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Welcome to quarterfinals day. We still have these guys looking for a | :00:36. | :00:50. | |
place in the last four. This is it and what it is all about, | :00:51. | :01:33. | |
the Welsh Open Trophy. I will not lay a finger on it because I will | :01:34. | :01:37. | |
probably drop it. Dominic Dale, a very good afternoon to you. Who do | :01:38. | :01:40. | |
you think will get their hands on this on Sunday evening? Do you have | :01:41. | :01:44. | |
a hunch now we know it is down to eight players in the quarterfinals? | :01:45. | :01:50. | |
For me the form horse, I suppose, is Ronnie O'Sullivan, but there are | :01:51. | :01:55. | |
great players in this event, Mark Selby, Neil Robertson, and Michael | :01:56. | :02:00. | |
White, who is doing a fantastic job for Wales, saw Ronnie will find it | :02:01. | :02:04. | |
hard if you want to lay his hands on this trophy. How much does it come | :02:05. | :02:09. | |
no down to psychology and mental stuff? Greatly saw. In the later | :02:10. | :02:14. | |
stages of any tournament is the guys with their pedigree, the winners, | :02:15. | :02:19. | |
the past champions -- greatly so. In all sports, not just snicker. It | :02:20. | :02:23. | |
will be top but better for the guys who can make a semifinals because | :02:24. | :02:26. | |
then it will be best of living and the bigger names will provide it | :02:27. | :02:31. | |
more. As you alluded to a few moment ago, a big night for the Welsh man | :02:32. | :02:35. | |
who did superbly by putting the defending champion John Higgins out. | :02:36. | :02:38. | |
How do you rate his chances of getting through to the semifinals? | :02:39. | :02:46. | |
Highly. He was nearly out before, but potted in that do or die moment, | :02:47. | :02:50. | |
which would have given him confidence and since then he has | :02:51. | :02:53. | |
gone from strength to strength, played some tremendous matches. He | :02:54. | :02:58. | |
is in absolute Top Gear at the moment and it will take something to | :02:59. | :03:02. | |
stop him from playing, he plays an attacking game and is a threat to | :03:03. | :03:05. | |
anybody at the moment, Michael White. A big name for him -- big | :03:06. | :03:11. | |
game for him. One of these quarterfinals has already got | :03:12. | :03:14. | |
underway, the match between Neil Robertson, and Ding Junhui we, who | :03:15. | :03:24. | |
lifted this in 2012. Neil Robertson took the first frame and we will | :03:25. | :03:28. | |
pick it up in friend two with Robertson at the table, and no | :03:29. | :03:29. | |
score. If you catch it to thin you can go | :03:30. | :04:15. | |
round the back... Anywhere near the pot. | :04:16. | :04:17. | |
APPLAUSE That is the way to play those kind | :04:18. | :04:22. | |
of shots. They are so proficient now in the long potting department, | :04:23. | :04:26. | |
there is no need to play to get the cue ball back behind. They play a | :04:27. | :04:30. | |
shot for something no, not necessarily a shot for nothing. I | :04:31. | :04:35. | |
saw Neil Robertson in the previous frame this one. Almost identical. -- | :04:36. | :04:48. | |
this one. The red above the black is pottable so I good chance to get a | :04:49. | :04:50. | |
frame on the board. The red above the black is pottable | :04:51. | :04:55. | |
so a good chance to get a frame He certainly should get at least 40 | :04:56. | :05:05. | |
from here. He needs to get into play. The quick look at that red | :05:06. | :05:14. | |
there. He feels it is not pottable and then he can get onto a colour to | :05:15. | :05:19. | |
break the reds. Already looking to bring the pink into play. That red | :05:20. | :05:24. | |
above the black, not easy to get on, and that is why he is looking, like | :05:25. | :05:28. | |
all these top players, they make every chance chance to win the | :05:29. | :05:32. | |
frame, get into them quickly. I see that in Coventry. He looks like he | :05:33. | :05:39. | |
is playing for the Lewis reds. Very soon he will be getting into that | :05:40. | :05:48. | |
bunch. -- loose reds. Because black and pink are out of play. | :05:49. | :06:49. | |
I am surprised he's not getting into the pink and reds, because just | :06:50. | :06:55. | |
seeing them he is now looking at that one from the black to get onto. | :06:56. | :06:59. | |
If he doesn't get a right angle on it to bring them into play he will | :07:00. | :07:04. | |
have to go after the blue again... He is playing with topspin so far | :07:05. | :07:08. | |
He is playing with topspin so for two up on the black. | :07:09. | :07:17. | |
If he doesn't have the right angle, what is he going to do here? | :07:18. | :07:30. | |
Very unlike Ding not to have got into that. At least maybe now he | :07:31. | :07:39. | |
feels he can get onto this red just above the black. We will know when | :07:40. | :07:44. | |
he plays this. He still has plenty to do. Yes, I think he is still | :07:45. | :07:58. | |
playing with a little bit of confidence issues, trying to build | :07:59. | :08:04. | |
his confidence slowly, but surely. Normally he doesn't miss a trick to | :08:05. | :08:08. | |
get into the pack and split them everywhere, but he has taken these | :08:09. | :08:12. | |
nicely, it has to be said. Picking them off one by one. He is running | :08:13. | :08:20. | |
out of options. As each red disappears, without opening that | :08:21. | :08:23. | |
cluster, it will get a lot harder to continue this little effort of his. | :08:24. | :08:28. | |
This is not the Ding we know. He always gets pink and black. He has | :08:29. | :08:32. | |
had three chances to go on to the pink. There is the kiss on the black | :08:33. | :08:36. | |
mouth and it is not guaranteed to work. He feels it is not quite the | :08:37. | :08:46. | |
right angle -- black now. That has worked out pretty well, though. | :08:47. | :08:56. | |
Is the red and pink set right? It is not. Why would he not be thinking of | :08:57. | :09:10. | |
going into them here? I am amazed, I really am. | :09:11. | :09:20. | |
It is a three or four back inch target now to go to the pink and the | :09:21. | :09:25. | |
reds. -- four inch. It just looked | :09:26. | :09:38. | |
absolutely straightforward. He is at the table, though. And counting. | :09:39. | :10:33. | |
As long as this cannon goes right now, potting the red to the right | :10:34. | :10:42. | |
corner and moving the red away from the pink spot, this now becomes a | :10:43. | :10:53. | |
frame winning chance for Devon Shaun Ley -- Kim Jong-un we. -- trick-mac. | :10:54. | :11:06. | |
It was all a bit awkward three or four shots on goal and no it is just | :11:07. | :11:20. | |
about ensuring no silly mistakes -- a frame winning chance for Ding. | :11:21. | :11:35. | |
People might think I have been a bit critical in the way I have -- he has | :11:36. | :11:46. | |
played these but this is not the Ding I know. It is plain sailing | :11:47. | :11:48. | |
played these but this is not the now, OK. Possibly getting in the | :11:49. | :11:51. | |
winning line of this visit. Cardiff. Well supported. Players | :11:52. | :13:56. | |
like playing here. It has a lot to offer, Cardiff. This is probably the | :13:57. | :14:02. | |
most awkward part he has had to play in this break so far. He just | :14:03. | :14:06. | |
walloped it straight in there. You feel if this black goes in it | :14:07. | :14:20. | |
will definitely be the century. Still no problem. | :14:21. | :14:33. | |
So are we going to see Ding Junhui make another century? If he does it | :14:34. | :14:46. | |
will be his eighth of this season, which by his standard is very poor. | :14:47. | :14:53. | |
23 last year. He is a long way behind. But this has been a very | :14:54. | :15:03. | |
good response to the first frame. The first frame was a little bit | :15:04. | :15:15. | |
scrappy. Brown for the hundred. APPLAUSE | :15:16. | :15:16. | |
Very well done. APPLAUSE | :15:17. | :15:59. | |
What a terrific-mac ending for Ding Junhui. Will be feeling much better. | :16:00. | :16:07. | |
All level, 1-1. Yes, it was a terrific-mac break by Ding to level | :16:08. | :16:11. | |
it. Just a reminder, that at this stage in the quarter-finals it is | :16:12. | :16:15. | |
the best of nine frames -- eight terrific break. Let's go to frame | :16:16. | :16:20. | |
three in this match with Ding at the table and no score. | :16:21. | :17:03. | |
What a terrific pot. That was top drawer. Couldn't have played it much | :17:04. | :17:28. | |
better off had it much cleaner. -- or hit it much cleaner. | :17:29. | :18:29. | |
It looks like he is going to have to play slightly more difficult cover. | :18:30. | :18:36. | |
Maybe the Brown, a bit more aggressive. And on pot like this, | :18:37. | :18:42. | |
why shouldn't he be aggressive? No problem. Has it rolled enough? If it | :18:43. | :18:54. | |
has, it's a superb shot. As you can see from that picture, not a lot of | :18:55. | :18:59. | |
room to get through the gap. To screw back the black in the same | :19:00. | :19:06. | |
pocket. A good shot that was, on the brown. He will have to play | :19:07. | :19:12. | |
difficult blue or difficult green and took the more difficult of the | :19:13. | :19:17. | |
three balls -- he would have had to play. | :19:18. | :19:37. | |
Ideally he would love to get on the reds just above the black. I think | :19:38. | :19:44. | |
he has landed a little bit too strict on this black to do that. He | :19:45. | :19:51. | |
will be playing lots at the bottom. He has had a look as well to see if | :19:52. | :19:54. | |
one will go into the middle, which would seem a much easier shot. If | :19:55. | :19:59. | |
not, playing this with a lot of bottom and on the left-hand side. | :20:00. | :20:07. | |
Well, the fooled us all. You look at all the other shots and then played | :20:08. | :20:14. | |
the real straightforward one. -- he looked at. I can't understand why he | :20:15. | :20:20. | |
didn't just play that in the first place. All players look at playing | :20:21. | :20:33. | |
different ways, they all have different styles, their favourite | :20:34. | :20:35. | |
shots and shots we don't particularly like. And he is not on | :20:36. | :20:42. | |
the red we thought he was on, and with that blacks, the top two of | :20:43. | :20:47. | |
them will port, and that is why he is looking at the more difficult red | :20:48. | :20:55. | |
on the side of the pink. -- will pot. Yes, and the one just above it | :20:56. | :20:59. | |
he can play through the gap, back down through the blue. This one, | :21:00. | :21:06. | |
certain to be on the pink, should it going. | :21:07. | :21:06. | |
APPLAUSE This one, certain to be | :21:07. | :21:12. | |
on the pink, should it go in. After the next shot he can go onto | :21:13. | :21:19. | |
the black then try to get onto the second of the two reds straight. | :21:20. | :21:38. | |
Made a magnificent 147 of course in the Masters, ?40,000. He wants to be | :21:39. | :21:52. | |
on that second red straight. A little too hard? Getting down very | :21:53. | :22:01. | |
quickly so it must be OK. And now a chance to win the frame on this | :22:02. | :22:05. | |
visit. It wasn't until then. That is just about perfect. Just | :22:06. | :23:26. | |
slightly hampered on the cue ball, but is it going to do a lot. Just | :23:27. | :23:31. | |
drop the red in, and you might even see him play this on and off the | :23:32. | :23:36. | |
cushion. A little bit more of an angle than it first looked. Yes, it | :23:37. | :23:45. | |
is going to move very close to the black, so he may try to dig down to | :23:46. | :23:49. | |
go round the back and possibly in the same pocket. That is what he's | :23:50. | :23:51. | |
doing. The red over the middle pocket, he | :23:52. | :24:10. | |
would play into the bunch because this is not frame ball as yet, so he | :24:11. | :24:19. | |
will play for the loose red. And now one shot away from making the frame | :24:20. | :24:21. | |
safe. Just looking to see if there are any | :24:22. | :24:42. | |
reds available. Obviously if you pot red, colour, red, Ding will come | :24:43. | :24:46. | |
back to the table, so he really needs to get two reds to stop him | :24:47. | :24:51. | |
going back to his seat. He will see if there is one in the middle. Not | :24:52. | :25:03. | |
going to the bunch from here. He has had a look at the one to the right | :25:04. | :25:07. | |
of the pink in the yellow pocket, after the shot. | :25:08. | :25:14. | |
Running down two cushions trying to get into them. It also could play | :25:15. | :25:22. | |
perfectly. Is he on that one through the gap? It is close. It really | :25:23. | :25:34. | |
could do with this red going in because Ding will carry on if it | :25:35. | :25:40. | |
doesn't. I think he has found something somewhere, maybe the one | :25:41. | :25:45. | |
nearest the pink. Yes, trying to play this end. | :25:46. | :25:49. | |
APPLAUSE . | :25:50. | :26:34. | |
The first frame was very scrappy. Ding Junhui eventually got that, and | :26:35. | :26:46. | |
this break has been superb. Every chance of back-to-backs. | :26:47. | :26:58. | |
It shows you the difference between the two players. Robertson has made | :26:59. | :27:06. | |
450 centuries and this will be his 31st this year. It shows you how | :27:07. | :27:10. | |
Ding has been out in the cold little bit this season. 451 coming up, and | :27:11. | :27:22. | |
his fourth of the tournament. Very well done. | :27:23. | :27:23. | |
APPLAUSE Absolutely superb, that frame. | :27:24. | :27:35. | |
This crowd have been entertained greatly. With Ronnie O'Sullivan to | :27:36. | :27:42. | |
come. What an afternoon of snooker they are going to have. | :27:43. | :28:36. | |
APPLAUSE Magnificent. That break from Ding, | :28:37. | :28:46. | |
and Neil Robertson was superb as well. He finishes on 140. | :28:47. | :28:53. | |
STUDIO: Back and front end in some style, Neil Robertson. I can tell | :28:54. | :28:58. | |
you the Aussie also took the next frame, helping him to a 3-1 lead and | :28:59. | :29:03. | |
the players are now at their mid-session interval, so we will be | :29:04. | :29:13. | |
rejoining them live very shortly. We have just had Ding Junhui up here in | :29:14. | :29:17. | |
fact practising in that mid-session interval, just brushing up on one or | :29:18. | :29:21. | |
two things, Dominick. But Neil Robertson looks like a man who is in | :29:22. | :29:26. | |
the zone, in the groove, and on a mission? Is. I think once you get to | :29:27. | :29:31. | |
the quarterfinals stage the turn it really belongs to the top players, a | :29:32. | :29:35. | |
couple more matches closer to the final. This is what we would call a | :29:36. | :29:40. | |
normal distance match. This fifth frame will be big for both players. | :29:41. | :29:44. | |
A bit of daylight now for Neil Robertson so it is all imported for | :29:45. | :29:48. | |
Ding I think, especially because he is a little bereft of confidence of | :29:49. | :29:51. | |
late and need a good performance to get that confidence back so that | :29:52. | :29:55. | |
frame is a big one for him I think, more than four Neil. We saw him here | :29:56. | :30:00. | |
a few mods ago. What do you do during the interval? Do you just | :30:01. | :30:05. | |
like to sit and think, come to the practice table, what you think? | :30:06. | :30:09. | |
Everyone is different. I actually find the more technically minded | :30:10. | :30:12. | |
players are the ones more likely to come up here to the practice table. | :30:13. | :30:17. | |
Someone like Ronnie the more natural players, I would expect him to be up | :30:18. | :30:22. | |
there. He is a natural player and you just expect him | :30:23. | :30:23. | |
there. He is a natural player and right out there. Normally it 3-1 | :30:24. | :31:05. | |
Ding, one of the wettest place in the | :31:06. | :32:21. | |
He would want to go there any time soon. That is what he is facing. -- | :32:22. | :34:04. | |
he would not want to. Normally very good in the long game department. It | :34:05. | :34:14. | |
has been very strange for King Junhui, his demise over the last is | :34:15. | :34:18. | |
not so. He had that terrific run -- for Ding Junhui. He has been very | :34:19. | :34:26. | |
quiet since then. Loss of confidence, loss of form. He has | :34:27. | :34:34. | |
shown promise this week. A couple of good wins, played very well. | :34:35. | :34:48. | |
That is unlike Neil to play the shot as they shock to nothing there. He | :34:49. | :34:57. | |
probably felt pretty good but having had 15 minutes off, they are not | :34:58. | :35:05. | |
easy shots to play. Going back to that conversation Darren was having, | :35:06. | :35:10. | |
he did win a PTC at the end of last month in China. That put him in the | :35:11. | :35:17. | |
Champion of champions. Still not in the top 16 for definite. | :35:18. | :35:53. | |
That is unforgivable. For a player of his class to miss that shot. Just | :35:54. | :36:01. | |
an ordinary shot, that was impossible not to get onto the rate | :36:02. | :36:05. | |
nicely. It shows what a bit of tension in the arm can do. Careless. | :36:06. | :36:31. | |
No mistakes the second time. Wouldn't touch the sides. Straight | :36:32. | :36:46. | |
in. A couple of reds out in the open. Reds around the black. Causing | :36:47. | :36:56. | |
him problems there. The pink is not really available, so might decide to | :36:57. | :37:07. | |
just play of this blew into the pink, try and develop some reds and | :37:08. | :37:12. | |
develop the pink into a better position. Dropping on the loose one. | :37:13. | :37:27. | |
Can't blame him for doing that. But it didn't feel there was any value | :37:28. | :37:30. | |
in going into the pack but he is going to have to go into them sooner | :37:31. | :37:39. | |
or later. Ideally he would want to get onto the Redd, just to the right | :37:40. | :37:42. | |
of the black ideally, in a way that he can pot it and move the red away. | :37:43. | :37:49. | |
A bit of work to do. For he is in that position. | :37:50. | :38:20. | |
May have to take the choice now after potting this next red and | :38:21. | :38:26. | |
getting high on the blue. The perfect angle to do just that. | :38:27. | :38:41. | |
May decide to go on to the punch to the left of the pink, might not | :38:42. | :38:45. | |
bother to play the thing. The forces through those, he has every chance | :38:46. | :38:50. | |
of not only pushing one on the left-hand corner but also being on | :38:51. | :38:57. | |
the one just to the right the black. He is worried about making a plant, | :38:58. | :39:03. | |
I think. If that's the case, just play the cannon into the two reds. | :39:04. | :39:08. | |
That is what he is worried about, going in-off the other red. If he | :39:09. | :39:11. | |
plays into the two reds to the left of the pink, that plant goes along. | :39:12. | :39:16. | |
It is one of those occasions where he might not play into the pink. | :39:17. | :39:51. | |
He wanted to slide past the blue there. Neil as a player doesn't mind | :39:52. | :40:07. | |
leaving himself a little bit of distance. He has the angle to force | :40:08. | :40:10. | |
this around with the red just above the pack. He has overhit that by a | :40:11. | :40:18. | |
long way. You think you would like to have that one back again. | :40:19. | :40:32. | |
Fit me he would have potted the blue and ended up snookered, he would not | :40:33. | :40:38. | |
have believed it. Can he get through to the second red away from the | :40:39. | :40:41. | |
black? He may be of the hip that very, very thin. He has decided | :40:42. | :40:50. | |
against that, just screwing into the bunch. He could have possibly hit | :40:51. | :40:54. | |
the red thin. He knows this is a short as long as you get into the | :40:55. | :40:56. | |
bunch you should not leave a red on. Just a total miscalculation there. | :40:57. | :41:26. | |
He has caught the red way too sick. A good strike. Just landed a little | :41:27. | :42:05. | |
bit awkward with his cueing. It is his own cue with AQ extinction. -- a | :42:06. | :42:12. | |
cue extension. I think he feels he has had a bit of | :42:13. | :42:39. | |
a bad contact. Load off the question. All of the pace was taken | :42:40. | :42:46. | |
out of the cue ball. -- off the question. Still on the red but it is | :42:47. | :42:50. | |
just a bit more awkward for him now. The natural angle would take him | :42:51. | :42:53. | |
down towards the blue. Still not quite straightforward just | :42:54. | :44:17. | |
yet. Only a couple of shots away. From this being a real good chance | :44:18. | :44:25. | |
to win this frame. Just needs to keep tight control of the cue ball. | :44:26. | :44:36. | |
Yes, it was a frame that Ding really needed to win to have any | :44:37. | :44:41. | |
aspirations of winning this match will stop highly unlikely. It can be | :44:42. | :44:51. | |
done of course but highly unlikely. 45 points in front. | :44:52. | :45:00. | |
Always difficult when you are cueing down on this, if you put a bit of | :45:01. | :45:05. | |
unwanted side on you can miss these things. Straight into the middle of | :45:06. | :45:11. | |
the pocket. Looks like that was the last of the | :45:12. | :45:46. | |
pottable reds. He has got an angle on this blew to play the cannon. | :45:47. | :45:52. | |
Don't go into the pink, go into the red, that is exactly what he has | :45:53. | :45:55. | |
played, exactly what he has got, excellent shot. APPLAUSE | :45:56. | :46:29. | |
The pink put some 64. There will be no heroics here with the pink. He | :46:30. | :46:36. | |
will play a little cannon abut the key thing is making sure you are | :46:37. | :46:45. | |
clear of the thing. Just playing a little-known John the red. He has | :46:46. | :46:52. | |
got past the winning post in this frame. | :46:53. | :47:06. | |
And that shot will leave Ding sitting in his chair whatever the | :47:07. | :47:13. | |
equation is in the next few pots. Get another chance for a century. | :47:14. | :47:21. | |
The could have had four on the trot. Plenty of balls on. | :47:22. | :47:33. | |
Can probably do play the cannon again. Swing it around to cushions, | :47:34. | :47:46. | |
if you missed the kiss, he has played to pot the red in the middle. | :47:47. | :47:49. | |
But he has done more than enough, Neil Robertson goes one away from | :47:50. | :47:58. | |
victory now. He leads 4-1. STUDIO: So Neil Robertson one frame away | :47:59. | :48:02. | |
from victory in this match. Always very hard to read, Neil Robertson, | :48:03. | :48:07. | |
what is going through his head, but he is just going through the thing | :48:08. | :48:10. | |
very mechanically and methodically, and he is getting the results, isn't | :48:11. | :48:16. | |
he? He reminds me of a modern day Steve Davis, very technically good, | :48:17. | :48:20. | |
a beautifully flat cue action. And his transition from ringing the cue | :48:21. | :48:25. | |
back to releasing the grip and putting it back on the cue is the | :48:26. | :48:29. | |
best I have ever seen. That leads to perfection in timing. When Niall is | :48:30. | :48:34. | |
at his best, he is as hard to beat someone like Ronnie O'Sullivan, who | :48:35. | :48:37. | |
also when he is at his best is just almost unplayable. He is supremely | :48:38. | :48:42. | |
confident at the moment, unlike Ding, who looks a little bit ginger. | :48:43. | :48:47. | |
He has been very over careful, cautious about everything. If you go | :48:48. | :48:51. | |
back a couple of seasons when Ding was at his best, winning five | :48:52. | :48:54. | |
ranking events, he would have been more competitive in this match. He | :48:55. | :48:58. | |
has been playing some shots that perhaps we would not have seen him | :48:59. | :49:00. | |
playing 34 years ago. perhaps we would not have seen him | :49:01. | :49:04. | |
at a couple of these here this yellow. | :49:05. | :49:05. | |
at a couple of these here this It is up to Neil Robertson to go and | :49:06. | :49:43. | |
when it from here. Let's go back to the commentary box. | :49:44. | :50:56. | |
when it from here. Let's go back to of a 147, Ronnie Wood be, but it is | :50:57. | :51:00. | |
more important for Ding to stay in the match. Maybe Ronnie Wood go for | :51:01. | :51:10. | |
a 145 instead. He has already have a 146. | :51:11. | :51:37. | |
He might do it himself, Ronnie, he is still in. I read a leading | :51:38. | :51:52. | |
article that one of the leading bookmakers is offering 100,000 to | :51:53. | :52:00. | |
Ronnie if he gets one. Takes a lot of pressure off. He would like to | :52:01. | :52:08. | |
win frames easy. If you win them at one visit, you don't put through as | :52:09. | :52:12. | |
much pressure. It is when you start adding 40 point each, it puts a lot | :52:13. | :52:17. | |
of pressure on you. If you win at one visit, there is no pressure. | :52:18. | :52:42. | |
You probably saw the cue ball bounce. Not too bad. As the cue ball | :52:43. | :52:50. | |
travelled, just look at the way it bounced. It would have ran to three | :52:51. | :52:58. | |
more inches. I think he is OK to go around the back of the black into | :52:59. | :52:59. | |
the same pocket. Yes, he is. So much so, he can aim for the | :53:00. | :53:13. | |
opposite corner. A little cannon here and then he may start thinking | :53:14. | :53:15. | |
about the 147. As long as he hits them for ball. | :53:16. | :53:30. | |
The two reds that are touching just above the black. Doesn't have to | :53:31. | :53:36. | |
play this pacey. Normally you play them quite pacey when you go into a | :53:37. | :53:39. | |
bunch but because they are split apart, bound to be going to the | :53:40. | :53:47. | |
opposite corner. Played it a different way to what I was | :53:48. | :53:52. | |
thinking. Still on a red. Might even be a body get onto a black now. | :53:53. | :54:00. | |
Don't think so. Yes, and I think if he was 4-1 up in this match and not | :54:01. | :54:06. | |
4-1 down, he would be playing the shot to the right, with a lot of | :54:07. | :54:09. | |
right-hand side to swing it down for the black. The fact he is 4-1 down, | :54:10. | :54:15. | |
I would be very surprised if he did not play up for the pink for the | :54:16. | :54:24. | |
blue. He has, he has played the running side shot back for the | :54:25. | :54:27. | |
black, so it is fair to say he has got the maximum. On his mind. | :54:28. | :54:55. | |
He has had five in tournament play, 147s. O'Sullevan think is 13 now. | :54:56. | :55:19. | |
This could be a little bit of a confidence booster to get Ding's | :55:20. | :55:27. | |
season on track. You always need something to knock yourself into | :55:28. | :55:36. | |
gear. He is undoubtedly one of the game 's great breakers, and I don't | :55:37. | :55:42. | |
say that lightly. There are only four or five in the game and he is | :55:43. | :55:52. | |
one of them. Yes, and without giving him commentator's curse, the balls | :55:53. | :55:57. | |
are absolutely perfect. There is nothing on the site cushions. | :55:58. | :56:09. | |
He has potted enough so that Neil Robertson can't win this game. Neil | :56:10. | :56:14. | |
Robertson will be in his chair, cheering him on. Needs to be high on | :56:15. | :56:25. | |
this, and he is. That is a great shot. If he had been low there, that | :56:26. | :56:29. | |
would have been end of maximum, but he has got high. I think there are | :56:30. | :56:37. | |
two of these reds to pot. Can he get through the gap, which would in turn | :56:38. | :56:45. | |
open up the other two reds. But he will take the other one, it is still | :56:46. | :56:48. | |
OK for the black. You don't want to risk anything yet, you are not over | :56:49. | :56:50. | |
the winning line yet in this frame. He just needs one more red to make | :56:51. | :57:06. | |
the frame safe, then he can play a risky shot if necessary to get onto | :57:07. | :57:15. | |
the black. Just a little bounce, he is on the one in the middle. | :57:16. | :57:21. | |
The art of break-building, always get the right angle on the next | :57:22. | :57:29. | |
ball, to make it easy to get onto the black in this case. Ideally he | :57:30. | :57:36. | |
would love to get onto reds here but on and off the cushion, obviously | :57:37. | :57:41. | |
there is a loose one he can get on but if he can get that loose one to | :57:42. | :57:45. | |
get the other red that is there, he will take that one first, and that | :57:46. | :57:49. | |
is what he has played for. That opens the other two reds. Now he | :57:50. | :57:53. | |
doesn't have to play any case, any cannon, to make the 147. That was | :57:54. | :57:58. | |
brilliant, the way he played that shot. Yes, if anything, Neil will be | :57:59. | :58:08. | |
cheering him on now. He knows he has lost the frame. Landed a little bit | :58:09. | :58:16. | |
straighter on that black then he would have liked, but he has played | :58:17. | :58:21. | |
it ever so well. He is back in perfect position. This is now | :58:22. | :58:29. | |
turning into a real great chance. Short this time. He can play for the | :58:30. | :58:34. | |
red, or the two reds in the left-centre, or he can play the more | :58:35. | :58:38. | |
tricky shot, with a trace of right-hand side and swing past the | :58:39. | :58:45. | |
two reds. But it is not a nice shot to play, and definitely not at this | :58:46. | :58:46. | |
stage. He opted for the easier option. It | :58:47. | :59:04. | |
has made this red a little more tricky. He is back in perfect | :59:05. | :59:10. | |
position once again. A little bit of bounce, that is a | :59:11. | :59:27. | |
poor shot, goodness me. OK, he is on the one in the middle but it is not | :59:28. | :59:34. | |
the right angle. Yes, his face tells a story there, he has to dig down on | :59:35. | :59:41. | |
this, go round the back of the black probably. Come on, Ding. It is | :59:42. | :59:51. | |
there. Well played. That is the first difficult shot he has had to | :59:52. | :59:54. | |
play in this break, that's how good this break has been. That's the | :59:55. | :59:57. | |
first time he wasn't perfect on a ball. | :59:58. | :00:07. | |
This Cardiff crowd maybe feel they have been slightly cheated out of a | :00:08. | :00:14. | |
147 early in the week. This, now, is an unbelievable chance. Don't be | :00:15. | :00:21. | |
straight, don't be straight. A little shake of the head. He has got | :00:22. | :00:25. | |
a slight angle, he can't get close to the yellow. He needs to get loads | :00:26. | :00:28. | |
of side on this to widen the angle. He couldn't get close to the yellow. | :00:29. | :00:46. | |
APPLAUSE If he had plotted the black in the | :00:47. | :00:49. | |
left-hand side of the pocket he would have gone wider with the cue | :00:50. | :00:51. | |
ball. Well done. The white is not hard | :00:52. | :01:13. | |
enough though. He doesn't have to do anything with the cue ball, just pot | :01:14. | :01:22. | |
it plain ball. Now the crowd, as you can see, are smiling and hoping. | :01:23. | :01:27. | |
These two girls in the front row, all their fingers crossed. | :01:28. | :01:41. | |
Well played, Ding. Didn't have to do anything with the cue ball. Slow | :01:42. | :02:00. | |
down, white. He needs the right to slowdown. It is never easy, this | :02:01. | :02:09. | |
game. In and out, not guaranteed to be perfect, but he will have some | :02:10. | :02:14. | |
sort of shot on the pink. Getting close to it. They are praying. | :02:15. | :02:30. | |
Do you play in and out or do you just roll it in? That is the choice | :02:31. | :02:34. | |
he has got. Oh, dear. This pink for ?12,000. And | :02:35. | :02:47. | |
I am sure he will pop the black. It's their! What a fantastic shot on | :02:48. | :03:22. | |
the pink. Every chance of making his six maximum in competitive play. | :03:23. | :03:33. | |
Absolutely wonderful! What a fantastic break! He offers his hand | :03:34. | :03:39. | |
and congratulations. The crowd are standing. They love it here in | :03:40. | :03:43. | |
Cardiff. Back in the match with the 147. Although he still trails 4-2. | :03:44. | :03:58. | |
What a wonderful break. First class. Well, well. What a way to drag | :03:59. | :04:02. | |
yourself back into the game, 4-2. Ronnie O'Sullivan mate have turned | :04:03. | :04:07. | |
out 147 but not like that -- may have turned out. That is his six | :04:08. | :04:13. | |
maximum, in fact, bringing him level with John Higgins on the list of | :04:14. | :04:17. | |
all-time maximums, third in fact, for Ding Junhui. Tremendous stuff. | :04:18. | :04:22. | |
The crowd willing him on and that was a great clear up. I liked Willie | :04:23. | :04:28. | |
there, only out of position once. I was worn out watching that. When it | :04:29. | :04:33. | |
is plain sailing and they are always in perfect position you do not get | :04:34. | :04:36. | |
it so tense because you are expected to do it but when you are out of | :04:37. | :04:41. | |
position as often as Ding was on the college there, you stress for him, | :04:42. | :04:45. | |
knowing all these shots are pressure balls and striking that is difficult | :04:46. | :04:51. | |
-- on the college there. That was fantastic for Ding and if anything | :04:52. | :04:58. | |
is the Kit -- kick-start his season it will be something like that. | :04:59. | :05:01. | |
You're getting sweaty palms watching that? Yes. He said he was low on | :05:02. | :05:08. | |
confidence earlier on but he did not look like a playable on confidence. | :05:09. | :05:14. | |
When you are behind, you have a different psychology. But Neil, he | :05:15. | :05:17. | |
wobbled it, they would have had that opportunity himself but when he | :05:18. | :05:22. | |
missed he left him right amongst the balls and at 4-1 down Ding is | :05:23. | :05:27. | |
probably going out there to be himself, be natural, be calm. Not in | :05:28. | :05:32. | |
the match competitiveness yet. If he wins the next frame he certainly | :05:33. | :05:36. | |
will be, someone in Ding's class. Goodness knows how he will be | :05:37. | :05:39. | |
feeling right now, probably tense, quite shaken a little. Who knows, | :05:40. | :05:44. | |
everyone is different, but it is not easy to go out and perform like that | :05:45. | :05:48. | |
for the next frame. We can show you how the crowd were feeling, as he | :05:49. | :05:54. | |
was clearing up the table, real pension in the arena. Say a Little | :05:55. | :05:57. | |
prayer! He got there and got the ?10,000 of course that Ronnie didn't | :05:58. | :06:04. | |
quite fancy earlier in the week. I don't know how he will feel about | :06:05. | :06:09. | |
that, Ronnie. A brilliant performance. Well done, Ding. Just | :06:10. | :06:13. | |
the thing he needed and hopefully that will be the platform for him to | :06:14. | :06:18. | |
perform better for the season now, the lead up to the World | :06:19. | :06:23. | |
Championships in April. A difficult one, leading and then behind, you | :06:24. | :06:26. | |
feel elated, punching the air. But you're still trailing 4-2. A | :06:27. | :06:34. | |
difficult position to be in? I remember Stephen Hendry, I think in | :06:35. | :06:39. | |
the world champion shes, he made a 147 against John Higgins, I think it | :06:40. | :06:42. | |
was, in the second round or something and carried on making it | :06:43. | :06:48. | |
thes, 70s and 90s right afterwards and Stephen Hendry had the class to | :06:49. | :06:53. | |
do that. The 147 tended not mean everything, like it would do someone | :06:54. | :06:58. | |
of a lower ranking. They get 147 and Arsenal elated they can't | :06:59. | :07:02. | |
concentrate in the next frame, but Ding is a bit like Stephen Hendry, a | :07:03. | :07:06. | |
fantastic performer first doing it. He can make those breaks quite | :07:07. | :07:13. | |
often. It happened to Ding couple of years ago in the final when Ronnie | :07:14. | :07:18. | |
cleared it with a 147 to beat him on the 2014 final. He still has work to | :07:19. | :07:22. | |
do if used to get there again, Ding Junhui, despite that fantastic 147. | :07:23. | :07:29. | |
Let's go back to the match. DARREN MORGAN: Well, well, well. We | :07:30. | :07:33. | |
have seen it all now. Absolutely fantastic. | :07:34. | :09:30. | |
of distance between both balls. Playing this the nature of the pot, | :09:31. | :09:35. | |
will have to do nothing with the cue ball. It will naturally come back up | :09:36. | :09:43. | |
towards the bulk colours. He has had a bonus now. If that pink goes into | :09:44. | :09:48. | |
the left medal, passed that red, he has had a major result there. Surely | :09:49. | :09:57. | |
not. It is not there sometimes, this game, is it? Joe Perry suggested | :09:58. | :10:06. | |
Neil Robertson had a good run at the ball when they were practising in | :10:07. | :10:12. | |
Cambridge, but he was almost apologetic there to Ding, potting | :10:13. | :10:15. | |
that pink. We will show you this shot in a few | :10:16. | :10:29. | |
moments time, when he potted the pink. He pots that pink now and when | :10:30. | :10:33. | |
he is walking round the table he holds his hand up there. You saw him | :10:34. | :10:38. | |
hold his hand up to Ding. He had a bit of good fortune. Can he make | :10:39. | :10:42. | |
that good fortune pay and go on to win the frame on this visit? | :10:43. | :11:42. | |
This is going to start to get interesting now. Not a great pack, | :11:43. | :11:49. | |
really, to go in from the pink. It is a little bit further away from | :11:50. | :11:54. | |
that reds than he would like, and there is a loose red. A good pack to | :11:55. | :12:05. | |
go into from the back. Now he might be forced into going into them from | :12:06. | :12:11. | |
the blue. He has come a bit straight on this red. I suppose he could stop | :12:12. | :12:16. | |
the red dead and leave the cue where it is and then play the pink into | :12:17. | :12:22. | |
the bunch. That is what he is trying to do. This match has been superb, | :12:23. | :12:27. | |
hasn't it? After the first frame, which was very scrappy, but since | :12:28. | :12:31. | |
then it has virtually been one visit stuff. Excellent, it has been. Just | :12:32. | :12:35. | |
played for the loose one, there. Well, depending on what he decides | :12:36. | :13:15. | |
to do, we might even see him going at this blue in such a way... I know | :13:16. | :13:25. | |
a bulk colours. He might be playing off two cushions, trying to develop | :13:26. | :13:29. | |
a couple. That is not bad. Still on the green. The red just to the left | :13:30. | :13:37. | |
of the cluster. It could be on. And the fact he is left-handed as well, | :13:38. | :13:43. | |
so don't the cushion is no problem. He can get on three reds from the | :13:44. | :13:50. | |
screen. -- down the cushions is no problem. A little thin to have | :13:51. | :13:55. | |
played the slow role off the pink. A little thin to have played | :13:56. | :14:02. | |
the slow roll off the pink. He had a very heavy contact there. | :14:03. | :14:30. | |
Short. Couldn't see anything with the replay. You'd think it could be | :14:31. | :14:34. | |
detected but obviously he feels he did not have a very good contact. | :14:35. | :14:41. | |
Now he is left with a real awkward shot, if he is to continue this | :14:42. | :14:50. | |
little effort. This is a thin snick down to the right corner. Hasn't got | :14:51. | :14:55. | |
to do a lot with the cue ball, just make sure of the pot. Straight in | :14:56. | :15:00. | |
the medal, very good indeed. APPLAUSE | :15:01. | :15:10. | |
-- middle. Excellent pot, this, but he will be faced with a real tough | :15:11. | :15:14. | |
one because he will have to face this dead weight to bounce on and | :15:15. | :15:18. | |
off the cushions. The pink will go back onto his own spot on there will | :15:19. | :15:22. | |
be a slight gap to get back through to that remaining red at the top of | :15:23. | :15:29. | |
the pack. You don't -- if he doesn't fancy playing slow he can play off | :15:30. | :15:31. | |
the side cushion and onto the other red. That was a pressure pot, that | :15:32. | :15:36. | |
wasn't easy. And once again a big stroke of luck there. If the pink | :15:37. | :15:40. | |
does not come on top of the Black, there is no problem. A good bit of | :15:41. | :15:47. | |
fortune on the first red, getting on the pink, but this time the pink has | :15:48. | :15:49. | |
been his saviour again. And not too sure at first glance | :15:50. | :16:27. | |
whether he can play this and get back into the pockets. It is a very | :16:28. | :16:32. | |
tough one, playing with pace. Finn this time. Oh, dear. It never rains | :16:33. | :16:46. | |
but it pours sometimes. OK, he had a 147, but he has been very | :16:47. | :16:48. | |
unfortunate on three occasions in this one frame. OK, it is not | :16:49. | :16:56. | |
unfortunate there but unfortunate for them red to stay out of the | :16:57. | :16:57. | |
pocket. -- for the red. APPLAUSE | :16:58. | :17:16. | |
It just travelled a little bit too far for Neil, to be able to get into | :17:17. | :17:20. | |
this cluster of reds. It has been a game of ups and downs, | :17:21. | :17:37. | |
something we don't see very much from Ding. After his 147. He will be | :17:38. | :17:44. | |
enjoying it out there. Obviously you want to win. You can't win all the | :17:45. | :17:48. | |
time, but there are signs he's getting back to his very best. As I | :17:49. | :17:54. | |
am saying that, what a great shot Neil Robertson has just played. | :17:55. | :17:58. | |
APPLAUSE Absolute top drawer. That could be | :17:59. | :18:08. | |
frame and matchwinner. Yes, it is a shame a little bit of luck has had | :18:09. | :18:11. | |
to come into this final frame, because it has been a match of the | :18:12. | :18:21. | |
highest quality. If he pots the blue he will easily miss the kiss on the | :18:22. | :18:24. | |
yellow but it is a case of missing the yellow on the way back as well. | :18:25. | :18:28. | |
He will miss it on the way down but will he miss it on the way back? | :18:29. | :18:44. | |
Only just. Once again, played that bit, pink and black out of | :18:45. | :18:50. | |
commission. S reds, two blues. Then into the semifinal. | :18:51. | :18:58. | |
That was about contact. Watch the bounce. Red took off, didn't it? The | :18:59. | :19:22. | |
easy shot is the screw in between yellow and brown but it needs to go | :19:23. | :19:25. | |
in between yellow and green. APPLAUSE | :19:26. | :19:29. | |
The distance it again, because his frame ball... This is for frame and | :19:30. | :19:47. | |
match. Played as shot to nothing and perhaps regrets now not going for | :19:48. | :19:52. | |
adjusted pot it. Is there a lifeline for Ding Junhui? | :19:53. | :20:01. | |
Still, without snookers, Neil Robertson will be in the semifinal. | :20:02. | :20:56. | |
There was just enough room to sneaking behind the green but as you | :20:57. | :21:02. | |
can see there are, the kiss. I don't know whether he can get through to | :21:03. | :21:05. | |
this long straight red. If he can, he will take it on. It is very | :21:06. | :21:10. | |
tight, isn't it, that? Coming road to look at the one nearest | :21:11. | :21:16. | |
discussion. -- coming round. The cut is the one he's taking on. | :21:17. | :21:27. | |
It is a shame this match has finished early because both players | :21:28. | :21:33. | |
have played very well in this match. It doesn't deserve a 5-2 victory, | :21:34. | :21:39. | |
Neil Robertson. I'm not saying he doesn't deserve to win, he does, but | :21:40. | :21:43. | |
perhaps 5-3 would have been a better reflection of the game so far. That, | :21:44. | :21:53. | |
I'm sure, it's going to be the end. Once again the smile is because of a | :21:54. | :22:05. | |
horrendous kick. Luckily for him he didn't have one at 147. A little to | :22:06. | :22:09. | |
do to get into the top 16 for Sheffield. That puts frame and match | :22:10. | :22:19. | |
beyond any reasonable doubt. Ding Junhui, it is nice to see him | :22:20. | :22:23. | |
playing well again, but his chance of winning the Welsh Open has gone. | :22:24. | :23:05. | |
In the middle part of the match it was literally outstanding. We will | :23:06. | :23:26. | |
be talking about the 147 for many an hour this afternoon and this | :23:27. | :23:30. | |
evening. The handshakes coming. It Mendis match from these two great | :23:31. | :23:36. | |
stars from both sides of the world, ladies and gentlemen, what a | :23:37. | :23:42. | |
fabulous match it was. -- a tremendous match. Neil Robertson | :23:43. | :23:45. | |
goes into the final, the vector, at 5-2. | :23:46. | :23:49. | |
Ian Hunt: A good day therefore Neil Robertson, the first man through to | :23:50. | :23:56. | |
the semifinals of the 2016 Wales Open, very happy, but Ding Junhui, | :23:57. | :23:59. | |
you can only imagine what is going through his head after getting that | :24:00. | :24:03. | |
fabulous 147, but he goes home, having won the trophy in 2012. He | :24:04. | :24:07. | |
will have to wait another year to try to win it again but Neil | :24:08. | :24:13. | |
Robertson, he won it nine years ago, back in 2007, so he is on course to | :24:14. | :24:19. | |
try to repeat that success. So a fine victory in the end for Neil | :24:20. | :24:22. | |
Robertson there. Was it a fair reflection, do you think, the | :24:23. | :24:27. | |
scoreline in the end? Willie. 5-3 would have been a better reflection | :24:28. | :24:34. | |
overall. Yes, I thought 5-2, 5-3, something like that. Neil did well | :24:35. | :24:40. | |
today, his long potting was good, he scores well. Ding did well but he is | :24:41. | :24:43. | |
a little short on confidence. A stepping stone for him perhaps for | :24:44. | :24:47. | |
the rest of the season. He has at a few matches, a few wins, something | :24:48. | :24:51. | |
he was shot off, but it is on words and upwards for Neil Robertson. It | :24:52. | :24:56. | |
is, and as for Ding Junhui, as you say, he needed a confidence left. | :24:57. | :25:01. | |
Can he take it from getting in 147, the first of this tournament, | :25:02. | :25:07. | |
obviously? Both things in collaboration really. I think the | :25:08. | :25:10. | |
147 and get into the quarterfinals. He has obviously won three or four | :25:11. | :25:13. | |
matches this year, something he hasn't done for a while. He did win | :25:14. | :25:17. | |
at an Asian event last year which would have given him some | :25:18. | :25:21. | |
confidence, you would have thought, but the big major over here on | :25:22. | :25:24. | |
British soil, at that, he still struggled. He needs to do something | :25:25. | :25:28. | |
in one of the turn and over here, which he has done here. He will not | :25:29. | :25:32. | |
be happy with the quarterfinals because he is such a great player, | :25:33. | :25:35. | |
has won numerous events and is capable of so much more but it is | :25:36. | :25:39. | |
difficult from relative obscurity to winning the major. There is always | :25:40. | :25:42. | |
that in between step or two and today was one of those. Yes, because | :25:43. | :25:46. | |
mentally perhaps your confidence drains away and you start to lose | :25:47. | :25:51. | |
belief in yourself? Can you do that? You can, but he worked a lot with | :25:52. | :25:56. | |
Terry Griffiths and Ding is a technical player, does everything by | :25:57. | :25:59. | |
the textbook. When you watch him play he looks like he can't miss | :26:00. | :26:06. | |
because he is so still on the shot. You sometimes wonder how on earth he | :26:07. | :26:08. | |
can suffer out there, but he You sometimes wonder how on earth he | :26:09. | :26:13. | |
he is human. Absolutely. We are all human. As for | :26:14. | :26:53. | |
he is human. Absolutely. We are all happy? Yes. The match started off | :26:54. | :28:02. | |
he is human. Absolutely. We are all way? Yes, I think so. He had a | :28:03. | :28:08. | |
couple of tricky shots but all the reds and blacks, they were taken | :28:09. | :28:13. | |
perfectly. The colours, that was very unlike him, you could say, but | :28:14. | :28:18. | |
he pulled off a nice pot on the pink, and a yellow was not easy | :28:19. | :28:24. | |
either. You are into the weekend, into the semis. You feel on top of | :28:25. | :28:29. | |
your game right now? Yes, I think that was an improvement on | :28:30. | :28:32. | |
yesterday, so I have gradually sort of improved as... Let's have a quick | :28:33. | :28:37. | |
look at this, Neil, if we can. Sorry to interrupt you there. This is the | :28:38. | :28:42. | |
moment Ding got it and you briefly graciously his hand, as a fellow | :28:43. | :28:50. | |
pro, taking pleasure in seeing that? Taking pleasure in the crowd, yes. | :28:51. | :28:55. | |
They all want to see that sort of stuff and more guys coming back and | :28:56. | :29:01. | |
making that. Ronnie was delighted their! That is the reason we are | :29:02. | :29:06. | |
chuckling because Ronnie is in the background practising for his game | :29:07. | :29:11. | |
against Mark Selby and he obviously got the 146 earlier in the week. | :29:12. | :29:15. | |
Nice to let someone else make that for a change! Ding has done that, | :29:16. | :29:22. | |
made 145, so he is climbing up there too. And the one Welshman we have | :29:23. | :29:26. | |
indeterminate, Michael White, against Mark Allen. If you see that? | :29:27. | :29:31. | |
A really good match will stop was looking to push on in their careers | :29:32. | :29:34. | |
and win many more tournaments, so both of them were really hungry in | :29:35. | :29:37. | |
that match and I think either of them have not have had the best | :29:38. | :29:44. | |
season so far. Mark has got a couple of finals and won Euro tour event | :29:45. | :29:50. | |
and he wants to get into the next. He is a very special player and I | :29:51. | :29:54. | |
rate him very highly and I think he will be in multiple tournaments. | :29:55. | :29:59. | |
Keen eye on that one to see who you get in the semis? I don't really | :30:00. | :30:06. | |
watch anything. I just go back, chill out. Switch off. The cinema? | :30:07. | :30:16. | |
Yes, that was awesome. Well played today, Neil. Thank you for joining | :30:17. | :30:19. | |
the smack in the studio. As we say, Ronnie O'Sullivan practising here | :30:20. | :30:22. | |
for his game against the world number one Mark Selby, and it is | :30:23. | :30:27. | |
Selby's turn to be put under the microscope. Mark Selby, 2040 world | :30:28. | :30:38. | |
champion. Three times Master champion. A formidable match player | :30:39. | :30:43. | |
these days? He is sort of in the mould of John Higgins, I think he | :30:44. | :30:47. | |
has taken over every department of his game -- every department of his | :30:48. | :30:50. | |
game is top notch. Very difficult to beat. A lot of superior tactical | :30:51. | :30:57. | |
shots and a very clever player. As well as, you know, he can score | :30:58. | :31:01. | |
amongst the best in the world as well which makes them a very | :31:02. | :31:05. | |
formidable opponent. As kids, there has been a lot said and written | :31:06. | :31:09. | |
about the fact we are good mates off the table. We came through the | :31:10. | :31:13. | |
juniors together and as a child he was practically as aware as he is | :31:14. | :31:18. | |
now, you know, he practised a lot with Willie Thorne and a lot of | :31:19. | :31:20. | |
professionals and learned his trade by getting beaten up by | :31:21. | :31:24. | |
professionals all the time. He learned right shots from the wrong | :31:25. | :31:27. | |
shots and as a kid he would not play the wrong shot. He always played the | :31:28. | :31:31. | |
right tactical shot but he could not score alike we could score at the | :31:32. | :31:34. | |
time and then towards his late teens and in his early life as a pro, he | :31:35. | :31:39. | |
then learned how to score. Very accurate. Precision like, surgeon | :31:40. | :31:44. | |
like, good cue para, but of course the one thing the public always | :31:45. | :31:48. | |
picks up on is all of the movement, the head movement, the swaying | :31:49. | :31:50. | |
backwards and forwards, before he actually plays the shot. People say | :31:51. | :31:56. | |
he is moving his head, but it is in the build-up, isn't it? It is his | :31:57. | :32:01. | |
upper body that actually moves. It looks like head movement but it is a | :32:02. | :32:05. | |
action as he switched to and fro with the cue. I know it is something | :32:06. | :32:08. | |
he has worked on over the years but he has an action that repeats and it | :32:09. | :32:12. | |
works. And I think him to try to completely under that now would | :32:13. | :32:13. | |
prove a problem, I think. Even though he has won so much, top | :32:14. | :32:34. | |
of the game, like some of the other players, I don't think he has that | :32:35. | :32:37. | |
don't believe every time he goes out there in himself, which he should | :32:38. | :32:43. | |
do. I wouldn't say he is overconfident player or person. I | :32:44. | :32:48. | |
know he is very technically minded, very interested in the finite | :32:49. | :32:52. | |
minutiae of the technique of how to strike a Super Bowl, grip, pressure, | :32:53. | :32:57. | |
stance, length of backswing, all of that type of thing. He is constantly | :32:58. | :33:03. | |
looking for the secret ingredient, whereas if he just sat back a little | :33:04. | :33:06. | |
and realised he has achieved everything he could have ever wanted | :33:07. | :33:12. | |
to, he would be all right. That is the technical Mawr sysop Mark | :33:13. | :33:18. | |
Selby's game but we are ways like to hear the professional talking about | :33:19. | :33:20. | |
each other so let's get the verdict on Ronnie O'Sullivan from some of | :33:21. | :33:33. | |
the other top guys on the tour. Snooker is lucky to have him, the | :33:34. | :33:40. | |
way he is, also I'm lucky, because of the dedicated himself the way | :33:41. | :33:45. | |
Higgins did and Hendry did, we would see snooker more in a different | :33:46. | :33:52. | |
light. It is a mess of the tour when he is not playing. He is someone I | :33:53. | :33:54. | |
look up to in most things he does. Talent to burn, mentally sometimes | :33:55. | :34:09. | |
not quite there, but that is part of why people come to see him. Jekyll | :34:10. | :34:16. | |
Hyde. That is all I can say, really. When he is on the top of his game he | :34:17. | :34:21. | |
is more or less impossible to bid. On the table, the best player I have | :34:22. | :34:25. | |
ever seen. I would put him in front of Stephen Hendry, the best player I | :34:26. | :34:31. | |
have ever seen. I think most people would agree with that. Off the | :34:32. | :34:35. | |
table, very strange. I find with Ronnie in the last for five years, | :34:36. | :34:39. | |
he has been as mentally as good as he has ever been. I have known | :34:40. | :34:44. | |
Ronnie since he was nine years old, and he came into King's Cross | :34:45. | :34:47. | |
snooker club and I was 14 at the time, and I thought this lad has got | :34:48. | :34:50. | |
serious ability, he was just potting balls for fun. Could have been the | :34:51. | :34:56. | |
best player we have ever seen but currently the record suggest | :34:57. | :34:59. | |
otherwise. On his day, he can beat anyone he wants, when he wants. If | :35:00. | :35:04. | |
he is in the right frame of mind, she can't be beaten. Let's give you | :35:05. | :35:11. | |
the comparison between Mark Selby and Ronnie O'Sullivan. | :35:12. | :35:48. | |
Let's here from the two men. The world number one, Mark Selby, | :35:49. | :35:58. | |
against a man who has been playing some stunning future. It is the | :35:59. | :36:03. | |
world finals. Have to set your eyes on trying to win the title now. You | :36:04. | :36:09. | |
have two Braille top of your game, and take your chances. -- you have | :36:10. | :36:15. | |
to play at the top of your game. There are a lot of things that can | :36:16. | :36:20. | |
determine a match, you need a bit of luck, someone to play well against | :36:21. | :36:22. | |
you at the right time. If you can get through those matches you have a | :36:23. | :36:27. | |
chance of winning an event. People say the standard of snooker now is | :36:28. | :36:33. | |
probably the toughest it has ever been, and Ronnie is 40 years old, | :36:34. | :36:37. | |
still at the top of his game, still winning tournaments. Probably the | :36:38. | :36:45. | |
all-time best. He plays the same against everybody. I kind of ticket | :36:46. | :36:49. | |
personal at one stage, because I thought he probably thinks this is | :36:50. | :36:52. | |
the way to beat me. Know, and I think you noticed that. I think in | :36:53. | :36:59. | |
one of his interviews he said I thought I slowed him down and try to | :37:00. | :37:02. | |
use it as a tactic, but then he said when you watch the other games, he | :37:03. | :37:06. | |
sees that I try that hard against everyone, so it is nothing against | :37:07. | :37:11. | |
him. Definitely not. It is just how he plays, a hard match player, you | :37:12. | :37:15. | |
have to be patient and work for every opportunity. That is why he is | :37:16. | :37:20. | |
world number one, because he consistently performs at every | :37:21. | :37:24. | |
tournament he plays in. It is going to be another really tough match for | :37:25. | :37:27. | |
me but at least now I know it is just how he plays, and he doesn't do | :37:28. | :37:32. | |
it just to get on my nerves. Really looking forward to it. No matter | :37:33. | :37:35. | |
what one that I play Ronnie in, it is or is a great occasion. This | :37:36. | :37:43. | |
tournament will be never different. It really is a mouthwatering match, | :37:44. | :37:48. | |
the Rocket has been on fire once again this week but Mark Selby as | :37:49. | :37:50. | |
well as efficiently going about his business to reach the last eight. | :37:51. | :37:56. | |
Ronnie O'Sullivan against Mark Selby. | :37:57. | :38:02. | |
ANNOUNCER: Amazing scenes in Cardiff for the match everyone is talking | :38:03. | :38:09. | |
about, the world's number one up against the biggest name in the | :38:10. | :38:12. | |
world of snooker, this place in the semifinals. Sit back and enjoy! | :38:13. | :38:19. | |
First up, ladies and gentlemen, the five-time world champion, three-time | :38:20. | :38:22. | |
Welsh Open champion, the biggest talent the world has ever seen, they | :38:23. | :38:26. | |
call him The Rocket, it is Ronnie O'Sullivan! CHEERING | :38:27. | :38:53. | |
Grate and the world number one, Mark Selby! | :38:54. | :39:05. | |
It is one we have all been looking forward to, let's join the | :39:06. | :39:11. | |
commentary team, Terry Griffiths and Willie Thorne. COMMENTATOR: That | :39:12. | :39:14. | |
afternoon, everybody. If you have been watching with us live, you will | :39:15. | :39:19. | |
have witnessed the wonderful 147 from Ding, and now we have the icing | :39:20. | :39:24. | |
on the cake. As the MC just mentioned, the world's number one | :39:25. | :39:29. | |
against the game's greatest player. This is going to be Ronnie | :39:30. | :39:32. | |
O'Sullivan's first real test in this tournament. | :39:33. | :39:48. | |
Always breaks off left-handed, these days. | :39:49. | :40:03. | |
APPLAUSE I think Mark Selby is well aware | :40:04. | :40:16. | |
that his long potting has got bigger against Ronnie O'Sullivan. Perhaps | :40:17. | :40:21. | |
not that time, but if he had mis-hit that one, then you would be leaving | :40:22. | :40:32. | |
O'Sullivan the balls. He doesn't normally leave you much on. Big | :40:33. | :40:36. | |
match, the biggest in the tournament so far? Certainly for Ronnie. Ronnie | :40:37. | :40:42. | |
has been quite favourable with the draw in the opening three games. He | :40:43. | :40:49. | |
came through almost silently until the last game. He played very well | :40:50. | :40:55. | |
in his last game. Not yet got in the form he was two years ago. Had a bit | :40:56. | :41:04. | |
of a quiet season. Not won a ranking event for two years. We although how | :41:05. | :41:05. | |
capable he is. Just added the finishing touches in | :41:06. | :41:28. | |
his home very near mine in Leicester, where he has put a table | :41:29. | :41:33. | |
in. They don't have much time to practice much with the travelling | :41:34. | :41:36. | |
they do, so when you are at home, it is nice to pinch an hour and a half, | :41:37. | :41:40. | |
to our sometimes. I know Terry used to have a table at his home when he | :41:41. | :41:42. | |
was at the height of his career. Always been an avid practice. Yes, a | :41:43. | :41:57. | |
table at home seems like the best thing you have ever had in your life | :41:58. | :42:02. | |
on the first of all, but then you find out it is not quite the same as | :42:03. | :42:05. | |
the snooker club where there is atmosphere and players to play | :42:06. | :42:14. | |
against. It is handy to have one. Especially with players busy on the | :42:15. | :42:18. | |
circuit, like you say. Looking good here! | :42:19. | :42:30. | |
Yes, I talk to Mark at length during his tournament play, he mentioned | :42:31. | :42:36. | |
the mark -- the match at the Masters were Ronnie beaten 6-3, he said he | :42:37. | :42:41. | |
did a miraculous clearance of the final frame. The think Mark was 70 | :42:42. | :42:46. | |
point different and he cleared up. It would have been 5-4. He says I | :42:47. | :42:50. | |
would have fancied it from there. He knows he has to get up to a fast | :42:51. | :42:54. | |
start, looks like he is doing just that. | :42:55. | :43:12. | |
He hasn't got the silky smooth cue action of Ronnie O'Sullivan coming | :43:13. | :43:20. | |
get the job done, Mark Selby. He can score a player with the best of | :43:21. | :43:21. | |
them. A little bit short for the desired | :43:22. | :43:35. | |
red. He played a good choice there. Can still get through the gap for | :43:36. | :43:36. | |
the black. A wry smile from Ronnie in the | :43:37. | :43:45. | |
background, he knows that break off was not good enough. | :43:46. | :44:17. | |
We have had breaks of 147, 120. Never ending. Fantastic player. A | :44:18. | :44:28. | |
little bit short again this time. Ronnie O'Sullivan this time admits | :44:29. | :48:18. | |
defeat. A good performance by Selby. STUDIO: Ronnie throwing in the towel | :48:19. | :48:22. | |
flare and by far the strongest test that Ronnie O'Sullivan has had this | :48:23. | :48:26. | |
week obviously. The world number one, he just goes about it in such a | :48:27. | :48:34. | |
ruthless efficient manner. First go, framed winning break. Ronnie is | :48:35. | :48:38. | |
playing someone in Mark Selby that he has great respect for and who he | :48:39. | :48:41. | |
knows can put him under a great deal of pressure so this is the first big | :48:42. | :48:45. | |
test this week for Ronnie O'Sullivan. Of course he can handle | :48:46. | :48:48. | |
it but he knows any mistakes he is likely to make against Mark Selby | :48:49. | :48:55. | |
could be severely punished. If you see some of the other pregnancy has | :48:56. | :48:59. | |
played go 1-0 in front, he knows he has the ability to overcome fairly | :49:00. | :49:07. | |
easily. When you are blowing someone like Mark, you might not have that | :49:08. | :49:13. | |
chance. If Ronnie O'Sullivan makes one mistake, as he did in that | :49:14. | :49:16. | |
frame, he was punished for it, it cost him. That could carry on | :49:17. | :49:20. | |
happening. People have to play well and take his chances when they come | :49:21. | :49:26. | |
along. Selby confidently taking that 1-0 lead. As he breaks off. | :49:27. | :49:37. | |
COMMENTATOR: Sometimes that is the difference, very good break off, | :49:38. | :49:42. | |
Ronnie O'Sullivan made a poor one and was punished for it. Small | :49:43. | :49:44. | |
margins in these two matchplay. Dominic said he was punishing | :49:45. | :50:09. | |
O'Sullivan, and quite right as well. Don't for one minute think that | :50:10. | :50:13. | |
Ronnie O'Sullivan doesn't fight out there. He is very deceptive with his | :50:14. | :50:20. | |
game. It is as if he makes the game look very easy and plays as if he | :50:21. | :50:24. | |
has not got a care in the world but the truth is he's a tough | :50:25. | :50:25. | |
streetfighter out there. Who would like to finish on a low so | :50:26. | :51:38. | |
he can bring a couple of other roads into it. Have a little look at the | :51:39. | :51:42. | |
angle now. Can only bring three or four reds into it. Two. | :51:43. | :53:03. | |
The split is a bit better this time but he is still a little way from | :53:04. | :53:12. | |
the read Paul than he would have liked. | :53:13. | :53:21. | |
Vila just about held up. Look for a minute that he could have been tight | :53:22. | :53:30. | |
blue with nothing on. May have to play a little slow cannon. If the | :53:31. | :53:34. | |
red passes the pink, he will go on that. I was going to suggest just | :53:35. | :53:39. | |
playing a slow cannon into the left of the pink spot, but he has taken a | :53:40. | :53:47. | |
green instead. Or was. It is a bit dangerous winning it by the pack so | :53:48. | :53:51. | |
he may just play a little slow cannon. Let's see which way he is | :53:52. | :53:52. | |
going to play it. That is the art of break-building. | :53:53. | :54:05. | |
When the pack is loose like that you don't have to go into them firm. OK, | :54:06. | :54:09. | |
he may have been fortunate to get into the bottom red but now all of a | :54:10. | :54:11. | |
sudden he can win the frame. This would certainly set Ronnie | :54:12. | :55:02. | |
down. Despite being such a great player community get started out | :55:03. | :55:06. | |
there, you don't want to see your opponent making another break in | :55:07. | :55:07. | |
this one. Not quite sure if you can get on a | :55:08. | :55:18. | |
red here. He may have to split it up. Hit it hard enough to make sure | :55:19. | :55:25. | |
that the cue ball went through the pack. Left him with few options. | :55:26. | :55:28. | |
Looking good now. Yes, we have seen two different | :55:29. | :55:45. | |
breaks through the pack. That time he had to make sure the White was | :55:46. | :55:52. | |
freed from the red. Lovely to watch at the moment, Selby informed, | :55:53. | :56:01. | |
O'Sullivan in form. A colour a certainty. APPLAUSE | :56:02. | :56:11. | |
Warmly appreciated by this crowd. They want as much to go the | :56:12. | :56:17. | |
distance. Most of them would be O'Sullivan fans. I'm sure there's a | :56:18. | :56:21. | |
few Selby fans in the audience as well. An absolute gentleman, Mark | :56:22. | :56:25. | |
Selby. Oh, what a shame that was. He had to | :56:26. | :57:29. | |
hit it hard to get up on that last red, but the Hundred doesn't get out | :57:30. | :57:34. | |
but O'Sullivan doesn't really mind, that 93 has drawn level at one frame | :57:35. | :57:35. | |
in each. We enjoy new just-in-time just to | :57:36. | :58:48. | |
see Rayo Sullivan break for the second time. The first one wasn't | :58:49. | :58:51. | |
good. Let's have a look at how this one finishes. Quickly learned you | :58:52. | :58:55. | |
have to do hit it safe. There is room if he wants to play it | :58:56. | :59:07. | |
but it is fraught with danger. I think the reason Ronnie breaks off | :59:08. | :59:28. | |
left-handed, he feels when he breaks left-handed he will always keep the | :59:29. | :59:31. | |
black in play. You think playing right-handed would be the same but | :59:32. | :59:35. | |
Ronnie has obviously practised many times both ways, and he just feels | :59:36. | :59:38. | |
he gets a better chance left-handed to make the black being free. Very | :59:39. | :59:46. | |
rarely when Ronnie O'Sullivan breaks after is the red go near a black. | :59:47. | :59:52. | |
His just decided to take it on with the smallest of gaps, or is he not, | :59:53. | :59:57. | |
can't tell. There he is, he is taking it on. It was very hard to | :59:58. | :00:09. | |
get back to ball from that. -- back to baulk from that. | :00:10. | :00:34. | |
Not keen on this. He is having a look ground to see what is what. It | :00:35. | :00:46. | |
is a tricky position will shop. You could not blame Mark Selby | :00:47. | :01:07. | |
figuring for the difficult long red. He had no other shot on, really. | :01:08. | :02:16. | |
In an but in the expert of this in short. -- not a great shot but | :02:17. | :02:26. | |
Ronnie is an expert at this kind of shot. He will probably play the | :02:27. | :02:31. | |
blues. Next to the pink... That's the one. Will he just drift off the | :02:32. | :02:40. | |
pack here? It is amazing how those six reds have stayed in a triangle | :02:41. | :02:44. | |
all throughout this break. We know it is five reds, five | :02:45. | :03:06. | |
blacks, but I wonder whether he will try to get a possible 147. A little | :03:07. | :03:13. | |
wry smile there. He knows against someone like Mark Selby, winning the | :03:14. | :03:15. | |
frame is more someone like Mark Selby, winning the | :03:16. | :05:13. | |
smiling in a minute! -- two 147s in the same tournament. | :05:14. | :05:53. | |
Mark Selby of course was 57 points behind. From under the table he | :05:54. | :06:02. | |
hasn't got the black, to go for, really. It may stay there. Quite a | :06:03. | :06:08. | |
while. He needs to clear the pink spot a bit. Going for the blue all | :06:09. | :06:16. | |
the time it will be difficult to win from here, but these days the | :06:17. | :06:21. | |
standard of play is so high with the top professionals they can do almost | :06:22. | :06:28. | |
anything. He has possibly already freed the pink for the left-hand | :06:29. | :06:37. | |
corner. And now you would expect him to get four reds and four colours | :06:38. | :06:45. | |
from here. It depends on what colours he takes. He might not need | :06:46. | :06:53. | |
the black. He is almost certain not to need the black. He could win the | :06:54. | :06:57. | |
game just with pinks and blues. Just checking if there is one | :06:58. | :07:13. | |
available into the middle pocket because he has that kind of angle | :07:14. | :07:16. | |
where he is not bound to bounce it off the top. The two reds onto the | :07:17. | :07:22. | |
pink. Maybe playing the one in the middle. He would love to play it, | :07:23. | :07:32. | |
down the line, but because it is a little thicker, it is so easy to | :07:33. | :07:36. | |
make the cannon onto the two reds, which he doesn't want to do. Just | :07:37. | :07:39. | |
looking at that angle now. What about missing the kiss? You would | :07:40. | :07:44. | |
think it would be a certainty but when you have to take this -- keep | :07:45. | :07:48. | |
the white in the middle of the table. He is playing for the one the | :07:49. | :07:49. | |
middle. He could just about get on these | :07:50. | :08:30. | |
reds in the same pocket as the pink. I thought for one minute he was | :08:31. | :08:34. | |
going the way, but still a good chance. Ronnie O'Sullivan of course | :08:35. | :08:47. | |
had a little bit of a smile when he missed that black, but he want be | :08:48. | :08:56. | |
too happy if he loses the frame. -- he will not be too happy. It now | :08:57. | :09:00. | |
goes without saying he is favourite to lose the frame. | :09:01. | :09:08. | |
A little bit of dust must have just dropped down from the roof and gone | :09:09. | :09:33. | |
into his eye. You better get the old damp cloth out, Mark, and make sure | :09:34. | :09:41. | |
it has gone. A bucket of water is handy. It is not great if something | :09:42. | :09:47. | |
goes in your eye out there. Not saying he couldn't see the ball, | :09:48. | :09:56. | |
but... Just too far on that below. That big staring glare at the | :09:57. | :10:04. | |
cushion. He felt that was a bad bounce. Using all of his cue para | :10:05. | :10:08. | |
know if he's playing around the back of the pink. He played it nicely. | :10:09. | :10:15. | |
APPLAUSE The scoreboard will tell him he does | :10:16. | :10:17. | |
not need the black. That was a key shot, then. It can go | :10:18. | :10:41. | |
wrong when you are screwing back like that, over or under screen, | :10:42. | :10:45. | |
leaving yourself awkward on the green. But straightforward now. -- | :10:46. | :10:51. | |
over screwing or under screwing. I just noticed he does neither | :10:52. | :11:07. | |
black! He must have potted a couple of blues when I thought he was past | :11:08. | :11:12. | |
the winning line. -- he does need the black. Mark was making sure. I | :11:13. | :11:19. | |
just automatically thought he would not meet the black. No does he play | :11:20. | :11:26. | |
for double or try to screw in behind it? -- now does he play. He missed a | :11:27. | :11:33. | |
trick there, Mark. He could easily have taken the pink and those blues. | :11:34. | :11:41. | |
He has got a bad contact there. The double is on but I doubt whether he | :11:42. | :11:50. | |
will be playing it. I think he will be playing a safety. He did not want | :11:51. | :12:00. | |
to over screw that. No double. Didn't seem to have a clean contact. | :12:01. | :12:05. | |
A good safety. APPLAUSE | :12:06. | :12:16. | |
You saw Selby then put his finger to his head. He realised he had made a | :12:17. | :12:19. | |
mistake in that break when he thought he did neither black. He has | :12:20. | :12:23. | |
not played this very well. Given he played the double, but to get the | :12:24. | :12:26. | |
black light on the table. He mis-hit it. Mind you, what pressure shot | :12:27. | :12:30. | |
this is, dead straight. Has he looked it? -- fluked it? He | :12:31. | :12:59. | |
will still be kicking himself. He realised as he put his finger to his | :13:00. | :13:03. | |
head he made a mistake in counting. I think he's going to have to take | :13:04. | :13:13. | |
this on. What a remarkable pot on the black! Selby will be kicking | :13:14. | :13:21. | |
himself. Going for a maximum, but in the end Ronnie O'Sullivan wins the | :13:22. | :13:23. | |
black ball game and has the lead, too-when. | :13:24. | :13:28. | |
Ian Hunt: Such a thrilling encounter, isn't it? Unlike all the | :13:29. | :13:31. | |
previous matches these two players have had this week. Hope he will | :13:32. | :13:36. | |
this proves to be? A thrilling end to that. Fantastic frame, that one. | :13:37. | :13:42. | |
It is a battle of wits out there really and Ronnie has just got one | :13:43. | :13:46. | |
Mark Selby there. That was tremendous. Who said he would not | :13:47. | :13:50. | |
miss it. I knew he would go for it. I've member him putting a similar | :13:51. | :13:56. | |
shot, in the Masters final, 2006, or something like that, and he had a | :13:57. | :13:59. | |
similar shot facing him and he potted it. He just loves those shots | :14:00. | :14:03. | |
from under the cushion rail he is able to cure straight through it. I | :14:04. | :14:06. | |
thought if Ronnie picks that black on, I fancy him to knock it straight | :14:07. | :14:10. | |
in. It remains a difficult shot. I don't think anyone would have taken | :14:11. | :14:15. | |
that on but I fancied him. Ronnie going out to take a little break. | :14:16. | :14:20. | |
Obviously having seen Ding Junhui get that 147 earlier on, there we | :14:21. | :14:24. | |
are, Ronnie, the man who turned it down earlier in the week gets the | :14:25. | :14:27. | |
chance to go for it and here he is, going for it, but he ends up missing | :14:28. | :14:34. | |
the black. Yes, well, he did not have to play for a black there, but | :14:35. | :14:38. | |
as soon as he did he is thinking of the 147. With the position of these | :14:39. | :14:43. | |
reds, Ronnie is thinking, if I can just get on these I will make the | :14:44. | :14:48. | |
147. Mavi... In his mind, perhaps, a bit of a conflict -- may be. Do I | :14:49. | :15:00. | |
want a 147? Who knows. But it is Ronnie O'Sullivan who has the | :15:01. | :15:06. | |
initiative now and it will # And is in the lead, 2-1. Let's go | :15:07. | :15:09. | |
back. TERRY GRIFFITHS: He will be | :15:10. | :15:30. | |
delighted, wanted? Yes, and putting his finger on his head, thinking, | :15:31. | :15:34. | |
what a stupid thing to do. Mark did not realise until the colours, that | :15:35. | :15:39. | |
he had miscounted. Just look at this. What a stupid thing to do. He | :15:40. | :15:44. | |
had missed red the scoreboard. Very rare for Mark Selby to make a | :15:45. | :15:53. | |
schoolboy error like that. -- misread the scoreboard. Normally he | :15:54. | :15:56. | |
is the type of player who can put those things to the back of his mind | :15:57. | :15:58. | |
immediately. He has come down this side of the | :15:59. | :16:41. | |
table to have a look at the Reds past the green. There can't be much | :16:42. | :16:50. | |
in it. A big target area at the left-hand side of that pack at that | :16:51. | :16:53. | |
cushion. The problem with that shot is quite | :16:54. | :17:06. | |
straightforward. He didn't hit the ball hard enough for the side to | :17:07. | :17:10. | |
take off quick enough, that's why he hit the pink. This time it is what | :17:11. | :17:16. | |
we see. A little bit slow. A little bit harder, I think he | :17:17. | :18:00. | |
played it, that time. Of course it widens the angle when you put it | :18:01. | :18:02. | |
harder. APPLAUSE | :18:03. | :18:08. | |
Of course it widens the angle when you play it harder. | :18:09. | :18:16. | |
Absolutely packed to the rafters, and of course when we get down to | :18:17. | :18:21. | |
the final there will be some seating put on the left-hand side were at | :18:22. | :18:24. | |
the moment we have the other tableware of matches will be played | :18:25. | :18:32. | |
on two tables tonight. A fantastic arena. So glad the Welsh Open is | :18:33. | :18:45. | |
back in Cardiff. One of the world's great cities now, Cardiff. The | :18:46. | :18:56. | |
greatest! The capital city of Wales. We should all signed up together. | :18:57. | :19:05. | |
It looks as if he tried a plant there. | :19:06. | :19:19. | |
What has changed from our day to this day, Terry, you will never see | :19:20. | :19:30. | |
the raw up touching ball, because the costs are so fine, it is most | :19:31. | :19:38. | |
impossible -- the roll-up. You're leaving a gap, as Selby did there. | :19:39. | :19:46. | |
Yes, because obviously the cloth was thicker and it makes a big | :19:47. | :19:47. | |
difference. Paul just asking whether it touched | :19:48. | :19:59. | |
the green. I don't think it did. I thought he was playing that for | :20:00. | :20:33. | |
the blue then, but the pink is available. Certainly not easy from | :20:34. | :20:37. | |
where the cue ball is. You can see it will be very awkward there, | :20:38. | :20:50. | |
bridging. The back of the pocket. Making it a bit more difficult. | :20:51. | :20:57. | |
Lining the cue up is not quite so easy either. | :20:58. | :21:24. | |
This is where things get a bit tricky in your mind sometimes, when | :21:25. | :21:32. | |
you know you should be 2-1 in front. Mind you, I didn't expect Ronnie | :21:33. | :21:37. | |
O'Sullivan to miss that. I was saying, you might think, now I am | :21:38. | :21:46. | |
3-1 behind, thinking Ronnie might score there. That black being out of | :21:47. | :21:52. | |
commission. Interesting to see whether the pink will go on to the | :21:53. | :21:54. | |
same spot. If the pink goes on its spot and goes out of place... | :21:55. | :23:48. | |
Ronnie is used to playing against Mark Selby's safety, one of the best | :23:49. | :23:59. | |
in the game, no doubt about that. I am not sure if he's up to the Fred | :24:00. | :24:04. | |
Davis type of players. Steve Davis, great safety players. But he is to | :24:05. | :24:10. | |
say to me that to become a good safety player you have to have a | :24:11. | :24:15. | |
long pot as well, and you can understand that because there is no | :24:16. | :24:18. | |
point in trapping somebody then missing along part and leaving him | :24:19. | :24:26. | |
in. I like that. I never looked at it that way, and of course Reardon | :24:27. | :24:29. | |
is one of the game's greats, as you were. | :24:30. | :24:49. | |
That is an excellent safety shot from Selby. Two of the game's great | :24:50. | :24:58. | |
break builders, but also two of the greats on safety play. A brilliant | :24:59. | :25:01. | |
safety shot. Once again space for the possible the screw. Once again | :25:02. | :25:08. | |
no easy red to get back in. He should be attempting to play the pot | :25:09. | :25:12. | |
year but will be more concerned about just hitting the jaws and | :25:13. | :25:17. | |
making sure the cue ball comes back up the table. Didn't get the jaws, | :25:18. | :25:21. | |
but he still has a good white. Well done. -- attempting to play the pot | :25:22. | :25:25. | |
here. GROANS FROM CROWD Has found | :25:26. | :26:01. | |
something here but I can't quite see what it is. -- Mark has found | :26:02. | :26:05. | |
something here. This is the yellow, another perfect safety shot. | :26:06. | :26:07. | |
APPLAUSE O'Sullivan and John Higgins would be | :26:08. | :26:33. | |
two that could compete with Selby in the safety department, but once | :26:34. | :26:37. | |
again Ronnie has his back against the wall. Nothing is | :26:38. | :26:41. | |
straightforward. What else is he going to do this ten? Will he play | :26:42. | :26:45. | |
another deep screw? If he can get to the bottom of the cue ball enough to | :26:46. | :26:54. | |
get back... The only problem with this is he will have to get it | :26:55. | :26:57. | |
really thick to swing a ground which brings the blue back into the | :26:58. | :27:03. | |
equation. That is why he is signing a little come he is not sure if | :27:04. | :27:08. | |
anglers on. He is looking at the left-hand one of the three, but has | :27:09. | :27:11. | |
decided against it, playing the deep screw back in the bulk again. -- is | :27:12. | :27:17. | |
My word. That is unlucky, so lucky he is not on the black. He had no | :27:18. | :27:31. | |
shot on and even Selby is smiling at that. He knows that for an extra | :27:32. | :27:37. | |
inch less pays he would have been perfect on a black. That for me is | :27:38. | :27:44. | |
one of the shots of the tournament, so unlucky. -- inch less pace. For | :27:45. | :27:57. | |
all Ronnie likes the fast open game, he does enjoy the challenge of the | :27:58. | :28:05. | |
safety game. Someone like Selby, Higgins, the top safety players in | :28:06. | :28:09. | |
the game. He does enjoy the challenge, but not too much of it. | :28:10. | :28:13. | |
It was a perfect example, Terry, wasn't it? The red was fraught with | :28:14. | :28:18. | |
danger and he had to play to widen the angle. Just an inch away from | :28:19. | :28:26. | |
being absolutely perfect. No Selby is on the eighth, as far as the | :28:27. | :28:32. | |
safety is concerned. Looking at the three reds Ronnie was looking at, if | :28:33. | :28:36. | |
he plays off the left-hand one of the three it brings the pink, blue | :28:37. | :28:44. | |
and brown back into play. He will have to hit it thick to Mr kiss on | :28:45. | :28:57. | |
the left of the black. -- miss the kiss. It has been an excellent boat | :28:58. | :29:01. | |
of safety this, it really has. It has been an excellent | :29:02. | :29:07. | |
bout of safety this, We have seen a few good bouts of | :29:08. | :29:21. | |
safety in the tournament so far. You have to stay online. It is just OK. | :29:22. | :29:32. | |
It may be thin enough, I think he can possibly just cut this red in. I | :29:33. | :29:37. | |
think he can, Terry. And he will be able to go back round the back of | :29:38. | :29:43. | |
the yellow and back into open play, so he could get on yellow or pink | :29:44. | :29:52. | |
here, off this red. He decided just to play for yellow. He needs the | :29:53. | :29:58. | |
bounce, though. He has just about got the bounce. He stopped, then, | :29:59. | :30:09. | |
didn't he? He thought he wasn't high enough to pop the yellow, but he's | :30:10. | :30:10. | |
OK now. He thought he wasn't high | :30:11. | :30:13. | |
enough to pot the yellow, We have had plenty of break-building | :30:14. | :30:42. | |
for the crowd to look at today. This is an excellent safety. Tactics come | :30:43. | :30:47. | |
into it. Nice bit of variety. I'm not saying we're not going to get a | :30:48. | :30:52. | |
big break here, but very unset, the reds. I just go back to that third | :30:53. | :31:02. | |
frame. Should Ronnie go on to win this frame, Selby will be ruing the | :31:03. | :31:08. | |
third frame way he should have won it. | :31:09. | :31:18. | |
O'Sullivan is very hard to come back from. One of the game's best | :31:19. | :31:22. | |
frontrunners. Bringing the other two reds | :31:23. | :32:37. | |
interplay now. He's OK, the two reds could plant. | :32:38. | :33:04. | |
This is a bit risky. He didn't think so, obviously. | :33:05. | :33:48. | |
Looking like a 3-1 now. In some ways, this has been the best frame | :33:49. | :33:59. | |
of the four, although there was quality all the way through from | :34:00. | :34:04. | |
both players, only because he has had a mix of excellent safety as | :34:05. | :34:08. | |
well as the break-building, that wonderful individual threat from | :34:09. | :34:15. | |
O'Sullivan. He has missed the red, Mark Selby has conceded, so Ronnie | :34:16. | :34:20. | |
O'Sullivan goes into the interval 3-1 in front. STUDIO: So, yes, a | :34:21. | :34:31. | |
strong lead for Ronnie O'Sullivan as the players head into their | :34:32. | :34:34. | |
mid-session interval, but an uncomfortable one for Mark Selby. A | :34:35. | :34:40. | |
different kind of frame, that one. More of a tactical battle in the | :34:41. | :34:43. | |
end, if and to the first three frames we saw. I have been really | :34:44. | :34:48. | |
impressed with Ronnie, because he is almost carrying on where he left off | :34:49. | :34:52. | |
in earlier matches. A tremendous long red in that frame, so unlucky | :34:53. | :34:58. | |
not to get on the black. Ronnie has had an answer so far for everything | :34:59. | :35:03. | |
Mark Selby has thrown at him. He deserves the interval lead and I | :35:04. | :35:06. | |
think it will impress people like Neil Robertson and all the other | :35:07. | :35:09. | |
great players in the tournament to see that Ronnie is performing so | :35:10. | :35:11. | |
well against someone that makes it so difficult for him. Let's have a | :35:12. | :35:19. | |
look at that long red. Ronnie doesn't feel he has a safety shot on | :35:20. | :35:26. | |
there. Maybe a couple out of ten, in terms of percentages. | :35:27. | :35:34. | |
Your very tunnel vision, and you understand that it is not going you | :35:35. | :35:39. | |
could well lose the frame, but what a fantastic pot it was. Do you | :35:40. | :35:44. | |
deserve not deserve to be on a colour after a great pot like that? | :35:45. | :35:51. | |
It is open to debate. Scott back in late in the frame and won it in one | :35:52. | :35:56. | |
go. We keep talking about the genius of Ronnie O'Sullivan, it is the | :35:57. | :36:00. | |
arrogance of top players as well, knowing that they have the | :36:01. | :36:06. | |
confidence to play a shot like that. It is backed up by multi-ranking | :36:07. | :36:13. | |
event victories. He is full of confidence, Ronnie O'Sullivan, | :36:14. | :36:20. | |
coming into this event. I am sure a lot of the public is well aware of | :36:21. | :36:23. | |
what he has been saying in social media, he is having fun, and you're | :36:24. | :36:26. | |
still having fun, in spite of the fact he is playing the world number | :36:27. | :36:34. | |
one, in Mark Selby. There he is behind this, practising, he wants to | :36:35. | :36:42. | |
brush up on a few things. Mark needs to win the next frame. The next | :36:43. | :36:47. | |
frame for Mark Selby is very important. If you can somehow start | :36:48. | :36:53. | |
the next frame, frame five, really well, and win it, she is right back | :36:54. | :37:00. | |
in the match at 3-2. Mark Wood have to rely on a few errors if it was | :37:01. | :37:10. | |
4-1. Ronnie O'Sullivan with one tentative foot in the semifinals. | :37:11. | :37:15. | |
Tonight there are two matches with Welshman Michael White playing Mark | :37:16. | :37:19. | |
Allen, and Joe Perry against last year's runner-up, Ben Wollaston. | :37:20. | :37:26. | |
Let's show you how Joe Perry made it through, his match against Judd | :37:27. | :37:28. | |
Trump last night. We will lead it with trump 3-2 up on a break of 39. | :37:29. | :37:39. | |
COMMENTATOR: He has missed the pink. Might even be snookered here, unless | :37:40. | :37:45. | |
it roles. Snookered. That has gone a bit astray. He played a very clever | :37:46. | :37:49. | |
shot to put the blue on the pink spot. If he had come down and put a | :37:50. | :37:53. | |
half ball on it, he could have moved the ball easily but that has now | :37:54. | :37:54. | |
gone. He will be more than happy with | :37:55. | :38:09. | |
that. Joe Perry will be mightily relieved. | :38:10. | :38:17. | |
I can't think of many players that would have played from the brown. | :38:18. | :38:27. | |
Surely across stubble is a shock to play. | :38:28. | :38:38. | |
Putting all his eggs in one basket there and he wasn't far away. If he | :38:39. | :38:44. | |
had caught that pink half ball, he would have been perfectly on the | :38:45. | :38:47. | |
blue. He has played a dream shot again and has moved the pink to the | :38:48. | :38:52. | |
middle of the pocket. Joe Perry will be filling the worst, a real thin | :38:53. | :38:55. | |
step but what a shot that was. In goes the thing. Needs to miss the | :38:56. | :39:16. | |
black. No smile on the face of Joe Smart -- Joe Perry at all. Maybe a | :39:17. | :39:26. | |
little glint of a smile. All to play for. | :39:27. | :39:46. | |
Disappointed he didn't get a more favourable cannon on the black. | :39:47. | :39:52. | |
Across to the players on the next table. Joe has made a good job of | :39:53. | :39:59. | |
that. Could be a difficult situation when he comes to the table next. | :40:00. | :40:16. | |
He has given Joe a slight chance at this black. It is a thin snick. | :40:17. | :40:27. | |
final, whether Blackburn just past the middle pocket. I bet Joe didn't | :40:28. | :42:19. | |
think it was going to clear that pocket. | :42:20. | :42:31. | |
That is the old traditional shop we play. That is why wouldn't let any | :42:32. | :42:36. | |
more. Joe new facility that it was going to come of this cushion. | :42:37. | :42:43. | |
Again, this is not easy, it would probably be a one in ten. He likes | :42:44. | :42:55. | |
potting ridiculous polls, Mr Trump. They don't come much closer than | :42:56. | :42:59. | |
that. I think we are going into a decider. | :43:00. | :43:14. | |
He has. A little bit of movement, but the black goes in, so Joe Perry | :43:15. | :43:21. | |
will be very, very relieved. But like he was going to be comfortable | :43:22. | :43:32. | |
winning that frame. Final frame. STUDIO: These pot on the black | :43:33. | :43:39. | |
proving crucial, and he went on to win frame seven as well, the | :43:40. | :43:44. | |
decider, for that comeback victory and a place in the quarterfinals. I | :43:45. | :43:50. | |
am chuffed to get over the line. It was a strange game, really. It was | :43:51. | :43:53. | |
relieved good standard in patches and then a couple of strange shots. | :43:54. | :43:57. | |
I missed two have the easiest balls I have ever missed tonight from and | :43:58. | :44:01. | |
I am normally the first to say I twitched or missed it, but I was | :44:02. | :44:05. | |
just so relaxed, and I literally just took my offer it. In the end I | :44:06. | :44:09. | |
got away with both of them. Judge could have cleared up on both of | :44:10. | :44:14. | |
those frames, but I rode my luck and came through in the end -- Judd | :44:15. | :44:18. | |
Trump. Let's show you the quarterfinal in full as it stands. | :44:19. | :44:23. | |
Mark Alan against the Welshman Michael White later on. Joe Perry | :44:24. | :44:30. | |
against Ben Wollaston, larger's runner-up. That is to come this | :44:31. | :44:34. | |
evening, but some thoughts on Michael Wright. Everyone in the | :44:35. | :44:37. | |
studio has been gushing in their praise of the 24-year-old. Let's | :44:38. | :44:43. | |
gets more expert opinions on his game. | :44:44. | :44:52. | |
Michael White from the Welsh valleys, another coming through from | :44:53. | :44:58. | |
that area that has produced only great players over the years. If we | :44:59. | :45:06. | |
are looking at players to question Judd Trump. This young man has come | :45:07. | :45:11. | |
through and said I am here. An exciting player, very quick. I like | :45:12. | :45:18. | |
the way the Welsh lads, the players and coaches and the guys that come | :45:19. | :45:23. | |
around with the coaches were billing him from a long time ago, they were | :45:24. | :45:27. | |
saying this lad is coming, watch out for Michael White. He will come and | :45:28. | :45:31. | |
get you. Now he has just started to come through. That grit and | :45:32. | :45:35. | |
determination, you can see it on him. I would like to see improved | :45:36. | :45:39. | |
the fact that he is quite a streaky player. He won the shoot out and the | :45:40. | :45:46. | |
Indian open in back-to-back weeks losses on. But when he just dips, we | :45:47. | :45:52. | |
can and has lost anybody. So I think if he is going to go to the next | :45:53. | :45:57. | |
level and challenge, he will have to improve his consistency. He has a | :45:58. | :46:00. | |
bit of a street fight in him, you can see it in his eyes. He is a | :46:01. | :46:05. | |
really good striker of the ball. The little time, timing the ball but I | :46:06. | :46:09. | |
think he accelerates, and his acceleration when the tip is on the | :46:10. | :46:15. | |
ball is very fast through the ball. So he gets a lot out of the cue | :46:16. | :46:24. | |
ball. The tip is only in contact for about five millimetres, and he gets | :46:25. | :46:29. | |
amatory action out of the cue ball. So his timing is so good. Sometimes | :46:30. | :46:35. | |
too good. He can lose the white on fast conditions, but when he has the | :46:36. | :46:38. | |
ball under control, he can beat anybody. He is a frightening long | :46:39. | :46:46. | |
patter. Very consistent at knocking those long balls in. Getting himself | :46:47. | :46:50. | |
in position to try to win. Not afraid to take shots on either. Err | :46:51. | :46:55. | |
the question is does he have the temperament when it comes to the | :46:56. | :47:00. | |
next level and we don't really know the answer. When I came onto the | :47:01. | :47:04. | |
scene 11 years ago on the world title, it took me a long time before | :47:05. | :47:07. | |
I settled and won again. With Michael winning last year twice, it | :47:08. | :47:12. | |
be interesting to see when he features again at the far end of the | :47:13. | :47:17. | |
event, and undertakes to get to the fact that he is supposed to perform | :47:18. | :47:21. | |
to a particular level but I expect very good things from him. We had | :47:22. | :47:27. | |
Ronnie O'Sullivan in here yesterday talking very favourably about | :47:28. | :47:30. | |
Michael White. This is typically will be the next Welsh winner of | :47:31. | :47:34. | |
this tournament. Fair analysis or not? Let's see what Michael White | :47:35. | :47:36. | |
thinks. I just think it's going the way I am | :47:37. | :47:52. | |
really. Keep putting the hours in. Maybe possibly a bit more belief. | :47:53. | :47:56. | |
That will come with the wins and the confidence. As they said, that is | :47:57. | :48:01. | |
exactly what I would say about myself. | :48:02. | :48:09. | |
I do overhit the ball sometimes. But it has only been from the last month | :48:10. | :48:19. | |
that I have actually bothered practising in exactly the same | :48:20. | :48:23. | |
conditions you play in a match. I have found an improvement, | :48:24. | :48:27. | |
especially in the last couple of events. I have not reached the | :48:28. | :48:34. | |
heights that I wanted to since those two wins, but I think it was sort of | :48:35. | :48:44. | |
expected in a way. My form, I believe, is better now than it was | :48:45. | :48:45. | |
back then. Michael White, it has been a great | :48:46. | :48:57. | |
tournament, never got before the last three. Can he go any further? | :48:58. | :49:04. | |
Definitely. The great when he had against John Higgins, a convincing | :49:05. | :49:08. | |
win, he must be full of confidence. He is in the quarterfinals with a | :49:09. | :49:11. | |
chance to get to the semi. I am really looking forward to that match | :49:12. | :49:14. | |
against Mark Allen tonight because they are very similar layers, both | :49:15. | :49:19. | |
using three quarters queues, both attacking, it could be a really | :49:20. | :49:23. | |
close match Trasch similar players. Hopefully the Welsh support could | :49:24. | :49:29. | |
see Michael Frew. I knew you would bring in some information about the | :49:30. | :49:32. | |
queues somewhere! I know you don't want to call it, but who do you | :49:33. | :49:36. | |
think has got the edge right now? I think Michael will feed off the | :49:37. | :49:41. | |
support he will get. I will have a sneaky suspicion and say Michael | :49:42. | :49:49. | |
White 5-3. Wales is hoping that is the case. Let me remind you, you can | :49:50. | :49:53. | |
watch that with us later on tonight, Mark Alan against the rising star of | :49:54. | :49:59. | |
Welsh hooker. A little later than normal. | :50:00. | :50:08. | |
-- of Welsh snooker. What will happen here, do you think, running | :50:09. | :50:19. | |
3-1 up? A big frame for Mark Selby. Ronnie O'Sullivan has lost big leads | :50:20. | :50:23. | |
against Mark Selby, once here at the Welsh Open. He was for frames up | :50:24. | :50:27. | |
with five to play in the Masters one year and lost that as well to Mark | :50:28. | :50:31. | |
Selby. So he may be foldable even if he does win this next frame, Ronnie. | :50:32. | :50:36. | |
And Selby beat O'Sullivan in the World Championships a couple of | :50:37. | :50:39. | |
years ago, so let's find out what happens. | :50:40. | :50:43. | |
COMMENTATOR: Welcome back, everybody. Now we get to the | :50:44. | :50:52. | |
nitty-gritty part of this game. Ronnie O'Sullivan perhaps fortunate | :50:53. | :50:59. | |
to be 3-1 up. Should have been 2-2, but for Mark Selby misjudging the | :51:00. | :51:07. | |
school board. Another poor break. He broke off Paul in the opening frame | :51:08. | :51:12. | |
and it cost 71. How much will it cost him this time? Not quite sure | :51:13. | :51:24. | |
if he can swing it around. He could screw across and play for the black | :51:25. | :51:26. | |
in the same pocket. I was going to say with that long | :51:27. | :51:44. | |
pot, Mark was well aware that if you missed it he would leave something | :51:45. | :51:47. | |
on, and that in its own way just put a little bit of doubt in your mind. | :51:48. | :51:53. | |
In this game, if your mind is not clear when you go to strike the cue | :51:54. | :51:55. | |
ball, you are in trouble. Whatever can then he gets on the | :51:56. | :52:26. | |
pack, he might play it a bit firm, this unconscious to bring a few more | :52:27. | :52:29. | |
reds into play. I thought he might have played slightly firmer than | :52:30. | :52:33. | |
that. Only because he was bound to be on choice of roads. It is the | :52:34. | :52:39. | |
middle rather than half ball the Middle road, he would have open and | :52:40. | :52:40. | |
better, obviously still perfect. Brought another four reds into play | :52:41. | :53:36. | |
with one shot. CHUCKLING It is amazing family times in a | :53:37. | :53:40. | |
season you see Ronnie O'Sullivan having a chance of a 147, because he | :53:41. | :53:44. | |
just is the way of opening the balls up. I | :53:45. | :53:50. | |
he never misses a trick. Stephen Hendry went to bed. -- was not too | :53:51. | :54:03. | |
bad. All John Higgins. Yes, I was talking about the current players. | :54:04. | :54:14. | |
He took a risky shot in frame three. He got on the black and then missed | :54:15. | :54:39. | |
it. Surely this time he will just make sure of the frame by taking the | :54:40. | :54:41. | |
blue. You would expect the standard of | :54:42. | :55:08. | |
play to have increased at this theatre of the event. The players | :55:09. | :55:14. | |
are in the two-table situation here. Big crowds, and they have had a bit | :55:15. | :55:18. | |
of matchplay as they go through to the stage. I must say, the two | :55:19. | :55:21. | |
matches so far, very high standards. This Bluetooth at the frame beyond | :55:22. | :56:07. | |
any doubt. We will have to see Selby grind. -- this blue to put the frame | :56:08. | :56:17. | |
beyond any doubt. This certainly isn't a 4-1 game the way the match | :56:18. | :56:23. | |
has gone. Selby has had breaks of 71 and 63. | :56:24. | :56:34. | |
He might carry on if he doesn't pot this black, just to try to get | :56:35. | :56:40. | |
Ronnie out of his rhythm. Looking at the referee and nodding. That break | :56:41. | :56:48. | |
of 75 has taken Ronnie O'Sullivan won frame from victory. He now leads | :56:49. | :56:54. | |
4-1. We look at the opening Redd, in the first frame, Ronnie O'Sullivan | :56:55. | :56:58. | |
broke poorly and left a break of 71. In that frame he broke off very | :56:59. | :57:01. | |
poorly but there is a bit of difference with this red. Yes, the | :57:02. | :57:06. | |
difference being that Mark Selby was aware that if you missed this red | :57:07. | :57:10. | |
because he was playing for the black, he would leave O'Sullivan in. | :57:11. | :57:15. | |
Almost flipped it in the middle. Wasn't to be. Don't think he got | :57:16. | :57:26. | |
another chance. Selby would still come I have never seen him make a | :57:27. | :57:32. | |
mistake in counting in his career. He just went through that spell | :57:33. | :57:35. | |
where he thought he had won the game without the black. He has gone into | :57:36. | :57:47. | |
the interval, he would be moaning about the factor should be 2-2 | :57:48. | :57:56. | |
instead of 3-1. Ronnie O'Sullivan will be very pleased with his work | :57:57. | :57:57. | |
so far. I always find it interesting to | :57:58. | :58:20. | |
watch the break office, all of the players are different where they put | :58:21. | :58:22. | |
the wide. Some between the yellow and brown, others between the green | :58:23. | :58:26. | |
and brown or closer to one of those colours. They all like to play it | :58:27. | :58:30. | |
differently. I think the key is you don't pitifully want it to be tight. | :58:31. | :58:35. | |
differently. I think the key is you Ronnie was snow could on all balls | :58:36. | :58:41. | |
first he had to play that. Petrova break off and leave a safety shot | :58:42. | :58:48. | |
off the pack to open roads. Of course at this stage of the | :58:49. | :58:52. | |
tournament, the players, as we can see, you make one mistake now and | :58:53. | :58:56. | |
you lose the frame whereas earlier in the tournament it isn't quite | :58:57. | :58:59. | |
like that. You haven't warmed up properly. But like in any sport, it | :59:00. | :59:05. | |
is not about how good you are, it is how many mistakes you don't make, | :59:06. | :59:07. | |
not what you do make. how many mistakes you don't make, | :59:08. | :00:50. | |
opponent a chance to get back into the match. He just wants to go for | :00:51. | :00:56. | |
another Chinese, I think. He has had a few this week! I actually was in | :00:57. | :01:03. | |
the same restaurant as last week. Ronnie actually went twice in the | :01:04. | :01:06. | |
same day, for afternoon tea, and then back again after the match! | :01:07. | :02:11. | |
I know there are some great players left in the tournament who could | :02:12. | :02:17. | |
beat O Sullivan, but he isn't some sort of form this week, isn't he? He | :02:18. | :02:24. | |
really is. When you consider he doesn't play in many things now. | :02:25. | :02:29. | |
Allegedly he talks about his exhibition players practice. He even | :02:30. | :02:35. | |
tried to say he cox about his matchplay practice for his | :02:36. | :02:40. | |
exhibition play -- he speaks about. So achieve this, isn't he? You just | :02:41. | :02:45. | |
never know what's going to happen next -- so mischievous, isn't he? | :02:46. | :03:06. | |
It goes without saying after that wonderful pot on the blue it is no | :03:07. | :03:13. | |
match-winning situation. Mark Selby has hardly done anything wrong in | :03:14. | :03:16. | |
this match and he could no lose 5-1. He has missed two long balls, once | :03:17. | :03:26. | |
on the balls, and that is it, that is how good you have to be. No | :03:27. | :03:28. | |
mistakes. A glance at the scoreboard, just to | :03:29. | :04:15. | |
find out exactly what he needs to get past the winning line. This will | :04:16. | :04:20. | |
decide whether he plays into the bunch or just for the loose red. | :04:21. | :04:24. | |
Maybe just a slow cannon into the bunch. That is probably the end of | :04:25. | :04:31. | |
the match. APPLAUSE | :04:32. | :04:55. | |
Round of applause from the crowd. They know it is enough now for | :04:56. | :05:18. | |
Ronnie O'Sullivan to win this frame and match. | :05:19. | :05:43. | |
Are we going to see the first hundred of this match? There has | :05:44. | :05:51. | |
been a lot of big breaks, and a few maximums possible, which haven't | :05:52. | :05:58. | |
quite come off. But this isn't really the most important part of | :05:59. | :06:06. | |
this break. It is the first chance he played, taking on a green in the | :06:07. | :06:11. | |
centre, a tremendous shot, then a long blue. Very risky. | :06:12. | :06:11. | |
APPLAUSE That is what the crowd think of it. | :06:12. | :06:28. | |
An exhibition of brick building from Ronnie O'Sullivan. -- break | :06:29. | :06:39. | |
building. Mark Selby has played worse than this and won 5-1 in | :06:40. | :06:45. | |
matches, but he has been outclassed a bit today. As Willie said, the | :06:46. | :06:54. | |
fourth frame, the big frame, when he miscoded. Selby will regret that, | :06:55. | :06:59. | |
has regretted it now, I'm sure, but he will be thinking about that for a | :07:00. | :07:08. | |
while. -- when he miscoded. He moves the ball so easily around the table. | :07:09. | :07:20. | |
He will take that! LAUGHTER | :07:21. | :07:27. | |
They are all clapping. What a wonderful exhibition from Ronnie | :07:28. | :07:29. | |
O'Sullivan, beating the world number one by 5-1. | :07:30. | :07:40. | |
Ian Hunt: Mark Selby may be the world number one and he more than | :07:41. | :07:47. | |
played his part in this match with some superb snooker himself, but no | :07:48. | :07:51. | |
surprise really given how incredibly Ronnie O'Sullivan has played this | :07:52. | :07:54. | |
week that he is the one to go through to the semifinals. He joins | :07:55. | :07:59. | |
Neil Robinson in the last four. -- Neil Robertson. Another display of | :08:00. | :08:05. | |
exhibition snooker, Dominic? Fantastic. As I said earlier he was | :08:06. | :08:10. | |
given to many chances in his earlier matches and just annihilated his | :08:11. | :08:13. | |
opponents really. Although in the first round he looked a bit | :08:14. | :08:16. | |
vulnerable, he came through and ended up with that one for six, but | :08:17. | :08:19. | |
today he was playing the world number one, Mark Selby, and he | :08:20. | :08:24. | |
treated him with total disdain, really. Almost disrespectful at the | :08:25. | :08:28. | |
end there, over the green, the middle pocket, deliberately playing | :08:29. | :08:31. | |
for a tough long red, but then to actually go for the blue, a very | :08:32. | :08:35. | |
miscible pot, guaranteeing Mark Selby a good opportunity. You don't | :08:36. | :08:41. | |
normally give world number ones good opportunities, but he is just so | :08:42. | :08:44. | |
full of confidence, saw in control of his emotions and game out there | :08:45. | :08:47. | |
that he doesn't feel he will miss. We will ask -- figure them out there | :08:48. | :08:55. | |
but what moments will Mark Selby regret from that? Think it is quite | :08:56. | :08:59. | |
clear the miscalculation, when there were three reds left surrounding the | :09:00. | :09:03. | |
pink, Mark Selby needed a pink with each of those, then the clear from | :09:04. | :09:07. | |
yellow to pink, it would have seen the match 2-2 at the interval, but | :09:08. | :09:11. | |
he miscalculated and ending up -- ended up putting in blue on one of | :09:12. | :09:16. | |
the reds, and he ended up losing a black ball game to go 3-1 behind. | :09:17. | :09:20. | |
That was the key moment, I suppose. And he lost to this man, Ronnie | :09:21. | :09:24. | |
O'Sullivan. Well done. True to the semifinals. How does it feel? You | :09:25. | :09:27. | |
must be starting to feel this is your year -- through to the | :09:28. | :09:31. | |
semifinals. I ask you that every time but one. At their? Do you think | :09:32. | :09:35. | |
it is my year? It doesn't matter what I think! Good exhibitions. That | :09:36. | :09:47. | |
is exactly what I was picking out there, good practice for the | :09:48. | :09:51. | |
exhibitions. Are just playing snooker, argue? If you start to | :09:52. | :09:56. | |
think about it like a match started not enjoy it so I thought if you | :09:57. | :09:59. | |
just play like an exhibition, even will enjoy it -- aren't you? Just | :10:00. | :10:06. | |
play out there, go for everything, if you mess, it doesn't matter, | :10:07. | :10:10. | |
messed something is another night. We said it was almost like you were | :10:11. | :10:15. | |
treating Mark Selby with disdain and disrespect but it was like you are | :10:16. | :10:19. | |
blocking out who you are playing. I have played always pretty much like | :10:20. | :10:25. | |
that you can't really say because of the opponent, this and that. I | :10:26. | :10:29. | |
probably raise my game and was a bit tighter, obviously, playing the | :10:30. | :10:31. | |
world number one, but other then that I was just going for | :10:32. | :10:34. | |
everything. The green in the middle, you know. Then the long blue to the | :10:35. | :10:40. | |
red at the back of the pack. Side was just thinking, if I mess, great, | :10:41. | :10:46. | |
get one on the next one. -- I was just thinking. You have to enjoy it. | :10:47. | :10:50. | |
This stage in my career, I really just want to entertain, give people | :10:51. | :10:54. | |
a good time, do some stuff that is really good and when I am long gone, | :10:55. | :10:59. | |
and they stick YouTube on, they will come up with a few clips and say, | :11:00. | :11:02. | |
look at this fellow! Look at what he did in Cardiff! Yes, just have a bit | :11:03. | :11:08. | |
of a giggle with it, try not to take it too seriously, but doing it | :11:09. | :11:14. | |
because it is not good at important. Although it is nice to win, don't | :11:15. | :11:17. | |
get me wrong. I am happier winning than when I haven't, but looking | :11:18. | :11:21. | |
forward to next week. My doubles partner, I hope he is getting some | :11:22. | :11:28. | |
practice in. You want needed. Yes but I am looking forward to next | :11:29. | :11:31. | |
week, being chilled, because you get so nervous. You wake up and think, | :11:32. | :11:36. | |
what does that they have in store for me? I can see out there that is | :11:37. | :11:42. | |
exactly how you're feeling. Bringing you back to this match how did you | :11:43. | :11:46. | |
feel when Mark Selby took that 1-0 lead, because he started really | :11:47. | :11:50. | |
well, didn't he? I felt all right, really. I can't actually remember... | :11:51. | :11:56. | |
I broke off... He popped a long one, made 70... I can't remember. It was | :11:57. | :12:02. | |
two hours ago! But Collison, Mark is an amazing player. He is not showing | :12:03. | :12:07. | |
the best form he was showing when winning titles that even when he is | :12:08. | :12:13. | |
not playing his best -- but, listen, Mark is an amazing player. He is | :12:14. | :12:16. | |
still number one and he can play a lot better than that, so you know he | :12:17. | :12:23. | |
is a class act and I think he is this was showing everyone here is | :12:24. | :12:26. | |
the best player in the world, in his prime, scoring for fun. He is like a | :12:27. | :12:37. | |
machine. Jimmy calls him Drago, you know, from Rocky five. The | :12:38. | :12:40. | |
discipline, the long game, everything is right. I just want to | :12:41. | :12:48. | |
have fun and it is nice to get it when. You're into the semis. | :12:49. | :12:52. | |
Returning to the theme of the week for a year, 147s the study had an | :12:53. | :12:55. | |
opportunity when you miss that black. First of all the juicy Ding | :12:56. | :12:59. | |
Junhui get his maximum earlier, and what did you think? I just thought, | :13:00. | :13:05. | |
they had let the lads down, hasn't he? Would you go for 146 rather than | :13:06. | :13:09. | |
147? LAUGHTER | :13:10. | :13:16. | |
Get the maximum is, plus 11, goes to charity, keep several unhappy and I | :13:17. | :13:24. | |
could give a few wed to you. Cheers, Ronnie. No, but Ding got it, so | :13:25. | :13:32. | |
fantastic. At least they have had a 147 this week. And 146. Were you | :13:33. | :13:42. | |
going for it? Yes. Ronnie, thanks for being with us. You play in the | :13:43. | :13:48. | |
semifinals next against Joe Perry or Bell Williston and we will see them | :13:49. | :13:52. | |
tonight in their quarterfinal. Let's show you that, then. Ding Junhui, | :13:53. | :13:57. | |
going out earlier against Judd Trump, but let's show you how he got | :13:58. | :13:59. | |
his 147. WILLIE THORNE: These balls are | :14:00. | :14:16. | |
absolutely perfect. Freely available in both corners. Obviously Ding not | :14:17. | :14:25. | |
necessarily thinking of the 147. Ronnie would be, definitely going | :14:26. | :14:29. | |
for that year, but it is more important for Ding to stay in the | :14:30. | :14:33. | |
match. Maybe Ronnie would go for the 145 instead. We already had the 146. | :14:34. | :14:57. | |
How funny would it be if someone did come along this week now and make a | :14:58. | :15:06. | |
147? He might do it himself. Ronnie, he is still on. | :15:07. | :15:10. | |
I read an article that one of the leading makers is offering money to | :15:11. | :15:24. | |
him to do it so he can offer it to charity. Anyway, it is key for Ding | :15:25. | :15:28. | |
to get a frame winning break saw it takes a lot of pressure off him. One | :15:29. | :15:31. | |
of these nitty-gritty frames at the moment. He needs to get back into | :15:32. | :15:35. | |
it. Obviously he has plenty of work to do. If you can win on one visit | :15:36. | :15:39. | |
you don't get put as much pressure. It is when you have 40 points each, | :15:40. | :15:44. | |
playing the last two reds and colours. If you can win it with one | :15:45. | :15:47. | |
visit, there is no pressure. You probably saw the cue ball | :15:48. | :16:11. | |
balance there. It is not too bad. I thought for a minute it wasn't going | :16:12. | :16:15. | |
to get there but as the cue ball travelled I just watched the way the | :16:16. | :16:18. | |
white bounce, that little bit of pace, that cue ball would have run | :16:19. | :16:24. | |
two or three more inches. I think he is OK to go read the back of the | :16:25. | :16:28. | |
black and into the same pocket. Yes, he is. -- to go round the back. So | :16:29. | :16:37. | |
much so he can go for the opposite corner. A little cannon here and | :16:38. | :16:42. | |
then he may start thinking about the 147. | :16:43. | :16:54. | |
The two reds there are touching, just above the black. He doesn't | :16:55. | :17:02. | |
have to play this PC. Normally going into a bunch like this you play with | :17:03. | :17:05. | |
pace but because they are split apart he is bound to be on | :17:06. | :17:15. | |
was different to what I was thinking but still on a red. Whether he can | :17:16. | :17:19. | |
get to the black mayor, though I don't think so. -- the black now. | :17:20. | :17:28. | |
Yes, and I think if he was 4-1 up in this match and not 4-1 down, he | :17:29. | :17:33. | |
would be playing the shot to the right hand corner, the right-hand | :17:34. | :17:37. | |
side, swaying back down for the black. The fact he is 4-1 down, I | :17:38. | :17:41. | |
would be very surprised if he doesn't play for a pink with the | :17:42. | :17:42. | |
blue. doesn't play for a pink with the | :17:43. | :19:22. | |
commentator's curse. The balls absolutely perfect. Nothing on the | :19:23. | :19:24. | |
site cushions. Obviously once he has potted enough | :19:25. | :19:37. | |
so that Neil Robertson can't win this frame, Neil Robertson will be | :19:38. | :19:49. | |
in his chair, cheering him on. He needs to be high on this. And he is. | :19:50. | :19:53. | |
That's a great shot. If he had been low, that would have been the end of | :19:54. | :20:00. | |
the maximum, but he has gone high. I think there are two of these reds | :20:01. | :20:04. | |
the pot. Can he get through the gap to pot that red there, which in turn | :20:05. | :20:09. | |
will open the other two? He would love to get through the gap to open | :20:10. | :20:13. | |
up the others, but he is still OK for the black. It that of a risk. | :20:14. | :20:17. | |
Not over the winning line yet. In this frame. -- a bit of a risk. One | :20:18. | :20:28. | |
more red to make the frame safe. Then he can play a risky shot if | :20:29. | :20:32. | |
necessary, to give him the black. A little bounce. He is on the one in | :20:33. | :20:51. | |
the middle. This is the art of break building, always get the right angle | :20:52. | :20:56. | |
on the next ball, to make it easy to get onto the black, in this case. | :20:57. | :21:02. | |
Now ideally he would love to get on two reds here, but off petition. If | :21:03. | :21:08. | |
they can get a little gap in between those two reds, to get the other red | :21:09. | :21:12. | |
that is there, he will pick that one first. That is what he has played | :21:13. | :21:16. | |
for. Of course that opens up the two reds and now he does not have to | :21:17. | :21:21. | |
play any kiss, any cannon now, to make a 147. That was brilliant, the | :21:22. | :21:33. | |
way he played that shot. Yes, if anything, Neil will be cheering him | :21:34. | :21:36. | |
on no. He knows he has lost the frame. -- on now. Landed a little | :21:37. | :21:42. | |
bit straighter on that black than he would have liked but he has played | :21:43. | :21:45. | |
it ever so well. Back in perfect position. This is now turning into a | :21:46. | :21:56. | |
real great chance. And he is short this time. Play for the red, or the | :21:57. | :22:00. | |
two reds into the left-centre or he could play the more tricky shot, | :22:01. | :22:05. | |
play on the right-hand side and swing past the two reds. But it is | :22:06. | :22:11. | |
not a nice shot to play and definitely not at this stage. | :22:12. | :22:25. | |
Well, he opted for the easier option. Making the black easier, but | :22:26. | :22:31. | |
it has made this red a little bit more tricky. He is back in perfect | :22:32. | :22:38. | |
position once again. APPLAUSE | :22:39. | :22:49. | |
He needs a little bounce. That is a poor shot. Goodness me. OK, he is on | :22:50. | :22:56. | |
the one in the middle, but it is not the right angle. His face tells a | :22:57. | :23:02. | |
story there, he has to dig down on this and go round the back of the | :23:03. | :23:13. | |
black, probably. Come on, Ding. It's their! Well played. That is the | :23:14. | :23:19. | |
first difficult shot he has had to play in this break, that is how good | :23:20. | :23:22. | |
this break has been. That is the first time he was perfect on a ball. | :23:23. | :23:35. | |
-- wasn't perfect. This Cardiff crowd maybe feel they have been | :23:36. | :23:41. | |
slightly cheated out of 147 earlier in the week, but this now is an | :23:42. | :23:44. | |
unbelievable chance. Don't be straight. A little shake of the | :23:45. | :23:51. | |
head. He has got it at a slight angle. He can't get close to the | :23:52. | :23:55. | |
yellow but needs to get loads of side on this to widen the angle. | :23:56. | :24:03. | |
Spend... He couldn't get close to the yellow. Kiss. | :24:04. | :24:16. | |
APPLAUSE Would be going wider on the cue | :24:17. | :24:18. | |
ball. Come on, not listen. Well done. The white is not hard | :24:19. | :24:37. | |
enough, though. He will have to be faced with another tricky shot. | :24:38. | :24:41. | |
Doesn't have to do anything with the cue ball, just pot it plain ball. | :24:42. | :24:47. | |
Road two cushions and nestle on the brown. The crowd, as you can see, | :24:48. | :24:53. | |
our smiling and hoping. Two Chinese girls in the front row, they've got | :24:54. | :24:57. | |
their fingers crossed -- are smiling. Get in! Well played! He | :24:58. | :25:08. | |
didn't have to do anything with the cue ball. | :25:09. | :25:09. | |
APPLAUSE Slowdown, white. He needs the White | :25:10. | :25:22. | |
to slow down. Slow down. Oh, dear, it is never easy, this | :25:23. | :25:40. | |
game. But he will have some sort of shot on the pink. Or will he play | :25:41. | :25:44. | |
the ball close to? They are praying. Or will he play | :25:45. | :25:48. | |
the ball close to it? Do you play in and out or just roll | :25:49. | :26:01. | |
it in? That is the choice he has got. | :26:02. | :26:08. | |
Oh, dear. This pink for ?12,000, and 147, because if the pink goes in I | :26:09. | :26:18. | |
am sure he will pot the black. It's their! It's their! What a | :26:19. | :26:47. | |
fantastic shot on the pink! Ding Junhui has every chance of making | :26:48. | :26:50. | |
this six maximum in competitive play. | :26:51. | :26:54. | |
Absolutely wonderful, what a fantastic break. Neil Robertson | :26:55. | :27:05. | |
offers his hand in congratulations. The crowd are standing, they love it | :27:06. | :27:09. | |
in Cardiff. Back in the match with 8147, although still trails by 4-2. | :27:10. | :27:15. | |
An amazing break, though. First class. -- with a 147. | :27:16. | :27:29. | |
Ian Hunt: Yes, a wonderful frame for Ding. A decent consolation is all | :27:30. | :27:32. | |
proved to be, because it was Robertson's match. He won the next | :27:33. | :27:38. | |
frame to win 5-2. The 2007 winner is through to the semifinals. | :27:39. | :27:43. | |
Confirmation of how it is all starting to shape up then. This is | :27:44. | :27:52. | |
how it is looking. Neil Robertson will play the winner of this | :27:53. | :27:56. | |
evening's match between Mark Allen and Michael White, and Ronnie | :27:57. | :27:59. | |
O'Sullivan will come up against whoever wins that other match | :28:00. | :28:05. | |
between Joe Carey and Ben Woollaston, who was last's | :28:06. | :28:09. | |
runner-up. -- Joe Perry. A big night for World Snooker and a massive | :28:10. | :28:14. | |
night for Michael White, the young Welsh player to play in the | :28:15. | :28:17. | |
quarterfinals here, but what exactly is he up against? Mark Allen, of | :28:18. | :28:22. | |
course, the Northern Irishman. Let's get some analysis of Mark Allen's | :28:23. | :28:32. | |
game. Mark Allen, had a few knocks on the door before finally | :28:33. | :28:40. | |
converting the world Open Championship in Haikou, China. Won | :28:41. | :28:44. | |
it again in 2014, and not being disrespectful, but not necessarily | :28:45. | :28:48. | |
premiership, but championship material? Knocking on the doors of | :28:49. | :28:52. | |
the premiership? I am not so sure about that. I think when he prefers | :28:53. | :28:57. | |
at his best he can really, you know, I play anybody. He is like a tiger | :28:58. | :29:02. | |
when he is playing sometimes and he wears his heart on his sleeve more | :29:03. | :29:07. | |
often than not but when he gets in around, what he is great at, his | :29:08. | :29:11. | |
positional play, and around the pink and black. His consistency is not as | :29:12. | :29:15. | |
good as some of the top players so I understand where you're coming from | :29:16. | :29:18. | |
there, you can be very inconsistent, and sometimes he does not look | :29:19. | :29:22. | |
interested, or he might throw in the towel to early, but if he is in the | :29:23. | :29:26. | |
mill when he is in around the pink and black he makes lovely little | :29:27. | :29:30. | |
cannons, short cue action, develops the reds beautifully and, you know, | :29:31. | :29:38. | |
he plays with a lot of heart. On his day, he is unstoppable. Pot balls | :29:39. | :29:42. | |
from all over the place, very clever, knows snooker inside out, | :29:43. | :29:46. | |
gritty, or the bottle. All the attributes, I think, that makes a | :29:47. | :29:50. | |
winner, yet doesn't feature in the winner's enclosure as often you | :29:51. | :29:54. | |
would think. I wonder whether a couple of technical things he does | :29:55. | :29:58. | |
in his game don't sit in to the kind of conditions we have in this part | :29:59. | :30:07. | |
of the world in the UK, Ireland and Europe in general -- suit him. I am | :30:08. | :30:11. | |
not sure he is short, -- his short, sharp, punchy techniques, the way he | :30:12. | :30:17. | |
strikes the ball, is suited to our very slippy and Spinney conditions | :30:18. | :30:20. | |
we experience over here and I think that is why he has had the majority | :30:21. | :30:25. | |
of his success in the far east. At the end of the day anything could | :30:26. | :30:30. | |
happen. It could be like Stuart Bingham, at the World Championships, | :30:31. | :30:33. | |
just come through and win it. You expect a big run in one of these | :30:34. | :30:36. | |
tournaments any day. He's quite outspoken and has upset the | :30:37. | :30:41. | |
authorities little bit over the past few years? Mark will not hold back | :30:42. | :30:47. | |
if he had an opinion on something and I am not convinced it always | :30:48. | :30:51. | |
helps. I'm not convinced sometimes you don't have to toe the party line | :30:52. | :30:54. | |
a little and just sort of see the right thing, you know. It is not | :30:55. | :30:59. | |
always wrong, just nod your head and move on. Sometimes you have to pick | :31:00. | :31:01. | |
your fights. Kvyat very interesting thoughts on | :31:02. | :31:09. | |
Mark Allen, the player and the person. I will be very interested to | :31:10. | :31:12. | |
find out what Mark Allen makes of all that. I definitely don't like | :31:13. | :31:25. | |
it, but he is entitled to his opinion, and I respected as well. | :31:26. | :31:28. | |
But I see myself as better than that. Steve, whenever he first | :31:29. | :31:34. | |
played me, my very first match as a professional, said a lot of things, | :31:35. | :31:39. | |
I would not make it, but I have been in the top ten for seven years now. | :31:40. | :31:46. | |
I completely understand the inconsistency part, that has | :31:47. | :31:49. | |
probably been the biggest downfall. I don't know why that is, I work | :31:50. | :31:54. | |
hard all year round, the only time I put the cue away is over the summer, | :31:55. | :31:57. | |
so I'm always a bit rusty at the start of the season, but other than | :31:58. | :32:03. | |
that I work really hard. That could be part of the reason why I'm in | :32:04. | :32:09. | |
consistent. I do rely a lot on my timing, my short action with a lot | :32:10. | :32:12. | |
of wrist movement. It is not something you would teach, not | :32:13. | :32:14. | |
something I would want to teach, but it is hard for me to try and change | :32:15. | :32:23. | |
that now. A big night for Michael White, and for Mark Allen. It is all | :32:24. | :32:27. | |
is fascinating to hear this criticism from other professionals | :32:28. | :32:31. | |
who are still on the tour alongside him, particularly Shaun Murphy, and | :32:32. | :32:35. | |
Ken Doherty less so. But how is that, when you get criticised, and | :32:36. | :32:38. | |
you have to deal with that, and you see these guys are time? I think | :32:39. | :32:44. | |
actually it can be useful. Most professional players, when they | :32:45. | :32:47. | |
listen to constructive criticism from fellow professionals are going | :32:48. | :32:50. | |
to listen to that. And they will take some things on board and maybe | :32:51. | :32:54. | |
dismiss other things that they here, do you know, he has a point here, | :32:55. | :32:58. | |
that could be true and I will work on that, analyse that myself. I | :32:59. | :33:02. | |
don't think that is a bad thing. It can be very useful to a player to | :33:03. | :33:10. | |
get opinions of great players. Championship, not premiership | :33:11. | :33:15. | |
quality, would you agree with that? I don't know whether Mark Alan's | :33:16. | :33:19. | |
problems in terms of consistency are not caused by his style of play, he | :33:20. | :33:23. | |
is a very aggressive player, but the first thing when you are under | :33:24. | :33:32. | |
pressure Israel potting game can go. There are a lot of great players who | :33:33. | :33:36. | |
can put you under pressure. I don't know if Mark Alan has a great love | :33:37. | :33:39. | |
safety and tactical game that can pull him through certain majesty is | :33:40. | :33:43. | |
losing at the moment. Those are the thoughts on Mike and long, let's get | :33:44. | :33:47. | |
the vote on the Welshman, the man he is playing, Michael White. | :33:48. | :33:58. | |
I see Michael first playing at the World Championships when he was | :33:59. | :34:02. | |
about nine. He came on the practice table, and I said there and then at | :34:03. | :34:05. | |
that time he was the best nine-year-old I had ever seen. | :34:06. | :34:08. | |
People talked about a little bit as a junior. We all knew he was coming, | :34:09. | :34:13. | |
he came, and glasses and he won the shoot out and the Indian open in | :34:14. | :34:16. | |
consecutive weeks. A bit of a streaky player. When he plays well | :34:17. | :34:22. | |
he plays very well, and I would just like to see him up his B game | :34:23. | :34:25. | |
standard that little bit and make himself a bit more consistent. But | :34:26. | :34:31. | |
big things in his future. He plays a good attacking style of snooker, he | :34:32. | :34:35. | |
has a bit of a buzz about him, a bit different, energetic, and he gets a | :34:36. | :34:39. | |
bit nervy around the table. But he is good to watch. Accused the ball | :34:40. | :34:44. | |
very well, very good long 's putter. Safety game improving all the time. | :34:45. | :34:51. | |
-- long potter. When he gets on song he is very quick. Nice lad off the | :34:52. | :34:59. | |
table. He is in the top 16 for a reason, playing in the top guys all | :35:00. | :35:02. | |
the time and he could have a great career ahead of him, if he keeps | :35:03. | :35:06. | |
applying himself and takes the game seriously, and doesn't get led | :35:07. | :35:10. | |
astray by anything. He has a good head on young shoulders. He has | :35:11. | :35:13. | |
finally made that breakthrough into the top 16 and I think he will be | :35:14. | :35:21. | |
there for many years to come. They have met three times before, and | :35:22. | :35:28. | |
Mark Alan just has the edge. Let's here from Michael White head of his | :35:29. | :35:36. | |
big quarterfinal tie. I have got to say the crowd this week have been | :35:37. | :35:40. | |
absolutely fantastic. Probably one of the best arenas I have | :35:41. | :35:42. | |
absolutely fantastic. Probably one I can't wait for the quarterfinals. | :35:43. | :35:52. | |
absolutely fantastic. Probably one when I came through the juniors and | :35:53. | :35:54. | |
were never think he was a bit older than me. They will be a tough match | :35:55. | :35:59. | |
but I will just go out there and try to enjoy it. I have often come up | :36:00. | :36:04. | |
short against top players and it is disappointing when that keeps | :36:05. | :36:07. | |
happening. But I have put a lot of work in and it means everything. I | :36:08. | :36:09. | |
have won a ranking event already. work in and it means everything. I | :36:10. | :36:17. | |
am chasing more titles. That is why I placed Luke to | :36:18. | :37:56. |