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Good afternoon. It was Stephen Maguire who were celebrating at the | 0:00:51 | 0:00:59 | |
Welsh Open a year ago and he is back to defend his title. A lot has | 0:01:00 | 0:01:03 | |
changed since he lifted the trophy. We have a new format with 128 | 0:01:04 | 0:01:10 | |
players already having played in the first round. We are down to the last | 0:01:11 | 0:01:16 | |
64 and our top four Welsh players are all through. | 0:01:17 | 0:01:51 | |
Let me show you the list. Last year's champion is close behind | 0:01:52 | 0:02:01 | |
Ronnie O Sullivan. Welcome to the studio. This is where | 0:02:02 | 0:02:19 | |
we will be for the next seven days. We are right at the heart of the | 0:02:20 | 0:02:28 | |
action in the players practice room. It has all changed this year. The | 0:02:29 | 0:02:34 | |
new format. 128 players in the first round. What difference does that | 0:02:35 | 0:02:41 | |
make? It does not make a difference to the top seeds. They have cried | 0:02:42 | 0:02:46 | |
out for this for years. They used to say there was too much protection at | 0:02:47 | 0:02:51 | |
the top of the game and the bottom players weren't getting their fair | 0:02:52 | 0:02:56 | |
share. They now feel like professionals. They come to an event | 0:02:57 | 0:03:05 | |
and they will feel like true professionals and they have got | 0:03:06 | 0:03:09 | |
hair. It is a weak step for them though. In previous years, they have | 0:03:10 | 0:03:15 | |
only been a couple of tables. Now we have four. What difference does that | 0:03:16 | 0:03:21 | |
make? For the lower players, all of a sudden they are at the venue. | 0:03:22 | 0:03:28 | |
Apart from the TV coverage, everything is the same. It can only | 0:03:29 | 0:03:34 | |
benefit from -- they can only benefit from this. We have seen most | 0:03:35 | 0:03:41 | |
of the top seeds, apart from one has got through. Is that how it is | 0:03:42 | 0:03:48 | |
working out with this new format? At the start of the season everyone | 0:03:49 | 0:03:51 | |
said there would the a lot of the media faces on and they would be | 0:03:52 | 0:03:56 | |
beaten, but they are still coming through. That just shows you the | 0:03:57 | 0:04:02 | |
calibre of the top players. They are used to playing at the venues all | 0:04:03 | 0:04:05 | |
the time, so they have a slight advantage. We will leave it for now. | 0:04:06 | 0:04:14 | |
We will talk more later. We have a busy week ahead. Let us have a look | 0:04:15 | 0:04:21 | |
at what is coming up this afternoon. Stephen Maguire was one of the first | 0:04:22 | 0:04:27 | |
into the arena this morning. We will see how he fared against Sam Baird. | 0:04:28 | 0:04:33 | |
Matthew Stevens got through his first match and faces Ian Burns in | 0:04:34 | 0:04:38 | |
the last 64. And this man is always a contender - Mark Selby, at by | 0:04:39 | 0:04:45 | |
Nellist two years ago. Dave Harris stands between him and the last | 0:04:46 | 0:04:52 | |
round. An exciting start to the day. Stephen Maguire was up against | 0:04:53 | 0:04:56 | |
Sam Baird, the 25-year-old from Devon who is only ranked 75 in the | 0:04:57 | 0:05:10 | |
world. He was 3-1 up, but Maguire scrape -- scraped his way back into | 0:05:11 | 0:05:11 | |
the match. That was not a good wind. He had | 0:05:12 | 0:05:30 | |
left a pot in the middle. The ball is in perfect position though. -- a | 0:05:31 | 0:05:36 | |
good white. This could be a match winner. You | 0:05:37 | 0:06:04 | |
would expect him to score at least 50 from here. | 0:06:05 | 0:07:03 | |
This is a chance you dream of in any frame. | 0:07:04 | 0:07:19 | |
Stephen Maguire has done really well, he has been battling away. He | 0:07:20 | 0:07:27 | |
knows he has had every chance. To play for the blue of the | 0:07:28 | 0:08:00 | |
will be slightly difficult. -- or the pink. | 0:08:01 | 0:08:24 | |
We have seen him struggle when he is stretching. Let us see how he goes | 0:08:25 | 0:08:31 | |
with this one. He just doesn't seem to be able to get on to be shot, | 0:08:32 | 0:08:35 | |
does he? -- the shot, Dulcie? I do not think that he played for | 0:08:36 | 0:09:49 | |
this rate, but he is OK. -- this red. | 0:09:50 | 0:10:09 | |
This is the best he has looked since the start of the match. Striking the | 0:10:10 | 0:10:17 | |
wall with a little bit more authority. -- the ball with a little | 0:10:18 | 0:10:23 | |
bit more authority. Sam Baird is sitting in his chair | 0:10:24 | 0:11:40 | |
feeling sorry for himself. It seems the match is slipping away from him, | 0:11:41 | 0:11:46 | |
even though he has been the better of the two players. | 0:11:47 | 0:12:12 | |
He has always been a great fire under pressure, Stephen Maguire. | 0:12:13 | 0:12:48 | |
Excellent shot. This is frame and match ball. He has done remarkably | 0:12:49 | 0:12:58 | |
well. A fabulous break of 68 and it is | 0:12:59 | 0:13:35 | |
Stephen Maguire who progresses into the next phase. | 0:13:36 | 0:14:42 | |
That was an excellent part. He still has a slight foothold in the match, | 0:14:43 | 0:14:53 | |
but this colour is going to have to go in. I think he can just about get | 0:14:54 | 0:15:07 | |
through to deep black. -- to be black. Stephen Maguire struggled all | 0:15:08 | 0:15:15 | |
the way through. He had his highest break for the last frame. | 0:15:16 | 0:15:29 | |
Stephen Maguire is with us now. A bit too close a comfort? Definitely. | 0:15:30 | 0:15:42 | |
At 3-1, Sam had two or three good chances. He just seemed to miss the | 0:15:43 | 0:15:52 | |
frame ball all the time. You thought you were dead and buried, but you | 0:15:53 | 0:15:57 | |
came back and took that chance. I have done exactly what Sam has done | 0:15:58 | 0:16:02 | |
many times. I have thrown matches away, but as long as you learn from | 0:16:03 | 0:16:07 | |
it and try and get over it as quickly as possible, then you come | 0:16:08 | 0:16:13 | |
back stronger. Was everything OK? When you put extra effort into those | 0:16:14 | 0:16:19 | |
power shots, you seem to be missing some. I have had some pain in the | 0:16:20 | 0:16:26 | |
last few weeks. I do think the drive down here did it any good. It took | 0:16:27 | 0:16:35 | |
seven hours. Getting down to the shop was the hardest bit. You can | 0:16:36 | 0:16:45 | |
see on your face, I should not last, but I could see that when you | 0:16:46 | 0:16:54 | |
had to pay a power shot, you were grimacing. I was not standing the | 0:16:55 | 0:17:06 | |
way I usually do and with power you cannot get away with it. You don't | 0:17:07 | 0:17:11 | |
think of snooker players as having to have easier therapy. Would you | 0:17:12 | 0:17:18 | |
have two do that? I have got painkillers, so I am sticking with | 0:17:19 | 0:17:22 | |
that. Luckily I have a day off tomorrow and I won't be do -- and I | 0:17:23 | 0:17:30 | |
won't be doing anything. You are the defending champion. How does it | 0:17:31 | 0:17:35 | |
feel? Are you conscious that you are defending your title? Not really. A | 0:17:36 | 0:17:42 | |
year ago was a long time ago. I don't remember last week, let alone | 0:17:43 | 0:17:50 | |
last year. It is funny having my picture on the posters here. That | 0:17:51 | 0:17:54 | |
doesn't normally happen. What have you made of the format this week? I | 0:17:55 | 0:18:05 | |
am not a fan of it. I would rather play qualifiers. I played a match on | 0:18:06 | 0:18:16 | |
Wednesday, drove up the road, had a few days off which is not good in | 0:18:17 | 0:18:25 | |
the middle of a tournament. The most important thing is that you are | 0:18:26 | 0:18:29 | |
through. Congratulations. Stephen Maguire will play the winner of the | 0:18:30 | 0:18:35 | |
match between Gerard Greene Maguire will play the winner of the | 0:18:36 | 0:18:40 | |
Andrew Pagett. This tournament has an extra spark when the top Welsh | 0:18:41 | 0:18:44 | |
players are moving through the rounds. It has not in a vintage | 0:18:45 | 0:18:50 | |
season for Matthew Stevens. However, one thing for certain is that there | 0:18:51 | 0:19:02 | |
is no doubt about his talents. When it comes to technique, you will not | 0:19:03 | 0:19:06 | |
see a better person than Matthew Stevens. I saw him practising when | 0:19:07 | 0:19:11 | |
he was around 12 years old. It is his technique that has helped him | 0:19:12 | 0:19:16 | |
come back. Tech week makes him a very good player. He had a few years | 0:19:17 | 0:19:21 | |
in the wilderness, but that technique have stood him in good | 0:19:22 | 0:19:24 | |
stead and he is rising up the rankings to where he should be. | 0:19:25 | 0:19:32 | |
Matthew Stevens had a setback. When his father passed away, that was a | 0:19:33 | 0:19:36 | |
terrible blow for him and it took him a lot of seasons to recover from | 0:19:37 | 0:19:44 | |
it. Matthew's professionalism has to be questioned. He has not always | 0:19:45 | 0:19:49 | |
given 100% to the game. If he concentrates again, he can prove | 0:19:50 | 0:19:55 | |
that he is a top player again. Matthew is capable of making high | 0:19:56 | 0:20:00 | |
breaks. He is good at making those 60, 70 breaks. He has always got | 0:20:01 | 0:20:07 | |
that in his armoury which makes him a top player to play against. | 0:20:08 | 0:20:14 | |
Matthew Stevens is a great player. He has only one a couple of major | 0:20:15 | 0:20:15 | |
tournaments. Maybe sometimes he is He has only one a couple of major | 0:20:16 | 0:20:20 | |
expecting too much. He is that good He has only one a couple of major | 0:20:21 | 0:20:26 | |
a player he has to win again. He is slightly older, but he is still one | 0:20:27 | 0:20:31 | |
of the best players in the world. Let us look at his opponent. Ian | 0:20:32 | 0:20:36 | |
Burns is from Preston and has only been a professional for a couple of | 0:20:37 | 0:20:42 | |
seasons. He is 65 in the world rankings. He made the last 32 here | 0:20:43 | 0:20:46 | |
last year and he will do the same again if he can get past Matthew | 0:20:47 | 0:20:51 | |
Stevens today. So, it is Matthew Stevens against Ian Burns. It is | 0:20:52 | 0:20:58 | |
time to bring the players out. These two have never played each other | 0:20:59 | 0:21:02 | |
before. They are playing for a place in the last 32, here at the Welsh | 0:21:03 | 0:21:08 | |
Open. Let us join our commentary team now. Willie Thorne and Terry | 0:21:09 | 0:21:11 | |
Griffiths. Good afternoon. As my colleague | 0:21:12 | 0:21:28 | |
said, these two have not played each other before. | 0:21:29 | 0:21:55 | |
Thank you, ladies and gentlemen. The first frame. Ian Burns to break. | 0:21:56 | 0:22:11 | |
He is a good player. He has had a great season. | 0:22:12 | 0:22:40 | |
He has previously been voted the Best Newcomer of the year. | 0:22:41 | 0:23:18 | |
Not an easy one for him to get started. | 0:23:19 | 0:23:32 | |
Matthew Stevens has not had the best run, but he is a classy player and | 0:23:33 | 0:23:40 | |
always has been. A very clever player. Just waiting for someone to | 0:23:41 | 0:23:56 | |
come in and find their seat. There you go. Everybody is happy now. | 0:23:57 | 0:24:21 | |
That is a good read to get started on. | 0:24:22 | 0:24:38 | |
The pink and black are tied up at the moment. He is probably going to | 0:24:39 | 0:24:50 | |
wait for a better chance. He has gone for it and he has been | 0:24:51 | 0:24:51 | |
unlucky. He will have two work hard now for a | 0:24:52 | 0:25:00 | |
week break. -- Abe week break. The shot on the Green deserved | 0:25:01 | 0:25:32 | |
better than he got. Half a chance now for Ian Burns. | 0:25:33 | 0:26:41 | |
I think he played for the one at the back. A little bit short on pace. | 0:26:42 | 0:26:52 | |
The White has not come far enough. That was a nice shots, but | 0:26:53 | 0:27:18 | |
unfortunately, he did not get the pot. -- that was a nice shot. | 0:27:19 | 0:27:50 | |
He called that one much too thick. He has not been lucky. | 0:27:51 | 0:28:50 | |
He has got slightly the wrong angle on the blue. | 0:28:51 | 0:29:58 | |
He has the extension might, which, as you can see, is rather large! You | 0:29:59 | 0:30:25 | |
will see how far away his bridge hand is from the cue ball. He | 0:30:26 | 0:30:30 | |
couldn't even reach it with that on! | 0:30:31 | 0:30:37 | |
He is looking at another shots. Still has the extension arm. His | 0:30:38 | 0:30:47 | |
bridge hand is a good two feet away. That doesn't help things. | 0:30:48 | 0:30:59 | |
He needed to put a bit of stun on that just to avoid a few balls on | 0:31:00 | 0:31:07 | |
the way through. When you have the extension on, it does take away a | 0:31:08 | 0:31:09 | |
little bit of the feel. That was slightly underhit. The blue | 0:31:10 | 0:32:00 | |
and pink are both still on, but both are dangerous. Anything with a bit | 0:32:01 | 0:32:06 | |
of speed, that will be hard to queue. We know that the one to the | 0:32:07 | 0:32:10 | |
right of the pink will pot. We went -- we mentioned earlier on | 0:32:11 | 0:32:36 | |
that Ian McCulloch is working with him. He got to the final of the | 0:32:37 | 0:32:44 | |
Grand Prix in Preston, his hometown. He also got to the final of the | 0:32:45 | 0:32:54 | |
tournament in Telford, and he lost to Neil Robertson. He retired from | 0:32:55 | 0:33:02 | |
the game with back trouble. He was no longer on the circuit. | 0:33:03 | 0:33:43 | |
Time to make a few things happen. These four reds are not in a | 0:33:44 | 0:33:51 | |
position where they could part. He could play towards the list read. -- | 0:33:52 | 0:33:57 | |
red. -- last red. What is the angle like? It is just | 0:33:58 | 0:34:21 | |
about OK. He can force it. He is going to have to split one of | 0:34:22 | 0:35:37 | |
these, here. When you go into those with back | 0:35:38 | 0:35:57 | |
spin, the ball comes back to where you were playing from. He still has | 0:35:58 | 0:35:58 | |
one on. Yes, he has played these last few | 0:35:59 | 0:36:06 | |
quite well. Not great this, because the two reds | 0:36:07 | 0:36:55 | |
on the left-hand side cushion, he is going to happen to avoid to somehow. | 0:36:56 | 0:37:02 | |
He can just stun up to the blue. It is very close to the side cushion. | 0:37:03 | 0:37:05 | |
That was a terrible shot. Matthew Stevens is blessed with | 0:37:06 | 0:37:50 | |
wonderful cue power. I remember when Paul Hunter and Matthew came onto | 0:37:51 | 0:37:54 | |
the scene together, they were very close friends. Both improved | 0:37:55 | 0:37:58 | |
together. It is amazing how their careers followed such a similar | 0:37:59 | 0:38:08 | |
path. Paul Hunter went on to win a few Masters titles. It was always | 0:38:09 | 0:38:21 | |
surprising that neither Matthew nor Paul won the world Championships. | 0:38:22 | 0:38:27 | |
Matthew has been in a couple of finals, against Mark Williams and | 0:38:28 | 0:38:31 | |
Shaun Murphy. He got very close in both those matches. Paul Hunter's | 0:38:32 | 0:38:37 | |
best chance was the semifinal, he was well in front of Ken Doherty but | 0:38:38 | 0:38:45 | |
lost that semifinal. Mark Williams -- Matthew Williams got into the | 0:38:46 | 0:38:56 | |
semifinal in 2002. He felt he had the blue correctly there, but the | 0:38:57 | 0:39:03 | |
weight went off at a funny angle. -- the white. | 0:39:04 | 0:40:05 | |
That came of the commission very quickly. You didn't expect to be | 0:40:06 | 0:40:17 | |
lower than the black. I don't know if there is any point in trying to | 0:40:18 | 0:40:19 | |
get read out here. -- red. The black is out of commission and | 0:40:20 | 0:40:53 | |
33 points behind... The black is even tighter now! | 0:40:54 | 0:42:24 | |
He caught that one too thick. I don't think you can get to the | 0:42:25 | 0:42:28 | |
potting angle for the red. He may be able to play snooker | 0:42:29 | 0:42:38 | |
behind the pink. He doesn't want to bring the two | 0:42:39 | 0:42:52 | |
awkward reds interplay. He is protect a 33 point lead. -- | 0:42:53 | 0:42:57 | |
protecting. He had to make sure he covered up | 0:42:58 | 0:43:14 | |
those two reds. Matty would have brought them into play. He has left | 0:43:15 | 0:43:20 | |
himself an ideal opportunity now to play a good safety. The white will | 0:43:21 | 0:43:28 | |
probably end up in the jaws of the pocket. This could be a very telling | 0:43:29 | 0:43:32 | |
safety. Not the best. I thought he would | 0:43:33 | 0:43:44 | |
have brought that red interplay better than that. -- into play. | 0:43:45 | 0:43:55 | |
The first frame has been a bit of a struggle for both players. The balls | 0:43:56 | 0:43:59 | |
were not ideally placed. Just a defensive safety, there. It | 0:44:00 | 0:44:31 | |
leaves another red on the condition. It is an and my skin this. Matthew | 0:44:32 | 0:44:36 | |
Stevens wants to bring the reds interplay. -- into play. That is | 0:44:37 | 0:44:46 | |
pretty good. The natural safety is to play for | 0:44:47 | 0:44:57 | |
the red to the left of the yellow, but he doesn't want to bring that | 0:44:58 | 0:45:06 | |
into play. What time to be close to night, Willie? Do they threw us out | 0:45:07 | 0:45:11 | |
at about midnight? We could still be on this free! Some clever stuff | 0:45:12 | 0:45:21 | |
here. Thank God you are not playing! I played a match once over three | 0:45:22 | 0:45:34 | |
days, best of was! -- best of three frames, that was! The only man I | 0:45:35 | 0:45:41 | |
know that could send a glass eye to sleep! | 0:45:42 | 0:45:54 | |
He did not play that well at all. One of the problems in snooker is | 0:45:55 | 0:46:01 | |
when you are defending a Leeds you are in that negative frame of mind. | 0:46:02 | 0:46:07 | |
Matthew Stevens is in a more aggressive frame of mind at the | 0:46:08 | 0:46:12 | |
moment. He hasn't really got a shot on here. A red is available into the | 0:46:13 | 0:46:18 | |
right corner, but the cueing would be very difficult. He will play as | 0:46:19 | 0:46:23 | |
safety here. He has to be careful with this one. | 0:46:24 | 0:46:32 | |
He is just trying to work out if he will play of the top cushion to end | 0:46:33 | 0:47:06 | |
up on the black. I think he will just rest on the black. | 0:47:07 | 0:47:14 | |
Once again, her very defensive type of safe earshot. He is trying to | 0:47:15 | 0:47:54 | |
keep it as tight as possible. -- safety shot. | 0:47:55 | 0:48:20 | |
I am surprised he is not taking on this red. | 0:48:21 | 0:48:38 | |
Ian Burns is playing to negatively for me. He should be trying to win | 0:48:39 | 0:48:46 | |
the frame. He can't quite believe how he has | 0:48:47 | 0:51:06 | |
not on the red. -- is not on the red. On that replay, he cocked the | 0:51:07 | 0:51:17 | |
yellow and little bit thin. I am not sure what he was playing. If he was | 0:51:18 | 0:51:25 | |
a little bit more full, he probably would have got behind this red. | 0:51:26 | 0:51:37 | |
That was worth a go. The chance to win the frame, if he had got it. | 0:51:38 | 0:51:53 | |
This is frame ball. He has to take this on. Don't worry too much about | 0:51:54 | 0:51:54 | |
desertion. -- about position. He could have played that the little | 0:51:55 | 0:52:19 | |
bit slower to give the pocket the chance to take it. | 0:52:20 | 0:52:31 | |
This will be very thin, but I think it is on. | 0:52:32 | 0:52:53 | |
He is having a look at the black. This would be a great chance to get | 0:52:54 | 0:53:00 | |
the black. Isn't that amazing sometimes had the balls finish? What | 0:53:01 | 0:53:08 | |
a strange game, isn't it? That looked like a terrible case, but, | 0:53:09 | 0:53:13 | |
all of a sudden, it turns out to be a great one! I have not seen Ian | 0:53:14 | 0:53:19 | |
Burns play very much, but I think if he had been a little bit more | 0:53:20 | 0:53:24 | |
aggressive in this frame, he would have won. It seems that Matthew | 0:53:25 | 0:53:31 | |
Stevens has not really been in this frame, he has always been on the | 0:53:32 | 0:53:38 | |
back foot. Of course, just because you are behind in a frame doesn't | 0:53:39 | 0:53:43 | |
mean you can't win it with a late surge. It looks like that is what is | 0:53:44 | 0:53:45 | |
going to happen here. If ever a frame got away, it was | 0:53:46 | 0:54:04 | |
this one. He needs the three balls to win. | 0:54:05 | 0:54:13 | |
Matthew has a very accurate due action. -- she | 0:54:14 | 0:54:21 | |
action. -- cue action. I'm sure Matthew did not expect to | 0:54:22 | 0:54:37 | |
win this frame. Ian Burns started with 41. But | 0:54:38 | 0:54:56 | |
Matthew Stevens takes the opening frame with a clearance of 35. | 0:54:57 | 0:55:00 | |
So, first blood to Matthew Stevens. Willie Thorne said commentary that | 0:55:01 | 0:55:11 | |
he played a few negative shots. He missed a bad red. He took his eyes | 0:55:12 | 0:55:28 | |
off the red. He missed the reds and gave Matthew Stevens the chance to | 0:55:29 | 0:55:29 | |
get back in the frame. We saw glimpses of the brilliance of | 0:55:30 | 0:55:47 | |
Matthew, one long red. It will have to be more consistent if he is going | 0:55:48 | 0:55:51 | |
to progress through this tournament. He played a couple of good reds. He | 0:55:52 | 0:55:56 | |
would have thoughts the frame was gone, but all of a sudden | 0:55:57 | 0:56:03 | |
would have thoughts the frame was up! Ian Burns | 0:56:04 | 0:56:07 | |
would have thoughts the frame was chances to take the frame, but he | 0:56:08 | 0:56:09 | |
didn't take them. He will be sitting quite worried. Most people don't | 0:56:10 | 0:56:15 | |
know much about Ian Burns. What are your first impressions? Obviously, I | 0:56:16 | 0:56:20 | |
saw a little bit of him last year in this event. He played reasonably | 0:56:21 | 0:56:26 | |
well in the match that I saw. I haven't seen him all year for top I | 0:56:27 | 0:56:34 | |
know he has Ian McCulloch, he has been helping him. He was a horrific | 0:56:35 | 0:56:37 | |
layer himself. He won the award last year of best | 0:56:38 | 0:56:49 | |
newcomer. He must've had a very good season. | 0:56:50 | 0:57:01 | |
Can he split the pack? He had a go, but the little bit unlucky. | 0:57:02 | 0:58:16 | |
What is he going to do here? He could say this dead weight. It is a | 0:58:17 | 0:58:26 | |
hard shot over the distance. I'm not sure if he can pot this and avoid | 0:58:27 | 0:58:28 | |
the reds. Very difficult at that speed. You | 0:58:29 | 0:58:48 | |
are never 100% sure that the cue ball will stay online. There is not | 0:58:49 | 0:58:58 | |
a lot of cloth on these tables any more, is there, Willie? It is not | 0:58:59 | 0:59:01 | |
easy playing that slow roll. A good long pot from Matthew | 0:59:02 | 0:59:12 | |
Stevens. The first frame is always important | 0:59:13 | 1:00:46 | |
in any match, but especially now when it is the rest of seven. -- | 1:00:47 | 1:00:52 | |
best of seven. I think the best of seven is fine in | 1:00:53 | 1:01:13 | |
certain tournaments. The problems players talk about is if you lose | 1:01:14 | 1:01:21 | |
the first frame, you do not have enough time to recover and you don't | 1:01:22 | 1:01:26 | |
get the interval after the first four frames. | 1:01:27 | 1:01:42 | |
It changes to nine frames in the quarterfinal stage. Best of 11 and | 1:01:43 | 1:01:51 | |
17 in the final. Matthew seems a little bit bemused. | 1:01:52 | 1:02:23 | |
We had a couple of kit in the opening frame. -- kicks. | 1:02:24 | 1:04:04 | |
He is coming down to have a look at this red in the right-hand corner. | 1:04:05 | 1:04:12 | |
He is guaranteed to be on the black. There is a risk involved. He | 1:04:13 | 1:04:23 | |
does have a straightforward safety, if he wants to play it. | 1:04:24 | 1:05:42 | |
That was a good shot. He knew he would be leaving that read in the | 1:05:43 | 1:05:54 | |
corner. -- that red in the corner. Once again, the deflection off the | 1:05:55 | 1:06:03 | |
potting angle has got Matthew Stevens. I wonder if it is time to | 1:06:04 | 1:06:10 | |
change the cue ball? There have been a few shots where he | 1:06:11 | 1:06:32 | |
has not been happy with the throw of the cue ball. They are just checking | 1:06:33 | 1:06:40 | |
now. If I was Ian Burns, I would almost say that I didn't want | 1:06:41 | 1:06:42 | |
now. If I was Ian Burns, I would change it. Both players have two | 1:06:43 | 1:06:49 | |
agreed, remember? If he has agreed, then it is OK. He has said that he | 1:06:50 | 1:07:05 | |
has not noticed anything. If Ian Burns does not want it changed, then | 1:07:06 | 1:07:09 | |
they have two carry on. Both players have two agreed. I would have said | 1:07:10 | 1:07:25 | |
yes, to be honest. It will help both players. | 1:07:26 | 1:07:44 | |
What is happening now? The referee has come back. I can't quite | 1:07:45 | 1:07:58 | |
understand this. I think he has got a cue ball in his hand. No, he | 1:07:59 | 1:08:04 | |
hasn't. If Ian Burns says that there is nothing wrong with it, then they | 1:08:05 | 1:08:09 | |
have two carry on. At least we know there is another cue ball there, if | 1:08:10 | 1:08:11 | |
needed. He was leaving himself a red in the | 1:08:12 | 1:08:44 | |
centre after that black. They are not easy of the cushion like that. | 1:08:45 | 1:10:19 | |
What he mustn't do is put too much pressure on himself. He should have | 1:10:20 | 1:10:26 | |
won the first frame, but there is plenty of time. He needs to stick to | 1:10:27 | 1:10:34 | |
his game plan and the patient, which is not always easy out there. He has | 1:10:35 | 1:10:46 | |
got to get the pace right for this to work. That is a prime example of | 1:10:47 | 1:10:54 | |
what you should and should not do. Once again, trying to be too | 1:10:55 | 1:10:56 | |
careful. Not a lot happening in this frame so | 1:10:57 | 1:13:06 | |
far. No breaks over 30, although they have both had their chances. | 1:13:07 | 1:13:50 | |
He did not want that double-kiss. It could have in worse. There is a | 1:13:51 | 1:14:04 | |
chance with the red in the middle. It is ethical to judge the potting | 1:14:05 | 1:14:12 | |
angle when you are very close. -- it is difficult. | 1:14:13 | 1:14:49 | |
Out comes the extension. It is almost the same size as the rest of | 1:14:50 | 1:14:54 | |
the cue. He cut the object ball very thin. A | 1:14:55 | 1:15:28 | |
big chance gone by. It is now a big chance for Ian. | 1:15:29 | 1:16:29 | |
I don't think this will pot. He is OK on the left-hand one. A great | 1:16:30 | 1:16:36 | |
chance now to level at 1-1. Slightly lower on the black than he | 1:16:37 | 1:17:02 | |
wanted, but he still has the pink. He is just coming round to see which | 1:17:03 | 1:17:31 | |
one of the reds is available. He should win the frame at this | 1:17:32 | 1:17:46 | |
visit. That was a very good shot. He had to | 1:17:47 | 1:18:30 | |
make sure he finished high on this red. | 1:18:31 | 1:19:36 | |
Not quite in prime position. A little bit undecided here. | 1:19:37 | 1:20:12 | |
How many times have we seen that. 35 points in front. He just needed that | 1:20:13 | 1:20:41 | |
red. That is a shot you would not miss in this. -- in practice. | 1:20:42 | 1:21:04 | |
Matthew Stevens will now need to widen the shot to get to the | 1:21:05 | 1:21:12 | |
left-hand side of the table and get onto the back. -- onto the black. | 1:21:13 | 1:21:30 | |
There is the light white again. I tend to agree with him. But, of | 1:21:31 | 1:21:46 | |
course, you are not playing! He can still get the black in the centre. | 1:21:47 | 1:21:55 | |
He has got to hit it hard enough so that it leaves a path class -- a | 1:21:56 | 1:22:03 | |
path past the blue to yellow. He might be able to see the yellow, | 1:22:04 | 1:22:16 | |
but I am not sure about putting it. Another tight frame, | 1:22:17 | 1:22:42 | |
first one. He just about got that past the | 1:22:43 | 1:23:45 | |
middle pocket. If that yellow had come out a | 1:23:46 | 1:24:21 | |
fraction, it would have been an easier shot. Safety does not look | 1:24:22 | 1:24:26 | |
easy. He has played that well. He could | 1:24:27 | 1:27:02 | |
play it in a defensive manner or off the cushion. | 1:27:03 | 1:28:28 | |
That was well played. He had to catch that yellow on the right-hand | 1:28:29 | 1:28:31 | |
side. This is not bad. Has it landed, not | 1:28:32 | 1:29:24 | |
quite, I thought it was going to be a snooker. They will have to re-spot | 1:29:25 | 1:29:34 | |
black. Can he bring it up or down the table. The black is the problem | 1:29:35 | 1:29:43 | |
ball here? He will do well to miss the kiss on the black. | 1:29:44 | 1:29:54 | |
He thinks he has the black. That is no good. | 1:29:55 | 1:30:17 | |
A good shot, that. Easy enough to hit. Can he get it safe? He only | 1:30:18 | 1:31:06 | |
wants the one ball. Needs to push this past the black. | 1:31:07 | 1:31:11 | |
This is why this is dragging on, the players are not making mistakes and | 1:31:12 | 1:31:36 | |
giving their opponent a chance. That was a good safety shot from Ian | 1:31:37 | 1:31:42 | |
Burns. He had the pink and black as his cover. | 1:31:43 | 1:32:00 | |
He may have found a gap between the pink and the black. | 1:32:01 | 1:32:12 | |
Matthew Stevens cannot win this frame in one visit, he is 25 points | 1:32:13 | 1:32:20 | |
behind and there is 25 on the table. Should he clear up, it will be RE | 1:32:21 | 1:32:29 | |
spotted black. -- a re-spotted black. He is trying to get the cue | 1:32:30 | 1:32:38 | |
ball in behind the brown. He could get the green save. He needs a good | 1:32:39 | 1:32:44 | |
wide. He may play the negative safety. That is not his best. The | 1:32:45 | 1:32:53 | |
black will be a problem for Matthew Stevens, missing that kiss on the | 1:32:54 | 1:32:56 | |
black. He has not 100% committed that, he | 1:32:57 | 1:33:31 | |
felt he would kiss the black. If he had caught it on the thin side, it | 1:33:32 | 1:33:35 | |
would have been a better transport the brown. He is left with a | 1:33:36 | 1:33:46 | |
difficult shot here -- it would have been a better shot on the brown. Is | 1:33:47 | 1:33:57 | |
there one on? I do not see how he could play safe. He could leave the | 1:33:58 | 1:34:10 | |
green on the corner pocket. If he cannot see a safety shot, he has to | 1:34:11 | 1:34:17 | |
go for the pot. He cannot lose the frame. There would be RE spotted | 1:34:18 | 1:34:26 | |
black involved. -- a re-spotted black. He could play off the top | 1:34:27 | 1:34:34 | |
cushion. He could hit it then or have a go at the pot. -- hit it | 1:34:35 | 1:34:45 | |
then. He could catch it off the cushion. That was risky. If you | 1:34:46 | 1:34:54 | |
think there is a chance of a double-kiss, there usually is. It is | 1:34:55 | 1:35:04 | |
Ian's turn. He has been fortunate with the safety shots. He has had a | 1:35:05 | 1:35:06 | |
bit of luck. I think you can see this, he can. | 1:35:07 | 1:35:17 | |
That is a safety. REFEREE: Three. A good shot from | 1:35:18 | 1:35:47 | |
Matthew Stevens. REFEREE: Seven. | 1:35:48 | 1:36:04 | |
Just short of 40 minutes, it was a hard battle, but Ian Burns will be | 1:36:05 | 1:36:12 | |
happy to take that. It is one frame each. | 1:36:13 | 1:36:18 | |
There were a couple of questions for you. This question of a defective | 1:36:19 | 1:36:26 | |
cue ball, Matthew seems to be complaining to the referee a lot, | 1:36:27 | 1:36:32 | |
does that happen very often? It does not happen a lot, but these balls, | 1:36:33 | 1:36:38 | |
they are made for each set. They are supposed to be the same, but you get | 1:36:39 | 1:36:43 | |
the odd one which might be slightly out of shape or have a little dent, | 1:36:44 | 1:36:49 | |
which affects the cue ball. It is funny, you could be cueing that well | 1:36:50 | 1:36:57 | |
that the ball will feel light. When you are playing bad, everything | 1:36:58 | 1:37:02 | |
feels heavy. Matthew is saying that he thinks it is light. He was | 1:37:03 | 1:37:09 | |
playing a couple of screws shots. He potted a good black, but players can | 1:37:10 | 1:37:15 | |
say they are not happy with the cue ball. Both players have to agree. If | 1:37:16 | 1:37:21 | |
one says that they want to change it and the other disagrees, you have to | 1:37:22 | 1:37:29 | |
finish it. The option was given, Ian Burns was asked and he said no. | 1:37:30 | 1:37:38 | |
Matthew seems very unhappy with it. When I felt there was something | 1:37:39 | 1:37:42 | |
wrong with the cue ball and I asked for a swap, if they said no, it | 1:37:43 | 1:37:48 | |
would fire me up to try and get on with it to get one over on them. Ian | 1:37:49 | 1:37:56 | |
Burns was 1-0 down, he felt it was OK and if he could get any kind of | 1:37:57 | 1:38:01 | |
edge, he said to keep with the cue ball. The longer this goes on, | 1:38:02 | 1:38:10 | |
Matthew will get more annoyed. He is not happy, he should have lost the | 1:38:11 | 1:38:17 | |
first frame. It is 1-1 now, Ian Burns is happier with the cue ball. | 1:38:18 | 1:38:23 | |
Neither player has settled down and produced anything special, but what | 1:38:24 | 1:38:28 | |
did you make of the first two frames? Ian Burns has had the chance | 1:38:29 | 1:38:34 | |
to nail both of them, but then he missed the key pot. It is the best | 1:38:35 | 1:38:42 | |
of seven, no interval, most matches you play to the best of nine with an | 1:38:43 | 1:38:51 | |
interval after four. You normally come in after | 1:38:52 | 1:38:54 | |
interval after four. You normally change. When you are flying, you do | 1:38:55 | 1:38:58 | |
not want the interval. There is no interval, so if you start off badly, | 1:38:59 | 1:39:05 | |
it is hard to get back into your swing. Very early sprints. We are | 1:39:06 | 1:39:16 | |
already one and a quarter hours into this. It is all level so far. | 1:39:17 | 1:39:27 | |
I agree with Darren. Just because Matthew wants it change, does not | 1:39:28 | 1:39:39 | |
mean it should be. -- changed. We have seen balls go off at a | 1:39:40 | 1:39:43 | |
different angle. Ian Burns has done well, he knows he should have won | 1:39:44 | 1:39:50 | |
the first frame. He has established himself back into the game. | 1:39:51 | 1:42:42 | |
Not looking at the long pot, too much risk they are. Playing the thin | 1:42:43 | 1:42:54 | |
safety. Pretty good. Good runs. Actually, very good, as played. | 1:42:55 | 1:42:58 | |
APPLAUSE. Trying to get to the red which is | 1:42:59 | 1:43:50 | |
tight on the cushion next to the black. He has to get in between the | 1:43:51 | 1:43:59 | |
blue and the red. There is not very much room to miss blue and red. He | 1:44:00 | 1:44:07 | |
will go around the back, it he has missed the blue, he has missed | 1:44:08 | 1:44:13 | |
will go around the back, it he has red. An excellent shot. One of the | 1:44:14 | 1:44:18 | |
safest shots of the tournament. And we are only in the first day. | 1:44:19 | 1:44:58 | |
I do not know the perfect angle to get back in behind the brown. He | 1:44:59 | 1:45:05 | |
would like to hit the middle pocket. I do not think he can do it. He will | 1:45:06 | 1:45:12 | |
have to play a containing safety. The middle pocket was in the way. | 1:45:13 | 1:45:34 | |
This should move a few reds about. Not that many. He played it very | 1:45:35 | 1:45:41 | |
thin. He may well have looked to the red | 1:45:42 | 1:46:00 | |
to the left. The brown was in the way which made the bridging | 1:46:01 | 1:46:04 | |
awkward. He should have taken that on and got onto the black. | 1:46:05 | 1:46:23 | |
He can get past the brown. It will not make the shot any easier, | 1:46:24 | 1:46:33 | |
awkward bridging. He thought it was worth the risk, I cannot blame him | 1:46:34 | 1:46:38 | |
for that. Guaranteed to be on the black. | 1:46:39 | 1:47:05 | |
That was an excellent pot from Matthew. It was a tough pot to take. | 1:47:06 | 1:47:19 | |
The reds are lined up like soldiers. A perfect chance to win the frame. | 1:47:20 | 1:47:25 | |
He could have played a little bit harder on the line he had. Real good | 1:47:26 | 1:47:28 | |
chance. Just having a look at the split. If | 1:47:29 | 1:49:44 | |
he goes into the pink. You are never sure. Once you have played a split, | 1:49:45 | 1:49:50 | |
most of the time you do not know what will happen, you have no | 1:49:51 | 1:49:56 | |
control over the ball. You are still on a red. He is having a look at the | 1:49:57 | 1:50:06 | |
angle, looking past the black into the right-hand corner. Very heavy | 1:50:07 | 1:50:18 | |
contact. Did not threaten the pocket. Matthew Stevens will need to | 1:50:19 | 1:50:22 | |
be careful that he is getting upset about the playing conditions. You | 1:50:23 | 1:50:26 | |
cannot blame him, a few things have happened, but you have to keep | 1:50:27 | 1:50:34 | |
control. Very trying. That was horrendous. It's squared up | 1:50:35 | 1:50:43 | |
completely. -- it squared up. That has given Ian an excellent chance. | 1:50:44 | 1:50:49 | |
He could get into the lead of 30 points that Matthew had. The way the | 1:50:50 | 1:50:54 | |
balls are, it is within the realms of possibility that he could win the | 1:50:55 | 1:50:55 | |
frame. That is the wrong angle on the blue | 1:50:56 | 1:52:14 | |
for this end of the table. He could have played it a little bit better, | 1:52:15 | 1:52:20 | |
leave it closer to the yellow. This is quite a thin one now. He could | 1:52:21 | 1:52:28 | |
not roll it in off one cushion. You could not guarantee being on the | 1:52:29 | 1:52:35 | |
right side of the blue. A little too much. He was not playing for the | 1:52:36 | 1:52:41 | |
yellow, he was playing for the green. | 1:52:42 | 1:53:00 | |
He needs that cue ball to it has, that is an excellent shot. | 1:53:01 | 1:53:07 | |
He is on the bottom one of those three that are in line. It was tough | 1:53:08 | 1:53:10 | |
to get the pace right. Still awkward though, because of | 1:53:11 | 1:53:22 | |
that comes off the cushion, he may have to play two cushions to get | 1:53:23 | 1:53:31 | |
onto the black. He has to miss the kiss on the black. The angle of the | 1:53:32 | 1:53:37 | |
cue ball will come off the cushion. He may play at off two cushions. -- | 1:53:38 | 1:53:42 | |
play it. He did well to hold that. That is | 1:53:43 | 1:53:50 | |
good cueing. That is amazing to me. He might go | 1:53:51 | 1:54:11 | |
on and win the frame, but you have to clear the path to make it easier. | 1:54:12 | 1:54:14 | |
He is not doing that at the moment. A little low on the cue ball there. | 1:54:15 | 1:54:56 | |
You want him to stay on the black, he has to go for blue now. | 1:54:57 | 1:55:07 | |
He has come a little too far and he is now awkward on the blue. | 1:55:08 | 1:55:14 | |
Once you lose the picture in front of you, you can slip away quickly. | 1:55:15 | 1:55:22 | |
This is a clear-cut chance to win this frame. He could still do it. A | 1:55:23 | 1:55:26 | |
very good shot. He was very thin. He has to start | 1:55:27 | 1:55:40 | |
making this a little bit easier. He is missing the opportunity to bring | 1:55:41 | 1:55:48 | |
balls into play. He is 17 in front, but there are three more reds. Nice | 1:55:49 | 1:56:00 | |
break so far. 41 was the previous -- the previous highest from Matthew | 1:56:01 | 1:56:01 | |
Stevens. He does not look happy with the | 1:56:02 | 1:56:45 | |
position here on the black. Cannot quite CB angle from here. -- cannot | 1:56:46 | 1:56:56 | |
quite see that angle. Those two reds can only go into the same pocket. He | 1:56:57 | 1:57:05 | |
has got pass them, played that well. -- past. Enough spin to avoid the | 1:57:06 | 1:57:10 | |
reds. 33 points in front, so this is frame | 1:57:11 | 1:57:46 | |
ball. Very well played! He made hard work of it earlier, but he has | 1:57:47 | 1:57:48 | |
played this beautifully. You have to take the pressure of | 1:57:49 | 1:58:02 | |
macro yourself and make things as easy as possible. -- off. We have | 1:58:03 | 1:58:11 | |
been told he is a good player, Terry has watched him. He said how good he | 1:58:12 | 1:58:17 | |
is and you can see that here. He seems to be blessed with a good | 1:58:18 | 1:58:19 | |
temperament. He needs these four colours to make | 1:58:20 | 1:58:38 | |
a century. What a shame, no century, but a | 1:58:39 | 1:58:53 | |
fabulous break by Ian Burns. He still leads by a 2-1. -- 2-1. | 1:58:54 | 1:59:19 | |
Back in the 1980s, I think the character stood out more because | 1:59:20 | 1:59:26 | |
there is the one channel. I practice about twice a week, so it | 1:59:27 | 1:59:33 | |
is a part-time job for me! I do moan a little bit. At the end | 1:59:34 | 1:59:41 | |
of the day, we have to do it. I don't moan as much as the other | 1:59:42 | 1:59:45 | |
players! It probably doesn't hurt me as much | 1:59:46 | 1:59:49 | |
as other players will lose a match. That is probably one of my biggest | 1:59:50 | 1:59:55 | |
problems. I don't agree with that. I am quite | 1:59:56 | 2:00:01 | |
responsible. You have to be if you have a couple of children. | 2:00:02 | 2:00:10 | |
You can make time to practice, but I tend not to! | 2:00:11 | 2:00:21 | |
Definitely, yes. I have lost in a couple of world finals, got really | 2:00:22 | 2:00:26 | |
close, but they haven't done as well as a finger should have done. | 2:00:27 | 2:00:33 | |
Chances are I won't, but I still believe I can. | 2:00:34 | 2:00:40 | |
He is cutting a disconsolate figure at the moment. It looks like he is | 2:00:41 | 2:00:46 | |
getting increasingly annoyed with the conditions out there in | 2:00:47 | 2:00:52 | |
particular. He has to put all his differences behind him. It will not | 2:00:53 | 2:00:58 | |
change. It is going to stay exactly the same until this match is | 2:00:59 | 2:01:07 | |
finished. I'm sure if he makes a good break, or replays a handful of | 2:01:08 | 2:01:13 | |
really good shots on the trot, his concerns will soon disappeared. | 2:01:14 | 2:01:18 | |
Temperamentally, is he the sort of guy who can put that sort of | 2:01:19 | 2:01:22 | |
disappointment aside and focus back on the job? Matthew is very easy | 2:01:23 | 2:01:31 | |
going. He is very relaxed on and off the table. It is still all to play | 2:01:32 | 2:01:37 | |
for. The match is back on, it is all level. Still a long way to go. | 2:01:38 | 2:01:44 | |
WILLIE: there have been a few long frames in this match. And good | 2:01:45 | 2:02:01 | |
quality from both players. Ian Burns was the underdog at the start of the | 2:02:02 | 2:02:02 | |
match. That counts for nothing. You were talking about the | 2:02:03 | 2:02:34 | |
temperament of Matthew Stevens. He isn't happy about the way the cue | 2:02:35 | 2:02:38 | |
ball is playing. He has a good temperament, but it all depends on | 2:02:39 | 2:02:43 | |
these things happen. If he gets another shot that he is disappointed | 2:02:44 | 2:02:49 | |
with, it could get to him a little bit more. | 2:02:50 | 2:04:52 | |
That was an excellent shot, cueing dying. Danger signs here for Matthew | 2:04:53 | 2:05:06 | |
Stevens. He can get rid of that red on the black spot life. -- now. He | 2:05:07 | 2:05:16 | |
needs the cue ball to slow down. Perhaps the red in the middle does | 2:05:17 | 2:05:27 | |
not go. Maybe the better choice is the red | 2:05:28 | 2:05:41 | |
above the black spot. It is all about fractions. Two | 2:05:42 | 2:06:00 | |
inches slower, no problem. Where it has finished, it is slightly | 2:06:01 | 2:06:01 | |
awkward. Even if the pink has to go on the | 2:06:02 | 2:06:19 | |
black spot, it will still pot. He has a chance. | 2:06:20 | 2:07:02 | |
He has played that badly. He didn't want to leave himself straight, but | 2:07:03 | 2:07:09 | |
he has overdone it. He has left themselves are very tricky black. -- | 2:07:10 | 2:07:20 | |
himself a very tricky black. After playing a few good shots... | 2:07:21 | 2:07:33 | |
I can't tell you how difficult those are. The chance has gone by. | 2:07:34 | 2:08:31 | |
It is amazing how difficult it is to get the position when you have a | 2:08:32 | 2:08:43 | |
ball right over the pocket. It is hard to judge the angle that the cue | 2:08:44 | 2:08:47 | |
ball is going to come off the cushion sometimes. That extension is | 2:08:48 | 2:09:02 | |
a bit battered and bruised! He has used that all his career. | 2:09:03 | 2:09:11 | |
That is about as bad as you could have one. -- hit one. | 2:09:12 | 2:09:25 | |
Being very kind to him, you could say that was very difficult because | 2:09:26 | 2:09:31 | |
of the extension. Ian Burns is not one of these | 2:09:32 | 2:09:57 | |
players that will smash the ball is open and score 105 minutes. He is a | 2:09:58 | 2:10:02 | |
tough match player. He might not be the aggressive style of player that | 2:10:03 | 2:10:08 | |
we are reduced to these days, but he will still take some beating. He | 2:10:09 | 2:10:13 | |
could have played that shot a little bit firmer, just to make sure. But | 2:10:14 | 2:10:16 | |
he is OK. There is another example here. I | 2:10:17 | 2:10:40 | |
would still play into the pack, but he is not even going to do that. In | 2:10:41 | 2:10:49 | |
a few shots, when he is on 40 points, he will have to play the | 2:10:50 | 2:10:55 | |
cannon. Why not play at when nothing can go wrong? No other reds are | 2:10:56 | 2:11:05 | |
wrong, so nothing could go wrong. Still, he has a great chance of | 2:11:06 | 2:11:07 | |
taking a 3-1 lead. These are, once again, absolutely | 2:11:08 | 2:11:44 | |
perfect. If you look people like Ronnie O'Sullivan or Neil Robertson, | 2:11:45 | 2:11:47 | |
there is no way in the world that they would not go into them here! | 2:11:48 | 2:11:55 | |
Ian Burns isn't. I don't think you win tournaments playing negatively. | 2:11:56 | 2:12:27 | |
You can see the point I was making. He is going to have to force this a | 2:12:28 | 2:12:48 | |
little bit. He is nowhere near where he would want to be. | 2:12:49 | 2:13:07 | |
Well, he did get a kick to be fair. But he does make it hard work. | 2:13:08 | 2:14:10 | |
Matthew is just struggling a bit. It might have got to him that he wanted | 2:14:11 | 2:14:16 | |
to change the white ball and was refused. He is starting to miss a | 2:14:17 | 2:14:22 | |
few shots. He has not had the best couple of months as far as to months | 2:14:23 | 2:14:31 | |
are concerned, losing a few matches. -- as far as tournaments are | 2:14:32 | 2:14:34 | |
concerned. That was a good recovery shot. He | 2:14:35 | 2:15:56 | |
has let himself a nice angle on the blue. He is 45 points in front. That | 2:15:57 | 2:16:06 | |
did not go in with a lot of commitment. | 2:16:07 | 2:16:17 | |
He caught that very thin. He has to play a safety shot. That is what I | 2:16:18 | 2:16:32 | |
was talking about earlier, those reds would not have been in that | 2:16:33 | 2:16:38 | |
position if he had moved it early. Every frame this is happening. He | 2:16:39 | 2:16:44 | |
gets 40 points in front, and doesn't get the frame. Doesn't close out the | 2:16:45 | 2:16:50 | |
frame. There is the chance here of forcing | 2:16:51 | 2:18:15 | |
an opportunity. Ian Burns is under a little bit of pressure, although the | 2:18:16 | 2:18:22 | |
black is tied up and he is 50 points in front. | 2:18:23 | 2:18:35 | |
He is giving this a bit of thought. There is nothing straightforward. | 2:18:36 | 2:18:48 | |
Normally the players these days love to play off one or two cushions and | 2:18:49 | 2:18:53 | |
get back to baulk. I don't think that is available. You can get past | 2:18:54 | 2:19:06 | |
the yellow directly. -- can't get past the yellow directly. He is in | 2:19:07 | 2:19:10 | |
trouble here. He didn't have many other options, | 2:19:11 | 2:19:43 | |
and that could have worked out worse. The red to the right centre | 2:19:44 | 2:19:50 | |
looks available, but it is a very difficult shot. Can he cut in one of | 2:19:51 | 2:19:57 | |
these reds? Into the left corner? He is looking at those. | 2:19:58 | 2:20:20 | |
It only just went in. And he has put another red safe. At least he is in | 2:20:21 | 2:20:29 | |
with a chance! He struck that nicely. He had | 2:20:30 | 2:20:43 | |
awkward bridging. He has a lot to do to clear up. If | 2:20:44 | 2:21:08 | |
he could manage it, it would be a huge psychological blow. Ian Burns | 2:21:09 | 2:21:14 | |
has been all over Matthew Stevens in this match. He didn't like that, but | 2:21:15 | 2:21:19 | |
it has turned out all right. I thought he had too far. | 2:21:20 | 2:21:50 | |
I think he has changed his mind on the shot. What sort of angle does he | 2:21:51 | 2:21:58 | |
have here? Can he bring the red into play? The good thing about playing | 2:21:59 | 2:22:08 | |
the shots he is going to play, he doesn't have to do anything to the | 2:22:09 | 2:22:13 | |
cue ball. He can keep the cue ball this side of the blue, and if he | 2:22:14 | 2:22:18 | |
does that he can get close to the red on the cushion. | 2:22:19 | 2:22:28 | |
This is a chance to pinch this frame. Should Ian Burns go on to | 2:22:29 | 2:22:39 | |
lose this frame, he needs to look at the first four frames on video tape | 2:22:40 | 2:22:44 | |
because he should have won this match 4-0. | 2:22:45 | 2:23:22 | |
This could be a frame-winner. He has the angle on the yellow. This will | 2:23:23 | 2:23:36 | |
really hurt Ian. Matthew has not really been in this match since the | 2:23:37 | 2:23:38 | |
first frame. He has taken these well. There were | 2:23:39 | 2:24:36 | |
two very difficult reds on the cushion in this clearance for | 2:24:37 | 2:24:37 | |
Matthew Stevens. Great clearance. A 64 Matthew | 2:24:38 | 2:25:08 | |
Stevens. 2-2. Matthew Stevens | 2:25:09 | 2:25:09 | |
Stevens. 2-2. lot better after that. He is right | 2:25:10 | 2:25:19 | |
back in it. He looked a bit ruffled in the first few frames. He should | 2:25:20 | 2:25:24 | |
then he can play without cue ball no problems! That was terrific. Let | 2:25:25 | 2:25:31 | |
resetting commentary, a couple of the reds were undertaken cushion and | 2:25:32 | 2:25:45 | |
he made some great pop. -- poys. And there is nothing like staying on the | 2:25:46 | 2:25:51 | |
table to get your confidence back. It has swung like a pendulum. It was | 2:25:52 | 2:26:00 | |
all the way of Ian Burns. It looked like for all intents and purposes | 2:26:01 | 2:26:06 | |
that Ian Burns was going to go 3-1. He will be sitting in his chair | 2:26:07 | 2:26:10 | |
distraught. He could have won this match 4-0. Ian Burns really had his | 2:26:11 | 2:26:23 | |
chances. Matthew is giving him those chances. You can see this red that | 2:26:24 | 2:26:30 | |
Matthew missed earlier on. Willie said it all in the commentary. That | 2:26:31 | 2:26:36 | |
was about as bad as he could play at. If he can, he elects to play | 2:26:37 | 2:26:46 | |
with the extension. In that case, he had to use the extension but he had | 2:26:47 | 2:26:48 | |
that really badly. I had to use the extension but he had | 2:26:49 | 2:26:52 | |
watch about. If you are not playing had to use the extension but he had | 2:26:53 | 2:26:56 | |
well you can scrap and come through those games even when you are | 2:26:57 | 2:26:59 | |
finding it hard to put ricks together. Yes, but he shouldn't have | 2:27:00 | 2:27:03 | |
had the chance to get back into that game. He was given a lifeline and he | 2:27:04 | 2:27:17 | |
took it. At the start of that, you would have said Matthew Stevens | 2:27:18 | 2:27:23 | |
would have had to have done really well to close out that frame. That | 2:27:24 | 2:27:31 | |
was the Matthew Stevens of all. Matthew Stevens will be happiest at | 2:27:32 | 2:27:35 | |
the moment, doing quiet somersaults. Ian Burns will be added this heart. | 2:27:36 | 2:27:41 | |
He has to put it hangs him and move onto the next frame. | 2:27:42 | 2:27:50 | |
Ian Burns did mess his opportunities there. He had the opportunity to go | 2:27:51 | 2:28:16 | |
into the reds and he would have had the frame. He needs to regroup. He | 2:28:17 | 2:28:22 | |
appears to be blessed with a very good temperaments, which is half the | 2:28:23 | 2:28:25 | |
battle. He is unfortunate there. That went | 2:28:26 | 2:29:22 | |
quite slowly and ended up right on the pink, it was the only place he | 2:29:23 | 2:29:26 | |
could not have potted a ball there. He does not have the best of safety | 2:29:27 | 2:29:29 | |
is on, either. -- safeties. I thought it would go in. He is on | 2:29:30 | 2:30:55 | |
the back foot now, Ian Burns. Certainly not out of it. It is so | 2:30:56 | 2:31:02 | |
difficult when you feel that three runs within that short comic you | 2:31:03 | 2:31:09 | |
could lose the frame like that. -- within that shot, . That red always | 2:31:10 | 2:31:17 | |
looked a bit off. He may have tried to avoid that red, | 2:31:18 | 2:31:42 | |
but was a bit unfair. He has left it on. -- that was a bit unfair. It was | 2:31:43 | 2:31:50 | |
always going into the pack to open them out, he could not avoid them | 2:31:51 | 2:31:59 | |
with that shot. One good pot on the blue, and there is a chance. | 2:32:00 | 2:32:21 | |
That is a good pot, especially the way he lost the previous frame. It | 2:32:22 | 2:32:34 | |
takes awhile to get your back. -- a while, to get your confidence back. | 2:32:35 | 2:32:59 | |
REFEREE: 28. That is a good angle to split the reds. He can play on a | 2:33:00 | 2:35:00 | |
loose one. It has gone into them. He does not generate a lot of power | 2:35:01 | 2:35:17 | |
with his cue action, his backswing is quite short. Only a few inches | 2:35:18 | 2:35:25 | |
back to play that shot, but he is on a red. The shorter the cue action, | 2:35:26 | 2:35:32 | |
the more accuracy you get, but less power. | 2:35:33 | 2:35:48 | |
The worst position on the blue is always dead straight, it restricts | 2:35:49 | 2:35:52 | |
your options. He is taking on the more difficult | 2:35:53 | 2:36:15 | |
pink. Once again, you can see how short | 2:36:16 | 2:36:29 | |
the backswing is and under pressure, I think that is difficult. Why do | 2:36:30 | 2:36:37 | |
that when you have the red in baulk? He is putting himself under pressure | 2:36:38 | 2:36:43 | |
for no reason. Everyone has their own choices, he may have liked that | 2:36:44 | 2:36:56 | |
shot. He did not queue it very well. -- cue. Not quite sure what he | 2:36:57 | 2:37:24 | |
played for them, he will want the blue into this corner pocket. -- | 2:37:25 | 2:37:26 | |
them. He has got a bit of work to do to | 2:37:27 | 2:37:46 | |
win the frame from here. He has a bit of an angle here, a | 2:37:47 | 2:38:01 | |
slight angle will do. Matthew is frustrated because he | 2:38:02 | 2:38:20 | |
knows he had that hard enough to get the desired position. -- hit. It | 2:38:21 | 2:38:29 | |
bounces slightly and it takes a little bit of pace out of it. It is | 2:38:30 | 2:38:36 | |
not a kick, it takes a little bit of pace out of the cue ball. It has | 2:38:37 | 2:38:42 | |
just finished a little bit short. Amazingly enough, this could turn | 2:38:43 | 2:38:46 | |
out to be his favourite if he plays the cannon into the reds, because he | 2:38:47 | 2:38:51 | |
would drift this or -- ahead of the black. It looks like he is playing | 2:38:52 | 2:39:13 | |
us done or screw. -- a stun. The next shot is going to be tough. He | 2:39:14 | 2:39:25 | |
has to play the blue, commit himself to it. He did very well. | 2:39:26 | 2:39:33 | |
APPLAUSE. Once again, he is not comfortable on | 2:39:34 | 2:39:51 | |
the shot. He does not like the angle on this. | 2:39:52 | 2:39:59 | |
He did a good 16 in the previous frame to win it. This would be just | 2:40:00 | 2:40:18 | |
as good, should he clear from here, but there is a long way to go. | 2:40:19 | 2:40:39 | |
REFEREE: 30. The extension has been out a few times, it is not the | 2:40:40 | 2:40:49 | |
longest I have ever seen, but it is noisy when he screws it together! | 2:40:50 | 2:40:56 | |
Another three tables on here in the Newport Centre. The first time we | 2:40:57 | 2:41:03 | |
have seen that here in the television stages. | 2:41:04 | 2:41:07 | |
have seen that here in the tables, but there is | 2:41:08 | 2:41:20 | |
This is tough to get it nicely on the red. He needs the pace to be | 2:41:21 | 2:41:28 | |
perfect. It is perfect. In fact, to perfect. -- too perfect. If he can | 2:41:29 | 2:41:50 | |
touch it behind the black, he could get a few points. He will be trying | 2:41:51 | 2:41:55 | |
to win the frame if possible from the shops. You can see where he is | 2:41:56 | 2:42:05 | |
looking for the black -- shot. It is at half shot to pot the black with | 2:42:06 | 2:42:10 | |
pace and get out to that red. -- it is 8/2 shot -- it is a tough shot. | 2:42:11 | 2:42:26 | |
He has a slight angle on the black. If this black goes in, he will win | 2:42:27 | 2:42:30 | |
the frame. He will be on the red in the middle. That made the black a | 2:42:31 | 2:42:40 | |
lot more difficult. Another tough shot to play. | 2:42:41 | 2:42:53 | |
A cued angle here into the centre pocket. -- cued. Matthew Stevens is | 2:42:54 | 2:43:13 | |
inspired, he looks a different player now. It looked a hard task to | 2:43:14 | 2:43:22 | |
win the frame at this visit. He looks like doing it, though. | 2:43:23 | 2:43:35 | |
Just listen to the noise this makes when he screws the extension end. -- | 2:43:36 | 2:43:42 | |
in. A very similar match is the first | 2:43:43 | 2:44:18 | |
with Stephen Maguire. He ended up winning the match. The same can be | 2:44:19 | 2:44:22 | |
said about Matthew, he has been in trouble in the first four frames and | 2:44:23 | 2:44:26 | |
this is the first framework he has been the slight favourite to win it. | 2:44:27 | 2:44:32 | |
Even though he was 36 points behind, he has made an excellent | 2:44:33 | 2:44:33 | |
contribution. APPLAUSE. He leaves for the first | 2:44:34 | 2:45:13 | |
time at 3-2. -- leads. Ian Burns could have won this match 4-0 and I | 2:45:14 | 2:45:20 | |
will show you a prime example. Here is a perfect example, there is no | 2:45:21 | 2:45:26 | |
problem at all, what ever kiss he gets, it is bound to be on the reds. | 2:45:27 | 2:45:32 | |
He will play to pot-macro the black -- pot. You need the paint in play. | 2:45:33 | 2:45:40 | |
He will not win the frame at one visit without the pink in play -- | 2:45:41 | 2:45:48 | |
pink. He has to get a grip. He is playing a little bit cautiously and | 2:45:49 | 2:45:52 | |
it is only his second time on television, it is not easy. Having | 2:45:53 | 2:45:58 | |
watched other players over the years, you have to play more | 2:45:59 | 2:46:02 | |
aggressively. He has a good temperament and he will need it | 2:46:03 | 2:46:16 | |
because he is trailing 3-2. REFEREE: Matthew Stevens to break. | 2:46:17 | 2:47:09 | |
Matthew Stevens has never been short on the safety department in the | 2:47:10 | 2:47:10 | |
game. Nice clever safety player. It is very high, the safety success of | 2:47:11 | 2:47:14 | |
both of these players. There has been some excellent stuff. | 2:47:15 | 2:47:21 | |
That awkward this one, there is no path on the right-hand side of the | 2:47:22 | 2:47:53 | |
table. -- a bit awkward. You're looking to strike down past the | 2:47:54 | 2:47:58 | |
black and the reds. That is high risk. | 2:47:59 | 2:48:06 | |
If he can get past to the one near the cushion, he can come thin off | 2:48:07 | 2:48:20 | |
that. He will not need the red. Just above that red, into the right-hand | 2:48:21 | 2:48:24 | |
corner. Matthew Stevens looks as if he is playing well now. I would play | 2:48:25 | 2:48:32 | |
the shot you suggested. Taking this pot on, this could be his last shot | 2:48:33 | 2:48:38 | |
of the game. The one nearest the cushion, he would be worried about | 2:48:39 | 2:48:43 | |
leaving the red on. As long as he misses the kiss on the colour, he | 2:48:44 | 2:48:49 | |
may not play that. He is not aggressive enough, but that is too | 2:48:50 | 2:48:50 | |
aggressive! Got the cue ball round, but where is | 2:48:51 | 2:49:05 | |
the red going? I do not know. I have not criticise one safety shot he has | 2:49:06 | 2:49:10 | |
played, but the safety has been superb, but that was a time, it was | 2:49:11 | 2:49:17 | |
not the better part of valour for me. It is time to hold on. The | 2:49:18 | 2:49:26 | |
problem is to try and avoid the black and the red, not the pot. Your | 2:49:27 | 2:49:31 | |
focus is on that more than anything else. As it has turned out, Matthew | 2:49:32 | 2:49:42 | |
has played a pure positional shot -- poor. With the side spin, it will | 2:49:43 | 2:49:51 | |
throw the white bit. He would have got it closer to the red the second | 2:49:52 | 2:49:52 | |
time. -- a bit. Matthew Stevens looked onto the | 2:49:53 | 2:50:12 | |
floor earlier, but now he has showed his class, he has always been a | 2:50:13 | 2:50:18 | |
classy player. Some would say that he has perhaps not won enough | 2:50:19 | 2:50:22 | |
tournaments for the skill he has. Those people do not know how hard it | 2:50:23 | 2:50:24 | |
is to win tournaments. He looks as if he is pushing | 2:50:25 | 2:54:06 | |
through, trying to pot the red and go onto the black. Oh dear! He would | 2:54:07 | 2:54:17 | |
not want to see that on the replay! Right across that one. | 2:54:18 | 2:54:41 | |
APPLAUSE. I think he played for the black bear, I am not sure if he is | 2:54:42 | 2:54:53 | |
on the pink, it is thinner than he wanted -- there. | 2:54:54 | 2:55:00 | |
Quite a lot of unusual contacts on the cushion we have had in this | 2:55:01 | 2:55:16 | |
match. I think the tables have not settled in as yet. | 2:55:17 | 2:55:29 | |
Nicely played. It is not that everything is not possibly done to | 2:55:30 | 2:55:41 | |
get the tables in perfect condition, it is just that when you come into | 2:55:42 | 2:55:45 | |
an arena and the table might have been perfect, when a few hundred | 2:55:46 | 2:55:49 | |
people come in, the atmosphere changes quickly and it can affect | 2:55:50 | 2:55:51 | |
the table. This fabulous venue, the Newport | 2:55:52 | 2:56:02 | |
Centre, has a massive swimming pool next door almost. | 2:56:03 | 2:56:11 | |
That creates a little bit of dampness in the room. Matthew is | 2:56:12 | 2:56:20 | |
working very hard in this break so far. That is the shot he is | 2:56:21 | 2:56:29 | |
brilliant dad, those screw shots off the cushion, he has been blessed | 2:56:30 | 2:56:35 | |
with a very good cue action -- he is brilliant at. This is the key shot, | 2:56:36 | 2:56:46 | |
does he get an angle on the pink or the black to get into the reds? You | 2:56:47 | 2:56:53 | |
will not see Matthew refusing the cannon! | 2:56:54 | 2:57:05 | |
This time he is doing, because the two reds in baulk, he can get nicely | 2:57:06 | 2:57:11 | |
on those. He probably feels this is a better | 2:57:12 | 2:57:30 | |
angle. He is still one shot away from making this a match-winning | 2:57:31 | 2:57:38 | |
break. Maybe it will be off the next blue or pink. -- off. It is not easy | 2:57:39 | 2:57:46 | |
because the pink is a few inches away from the pack of reds. He | 2:57:47 | 2:57:53 | |
should play it off the blue, always the best option, because the cue | 2:57:54 | 2:57:57 | |
ball could travel faster into the balls. | 2:57:58 | 2:58:12 | |
He has got the angle, he could try and split the reds, but he has two | 2:58:13 | 2:58:21 | |
catch that pink full on and if he plays the split... No, there is a | 2:58:22 | 2:58:28 | |
plant on. It is into the middle, just a little too far, perhaps. | 2:58:29 | 2:58:40 | |
We had a glimpse at the plant from a previous angle and it is set smack | 2:58:41 | 2:58:51 | |
on. Well played. Perhaps a little unfortunate not to have brought | 2:58:52 | 2:58:58 | |
another red interplay there. -- in to play. He should have opened a few | 2:58:59 | 2:59:03 | |
out there, but it did not happen. He has played that absolutely | 2:59:04 | 2:59:39 | |
perfectly, and he is very unlucky. If he had been able to play at that | 2:59:40 | 2:59:47 | |
speed with a bit of stun... Look at it here, the same speed with the | 2:59:48 | 3:00:00 | |
stun, it would have been perfect. What a fabulous lead this is for | 3:00:01 | 3:00:07 | |
Matthew Stevens. He would like to get a red on the cushion, if you | 3:00:08 | 3:00:09 | |
could. He didn't play for the baulk | 3:00:10 | 3:02:11 | |
petition, of course. I think this is the first time that Matthew has been | 3:02:12 | 3:02:15 | |
protecting a lead. He has been chasing Ian Burns in most of the | 3:02:16 | 3:02:17 | |
games. Can he get through to something? It | 3:02:18 | 3:02:45 | |
looks very tight pasta loo. -- past that blue. | 3:02:46 | 3:02:50 | |
APPLAUSE. You can see it swerving around the | 3:02:51 | 3:03:03 | |
blue. It is a similar scenario to a few | 3:03:04 | 3:03:21 | |
moments ago, the cue ball is going to have to do a lot. | 3:03:22 | 3:03:32 | |
He is trying to put the black out of commission and protect his 50 point | 3:03:33 | 3:03:40 | |
lead. He obviously didn't play to kiss the blue. | 3:03:41 | 3:04:08 | |
Can he get past the yellow? He is just going to play this safety. | 3:04:09 | 3:04:42 | |
There are fractions and safety play. You can leave out just than edge. | 3:04:43 | 3:04:49 | |
This is worth a go, with the black available towards the middle pocket. | 3:04:50 | 3:04:53 | |
If he could get this red into the left corner. | 3:04:54 | 3:05:08 | |
He didn't want to capture too thick. That is the worst possible outcome | 3:05:09 | 3:05:17 | |
for Ian Burns. If he courted danger, there was a good chance it | 3:05:18 | 3:05:20 | |
could have run right the way around the table and ended up in a safe | 3:05:21 | 3:05:22 | |
position. He is on the black, but it is not | 3:05:23 | 3:05:37 | |
perfect. An easy enough shot to get, but where is the next red coming | 3:05:38 | 3:05:38 | |
from? The Green would give you position to | 3:05:39 | 3:05:54 | |
get up to this end of the table. If he manages to get the black, he only | 3:05:55 | 3:05:56 | |
needs one more ball. Stephen Maguire really struggle to | 3:05:57 | 3:06:12 | |
beat Sam Baird today. Matthew Stevens struggled until the last two | 3:06:13 | 3:06:16 | |
or three frames when he has started to Cuba the -- started to queue | 3:06:17 | 3:06:20 | |
beautifully. You can nearly always expect a | 3:06:21 | 3:06:34 | |
mistake when it is frame ball! -- that was worth a try. You would be | 3:06:35 | 3:08:12 | |
guaranteed to be on the black if you got it. | 3:08:13 | 3:08:20 | |
And the fact that he needs only one more red aggro, he could decide to | 3:08:21 | 3:08:36 | |
play this part -- pot. He decided not to risk anything. Matthew has | 3:08:37 | 3:08:47 | |
done very well to virtually win the match. He was out late in the first | 3:08:48 | 3:08:52 | |
four frames. He was complaining about the cue ball. Whether it was | 3:08:53 | 3:09:02 | |
the fact that Ian refused to win a frame that Matthew suddenly thought | 3:09:03 | 3:09:05 | |
he could get back into it. He has made practically perfect snooker in | 3:09:06 | 3:09:14 | |
the last two frames. He is starting to look good again. | 3:09:15 | 3:09:31 | |
He was forced to take that on as he didn't have a good safety shot that | 3:09:32 | 3:09:44 | |
was on. Often, when you are 100% committed because you don't have a | 3:09:45 | 3:09:46 | |
choice, the shops go in. -- shots. What an excellent shot under | 3:09:47 | 3:10:36 | |
pressure. Very well played. If he had missed that, he could have been | 3:10:37 | 3:10:42 | |
as way -- on his way back up to Blackburn. Excellent shot. | 3:10:43 | 3:11:18 | |
He would have expected to have a better angle to bring down Fred | 3:11:19 | 3:11:29 | |
aggro interplay. -- to bring down red into play. It is only his second | 3:11:30 | 3:11:39 | |
match ever on television. I think that what we have seen this at noon, | 3:11:40 | 3:11:41 | |
we can see that he can play. This type of shot is difference. | 3:11:42 | 3:12:41 | |
Hitting the red was about the most difficult thing to do there! Ian | 3:12:42 | 3:12:50 | |
Burns is still 47 points behind. 51 left on the table. | 3:12:51 | 3:13:01 | |
That could be the end. I think Matthew Stevens was (easier shot | 3:13:02 | 3:13:41 | |
than this! -- was hoping for an easier shop than this. Is that the | 3:13:42 | 3:13:52 | |
only extension that's he has? Yes, it is the only extension he has. He | 3:13:53 | 3:13:57 | |
seems to be comfortable with that. He has played with it for years. Ian | 3:13:58 | 3:14:08 | |
Burns will look at this match anything, goodness me, I had my | 3:14:09 | 3:14:12 | |
chances to beat one of the best players in the world, and they let | 3:14:13 | 3:14:14 | |
it slip. Fair comment. Although the standards are very high | 3:14:15 | 3:14:31 | |
in today's game, you do get plenty of chances. It is only when you are | 3:14:32 | 3:14:37 | |
playing against the very top players who are on their best form that you | 3:14:38 | 3:14:39 | |
sit in your seat all day. That will have certainly clinched | 3:14:40 | 3:14:48 | |
it! with his performance late on in this | 3:14:49 | 3:15:00 | |
match. You don't really lose your skill, | 3:15:01 | 3:15:11 | |
just the will, sometimes. It is all happening, a bit of side! | 3:15:12 | 3:15:44 | |
He didn't like the queue ball earlier in this match, but I think | 3:15:45 | 3:15:52 | |
he will take it now! Job done for Matthew Stevens. He has played | 3:15:53 | 3:15:55 | |
exceptionally well in the last three frames and goes through 4-2. | 3:15:56 | 3:16:02 | |
Still, great news for the local fans. -- so, great news for the | 3:16:03 | 3:16:15 | |
local fans, another Welsh man through. We are all believed he has | 3:16:16 | 3:16:22 | |
got over the line. Like Terry said, he played terrifically in the last | 3:16:23 | 3:16:27 | |
three frames of the match. It was a game of two halves. In the | 3:16:28 | 3:16:34 | |
first-half, he was struggling with the cue ball and it was affecting | 3:16:35 | 3:16:41 | |
him. You would have to say that Ian Burns missed his opportunities. He | 3:16:42 | 3:16:46 | |
should not have lost. Ian Burns, the should not have lost. Ian Burns, the | 3:16:47 | 3:16:50 | |
guys were saying there that he is fairly new to doing televised in | 3:16:51 | 3:16:56 | |
months. Do you think he is a player that could be around is and make it | 3:16:57 | 3:17:02 | |
difficult for the top players? You can see he can play. He was the best | 3:17:03 | 3:17:11 | |
newcomer of the year. He has not played badly, he has played very | 3:17:12 | 3:17:14 | |
well. Just a couple of T-shirts have left them -- let him down at the | 3:17:15 | 3:17:25 | |
wrong time. -- just a couple of the shots left him, and let him down at | 3:17:26 | 3:17:30 | |
the wrong time. There were a few negative shots from | 3:17:31 | 3:17:48 | |
Ian Burns. He tried to be a little bit too clever, and he played too | 3:17:49 | 3:17:55 | |
tight. He made little mistakes and it has cost them. He probably should | 3:17:56 | 3:18:00 | |
have gone for the jugular a little bit earlier and spread the balls | 3:18:01 | 3:18:03 | |
only had an opportunity. Just played a bit or positive. I'm sure he is | 3:18:04 | 3:18:12 | |
thinking neither the should have played a bit more positive. Credit | 3:18:13 | 3:18:19 | |
to Matthew, it is one thing to be given the chance, and another thing | 3:18:20 | 3:18:25 | |
to actually take it. It did not look like he could make a break of 40 at | 3:18:26 | 3:18:30 | |
that stage, and he did a clearance out of nowhere. The match change | 3:18:31 | 3:18:37 | |
from then on in. Psychologically, that would be good preparation to | 3:18:38 | 3:18:40 | |
move into the latter stages of this tournament? Definitely. At the first | 3:18:41 | 3:18:45 | |
part, he will be thinking, what was wrong with that? Take the cue ball | 3:18:46 | 3:18:52 | |
out of this scenario. Sometimes you don't feel very good, it just feels | 3:18:53 | 3:18:57 | |
happy. At the end of the match, you could see that there was nothing | 3:18:58 | 3:19:02 | |
wrong with him. And a big boost for the treatment in general. To have | 3:19:03 | 3:19:05 | |
Welsh players moving their way through, staying into the latter | 3:19:06 | 3:19:10 | |
stages, that gives the crowd a lift. We would love to see another Welsh | 3:19:11 | 3:19:13 | |
winners. We are not supposed to be too biased, but Matthew is a lovely | 3:19:14 | 3:19:20 | |
fella and it is great to see him back or he belongs. Matthew is here. | 3:19:21 | 3:19:28 | |
Well done. Cheers! I guess at the halfway stage would've taken | 3:19:29 | 3:19:35 | |
that's. If you had told me I was going to win that after a couple of | 3:19:36 | 3:19:39 | |
friends, I would have laughed at you! I managed to get a good | 3:19:40 | 3:19:46 | |
clearance to go 2-2. That gave me a boost. Ian is a good, tough player. | 3:19:47 | 3:19:54 | |
I am pleased to come through. It was such a struggle at the start. | 3:19:55 | 3:19:58 | |
Snooker sometimes, you have to battle through it. I managed to get | 3:19:59 | 3:20:03 | |
to good clearances and I'm still in the tournament so I am happy. You | 3:20:04 | 3:20:08 | |
clearly weren't happy with the cue ball. Was getting to you? How did | 3:20:09 | 3:20:14 | |
you respond when the anti-came back that you could not change it? | 3:20:15 | 3:20:19 | |
you respond when the anti-came back was him, I would've said nowhere | 3:20:20 | 3:20:25 | |
you respond when the anti-came back well stop the white did not seem to | 3:20:26 | 3:20:29 | |
be following through. It is the same for both players. You have to try | 3:20:30 | 3:20:33 | |
and get on with it and I managed to do that towards the end of the | 3:20:34 | 3:20:39 | |
match. You have adjusted by the end because things certainly seemed to | 3:20:40 | 3:20:43 | |
be flowing better. I just had to get on with it. No messing about. It is | 3:20:44 | 3:20:52 | |
a silly old game. One minute you can get a ball in, then a good clearance | 3:20:53 | 3:20:56 | |
gives you the confidence boost and you managed to come through. And to | 3:20:57 | 3:21:02 | |
come through a gruelling game, getting on for three hours, you seem | 3:21:03 | 3:21:09 | |
tired and exhausted emotionally. All that you good as the tournament news | 3:21:10 | 3:21:17 | |
on? I am not getting any younger! We are used to playing long matches. | 3:21:18 | 3:21:23 | |
Best of seven is not a long match, but just more mentally than | 3:21:24 | 3:21:27 | |
anything. The way I started off, I made it hard work! You are just a | 3:21:28 | 3:21:39 | |
whipper snapper exhibition Mark Ian did have his chances earlier on, | 3:21:40 | 3:21:43 | |
didn't he? He could taken those chances. It was a bad match from the | 3:21:44 | 3:21:53 | |
start. Sometimes that just happens. I managed to pinch the first frame. | 3:21:54 | 3:22:00 | |
It is a tough game, snooker. I am just really pleased that I am still | 3:22:01 | 3:22:04 | |
in the tournament. It is always nice to come to Wales. | 3:22:05 | 3:22:07 | |
in the tournament. It is always nice my family comes up, my young boys | 3:22:08 | 3:22:09 | |
are in the crowd. my family comes up, my young boys | 3:22:10 | 3:22:14 | |
that bit harder for them. The main thing is that your three and wheels | 3:22:15 | 3:22:19 | |
is delighted about that! We look forward to seeing you later in the | 3:22:20 | 3:22:26 | |
week. Thank you. Matthew was not the only Welsh player to go through. | 3:22:27 | 3:22:35 | |
Dominic Dale was playing Ding Junhui from Thailand. | 3:22:36 | 3:22:47 | |
-- Dechawat Poomjaeng from Thailand. Noppon Saengkham was playing Mark | 3:22:48 | 3:23:04 | |
Allen. Mark Allen took this 4-2. He is also safety in to the next round. | 3:23:05 | 3:23:14 | |
It was a bad day for snooker players from Thailand. Thankfully, James | 3:23:15 | 3:23:26 | |
Wattana went through, beating Tom Ford 4-2. We have lost another seed. | 3:23:27 | 3:23:33 | |
This time it was Mark Davies, the 14th seed. He went out for- three to | 3:23:34 | 3:23:39 | |
Joel Walker. Scott Donaldson is putting together a terrific run in | 3:23:40 | 3:23:45 | |
Newport. He is ready beaten the 15th seed, Robert Milkins, and today he | 3:23:46 | 3:23:49 | |
moved into the next round with a 4-1 victory over David Dilbert. A very | 3:23:50 | 3:23:54 | |
tight match between Andrew victory over David Dilbert. A very | 3:23:55 | 3:24:00 | |
and Jimmy Robertson. Andrew Higginson, a finalist here in 2007, | 3:24:01 | 3:24:13 | |
took it. He won 4-3. We are going to turn to that match | 3:24:14 | 3:24:22 | |
my with Mark Selby. He has very fond memories of this venue. This is | 3:24:23 | 3:24:27 | |
where he won his first ranking title back in 2008. He has established an | 3:24:28 | 3:24:30 | |
as one of the top layers on the circuit. Here is an Irvine has been | 3:24:31 | 3:24:36 | |
to see him at home for a cup of tea and a chat. | 3:24:37 | 3:24:41 | |
Vicky and I have been here for two years, but if you added it all up it | 3:24:42 | 3:24:53 | |
would hardly be six months. As soon as he comes home, we get in our | 3:24:54 | 3:24:59 | |
pyjamas, get in front of the TV and just catch up. This place seems like | 3:25:00 | 3:25:10 | |
a world away. You are in beautiful countryside have a lovely back | 3:25:11 | 3:25:16 | |
Bardon. It all seems so tranquil. He even have a swimming pool! Do you | 3:25:17 | 3:25:24 | |
use it? I don't. The village is fantastic, there is no pub, no post | 3:25:25 | 3:25:32 | |
office. There is no passing traffic. Vicky goes into this woman pool, but | 3:25:33 | 3:25:41 | |
I can't swim! Mark the shark, ready for a swim? You have a husband and | 3:25:42 | 3:25:49 | |
wife relationship, and the business relationship. How does that work? | 3:25:50 | 3:25:57 | |
Vicky is very experienced in the queue -based games. She is always | 3:25:58 | 3:26:02 | |
behind me given with the encouragement, encouraging me at the | 3:26:03 | 3:26:15 | |
tournament. If I am going through a bad patch, sometimes I bring my work | 3:26:16 | 3:26:20 | |
with me, which is not fair on her. She always there. We do play a | 3:26:21 | 3:26:25 | |
little bit. Once the family comes round, it is a nice social thing to | 3:26:26 | 3:26:35 | |
do. If I beat him, I will make it up to best of nine so he gets his | 3:26:36 | 3:26:41 | |
confidence back. We always see Vicky in the auditorium. Is it better for | 3:26:42 | 3:26:46 | |
her to be there? If I could afford it, I would bring her to every | 3:26:47 | 3:26:53 | |
tournament. The turn and that she tends to watch the ads, I'd do well | 3:26:54 | 3:26:58 | |
in them. I tend to get into the latter stages when she is there. | 3:26:59 | 3:27:03 | |
When she is not there, I have not done so well. If I could, I would | 3:27:04 | 3:27:08 | |
take to every tournament. With the tournament in -- the tournament | 3:27:09 | 3:27:15 | |
season been so long, it is not really possible. Because she has | 3:27:16 | 3:27:21 | |
been there herself, she must be one of the few sports woman that can | 3:27:22 | 3:27:30 | |
completely understand what husband does. She has won pretty much every | 3:27:31 | 3:27:35 | |
tournament apart from the world Championships. She knows how it | 3:27:36 | 3:27:41 | |
works. When you first met him, what was he like them? When we first got | 3:27:42 | 3:27:48 | |
together and they'd down to see him, he had a flat in the middle of | 3:27:49 | 3:27:52 | |
Leicester that had that thing in it. His kitchen was that clean he | 3:27:53 | 3:27:57 | |
never used it. He didn't have anything, not Doctor pans. Every | 3:27:58 | 3:28:08 | |
time I came to visit him I had to bring him something. I remember | 3:28:09 | 3:28:14 | |
talking about what would happen if you came to interview him, and we | 3:28:15 | 3:28:18 | |
decided that if you did turn up we would have to pretend we were | 3:28:19 | 3:28:22 | |
burgled! It is really surreal, that you are here! Here is a present. My | 3:28:23 | 3:28:29 | |
favourite colour, as well! Dave Harold is 47 years old, but he | 3:28:30 | 3:28:42 | |
still has the world ranking of 53. His big break came in 1993 when he | 3:28:43 | 3:28:48 | |
won grow a tournament as an outsider. He has been a | 3:28:49 | 3:28:53 | |
quarterfinalist in the World Championship. He has the record for | 3:28:54 | 3:29:00 | |
the longest ever frame. Let us hope we get something shorter today. The | 3:29:01 | 3:29:06 | |
players are ready and they are on their way. Mark Selby against Dave | 3:29:07 | 3:29:08 | |
Harold. safely through to the last 32. Thank | 3:29:09 | 3:29:23 | |
you. I am pleased to have won this morning. Never easy in front of your | 3:29:24 | 3:29:30 | |
home crowd. I am glad I am commentating on this match, because | 3:29:31 | 3:29:32 | |
I play the winner on Wednesday. The players are ready, the referee | 3:29:33 | 3:30:08 | |
is ready. Matches here are the best of seven frames, not the best of | 3:30:09 | 3:30:12 | |
nine as we are normally accustomed to. Of course, there will not be any | 3:30:13 | 3:30:17 | |
interval after four frames either. Two seasoned campaigners, Mark Selby | 3:30:18 | 3:30:31 | |
is a regular tournament winner. Dave Harold has been on the circuit for | 3:30:32 | 3:30:33 | |
many years. He won the Thailand Open many years | 3:30:34 | 3:30:48 | |
ago. He does not have a bad record against Mark Selby. Mark Selby may | 3:30:49 | 3:30:53 | |
be a strong favourite to win this match, but he will not have it all | 3:30:54 | 3:30:55 | |
his own way. Dave Harold, of course, has been on | 3:30:56 | 3:31:17 | |
the tour for many years, an excellent safety player. He is in | 3:31:18 | 3:31:21 | |
the top eight safety players. I am sure we will see that this | 3:31:22 | 3:31:22 | |
afternoon. I'll was think these two are very | 3:31:23 | 3:31:40 | |
similar in style. -- I always think. Mark Selby is better in all | 3:31:41 | 3:31:46 | |
departments. He scores more heavily than Dave Harold and his long game | 3:31:47 | 3:31:50 | |
is fantastic and he has great safety play. | 3:31:51 | 3:31:58 | |
I do not know what the cue ball was like on your table, but the players | 3:31:59 | 3:32:05 | |
have been suggesting it is light. What was your table like this | 3:32:06 | 3:32:10 | |
morning? I played on the other television table and some of the | 3:32:11 | 3:32:15 | |
best playing conditions I could ever remember having, it was without | 3:32:16 | 3:32:22 | |
fault, really. The cloth was lovely, no fast bounces and hardly | 3:32:23 | 3:32:28 | |
any kicks. If you could replicate those conditions every time you | 3:32:29 | 3:32:31 | |
played, you would be more than happy. | 3:32:32 | 3:32:42 | |
One thing I did find on my table, earlier today, was that the pockets | 3:32:43 | 3:32:49 | |
were playing slightly easier than I expected them to. Down the black | 3:32:50 | 3:32:56 | |
cushion, where I was expecting the odd ball to wobble, they went in | 3:32:57 | 3:33:07 | |
rather more comfortable a. -- comfortably. They caught that a lot | 3:33:08 | 3:33:12 | |
too thin, the cue ball came out of baulk. This close to the pocket, you | 3:33:13 | 3:33:26 | |
could have them very thin. It is only when you slide in with more | 3:33:27 | 3:33:32 | |
force, it creates topspin off the cushion. That has not moved very | 3:33:33 | 3:33:35 | |
well. I will be amazed if he takes the pot | 3:33:36 | 3:33:45 | |
this early in the game. It looks like he is doing that. | 3:33:46 | 3:33:55 | |
APPLAUSE. That shows you the confidence is back. | 3:33:56 | 3:34:10 | |
What a bold shot choice that was. He is a little straighter on this red | 3:34:11 | 3:34:18 | |
than he would like, the black will not go into the same pocket as the | 3:34:19 | 3:34:23 | |
red. If he is to go on a colour here, he has a lot of work to do | 3:34:24 | 3:34:25 | |
with the cue ball. APPLAUSE. You cannot cue better than | 3:34:26 | 3:34:50 | |
that, beautifully cued. You need a lot of pace to get the cue ball out | 3:34:51 | 3:34:56 | |
of baulk here. This one in the left-hand corner as well, he could | 3:34:57 | 3:34:58 | |
run through. What a brilliant shop that is, | 3:34:59 | 3:35:25 | |
opened the black. -- shot. All of a sudden, three or four reds in play | 3:35:26 | 3:35:29 | |
and the black is in play. His body language tells me he cannot | 3:35:30 | 3:36:17 | |
see the red nearest the corner. He cannot really see that, the one | 3:36:18 | 3:36:23 | |
nearest the pocket could pot the red in off the other red. Such a hard | 3:36:24 | 3:36:33 | |
shot to do, when you try to Cannes and the other red correctly to pot | 3:36:34 | 3:36:44 | |
the other red off it -- cannon. REFEREE: Mark Selby, 18. This could | 3:36:45 | 3:36:54 | |
be tricky for Dave Harold. It will not be easy to plant anything on it | 3:36:55 | 3:37:00 | |
to pot it. I do not think that shot is on, oh, it is! I think Dave | 3:37:01 | 3:37:08 | |
Harold can pot the red and squeeze it in off the other one. If he can, | 3:37:09 | 3:37:13 | |
getting onto the black should not be a problem. | 3:37:14 | 3:38:12 | |
It appears that Dave Harold in playing that initial red, has tied | 3:38:13 | 3:38:16 | |
up the other two now. It will pot into that right centre, | 3:38:17 | 3:38:30 | |
that is what he has played for. He could stun back over for the black. | 3:38:31 | 3:38:53 | |
Not blessed with the greatest of power, Dave Harold, but when it | 3:38:54 | 3:38:59 | |
comes to the power shots, he struggles a little bit. He could go | 3:39:00 | 3:39:04 | |
off the top cushion with lots of spin. | 3:39:05 | 3:39:30 | |
A bit negative, trying to bring a red interplay. He could have played | 3:39:31 | 3:40:44 | |
that a bit firmer. -- in to play. He will be pleased with that, it was a | 3:40:45 | 3:40:45 | |
tough pot. It has finished over the right centre. Look at this, slightly | 3:40:46 | 3:41:04 | |
on that left-hand job. -- jaw. The black will not pass those. Not a | 3:41:05 | 3:41:09 | |
great chance to win the frame, even though there are plenty of Liz -- | 3:41:10 | 3:41:16 | |
loose reds. The black is available on the left-hand corner, but not the | 3:41:17 | 3:41:17 | |
right. I think the pink will pot in the | 3:41:18 | 3:41:24 | |
middle. He is cueing very low, I think he is | 3:41:25 | 3:41:30 | |
playing for the blue. That was a surprising miss from | 3:41:31 | 3:41:46 | |
Mark. It tells me he was in two minds on how to play that pot. The | 3:41:47 | 3:41:54 | |
red has rebranded from the cushions and split a few more up for Dave | 3:41:55 | 3:42:02 | |
Harold. -- rebounded. Dave Harold could have a great chance here. | 3:42:03 | 3:44:03 | |
They may be shot here for Dave Harold. I red in a pot into this | 3:44:04 | 3:44:07 | |
right corner -- pot. -- a red. Similar shot for Mark Selby. The red | 3:44:08 | 3:44:42 | |
is back into baulk -- sorry, the cue ball back into baulk. | 3:44:43 | 3:44:48 | |
Does that red nearest that right corner pot? I believe that Mark | 3:44:49 | 3:45:40 | |
Selby thinks it will. It is attempt macro safety. -- it is a temp won | 3:45:41 | 3:45:47 | |
safety. It is a risky one to play a safety shot off. -- thin. What a | 3:45:48 | 3:46:01 | |
chance that is for Dave Harold. You can stun the cue ball and the with a | 3:46:02 | 3:46:10 | |
good opportunity. -- be in with a good opportunity. He is going to | 3:46:11 | 3:46:17 | |
play for the pink. And that is his Achilles' Heel. | 3:46:18 | 3:46:34 | |
Anyone who is a regular tournament player would have played that shot | 3:46:35 | 3:46:36 | |
that Dominic suggested. He needs a good pot. It has not | 3:46:37 | 3:47:35 | |
settled yet. Just lost the cue ball slightly, tried to hold it and it | 3:47:36 | 3:47:41 | |
almost turned into attempt to run through. A big shot this, could be a | 3:47:42 | 3:47:45 | |
frame winner. He could go around at the back of | 3:47:46 | 3:47:54 | |
that. He could be he was on that red, a chance to win | 3:47:55 | 3:48:15 | |
the first frame. This is the big shot for Dave Harold. If he can get | 3:48:16 | 3:48:19 | |
onto the black, he could be in business. We have run out of time | 3:48:20 | 3:48:38 | |
and we will have to leave this frame. At 7pm tonight, we will let | 3:48:39 | 3:48:44 | |
you know exactly what happens in this game and we will feature Judd | 3:48:45 | 3:48:47 | |
Trump, one of the most exciting players, who is also playing this | 3:48:48 | 3:48:53 | |
evening. Join us at 7pm. Until then, goodbye. | 3:48:54 | 3:48:58 |