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It's 3:30 in the morning. | 0:00:50 | 0:00:51 | |
Now it takes something pretty special to get me out of bed at this time of day, | 0:00:51 | 0:00:55 | |
but I've come to see the start of a spectacular daily show. | 0:00:55 | 0:00:59 | |
-BIRDSONG -Here we are, best seat in the house and I think I'm only just in time. | 0:01:16 | 0:01:20 | |
The overture's beginning. Who's first up? | 0:01:20 | 0:01:24 | |
The robin! | 0:01:24 | 0:01:26 | |
Blackbird... | 0:01:28 | 0:01:29 | |
Song thrush - always nice to hear. | 0:01:32 | 0:01:34 | |
One starts and then suddenly within seconds, they're all joining in. | 0:01:37 | 0:01:42 | |
It's as if they're all taking their four-part harmony now. | 0:01:46 | 0:01:50 | |
So, woodland that five minutes ago was absolutely silent | 0:01:55 | 0:02:00 | |
is now ringing. | 0:02:00 | 0:02:02 | |
It's the most evocative sound in our wildlife year. | 0:02:05 | 0:02:09 | |
At its peak, more than 70 million birds across the country join the spring dawn chorus. | 0:02:09 | 0:02:16 | |
It signifies a special place, a wildlife habitat packed from floor to canopy. | 0:02:16 | 0:02:23 | |
The forest is a magical and mysterious place. | 0:02:33 | 0:02:37 | |
The source of folklore and fairytales. | 0:02:41 | 0:02:44 | |
It's plain to see how ancient peoples conjured up all manner of mystical beasts | 0:02:44 | 0:02:50 | |
to live among the gnarled branches and forest mists, | 0:02:50 | 0:02:54 | |
but the real forest is even more extraordinary. | 0:02:54 | 0:02:58 | |
So join me on a journey where the plants and animals might seem familiar, | 0:02:58 | 0:03:03 | |
but the way in which they work together may come as a surprise. | 0:03:03 | 0:03:08 | |
Woodland is one of our richest habitats, but you'd be hard pressed to see what's living here at all. | 0:03:13 | 0:03:19 | |
Wildlife's very good at making itself scarce, especially our first little television star. | 0:03:21 | 0:03:26 | |
Its nickname is "the monkey of the forest" because it spends all summer up in the trees, | 0:03:26 | 0:03:32 | |
but in winter and early spring, it sleeps and is almost impossible to find. | 0:03:32 | 0:03:39 | |
It's the dormouse, | 0:03:39 | 0:03:41 | |
one of the few British mammals that truly hibernates. | 0:03:41 | 0:03:45 | |
It finds a comfortable winter nest site, | 0:03:45 | 0:03:48 | |
not up in a tree but on the ground. | 0:03:48 | 0:03:50 | |
Its body almost shuts down. | 0:03:50 | 0:03:53 | |
Its temperature falls to that of its surroundings | 0:03:53 | 0:03:56 | |
and its heartbeat slows down to a tenth of its normal rate. | 0:03:56 | 0:04:01 | |
It uses so little energy, it can go for weeks, even months, without moving. | 0:04:01 | 0:04:08 | |
But on warm winter days, the dormouse can wake for a short time, but that uses up valuable energy | 0:04:08 | 0:04:14 | |
so it goes back to sleep and the temperature drops. | 0:04:14 | 0:04:18 | |
Come the spring, its entire body kicks back into life, | 0:04:29 | 0:04:34 | |
but it doesn't venture far, because the dormouse's summer world doesn't exist yet. | 0:04:34 | 0:04:39 | |
There are no leaves on the trees to hide it from predators. | 0:04:40 | 0:04:45 | |
In winter, many of our woodland plants lie dormant too, | 0:04:51 | 0:04:56 | |
but with the slightest hint of spring, | 0:04:56 | 0:04:59 | |
the earliest flowers start to bloom. | 0:04:59 | 0:05:02 | |
It may seem a slow and gentle affair but there's urgency here. | 0:05:04 | 0:05:08 | |
This sudden burst of spring growth taking advantage of something all plants need to grow... | 0:05:08 | 0:05:14 | |
light! | 0:05:14 | 0:05:16 | |
Leaves have yet to appear on the trees, but when they do, | 0:05:16 | 0:05:19 | |
they'll cut off the light to the woodland floor. | 0:05:19 | 0:05:22 | |
So there's a race on. | 0:05:25 | 0:05:27 | |
All the early spring flowers must grow before that light's blocked out and to do that, | 0:05:27 | 0:05:33 | |
some of them have a hidden store of energy that gives them a head start. | 0:05:33 | 0:05:38 | |
The primroses are out already. | 0:05:38 | 0:05:41 | |
These wonderfully bashful, sulphur-yellow faces | 0:05:41 | 0:05:44 | |
and all around them, the leaves of bluebells. | 0:05:44 | 0:05:47 | |
In a couple of week's time, this is going to be a sea of blue. | 0:05:47 | 0:05:51 | |
Of course, the bluebells have an advantage. | 0:05:51 | 0:05:53 | |
They have one thing the gardener knows about at their roots... | 0:05:53 | 0:05:56 | |
a bulb, a winter storehouse of food, | 0:05:56 | 0:05:59 | |
that come the milder temperatures of spring pushes them into life | 0:05:59 | 0:06:03 | |
and one of the first bulbs to emerge... | 0:06:03 | 0:06:05 | |
is the daffodil. | 0:06:05 | 0:06:07 | |
It's a flower show more impressive than anything we can stage. | 0:06:21 | 0:06:26 | |
Following daffodils are lesser celandines. | 0:06:39 | 0:06:42 | |
Then come ramsons, the old English name for "wild garlic". | 0:06:50 | 0:06:55 | |
Next up are wood anemones. | 0:07:00 | 0:07:03 | |
And finally... | 0:07:09 | 0:07:12 | |
bluebells. | 0:07:12 | 0:07:14 | |
With maybe half the world's population in the United Kingdom, | 0:07:28 | 0:07:33 | |
British woodland is the last stronghold of the native bluebell. | 0:07:33 | 0:07:36 | |
But this spring race isn't confined to flowers on the forest floor. | 0:07:39 | 0:07:43 | |
The growing leaves will not only cut out light but also dampen sound. | 0:07:43 | 0:07:49 | |
So, the great spotted woodpecker stakes his claim to a territory | 0:07:49 | 0:07:53 | |
before they appear and risks a serious head injury for his trouble. | 0:07:53 | 0:07:59 | |
He drums rather than sings | 0:07:59 | 0:08:01 | |
and he's saying, "I'm here and this is my patch." | 0:08:01 | 0:08:06 | |
It's the original trunk call. | 0:08:06 | 0:08:09 | |
He always uses the same tree as a sounding board. | 0:08:09 | 0:08:12 | |
You can tell by the number of holes in it and the more resonant it is, the further the sound carries, | 0:08:12 | 0:08:19 | |
up to half a mile in some cases. | 0:08:19 | 0:08:21 | |
It's the human equivalent of hitting a wall face first at up to 20 mph. | 0:08:27 | 0:08:33 | |
This rush to beat the emerging leaves is joined by some of the trees themselves, | 0:08:42 | 0:08:48 | |
especially those producing wind-borne pollen. | 0:08:48 | 0:08:52 | |
Before their own leaves interrupt the flow of air in the woodland canopy, | 0:09:00 | 0:09:05 | |
willow and hazel join the race to flower. | 0:09:05 | 0:09:08 | |
Eventually, the leaves unfurl | 0:09:22 | 0:09:25 | |
and the colourful woodland display comes to an end. | 0:09:25 | 0:09:29 | |
By May, the trees close the canopy and switch off the light. | 0:09:29 | 0:09:35 | |
The show on the forest floor disappears | 0:09:39 | 0:09:42 | |
and our spotlight falls on the creatures hidden away in the depths of the forest. | 0:09:42 | 0:09:48 | |
With the leaves providing an effective hiding place, | 0:09:48 | 0:09:51 | |
our "monkey of the forest" behaves just like...a monkey. | 0:09:51 | 0:09:56 | |
The dormouse's world is the leafy canopy. | 0:09:57 | 0:10:01 | |
Now he's wide awake, he needs to make up for his winter fast | 0:10:01 | 0:10:04 | |
and the tree provides something especially juicy. | 0:10:04 | 0:10:08 | |
Feasting on its fresh green leaves are newly hatched caterpillars. | 0:10:08 | 0:10:13 | |
They're packed with protein, just the thing to set up a dormouse for his frantically active summer. | 0:10:13 | 0:10:20 | |
The rapidly spreading leaves are the chemical factories | 0:10:23 | 0:10:28 | |
that provide the tree with its own food, | 0:10:28 | 0:10:31 | |
but as with anything in nature, | 0:10:31 | 0:10:32 | |
if you provide something that's remotely edible, | 0:10:32 | 0:10:36 | |
then something'll come along and eat it. | 0:10:36 | 0:10:39 | |
Even with the canopy closed, the floor of most British woodlands | 0:11:03 | 0:11:08 | |
still receives sufficient light for ferns and other undergrowth to grow, | 0:11:08 | 0:11:13 | |
but the beech wood, like this one near Oxford, has virtually nothing growing on the forest floor. | 0:11:13 | 0:11:19 | |
There's a very good reason for that and it's right above me head. | 0:11:19 | 0:11:22 | |
The beech leaves fit together so closely, | 0:11:22 | 0:11:26 | |
almost like the pieces of a jigsaw, | 0:11:26 | 0:11:28 | |
that very few chinks of light make it down to the forest floor, | 0:11:28 | 0:11:33 | |
as a result of which the ground beneath me feet | 0:11:33 | 0:11:35 | |
is almost completely devoid of life but there is one survivor. | 0:11:35 | 0:11:39 | |
This is the bird's nest orchid. | 0:11:48 | 0:11:51 | |
It might not look much, but there's a good reason for that. | 0:11:51 | 0:11:54 | |
It grows in the gloom where nothing else can, | 0:11:54 | 0:11:57 | |
and that means it can't manufacture food with the aid of sunlight and photosynthesise. | 0:11:57 | 0:12:02 | |
That's why it's this kind of cream colour | 0:12:02 | 0:12:05 | |
and its leaves have been reduced to these scales, | 0:12:05 | 0:12:08 | |
but if it can't manufacture food with the aid of sunlight, | 0:12:08 | 0:12:11 | |
then it has to find alternative means of nourishment. | 0:12:11 | 0:12:14 | |
The orchid thrives with the help of a fungus | 0:12:14 | 0:12:17 | |
that lives in the soil and breaks down rotting vegetation. | 0:12:17 | 0:12:22 | |
The nutrients it absorbs are hijacked by the orchid. | 0:12:22 | 0:12:27 | |
But the orchid gives nothing in return. | 0:12:27 | 0:12:30 | |
It's a parasite. | 0:12:30 | 0:12:32 | |
So by taking advantage of the fungi, | 0:12:32 | 0:12:35 | |
these delicate flowers are able to survive | 0:12:35 | 0:12:39 | |
in the dark underworld of the beech forest, | 0:12:39 | 0:12:41 | |
where less well-adapted species simply fade away. | 0:12:41 | 0:12:44 | |
With so little light and therefore warmth getting through the canopy, | 0:12:46 | 0:12:52 | |
flying insects like butterflies tend to make for the woodland edge. | 0:12:52 | 0:12:56 | |
It's where they'll find the later flowers and the instant energy their nectar provides. | 0:12:59 | 0:13:05 | |
But in a wood in Hampshire, there's a butterfly that's turned its back on all that | 0:13:05 | 0:13:10 | |
and it's one creature I'd especially like to meet. | 0:13:10 | 0:13:12 | |
But to see it, I need to get up there. | 0:13:12 | 0:13:15 | |
"THUNDERBIRDS" THEME PLAYS | 0:13:15 | 0:13:18 | |
Lovely! | 0:13:46 | 0:13:48 | |
Apparently, this is their favourite perch | 0:13:48 | 0:13:51 | |
and they generally turn up about noon. | 0:13:51 | 0:13:55 | |
Near enough. OK, do you want to turn her off? Thanks. | 0:13:55 | 0:13:58 | |
Hah! | 0:13:59 | 0:14:01 | |
That's a leaf. | 0:14:05 | 0:14:07 | |
And here it is... a purple emperor butterfly, | 0:14:15 | 0:14:17 | |
foxy and creamy on the underside of the wings | 0:14:17 | 0:14:19 | |
and iridescent purple on top. Absolutely beautiful. | 0:14:19 | 0:14:24 | |
And they're very active. | 0:14:30 | 0:14:32 | |
Each male butterfly circles in the light, | 0:14:32 | 0:14:35 | |
defending its own patch of the woodland canopy. | 0:14:35 | 0:14:38 | |
They'll even see off small birds rash enough to venture into the butterfly's airspace. | 0:14:41 | 0:14:48 | |
And they go to so much trouble because they have a sweet tooth. | 0:14:52 | 0:14:56 | |
Butterflies drink nectar, but there are no flowers up here to provide that | 0:14:57 | 0:15:01 | |
so they need to find another way of getting at it. | 0:15:01 | 0:15:04 | |
Now butterflies can't pierce leaves but these can. | 0:15:04 | 0:15:09 | |
Aphids. And they're very messy eaters. | 0:15:10 | 0:15:13 | |
Aphids tap into the tree's sugar transport system. | 0:15:13 | 0:15:18 | |
They stab the leaf vein with their needle-like mouthparts and feed on the sugary liquid. | 0:15:18 | 0:15:24 | |
The system's under high pressure, so they don't need to suck. | 0:15:24 | 0:15:27 | |
The sugary solution gushes into their stomachs and even spills out of their rear ends. | 0:15:27 | 0:15:33 | |
The result is a "rain" of sticky, sweet droplets that drip onto the leaves below. | 0:15:33 | 0:15:39 | |
It's a bit of a nuisance when you park your car underneath, | 0:15:39 | 0:15:42 | |
but for the purple emperor, it's manna from heaven. | 0:15:42 | 0:15:47 | |
Using its long proboscis, the butterfly sucks up the sugary puddles. | 0:15:49 | 0:15:54 | |
So by breaking that traditional tie between the butterfly and flowers, the purple emperor | 0:15:54 | 0:16:01 | |
has managed to find itself a whole new lifestyle in the forest canopy. | 0:16:01 | 0:16:06 | |
Now you'll only hear this sound if it's dead quiet. | 0:16:33 | 0:16:38 | |
MUFFLED SCRAPING | 0:16:38 | 0:16:41 | |
It's made by something you'd meet more usually out in the open at a picnic or in the backyard. | 0:16:41 | 0:16:48 | |
But actually the wasp is more at home in the woods. | 0:16:48 | 0:16:52 | |
The wasp is scraping wood, not to eat, | 0:16:56 | 0:16:59 | |
but to chew into a pulp and then manufacture its summer home. | 0:16:59 | 0:17:05 | |
It's a house made entirely of paper | 0:17:05 | 0:17:09 | |
and the workers construct it one layer at a time. | 0:17:09 | 0:17:13 | |
Deep inside the nest, neat rows of nursery cells contain the growing wasp larvae. | 0:17:17 | 0:17:24 | |
The workers feed them chewed up caterpillars | 0:17:27 | 0:17:31 | |
while the wasps themselves feed on nectar that's passed from one wasp to another. | 0:17:31 | 0:17:36 | |
It's all very organised - a wasp-making assembly line. | 0:17:40 | 0:17:45 | |
And there's one creature that's travelled all the way from Africa | 0:17:47 | 0:17:51 | |
to a wooded Welsh valley to cash in on the product they're making. | 0:17:51 | 0:17:55 | |
It's a honey buzzard, | 0:17:58 | 0:17:59 | |
a bird of prey, but one that behaves in a very unusual way. | 0:17:59 | 0:18:05 | |
It breaks into wasp nests but there could be 10,000 angry workers living inside, | 0:18:08 | 0:18:14 | |
and they may be small but what they lack in size, | 0:18:14 | 0:18:17 | |
they more than make up for in ferocity. | 0:18:17 | 0:18:20 | |
The buzzard's well protected. | 0:18:25 | 0:18:27 | |
Tightly-packed feathers on its head and face repel stings | 0:18:27 | 0:18:31 | |
and protective lids prevent damage to its vulnerable eyes. | 0:18:31 | 0:18:36 | |
The attacks, though, are relentless. | 0:18:36 | 0:18:38 | |
Each time a wasp stings, it releases a chemical that encourages other wasps to join in, | 0:18:38 | 0:18:44 | |
but they're not the only ones using chemicals to communicate. | 0:18:44 | 0:18:48 | |
The honey buzzard itself releases a smell that serves to calm the wasps. | 0:18:52 | 0:18:58 | |
Although they swarm around the bird, they seem to have forgotten what they're angry about! | 0:19:03 | 0:19:08 | |
Unlike other birds of prey, | 0:19:09 | 0:19:12 | |
the honey buzzard has a delicate beak with which it picks out the tasty grubs. | 0:19:12 | 0:19:17 | |
It rarely destroys the entire nest, but leaves part | 0:19:19 | 0:19:23 | |
so workers can rebuild it and then it'll return for a second helping. | 0:19:23 | 0:19:27 | |
After eating its fill, the bird carries a portion of the wasp nest back to its own nest, | 0:19:30 | 0:19:36 | |
where its chicks are already adept at winkling out the grubs. | 0:19:36 | 0:19:40 | |
So next time wasps cause you a nuisance, | 0:19:50 | 0:19:53 | |
remember they also bring the magnificent honey buzzard all the way from Africa | 0:19:53 | 0:19:59 | |
to breed in our woodlands each year. | 0:19:59 | 0:20:02 | |
The woods and forests we've visited so far | 0:20:05 | 0:20:08 | |
have broad-leafed trees that thrive in the relatively mild conditions | 0:20:08 | 0:20:13 | |
that persist almost all year round in much of England and Wales, | 0:20:13 | 0:20:16 | |
but north of the border, things are very different. | 0:20:16 | 0:20:21 | |
In the more remote parts of Scotland, | 0:20:40 | 0:20:43 | |
trees must cope with probably the most unforgiving climate in the entire country. | 0:20:43 | 0:20:49 | |
The Great Caledonian Forest once covered much of the Scottish Highlands, | 0:20:59 | 0:21:05 | |
but due to a change in our climate and the felling of its trees, | 0:21:05 | 0:21:10 | |
the forest today is a shadow of its former self. | 0:21:10 | 0:21:13 | |
The trees are pines, birch, aspen, rowan, and junipers | 0:21:29 | 0:21:36 | |
and they're beautifully adapted to the harsh conditions that prevail in the north. | 0:21:36 | 0:21:41 | |
The land can be covered in snow for up to a hundred days of the year, | 0:21:43 | 0:21:48 | |
but the conical shape of many trees ensures the snow slides off their branches so they don't break. | 0:21:48 | 0:21:55 | |
The sap contains antifreeze so the water inside the tree doesn't turn into ice, | 0:21:59 | 0:22:04 | |
and of all the Caledonian trees, | 0:22:04 | 0:22:06 | |
the toughest must be the magnificent Scot's pine. | 0:22:06 | 0:22:09 | |
It's the world's most widespread conifer, | 0:22:09 | 0:22:13 | |
and there's one important adaptation that enables it to grow in the most unexpected places. | 0:22:13 | 0:22:19 | |
The rockface below me is exposed to all the elements | 0:22:19 | 0:22:23 | |
- wind, rain, snow and ice, | 0:22:23 | 0:22:25 | |
but amazingly, some trees manage to grow even here. | 0:22:25 | 0:22:30 | |
Against all the odds, | 0:23:02 | 0:23:03 | |
this pine tree here has managed to establish itself on this sheer rockface. | 0:23:03 | 0:23:10 | |
There's hardly any soil here and consequently hardly any moisture | 0:23:10 | 0:23:14 | |
and what there is freezes in winter. | 0:23:14 | 0:23:17 | |
Temperatures here can fall to minus 20 degrees | 0:23:17 | 0:23:21 | |
and winds can reach speeds of up to 140 miles an hour. | 0:23:21 | 0:23:25 | |
So how does it survive? | 0:23:25 | 0:23:27 | |
By using these... | 0:23:28 | 0:23:30 | |
pine needles. | 0:23:30 | 0:23:32 | |
They are leaves, but they're very, very narrow and they're covered in a waxy coating | 0:23:32 | 0:23:37 | |
which hangs onto as much moisture as possible, | 0:23:37 | 0:23:39 | |
so whilst deciduous trees shed their leaves in autumn and grow new ones each spring, | 0:23:39 | 0:23:44 | |
the pine hangs onto its leaves all year round, saving itself the energy. | 0:23:44 | 0:23:48 | |
And up among its branches, it also has pine cones growing throughout the year. | 0:23:52 | 0:23:56 | |
In Scotland's Cairngorms, this gives rise to a sound you wouldn't expect to hear in the depths of winter. | 0:23:56 | 0:24:04 | |
TWEETING | 0:24:04 | 0:24:06 | |
They're chicks - crossbill chicks. | 0:24:07 | 0:24:10 | |
It's rare to find baby birds like these in winter | 0:24:10 | 0:24:14 | |
because chicks need heaps of food and it's just not available at this time of year. | 0:24:14 | 0:24:18 | |
But pine cones allow crossbill chicks to get an early start. | 0:24:21 | 0:24:25 | |
The seeds, the pine kernels, | 0:24:25 | 0:24:28 | |
are locked away inside the cones and early in the season when the cones are barely open, | 0:24:28 | 0:24:34 | |
birds can't get at them. All, that is, except the crossbill. | 0:24:34 | 0:24:39 | |
You've heard of cross-eyes. | 0:24:39 | 0:24:41 | |
Well, this bird has cross-bills, hence the name. | 0:24:41 | 0:24:44 | |
It's the only bird in the world | 0:24:44 | 0:24:46 | |
with the upper and lower parts of its bill crossing over when the bill's closed. | 0:24:46 | 0:24:51 | |
It's the perfect shape to prise open the woody scales of a pine cone | 0:24:51 | 0:24:56 | |
and get at the seeds inside. | 0:24:56 | 0:24:58 | |
It seems to behave more like a parrot than a songbird. | 0:25:05 | 0:25:08 | |
With the scales prised apart, | 0:25:08 | 0:25:10 | |
it uses its highly flexible tongue to pull out the seed. | 0:25:10 | 0:25:14 | |
By adopting this breaking and entering technique, | 0:25:27 | 0:25:30 | |
the crossbill opens a treasure chest of food, | 0:25:30 | 0:25:33 | |
allowing it to bring up its young at what seems to be the worst time of year... | 0:25:33 | 0:25:38 | |
..and be one step ahead of all the other birds in the wood. | 0:25:41 | 0:25:46 | |
Winkling out pine kernels is one thing but eating the pine's needle-like leaves is quite another, | 0:25:50 | 0:25:57 | |
yet surprisingly they provide the energy required for Mother Nature's variation on the Highland fling. | 0:25:57 | 0:26:05 | |
TAPPING AND SQUAWKING | 0:26:05 | 0:26:08 | |
Spring on the shores of Loch Garten in Speyside is marked by another unusual sound. | 0:26:10 | 0:26:17 | |
It's the male capercaillie. | 0:26:20 | 0:26:22 | |
He's strutting his stuff and calling to attract the ladies. | 0:26:25 | 0:26:30 | |
They quite literally fall at his feet. | 0:26:30 | 0:26:32 | |
TAPPING AND SQUAWKING | 0:26:32 | 0:26:38 | |
In fact, we only hear part of the call. | 0:26:40 | 0:26:43 | |
One component is so low-pitched, we can't hear it at all, | 0:26:43 | 0:26:47 | |
but low frequency sounds travel well in the forest, | 0:26:47 | 0:26:50 | |
attracting hen capercaillies from far and wide. | 0:26:50 | 0:26:54 | |
Combined with his swaggering courtship dance, | 0:26:54 | 0:26:57 | |
he cuts a fine figure, but he contributes virtually nothing to bringing up the brood. | 0:26:57 | 0:27:03 | |
The capercaillie is one of the few creatures that can digest pine needles | 0:27:04 | 0:27:08 | |
and as they're on the tree all year round, | 0:27:08 | 0:27:11 | |
there's plenty of food for the female birds to feast on. | 0:27:11 | 0:27:14 | |
They don't need the males. They can rear their young on their own. | 0:27:14 | 0:27:18 | |
So, the males have nothing else to offer the self-sufficient females, | 0:27:34 | 0:27:38 | |
but their courtship display. | 0:27:38 | 0:27:40 | |
Oh, and the contribution to the genetic makeup of their offspring! | 0:27:40 | 0:27:44 | |
And when the pine needles fall from the trees, they're not wasted. | 0:27:52 | 0:27:56 | |
They don't break down quickly like broader leaves | 0:27:56 | 0:28:00 | |
so they're used not as food, but as building materials. | 0:28:00 | 0:28:03 | |
And the builders are ants | 0:28:06 | 0:28:10 | |
- wood ants. | 0:28:10 | 0:28:13 | |
This mound isn't an untidy heap of pine needles. | 0:28:16 | 0:28:19 | |
There's order here. | 0:28:19 | 0:28:21 | |
The needles are placed in such a way that rainwater is shed just like a thatched roof on a cottage. | 0:28:22 | 0:28:28 | |
The side facing the sun is also slightly flattened to warm up the nest | 0:28:32 | 0:28:37 | |
while workers block and unblock the nest entrances to control the temperature and humidity inside. | 0:28:37 | 0:28:44 | |
They also sit on the top, sunbathing, | 0:28:48 | 0:28:51 | |
not some sort of ant siesta, | 0:28:51 | 0:28:53 | |
but a means of taking the sun's warmth down to the brood chambers | 0:28:53 | 0:28:57 | |
deep inside the nest and warming up the young | 0:28:57 | 0:29:01 | |
- miniature storage heaters on legs. | 0:29:01 | 0:29:05 | |
The ants return the gift of building materials | 0:29:05 | 0:29:10 | |
by protecting the pine trees from leaf-eating insects. | 0:29:10 | 0:29:13 | |
Some caterpillars are able to digest the needles and could make a sorry state of the tree, | 0:29:18 | 0:29:24 | |
but the wood ants come to the rescue. | 0:29:24 | 0:29:26 | |
They kill the caterpillars | 0:29:32 | 0:29:34 | |
and then carry their victims back to the nest. | 0:29:34 | 0:29:38 | |
In fact, wood ants are so important at keeping pests at bay | 0:29:38 | 0:29:42 | |
that they're key players in the preservation of these ancient pine forests. | 0:29:42 | 0:29:46 | |
There are over 80 pockets remaining today, | 0:29:49 | 0:29:52 | |
but at one time the forests were so thick and covered so much of Britain | 0:29:52 | 0:29:57 | |
that a squirrel, if it had a mind to, could have scampered all the way | 0:29:57 | 0:30:01 | |
from the north of Scotland to the south coast of England without ever having to touch the ground. | 0:30:01 | 0:30:07 | |
It's hard to imagine that these manicured fields and patches of woodland | 0:30:14 | 0:30:20 | |
were once covered by a vast unbroken forest. | 0:30:20 | 0:30:24 | |
It was filled with game, including an animal that was hunted out of existence in this country. | 0:30:38 | 0:30:44 | |
But after an absence of 300 years, it's back. | 0:30:44 | 0:30:49 | |
It's the wild boar. | 0:30:49 | 0:30:51 | |
It's escaped from farms and now it's set up home in woodlands in several parts of southern England, | 0:30:59 | 0:31:06 | |
like the Kent and Sussex border and the Forest of Dean. | 0:31:06 | 0:31:10 | |
In the wild, they feast on beech mast, when it's in season, | 0:31:15 | 0:31:19 | |
and to make it, the beech tree has struck up an intimate relationship with another living thing. | 0:31:19 | 0:31:25 | |
To find out what led me to a friendly encounter with some close relations of the wild boar. | 0:31:30 | 0:31:37 | |
Pigs - they're quite keen on biscuits. Here you go. | 0:31:41 | 0:31:45 | |
But they're even keener on something else | 0:31:45 | 0:31:48 | |
and they're very good at finding it. | 0:31:48 | 0:31:50 | |
Oh, look what she's found! Pigs will do anything for a piece of this. | 0:32:10 | 0:32:15 | |
It's a summer truffle and pigs share their predilection for them with many a wealthy gastronome, | 0:32:15 | 0:32:21 | |
but it's more than just a tasty titbit. | 0:32:21 | 0:32:23 | |
It's a kind of fungus | 0:32:23 | 0:32:25 | |
and beech trees rely completely on fungi like this for their survival. | 0:32:25 | 0:32:31 | |
It's incredible that something so big can rely on something so small. | 0:32:31 | 0:32:36 | |
If I asked you how trees manage to get hold of water and nutrients, | 0:32:36 | 0:32:41 | |
you'd probably say through the roots but that's only a part of the story. | 0:32:41 | 0:32:46 | |
They couldn't do it at all without these... | 0:32:46 | 0:32:48 | |
..fungal strands. | 0:32:50 | 0:32:53 | |
Mycelium, it's a kind of symbiosis. The fungus passes minerals and water to the tree | 0:32:53 | 0:32:59 | |
and the tree, in return, passes sugars to the fungus, so they're both winners. | 0:32:59 | 0:33:05 | |
So, down there in the soil, we have the real engine room of the forest | 0:33:05 | 0:33:10 | |
and the amount of filaments, roots and rootlets - | 0:33:10 | 0:33:13 | |
the intricate pipe work that joins it all together - is staggering. | 0:33:13 | 0:33:19 | |
If you were to unravel the tree's roots, | 0:33:19 | 0:33:22 | |
they'd stretch for five miles. Pretty impressive, eh? | 0:33:22 | 0:33:26 | |
But if you were to unravel its fungal mycelium, | 0:33:26 | 0:33:30 | |
that would stretch right round the globe! | 0:33:30 | 0:33:33 | |
It means this beech woodland relies for its nutrients | 0:33:33 | 0:33:37 | |
on a vast network of tiny underground fungal threads. | 0:33:37 | 0:33:41 | |
So the next time you see a massive beech tree, | 0:33:41 | 0:33:44 | |
just pause for a moment and reflect on the fact that it owes its entire existence | 0:33:44 | 0:33:50 | |
to something as small as a summer truffle. | 0:33:50 | 0:33:54 | |
There you go. | 0:33:54 | 0:33:55 | |
In fact, without fungi, nothing in the forest would grow | 0:33:55 | 0:34:01 | |
and although it's another part of the woodland that we don't tend to see, | 0:34:01 | 0:34:05 | |
the total weight of fungi in the soil approaches that of the trees themselves. | 0:34:05 | 0:34:11 | |
The only time we do see them is when they reproduce. | 0:34:11 | 0:34:15 | |
Some rely on wind to carry their spores up into the air. | 0:34:26 | 0:34:30 | |
The stinkhorn gives off a smell that attracts flies | 0:34:34 | 0:34:38 | |
and they spread the spores far and wide. | 0:34:38 | 0:34:41 | |
The ink cap releases them as the fungus decays into a black mushy soup. | 0:34:44 | 0:34:51 | |
The bird's nest fungus forms the perfect cup. | 0:34:59 | 0:35:03 | |
Raindrops falling into its centre splatter the spores | 0:35:15 | 0:35:19 | |
so they bounce out of the cup and onto the ground. | 0:35:19 | 0:35:23 | |
Raindrops trigger the puff in an earthstar's puffball | 0:35:26 | 0:35:30 | |
to help release its cloud of tiny spores. | 0:35:30 | 0:35:34 | |
And all these fruiting bodies | 0:35:36 | 0:35:39 | |
provide an instant takeaway for woodland animals. | 0:35:39 | 0:35:43 | |
Of course we like mushrooms too, and of the six thousand species in Britain, many are edible. | 0:35:44 | 0:35:50 | |
A deadly few though are poisonous enough to kill us | 0:35:50 | 0:35:54 | |
and they have an uncanny resemblance to the ones we like to eat. | 0:35:54 | 0:35:59 | |
This is a true morel, a fungus found in woodland. | 0:35:59 | 0:36:04 | |
This is the false morel. | 0:36:04 | 0:36:08 | |
Now the true morel is edible and very tasty. | 0:36:08 | 0:36:13 | |
But this one, when ingested in your stomach, | 0:36:17 | 0:36:19 | |
produces a chemical that's found in rocket fuel. | 0:36:19 | 0:36:24 | |
You will die a lingering and painful death. | 0:36:24 | 0:36:28 | |
I've got the right one... | 0:36:30 | 0:36:31 | |
..I think! | 0:36:33 | 0:36:34 | |
The morels appear in late spring and early summer, | 0:36:38 | 0:36:42 | |
but most mushrooms send up their fruiting bodies later in the year, | 0:36:42 | 0:36:46 | |
when the atmosphere's warm and moist. | 0:36:46 | 0:36:48 | |
They tell us that another change is in the air | 0:36:48 | 0:36:51 | |
- the slow transition from summer into autumn. | 0:36:51 | 0:36:55 | |
It's another time of woodland plenty. | 0:37:00 | 0:37:04 | |
Trees spread not spores like fungi, but seeds, | 0:37:06 | 0:37:11 | |
and they're often as not wrapped up in a sweet-tasting fruit or berry, | 0:37:11 | 0:37:15 | |
a slowly ripening feast, not only for the palate but also for the eyes. | 0:37:15 | 0:37:21 | |
There's something about the colour red that makes fruits and berries | 0:37:32 | 0:37:36 | |
totally irresistible to woodland animals. | 0:37:36 | 0:37:40 | |
It's one way a tree enlists help to spread its seeds. | 0:37:40 | 0:37:43 | |
Birds provide a free courier service. | 0:37:45 | 0:37:49 | |
The seeds hidden inside the berries aren't digested, | 0:37:49 | 0:37:53 | |
so they pass through the bird's gut, only to be deposited some distance from the parent tree | 0:37:53 | 0:37:58 | |
complete with a dollop of fertiliser to help kick-start their germination. | 0:37:58 | 0:38:04 | |
So, berries and fruits are not only vital to the tree, | 0:38:11 | 0:38:15 | |
but also to the rest of woodland life. | 0:38:15 | 0:38:18 | |
These fruits could mean the difference between life and death for the dormouse, | 0:38:21 | 0:38:26 | |
which must put on enough fat to survive the coming winter. | 0:38:26 | 0:38:30 | |
And when it's run out of fruits, there are always nuts. | 0:38:30 | 0:38:35 | |
With the trees producing so much food at this time of year, | 0:38:38 | 0:38:42 | |
woodlands are a magnet not only for the fruit and nut eaters, | 0:38:42 | 0:38:46 | |
especially the mice and voles, | 0:38:46 | 0:38:47 | |
but also the animals that like to eat THEM | 0:38:47 | 0:38:51 | |
and it's at night in a Somerset woodland | 0:38:51 | 0:38:54 | |
that you'll find the feast is in full swing. | 0:38:54 | 0:38:57 | |
This glut of food, though, means that the local rodent population goes into overdrive | 0:38:57 | 0:39:03 | |
and one woodland resident can take full advantage of it. | 0:39:03 | 0:39:07 | |
See if I can rustle one up and to do that, I'll need one of these, | 0:39:10 | 0:39:15 | |
see if I can find the right track. | 0:39:15 | 0:39:18 | |
HOOTING | 0:39:20 | 0:39:22 | |
There we go. | 0:39:22 | 0:39:24 | |
-HOOTING -An owl. | 0:39:24 | 0:39:26 | |
Wait for it... | 0:39:27 | 0:39:30 | |
-HOOTING -There we go, it works! | 0:39:30 | 0:39:33 | |
OWL HOOTS | 0:39:33 | 0:39:36 | |
As the evenings draw in, our forests ring to the well known call of our commonest owl, the tawny. | 0:39:36 | 0:39:42 | |
It's only about at night and it's beautifully camouflaged, | 0:39:42 | 0:39:46 | |
so although you hear it, you seldom see it. | 0:39:46 | 0:39:49 | |
OWL HOOTS | 0:39:51 | 0:39:52 | |
Now what you might not have realised is that this isn't one owl calling, it's two. | 0:39:52 | 0:39:58 | |
OWL HOOTS | 0:39:58 | 0:40:00 | |
It's a duet between male and female. | 0:40:00 | 0:40:03 | |
The female is doing that rather shrill "k-wick" | 0:40:03 | 0:40:08 | |
and the male is a much more sonorous "too-woo". | 0:40:08 | 0:40:13 | |
The reason we notice them more in early autumn | 0:40:15 | 0:40:18 | |
is that it's the time of a tawny owl teenage rebellion. | 0:40:18 | 0:40:21 | |
The chicks' demand for food is unrelenting | 0:40:21 | 0:40:24 | |
so after three months, the parents kick them out, which creates a serious real estate problem. | 0:40:24 | 0:40:30 | |
Who-oo's going to live where? | 0:40:30 | 0:40:33 | |
And that's where the calling comes in because a battle royal now ensues, | 0:40:34 | 0:40:38 | |
certainly in terms of just calling each other names. | 0:40:38 | 0:40:41 | |
All these youngsters are vying for their own territory, | 0:40:41 | 0:40:45 | |
often to the consternation of the adults who already occupy it. | 0:40:45 | 0:40:49 | |
The timing's critical. | 0:40:50 | 0:40:53 | |
If there was little food around, the young owls would starve, | 0:40:53 | 0:40:56 | |
but with so many fruits and nuts, the rodent population is at its peak, | 0:40:56 | 0:41:00 | |
providing plenty of easy to catch meals, | 0:41:00 | 0:41:03 | |
a life saver for a juvenile with limited hunting skills but bad news for dormice. | 0:41:03 | 0:41:11 | |
SCREECHING | 0:41:13 | 0:41:15 | |
The tawny owl has such good hearing, it can pick up the slightest rustle | 0:41:15 | 0:41:20 | |
and home in on its target with pinpoint accuracy and all in the dark. | 0:41:20 | 0:41:26 | |
Don't worry, our dormouse is safe. | 0:41:32 | 0:41:36 | |
But a wood mouse isn't so lucky. | 0:41:36 | 0:41:40 | |
The dormouse will live to scamper another day. | 0:41:40 | 0:41:43 | |
Accuracy is also the hallmark of another group of nocturnal predators, the bats. | 0:41:53 | 0:41:59 | |
HIGH-PITCHED CHATTERING | 0:41:59 | 0:42:03 | |
Like owls, they rely on sound to hunt in the dark, | 0:42:13 | 0:42:17 | |
but they also use sound to find their way about. | 0:42:17 | 0:42:21 | |
It's called echolocation. | 0:42:24 | 0:42:26 | |
They emit a sound and then listen for the returning echo. | 0:42:26 | 0:42:32 | |
Now we can't hear it, it's so high pitched, | 0:42:32 | 0:42:34 | |
but we can if I use this - a bat detector. | 0:42:34 | 0:42:39 | |
This will lower the frequency and make it audible to us through this little speaker here. | 0:42:39 | 0:42:45 | |
Different bats yell at different frequencies and I can adjust the frequency on here | 0:42:45 | 0:42:52 | |
which'll then tell me which bat I'm listening to. | 0:42:52 | 0:42:55 | |
RHYTHMIC BEATING | 0:42:55 | 0:42:59 | |
Whoa! According to the frequency, that was a pipistrelle, a little tiny one. | 0:42:59 | 0:43:03 | |
DEEPER RHYTHMIC BEATING | 0:43:03 | 0:43:07 | |
That's Daubenton's bat. | 0:43:07 | 0:43:10 | |
FAINT RHYTHMIC BEATING | 0:43:10 | 0:43:13 | |
That was a serotine. | 0:43:15 | 0:43:17 | |
This whole woodland is alive with the sound of bats yelling their heads off, | 0:43:17 | 0:43:22 | |
but they're not calling to one another. They're sending out those noises | 0:43:22 | 0:43:26 | |
and listening for the echoes coming back through the wood. | 0:43:26 | 0:43:29 | |
With this echolocation system, | 0:43:31 | 0:43:34 | |
a bat can lock onto moths flying in complete darkness with consummate ease, | 0:43:34 | 0:43:40 | |
but one species of British bat specialises in catching other kinds of prey. | 0:43:40 | 0:43:45 | |
You'd think that something like this spider here, | 0:43:45 | 0:43:49 | |
tucked safely away in its silken web, | 0:43:49 | 0:43:52 | |
would be safe from flying predators but then you'd have reckoned without a woodland specialist... | 0:43:52 | 0:43:59 | |
Natterer's bat. | 0:44:00 | 0:44:02 | |
This bat is what's known as a "gleaner". | 0:44:11 | 0:44:15 | |
It plucks prey off the vegetation | 0:44:15 | 0:44:18 | |
or in this case, a spider straight out of its web. | 0:44:18 | 0:44:22 | |
On our journey around British woodlands, | 0:44:27 | 0:44:30 | |
we've been to the Cairngorms and South Wales, | 0:44:30 | 0:44:33 | |
to Oxfordshire and Devon, | 0:44:33 | 0:44:35 | |
the New Forest and the Forest of Dean | 0:44:35 | 0:44:39 | |
and we've seen all sorts of amazing plants and animals, | 0:44:39 | 0:44:43 | |
but maybe there's something important that, so far, we've left out. | 0:44:43 | 0:44:48 | |
There's one central silent player in this woodland drama, | 0:44:49 | 0:44:54 | |
on whose yearly cycle all the other inhabitants depend... | 0:44:54 | 0:44:58 | |
the tree. | 0:44:58 | 0:45:01 | |
'It's the tree and the way it changes through the seasons | 0:45:01 | 0:45:05 | |
'that determines the pace of woodland life' | 0:45:05 | 0:45:08 | |
and it's the tree that provides nourishment and shelter for everything that lives here. | 0:45:08 | 0:45:15 | |
The oranges, yellows and browns of autumn are its final extravagant flourish | 0:45:25 | 0:45:33 | |
before its leaves die and fall to the ground. | 0:45:33 | 0:45:36 | |
For our dormouse, the autumn change means his entire world is falling down about him, | 0:46:07 | 0:46:13 | |
so with little to eat and nowhere to hide, | 0:46:13 | 0:46:17 | |
he simply makes a winter nest in a convenient hollow and goes to sleep. | 0:46:17 | 0:46:22 | |
His name, dormouse, means "sleepy mouse". | 0:46:22 | 0:46:27 | |
He'll sleep now for up to six months | 0:46:27 | 0:46:31 | |
and as long as he's well fed during the summer, | 0:46:31 | 0:46:34 | |
he'll wake again in spring. | 0:46:34 | 0:46:36 | |
If he hasn't, then it's a sleep from which he'll never wake. | 0:46:36 | 0:46:40 | |
The trees themselves shut down during winter, | 0:46:49 | 0:46:53 | |
but in this constantly changing environment lives an animal community, | 0:46:53 | 0:46:58 | |
most of whom are active throughout the entire year. | 0:46:58 | 0:47:03 | |
And what of the future? | 0:47:16 | 0:47:18 | |
Well, the good news is that over the next 100 years or so, | 0:47:18 | 0:47:21 | |
there are plans afoot to restore and enlarge our areas of broadleaf woodland | 0:47:21 | 0:47:27 | |
so there will be more space for wildlife. | 0:47:27 | 0:47:30 | |
Of all our habitats, woodland has the greatest variety | 0:47:30 | 0:47:34 | |
and the largest number of plants and animals. | 0:47:34 | 0:47:37 | |
They may be hard to spot, hidden away among the trees, | 0:47:37 | 0:47:41 | |
but at least now that we know some of the places to look, | 0:47:41 | 0:47:44 | |
that weekend walk in the woods should be all the more rewarding. | 0:47:44 | 0:47:49 | |
Subtitles by Red Bee Media Ltd | 0:48:21 | 0:48:25 | |
E-mail [email protected] | 0:48:25 | 0:48:28 |