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Hello and welcome to the Jodrell Bank Radio Observatory, | 0:00:26 | 0:00:29 | |
home to the giant Lovell Telescope. | 0:00:29 | 0:00:32 | |
In this programme, we are going to explore new perspectives | 0:00:32 | 0:00:34 | |
because we are going to be listening to the sounds of the cosmos. | 0:00:34 | 0:00:38 | |
It sounds bizarre, but we are going to be bringing you | 0:00:38 | 0:00:41 | |
weird and wonderful noises from right across the universe | 0:00:41 | 0:00:44 | |
including something that's never been heard before. | 0:00:44 | 0:00:47 | |
Coming up, Lucie Green reveals | 0:00:48 | 0:00:50 | |
how it is possible to see sounds on a distant star. | 0:00:50 | 0:00:53 | |
There it is. That is what I've been after. | 0:00:53 | 0:00:57 | |
We'll find out how sound waves sculpted | 0:00:57 | 0:00:59 | |
the beautiful and complex universe that we see around us. | 0:00:59 | 0:01:03 | |
That's the universe, 300,000 years after the big bang. | 0:01:05 | 0:01:09 | |
What do you reckon? | 0:01:09 | 0:01:10 | |
-That sounded like a car going past or something, didn't it? -It did a bit. | 0:01:10 | 0:01:13 | |
I'll be talking with Tim O'Brien | 0:01:13 | 0:01:15 | |
about one of the most evocative sounds in the universe. | 0:01:15 | 0:01:19 | |
-Here we go. -I can see something coming through. | 0:01:20 | 0:01:22 | |
'The sound of a star that has collapsed in on itself.' | 0:01:23 | 0:01:27 | |
-It's like a heartbeat. -Exactly. | 0:01:27 | 0:01:30 | |
We'll discover how to take amazing images of the night sky | 0:01:31 | 0:01:34 | |
with just a mobile phone. | 0:01:34 | 0:01:36 | |
The moon. That is amazing too. Wow! | 0:01:36 | 0:01:40 | |
Everyone knows that in space no-one can hear you scream, | 0:01:43 | 0:01:47 | |
and that is technically true. | 0:01:47 | 0:01:49 | |
In the vacuum of space, sound waves can't travel. | 0:01:49 | 0:01:51 | |
But there is plenty of sound in space. | 0:01:51 | 0:01:54 | |
Imagine the crackling of lightning amongst the clouds of Jupiter. | 0:01:54 | 0:01:57 | |
Imagine the whisper of the wind on Mars. | 0:01:57 | 0:02:00 | |
All those sounds are trapped. | 0:02:00 | 0:02:02 | |
To access them, we have to use our imaginations, our theories | 0:02:02 | 0:02:05 | |
and our equations. | 0:02:05 | 0:02:06 | |
By listening to these sounds, | 0:02:06 | 0:02:08 | |
we get a new perspective on what's out there | 0:02:08 | 0:02:10 | |
and see things that were previously hidden, even in our own star. | 0:02:10 | 0:02:13 | |
There is a problem with the sun. | 0:02:13 | 0:02:15 | |
When you look at it, you see what appears to be a broiling | 0:02:15 | 0:02:17 | |
and beautiful surface | 0:02:17 | 0:02:19 | |
but all the real action is happening deep beneath that surface. | 0:02:19 | 0:02:23 | |
In fact, using sound is the only way that we can delve | 0:02:23 | 0:02:26 | |
beneath that surface and see what is going on internally. | 0:02:26 | 0:02:28 | |
That's just what Lucie Green has been doing. | 0:02:28 | 0:02:31 | |
Our seemingly silent sun is actually alive with sound. | 0:02:32 | 0:02:37 | |
These are the genuine sounds of our star, | 0:02:39 | 0:02:42 | |
sped up to bring them into the range of human hearing. | 0:02:42 | 0:02:45 | |
They're generated from deep below its surface | 0:02:49 | 0:02:52 | |
and are a vital tool that's helped us understand its inner workings. | 0:02:52 | 0:02:57 | |
I love listening to the sounds of the sun. | 0:02:57 | 0:03:00 | |
They are so alien and they evoke a totally different character, | 0:03:00 | 0:03:03 | |
a different side to the sun than the one I normally see | 0:03:03 | 0:03:06 | |
when I'm studying it. | 0:03:06 | 0:03:08 | |
The fact that we can listen to the sun at all is incredible. | 0:03:08 | 0:03:12 | |
Between us and the sun is 93 million miles of essentially empty space. | 0:03:12 | 0:03:17 | |
It is a vacuum out there | 0:03:17 | 0:03:18 | |
and the sounds of the sun can't travel directly to us. | 0:03:18 | 0:03:22 | |
Our ability to hear it and everything that we've learned | 0:03:22 | 0:03:25 | |
along with that comes down to the very nature of what sound is. | 0:03:25 | 0:03:29 | |
Sat here, I'm surrounded by sound - | 0:03:31 | 0:03:34 | |
voices, clinking of cups, the whoosh of the coffee machine. | 0:03:34 | 0:03:38 | |
All these sounds are created by the same basic process - | 0:03:39 | 0:03:42 | |
vibrations. | 0:03:42 | 0:03:45 | |
Vibrations that pass through the air to our ears. | 0:03:46 | 0:03:50 | |
And the same is true within the sun. | 0:03:54 | 0:03:56 | |
Turbulent regions of gas create sound on an epic scale. | 0:03:58 | 0:04:02 | |
But it appears silent to us because there is no medium, | 0:04:04 | 0:04:07 | |
no air or gas to transport the noise. | 0:04:07 | 0:04:11 | |
However, we can detect these sounds | 0:04:12 | 0:04:14 | |
because if you know the trick, it's possible to see sound. | 0:04:14 | 0:04:19 | |
What we need is something called a Chladni plate and some salt. | 0:04:20 | 0:04:24 | |
Give it a good covering. | 0:04:25 | 0:04:27 | |
PLATE REVERBERATES | 0:04:28 | 0:04:31 | |
You immediately see that the salt is starting to move. | 0:04:31 | 0:04:34 | |
It is starting to take on a pattern. | 0:04:37 | 0:04:39 | |
There it is, that is what I've been after. | 0:04:42 | 0:04:44 | |
The salt takes on a pattern when I make the sound. | 0:04:44 | 0:04:48 | |
The vibrations of the plate are creating the sound that | 0:04:50 | 0:04:53 | |
goes into my ears and it is also moving the salt around. | 0:04:53 | 0:04:57 | |
You can see that with each note I play, the pattern changes. | 0:04:58 | 0:05:02 | |
Oh, beautiful. | 0:05:03 | 0:05:04 | |
That is the key thing about these plates. | 0:05:09 | 0:05:11 | |
The patterns that are created are unique for the particular sound | 0:05:11 | 0:05:17 | |
and that means that even if I can't hear the sound, | 0:05:17 | 0:05:19 | |
I can't hear the effect of those vibrations, | 0:05:19 | 0:05:22 | |
I know what notes are being created by looking at the pattern. | 0:05:22 | 0:05:26 | |
And it's that principle that allows us | 0:05:30 | 0:05:32 | |
to tap into the sounds of our star. | 0:05:32 | 0:05:35 | |
What I have here is an image of the sun | 0:05:36 | 0:05:38 | |
taken by the Solar Dynamics Observatory | 0:05:38 | 0:05:40 | |
and it's a colour-coded image. | 0:05:40 | 0:05:43 | |
The black regions show us where gas is falling away from us | 0:05:43 | 0:05:47 | |
and the white region is where the gas is rising up. | 0:05:47 | 0:05:50 | |
It creates a very complex pattern. | 0:05:50 | 0:05:54 | |
Essentially, it's exactly the same as we made here | 0:05:54 | 0:05:57 | |
with our Chladni plates. | 0:05:57 | 0:05:58 | |
Now, it may seem hard to believe, | 0:05:59 | 0:06:01 | |
but we can extract from this rather messy image | 0:06:01 | 0:06:04 | |
the very particular patterns | 0:06:04 | 0:06:06 | |
that are associated to particular notes inside the sun. | 0:06:06 | 0:06:10 | |
That is how we reconstruct the sounds that the sun has. | 0:06:10 | 0:06:14 | |
What's truly fascinating is that through studying these sounds | 0:06:21 | 0:06:26 | |
we can get a snapshot of the internal workings of our star... | 0:06:26 | 0:06:30 | |
..thanks to work by people like Bill Chaplain. | 0:06:32 | 0:06:35 | |
DEEP NOTE PLAYS | 0:06:35 | 0:06:37 | |
-OK, that must be one of the big pipes. -Yes. | 0:06:37 | 0:06:40 | |
Straight away, we can tell just from the low tones, low pitch, | 0:06:40 | 0:06:44 | |
the low frequency of that that that's one of the biggest pipes. | 0:06:44 | 0:06:48 | |
The frequencies at which pipes resonate, that tells us | 0:06:48 | 0:06:51 | |
something about the size of the pipes, | 0:06:51 | 0:06:54 | |
but also something about the gas inside the pipes. | 0:06:54 | 0:06:57 | |
How does that relate to the sun | 0:06:57 | 0:06:59 | |
and what we see as surface vibrations of the sun? | 0:06:59 | 0:07:03 | |
The sun makes the sound naturally | 0:07:03 | 0:07:04 | |
and it's trapped within the body of the sun, just in the same way | 0:07:04 | 0:07:08 | |
that sound is trapped within the body of the pipes here. | 0:07:08 | 0:07:12 | |
So the trapped sound makes the sun resonate | 0:07:12 | 0:07:15 | |
but because the sun is a big ball of gas, | 0:07:15 | 0:07:18 | |
the sound makes the sun gently breathe in and out. | 0:07:18 | 0:07:21 | |
So we don't actually listen to the sun literally, what we do is, | 0:07:21 | 0:07:25 | |
we are seeing the visible manifestation, if you like, | 0:07:25 | 0:07:28 | |
of the sound trapped inside. | 0:07:28 | 0:07:30 | |
Crucially, sound is affected by what it's travelling through. | 0:07:32 | 0:07:36 | |
The changing temperature, | 0:07:37 | 0:07:39 | |
density, even magnetic fields found in different parts of the sun | 0:07:39 | 0:07:44 | |
all affect properties like the speed of sound trapped inside. | 0:07:44 | 0:07:48 | |
And detecting these changes reveals the inner structure. | 0:07:50 | 0:07:53 | |
It's a technique known as helioseismology. | 0:07:54 | 0:07:57 | |
We knew that a sun-like star should have a core | 0:07:59 | 0:08:03 | |
where we're burning hydrogen into helium. | 0:08:03 | 0:08:05 | |
That's what's powering the star, driving its evolution. | 0:08:05 | 0:08:08 | |
Then the outer parts of the sun, there we have conviction, | 0:08:08 | 0:08:12 | |
so where we're moving energy from one place to the other | 0:08:12 | 0:08:15 | |
literally by moving hot gas. | 0:08:15 | 0:08:16 | |
But it was with helioseismology that we got the first measure, | 0:08:16 | 0:08:20 | |
direct measurement of the depth of that outer convective layer. | 0:08:20 | 0:08:25 | |
Also, we can measure the rate at which the material is spinning, | 0:08:25 | 0:08:30 | |
and the profile that was found, actually, | 0:08:30 | 0:08:33 | |
was not the one that theoreticians had predicted would be there. | 0:08:33 | 0:08:37 | |
So that information that we've got on the rotation of the sun | 0:08:37 | 0:08:41 | |
has been really important for people who are trying to understand | 0:08:41 | 0:08:44 | |
how all of the magnetic activity, all of the magnetic structures, | 0:08:44 | 0:08:48 | |
how those are generated on the sun. | 0:08:48 | 0:08:51 | |
What I find amazing is that, by looking at the patterns | 0:08:51 | 0:08:54 | |
on the surface of the sun, | 0:08:54 | 0:08:55 | |
we can not only listen to the sounds of the sun, | 0:08:55 | 0:08:59 | |
we can also delve deep underneath its surface | 0:08:59 | 0:09:02 | |
and we can track and predict its future activity. | 0:09:02 | 0:09:05 | |
It's an insight that would simply be beyond us | 0:09:05 | 0:09:08 | |
if it wasn't for the music of our star. | 0:09:08 | 0:09:11 | |
There are sounds throughout the cosmos | 0:09:19 | 0:09:21 | |
but, depending on where you are, not all sounds sound the same. | 0:09:21 | 0:09:25 | |
We're used to sound travelling through | 0:09:27 | 0:09:29 | |
the atmosphere of the Earth, but we can think about | 0:09:29 | 0:09:32 | |
what sound would be like on other planets, as well. | 0:09:32 | 0:09:34 | |
We have some software from the University of Southampton | 0:09:34 | 0:09:37 | |
that will let us take our voices and send them to Venus, | 0:09:37 | 0:09:39 | |
so I think we should give that a go. | 0:09:39 | 0:09:41 | |
I'm going to give you the microphone. | 0:09:41 | 0:09:43 | |
Great, I get the microphone. | 0:09:43 | 0:09:44 | |
I'm going to press record, and you say something, OK? | 0:09:44 | 0:09:47 | |
So, what would my voice sound like on other planets? | 0:09:47 | 0:09:50 | |
Well, good question! | 0:09:50 | 0:09:51 | |
Well, the software will now process this. | 0:09:51 | 0:09:53 | |
So this is based on atmosphere, density, various other parameters? | 0:09:53 | 0:09:56 | |
That's right. | 0:09:56 | 0:09:57 | |
VERY DEEP VOICE: 'So what would my voice sound like on other planets?' | 0:09:57 | 0:10:00 | |
You sound like me! That's actually pretty close! | 0:10:00 | 0:10:03 | |
I feel like a space invader or something - "Take us to your leader!" | 0:10:03 | 0:10:06 | |
What's happening there is two things. | 0:10:06 | 0:10:08 | |
The atmosphere on Venus is this dense mix of carbon dioxide | 0:10:08 | 0:10:12 | |
and a bit of sulphuric acid, so not a good place to be. | 0:10:12 | 0:10:15 | |
But that density changes the way your vocal cords vibrate | 0:10:15 | 0:10:19 | |
and also how the sound's transmitted, | 0:10:19 | 0:10:21 | |
because the speed of sound is different. | 0:10:21 | 0:10:22 | |
So it's just like in water, sound actually travels faster, | 0:10:22 | 0:10:25 | |
so the more dense the atmosphere, the quicker the sound will travel, | 0:10:25 | 0:10:29 | |
and therefore you get a change in the voice. | 0:10:29 | 0:10:31 | |
But that was quite distinctive, wasn't it? | 0:10:31 | 0:10:33 | |
Yeah, absolutely, it does illustrate this point | 0:10:33 | 0:10:35 | |
that what you sound like depends on where in the solar system you are. | 0:10:35 | 0:10:39 | |
Now, we're here at Jodrell Bank, | 0:10:44 | 0:10:46 | |
and the focus of much of the research done from this facility | 0:10:46 | 0:10:48 | |
is on pulsars. | 0:10:48 | 0:10:50 | |
Pulsars are extraordinary stars that emit beams of radiation | 0:10:52 | 0:10:56 | |
that make them appear to flash. | 0:10:56 | 0:10:58 | |
The team here at Jodrell are hoping that they will help them | 0:10:59 | 0:11:01 | |
to solve one of the great mysteries of astronomy. | 0:11:01 | 0:11:04 | |
To study them, they use the massive Lovell Telescope. | 0:11:05 | 0:11:09 | |
Its dish is over 75 metres wide | 0:11:09 | 0:11:11 | |
and it observes the cosmos using radio waves. | 0:11:11 | 0:11:14 | |
So, Tim, we're there to look at pulsars, | 0:11:17 | 0:11:18 | |
but pulsars are a special case of a neutron star. | 0:11:18 | 0:11:21 | |
I find neutron stars a bit freaky, | 0:11:21 | 0:11:23 | |
because it's something about one and a half times the mass of the sun, | 0:11:23 | 0:11:27 | |
-that could fit in Sheffield. -Exactly, yes. | 0:11:27 | 0:11:29 | |
It's a dead star, it's the core of an exploded star, | 0:11:29 | 0:11:33 | |
so when the star explodes in the supernova, the core collapses | 0:11:33 | 0:11:36 | |
to make this incredibly dense object. | 0:11:36 | 0:11:38 | |
These things, the exciting thing for us | 0:11:38 | 0:11:40 | |
is that these things are spinning, but we can see them | 0:11:40 | 0:11:43 | |
because they actually beam out light - | 0:11:43 | 0:11:45 | |
and in our case we're interested in the radio waves they beam out - | 0:11:45 | 0:11:49 | |
from the magnetic poles. | 0:11:49 | 0:11:51 | |
And just like the Earth, you know the Earth's magnetic north | 0:11:51 | 0:11:54 | |
-and magnetic south are offset... -Yes. | 0:11:54 | 0:11:55 | |
..with respect to the sort of north pole, | 0:11:55 | 0:11:57 | |
the same is true for the neutron star, | 0:11:57 | 0:11:59 | |
so as it spins, the magnetic poles sweep around like that, | 0:11:59 | 0:12:03 | |
and that means that the beam that comes out from them | 0:12:03 | 0:12:06 | |
sweeps around the sky. | 0:12:06 | 0:12:07 | |
And every time it comes past us, we see a flash. | 0:12:07 | 0:12:10 | |
-So just like a lighthouse. -Exactly, it's a cosmic lighthouse | 0:12:10 | 0:12:12 | |
spinning in the sky. | 0:12:12 | 0:12:14 | |
We see flash, flash, flash from the pulsar. | 0:12:14 | 0:12:16 | |
And we're going to demonstrate that live with the Lovell Telescope now, | 0:12:16 | 0:12:19 | |
so I don't know, I think Ian, our telescope controller, | 0:12:19 | 0:12:22 | |
will move the telescope on source. | 0:12:22 | 0:12:25 | |
Fantastic. | 0:12:25 | 0:12:26 | |
If you come and have a look at the screen over here, basically, | 0:12:26 | 0:12:29 | |
we've turned those radio waves into a sound | 0:12:29 | 0:12:32 | |
and we can listen to that noise. | 0:12:32 | 0:12:33 | |
STATIC CRACKLES | 0:12:33 | 0:12:35 | |
And then what will happen | 0:12:35 | 0:12:36 | |
as the telescope gradually swings onto the pulsar... | 0:12:36 | 0:12:39 | |
-Oh, here we go. -I can see something coming through. | 0:12:41 | 0:12:44 | |
REGULAR THUDDING | 0:12:44 | 0:12:47 | |
-And that's it? -That's it. -That's the pulsar? | 0:12:47 | 0:12:49 | |
That's the pulsar spinning. | 0:12:49 | 0:12:50 | |
Spinning around, sending that beam, that radio beam into space? | 0:12:50 | 0:12:53 | |
And you can hear the... | 0:12:53 | 0:12:55 | |
dum, dum, dum, dum, dum, dum... | 0:12:55 | 0:12:57 | |
-It's like a heartbeat? -Yeah, exactly. | 0:12:57 | 0:12:59 | |
That is a dead star, weighing more than the sun, | 0:12:59 | 0:13:01 | |
spinning about three times a second, 26,000 light years away, | 0:13:01 | 0:13:05 | |
which is really exciting because, actually, | 0:13:05 | 0:13:08 | |
we've only just set the system up for you today | 0:13:08 | 0:13:11 | |
to listen to this pulsar now. | 0:13:11 | 0:13:12 | |
It is fantastic. | 0:13:12 | 0:13:14 | |
THUDDING CONTINUES | 0:13:14 | 0:13:15 | |
So pulsars seem to be fascinating, but why are they useful? | 0:13:15 | 0:13:18 | |
Yeah. I mean, they're actually, this... | 0:13:18 | 0:13:20 | |
I'll turn that down so we can talk. | 0:13:20 | 0:13:22 | |
The key role is in testing extreme physics. | 0:13:22 | 0:13:25 | |
One of the key projects that we're using that the pulsar group here | 0:13:25 | 0:13:29 | |
and elsewhere in the world are working on with telescopes like this | 0:13:29 | 0:13:32 | |
at the moment is to use pulsar to try and detect gravitational waves. | 0:13:32 | 0:13:36 | |
I think you should say "The elusive gravitational wave." | 0:13:36 | 0:13:38 | |
I definitely should! | 0:13:38 | 0:13:39 | |
These things were predicted by Einstein 100 years ago, | 0:13:39 | 0:13:43 | |
but we've not yet directly detected them. | 0:13:43 | 0:13:45 | |
They're actually really bizarre things, | 0:13:45 | 0:13:47 | |
they're ripples in space-time. | 0:13:47 | 0:13:49 | |
So if you can imagine somewhere on the other side of the universe | 0:13:49 | 0:13:52 | |
there's two massive black holes at the centre of the galaxy, | 0:13:52 | 0:13:55 | |
say two galaxies have merged. | 0:13:55 | 0:13:57 | |
These black holes are spiralling around one another. | 0:13:57 | 0:14:00 | |
They produce this expanding pattern of ripples in space... | 0:14:00 | 0:14:03 | |
-The gravitational waves? -Exactly, the gravitational waves | 0:14:03 | 0:14:06 | |
travel through space at the speed of light. | 0:14:06 | 0:14:08 | |
If there was one coming through us now, | 0:14:08 | 0:14:10 | |
which there almost certainly is, | 0:14:10 | 0:14:12 | |
we're gradually being stretched in one direction, | 0:14:12 | 0:14:15 | |
and perpendicular to that we're being squashed. | 0:14:15 | 0:14:18 | |
So I suppose that's quite a distinctive signature to pick up? | 0:14:18 | 0:14:21 | |
It is. It's what you would look for. | 0:14:21 | 0:14:22 | |
You might imagine that what you'd look for is whether something | 0:14:22 | 0:14:25 | |
is simply longer or shorter as the gravitational wave goes past, | 0:14:25 | 0:14:29 | |
but the trouble is, the amount by which space is stretched | 0:14:29 | 0:14:32 | |
is tiny, so in the case of the ones we're trying to pick up | 0:14:32 | 0:14:35 | |
with the pulsars, it's a bit like the distance | 0:14:35 | 0:14:37 | |
between the Earth and the moon being changed | 0:14:37 | 0:14:40 | |
-by about one hundredth of the width of a human hair. -Oooh! | 0:14:40 | 0:14:44 | |
-It is accuracy. -The measurement is very hard to do. | 0:14:44 | 0:14:47 | |
What's key about pulsars in this case is, | 0:14:47 | 0:14:50 | |
they're very stable clocks, effectively, | 0:14:50 | 0:14:53 | |
so we heard the thud, thud, thud, thud of the pulsar, | 0:14:53 | 0:14:56 | |
three times a second. | 0:14:56 | 0:14:58 | |
Because you've got so much mass spinning at that speed, | 0:14:58 | 0:15:01 | |
it's a very stable system. | 0:15:01 | 0:15:03 | |
What sort of accuracy are we talking? | 0:15:03 | 0:15:04 | |
We're talking about measuring those periods to an accuracy | 0:15:04 | 0:15:08 | |
of basically a nanosecond, so a billionth of a second. | 0:15:08 | 0:15:11 | |
As space is squashed and stretched as a gravitational wave passes by, | 0:15:11 | 0:15:16 | |
those pulses are bunched together or stretched apart. | 0:15:16 | 0:15:19 | |
-So you'll see a slight change in the timing of those pulses? -Exactly. | 0:15:19 | 0:15:23 | |
-So when do you think you'll see one? -Yeah, this is the key. | 0:15:23 | 0:15:26 | |
Sometime in the next few years | 0:15:26 | 0:15:28 | |
we might well detect a gravitational wave. | 0:15:28 | 0:15:31 | |
In a sense, it's a risk. | 0:15:31 | 0:15:32 | |
We're learning things as we go along, | 0:15:32 | 0:15:34 | |
as we gather more and more data, but, yeah, | 0:15:34 | 0:15:36 | |
great hope for this technique. | 0:15:36 | 0:15:38 | |
I think that's fantastic, thank you so much. | 0:15:38 | 0:15:40 | |
Next, Pete Lawrence has ventured outside to bring us his star guide. | 0:15:47 | 0:15:51 | |
But first, he's going to show us how to take fabulous images | 0:15:51 | 0:15:55 | |
of the night sky with something many of us have in our pockets. | 0:15:55 | 0:15:58 | |
All you need is one of these, a telescope, | 0:16:00 | 0:16:02 | |
and something as simple as this - | 0:16:02 | 0:16:04 | |
a smartphone with a camera in it. | 0:16:04 | 0:16:06 | |
Now, you might not think that the camera on a smartphone | 0:16:06 | 0:16:09 | |
is sensitive enough to be able to take astronomical photographs, | 0:16:09 | 0:16:12 | |
but it is, especially if the target is big and bright. | 0:16:12 | 0:16:16 | |
Now, the one thing which really fits that bill perfectly | 0:16:16 | 0:16:19 | |
is, of course, the moon. | 0:16:19 | 0:16:21 | |
'To see details on the moon's surface, you need shadows, | 0:16:22 | 0:16:25 | |
'so you'll get the best images when the moon isn't full.' | 0:16:25 | 0:16:28 | |
'Start by holding the phone away from the eyepiece.' | 0:16:30 | 0:16:33 | |
Then I'm going to move it in close and closer, | 0:16:33 | 0:16:36 | |
following the bright dot down. | 0:16:36 | 0:16:38 | |
'This is actually a bit trickier than it looks | 0:16:38 | 0:16:41 | |
'because of the way the lenses in the phone and the eyepiece interact, | 0:16:41 | 0:16:45 | |
'but keep at it.' | 0:16:45 | 0:16:46 | |
-There it goes. And I can just take a shot. -CAMERA CLICKS | 0:16:46 | 0:16:50 | |
And, oh, that's a nice one. | 0:16:50 | 0:16:53 | |
Look at that. | 0:16:53 | 0:16:54 | |
And I'm actually quite pleased with that, it's quite a nice image. | 0:16:54 | 0:16:58 | |
There are lots of amazing things to see on the surface of the moon, | 0:16:58 | 0:17:01 | |
and to find a selection of the best, | 0:17:01 | 0:17:03 | |
check out the moon guides on our website... | 0:17:03 | 0:17:06 | |
'For the last few days, some members | 0:17:12 | 0:17:14 | |
'of the Breckland Astronomical Society have been experimenting | 0:17:14 | 0:17:18 | |
'with smartphone photography. | 0:17:18 | 0:17:20 | |
'They've even managed to capture an image of Jupiter.' | 0:17:20 | 0:17:23 | |
-Wow! That is... -It's not too bad. It shows up. | 0:17:24 | 0:17:27 | |
But you've got the main belts coming through there, | 0:17:27 | 0:17:30 | |
and I bet that if the great red spot were visible on that disc, | 0:17:30 | 0:17:33 | |
you would actually pick that up. | 0:17:33 | 0:17:35 | |
-I reckon I would have got it, yeah. -Which is amazing. | 0:17:35 | 0:17:37 | |
But the other thing that comes out, because Jupiter is a gas planet | 0:17:37 | 0:17:41 | |
which rotates very rapidly, it's squashed, so it looks | 0:17:41 | 0:17:45 | |
not like a circle, it looks like the circle has been squashed, | 0:17:45 | 0:17:48 | |
and you can actually pick that out on that, | 0:17:48 | 0:17:50 | |
very clearly, actually, that the planet looks less wide | 0:17:50 | 0:17:53 | |
from top to bottom than it is from left to right. | 0:17:53 | 0:17:56 | |
Incredible. Absolutely amazing result. | 0:17:56 | 0:17:59 | |
Ah, the moon! One of my favourite objects. | 0:17:59 | 0:18:02 | |
That is amazing, too! Wow! | 0:18:02 | 0:18:05 | |
It was a four inch refractor. | 0:18:05 | 0:18:06 | |
Look at that, that is just incredible. | 0:18:06 | 0:18:09 | |
You know, a few years ago you would have taken a picture | 0:18:09 | 0:18:11 | |
with a digital camera and you'd have been very happy with that. | 0:18:11 | 0:18:14 | |
And this is with a smartphone. | 0:18:14 | 0:18:16 | |
The hardest part I found, of course, is trying to get it lined up | 0:18:16 | 0:18:19 | |
and get it centred. Hold it steady enough to get a steady image. | 0:18:19 | 0:18:22 | |
That's it, isn't it? Yeah. | 0:18:22 | 0:18:24 | |
Well, that is quite a fantastic image. | 0:18:24 | 0:18:26 | |
-You should be very proud of that. -Thank you. -Thank you very much. | 0:18:26 | 0:18:30 | |
Now, there's lots of interest in this month's night sky, | 0:18:31 | 0:18:34 | |
but I think the highlights have to be the planets. | 0:18:34 | 0:18:37 | |
Here is my star guide to what's coming up. | 0:18:37 | 0:18:39 | |
As darkness falls on the 16th, | 0:18:43 | 0:18:45 | |
Jupiter is due south, | 0:18:45 | 0:18:47 | |
two thirds of the way up the sky. | 0:18:47 | 0:18:49 | |
If you have a telescope, | 0:18:50 | 0:18:52 | |
look at Jupiter's disc between 10:30pm | 0:18:52 | 0:18:54 | |
and just past midnight to see a rare event. | 0:18:54 | 0:18:57 | |
The shadows of Io and Ganymede, | 0:18:57 | 0:19:00 | |
two of Jupiter's large Galilean moons, | 0:19:00 | 0:19:03 | |
will be crossing the planet. | 0:19:03 | 0:19:05 | |
In the hours following midnight, | 0:19:05 | 0:19:07 | |
locate the Plough, which is overhead. | 0:19:07 | 0:19:09 | |
Follow the natural curve of its handle | 0:19:10 | 0:19:12 | |
away from the pan to locate | 0:19:12 | 0:19:13 | |
the bright orange star, Arcturus. | 0:19:13 | 0:19:16 | |
Continue the curve to arrive at brilliant white Spica. | 0:19:18 | 0:19:23 | |
The bright, salmon pink object above Spica is Mars. | 0:19:23 | 0:19:27 | |
A little less than two outstretched hands to the left | 0:19:28 | 0:19:32 | |
and slightly below Spica is the yellow-hued planet Saturn. | 0:19:32 | 0:19:35 | |
On 27th March | 0:19:38 | 0:19:40 | |
there is also a daytime treat. | 0:19:40 | 0:19:42 | |
Using your eyes, try to find the moon at 9:20 in the morning, | 0:19:42 | 0:19:46 | |
being careful not to look at the sun. | 0:19:46 | 0:19:49 | |
Five moon-widths below the crescent, | 0:19:49 | 0:19:51 | |
Venus will be shining away in the blue sky. | 0:19:51 | 0:19:54 | |
Well, now back to sound. | 0:19:57 | 0:19:59 | |
Tim has created an audio tour of the universe for us, | 0:19:59 | 0:20:02 | |
including some things that no-one's ever heard before. | 0:20:02 | 0:20:05 | |
Tim, where shall we start? | 0:20:05 | 0:20:06 | |
The plan is to start close and then work our way out. | 0:20:06 | 0:20:09 | |
We'll start with Jupiter, and these are sounds from signals | 0:20:09 | 0:20:14 | |
that the Voyager 1 spacecraft recorded as it passed by Jupiter. | 0:20:14 | 0:20:18 | |
Let's have a listen. | 0:20:18 | 0:20:20 | |
WHINING AND WHISTLING | 0:20:22 | 0:20:27 | |
I don't think I expected that. | 0:20:29 | 0:20:31 | |
No, it does sound a bit like a dawn chorus. | 0:20:31 | 0:20:34 | |
-It does. -But screechier! | 0:20:34 | 0:20:35 | |
-It's a rather more erratic... -Pterodactyls or something! | 0:20:35 | 0:20:39 | |
Yeah, rather than lovely hummingbirds. | 0:20:39 | 0:20:41 | |
No, it's actually called the Jovian chorus, the Jupiter chorus. | 0:20:41 | 0:20:45 | |
These chorus waves are actually produced by electrons | 0:20:45 | 0:20:49 | |
that are spiralling around the magnetic field of Jupiter, | 0:20:49 | 0:20:52 | |
so from the north magnetic pole to the south magnetic pole, | 0:20:52 | 0:20:55 | |
and as they spiral around they produce these radio waves | 0:20:55 | 0:20:58 | |
that we've turned into a sound here. | 0:20:58 | 0:21:00 | |
SOUND CONTINUES | 0:21:02 | 0:21:04 | |
So we can hear this delightful noise! | 0:21:04 | 0:21:06 | |
I think we've probably heard enough Jupiter. | 0:21:06 | 0:21:08 | |
-Excellent, good. -Turned off on cue. | 0:21:08 | 0:21:10 | |
Where shall we go next? | 0:21:10 | 0:21:11 | |
We're going to actually stick with Voyager, actually. | 0:21:11 | 0:21:14 | |
We're going to carry on with Voyager back until just a few years ago, | 0:21:14 | 0:21:17 | |
when Voyager left the heliosphere, | 0:21:17 | 0:21:19 | |
basically the edge of the volume of space | 0:21:19 | 0:21:22 | |
that's influenced by the sun. | 0:21:22 | 0:21:23 | |
WAVERING HIGH TONE | 0:21:23 | 0:21:27 | |
What you're hearing is the rate of cosmic ray particles | 0:21:29 | 0:21:32 | |
hitting the detectors on Voyager. | 0:21:32 | 0:21:36 | |
So, high-pitched, lots of particles. | 0:21:36 | 0:21:38 | |
-TONE DROPS SUDDENLY BOTH: -Whoa! | 0:21:38 | 0:21:40 | |
-That's quite significant! -And that was it. | 0:21:40 | 0:21:42 | |
That was the point at which it left the heliosphere. | 0:21:42 | 0:21:44 | |
And that marks the end of our solar system, effectively. | 0:21:44 | 0:21:46 | |
Yeah, so those particles are sort of trapped by the magnetic field | 0:21:46 | 0:21:49 | |
of the sun, and as it passed over that invisible boundary, actually, | 0:21:49 | 0:21:53 | |
where those particles are gathered, then you hear the flux, | 0:21:53 | 0:21:56 | |
the numbers of those cosmic rays drop significantly, | 0:21:56 | 0:21:59 | |
which you heard in the sound there. | 0:21:59 | 0:22:01 | |
I find it fantastic, because Voyager was launched in 1977, | 0:22:01 | 0:22:03 | |
travelling at 10.5 miles a second out to the edge of the solar system, | 0:22:03 | 0:22:07 | |
and now it is officially beyond. | 0:22:07 | 0:22:09 | |
Our first interstellar messenger, basically. | 0:22:09 | 0:22:11 | |
And still sending back information. | 0:22:11 | 0:22:12 | |
But, Tim, I want to ask you about your own research, | 0:22:12 | 0:22:15 | |
because something rather exciting happened just a few weeks ago. | 0:22:15 | 0:22:18 | |
So I spend a lot of my time working on things called novae. | 0:22:18 | 0:22:20 | |
We now know they're stars exploding and becoming very bright | 0:22:20 | 0:22:23 | |
and one of these popped up in the constellation of Scorpius | 0:22:23 | 0:22:26 | |
just a few weeks ago, and we've been monitoring it | 0:22:26 | 0:22:28 | |
with telescopes around the world. | 0:22:28 | 0:22:30 | |
Actually, what we'll play now is the sound of the data | 0:22:30 | 0:22:33 | |
-from an x-ray telescope on board the Swift spacecraft. -OK. | 0:22:33 | 0:22:37 | |
STEADY HIGH-PITCHED TONE | 0:22:38 | 0:22:41 | |
LOWER TONE GROWS IN INTENSITY | 0:22:42 | 0:22:49 | |
LOWER TONE FADES | 0:22:49 | 0:22:51 | |
Come on, you're grinning. Tell us what you heard. | 0:22:53 | 0:22:56 | |
-Let you in on the secret. -So there's two distinct tones there, I think. | 0:22:56 | 0:22:59 | |
There are, yeah, and what you're hearing are basically the x-rays | 0:22:59 | 0:23:03 | |
coming from this explosion, | 0:23:03 | 0:23:05 | |
and there's actually two dominant parts to the x-ray emission. | 0:23:05 | 0:23:08 | |
So, first of all, what you heard was a high-frequency tone. | 0:23:08 | 0:23:11 | |
That comes from the shockwave that's ripping out from this explosion | 0:23:11 | 0:23:15 | |
through the wind of the red giant star that's in this system, | 0:23:15 | 0:23:18 | |
and that produces high-energy x-rays | 0:23:18 | 0:23:20 | |
which come into that sound as a high-pitched tone. | 0:23:20 | 0:23:22 | |
So this is just ripping through the material | 0:23:22 | 0:23:24 | |
-that's surrounding the white dwarf? -Exactly, yeah. | 0:23:24 | 0:23:26 | |
So the explosion happens to the white dwarf, | 0:23:26 | 0:23:28 | |
the shockwave expands out, very hot gas, | 0:23:28 | 0:23:30 | |
very high-energy x-rays that you hear as the high-pitched tone. | 0:23:30 | 0:23:33 | |
As that expands out you start to see through it, | 0:23:33 | 0:23:36 | |
and what you see is the surface of the hot white dwarf | 0:23:36 | 0:23:39 | |
that's left behind in the centre where the explosion occurred. | 0:23:39 | 0:23:42 | |
That also produces x-rays, but it's rather cooler, | 0:23:42 | 0:23:45 | |
they're rather lower energy x-rays, | 0:23:45 | 0:23:47 | |
and that comes in as the lower frequency tone. | 0:23:47 | 0:23:50 | |
And that actually dominates, that becomes very bright for a while, | 0:23:50 | 0:23:53 | |
but then as the hot gas on the white dwarf is all used up, | 0:23:53 | 0:23:55 | |
then that fades away and then, coming back, underneath it all | 0:23:55 | 0:23:59 | |
you hear the high pitch of the shockwave still expanding | 0:23:59 | 0:24:02 | |
out into interstellar space. | 0:24:02 | 0:24:04 | |
Excellent. Well, I'm glad we heard it and we've now travelled | 0:24:04 | 0:24:07 | |
to a distant star, but we need to go much further than that, | 0:24:07 | 0:24:10 | |
to the edge of the observable universe, | 0:24:10 | 0:24:12 | |
because sound waves that once echoed there | 0:24:12 | 0:24:14 | |
formed everything that we see around us today. | 0:24:14 | 0:24:17 | |
Sound waves are a key part | 0:24:21 | 0:24:23 | |
of one of the most famous images in science - | 0:24:23 | 0:24:25 | |
the cosmic microwave background, or CMB. | 0:24:25 | 0:24:29 | |
This is the oldest light left in the universe, and it forms a picture | 0:24:31 | 0:24:35 | |
of what the cosmos was like only 300,000 years after the big bang. | 0:24:35 | 0:24:40 | |
To discuss the role of sound waves that we can see in the CMB, | 0:24:42 | 0:24:46 | |
I'm meeting Sarah Bridle, | 0:24:46 | 0:24:48 | |
and I've brought with me an interesting recording. | 0:24:48 | 0:24:51 | |
We're going to talk about the early universe, | 0:24:52 | 0:24:54 | |
which was a very different place | 0:24:54 | 0:24:56 | |
from the one we see around us today, so what was it like? | 0:24:56 | 0:24:58 | |
Well, so, early in the universe the universe was much denser. | 0:24:58 | 0:25:02 | |
So, basically, today we've got a vacuum in space. | 0:25:02 | 0:25:05 | |
But if we go back in time to the early universe | 0:25:05 | 0:25:07 | |
the universe was much smaller, everything was much closer together, | 0:25:07 | 0:25:10 | |
and we had this soup of elementary particles, | 0:25:10 | 0:25:14 | |
protons, electrons and neutrons, | 0:25:14 | 0:25:16 | |
and they're all much closer together. | 0:25:16 | 0:25:19 | |
That means you can get sound travelling through the universe. | 0:25:19 | 0:25:22 | |
Right, so today the universe is virtually a vacuum, | 0:25:22 | 0:25:24 | |
but back then the sound waves | 0:25:24 | 0:25:26 | |
could propagate through this dense medium. | 0:25:26 | 0:25:28 | |
Excellent - if you had any sound waves. | 0:25:28 | 0:25:31 | |
-So what we need is a source of sound. -OK, yes. | 0:25:31 | 0:25:34 | |
Then some patches were clumpier than others, | 0:25:34 | 0:25:36 | |
so there is more stuff in one place and less in somewhere else. | 0:25:36 | 0:25:39 | |
Then gravity comes in. | 0:25:39 | 0:25:41 | |
As things pull together, then they heat up, | 0:25:41 | 0:25:44 | |
so the universe is getting clumpier and hotter | 0:25:44 | 0:25:47 | |
in this patch of the universe. | 0:25:47 | 0:25:48 | |
And then, actually, it gets so hot that it pushes itself apart again. | 0:25:48 | 0:25:52 | |
Just because the particles are moving. | 0:25:52 | 0:25:54 | |
The particles are moving and it's getting hotter, | 0:25:54 | 0:25:56 | |
and the pressure of that heat pushes it apart again, | 0:25:56 | 0:25:59 | |
and then gravity pulls it back in again, pressure pushes it apart. | 0:25:59 | 0:26:02 | |
So we've got this oscillation, | 0:26:02 | 0:26:04 | |
this wobbling going on in the early universe, which is a sound wave. | 0:26:04 | 0:26:08 | |
So I've actually got a recording | 0:26:08 | 0:26:09 | |
-of what the sound would have been like at that point. -Right. | 0:26:09 | 0:26:13 | |
We've moved it up 50 octaves so we can hear it, | 0:26:13 | 0:26:15 | |
it's a very low note, but we've moved it up | 0:26:15 | 0:26:18 | |
so I hope you find this impressive. | 0:26:18 | 0:26:19 | |
WHOOSHING | 0:26:19 | 0:26:24 | |
There you go, that's the universe 300,000 years after the big bang. | 0:26:25 | 0:26:28 | |
What do you reckon? | 0:26:28 | 0:26:29 | |
-Well, that sounded like a car going past, didn't it? -It did a bit! | 0:26:29 | 0:26:32 | |
It's a complicated noise, though. | 0:26:32 | 0:26:34 | |
To see them we have to tune ourselves | 0:26:34 | 0:26:36 | |
into the microwave region of the spectrum. | 0:26:36 | 0:26:38 | |
Right, so at that time the light is travelling around | 0:26:38 | 0:26:41 | |
in the early universe and it's optical light, | 0:26:41 | 0:26:43 | |
so we could see it with our eyes. | 0:26:43 | 0:26:44 | |
If you were standing there. It's not advised! | 0:26:44 | 0:26:46 | |
It wouldn't be very nice, so we shouldn't go there. | 0:26:46 | 0:26:49 | |
But it's light, like we can see with our eyes, | 0:26:49 | 0:26:52 | |
but now, as the universe has expanded, | 0:26:52 | 0:26:55 | |
those light waves have stretched out, and so they become microwaves, | 0:26:55 | 0:26:59 | |
and so we can look with special radio telescopes at these microwaves | 0:26:59 | 0:27:03 | |
and we can see a picture of the light which is coming towards us, | 0:27:03 | 0:27:07 | |
that's been travelling to us all that time | 0:27:07 | 0:27:10 | |
since the universe was just 300,000 years old. | 0:27:10 | 0:27:13 | |
And we've got that picture here, | 0:27:13 | 0:27:14 | |
so this is a picture of the whole sky taken by Planck, | 0:27:14 | 0:27:17 | |
which is the European satellite | 0:27:17 | 0:27:18 | |
that's just made the best ever map of this light. | 0:27:18 | 0:27:21 | |
What can we see here and how does it relate | 0:27:21 | 0:27:24 | |
to what we were just talking about? | 0:27:24 | 0:27:25 | |
Well, we can see these sound waves. We're taking a snapshot, | 0:27:25 | 0:27:29 | |
basically, of what these sound waves were like in the early universe. | 0:27:29 | 0:27:33 | |
We can see these red and blue patches. | 0:27:33 | 0:27:35 | |
So where the red patches are, that's where the universe | 0:27:35 | 0:27:39 | |
was hotter and denser, really clumped together, | 0:27:39 | 0:27:42 | |
and then that patch would have expanded afterwards, | 0:27:42 | 0:27:45 | |
but the blue patches here are where it was cooler and more spread out. | 0:27:45 | 0:27:49 | |
So, in fact, those hot patches where there's lots of stuff, | 0:27:49 | 0:27:53 | |
that would have then gone on to form the first stars | 0:27:53 | 0:27:56 | |
and galaxies that we can see today. | 0:27:56 | 0:27:59 | |
So this is a recent image. | 0:27:59 | 0:28:00 | |
Planck delivered its results a year or so ago now. | 0:28:00 | 0:28:03 | |
Is there more to learn from looking at the microwave background | 0:28:03 | 0:28:07 | |
in the early universe? | 0:28:07 | 0:28:08 | |
Well, Planck also has polarised sunglasses, effectively, on it, | 0:28:08 | 0:28:11 | |
so we're going to learn about the direction of the light, | 0:28:11 | 0:28:14 | |
which will tell us even more about | 0:28:14 | 0:28:16 | |
how much stuff there is in the universe. | 0:28:16 | 0:28:17 | |
Fab. Well, I hope you'll come back and tell us about that, | 0:28:17 | 0:28:20 | |
and you never know, | 0:28:20 | 0:28:21 | |
we might have found a more aesthetically pleasing recording | 0:28:21 | 0:28:24 | |
of the early universe by then. | 0:28:24 | 0:28:25 | |
-Thanks a lot. -Thanks a lot. | 0:28:25 | 0:28:26 | |
That's it for now, but do remember to send your smartphone pictures in | 0:28:32 | 0:28:35 | |
and we'll put them up on our website. | 0:28:35 | 0:28:37 | |
When we come back next month we'll be talking about Mars | 0:28:37 | 0:28:40 | |
and what ten years of robots roving around the planet have told us. | 0:28:40 | 0:28:43 | |
And Mars is really prominent in the sky at the moment, | 0:28:43 | 0:28:46 | |
so remember, get outside and get looking up. | 0:28:46 | 0:28:48 | |
Good night. | 0:28:48 | 0:28:49 |