |
The skeleton we have on this side is a medieval ten-year-old. | 0:03:47 | 0:03:52 | |
And the skeleton here is to represent the size of a modern ten-year-old, | 0:03:52 | 0:03:55 | |
so you can see there's a really big difference. | 0:03:55 | 0:03:58 | |
Right. And what do you put that down to? | 0:03:58 | 0:04:00 | |
It's probably due to the poor nutrition that they would have had | 0:04:00 | 0:04:04 | |
and also the diseases that they suffered from. | 0:04:04 | 0:04:06 | |
Were a lot of children excavated? | 0:04:06 | 0:04:08 | |
Slightly under half of all the burials that were found up there | 0:04:08 | 0:04:12 | |
were of children, and that's kind of what we expect | 0:04:12 | 0:04:15 | |
in a pre-modern population. | 0:04:15 | 0:04:17 | |
About one in five children died before they reach two years. | 0:04:17 | 0:04:21 | |
That sounds horrendous by modern standards, | 0:04:21 | 0:04:24 | |
but in fact, it isn't too bad. | 0:04:24 | 0:04:25 | |
I was interested in comparing what life was like | 0:04:25 | 0:04:28 | |
in this rural settlement, what life was like in a medieval city | 0:04:28 | 0:04:33 | |
so I compared arm bones of men and women from York | 0:04:33 | 0:04:37 | |
with those from Wharram Percy. | 0:04:37 | 0:04:39 | |
It was really the women's bones that were the surprise. | 0:04:39 | 0:04:43 | |
They're about the same length, | 0:04:43 | 0:04:45 | |
but this bone, which is from Wharram Percy, | 0:04:45 | 0:04:47 | |
is much thicker than this bone here, which is a bone from medieval York. | 0:04:47 | 0:04:52 | |
That is quite a large difference | 0:04:52 | 0:04:54 | |
considering that York isn't too far away | 0:04:54 | 0:04:56 | |
as far as evolving is concerned. | 0:04:56 | 0:04:58 | |
-That's right. I'd put this down to... -Quite extraordinary. | 0:04:58 | 0:05:01 | |
-It's to do with what these people were doing, I think. -Yeah. | 0:05:01 | 0:05:05 | |
A medieval woman would have done work around the house, | 0:05:05 | 0:05:09 | |
but she would also have helped in the fields | 0:05:09 | 0:05:11 | |
and done a lot of heavy labour, | 0:05:11 | 0:05:12 | |
whereas this bone here comes from middle-class people. | 0:05:12 | 0:05:16 | |
Women there would have had all their heavy labour | 0:05:16 | 0:05:19 | |
done by servants and people like that. | 0:05:19 | 0:05:21 | |
Rural life was clearly tough | 0:05:25 | 0:05:27 | |
for both men and women working on the land, | 0:05:27 | 0:05:29 | |
but I'm sure they must've appreciated | 0:05:29 | 0:05:31 | |
this wonderful landscape. | 0:05:31 | 0:05:33 | |
Back on track, and I'm heading towards Thixendale, | 0:05:38 | 0:05:41 | |
the highest point on the trail at 705 feet. | 0:05:41 | 0:05:44 | |
If the hills and valleys of this walk | 0:05:44 | 0:05:47 | |
aren't enough to tempt you here, then maybe art will. | 0:05:47 | 0:05:50 | |
The area has been the source of renewed inspiration | 0:05:52 | 0:05:55 | |
for one of our most influential artists, David Hockney. | 0:05:55 | 0:05:58 | |
He's painting bigger and bolder pictures, | 0:05:58 | 0:06:01 | |
as Ellie will be discovering later. | 0:06:01 | 0:06:03 | |
But there's an artist here who is quite literally | 0:06:03 | 0:06:06 | |
leaving his mark in the landscape, and I'm getting a sneak preview. | 0:06:06 | 0:06:10 | |
There are plans for ten sculptures and artworks along this route. | 0:06:15 | 0:06:19 | |
This is the first to be finished, created by land artist Chris Drury. | 0:06:19 | 0:06:24 | |
-Chris, how you doing? -Hi! -All right! | 0:06:24 | 0:06:26 | |
-Yeah, good. -Congratulations on your spectacular creation. | 0:06:26 | 0:06:30 | |
-It's a great view today with the sun. -It looks good from up here. | 0:06:30 | 0:06:33 | |
It's a very intriguing piece, isn't it? | 0:06:33 | 0:06:36 | |
Did you have a brief? | 0:06:36 | 0:06:37 | |
There's a valley that comes into this one from the right, | 0:06:37 | 0:06:40 | |
and if you look where the sculpture is, | 0:06:40 | 0:06:43 | |
there's a bit scooped out of that hill - | 0:06:43 | 0:06:46 | |
well, that's where the glacier met the main one coming down here | 0:06:46 | 0:06:51 | |
and it does a kind of vortex at that point, | 0:06:51 | 0:06:54 | |
and I thought, well, | 0:06:54 | 0:06:55 | |
"I'm just going to draw the pattern of what happened here." | 0:06:55 | 0:06:58 | |
It's one thing drawing it on a piece of paper, | 0:06:58 | 0:07:00 | |
but it's another creating it there in the valley. | 0:07:00 | 0:07:03 | |
Did you just use manpower, loads of spades...? | 0:07:03 | 0:07:05 | |
No, no, we had one digger and a dog. | 0:07:05 | 0:07:07 | |
HE LAUGHS | 0:07:07 | 0:07:09 | |
He was a remarkable man and the dog sat in the digger most of the day. | 0:07:09 | 0:07:14 | |
That really took a day and a half. | 0:07:14 | 0:07:16 | |
You're quite keen for people to use it and explore it. | 0:07:16 | 0:07:19 | |
Yeah, I think you could have a picnic right in the middle, out of the wind. | 0:07:19 | 0:07:23 | |
It has to sit within the landscape, that's the main criteria, | 0:07:23 | 0:07:27 | |
that it mustn't jump out, it's got to sit within it. | 0:07:27 | 0:07:30 | |
Later, I'll be meeting two men who reckon you can see | 0:07:31 | 0:07:34 | |
the whole 79 miles by foot in just one day. | 0:07:34 | 0:07:38 | |
But first, our current government promises to be the greenest ever. | 0:07:43 | 0:07:47 | |
But is that a promise it can keep? | 0:07:47 | 0:07:48 | |
John has been to meet the Prime Minister, David Cameron, | 0:07:48 | 0:07:51 | |
to find out. | 0:07:51 | 0:07:52 | |
When it comes to safeguarding the British environment, | 0:07:59 | 0:08:03 | |
some people have big ambitions. | 0:08:03 | 0:08:05 | |
I want us to be the greenest government ever. | 0:08:05 | 0:08:08 | |
A very simple ambition | 0:08:08 | 0:08:10 | |
and one that I'm absolutely committed to achieving. | 0:08:10 | 0:08:13 | |
But with worries about the economy | 0:08:13 | 0:08:15 | |
and competing pressures on the way we use our land, | 0:08:15 | 0:08:18 | |
can the Prime Minister bring about positive change to rural Britain? | 0:08:18 | 0:08:23 | |
I care deeply about our countryside and environment. | 0:08:23 | 0:08:25 | |
I would no more put that at risk | 0:08:25 | 0:08:27 | |
than I would put at risk my own family. | 0:08:27 | 0:08:29 | |
'In an exclusive interview, David Cameron talks to Countryfile about | 0:08:29 | 0:08:33 | |
'some of the biggest issues facing the countryside, like planning.' | 0:08:33 | 0:08:37 | |
Under our plans, villages, towns will be able to designate | 0:08:37 | 0:08:41 | |
new green spaces in their local plans that they want to keep. | 0:08:41 | 0:08:44 | |
'The welfare of farm animals.' | 0:08:44 | 0:08:46 | |
With other European countries, what we ought to do is take them | 0:08:46 | 0:08:50 | |
to court if they don't put in place | 0:08:50 | 0:08:52 | |
the changes they've signed up to. | 0:08:52 | 0:08:54 | |
'And plans to support businesses | 0:08:54 | 0:08:56 | |
'while still looking after our climate.' | 0:08:56 | 0:08:58 | |
There's no point in just taxing them | 0:08:58 | 0:09:00 | |
to a position where they just move to Poland and carry on polluting. | 0:09:00 | 0:09:05 | |
'So in this programme and the next one, we'll be challenging | 0:09:05 | 0:09:08 | |
'the Prime Minister on key rural issues during the coming year.' | 0:09:08 | 0:09:12 | |
When you list what it is we've got that's great in this country, | 0:09:12 | 0:09:15 | |
to me, our countryside comes right up the top. | 0:09:15 | 0:09:18 | |
Let's start with his aim to create the greenest government ever. | 0:09:24 | 0:09:27 | |
But let me tell you this, | 0:09:27 | 0:09:29 | |
there is a fourth minister in this department who cares passionately | 0:09:29 | 0:09:33 | |
about your agenda, and that is me, the Prime Minister, right? | 0:09:33 | 0:09:36 | |
I mean that from the bottom of my heart. | 0:09:36 | 0:09:38 | |
From the outset, | 0:09:38 | 0:09:39 | |
the environment seemed high on David Cameron's agenda. But last year, | 0:09:39 | 0:09:43 | |
the Chancellor's autumn statement left environmentalists | 0:09:43 | 0:09:46 | |
concerned that the Government isn't putting its money where its mouth is. | 0:09:46 | 0:09:50 | |
I am worried about the combined impact the green policies | 0:09:50 | 0:09:53 | |
adopted, not just in Britain but also by the European Union, | 0:09:53 | 0:09:58 | |
on some of our heavy energy intensive industries. | 0:09:58 | 0:10:01 | |
If we burden them with endless social and environmental goals, | 0:10:01 | 0:10:05 | |
however worthy in their own right, then not only will we not achieve | 0:10:05 | 0:10:09 | |
those goals, but the businesses will fail, jobs will be lost | 0:10:09 | 0:10:13 | |
and our country will be poorer. | 0:10:13 | 0:10:15 | |
So where does the Government really stand on its green commitments? | 0:10:15 | 0:10:19 | |
Who better to ask than the Prime Minister himself? | 0:10:19 | 0:10:22 | |
I met Mr Cameron at Cogges Farm, | 0:10:22 | 0:10:24 | |
a rural heritage museum in his Oxfordshire constituency. | 0:10:24 | 0:10:28 | |
-Welcome to Countryfile, Prime Minister. -It's great to be here. | 0:10:28 | 0:10:31 | |
When you came to power, you pledged to be the greenest government ever. | 0:10:31 | 0:10:35 | |
But quite a few people that we talk to on the programme seem to | 0:10:35 | 0:10:39 | |
think that you're getting way off course. | 0:10:39 | 0:10:41 | |
I don't think that's fair. | 0:10:41 | 0:10:43 | |
The first thing we did was, we said you've got to start with yourself | 0:10:43 | 0:10:46 | |
and let's cut Government carbon emissions by 10% inside a year. | 0:10:46 | 0:10:51 | |
We set that target and we've delivered that target | 0:10:51 | 0:10:54 | |
and now set another target to do even better. | 0:10:54 | 0:10:56 | |
So I would say we are cracking through the key green issues, | 0:10:56 | 0:11:01 | |
putting our money where the commitment and the mouth is, | 0:11:01 | 0:11:04 | |
and I think we can hold our heads up. | 0:11:04 | 0:11:06 | |
But what about George Osborne saying, in the autumn statement, that he | 0:11:06 | 0:11:10 | |
is concerned that green policies might impact on British industry? | 0:11:10 | 0:11:14 | |
I think he's making a good point which is, | 0:11:14 | 0:11:16 | |
we're trying to de-carbonise our economy. | 0:11:16 | 0:11:19 | |
But as we take the carbon out of the economy, | 0:11:19 | 0:11:21 | |
there's no point taking the industry out of the economy as well. | 0:11:21 | 0:11:24 | |
So if you look specifically at this issue of heavy industries, | 0:11:24 | 0:11:29 | |
where there's no point in just taxing them | 0:11:29 | 0:11:32 | |
to a position where they just move to Poland and carry on polluting, | 0:11:32 | 0:11:36 | |
when actually we ought to keep them in Britain | 0:11:36 | 0:11:39 | |
and make sure that they are acting in an environmentally friendly way. | 0:11:39 | 0:11:42 | |
I don't believe that the environment on the one hand | 0:11:42 | 0:11:45 | |
and growth on the other are alternatives. | 0:11:45 | 0:11:48 | |
What the autumn statement did pledge was a vast building programme. | 0:11:49 | 0:11:54 | |
And that was on top of proposals to speed up | 0:11:54 | 0:11:56 | |
and simplify the planning process. | 0:11:56 | 0:11:59 | |
One concern is that could lead to large housing estates being | 0:11:59 | 0:12:02 | |
built on rural land, like the one I heard about near Yeovil. | 0:12:02 | 0:12:06 | |
Where exactly is this proposed development going to be? | 0:12:06 | 0:12:09 | |
You see the brown field straight ahead of us, John? | 0:12:09 | 0:12:12 | |
It will span across there, to the left, behind this tree... | 0:12:12 | 0:12:16 | |
-On the outskirts of Yeovil? -Yeah. | 0:12:16 | 0:12:17 | |
It'll join onto the outskirts of Yeovil there | 0:12:17 | 0:12:20 | |
and go right across to the houses on the horizon. | 0:12:20 | 0:12:22 | |
So it'll look like, essentially, | 0:12:22 | 0:12:24 | |
gravy pouring down from Yeovil into the vale of East Coker. | 0:12:24 | 0:12:27 | |
If we can't make our case stick, | 0:12:27 | 0:12:30 | |
then frankly we think nowhere in the country is going to be safe, | 0:12:30 | 0:12:33 | |
particularly under the new planning framework. | 0:12:33 | 0:12:36 | |
So, will the reforms of the planning system open up the countryside | 0:12:36 | 0:12:40 | |
to more large developments like this? | 0:12:40 | 0:12:43 | |
A lot of people are concerned now about your proposals for relaxing the planning laws, | 0:12:43 | 0:12:48 | |
they think that might ride roughshod over the green acres. | 0:12:48 | 0:12:52 | |
Obviously, this country needs more housing, | 0:12:52 | 0:12:54 | |
especially affordable housing, but where are you going to put it? | 0:12:54 | 0:12:58 | |
Here we are in West Oxfordshire, my constituency, | 0:12:58 | 0:13:01 | |
one of the most beautiful parts of our country, | 0:13:01 | 0:13:04 | |
set in some of England's finest countryside. | 0:13:04 | 0:13:06 | |
I would no more put that at risk | 0:13:06 | 0:13:08 | |
than I would put at risk my own family. | 0:13:08 | 0:13:10 | |
I care deeply about our countryside and our environment. Our vision | 0:13:10 | 0:13:13 | |
is one where we give communities much more say, much more control. | 0:13:13 | 0:13:16 | |
The fear people have in villages is the great big housing estate | 0:13:16 | 0:13:20 | |
being plonked down from above... | 0:13:20 | 0:13:22 | |
Which is exactly what they worry about in Yeovil at the moment, | 0:13:22 | 0:13:26 | |
where there's almost a new town arriving | 0:13:26 | 0:13:28 | |
on the doorstep of a couple of small villages. | 0:13:28 | 0:13:30 | |
But I think our reforms will make it easier for communities to say, | 0:13:30 | 0:13:35 | |
"We're not going to have the big plonking housing estate | 0:13:35 | 0:13:38 | |
"landing next to the village, but we would like, 10, 20, 30 | 0:13:38 | 0:13:41 | |
"extra houses and we'd like them built in this way. | 0:13:41 | 0:13:44 | |
"We'd like them to be for local people." | 0:13:44 | 0:13:46 | |
What about your idea of the planners having a presumption to | 0:13:46 | 0:13:50 | |
approve of planning applications, building applications? | 0:13:50 | 0:13:53 | |
It's a presumption in favour of sustainable development, | 0:13:53 | 0:13:56 | |
and all those words, as it were, are equally important. | 0:13:56 | 0:14:00 | |
I think that is the key point I'd make. | 0:14:00 | 0:14:02 | |
Let me be clear, cos there's been quite | 0:14:02 | 0:14:04 | |
a lot of scaremongering about this planning issue. | 0:14:04 | 0:14:06 | |
We're not changing green belt, | 0:14:06 | 0:14:08 | |
we're not changing areas of outstanding natural beauty, | 0:14:08 | 0:14:11 | |
we're not changing SSSIs, all those protections that are there. | 0:14:11 | 0:14:14 | |
But at the heart of it is, and I think this is what people | 0:14:14 | 0:14:17 | |
haven't yet grasped in a way, at the heart of it is more local control. | 0:14:17 | 0:14:22 | |
The neighbourhood plan, you decide in your community, | 0:14:22 | 0:14:25 | |
rather than the man in Whitehall knows best. | 0:14:25 | 0:14:28 | |
So you can guarantee that there won't be, sort of, | 0:14:28 | 0:14:30 | |
vast areas of housing marching across the green acres? | 0:14:30 | 0:14:34 | |
Under our plans, villages, towns will be able to designate | 0:14:34 | 0:14:38 | |
new green spaces in their local plans that they want to keep, | 0:14:38 | 0:14:41 | |
that's a protection they don't necessarily have now. | 0:14:41 | 0:14:43 | |
But how do the plans to protect the environment at home | 0:14:44 | 0:14:48 | |
fit with the Government's global green promises? | 0:14:48 | 0:14:50 | |
The UK is legally obliged | 0:14:50 | 0:14:52 | |
to generate 15% of its energy from renewable sources by 2020. | 0:14:52 | 0:14:58 | |
That's going to mean amongst other things | 0:14:58 | 0:15:00 | |
lots and lots of new wind farms. | 0:15:00 | 0:15:03 | |
At the moment we're just scratching the surface. | 0:15:03 | 0:15:06 | |
We have 1,500 megawatts of offshore capacity installed. | 0:15:06 | 0:15:08 | |
That's enough to generate the electrical energy | 0:15:08 | 0:15:12 | |
of three quarters of a million homes, pretty impressive. | 0:15:12 | 0:15:14 | |
But we're looking to go about 12 times that amount by 2020. | 0:15:14 | 0:15:18 | |
But those plans need money and that could be down to you and me. | 0:15:18 | 0:15:22 | |
What's your prediction about how much fuel bills | 0:15:22 | 0:15:24 | |
are going to rise for everyone because of green power? | 0:15:24 | 0:15:28 | |
Fuel bills up until 2030 could well double. | 0:15:28 | 0:15:31 | |
The Government acknowledges there will be an increase and a decrease. | 0:15:31 | 0:15:35 | |
But for every 1% increase in fuel bills, | 0:15:35 | 0:15:37 | |
44,000 households slide into fuel poverty, which is a social crisis. | 0:15:37 | 0:15:42 | |
Arguments over the cost of wind energy sharply divide opinion, | 0:15:42 | 0:15:47 | |
so does the Prime Minister still believe he's getting it right? | 0:15:47 | 0:15:50 | |
I think we want a competitive market so that we keep prices down. | 0:15:50 | 0:15:55 | |
But I think there's more to be done to make sure | 0:15:55 | 0:15:58 | |
consumers get the lowest bills they can, | 0:15:58 | 0:16:00 | |
to make sure they're told about the cheapest tariffs. | 0:16:00 | 0:16:03 | |
I think it's not a market that's yet functioning as well as I would like. | 0:16:03 | 0:16:07 | |
We keep a pretty eagle eye on the big six energy companies | 0:16:07 | 0:16:10 | |
to make sure they're behaving in a proper way. | 0:16:10 | 0:16:13 | |
We'll do all those things to keep bills down. | 0:16:13 | 0:16:15 | |
You are very much in favour of wind farms. | 0:16:15 | 0:16:19 | |
Many people aren't. | 0:16:19 | 0:16:21 | |
That's true. We need a balance of energy in this country. | 0:16:21 | 0:16:25 | |
It's a great mistake to have all your energy coming from | 0:16:25 | 0:16:28 | |
one source or from one often dangerous part of the world. | 0:16:28 | 0:16:31 | |
I think it's right we invest in renewables. | 0:16:31 | 0:16:33 | |
It's right we show some flexibility. | 0:16:33 | 0:16:35 | |
I think offshore wind is going to be a big fixture. | 0:16:35 | 0:16:39 | |
In terms of onshore wind, I know communities feel concerned about this. | 0:16:39 | 0:16:43 | |
-Again, in the planning reforms... -A lot of people hate them. -Some do, I accept that. | 0:16:43 | 0:16:48 | |
When they go ahead, one of the reasons people don't like them | 0:16:48 | 0:16:51 | |
is they don't see any connection between the windmill that's erected | 0:16:51 | 0:16:55 | |
and their local community. | 0:16:55 | 0:16:57 | |
If there were more schemes that were supplying | 0:16:57 | 0:17:00 | |
renewable electricity to local people, | 0:17:00 | 0:17:02 | |
they were feeling the benefit of that, | 0:17:02 | 0:17:04 | |
then people would take a different view. | 0:17:04 | 0:17:06 | |
The Germans are way ahead of us when it comes to renewables. | 0:17:06 | 0:17:09 | |
They were doing this for longer. That was their key. | 0:17:09 | 0:17:12 | |
-Are we going to reach the targets? -I believe that we will. | 0:17:12 | 0:17:14 | |
I think the last government was a bit slow off the mark. | 0:17:14 | 0:17:17 | |
When they did get off the mark it wasn't priced properly. | 0:17:17 | 0:17:20 | |
In the long term we've now got a well-priced scheme, | 0:17:20 | 0:17:23 | |
so it is worthwhile people investing in renewables. | 0:17:23 | 0:17:26 | |
There's no doubt that in aiming to be the greenest government ever | 0:17:26 | 0:17:30 | |
David Cameron has set himself an almighty challenge. | 0:17:30 | 0:17:33 | |
But there are other pressing issues affecting our countryside that need to be addressed. | 0:17:33 | 0:17:38 | |
Next week I'll be asking the Prime Minister | 0:17:38 | 0:17:41 | |
how he sees the future of British farming. | 0:17:41 | 0:17:44 | |
I think we can push for real changes where we reduce these production subsidies | 0:17:44 | 0:17:48 | |
that have done so much damage in Europe | 0:17:48 | 0:17:51 | |
and focus the effort instead on rewarding good environmental practice. | 0:17:51 | 0:17:55 | |
And tackling the difficult subject of the badger culls. | 0:17:55 | 0:17:59 | |
-It's going to be controversial, difficult to do... -Difficult to police. | 0:17:59 | 0:18:03 | |
Difficult to police, but there's no end of difficulties | 0:18:03 | 0:18:07 | |
but we've taken a difficult decision and it's the right thing to do. | 0:18:07 | 0:18:11 | |
Winter has stripped the East Yorkshire landscape bare. | 0:18:21 | 0:18:25 | |
The trees are stark, the hedgerows without colour. | 0:18:25 | 0:18:29 | |
The fields lie dormant under a thin sun. | 0:18:29 | 0:18:34 | |
The Wolds in winter has a pared-down beauty - | 0:18:36 | 0:18:39 | |
muted, quiet and understated, | 0:18:39 | 0:18:42 | |
but how many of us really notice | 0:18:42 | 0:18:44 | |
as we whizz by on our way to somewhere else? | 0:18:44 | 0:18:48 | |
If we just slowed down a bit, | 0:18:50 | 0:18:52 | |
took time to look around, | 0:18:52 | 0:18:55 | |
would we see the land we live in differently? | 0:18:55 | 0:18:58 | |
One man really thinks so. | 0:19:00 | 0:19:02 | |
And he's David Hockney, our greatest living artist. | 0:19:04 | 0:19:07 | |
He's based in LA, but has a home in East Yorkshire. | 0:19:07 | 0:19:11 | |
It's here he's found renewed inspiration | 0:19:11 | 0:19:14 | |
in its fields and trees. | 0:19:14 | 0:19:16 | |
It's very, very lovely, subtle landscape here. | 0:19:16 | 0:19:20 | |
Not too many people, | 0:19:20 | 0:19:22 | |
very quiet roads that you could work on. | 0:19:22 | 0:19:26 | |
It's turned out to be the perfect place for me in the last few years. | 0:19:26 | 0:19:31 | |
You know, I come from West Yorkshire. | 0:19:31 | 0:19:35 | |
Wharfedale, everybody knows it's rather beautiful and so on. | 0:19:35 | 0:19:39 | |
But people who just drive from West Yorkshire into Bridlington | 0:19:39 | 0:19:44 | |
just think, "There's one big hill and it's just little hills | 0:19:44 | 0:19:49 | |
"and it looks like a load of fields." | 0:19:49 | 0:19:51 | |
Nobody really looks at it much. | 0:19:51 | 0:19:54 | |
But if you know how to look, the landscape is alive with colour. | 0:19:54 | 0:20:00 | |
In David's eyes, trees can be purple, fields sometimes blue, | 0:20:00 | 0:20:04 | |
stone is often red. | 0:20:04 | 0:20:07 | |
The same subject never looks the same way twice. | 0:20:07 | 0:20:10 | |
He's painted the tree he calls "the totem" many, many times. | 0:20:10 | 0:20:14 | |
Right now you're seeing it in reds and greens. | 0:20:14 | 0:20:18 | |
Er...on a different day, you might see it differently. | 0:20:18 | 0:20:22 | |
Right now, the dominant colours are red and green, essentially. | 0:20:22 | 0:20:28 | |
OK, the red is brown, oranges and brown. | 0:20:28 | 0:20:32 | |
If it had been raining very heavily, | 0:20:32 | 0:20:34 | |
you get like you see there on that side of the tree, it goes dark. | 0:20:34 | 0:20:39 | |
-Yes. -The rain will make it dark. | 0:20:39 | 0:20:42 | |
I usually then wait and come out immediately | 0:20:42 | 0:20:46 | |
because then you get... It's the only time the tree trunks are very dark, | 0:20:46 | 0:20:51 | |
when it's rained. | 0:20:51 | 0:20:53 | |
'David is able to respond quickly to changing conditions | 0:20:53 | 0:20:57 | |
'by using the very latest in high-tech gadgets. | 0:20:57 | 0:21:01 | |
'Out goes the sketchbook, in comes the iPad.' | 0:21:01 | 0:21:04 | |
Some people might be quite surprised to see technology rather than paintbrushes. | 0:21:04 | 0:21:10 | |
Well, paintbrushes are technology. | 0:21:10 | 0:21:12 | |
I suppose so, yeah. | 0:21:12 | 0:21:14 | |
A pencil is technology, isn't it? | 0:21:14 | 0:21:16 | |
For me on this road, the great advantage is | 0:21:16 | 0:21:19 | |
you can quickly establish | 0:21:19 | 0:21:22 | |
a range of colour faster than any medium I've come across. | 0:21:22 | 0:21:27 | |
There's no mixing, it's just all there. | 0:21:27 | 0:21:30 | |
Yeah, because you're doing it all here... | 0:21:30 | 0:21:32 | |
Um, with one instrument. | 0:21:32 | 0:21:35 | |
I don't have to change it. | 0:21:35 | 0:21:37 | |
So, um, it's an absolutely new medium really. | 0:21:37 | 0:21:41 | |
'And the results are terrific. | 0:21:43 | 0:21:45 | |
'All these pictures of East Yorkshire were made using the iPad.' | 0:21:50 | 0:21:55 | |
You've painted this structure quite a few times. Why so many times? | 0:21:58 | 0:22:02 | |
Is it about getting it in different lights? | 0:22:02 | 0:22:04 | |
Well, because once you've done it once in January, | 0:22:04 | 0:22:09 | |
I then realised I'll keep doing it every few days for a while. | 0:22:09 | 0:22:14 | |
And right now it's very winter. | 0:22:14 | 0:22:17 | |
It sure is. | 0:22:17 | 0:22:18 | |
You're getting the reflections in the puddles as well. | 0:22:18 | 0:22:23 | |
It's very nice in the rain because the road gets shiny | 0:22:23 | 0:22:26 | |
and it's lighter than the sky, the light is right at the end. | 0:22:26 | 0:22:31 | |
I wouldn't have seen that had you not pointed it out. | 0:22:31 | 0:22:34 | |
To me it looks a bit drab, but there's lots of light. | 0:22:34 | 0:22:37 | |
Well, people don't look hard enough often. | 0:22:37 | 0:22:41 | |
I used to ask friends if I drove along here, I'd say to them, | 0:22:41 | 0:22:46 | |
"What colour is the road?" | 0:22:46 | 0:22:49 | |
And, er, one friend just didn't say anything for a while. | 0:22:49 | 0:22:54 | |
Then I asked him again he said, "I see what you mean, David." | 0:22:54 | 0:22:58 | |
If you don't ask the question, you don't even bother. | 0:22:58 | 0:23:02 | |
But if you ask the question and you look rather hard, | 0:23:02 | 0:23:05 | |
well, it's violet, its blue, it's all kind of things. | 0:23:05 | 0:23:09 | |
But you have to ask the question first. | 0:23:09 | 0:23:12 | |
That's what Monet would have done, what anybody would have done, that's what I do. | 0:23:12 | 0:23:17 | |
Seeing all the colours that you can see in the landscape | 0:23:17 | 0:23:20 | |
has suddenly made me seem very garish - I must seem offensive to you. | 0:23:20 | 0:23:24 | |
-You're fluorescent. -I am a bit bright. | 0:23:24 | 0:23:27 | |
David Hockney has been blazing a trail through the art world | 0:23:27 | 0:23:31 | |
since the 1960s. | 0:23:31 | 0:23:33 | |
He's internationally famous | 0:23:33 | 0:23:35 | |
and was recently voted our most influential artist...ever. | 0:23:35 | 0:23:40 | |
A new show at London's Royal Academy looks set to cement that reputation. | 0:23:40 | 0:23:44 | |
Back at his studio I'm getting a sneak preview. | 0:23:44 | 0:23:48 | |
So this is a miniature version of the Royal Academy, is it? | 0:23:48 | 0:23:52 | |
Yes, we make the models | 0:23:52 | 0:23:54 | |
so we calculate where everything will fit and go. | 0:23:54 | 0:23:58 | |
'Featuring prominently will be the computer drawings of Yorkshire, | 0:23:58 | 0:24:03 | |
'printed up large size.' | 0:24:03 | 0:24:05 | |
'The effect of seeing them all together in one place is stunning.' | 0:24:08 | 0:24:12 | |
-This is where we were this morning. -Oh, yes. The big puddles. | 0:24:15 | 0:24:19 | |
-That's where we were as well with the totem. -Yeah. | 0:24:19 | 0:24:23 | |
There's the totem again. | 0:24:23 | 0:24:25 | |
-And again and again. -Vivid colours, it's amazing. | 0:24:25 | 0:24:29 | |
How important are the seasons and the weather to you | 0:24:29 | 0:24:33 | |
when you're going out and deciding? | 0:24:33 | 0:24:35 | |
Well, it's about every time we went on that road it was different, that's what I'm saying. | 0:24:35 | 0:24:41 | |
Because this is England, the light will be different, | 0:24:41 | 0:24:46 | |
the weather, the foliage. | 0:24:46 | 0:24:50 | |
It's just showing you the enormous amount of variety there is | 0:24:50 | 0:24:54 | |
and as it changes throughout the year. | 0:24:54 | 0:24:56 | |
And even within a day sometimes, doesn't it? | 0:24:56 | 0:24:59 | |
Oh, yeah, I mean we call sometime in late April | 0:24:59 | 0:25:03 | |
we call it kind of action week where it's very, very active, | 0:25:03 | 0:25:08 | |
when the Queen Anne lace seems to grow two foot in a week. | 0:25:08 | 0:25:12 | |
So the subject can't be done in one picture. | 0:25:12 | 0:25:17 | |
It has to be done in many | 0:25:17 | 0:25:20 | |
-because the arrival of spring is an event over time. -Absolutely. | 0:25:20 | 0:25:25 | |
And you'll notice perhaps all of this in your garden. | 0:25:25 | 0:25:29 | |
You'll notice the little changes, what comes first. | 0:25:29 | 0:25:33 | |
I'm assuming that people who go to it, | 0:25:33 | 0:25:37 | |
when they leave the exhibition, | 0:25:37 | 0:25:40 | |
will be looking forward to the spring themselves. | 0:25:40 | 0:25:43 | |
SHE LAUGHS> | 0:25:43 | 0:25:44 | |
And keeping an eye on it and perhaps watch it a little more intensely. | 0:25:44 | 0:25:49 | |
'The Yorkshire pictures will be shown for the first time | 0:25:49 | 0:25:53 | |
'at the upcoming exhibition. | 0:25:53 | 0:25:55 | |
'But it's something quite different that David hopes will wow the crowds.' | 0:25:55 | 0:26:00 | |
Imagine if instead of just one viewpoint like you have now, | 0:26:00 | 0:26:04 | |
you could see up there, and there and down there, | 0:26:04 | 0:26:07 | |
a massive field of view and all in incredible detail. | 0:26:07 | 0:26:11 | |
It would be really impressive. | 0:26:11 | 0:26:13 | |
'Well, David and his team have done it | 0:26:13 | 0:26:16 | |
'and they've made a film like no other. | 0:26:16 | 0:26:19 | |
'It'll be shown at the Royal Academy, but we've been granted an exclusive preview.' | 0:26:19 | 0:26:24 | |
The picture builds up in front of your eyes. That's amazing. | 0:26:24 | 0:26:28 | |
Nine cameras... | 0:26:28 | 0:26:30 | |
'This brand-new film will be getting its first ever broadcast | 0:26:30 | 0:26:34 | |
'anywhere in the world a little later right here on Countryfile.' | 0:26:34 | 0:26:38 | |
Also on tonight's programme: | 0:26:38 | 0:26:41 | |
Who's got what it takes to make the perfect Yorkshire pudding? | 0:26:41 | 0:26:44 | |
Ellie and I go head to head. | 0:26:44 | 0:26:47 | |
Matt, I think a little less talking and a little more doing is required. | 0:26:47 | 0:26:51 | |
Sorry. | 0:26:51 | 0:26:53 | |
And there's the Countryfile five-day forecast. | 0:26:55 | 0:26:58 | |
First light marks the start of Adam's day | 0:27:08 | 0:27:10 | |
and as the sun rises there's no time to waste. | 0:27:10 | 0:27:14 | |
Even in the midst of winter there's always plenty to do. | 0:27:14 | 0:27:17 | |
He's busy sorting out his field boundaries, | 0:27:17 | 0:27:19 | |
which means getting to grips with the art of hedge laying. | 0:27:19 | 0:27:22 | |
Before that, a new addition to the farm | 0:27:22 | 0:27:25 | |
is proving to be a bit of a handful. | 0:27:25 | 0:27:27 | |
My working border collies are an invaluable part of the farm team moving sheep and cattle. | 0:27:35 | 0:27:41 | |
Here, come, come. Good, girl. | 0:27:41 | 0:27:43 | |
This is Pearl, who's a lovely little dog, | 0:27:43 | 0:27:46 | |
but she got run over when she was a puppy and smashed her leg up | 0:27:46 | 0:27:50 | |
and I never really trained her properly. | 0:27:50 | 0:27:53 | |
So she's very below average, really. | 0:27:53 | 0:27:57 | |
That's her mum Maude in the kennel, who's 13 years old, | 0:27:57 | 0:27:59 | |
been a great working dog, but now she's old and deaf and a bit slow | 0:27:59 | 0:28:03 | |
and enjoying retirement. | 0:28:03 | 0:28:06 | |
Good girl. Go on, in. | 0:28:06 | 0:28:08 | |
'For the past few months I've been on the hunt for a new sheepdog | 0:28:08 | 0:28:12 | |
'that can do all the running around these old girls struggle with. | 0:28:12 | 0:28:15 | |
'I've had little luck in finding one. | 0:28:15 | 0:28:19 | |
'Well, that's until now.' | 0:28:19 | 0:28:20 | |
This is Fly. Here, Fly. | 0:28:20 | 0:28:23 | |
She's a four-year-old border collie who's fully trained. | 0:28:23 | 0:28:26 | |
She's very, very sweet. Here, Fly. Come on, then. | 0:28:26 | 0:28:29 | |
She's a really lovely-natured little dog | 0:28:29 | 0:28:32 | |
and she was trained by someone else so now I've got to try | 0:28:32 | 0:28:36 | |
and switch her loyalties from the person who trained her to me | 0:28:36 | 0:28:40 | |
and John, my assistant stockman. | 0:28:40 | 0:28:42 | |
We're going to share her working on the farm. | 0:28:42 | 0:28:45 | |
Now I'm just going to put you through your paces. What a good girl. | 0:28:45 | 0:28:48 | |
Come on, then. | 0:28:48 | 0:28:51 | |
'While Fly is good around the sheep, | 0:28:51 | 0:28:54 | |
'she's not so good when it comes to my buggy.' | 0:28:54 | 0:28:57 | |
One of the problems is she's frightened of getting in the back of this vehicle | 0:28:57 | 0:29:01 | |
and this is John's main way of getting around the farm. | 0:29:01 | 0:29:04 | |
How are you getting her to overcome it? | 0:29:04 | 0:29:06 | |
We've been trying to get her in the back. | 0:29:06 | 0:29:09 | |
-Is she like it all the time? -It's mostly I think in the morning. | 0:29:09 | 0:29:12 | |
We try and get her in the back. | 0:29:12 | 0:29:14 | |
When you're out in a field, she's got other things on her mind. | 0:29:14 | 0:29:18 | |
She sees the sheep and it takes her mind off things. | 0:29:18 | 0:29:20 | |
-Let's try her now, shall we? -Yeah. | 0:29:20 | 0:29:23 | |
Let's try her in the back, see how she goes. | 0:29:23 | 0:29:26 | |
Oh, no, she's run off already. You've only just opened it. | 0:29:26 | 0:29:30 | |
Fly, Fly. | 0:29:30 | 0:29:32 | |
Here, Fly, here, Fly. Good girl, good girl. | 0:29:32 | 0:29:37 | |
Good girl! | 0:29:37 | 0:29:38 | |
Here. Good girl. See if she'll come to you. | 0:29:38 | 0:29:41 | |
-Come on, Fly. Good girl. -There's a good girl. -Look. | 0:29:41 | 0:29:44 | |
She's not very interested in the food. | 0:29:44 | 0:29:46 | |
-Let's see if she'll jump up in there now. -Fly. -Here, Fly, up! | 0:29:46 | 0:29:50 | |
-There we go. Good girl. -She just didn't want to know. | 0:29:50 | 0:29:53 | |
If you need her in the back and she runs off like that, that's going to be a right pain. | 0:29:53 | 0:29:58 | |
-What do you think has happened to her? -Maybe she's had an accident. | 0:29:58 | 0:30:01 | |
Maybe another dog beat her up. Who knows? | 0:30:01 | 0:30:03 | |
She's very nervous of it. I think you just keep working on her | 0:30:03 | 0:30:06 | |
-and getting her to go in the back. Be quite firm. -Definitely. | 0:30:06 | 0:30:09 | |
Have a go round the sheep with her. I'll catch up with you later and see if she'll work for me. | 0:30:09 | 0:30:13 | |
-Yeah, we'll see how we get on. -See you in a bit. | 0:30:13 | 0:30:16 | |
There's always work to be done on the farm. | 0:30:16 | 0:30:19 | |
I've got 1,600 acres with hundreds of miles of field boundaries, | 0:30:19 | 0:30:23 | |
which are either dry-stone walls, | 0:30:23 | 0:30:25 | |
fences or hedges, | 0:30:25 | 0:30:27 | |
and it's during the winter months, when the birds aren't nesting, that our hedges get a bit of TLC. | 0:30:27 | 0:30:32 | |
Hedges are a very important boundary. | 0:30:36 | 0:30:39 | |
They provide shelter for farm animals, for crops, | 0:30:39 | 0:30:41 | |
and of course, for wildlife. | 0:30:41 | 0:30:43 | |
Birds nest in them in the spring, they eat the berries in the winter, and I've heard it said | 0:30:43 | 0:30:48 | |
that there's about 100,000 miles of hedges in the UK. | 0:30:48 | 0:30:51 | |
They're described as the stitchwork that makes up the patchwork quilt | 0:30:51 | 0:30:56 | |
that is the British countryside - a very lovely way of thinking of them. | 0:30:56 | 0:30:59 | |
But they do need maintaining - either trimming or laying. | 0:30:59 | 0:31:02 | |
And hedge laying takes a lot of skill, something I'm keen to learn more about. | 0:31:05 | 0:31:09 | |
so I'm meeting up with Robin Dale, | 0:31:09 | 0:31:11 | |
who's working on a hedge at a neighbouring farm. | 0:31:11 | 0:31:13 | |
-Robin, hi. -Good morning. -How are you? | 0:31:13 | 0:31:16 | |
-Very well. -Isn't it beautiful for hedge laying? -A super day today - cold. | 0:31:16 | 0:31:20 | |
I've been told if there's any man in the country who can tell me about hedge laying, you're the one. | 0:31:20 | 0:31:25 | |
I don't know about that! But yes, I'm chairman of the National Hedge Laying Society. | 0:31:25 | 0:31:30 | |
-I've been hedge laying for 47 years. -Goodness me! | 0:31:30 | 0:31:33 | |
How did you get into it, then? | 0:31:33 | 0:31:34 | |
One of the key factors is, the first competition I went in, I was second, | 0:31:34 | 0:31:38 | |
and I earnt £6. | 0:31:38 | 0:31:41 | |
My father was paying me £5 a week! So you can see that... | 0:31:41 | 0:31:47 | |
-That's when the temptation took over! -..I got into it pretty quickly. | 0:31:47 | 0:31:51 | |
So, not understanding hedges fully, you've got all the brush on this side, | 0:31:51 | 0:31:56 | |
but this side's smooth. What's going on there? | 0:31:56 | 0:31:58 | |
It stops the animals from that side, especially cattle, from leaning over | 0:31:58 | 0:32:02 | |
to eat the young shoots from this side, and it keeps them away from the hedge. | 0:32:02 | 0:32:06 | |
When people look at a hedge, they see the bushes growing up, | 0:32:06 | 0:32:10 | |
and they think, "Oh, that looks lovely," and then the next day they see it all chopped down, | 0:32:10 | 0:32:15 | |
-but there's a reason, isn't there? -Well, if the hedges carried on | 0:32:15 | 0:32:18 | |
growing up all the time, it would get very gappy in the bottom. That's a problem. | 0:32:18 | 0:32:22 | |
-The animals won't get through there. -There's no way a sheep would get through. -No. That's the whole idea. | 0:32:22 | 0:32:28 | |
-Go on, teach me how to do some hedging. -Right. Here we go. Gloves. -Gloves. | 0:32:28 | 0:32:32 | |
Lovely. Is that very sharp? | 0:32:32 | 0:32:36 | |
-Yeah. -Goodness me! | 0:32:36 | 0:32:38 | |
You could shave with that! | 0:32:38 | 0:32:40 | |
Right. | 0:32:40 | 0:32:42 | |
I'm going to do this one cos it's a bit stronger, you see? | 0:32:42 | 0:32:45 | |
-So you're chopping in? -Yeah. | 0:32:48 | 0:32:50 | |
So you're not cutting right through, so that it stays alive, | 0:32:52 | 0:32:55 | |
keeps attached to the root. | 0:32:55 | 0:32:57 | |
It wants to fall down itself. | 0:32:57 | 0:32:59 | |
-Now, see? -Beautiful. | 0:32:59 | 0:33:02 | |
-Can I give it a go? -Yeah. -Try on this one? -Yeah. | 0:33:02 | 0:33:05 | |
-You've cleared it round at the top. -I don't want to get it wrong | 0:33:05 | 0:33:08 | |
cos if I chop it right through, this thing's dead. So just down there somewhere? | 0:33:08 | 0:33:12 | |
You've got to cut into it quite strongly. | 0:33:12 | 0:33:14 | |
Yeah, go on. Just keep... | 0:33:14 | 0:33:17 | |
It's hand-eye coordination. | 0:33:17 | 0:33:20 | |
That's it. Absolutely brilliant. | 0:33:20 | 0:33:22 | |
Whoa! HE LAUGHS | 0:33:22 | 0:33:25 | |
-That's it. -You've done it, boy. | 0:33:25 | 0:33:27 | |
'Next, we knock in some stakes at elbow's-width apart. | 0:33:27 | 0:33:30 | |
'We then finish off the top with some binders.' | 0:33:30 | 0:33:33 | |
Remember, use one binder per stake. | 0:33:33 | 0:33:36 | |
You go over...and back this side, like that. | 0:33:36 | 0:33:42 | |
-Over and down. -Well, that is very impressive. | 0:33:42 | 0:33:46 | |
I can see why they think you're an expert. | 0:33:46 | 0:33:49 | |
-You're really keen on teaching young people, too? -We've got to introduce young people | 0:33:49 | 0:33:53 | |
because they're the future, and Howard's been working with me. | 0:33:53 | 0:33:57 | |
-Hi, Howard. -How are you doing? -Yeah, good. How did you get into it? | 0:33:57 | 0:34:01 | |
I was in my mum's shed and I came across my grandfather's billhook, | 0:34:01 | 0:34:05 | |
which I didn't know it was at the time, and I've been doing some hedge laying with Robin ever since. | 0:34:05 | 0:34:10 | |
Is it a good living? What do you charge per metre? | 0:34:10 | 0:34:12 | |
You can charge anywhere between £7 and £15 per metre, | 0:34:12 | 0:34:17 | |
depending on the density of the hedge, | 0:34:17 | 0:34:20 | |
and obviously that includes your stakes and your binders as well, | 0:34:20 | 0:34:23 | |
-so that's all included. -Wonderful. | 0:34:23 | 0:34:26 | |
Well, I'll come back in six months' time and see how my bit's getting on. | 0:34:26 | 0:34:30 | |
-Fantastic. -And I think you owe me seven quid! | 0:34:30 | 0:34:32 | |
Thanks very much. See you. | 0:34:34 | 0:34:36 | |
With miles of hedging on my farm, | 0:34:38 | 0:34:41 | |
maintaining them is a mammoth task, so I called in a contractor to help. | 0:34:41 | 0:34:45 | |
Hedge trimming's an incredibly skilful job. | 0:34:49 | 0:34:52 | |
This is a powerful machine. | 0:34:52 | 0:34:54 | |
It'll cut through branches about the thickness of your wrist, | 0:34:54 | 0:34:58 | |
and what Reggie's doing here is levelling off the top | 0:34:58 | 0:35:01 | |
and he'll cut the sides, and then he'll trim it off again, just to smooth it off. | 0:35:01 | 0:35:05 | |
We rotationally cut our hedges every three years, | 0:35:05 | 0:35:09 | |
apart from the roadside hedges that need trimming every year. | 0:35:09 | 0:35:12 | |
A hedge trimmer like this is quite an expensive bit of kit. It's worth £20,000-£25,000. | 0:35:12 | 0:35:17 | |
And that doesn't include the tractor, which is worth another 40 or 50,000. | 0:35:17 | 0:35:21 | |
Some people get very frustrated with the hedge trimmers cutting the roadsides, | 0:35:27 | 0:35:31 | |
but actually, they're keeping the roads safe, so you have to bear with them. | 0:35:31 | 0:35:35 | |
A little bit of patience goes a long way. | 0:35:35 | 0:35:38 | |
Back out in the fields, I'm keen to find out how Fly's getting on. | 0:35:40 | 0:35:43 | |
I just hope she'll work for me. | 0:35:43 | 0:35:45 | |
JOHN WHISTLES | 0:35:45 | 0:35:49 | |
-Fly, here. Fly, here. -How are you getting on with her? She's looking good. -She's very keen. | 0:35:49 | 0:35:56 | |
-See if you can get her to stop now. -Fly, stand. | 0:35:56 | 0:35:59 | |
-Fly, stand. -That's it. Nice and firm. -Good girl! | 0:35:59 | 0:36:02 | |
Well, if we're going to share her, I'll see if I can work her, too. | 0:36:02 | 0:36:05 | |
It's a big ask for a dog to work for a number of people. | 0:36:05 | 0:36:09 | |
But I'll see how I go and see if she'll work for me. | 0:36:09 | 0:36:12 | |
There's a good girl. | 0:36:12 | 0:36:14 | |
Right, I'll give her the right-hand command. | 0:36:14 | 0:36:16 | |
Away. | 0:36:16 | 0:36:18 | |
Fly, stand. | 0:36:18 | 0:36:21 | |
HE WHISTLES Stand! Stand! | 0:36:21 | 0:36:24 | |
She's not stopping. | 0:36:24 | 0:36:27 | |
She's got a lovely wide cast on her, | 0:36:27 | 0:36:29 | |
when she goes round the outside of the sheep to get up behind them. | 0:36:29 | 0:36:32 | |
Really wide, which is lovely, and she's a fast little dog. | 0:36:32 | 0:36:35 | |
She could easily gather a whole field full of sheep. Steady! | 0:36:35 | 0:36:40 | |
If only I could get her to stop a little bit easier, that would be better. | 0:36:40 | 0:36:43 | |
But I'd much prefer to try to slow a dog down than try and speed it up. | 0:36:43 | 0:36:47 | |
That'll do, Fly. Good girl, good girl. | 0:36:47 | 0:36:51 | |
She's such a sweet little dog. What a good girl! | 0:36:51 | 0:36:54 | |
She's got so many good things going for her - | 0:36:54 | 0:36:56 | |
she's really good with the other dogs, she doesn't fight, she's great with the children, | 0:36:56 | 0:37:01 | |
she's lovely round the farmyard. It's just a pity she doesn't like the buggy. Apart from that, | 0:37:01 | 0:37:06 | |
you're a little superstar, aren't you? | 0:37:06 | 0:37:08 | |
What a good girl! | 0:37:08 | 0:37:10 | |
Next time, I'll be finding out how fresh, green animal feed | 0:37:10 | 0:37:14 | |
can be grown 365 days of the year, whatever the weather. | 0:37:14 | 0:37:18 | |
I've been spending time in the Wolds of East Yorkshire | 0:37:21 | 0:37:25 | |
with our greatest living artist, David Hockney. | 0:37:25 | 0:37:28 | |
He's spent the last few years painting the countryside near his home in Bridlington. | 0:37:28 | 0:37:32 | |
David calls this track The Tunnel. | 0:37:32 | 0:37:35 | |
He's painted it many times, in different weathers and at different times of the year, | 0:37:35 | 0:37:40 | |
and his paintings of it have left a lasting impression on one man. | 0:37:40 | 0:37:43 | |
Farmer Andrew Barton. | 0:37:45 | 0:37:48 | |
He owns the track that David calls The Tunnel. | 0:37:48 | 0:37:50 | |
Andrew, how did you first come across David Hockney on your land? | 0:37:50 | 0:37:55 | |
Well, it was very strange. | 0:37:55 | 0:37:57 | |
The first time, I actually was just driving past the lane and I saw a car parked up here, | 0:37:57 | 0:38:02 | |
and a lot of people about and somebody painting, | 0:38:02 | 0:38:05 | |
and it was very strange. | 0:38:05 | 0:38:07 | |
I didn't know who it was at the time, but I found out by word of mouth that it was David Hockney | 0:38:07 | 0:38:11 | |
who was painting, obviously one of the world's most famous living artists, if not THE most famous. | 0:38:11 | 0:38:18 | |
What did you think of the pictures that you saw? | 0:38:18 | 0:38:21 | |
When you see the finished pictures, the colours, and what he sees in the vista | 0:38:21 | 0:38:26 | |
is just incredible, absolutely incredible, | 0:38:26 | 0:38:28 | |
to what I see it as, which is just a green lane | 0:38:28 | 0:38:31 | |
with a few trees at the side of it. | 0:38:31 | 0:38:33 | |
So now you've seen the pictures, do you see this lane, | 0:38:33 | 0:38:36 | |
The Tunnel, differently? | 0:38:36 | 0:38:37 | |
Yeah, I do see it differently, obviously, | 0:38:37 | 0:38:40 | |
but at the end of the day, it is just access to my fields. | 0:38:40 | 0:38:44 | |
But I do see it differently. I find myself, when I drive past, | 0:38:44 | 0:38:47 | |
I find myself looking up it more and seeing different colours, | 0:38:47 | 0:38:51 | |
and at different times of the year, seeing different things in it. Yeah, definitely. | 0:38:51 | 0:38:55 | |
-Fantastic. And now you've got a famous view, here on your land. -Absolutely, yeah. | 0:38:55 | 0:38:59 | |
-I'm actually thinking of setting up a tea shop at the end of the lane! -Good business! -Yes! -I like it. | 0:38:59 | 0:39:04 | |
Paintings of The Tunnel will be on show | 0:39:04 | 0:39:07 | |
at David's forthcoming exhibition at the Royal Academy. | 0:39:07 | 0:39:10 | |
But it's not just the paintings | 0:39:10 | 0:39:13 | |
that he hopes will wow the crowds. | 0:39:13 | 0:39:15 | |
It's a film. A new direction for the artist. | 0:39:15 | 0:39:19 | |
This is a short version, edited especially for Countryfile. | 0:39:19 | 0:39:24 | |
OK. Well, this is what we did on Woldgate. | 0:39:24 | 0:39:28 | |
Here's the spring. It's slowly changing into the summer. | 0:39:28 | 0:39:32 | |
Now, there's three months between each one, of course. | 0:39:32 | 0:39:35 | |
We made this for the TV screen itself. | 0:39:35 | 0:39:39 | |
We edited these for this programme, for you to see it. | 0:39:39 | 0:39:45 | |
You can see incredible detail in the foreground | 0:39:45 | 0:39:49 | |
because our cameras focus on that, | 0:39:49 | 0:39:51 | |
focus on the middle-ground, focus on the far-ground. | 0:39:51 | 0:39:56 | |
This is at about seven o'clock in the evening, | 0:39:56 | 0:40:00 | |
so you get a very low sun lighting up all of the variety of grass. | 0:40:00 | 0:40:06 | |
Here we are at our Tunnel in the spring, | 0:40:06 | 0:40:09 | |
and we change to the summer, just perhaps two months later. | 0:40:09 | 0:40:13 | |
You can see how luscious it becomes in the summer. | 0:40:13 | 0:40:18 | |
As we change to autumn, you're getting all the marvellous changes, | 0:40:18 | 0:40:22 | |
and now you come into the winter. | 0:40:22 | 0:40:26 | |
With one camera, you wouldn't be looking up as much as you are here. | 0:40:26 | 0:40:30 | |
Here, this is on Woldgate on a very windy day. | 0:40:30 | 0:40:36 | |
Our subject, in one way, is movement, and here, with the nine cameras, | 0:40:36 | 0:40:41 | |
you're picking up nine areas of movement, | 0:40:41 | 0:40:44 | |
and it makes you look at it a little more carefully. | 0:40:44 | 0:40:47 | |
Each frame you see was filmed by a separate camera. | 0:40:49 | 0:40:53 | |
There were nine cameras filming at the same time, each with a slightly different viewpoint. | 0:40:53 | 0:40:58 | |
The cameras were attached to a rig on top of a 4x4. | 0:40:58 | 0:41:02 | |
The team filmed the same roads many, many times. | 0:41:02 | 0:41:05 | |
The result is a mesmerising journey through the seasons. | 0:41:05 | 0:41:10 | |
Here, we're coming up Woldgate again. | 0:41:10 | 0:41:13 | |
You're getting into the spring, | 0:41:13 | 0:41:15 | |
which will change, through two years, into the summer. | 0:41:15 | 0:41:20 | |
The summer is the darkest, in a way, round here, | 0:41:20 | 0:41:24 | |
simply because it's blocking out most light. | 0:41:24 | 0:41:28 | |
It changes again back into the autumn, | 0:41:28 | 0:41:30 | |
and slowly, as we turn the corner, | 0:41:30 | 0:41:33 | |
it changes again into the winter. | 0:41:33 | 0:41:37 | |
And as we turn again, we'll move into the spring. | 0:41:37 | 0:41:40 | |
So we're really getting almost two years, turning this small corner. | 0:41:40 | 0:41:46 | |
Again, it'll change to the summer, | 0:41:48 | 0:41:51 | |
and in the summer, again, it's the darkest of all. | 0:41:51 | 0:41:55 | |
The shadows become dark on the road. | 0:41:55 | 0:42:00 | |
Here, just to show you again the whole year, | 0:42:00 | 0:42:04 | |
this is the identical place. Spring, summer, | 0:42:04 | 0:42:08 | |
autumn and winter. | 0:42:08 | 0:42:11 | |
That's showing you the whole year in the top of what we call The Tunnel. | 0:42:11 | 0:42:18 | |
David's team edited this version to work on television. | 0:42:18 | 0:42:22 | |
At the Royal Academy, the seasons will be shown side by side, | 0:42:22 | 0:42:26 | |
but on a whopping 18 screens, just like this. | 0:42:26 | 0:42:30 | |
Wow! | 0:42:35 | 0:42:36 | |
The whole picture builds up in front of your eyes. | 0:42:38 | 0:42:43 | |
That's amazing. | 0:42:43 | 0:42:45 | |
Nine cameras on that side of the road, | 0:42:45 | 0:42:47 | |
and then nine on that side of the road, | 0:42:47 | 0:42:50 | |
and we joined them together. | 0:42:50 | 0:42:52 | |
Incredible clarity. I can see really clear blades of grass. | 0:42:52 | 0:42:56 | |
Because you're putting cameras together, | 0:42:56 | 0:42:59 | |
you're putting one on top of another, | 0:42:59 | 0:43:01 | |
it means you can get much closer to the tree and still see the whole tree. | 0:43:01 | 0:43:06 | |
With one camera, you'd have to be further back, actually. | 0:43:06 | 0:43:10 | |
So, why did you decide to do something that was going away from just a single-camera view? | 0:43:10 | 0:43:15 | |
Well, partly because the technology was there, the cameras are smaller, | 0:43:15 | 0:43:19 | |
and I knew if you did that you'd make a more interesting picture, anyway. | 0:43:19 | 0:43:24 | |
-Oh, wow! -Next, this is where we were, just further on this morning. | 0:43:24 | 0:43:30 | |
-Oh, yes. -That's autumn and that's winter. | 0:43:30 | 0:43:33 | |
And that's exactly the same place, the same tree you're seeing. | 0:43:33 | 0:43:38 | |
That's wild garlic. | 0:43:38 | 0:43:41 | |
Like I've never seen it before. | 0:43:41 | 0:43:43 | |
It's really crystal clear and sharp colours. | 0:43:43 | 0:43:47 | |
What are you hoping people are going to experience when they come and see this? | 0:43:47 | 0:43:50 | |
Well, I think it will make you look a little more, | 0:43:50 | 0:43:55 | |
be conscious that looking is a more positive act than you think. | 0:43:55 | 0:44:00 | |
It's something you've to decide to do, | 0:44:00 | 0:44:03 | |
otherwise you just scan it. | 0:44:03 | 0:44:05 | |
It's like walking down the road, but really turning your head all the time, | 0:44:05 | 0:44:09 | |
trying to soak up everything. It's amazing. Wow! | 0:44:09 | 0:44:13 | |
New technology has enabled Hockney to push into new realms - | 0:44:13 | 0:44:17 | |
new ways of seeing and looking. | 0:44:17 | 0:44:20 | |
And for David, that's something we ought to do more of. | 0:44:20 | 0:44:23 | |
After all, there's so much in our countryside to see. You just have to look. | 0:44:23 | 0:44:28 | |
The Yorkshire Wolds are a forgotten gem. | 0:44:36 | 0:44:38 | |
I've been taking in the splendour of the Wolds Way. | 0:44:42 | 0:44:45 | |
I've seen skeletons at Wharram Percy and I've visited | 0:44:45 | 0:44:48 | |
one of the first pieces of art created especially for the route. | 0:44:48 | 0:44:53 | |
It is a lovely walk. | 0:44:53 | 0:44:54 | |
Not too taxing, no major mountains to climb, | 0:44:54 | 0:44:57 | |
but enough undulations to keep you nice and warm on a nippy day. | 0:44:57 | 0:45:02 | |
Allegedly you can't get lost along here, | 0:45:02 | 0:45:04 | |
but this high spot here is the mid-point of the trail. | 0:45:04 | 0:45:09 | |
And if you wanted to walk the whole 79 miles, | 0:45:09 | 0:45:12 | |
it would probably take you the best part of a week, | 0:45:12 | 0:45:14 | |
but I'm about to meet a couple of lads who've done the whole trail in just one day. | 0:45:14 | 0:45:19 | |
Jim Rogers and Neil Ridsdale hold the fastest official time. | 0:45:19 | 0:45:23 | |
How long did it take you? | 0:45:23 | 0:45:25 | |
It took us 13 hours, 23 minutes. | 0:45:25 | 0:45:28 | |
-Some other lads have done it before, haven't they? -Yes. | 0:45:28 | 0:45:31 | |
We did it ourselves, years ago, in about 16 hours, and then some guys | 0:45:31 | 0:45:34 | |
we know did it and we gave them the official record, and that sort | 0:45:34 | 0:45:38 | |
of spurted us on to have another go and try to wrest that from them. | 0:45:38 | 0:45:42 | |
We surprised even ourselves with how fast we went | 0:45:42 | 0:45:45 | |
but we were lucky with the weather. It was a perfect day and we got a northerly wind, | 0:45:45 | 0:45:50 | |
-which kind of blew us north to south. -I see. | 0:45:50 | 0:45:52 | |
Yeah, it went like clockwork, really. | 0:45:52 | 0:45:55 | |
-Do you get a chance to take in the scenery? -To some degree, yeah. | 0:45:55 | 0:45:59 | |
You sort of switch in and out. | 0:45:59 | 0:46:01 | |
There's times where you're just in your thoughts, | 0:46:01 | 0:46:03 | |
and times when you try not to focus on what's going on in your body | 0:46:03 | 0:46:07 | |
and the aches and pains, and try to enjoy the scenery. | 0:46:07 | 0:46:10 | |
Jim, you do a lot of track racing as well. | 0:46:10 | 0:46:12 | |
What's it like for you to get out and do cross-country running? | 0:46:12 | 0:46:16 | |
I much prefer being out in the country. | 0:46:16 | 0:46:18 | |
My philosophy is, "A day in the hills can cure most ills." | 0:46:18 | 0:46:22 | |
Thanks ever so much for stopping off. | 0:46:22 | 0:46:24 | |
I wish I could join you but I didn't bring any trainers or shorts. | 0:46:24 | 0:46:28 | |
-Come on, Matt! -See you later! | 0:46:28 | 0:46:30 | |
Enjoy your run. | 0:46:30 | 0:46:33 | |
I'll go this way. It's downhill. | 0:46:33 | 0:46:35 | |
In a moment, Ellie is on a mission to make the perfect Yorkshire pud, | 0:46:41 | 0:46:46 | |
and I'll be seeing if science can guarantee pudding success, | 0:46:46 | 0:46:49 | |
but first, if you're planning to head out in the countryside in the week ahead, | 0:46:49 | 0:46:52 | |
let's find out what the weather's got in store. | 0:46:52 | 0:46:55 | |
. | 0:48:49 | 0:48:57 | |
East Yorkshire's a real gem. | 0:49:07 | 0:49:10 | |
Unspoilt, uncrowded, and unexpectedly pretty. | 0:49:10 | 0:49:14 | |
I've been discovering some of it with David Hockney, | 0:49:15 | 0:49:18 | |
our greatest living artist, | 0:49:18 | 0:49:20 | |
while Matt's been exploring the beautiful Wolds Way. | 0:49:20 | 0:49:24 | |
Matt will get here soon, and when he does, he's in for a bit | 0:49:25 | 0:49:28 | |
of a challenge, because we're going to go head to head in the kitchen. | 0:49:28 | 0:49:32 | |
And since we're in Yorkshire, it's got a bit of a Yorkshire flavour. | 0:49:32 | 0:49:36 | |
I'm talking Yorkshire puddings, and who makes the best. | 0:49:36 | 0:49:39 | |
I'll be finding out later. | 0:49:39 | 0:49:41 | |
First, though, I'm going to try something a little different. | 0:49:43 | 0:49:47 | |
I'm going to see if it's possible to make them the old-fashioned way, like in the days before | 0:49:47 | 0:49:51 | |
they had highly-refined plain flour, like people would have done | 0:49:51 | 0:49:55 | |
when this place first started milling. | 0:49:55 | 0:49:57 | |
Skidby Mill is the last working windmill in Yorkshire. | 0:49:57 | 0:50:00 | |
Back in the 1800s, it's where locals came for the wholemeal flour | 0:50:00 | 0:50:04 | |
to make their puds. | 0:50:04 | 0:50:05 | |
Which is exactly what I'm about to do. | 0:50:05 | 0:50:07 | |
First, though, we need to see those sails turning. | 0:50:07 | 0:50:10 | |
Over to you, Neil. | 0:50:10 | 0:50:12 | |
Neil Johnson is the resident miller here at Skidby. | 0:50:25 | 0:50:29 | |
Recently qualified, he's a new hand at an old trade. | 0:50:29 | 0:50:32 | |
-All right there, Neil. -Hello. -How are you? | 0:50:32 | 0:50:36 | |
That looked quite hairy getting those sails turning there. | 0:50:36 | 0:50:40 | |
Yeah, it's quite a job in this weather. | 0:50:40 | 0:50:43 | |
Usually we don't run the mill in winds of more than 25 knots, | 0:50:43 | 0:50:46 | |
-Fortunately today it's about 20, so we're all right. -We got lucky today. -We did, definitely. | 0:50:46 | 0:50:51 | |
So here it is. | 0:50:51 | 0:50:53 | |
-Yep, this is wholemeal flour. -Historically, it would have been used for all baking, | 0:50:53 | 0:50:57 | |
-including Yorkshire puddings. -Definitely. | 0:50:57 | 0:51:00 | |
So, I could take this and make some Yorkshires? | 0:51:00 | 0:51:03 | |
The best tasting Yorkshires you'll have had. | 0:51:03 | 0:51:05 | |
What I need now is some expert help. | 0:51:05 | 0:51:09 | |
'Ben Cox is a top chef who was recently voted the county's best Yorkshire pudding maker.' | 0:51:10 | 0:51:16 | |
What are the chances of you making Yorkshires with wholemeal? | 0:51:16 | 0:51:19 | |
-Oh, I'm sure I can. -Here you are. Let's see the master at work. | 0:51:19 | 0:51:25 | |
'Ben's using stock, his secret ingredient, then milk, then whisk.' | 0:51:25 | 0:51:30 | |
How long did it take you to perfect your recipe? | 0:51:30 | 0:51:32 | |
I've been making Yorkshire puddings since I left school. | 0:51:32 | 0:51:36 | |
'Because we've used wholemeal, Ben sieves the batter to remove husks.' | 0:51:36 | 0:51:39 | |
-What's that? -Some pepper. Plenty of salt in there. Sage in there. | 0:51:39 | 0:51:44 | |
A nice hot oven, perfect. | 0:51:48 | 0:51:50 | |
Let's have a look at these. | 0:51:52 | 0:51:55 | |
'So you can make Yorkshire puds using wholemeal flour if you're | 0:51:55 | 0:51:59 | |
'a top chef, but for our challenge, | 0:51:59 | 0:52:01 | |
Matt and I will be sticking with plain. | 0:52:01 | 0:52:03 | |
But there's a twist. Matt's going all scientific. | 0:52:04 | 0:52:07 | |
Here's Jonathan Edwards from the Royal Society of Chemistry | 0:52:07 | 0:52:11 | |
with the exact formula for perfect Yorkshire puds. | 0:52:11 | 0:52:14 | |
Mmm. | 0:52:14 | 0:52:15 | |
What the blazes is this, Jonathan? | 0:52:16 | 0:52:19 | |
-Lactose solution? I'm guessing milk? -Milk. -Ovoids of the protein variety? | 0:52:19 | 0:52:25 | |
-Eggs. -Eggs! | 0:52:25 | 0:52:27 | |
A reaction vessel? | 0:52:27 | 0:52:29 | |
My reaction vessel. | 0:52:29 | 0:52:31 | |
Will this help you win the Yorkshire pudding challenge? | 0:52:31 | 0:52:34 | |
This is tested scientifically. It is going to lead to a perfect Yorkshire pudding. | 0:52:34 | 0:52:38 | |
Not a hope. | 0:52:38 | 0:52:39 | |
I'm sticking to traditional methods | 0:52:39 | 0:52:42 | |
so I've called in the help of farmer's wife Mary Rook. | 0:52:42 | 0:52:44 | |
-'Right on cue...' -Sorry I'm late. I've had to walk here. | 0:52:46 | 0:52:50 | |
-What time do you call this? -This is all very scientific, isn't it? | 0:52:50 | 0:52:54 | |
-My word. -Look at your lab coat there. | 0:52:54 | 0:52:56 | |
Yeah, that looks very homely and this looks a little bit clinical. | 0:52:56 | 0:53:00 | |
'We've got our full complement of presenters. All we need now is a judge.' | 0:53:00 | 0:53:05 | |
Enter Mandy Wragg - food writer and Good Food Guide advisor. | 0:53:08 | 0:53:12 | |
OK, teams, you have half an hour to complete your task. | 0:53:14 | 0:53:19 | |
In five, four, three, two, one... | 0:53:19 | 0:53:26 | |
Start cooking. | 0:53:26 | 0:53:27 | |
Just double check... | 0:53:33 | 0:53:35 | |
Organised chaos! | 0:53:35 | 0:53:37 | |
-..Close as you can get it. -You've got more in that we have. | 0:53:37 | 0:53:40 | |
Ah, don't you question your formula! | 0:53:40 | 0:53:43 | |
'Keep your nose out, Baker.' | 0:53:43 | 0:53:45 | |
Mary seems to be tutoring Ellie quite well. | 0:53:46 | 0:53:48 | |
You need to get it like a double cream consistency. | 0:53:48 | 0:53:52 | |
Eggs are made of protein and water. | 0:53:52 | 0:53:55 | |
Too much talking going on with the scientists and not enough doing. | 0:53:55 | 0:53:58 | |
Matt, excuse me, I think a little less talking | 0:53:58 | 0:54:02 | |
and a little more doing is required. | 0:54:02 | 0:54:05 | |
'First warning from the referee.' | 0:54:05 | 0:54:07 | |
You've had five minutes teams, please. | 0:54:10 | 0:54:13 | |
-How many eggs have you got in there? -Two eggs. | 0:54:21 | 0:54:23 | |
Two eggs with 100 grams. | 0:54:23 | 0:54:24 | |
Eggs, sorry, what are they? We're using ovoids. | 0:54:24 | 0:54:27 | |
-Oh, right! -Protein ovoids. | 0:54:27 | 0:54:28 | |
I'd like to see these going into the oven very soon, please, teams. | 0:54:28 | 0:54:33 | |
-Here's one lot going in now. -Quick, Ben! | 0:54:33 | 0:54:35 | |
Quick! | 0:54:35 | 0:54:37 | |
You were stalling on purpose! You were! | 0:54:39 | 0:54:43 | |
The old classic, "What temperature's it at...?" | 0:54:43 | 0:54:45 | |
We're looking for a nicely risen pudding, aren't we? | 0:54:45 | 0:54:50 | |
Yorkshire pudding's got to have a very nice height to it, | 0:54:50 | 0:54:54 | |
nice crispiness to the outside, inside a bit of softness and stodginess to it. | 0:54:54 | 0:54:59 | |
-Not quite a recipe book, is it, the whiteboard? -Not really, no. | 0:54:59 | 0:55:03 | |
But if it works... | 0:55:03 | 0:55:04 | |
Oh, we'll see. | 0:55:04 | 0:55:07 | |
Oh, dear. | 0:55:07 | 0:55:09 | |
'You wanted risen, look at that.' | 0:55:09 | 0:55:11 | |
I tell you what, if that arrived with my Sunday dinner, | 0:55:11 | 0:55:14 | |
I would be absolutely delighted. | 0:55:14 | 0:55:17 | |
That is not Yorkshire pudding. That is a shed. | 0:55:17 | 0:55:20 | |
If you went to a restaurant and it claimed it made the best Yorkshire puddings in the world, | 0:55:20 | 0:55:25 | |
and that arrived, you'd go, "Ho, ho! I'm eating in the right place." | 0:55:25 | 0:55:29 | |
'Joking aside, it now gets serious. Over to our expert judges.' | 0:55:30 | 0:55:36 | |
And I would like to introduce you to the Yorkshire pudding adventure. | 0:55:36 | 0:55:40 | |
Please don't eat it all at once. | 0:55:40 | 0:55:41 | |
OK. | 0:55:41 | 0:55:44 | |
I think I might start with the small one. | 0:55:44 | 0:55:48 | |
Mmm. This has got that sort of slightly squidgy bottom | 0:55:48 | 0:55:52 | |
that you were talking about. | 0:55:52 | 0:55:54 | |
Do you think we should have some mountaineering equipment for this? | 0:55:56 | 0:56:02 | |
-Maybe. -Let's tear this baby apart. | 0:56:02 | 0:56:04 | |
Yes, a bit of burning on the outside. | 0:56:04 | 0:56:07 | |
It tastes a lot better than it looks, I have to say. | 0:56:07 | 0:56:10 | |
It smells better than it looks. | 0:56:10 | 0:56:12 | |
-The base is very good. -Full marks for creating a monster. | 0:56:12 | 0:56:16 | |
I have to say, it's a very close-run thing. | 0:56:16 | 0:56:19 | |
Despite this looking quite ugly, actually, it tastes pretty good. | 0:56:19 | 0:56:25 | |
-But I prefer this one. -Oh! -Yes! Mary, put it there. | 0:56:27 | 0:56:33 | |
Commiserations, boys. Back to the kitchen and get washing up. | 0:56:33 | 0:56:36 | |
Do you know what, John, I'm proud of what we did. It was an adventure. | 0:56:36 | 0:56:40 | |
-Well done, Ellie. -Thank you. That's just about all we've got time for. | 0:56:40 | 0:56:44 | |
If you haven't got your Countryfile calendar, this is your last chance. | 0:56:44 | 0:56:48 | |
-Details on our website. -Next week, I'll be doing some maintenance | 0:56:48 | 0:56:51 | |
on the Bridgwater and Taunton Canal chain | 0:56:51 | 0:56:53 | |
which involves a bit of abseiling. | 0:56:53 | 0:56:55 | |
And I shall be hunting down | 0:56:55 | 0:56:56 | |
the elusive otter that makes the canal its home. See you then. | 0:56:56 | 0:57:00 | |
-Washing up for you. -Not for me. Mandy and Ben have already offered. | 0:57:00 | 0:57:03 | |
Thanks, guys. | 0:57:03 | 0:57:05 | |
Subtitles by Red Bee Media Ltd | 0:57:16 | 0:57:19 | |
E-mail [email protected] | 0:57:19 | 0:57:23 |