Pattern Making Fred Dibnah's Made in Britain


Pattern Making

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With over 500 miles covered, Fred Dibnah has now reached Derbyshire

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on his grand tour of Britain's industrial past.

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He set out six weeks ago with his steersman, Alf Molyneux,

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in search of all the things that went into building and running an engine like this.

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So far they've seen where the iron ore was mined and turned into steel,

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they've seen how castings were made and looked at boiler making, riveting and forging.

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They've now been joined by Fred's sons, Jack and Roger,

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who are going to stay with him until the end of the tour.

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Like Fred, they're both steam enthusiasts

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and there's plenty for them to do with their friends at the Howard Brothers workshop.

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Yes, I'm pleased with that.

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For Fred, it's like an Aladdin's cave,

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with all sorts of interesting engines at various stages of repair and restoration.

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This is a bit of a rarity this one.

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Yeah, very early one, this. 1884 this.

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When we get it steaming, it'll be the oldest steamroller steaming.

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-There are some older ones but there in museums and not steaming

-They got one in Birmingham.

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That's right. It'll be an interesting engine.

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Yea, there's some bits that we worked out about the regulator rod.

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-That's right.

-That one's like a lash up.

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The original one had a bell crank and come along top.

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That's right, yeah.

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This is interesting - this rain cover then this other cover, and it survived.

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-It can only go into...

-Mulcher.

-..into mulcher.

-Yeah.

-Yeah.

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They're teeny rivets, aren't they? They're not so big.

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They'll probably be 11/16ths originally cos they used to use a lot of weird 16th sizes.

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It's still a bit pitted there.

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Fred's own engine is in the workshop here

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because he's found out that there's a problem with one of the bearings.

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Jack took it upon himself to take off the front wheel

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and have a look at this problem of the liquid brass coming out the bearing.

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We've known about it for a week or two,

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and it's in quite a mess. It'll not stop us carrying on,

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but there's something terrible happened in between the brass bearing in the wheel and the actual shaft.

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It's lost about a 32nd of an inch underneath with the weight of the engine resting on it.

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When we get back home we're going to have to do some serious mechanicing.

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There's been no weight...

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The great thing about being in a place like this is there's plenty of expert advice on hand.

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If it's some of this aluminium bronze.

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That's bloody awful.

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Try drilling a hole in it.

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In't a pig. Never mind.

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That's the way the crumble cookies, in't it?

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Yeah.

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I'll let Jack finish.

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So the engine is going to be out of service for a few days,

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but while Jack works on it Fred has still got places he wants to visit.

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Leaving the engine here today and going down the road to see Mr David Ragsdale

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who's the owner of six traction engines,

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and the main reason we're going is he's a master at the art of pattern making.

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From ornamental park railings to the cylinder block of the traction engine,

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everything that was made out of iron had to be cast.

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The casting was done in a mould and to create the mould a pattern had to be made.

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Once they'd made the pattern, they could use it dozens of times.

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They made many engines through this system.

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In the 1920s and '30s when the demise of the traction engine were very obvious to most people

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the whole lot burned, you know,

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so anybody now who buys an engine that's got a dicky part has got to come here and see Mr Ragsdale,

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who specialises in making patterns from the remains of the original bits or the drawings.

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-Have you been at it long?

-I was an apprentice when I was 16. I've been at it 25 years now.

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People don't realise the skill involved in this -

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you've got to make the pattern slightly bigger than the end product.

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When the metal solidifies again, it shrinks.

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-Contraction.

-Yeah.

-We've special rulers...

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-Special rulers...

-..to give us an allowance for that.

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Cast iron's quarter of an inch in every 12½, or one inch in every 100 inch.

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-I didn't know that.

-Aluminium varies - it's one inch in every 77 inch, and steel's the greatest.

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That's one inch in every 48 inch. It contracts a lot more.

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That's incredible.

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While Fred gets involved in the mathematics of pattern-making,

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Alf and Jimmy are more interested in the collection of engines David and his father own.

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I hope Fred doesn't get one. We've enough polishing with the other one.

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Look at the size of those back wheels.

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A beauty, isn't it?

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-Where did it come from?

-Wales.

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Princess Of Wales, I believe it's called.

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I think we'd be better on this side.

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This is the front end, isn't it?

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This is obviously a convertible one.

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It's all segmentals cut out of segments and glued together.

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There'll be 20 or 30 pieces of wood in that section and a similar amount of segments in that section.

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When you're fillin' things like that, it's all feel.

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-Oh, yeah, yeah.

-There's that...

-I mean...

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For a skilful man, if it feels good, it generally is.

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And your eyesight. Some people don't have that business of, "That's right. It looks good."

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You can feel it with your eyes shut.

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You've got the original one down here. There's a nasty crack there.

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It's nearly in two halves.

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Normally that's the reason the head stock has to be remade because the chimney base is rotten.

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-You'll be painting it all red?

-Yes, it's all to be finished in pattern red like this one here

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that we've to take to foundry.

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Perhaps we should get set sail and take her.

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Yeah.

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Castings for things like the cylinder block and the pistons on Fred's traction engine

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were made in small foundries like this.

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Every casting had to have a pattern.

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Today, Fred, we're going to be making this engine block

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and it's the Stanley Steamer which was made in Massachusetts in 1897.

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Were going to make an impression in sand,

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the outside of it and the internal side, put it together and cast it.

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That's the pattern, so we'll get the sand.

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This is just one half of the mould.

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To create the casting, another mould like this will have to be created and clamped on top of this one.

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When the sand has set, the wooden pattern is taken out

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and it leaves an impression in the sand, in the shape of the outside of the casting.

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Now we're going to black the mould.

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We set fire to that and it stops the metal penetrating the sand.

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-I like this bit.

-It's at that stage when your fingers catch fire.

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It seems a waste of good spirit that, Fred.

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I could just do with a pint.

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Then a solid core is put in to create the hollow inside of the casting.

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Now we're ready for the final closure.

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Now the two halves of the Mould are put together.

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It's all ready for casting.

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We've got they molten metal ready.

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When you're melting brass, you need about 1000 degrees C.

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I've done a bit of brass.

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We had a little crucible pot,

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and I made it so they all came out like L-shaped brackets for nailing round lightning conductors.

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On the first attempt, me mam's Hoover was running for about an hour

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and a funny smell came out and that was the end of it.

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-We graduated to a proper fan later on.

-You've made a few of them?

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Over the years, but the demand's gone with the chimneys.

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Once the moulds have been filled, the hot metal is left to cool.

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-That's going to take hours and Fred has got some unfinished business back at David's place.

-See you.

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David takes Fred to meet his father and have a look at their collection of engines.

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-Morning, Bruce.

-Morning, Fred. How are you?

-Not so bad.

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-David showed me a picture of what you started with. It was nothing.

-It was little bits and pieces.

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I've saved some of it - the safety valves and some of the motion work's been saved.

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The rest has been scrapped.

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-The cylinder block, that would be a fair challenge for you.

-We hadn't got a lot of detail of that.

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We had a view of the side and back, so aesthetically it looks correct.

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With the internals, we got a drawing for the larger engine

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and reduced the sizes to what it'd have been for the three tonner.

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In fact, we've got the cylinder block pattern, if you want to have a look at it.

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-All them are the core boxes?

-Most of them. they're not all here.

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-There's about six weeks' work.

-I bet. Yeah.

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This is for your valve chest.

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D'you want to have a run on this engine, Fred?

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That would be good, that.

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-Can we have a go?

-She's a little bit lively.

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-A bit livelier than the roller.

-I'll...

-You'll get used to it.

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-The tractor's pretty jumpy.

-Oh, aye.

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She's a bit on the lively side, but I'm sure you'll get used to it.

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-Which one do you want?

-The Burrell.

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That's the one that's repairing?

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I'll have that.

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Right. CLANGING

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I see what you mean.

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Come on, baby.

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Give her it now.

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-I see what you mean.

-Do you think you're safe here?

-I don't know.

-It's noisier than ours.

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Yes, because they haven't replaced the gear.

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I wonder if they have insurance with Dad driving?

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Stand well back, lads - Fred's only a learner on this engine.

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-Lovely machine this. Lovely paint job, isn't it?

-It is.

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It's coming faster down here.

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Fred got to know steam enthusiasts from all over Britain,

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and on his travels, he came across people who put steam power to all sorts of interesting uses.

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When he was here a couple of years ago, he visited a garden centre whose owner was a great steam man.

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Most people think that the great age of steam is dead,

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but this whole nursery is actually powered by steam.

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Not only does it keep the water boiling in the pipes,

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but it generates all the electricity for the lighting.

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I think I'll go and have a look at where the main source of power is.

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This is Tom Nuttall who's got to be something of a steam buff,

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because all this stuff in here has been collected by him over the years.

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Some of it powers the electrical department of his nursery.

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Tell us, Tom, how long commercially have you been steaming off timber?

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I think, Fred, it all started in the miners' strike.

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We couldn't get any coal, so we decided to go into the steam boiler.

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If we were having steam, why not generate our own electricity.

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We've got free wood, free electricity, free heat -

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I thought, "All we need to do now is to get it piped into the system and away we go.

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You've got a nursery and a museum as well all driven by steam.

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The fuel Tom uses is wood he gets free from a local furniture factory.

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If he didn't take it, it would all have to go to a landfill site.

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He burns 20 tons of it every day in this big industrial boiler, to raise the steam to power the generator.

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The electricity that he generates, would be enough to meet the needs of a small hamlet of about 50 houses.

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-That's a big one.

-There's 60 tons there, Fred.

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They'd been trying to find a home for that for 20 years and we got there before the scrap man.

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-Unbelievable.

-Is that what's termed a "triple expansion"?

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Yes, triple expansion.

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Most of these engines over the last 30 or 40 years have been burnt up for scrap,

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but the mill owners fell in love with these engines

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and they wanted to see them preserved.

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A place like this couldn't be better.

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We're fortunate we've got free steam, so we can steam all day long if we want to.

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What's your next big project?

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-We've got a bit of a problem on this engine round here. Would you like to have a look at that?

-Aye.

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We've got a nasty problem just here.

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When we came to start this side of the engine up, we found a nasty crack along that valve.

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If you could pass that out, Steve,

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you can see it was cracked from the root, across the face and down to this side.

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Almost broke in half.

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We've had it metal stitched, you can see it there.

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We're going to put it back together now, Fred, and see if it'll run. The lads are on with it,

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we'll warm it up.

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Now with the job done, the moment has come to see if it'll steam again.

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-Success.

-Here we are, Fred, running.

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First time that's run for 20 years.

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Getting all this lot screwed together takes a lot of time and man hours.

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-When you've got time to spare, you can come and have half a day.

-I could spend half my life here really.

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Back at base, the wheel's ready to go on to the engine.

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Fred's not happy that he had a problem in the first place.

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Bit disappointing that,

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but it's one of the simpler bits of engineering that went completely haywire.

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I wouldn't, like, do another 5,000 miles.

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It's incredible how it's worn.

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-Look at that.

-Shall we drop it?

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We might as well clean it while we can still turn it round.

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I shouldn't be doing this.

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You know what happens when you volunteer? Nobody stops you.

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We're ready for action again.

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Ready to steam, steam, steam down the road!

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A few hundred miles yet.

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We'll wear out before that falls to bits.

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Even when I did it, I was a bit worried about getting it welded up, then turning it again.

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The quality of welding now is pretty good.

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That side should be all right.

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What's the brass that you've used?

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-Is it proper bronze or...?

-It came out the scrapyard. I couldn't actually say.

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-My problems are nowt compared with yours.

-Well...

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Ian Howard and Jack Meaker have both been busy restoring their own engines

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which had been destroyed in a fire at the workshops.

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..Since the '60s.

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I'd just about got it done - all repainted.

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If things had gone on as they were, I'd have been out this year.

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-That's terrible.

-It's back to square one now.

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But there are plenty of young enthusiasts around here to give a hand with the rebuild.

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When my little lad rang me up and said, "Our brothers have had a terrible accident," I cried.

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It, it...

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They worked that hard and I've watched them for years with the engine, um...

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and then to have it destroyed.

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-When it just happened, I didn't know whether to sell the engine or...

-Don't do that. All hope is not lost.

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Alf 's looking forward to getting back on the road again.

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I like the people -

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waving,

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speaking to us,

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taking our photos.

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Kodak must have made a fortune out of us!

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With the wheel back on, it's time for the road again.

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There's always some little job that's needed first.

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Time to move on.

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On the narrow lanes around here, you never know what you're going to meet up with.

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That was a tight fit.

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This engine was built in a workshop completely powered by belt-driven machinery.

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We're now going to go down to a workshop that hasn't changed for 100 years.

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It's where they make and repair clocks.

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It's all belt-driven.

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This is Ashbourne in Derbyshire which has always been famous for making clocks.

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This family firm has been in business since 1826.

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-Hello, Charles.

-Hello, Fred.

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Nice to see you.

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I've come to have a look at your wonderful workshop.

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Thank you very much. We've had this business since 1826, but it goes much further back than that.

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The business started under the name of Harlow in Ashbourne in 1740.

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I suppose you might say that they were blacksmiths at that time.

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We're still making new ones.

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I see, Charles, you've got this wonderful line shaft that drives all your machinery.

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-Does it all work?

-Yes, it all works.

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You don't find many of them now.

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No, they're quite rare.

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It's a unique survival.

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Clock making is engineering on a small scale and clockmakers were the first mechanics.

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There's something here Fred you might be interested in.

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That's a new clock movement that Neil's working on.

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Brand new? It's bonny that.

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You got your number stamped on it.

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104.

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That's the first one made this year.

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-Who does the woodwork?

-There's a lot of good cabinet makers about,

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but finding somebody that's got the eye for proportion for a clock case is completely different.

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-It's something that's been lost over the years.

-Mmm.

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It'll be removed to some palatial residence, will it?

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-We hope so. The quality is high enough.

-I can see that.

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If you look at the pinions inside, Fred, they're cut from high carbon steel in the soft state.

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To make them last several lifetimes, we harden them.

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The process of hardening them, quenching them in the oil, it distorts them.

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They have to be tempered down, then set again by hand by stretching them on the side of a vice with a hammer.

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You can see those little marks there where the sides of the pinions have been stretched.

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Then they're balanced up again by hand.

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When you think back to, like, 1700,

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you look at these clocks like beautiful teeth.

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How did they do that?

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We can show you.

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We're going to show you how the teeth are cut in the wheels.

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They're the same wheels that we saw on the new clock and this machine was built in 1910,

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in the Black Forest, Germany.

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-OK, Fred, ready to go.

-Ready for action.

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Just need to start the line shaft.

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In the 1890s, the company employed about 25 people,

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but today the demand for hand-made clocks is not as high as it was then.

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As well as their clocks, they now use their precision engineering skills

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to make model engines and replicas of some of the earliest machinery of the Industrial Revolution.

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Back then in the late 18th century, it was the development of these mechanical skills,

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that led to Britain leading the world in the building of engines like this one of Fred's.

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Fred's now got a long journey ahead from Derbyshire to Shropshire

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and along the way, he's going to have to fill his 60 gallon tank a couple of times.

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One of the reasons he's been having problems getting water in his tank,

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is that he's got an important item of equipment missing.

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To keep their tanks full of water, the traction engine used to use a water lifter suction hose.

0:23:500:23:57

This enabled them to get water from any horse trough they went past,

0:23:570:24:01

or from lakes and streams when they were out in the country.

0:24:010:24:05

Fred should've had one of these with them.

0:24:050:24:07

In fact, he even went to the manufacturers in Manchester to help make it before setting off.

0:24:070:24:13

We've got to go to Manchester to a company called S Redferns

0:24:160:24:20

who've been making water lifter hosepipes for 70 or 80 years.

0:24:200:24:25

They're the only one left in all of Britain that still makes them by the same process.

0:24:250:24:32

The importance of the water lifter, as it name says,

0:24:320:24:36

you come to a stream, chuck the pipe in the water, turn the steam on, and it fills the engine up for you.

0:24:360:24:44

-How do you do?

-Nice to see you. I'm fine, thank you.

0:24:530:24:57

We've brought our bits-and-pieces

0:24:570:24:59

-but I know you've started making a pipe that's, like, 1½ inch internal diameter.

-We have.

0:24:590:25:06

We've a motley collection of sieves.

0:25:060:25:09

These two are the same, but this nut, it's not the right one for that.

0:25:090:25:15

They should be a better fit. I was going to have a do at mending that.

0:25:150:25:19

Hardly worth the effort, is it? I'm sure we can find one for you.

0:25:190:25:24

-Do you want to make your way through?

-Right.

0:25:240:25:29

-This is Morris.

-Hello, Morris. How you doing?

0:25:390:25:43

This is the hose that you have on order.

0:25:430:25:46

-I'll pick you up before you leave. Bye for now.

-See you in a bit.

0:25:460:25:51

Fred, we've got an inch and three-quarter mandrill.

0:25:510:25:54

This is a spacer that we use to pre-set the wire.

0:25:540:25:58

-I've got quite a few lengths of this at home, but it's about 90 years old.

-Would you like to have a go?

0:25:580:26:04

Yeah. Without spoiling it!

0:26:040:26:06

-OK, right. Keep a grip on there.

-Downwards?

0:26:060:26:11

Yes, hand tight on there and the machine will do it for you.

0:26:110:26:15

Some would grumble about knocking the paintwork off the traction engines.

0:26:180:26:22

Seems to be coming out equally spaced.

0:26:220:26:25

I've got the job.

0:26:250:26:27

We'll go down now and start on the construction of it now.

0:26:290:26:33

All constructed by hand.

0:26:330:26:36

This is called HF2 natural.

0:26:360:26:38

Up and over.

0:26:430:26:44

There you go.

0:26:440:26:46

It's a bit frightening this, isn't it?

0:26:510:26:54

Many hands make light work.

0:26:590:27:01

My pipe will be full of lumps.

0:27:020:27:05

Push it up, pull it over - that's it.

0:27:060:27:10

-The second piece is a lot easier.

-The second piece is easier.

0:27:140:27:19

-What's the next bit?

-Have you got the outline of it now then?

0:27:230:27:27

It's a straightforward process of what we've already done.

0:27:270:27:30

It's another ply of the HF2 fabric.

0:27:300:27:32

Then we'll go again with another two ply of HF2 natural,

0:27:320:27:36

-then apply a linen string, and wrap it over.

-In between the wires?

0:27:360:27:40

In between the wires. That'll leave an indentation for the outer layer to go on.

0:27:400:27:46

Very good. Here's Frank.

0:27:460:27:48

-Have you found any end bits?

-Not yet but we're still searching the stock.

0:27:480:27:53

No doubt we'll be successful.

0:27:530:27:55

When will you be done then?

0:27:550:27:57

This will be done for tomorrow dinner.

0:27:570:27:59

Oh, right. Very good.

0:27:590:28:01

I suppose we'd better go home

0:28:010:28:04

-and let Morris finish this pipe off.

-OK.

0:28:040:28:07

Come on, lads. I'll see you later.

0:28:070:28:09

Nice talking to you.

0:28:090:28:11

Thanks very much for making me my pipe.

0:28:110:28:16

But Fred couldn't get the fittings he needed in time for his grand tour.

0:28:160:28:20

A lot of problems it would've saved if he'd been able to get the right fittings in time.

0:28:200:28:26

Anyway, he's got a full tank now and it's full steam ahead for the Severn Valley Railway

0:28:260:28:31

to see some engine building.

0:28:310:28:33

At the railway, Fred will be seeing some of the stages of building a steam locomotive.

0:28:360:28:41

On the way, he'll be stopping off at a traction engine club,

0:28:410:28:44

to meet up with some more old mates and to see some engines at work.

0:28:440:28:49

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