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MUSIC: Ride Of The Valkyries by Richard Wagner | 0:00:02 | 0:00:04 | |
For as long as we've looked to the skies, | 0:00:06 | 0:00:09 | |
people having dreamed about flying like birds. | 0:00:09 | 0:00:11 | |
The Wright brothers proved that powered flight was possible, | 0:00:13 | 0:00:16 | |
making history in America in 1903. | 0:00:16 | 0:00:19 | |
And where they led, other daredevils followed. | 0:00:24 | 0:00:27 | |
One of those pioneering aviators was this man - Harry Ferguson, | 0:00:28 | 0:00:33 | |
the genius inventor from County Down who's world-famous for his tractors. | 0:00:33 | 0:00:36 | |
But, long before he revolutionised agriculture, | 0:00:37 | 0:00:40 | |
back in 1909, our Harry was the first man to design, | 0:00:40 | 0:00:44 | |
build and fly an aircraft in Ireland. | 0:00:44 | 0:00:46 | |
I'm Dick Strawbridge, and we're on a mission to make and fly that little | 0:00:48 | 0:00:53 | |
plane from the early 20th century. | 0:00:53 | 0:00:55 | |
William, you're on, sir. | 0:00:57 | 0:00:59 | |
Our test pilot will bravely follow Ferguson into | 0:00:59 | 0:01:03 | |
the grey skies of Ulster. | 0:01:03 | 0:01:04 | |
Are you ready, William? No, but let's go. | 0:01:04 | 0:01:07 | |
It's the chance of a lifetime. | 0:01:07 | 0:01:09 | |
It really, really is. | 0:01:09 | 0:01:11 | |
Stop there. | 0:01:11 | 0:01:12 | |
We're searching out the final few craftsmen, | 0:01:13 | 0:01:16 | |
engineers and technicians with the traditional skills to recreate | 0:01:16 | 0:01:21 | |
Harry's plane. | 0:01:21 | 0:01:22 | |
It's never been done before, | 0:01:22 | 0:01:24 | |
and I'm really not sure if it's even possible. | 0:01:24 | 0:01:27 | |
Dangerous, maybe, but one thing's for certain - | 0:01:27 | 0:01:30 | |
we're going to give it a go. | 0:01:30 | 0:01:31 | |
Welcome aboard The Great Flying Challenge. | 0:01:31 | 0:01:34 | |
These are the fields. | 0:01:48 | 0:01:50 | |
We're flying over the spot, just near Hillsborough, | 0:01:51 | 0:01:54 | |
where Harry Ferguson took his first flight, New Year's Eve, 1909. | 0:01:54 | 0:01:58 | |
He was a brave man and a brilliant engineer, | 0:01:58 | 0:02:01 | |
not unlike the man beside me here, William McMinn. | 0:02:01 | 0:02:03 | |
You couldn't be talking about me. You think I am? | 0:02:03 | 0:02:05 | |
Hold on, mate. You've built your own aircraft, | 0:02:05 | 0:02:07 | |
you're going to build Harry's plane with us. | 0:02:07 | 0:02:09 | |
You're going to be our test pilot. You are the right man for the job. | 0:02:09 | 0:02:13 | |
Well, I think you're being very generous, but, yes, | 0:02:13 | 0:02:15 | |
I have built a couple of aircraft, | 0:02:15 | 0:02:18 | |
and I have about 1,200 hours flying time | 0:02:18 | 0:02:21 | |
and plenty of experience. | 0:02:21 | 0:02:22 | |
If you look out this window, | 0:02:24 | 0:02:26 | |
we're actually flying over Harry's home place. | 0:02:26 | 0:02:29 | |
That's his farmhouse? That's his farmhouse. | 0:02:29 | 0:02:31 | |
You know, he's one of 11 children, | 0:02:31 | 0:02:33 | |
and that's where he learned about farming. | 0:02:33 | 0:02:35 | |
And, by all accounts, he didn't like the hard work, | 0:02:35 | 0:02:38 | |
which could be the reason why he came up with the old tractor and | 0:02:38 | 0:02:41 | |
plough system he's so famous for. | 0:02:41 | 0:02:43 | |
Well, I think if you're an engineer, it's in your blood. | 0:02:43 | 0:02:46 | |
And he didn't want to be standing in a field. | 0:02:46 | 0:02:48 | |
It wasn't doing his mind any good. | 0:02:48 | 0:02:50 | |
He needed to be making things and taking things apart. | 0:02:50 | 0:02:53 | |
That's the long field. He brought the Ferguson Flyer to that field to | 0:02:55 | 0:02:59 | |
show his family. He took off out of that field, | 0:02:59 | 0:03:02 | |
flew across the lake, and landed in a field just at the other side. | 0:03:02 | 0:03:07 | |
Harry started building his plane in the autumn of 1909, | 0:03:12 | 0:03:15 | |
spurred on by the first flight across the English Channel by the | 0:03:15 | 0:03:18 | |
Frenchman Louis Bleriot. | 0:03:18 | 0:03:20 | |
But that success was a rare feat, | 0:03:23 | 0:03:25 | |
and many early aviators were killed or badly hurt. | 0:03:25 | 0:03:28 | |
In fact, Harry was lucky to survive several crashes in the years after | 0:03:32 | 0:03:36 | |
his maiden flight. | 0:03:36 | 0:03:37 | |
There are trees, hedges and everything around here. | 0:03:38 | 0:03:41 | |
Would you be happy flying a plane down there? | 0:03:41 | 0:03:43 | |
No. It's far too small for me. | 0:03:43 | 0:03:44 | |
HE LAUGHS | 0:03:44 | 0:03:47 | |
But, obviously, his plane flew at 35mph. | 0:03:47 | 0:03:50 | |
We're sitting, at the minute, at 90mph. | 0:03:50 | 0:03:53 | |
That's a big difference. Everything happened a lot slower. | 0:03:53 | 0:03:55 | |
Harry brought his plane to the farm after he had flown it for probably | 0:03:59 | 0:04:03 | |
a year, 18 months, so he was confident flying it, he knew how it | 0:04:03 | 0:04:07 | |
performed, and that showed you the make-up of the man. | 0:04:07 | 0:04:10 | |
And after our trip over Harry's old flight path, | 0:04:15 | 0:04:17 | |
William is in inspired form. | 0:04:17 | 0:04:19 | |
Are you up to the challenge? Yes, I'm up for the challenge. | 0:04:22 | 0:04:25 | |
I'm going to be the only person in a long, | 0:04:25 | 0:04:28 | |
long time to have flown the same plane as Harry. | 0:04:28 | 0:04:32 | |
And I can tell you what it's like, | 0:04:32 | 0:04:34 | |
I can tell you what it feels like in the air and, you know something? | 0:04:34 | 0:04:37 | |
It's a dream. You've got a lot of work to do, fellow. | 0:04:37 | 0:04:39 | |
You have a lot of work to do. | 0:04:39 | 0:04:41 | |
He was reared with three sisters and seven brothers, on the 100 acre | 0:04:45 | 0:04:49 | |
family farm near Dromore in County Down. | 0:04:49 | 0:04:51 | |
Born Henry George Ferguson in 1884, | 0:04:53 | 0:04:56 | |
but known the world over as Harry. | 0:04:56 | 0:04:58 | |
He went on to become a famous industrialist - | 0:04:59 | 0:05:02 | |
the man responsible for the wee grey Fergie tractors. | 0:05:02 | 0:05:07 | |
That's all well known, but our story begins with a boy who dreamed | 0:05:07 | 0:05:11 | |
of escaping the farm... | 0:05:11 | 0:05:12 | |
..a teenager who went on to race motorcycles and cars, | 0:05:13 | 0:05:17 | |
and a man who, at the age of 25, | 0:05:17 | 0:05:20 | |
had earned his place in history, as the first Irish aviator. | 0:05:20 | 0:05:23 | |
Driving past the city airport, | 0:05:29 | 0:05:31 | |
it's incredible to think that the entire aviation industry... | 0:05:31 | 0:05:34 | |
..started with those flying machines, | 0:05:35 | 0:05:37 | |
a little over 100 years ago. | 0:05:37 | 0:05:38 | |
But if I'm going to turn back the clock | 0:05:40 | 0:05:41 | |
and actually build Harry's plane, | 0:05:41 | 0:05:43 | |
I'm going to need expert help. | 0:05:43 | 0:05:45 | |
Thankfully, there's a man with a plan just up the road, in Hollywood. | 0:05:45 | 0:05:49 | |
I did try to get into the RAF... | 0:05:49 | 0:05:51 | |
I've tracked down retired architect and Ferguson expert Michael Clarke. | 0:05:51 | 0:05:55 | |
How many people do you know, Michael, | 0:05:57 | 0:05:59 | |
that have written books about Harry Ferguson before tractors? | 0:05:59 | 0:06:02 | |
Oh, I don't think there's any before me. | 0:06:02 | 0:06:04 | |
Right, so you're the world authority on Harry Ferguson. | 0:06:04 | 0:06:07 | |
I'm the world authority on it, if you believe that. | 0:06:07 | 0:06:10 | |
I do believe it. That's why I'm here! | 0:06:10 | 0:06:12 | |
How did you produce diagrams and maps | 0:06:12 | 0:06:15 | |
that you believe represent his aeroplane? | 0:06:15 | 0:06:19 | |
The only small drawing was published | 0:06:19 | 0:06:22 | |
in Flight magazine after, you know, | 0:06:22 | 0:06:24 | |
he'd established being the first Irishman to fly, indeed, | 0:06:24 | 0:06:28 | |
only the third in Britain to fly. | 0:06:28 | 0:06:30 | |
That was the only drawing that there was, | 0:06:30 | 0:06:33 | |
but there was a lot of descriptions of the detail of it, you know, | 0:06:33 | 0:06:37 | |
written descriptions, printed with it. Plus, fortunately, | 0:06:37 | 0:06:41 | |
a lot of photographs appeared. | 0:06:41 | 0:06:42 | |
Michael's drawings were made after extensive research, which included | 0:06:46 | 0:06:49 | |
first-hand accounts from those who worked for Harry and by surveying | 0:06:49 | 0:06:53 | |
replica aircraft never intended to fly. | 0:06:53 | 0:06:55 | |
We even have catalogues of the time, that... | 0:06:57 | 0:07:01 | |
Oh, right! Yeah. | 0:07:01 | 0:07:03 | |
Hold on, I did see some catalogues. | 0:07:03 | 0:07:04 | |
What do these show us? We have a catalogue from this guy TWA Clarke, | 0:07:04 | 0:07:08 | |
who Harry dealt with. | 0:07:08 | 0:07:09 | |
So Harry would have used this man. | 0:07:09 | 0:07:11 | |
He bought propellers from him. Almost certainly. Yes. | 0:07:11 | 0:07:14 | |
He would. This was one of the few people in those days who covered all | 0:07:14 | 0:07:19 | |
the things that aeroplane manufacturers needed. | 0:07:19 | 0:07:21 | |
You name it, it's in it. Well, we've got sizes, shapes, | 0:07:21 | 0:07:24 | |
construction material. | 0:07:24 | 0:07:27 | |
Do you think we are able to build Harry's plane from this information | 0:07:27 | 0:07:33 | |
that will fly? | 0:07:33 | 0:07:34 | |
There's no reason why not. | 0:07:34 | 0:07:36 | |
I mean, if you make it to those drawings I'm pretty confident, yes, | 0:07:36 | 0:07:39 | |
you'll get it to a state where it can fly. | 0:07:39 | 0:07:41 | |
I'm loving this. What you're telling me is you've got enough confidence | 0:07:41 | 0:07:44 | |
that all your work to date is going to be turned into | 0:07:44 | 0:07:46 | |
a Harry Ferguson monoplane. I hope so. | 0:07:46 | 0:07:49 | |
You've said it here now. I don't need to hear any more. | 0:07:49 | 0:07:51 | |
I'm allowed to take this with me, am I? Yes, of course you are. | 0:07:51 | 0:07:54 | |
Now, I'm not giving any guarantees or anything. | 0:07:54 | 0:07:57 | |
I don't want any claims if it doesn't work. | 0:07:57 | 0:08:00 | |
THEY LAUGH | 0:08:00 | 0:08:01 | |
I actually heard it here first. | 0:08:01 | 0:08:03 | |
It's definitely going to work. Oh, it is definitely going to work. Yes. | 0:08:03 | 0:08:06 | |
Yes. And I'm looking forward to it. | 0:08:06 | 0:08:09 | |
Belfast was an industrial powerhouse when 25-year-old Harry Ferguson | 0:08:09 | 0:08:15 | |
decided he was going to fly. | 0:08:15 | 0:08:17 | |
He would have been surrounded by old-school craftsmen | 0:08:17 | 0:08:21 | |
and, over a century on, we need the same skills and materials too. | 0:08:21 | 0:08:25 | |
Irish linen to cover the plane, | 0:08:28 | 0:08:30 | |
cables, fixings and an undercarriage, | 0:08:30 | 0:08:33 | |
plus the metalworkers and carpenters capable of doing the work. | 0:08:33 | 0:08:37 | |
It's a tall order, because many of those trades have been lost. | 0:08:37 | 0:08:41 | |
But some survive... | 0:08:41 | 0:08:43 | |
just. | 0:08:43 | 0:08:44 | |
Alistair Duffin says he's the last of the Mohicans - | 0:08:44 | 0:08:47 | |
the very last traditional boat builder left in the city. | 0:08:47 | 0:08:51 | |
Alistair! Hello, sir. | 0:08:53 | 0:08:56 | |
Hi. Good to meet you. | 0:08:56 | 0:08:57 | |
Lovely to see you. OK, where's the water? | 0:08:57 | 0:08:59 | |
We have a boatyard and no water, mate. | 0:08:59 | 0:09:01 | |
An awful lot of skill goes into making or fixing one of these, | 0:09:01 | 0:09:04 | |
isn't there? Yes, it's an old skill that's sort of dying out. | 0:09:04 | 0:09:07 | |
How many people around Northern Ireland do you reckon can do this? | 0:09:07 | 0:09:11 | |
The fishing thing at Portaferry and | 0:09:11 | 0:09:13 | |
Ballyhalbert would still make | 0:09:13 | 0:09:15 | |
this type of boat. But they're about | 0:09:15 | 0:09:17 | |
the only ones that do it now. | 0:09:17 | 0:09:18 | |
We're not being rude here, but how many years have you been doing it? | 0:09:18 | 0:09:21 | |
THEY LAUGH | 0:09:21 | 0:09:23 | |
I personally have been doing it for about 50 years. | 0:09:23 | 0:09:26 | |
I came to you sort of thinking I need to find a man with the skills | 0:09:26 | 0:09:29 | |
to build like this. What's the chances of you giving me a hand? | 0:09:29 | 0:09:33 | |
I'll try. Right, look at this. | 0:09:33 | 0:09:35 | |
This is a minor issue for a man like you. | 0:09:35 | 0:09:38 | |
Well, it's not a boat. | 0:09:40 | 0:09:41 | |
Harry Ferguson. Oh, it's Harry... He's the tractor man. | 0:09:43 | 0:09:45 | |
He's the tractor man. Do you get a nice warm feeling that it's the sort | 0:09:45 | 0:09:49 | |
of thing you could build? | 0:09:49 | 0:09:50 | |
Yeah, it would be a challenge but, you know, | 0:09:50 | 0:09:53 | |
that's what life's all about. | 0:09:53 | 0:09:54 | |
I think the wings will be the most awkward bit to do. | 0:09:54 | 0:09:58 | |
The size, as well as everything else. The size of them. | 0:09:58 | 0:10:01 | |
I would have to think what I was doing. | 0:10:01 | 0:10:03 | |
If you look at the size of these struts... Yeah. | 0:10:03 | 0:10:05 | |
They're very light. 5/8ths. | 0:10:05 | 0:10:07 | |
That's just over half an inch. | 0:10:07 | 0:10:09 | |
You know, we're talking no size at all. | 0:10:09 | 0:10:11 | |
It's like building a boat, to a certain extent. | 0:10:11 | 0:10:14 | |
You know, you have your frames and then you have your cross members, | 0:10:14 | 0:10:17 | |
which have to go in and be glued. | 0:10:17 | 0:10:20 | |
I think more of an interest to me is what is made of? | 0:10:20 | 0:10:24 | |
It's probably made out of silver spruce, the same as that boat there. | 0:10:24 | 0:10:28 | |
If you can get it done in about three weeks, | 0:10:28 | 0:10:30 | |
I think we're on schedule for doing something similar to what Harry did. | 0:10:30 | 0:10:33 | |
Well, it's a challenge. | 0:10:33 | 0:10:35 | |
It's a challenge. | 0:10:35 | 0:10:37 | |
You get me the wood, | 0:10:37 | 0:10:39 | |
and we'll have a go at it. | 0:10:39 | 0:10:40 | |
We were once the linen capital of the world. | 0:10:44 | 0:10:47 | |
But the industry that turned the landscape blue | 0:10:49 | 0:10:52 | |
with flax flowers in summer... | 0:10:52 | 0:10:55 | |
and which provided work for thousands on the land | 0:10:55 | 0:10:58 | |
and in the mills all over the country | 0:10:58 | 0:11:00 | |
has shrunk since Harry's day. | 0:11:00 | 0:11:02 | |
Many of the earliest aircraft were covered in linen, | 0:11:05 | 0:11:08 | |
so that's why I've tracked down one of the last factories where | 0:11:08 | 0:11:12 | |
Irish linen is still in production. | 0:11:12 | 0:11:14 | |
Harry Ferguson - you know, what sort of quality of linen would | 0:11:17 | 0:11:20 | |
he be able to deal with? | 0:11:20 | 0:11:21 | |
Well, you've got to bear in mind | 0:11:21 | 0:11:22 | |
that Harry is going to have come | 0:11:22 | 0:11:24 | |
from a linen world. | 0:11:24 | 0:11:25 | |
He's going to have slept in linen, | 0:11:25 | 0:11:27 | |
he's going to have worn linen, | 0:11:27 | 0:11:28 | |
eaten off linen, he's even going to have dried himself with linen. | 0:11:28 | 0:11:32 | |
So there would have been no other fibre | 0:11:32 | 0:11:34 | |
that would have even crossed his mind. | 0:11:34 | 0:11:37 | |
That looks like a blanket. It is a traditional fever blanket. | 0:11:37 | 0:11:40 | |
Linen's antibacterial, | 0:11:40 | 0:11:41 | |
and it's wicking so it takes the sweat away from you. | 0:11:41 | 0:11:43 | |
So they would have wrapped you up in that when you were dying of the flu. | 0:11:43 | 0:11:47 | |
Really? Take the sweat away from you. So that's a nice heavy one. | 0:11:47 | 0:11:50 | |
I think this is linen. This looks like linen to me. | 0:11:50 | 0:11:53 | |
That linen there is obviously made for tableware. | 0:11:53 | 0:11:56 | |
These would be shirtings and sheetings. | 0:11:56 | 0:11:58 | |
Right, what about strength? | 0:11:58 | 0:12:00 | |
Cos, you know, for aeroplanes, | 0:12:00 | 0:12:01 | |
I'm worried - this thing's got to leave the ground. Are these...? | 0:12:01 | 0:12:04 | |
Linen is really, really strong. | 0:12:04 | 0:12:06 | |
It gets stronger when it's wet as well, but... | 0:12:06 | 0:12:10 | |
Wool has a filament of that big. | 0:12:10 | 0:12:12 | |
Cotton has a filament about that big. | 0:12:12 | 0:12:14 | |
Linen is this big. | 0:12:14 | 0:12:16 | |
So that's the actual length of the fibres? | 0:12:16 | 0:12:18 | |
That's the actual fibre that's in it. That's what makes it so strong. | 0:12:18 | 0:12:21 | |
That's why it's used a lot, | 0:12:21 | 0:12:23 | |
or has been used a lot, and still is, in aeroplanes. | 0:12:23 | 0:12:26 | |
For our aircraft, what is the linen I need to use? | 0:12:26 | 0:12:29 | |
Well, if I was Harry coming in here I think I would have gone for what's | 0:12:29 | 0:12:34 | |
known as eight bar eight. | 0:12:34 | 0:12:36 | |
It's one of our oldest fabrics. | 0:12:36 | 0:12:38 | |
It's sort of like the balance of strength over weight. | 0:12:38 | 0:12:42 | |
And those are the key characteristics that we'll wrestle | 0:12:42 | 0:12:45 | |
with repeatedly over the course of our build. | 0:12:45 | 0:12:48 | |
Can we make Harry's plane light enough to fly, | 0:12:48 | 0:12:51 | |
yet strong enough to keep William safe? | 0:12:51 | 0:12:53 | |
It's a big problem that held back the earliest aviators too, | 0:12:54 | 0:12:58 | |
and their ingenious solutions are on display in Bedfordshire. | 0:12:58 | 0:13:02 | |
I'm on my way to look at some magnificent flying machines | 0:13:03 | 0:13:06 | |
from the earliest days of flight. | 0:13:06 | 0:13:08 | |
The Shuttleworth Collection is home to the oldest flying aeroplane | 0:13:08 | 0:13:12 | |
in the world. It may look primitive, | 0:13:12 | 0:13:15 | |
but there's a very good chance Harry would have used it as a blueprint | 0:13:15 | 0:13:18 | |
for his own build. | 0:13:18 | 0:13:19 | |
What an amazing collection! Where do you get all the planes from? | 0:13:34 | 0:13:37 | |
Well, they've come from everywhere, | 0:13:37 | 0:13:38 | |
really. But, you know, for example, | 0:13:38 | 0:13:41 | |
this Blackburn, here, was found | 0:13:41 | 0:13:42 | |
in a haystack in 1947. A haystack? | 0:13:42 | 0:13:44 | |
A haystack, yeah. And they get restored to flying condition, | 0:13:44 | 0:13:47 | |
and away we go. | 0:13:47 | 0:13:48 | |
But when we look at these old aircraft from the beginning of | 0:13:48 | 0:13:51 | |
flight, there seems to be no rules. | 0:13:51 | 0:13:53 | |
No, they didn't really know what a good aeroplane was supposed to | 0:13:53 | 0:13:56 | |
look like. So they just copied other people, they made them in all shapes | 0:13:56 | 0:13:59 | |
and sizes, some flew better than others. | 0:13:59 | 0:14:01 | |
Beginning of the 20th century - | 0:14:06 | 0:14:07 | |
everybody wanted to fly, didn't they? | 0:14:07 | 0:14:10 | |
They did. The Wright brothers flew in 1903, then there was a bit of a | 0:14:10 | 0:14:13 | |
pause, and then things started to take off in Europe a few years later | 0:14:13 | 0:14:18 | |
with various designers coming up with aeroplanes, | 0:14:18 | 0:14:20 | |
and there was a Frenchman | 0:14:20 | 0:14:22 | |
called Louis Bleriot who was one of the most successful of that time. | 0:14:22 | 0:14:26 | |
He was the first man to go across the Channel? He was, yeah. | 0:14:26 | 0:14:29 | |
In 1909, in the summer, | 0:14:29 | 0:14:31 | |
in a machine pretty much identical to this one. | 0:14:31 | 0:14:34 | |
This is a 1909 Bleriot, | 0:14:34 | 0:14:36 | |
and it's the oldest airworthy aeroplane in the world. | 0:14:36 | 0:14:39 | |
So this still flies? Yes. | 0:14:39 | 0:14:42 | |
Harry Ferguson knew this plane too. | 0:14:42 | 0:14:44 | |
He would have seen it for himself at air shows in France, | 0:14:44 | 0:14:47 | |
just before starting to build his own plane. | 0:14:47 | 0:14:49 | |
How does it work? If you notice, the wings are very, very curved | 0:14:52 | 0:14:55 | |
to help it create lift. | 0:14:55 | 0:14:57 | |
And they're slightly upswept and what we call dihedral. | 0:14:57 | 0:15:00 | |
It's quite a big wing, isn't it, in surface area? | 0:15:00 | 0:15:02 | |
Yeah, but it's fat rather than long and thin. | 0:15:02 | 0:15:05 | |
The other thing he has is wing warping, | 0:15:05 | 0:15:08 | |
to control the aeroplane laterally. | 0:15:08 | 0:15:10 | |
Can I see that happen on this? | 0:15:10 | 0:15:12 | |
That's how you control it - bend the wings? | 0:15:12 | 0:15:14 | |
Yes. For the roll control on the aeroplane. | 0:15:14 | 0:15:16 | |
So what you have is the front spar of the aeroplane is stiff cos it | 0:15:16 | 0:15:19 | |
needs to support the lift. Right. | 0:15:19 | 0:15:21 | |
But the rear spar is made to be flexible, | 0:15:21 | 0:15:23 | |
so that the pilot can move it. | 0:15:23 | 0:15:25 | |
And the pilot's control is inside, | 0:15:25 | 0:15:28 | |
but if I move this you can see this moving the wing | 0:15:28 | 0:15:31 | |
and it changes the angle of the outer wing. | 0:15:31 | 0:15:35 | |
The wing has to be strong enough, it has to move enough. | 0:15:35 | 0:15:37 | |
Yes, it has to be strong to take the lift forces, but also be flexible | 0:15:37 | 0:15:42 | |
enough at the rear to be able to twist differentially like that, | 0:15:42 | 0:15:45 | |
to make the aeroplane roll from side to side. | 0:15:45 | 0:15:48 | |
Just like all these elegant aeroplanes | 0:15:48 | 0:15:50 | |
from the dawn of powered flight, | 0:15:50 | 0:15:52 | |
Harry Ferguson's plane was a rare and special thing. | 0:15:52 | 0:15:56 | |
We're going to actually build a version of Harry Ferguson's plane. | 0:15:56 | 0:15:59 | |
Do you think we can do it? Yes. | 0:15:59 | 0:16:02 | |
You can do it. | 0:16:02 | 0:16:03 | |
You've got some drawings and some idea of what it was like | 0:16:03 | 0:16:07 | |
and it does work. | 0:16:07 | 0:16:08 | |
And this is what we'd love to achieve. | 0:16:10 | 0:16:12 | |
The Bleriot flies beautifully in the right conditions. | 0:16:18 | 0:16:22 | |
With little or no wind, it's stable. | 0:16:22 | 0:16:24 | |
In stronger winds it's downright dangerous, just like Harry's plane. | 0:16:24 | 0:16:28 | |
It's going to be quite a risky business for William. | 0:16:31 | 0:16:34 | |
Well, nowadays we do manage risk. | 0:16:34 | 0:16:35 | |
We decide when it's safe to do something and when it's not. | 0:16:35 | 0:16:39 | |
Back in Harry's day, they just took the risks. | 0:16:39 | 0:16:41 | |
But my advice would be don't fly any higher than you're prepared to fall. | 0:16:41 | 0:16:44 | |
HE LAUGHS | 0:16:44 | 0:16:46 | |
Harry cut his teeth as an engineer | 0:16:52 | 0:16:54 | |
working at his brother's car business in Belfast. | 0:16:54 | 0:16:58 | |
Most of the models he worked on survive only in old photographs. | 0:16:58 | 0:17:01 | |
And yet, surprisingly, that same market for custom-built, | 0:17:03 | 0:17:07 | |
beautifully engineered vehicles lives on. | 0:17:07 | 0:17:10 | |
I'm in deepest County Down and I'm searching for a world-famous | 0:17:10 | 0:17:18 | |
motor racing car manufacturer. | 0:17:18 | 0:17:19 | |
I'm searching for it. It is here. | 0:17:20 | 0:17:22 | |
They've been known throughout the world for years, | 0:17:22 | 0:17:25 | |
and I think they can help me. | 0:17:25 | 0:17:27 | |
How come I didn't even know you existed? | 0:17:34 | 0:17:36 | |
Look at this place! | 0:17:36 | 0:17:37 | |
Yeah, it's a special place. But, you know, Crossle is a well-kept secret. | 0:17:37 | 0:17:40 | |
We've been here for... | 0:17:40 | 0:17:42 | |
Well, since 1960. | 0:17:42 | 0:17:43 | |
The Crossle name, as a racing car manufacturer, is much better known | 0:17:43 | 0:17:47 | |
in places like the USA, even in France, | 0:17:47 | 0:17:49 | |
than it is here in Northern Ireland. | 0:17:49 | 0:17:51 | |
And that's because most of the cars were exported. | 0:17:51 | 0:17:53 | |
They've been driven by some pretty well-known people. | 0:17:53 | 0:17:55 | |
Nigel Mansell drove one, on his way to stardom. | 0:17:55 | 0:17:57 | |
You're actually still manufacturing this car, are you? | 0:17:57 | 0:18:00 | |
Yes. This is the Crossle 9S, built originally in 1966. | 0:18:00 | 0:18:04 | |
It's a two-seater sports racing car. | 0:18:04 | 0:18:07 | |
This car goes back in the golden era of beautiful racing cars. | 0:18:07 | 0:18:11 | |
But they get raced? They certainly do, yeah. | 0:18:11 | 0:18:13 | |
And this may look like an old racing, but it's a quick car. | 0:18:13 | 0:18:16 | |
This will see off modern supercars. | 0:18:16 | 0:18:18 | |
And all those skills are here? | 0:18:19 | 0:18:21 | |
We build racing cars in the same way that we've done for many years. | 0:18:21 | 0:18:24 | |
And the team that we have here are highly skilled craftsmen and they're | 0:18:24 | 0:18:27 | |
very proud of their work. | 0:18:27 | 0:18:29 | |
Look at this. | 0:18:29 | 0:18:31 | |
It's a thing of beauty. | 0:18:31 | 0:18:33 | |
Just over 21 feet long. | 0:18:33 | 0:18:35 | |
The bit I think that you're going to be to help me with, I'm hoping, | 0:18:35 | 0:18:38 | |
is the whole undercarriage and the metalwork. | 0:18:38 | 0:18:41 | |
It will have to have the right balance between rigidity and weight. | 0:18:41 | 0:18:44 | |
Yeah, absolutely. You'll notice I can't find any other suspension | 0:18:44 | 0:18:48 | |
anywhere. No, it looks as if it's designed for stiffness rather than | 0:18:48 | 0:18:52 | |
for flexibility. And I don't see any way to steer this front wheel, | 0:18:52 | 0:18:55 | |
by the way. I guess he would have been landing this on grass. | 0:18:55 | 0:18:58 | |
Yes, he would be. Of course, | 0:18:58 | 0:19:00 | |
that's even worse because any little holes or little ruts can put shocks | 0:19:00 | 0:19:04 | |
onto it. That's what I'm thinking, yeah. | 0:19:04 | 0:19:07 | |
OK. Well, we'll take a look at that. | 0:19:07 | 0:19:08 | |
We can do some calculations, I guess. | 0:19:08 | 0:19:10 | |
But, yeah, it'll be interesting. | 0:19:10 | 0:19:12 | |
But if you look her, what I'm interested in, see the axle? Yeah. | 0:19:12 | 0:19:15 | |
Notice the way the actual wires go through a hollow axle. | 0:19:15 | 0:19:19 | |
OK. Well, why's that? | 0:19:19 | 0:19:20 | |
DICK LAUGHS | 0:19:20 | 0:19:22 | |
When it comes to steering this, | 0:19:22 | 0:19:23 | |
the wings bend when you actually warp them. | 0:19:23 | 0:19:28 | |
Right. So the wings are made to bend and, by the way, | 0:19:28 | 0:19:31 | |
I haven't got to this page yet, but you may as well have a quick look at | 0:19:31 | 0:19:34 | |
the other part of the commitment, here. | 0:19:34 | 0:19:36 | |
This is the wing warping actuating rod. | 0:19:36 | 0:19:40 | |
Sounds impressive. It is. | 0:19:40 | 0:19:41 | |
It's the lever for bending the wing so it turns. | 0:19:41 | 0:19:45 | |
When was the last time you made a wing warping lever? | 0:19:45 | 0:19:48 | |
It's not every day we would hear that term, let alone make one. | 0:19:48 | 0:19:51 | |
You won't be able to say that very soon. | 0:19:51 | 0:19:53 | |
It took just six weeks for Harry's craftsmen to construct his plane, | 0:19:59 | 0:20:04 | |
and our man, Alistair Duffin, is cracking on. | 0:20:04 | 0:20:07 | |
I recognise that. That's the tail end, isn't it? | 0:20:07 | 0:20:09 | |
Yeah, that's the tail end. Difficult? | 0:20:09 | 0:20:11 | |
No. It's a lot easier than what I thought it was going to be. | 0:20:11 | 0:20:14 | |
What can I do to help? You can cut some of these, if you like. | 0:20:14 | 0:20:17 | |
Do you trust me? Yeah. | 0:20:17 | 0:20:18 | |
This is how I made... | 0:20:19 | 0:20:21 | |
..these bits, because they're all different lengths. Right. | 0:20:22 | 0:20:25 | |
So, two bits of plywood... | 0:20:25 | 0:20:26 | |
Right. One fits that end, one fits that end. | 0:20:26 | 0:20:29 | |
And you put them in, and you draw a line... | 0:20:30 | 0:20:33 | |
..then you take that and you transfer that onto a piece of wood. | 0:20:35 | 0:20:41 | |
And, of course, if it needs to be longer or it needs to be shorter... | 0:20:41 | 0:20:44 | |
You can lengthen or shorten. | 0:20:44 | 0:20:45 | |
That is so simple. | 0:20:45 | 0:20:47 | |
I love it. | 0:20:47 | 0:20:48 | |
You put that in - it goes in like that - whenever I lift this. | 0:20:56 | 0:20:59 | |
Simple as that. | 0:21:01 | 0:21:02 | |
Simple as that. That's it. | 0:21:06 | 0:21:08 | |
We still need to find a workshop - | 0:21:13 | 0:21:15 | |
somewhere to start the next part of the build. | 0:21:15 | 0:21:18 | |
What I need is somewhere with a plentiful supply of skilled aircraft | 0:21:18 | 0:21:23 | |
engineers, all willing to work long hours for no money. | 0:21:23 | 0:21:27 | |
Doesn't sound likely, does it? | 0:21:27 | 0:21:28 | |
But, actually, there's all that and more just up here, | 0:21:28 | 0:21:32 | |
at the Ulster Aviation Society, at the old RAF air base, Long Kesh. | 0:21:32 | 0:21:36 | |
You come into the hangar, the first thing you see is a Spitfire! | 0:21:42 | 0:21:45 | |
Unbelievable. | 0:21:47 | 0:21:48 | |
Everywhere you look, there's historic aircraft. | 0:21:49 | 0:21:52 | |
Helicopters, planes - I've only seen some of these in books. | 0:21:53 | 0:21:56 | |
Ray, where do you get these from? Good morning, Dick. | 0:21:56 | 0:21:59 | |
Welcome to the society's collection. Oh, man! I'm so jealous! | 0:21:59 | 0:22:02 | |
Where did you get a Buccaneer?! | 0:22:02 | 0:22:04 | |
We got that from the Ministry of Defence, for ?8,500. | 0:22:04 | 0:22:08 | |
You've just bought it? Yes. | 0:22:08 | 0:22:10 | |
And that included the delivery flight from Scotland | 0:22:10 | 0:22:12 | |
to Northern Ireland. | 0:22:12 | 0:22:13 | |
So it's complete? Absolutely complete. | 0:22:13 | 0:22:15 | |
The engines and all are still in it. | 0:22:15 | 0:22:17 | |
It almost looks like a toy, doesn't it? | 0:22:17 | 0:22:20 | |
It does. But this was an actual war bird - | 0:22:20 | 0:22:22 | |
took part in the Suez crisis. | 0:22:22 | 0:22:24 | |
And actually destroyed an | 0:22:24 | 0:22:26 | |
Egyptian aircraft in 1956. | 0:22:26 | 0:22:27 | |
Not such a toy. | 0:22:27 | 0:22:29 | |
So not such a toy. | 0:22:29 | 0:22:30 | |
All these aircraft together - how do you keep this going? | 0:22:30 | 0:22:33 | |
Who does this? Well, we have a set of about 50 volunteers, | 0:22:33 | 0:22:36 | |
and they preserve them and restore them, | 0:22:36 | 0:22:39 | |
and keep them in pristine condition. | 0:22:39 | 0:22:41 | |
There's an awful lot of engineering in these aircraft. | 0:22:41 | 0:22:44 | |
Where do you get the skills, the right people to do this? | 0:22:44 | 0:22:46 | |
We have people who come to us, | 0:22:46 | 0:22:48 | |
and they come from all walks of life. | 0:22:48 | 0:22:50 | |
We have solicitors, we have architects, | 0:22:50 | 0:22:52 | |
we have investment brokers, | 0:22:52 | 0:22:54 | |
we have lorry drivers. | 0:22:54 | 0:22:56 | |
The passion is they love aircraft, | 0:22:56 | 0:22:59 | |
and once they start to work on an aircraft you can't pull them away. | 0:22:59 | 0:23:02 | |
That's a Doodlebug. Absolutely correct. | 0:23:04 | 0:23:06 | |
Do you know how I know that? No. | 0:23:06 | 0:23:07 | |
Second World War, my grandfather, bomb disposal, | 0:23:07 | 0:23:09 | |
was the first man to make safe a doodlebug. | 0:23:09 | 0:23:11 | |
Wow. That is something. This is part of my family history. | 0:23:11 | 0:23:15 | |
That is something. | 0:23:15 | 0:23:16 | |
If I was looking for somewhere to build Harry's plane, | 0:23:18 | 0:23:21 | |
is there anywhere better than this? Look no further. This is the place. | 0:23:21 | 0:23:25 | |
We should be able to replicate it. | 0:23:25 | 0:23:27 | |
But as to whether it will fly or not... | 0:23:27 | 0:23:29 | |
In Alistair's workshop, a master craftsman labouring away. | 0:23:33 | 0:23:37 | |
Echoes of Harry. | 0:23:39 | 0:23:40 | |
And with the airframe finished ahead of schedule, | 0:23:47 | 0:23:50 | |
William beats a path to Alistair's door. | 0:23:50 | 0:23:53 | |
That looks fabulous! | 0:23:53 | 0:23:54 | |
Do you still want to fly it? | 0:23:54 | 0:23:56 | |
Oh, yeah. It's surprising that it's a lot bigger in length. | 0:23:56 | 0:24:00 | |
Do you think it'll fly? | 0:24:00 | 0:24:01 | |
It'll have to fly, that's for sure. | 0:24:02 | 0:24:04 | |
The finish is superb. | 0:24:04 | 0:24:06 | |
Not too bad, no. It's surprising how big... | 0:24:06 | 0:24:09 | |
Yeah. It's so long, is the thing that catches you out. | 0:24:09 | 0:24:12 | |
Well, I tell you, it looks superb. | 0:24:12 | 0:24:14 | |
It really does. How do you find this, as far as rigidity, | 0:24:14 | 0:24:17 | |
building it off the plan? The plans are very accurate. | 0:24:17 | 0:24:21 | |
The plans are very good to work off. | 0:24:21 | 0:24:23 | |
I like the way you've done the A-frame. Is that glued? | 0:24:23 | 0:24:25 | |
That's glued. That's glued, because | 0:24:25 | 0:24:27 | |
you're going to be putting something in, over there. | 0:24:27 | 0:24:29 | |
And if I glued it and pinned it, | 0:24:29 | 0:24:31 | |
I might disturb where you're going to put your pins. | 0:24:31 | 0:24:34 | |
The wood, to me, looks really good as far as finish. | 0:24:34 | 0:24:37 | |
And as far as strength, | 0:24:37 | 0:24:38 | |
it's all triangulated which is normal engineering practice. | 0:24:38 | 0:24:42 | |
I don't know what it's like for weight, and I suppose... | 0:24:42 | 0:24:45 | |
Try lifting it. | 0:24:45 | 0:24:46 | |
We're lifting it against the A-frame, but... | 0:24:48 | 0:24:50 | |
Yeah, there is a bit of weight in it, OK. | 0:24:50 | 0:24:52 | |
It's surprising, just... | 0:24:52 | 0:24:54 | |
I didn't think it would be so heavy. | 0:24:55 | 0:24:56 | |
Well, there's quite a lot of wood in it. Yeah. | 0:24:56 | 0:24:59 | |
I wonder what the weight is like in the front. | 0:24:59 | 0:25:01 | |
Let's have a look in that. | 0:25:01 | 0:25:02 | |
This is a hefty bit of wood, there's no doubt. Yeah. | 0:25:02 | 0:25:05 | |
Oh... | 0:25:05 | 0:25:06 | |
Yeah. | 0:25:06 | 0:25:08 | |
You can feel the weight in that OK. | 0:25:08 | 0:25:10 | |
You getting worried? Yeah, I am worried. | 0:25:10 | 0:25:13 | |
It's heavier than I imagined. | 0:25:13 | 0:25:14 | |
There's not a lot you can cut out, you know? | 0:25:14 | 0:25:16 | |
It's as per plan. | 0:25:16 | 0:25:18 | |
The heaviest bits of timber, probably, | 0:25:18 | 0:25:20 | |
is the A-frame and some of the ash in the back. | 0:25:20 | 0:25:23 | |
You know, you could put a lighter timber in, | 0:25:23 | 0:25:25 | |
but I don't want to see you coming down and the fuselage breaking. | 0:25:25 | 0:25:30 | |
It has to be strong. That's my seat, so it has to take me. | 0:25:30 | 0:25:34 | |
Over in Hollywood, | 0:25:39 | 0:25:40 | |
they're getting the measure of Harry's undercarriage. | 0:25:40 | 0:25:43 | |
Every modern workshop, you've got all these tools around the place. | 0:25:45 | 0:25:48 | |
And I think what'll Harry be doing? You know, what's his workshop like? | 0:25:48 | 0:25:50 | |
100 years ago - must have been difficult. | 0:25:50 | 0:25:53 | |
But then you think his workshop had electricity, he had power tools. | 0:25:53 | 0:25:57 | |
It was one of the most advanced workshops in the country. | 0:25:57 | 0:26:00 | |
It would have been a bit like this. | 0:26:00 | 0:26:04 | |
So what are we doing? These bends. Bending it. | 0:26:04 | 0:26:06 | |
So if you want to set the backstop at 25 degrees... | 0:26:06 | 0:26:08 | |
The front edge of this goes to 25 degrees? | 0:26:08 | 0:26:11 | |
Yup. | 0:26:11 | 0:26:12 | |
Right. Back towards you. | 0:26:13 | 0:26:14 | |
39 to the... Back towards you, back, back, back, back... | 0:26:14 | 0:26:18 | |
And it's 39. | 0:26:18 | 0:26:19 | |
That's 39 exactly to the yellow, OK? | 0:26:19 | 0:26:21 | |
Yeah. Spot on. | 0:26:21 | 0:26:22 | |
Former in. | 0:26:23 | 0:26:24 | |
This just seems, to me, to be too easy. | 0:26:27 | 0:26:30 | |
Right. Whip it out. | 0:26:37 | 0:26:39 | |
Two of these, one axle - we've got an undercarriage. | 0:26:41 | 0:26:44 | |
Yup. Good man. | 0:26:44 | 0:26:45 | |
And in the Ferguson factory in Banbridge, | 0:26:58 | 0:27:00 | |
the proud tradition of weaving Irish linen is still alive and well. | 0:27:00 | 0:27:04 | |
We need one of the oldest fabrics the company makes, | 0:27:06 | 0:27:09 | |
a grade known as eight bar eight - | 0:27:09 | 0:27:12 | |
light enough yet strong enough to cover Harry's plane. | 0:27:12 | 0:27:15 | |
Is this it? This is it. Eight bar eight. | 0:27:16 | 0:27:19 | |
I think this is the best option, | 0:27:19 | 0:27:20 | |
and I think this is what he would have used. | 0:27:20 | 0:27:22 | |
Right. Have you got much of it? | 0:27:22 | 0:27:24 | |
Well, we've got lots of it. How much do you want? | 0:27:24 | 0:27:27 | |
100 square yards? | 0:27:27 | 0:27:29 | |
No problem. | 0:27:29 | 0:27:30 | |
That was easier than I thought. | 0:27:36 | 0:27:37 | |
So the linen's in the bag. | 0:27:39 | 0:27:41 | |
And Alistair's airframe has come along beautifully. | 0:27:41 | 0:27:44 | |
But there's many a slip twixt cup and lip. | 0:27:44 | 0:27:47 | |
Let's hope that's the last time William crashes. | 0:27:48 | 0:27:50 | |
Next time... | 0:27:53 | 0:27:54 | |
Harry's plane takes off... | 0:27:54 | 0:27:57 | |
to its new home at the Ulster Aviation Society. | 0:27:57 | 0:27:59 | |
I probably look like James Bond. | 0:28:00 | 0:28:02 | |
There's enough string. | 0:28:04 | 0:28:06 | |
We are at 1,300. | 0:28:06 | 0:28:08 | |
And I get a spectacular view of Newcastle, in Harry's slipstream. | 0:28:08 | 0:28:13 | |
He crashed several times, he buckled wheels, he broke wings, | 0:28:13 | 0:28:16 | |
but the man was stubborn and very brave. | 0:28:16 | 0:28:18 |