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Our first semi-final started this afternoon. They only seem to meet | :01:36. | :01:39. | |
these days on the grandest occasions. Their last three have all | :01:40. | :01:44. | |
been finals, most notably right here 12 months ago. Since then the | :01:45. | :01:52. | |
Shanghai Masters Ding Junhui claimed. But then he was swamped by | :01:53. | :01:59. | |
Mark Selby. Now, they cross cues again under the Crucible's | :02:00. | :02:04. | |
Spotlight. They got under way at One and ding Junhui has forced in front | :02:05. | :02:08. | |
and we join them in the opening session. It's frame three being | :02:09. | :02:13. | |
watched by Ken Doherty. Danny Willet here with his manager. | :02:14. | :03:10. | |
Always lovely to see Danny about. He looks as thrilled as anyone when he | :03:11. | :03:14. | |
put the green jacket on, Sergio Garcia. Wonderful moment. | :03:15. | :03:43. | |
That is ok. He's got a red into the right corner pocket. That was his | :03:44. | :03:57. | |
thousandth ball potted. He's 101 behind Ding Junhui but, as we said | :03:58. | :04:02. | |
earlier, Ding Junhui's played a few more frames. | :04:03. | :04:05. | |
Potting this red, he'll open the part of the black into both pockets. | :04:06. | :04:58. | |
Prime position now on the red. That's below the pack of reds, open | :04:59. | :06:18. | |
into the same pocket where the black has gone. He wants to get on that | :06:19. | :06:28. | |
red. If he leaves it at a nice angle, which he has done, he can pot | :06:29. | :06:32. | |
this red now and bring some more reds into play from the pack. | :06:33. | :06:44. | |
Wonderful shot. That's the way to play or break build. Neckache red to | :06:45. | :07:07. | |
the edge of the cluster goes and it has. It's been played inch perfect. | :07:08. | :07:21. | |
Another 25 points required. He'll be at the snooker required stage. | :07:22. | :07:37. | |
Played the red to the right middle. Nice angle. Stung down for the black | :07:38. | :07:43. | |
once again. I don't know whether he can roll it through and play for the | :07:44. | :07:48. | |
pink. He's playing this other one here. He'll be running into another | :07:49. | :07:54. | |
red. He's got to be careful where the cue ball finishes. Watch the | :07:55. | :07:58. | |
middle pocket. Played it confidently. Hitting that red, as he | :07:59. | :08:05. | |
did, sent it back to the same end that the cue ball was travelling. | :08:06. | :08:08. | |
Looks very straight on this blue. Under-screwed slightly. Shouldn't | :08:09. | :08:38. | |
cause a problem. It's perfect. Blue will put him 63 points in front. | :08:39. | :08:42. | |
Still 75 remaining. Excellent stuff. This blue to go 69 | :08:43. | :09:15. | |
points in front with just 67 remaining. | :09:16. | :09:41. | |
Yellow. Three blues, six blacks and now a pink. | :09:42. | :10:07. | |
We could see Mark make a century here. He's played it well. | :10:08. | :10:34. | |
Hasn't been out of position once. The way they're potting, you don't | :10:35. | :10:44. | |
expect them to miss easy balls. It's all about controlling the cue ball. | :10:45. | :10:54. | |
Already made four centuries. He gets on this red, you can see number five | :10:55. | :10:58. | |
coming up. Red for the century. Oh, just a | :10:59. | :11:19. | |
fraction off! Well, he can't be too disappointed. That break was | :11:20. | :11:26. | |
exemplary. A treat for four frames. All square. Two apiece. That was the | :11:27. | :11:30. | |
champion's response to having gone behind in any match for the first | :11:31. | :11:35. | |
time in the Championship. After the interval, Ding took two of the next | :11:36. | :11:40. | |
three to lead 4-3 as we head into what was their last frame of the | :11:41. | :11:41. | |
opening session. Back we go. Well, would you believe that. That's | :11:42. | :11:54. | |
amazing. Never expected him to miss the big | :11:55. | :12:17. | |
target. Hit the pink and leave this red on. | :12:18. | :12:32. | |
He's going to have to sit there now and wonder how many points that | :12:33. | :12:42. | |
mistake's cost him. Straight into them. Straight into them. Nicely on | :12:43. | :12:51. | |
one to the right corner. That was very positive. And boy did he play | :12:52. | :12:55. | |
that well. Yes, didn't want to hit the pink that time, wanted to hit | :12:56. | :13:06. | |
the red to the left of the pink. Played it to perfection. | :13:07. | :13:14. | |
The pink and blue available. And of course the black is available into | :13:15. | :13:18. | |
the right corner pocket. Could free up the black into both | :13:19. | :13:30. | |
corner pockets. He's played it. He's played it. Yes. | :13:31. | :14:05. | |
That's the beauty of break-building, you give yourselves options. | :14:06. | :14:20. | |
His cue ball control is just that little bit better than Mark Selby in | :14:21. | :14:28. | |
these opening exchanges. 48 points from that position to get | :14:29. | :15:10. | |
to the snookers required stage and take a two-frame advantage into the | :15:11. | :15:12. | |
second session tomorrow. Has the angle to go into the two | :15:13. | :15:23. | |
reds. Right above the black. That is what he's looking at. I'm sure the | :15:24. | :15:30. | |
top red of those two goes into this bottom right hand corner pocket. | :15:31. | :15:41. | |
Just got a wonderful touch. Makes the breaks look so easy because of | :15:42. | :16:15. | |
his position on the cue ball. When you watch where he puts the cue | :16:16. | :16:22. | |
ball, it's no more than six or eight inches from the next ball. | :16:23. | :16:26. | |
They say the best breaks are the ones where people say, well I could | :16:27. | :16:33. | |
have potted that! Well, the reason is, because he keeps leaving himself | :16:34. | :16:39. | |
inch perfect. Nice angles on every ball. | :16:40. | :16:46. | |
This is a big frame. Two-frame advantage. | :16:47. | :16:57. | |
A good afternoon afternoon's work. It all came from that split. He hit | :16:58. | :17:12. | |
the blue, couldn't go into the pink, had to hit the red full ball. Just | :17:13. | :17:17. | |
look at the reds that he opened up beautifully. Excellent shot. | :17:18. | :17:54. | |
Just a little hampered by the pink. I think he only has to roll the red | :17:55. | :18:01. | |
in to get position on the black. Didn't have to do too much with the | :18:02. | :18:03. | |
cue ball. We were talking at the start of the | :18:04. | :18:29. | |
match with Hazel in the commentary box about how he'd feel after | :18:30. | :18:35. | |
beating Ronnie O'Sullivan and Gary Baldry, remember he used to go | :18:36. | :18:40. | |
around with Ding Junhui a lot, in China it was always looked upon, | :18:41. | :18:46. | |
could he beat Ronnie O'Sullivan and, you know, I mean we looked at the | :18:47. | :18:51. | |
head-to-heads before he beat him yesterday and it was 10-2 to Ronnie. | :18:52. | :18:59. | |
The fact he's now beat Ronnie has proven to everybody that he's | :19:00. | :19:04. | |
capable of beating anyone in the game. I think he's taken that | :19:05. | :19:07. | |
confidence into this. APPLAUSE. | :19:08. | :19:12. | |
The applause tells you that he's past the point where Mark Selby | :19:13. | :19:18. | |
needs snookers. Not only beating Ronnie but beating him at the World | :19:19. | :19:22. | |
Championship as well, over the best of 25 frames. And Ronnie playing | :19:23. | :19:31. | |
well. Let's not forget that. Yes. We were a little bit concerned, would | :19:32. | :19:35. | |
he have a slight hangover from that win. | :19:36. | :19:52. | |
There's another wonderful positional shot. | :19:53. | :20:03. | |
It's had no effect on him. If anything it's given him that air of | :20:04. | :20:08. | |
confidence. This is going to be a cracking semi-final. Ding's going to | :20:09. | :20:20. | |
have the slight initiative. I'm sure Mark Selby will be coming back at | :20:21. | :20:28. | |
him. I'm sure we are in for a great match with both players playing at | :20:29. | :20:30. | |
the top of their game. Nine century breaks so far in the | :20:31. | :20:58. | |
tournament. Three in each match. The only thing we've missed this | :20:59. | :21:02. | |
afternoon is a century. Wonderful play by Ding Junhui. | :21:03. | :21:19. | |
His 63rd century break of the tournament so far. Remember, 86 was | :21:20. | :21:32. | |
the record. Lovely shot. He's not on the yellow. He's going to end on | :21:33. | :21:38. | |
110. He'll be very pleased with his afternoon's work. | :21:39. | :21:47. | |
He leads the defending champion. Mark Selby with a bit to think | :21:48. | :21:51. | |
about. Didn't Ding Junhui do well? He sure did. That was Ding's tenth | :21:52. | :22:02. | |
century of the Championship as you heard so far and it underscores his | :22:03. | :22:07. | |
lead as well. He'll take a two-frame advantage into the second session at | :22:08. | :22:12. | |
10am tomorrow. The defending champion joins us now, chasing the | :22:13. | :22:16. | |
game a little bit Mark and had a problem with the tip of the cue. | :22:17. | :22:26. | |
What is the latest? I managed to get a new tip on. Anything over distance | :22:27. | :22:31. | |
six foot and beyond, I didn't have any confidence the get any reaction | :22:32. | :22:36. | |
out of it. When playing safety shots, I felt as though there was no | :22:37. | :22:40. | |
throw-off, no life left in the tip. I thought if I was to go on and win | :22:41. | :22:44. | |
that match, the tip would get worse, so I thought I'm better making an | :22:45. | :22:47. | |
early decision. Brand-new one or another one in the bag with you? | :22:48. | :22:51. | |
Yes, brand-new one. I should have probably had an old one bedded in | :22:52. | :22:55. | |
but I didn't so my friend put a brand-new one on and I've been | :22:56. | :23:00. | |
playing a few hours with that tonight trying to get used to it. | :23:01. | :23:04. | |
How long do you normally take to bed in a new tip? Normally not too bad. | :23:05. | :23:09. | |
I'm not one of them after a few shots I take it off and put another | :23:10. | :23:13. | |
on, I try and grin and bear it and play through it. A lot of the time | :23:14. | :23:17. | |
with the new tip, it's when you are playing shots with slide. What we | :23:18. | :23:20. | |
are playing on tomorrow, for instance, the throw-off is going to | :23:21. | :23:24. | |
be different. So that is something I'll have to get used to. I'm more | :23:25. | :23:29. | |
confident now in the tip than I was before. I was going to ask if this | :23:30. | :23:34. | |
will help your confidence, rather than worrying about what it was | :23:35. | :23:40. | |
before? At least now I know I can have the confidence playing with the | :23:41. | :23:46. | |
shots. It's not an excuse why I'm 5-3 down, it's just a problem with | :23:47. | :23:53. | |
the tip. Similar circumstances with the tip last time. Fingers crossed | :23:54. | :23:57. | |
it will work again. We'll see in the morning. Thank you very much. Thank | :23:58. | :24:00. | |
you. We are going to take you to the second semi-final which began this | :24:01. | :24:05. | |
evening between John Higgins, the four-time champion and Barry Hawkins | :24:06. | :24:08. | |
who's made a habit of reaching this final four in the last five years or | :24:09. | :24:12. | |
so. If you were watching earlier on BBC Two, you will know that John | :24:13. | :24:17. | |
Higgins took a 2-0 lead. It went 3-0 and, for all the world it looked | :24:18. | :24:23. | |
like John was going to go in at the mid session interval four up. | :24:24. | :24:32. | |
You don't start thinking about a century break until you have made | :24:33. | :24:37. | |
enough to win the frame and he's not too far away from doing that. Just | :24:38. | :24:48. | |
this red. Oh, missed it. Can you believe that. That was frame ball. | :24:49. | :25:03. | |
All of a sudden, you miss an easy ball. He hasn't done that for ageing | :25:04. | :25:12. | |
and that was a lapse in concentration there -- for ages. | :25:13. | :25:16. | |
Still favourite for this frame but he should have been on his way to | :25:17. | :25:20. | |
the dressing room now. Barry is looking at a plant here, rather than | :25:21. | :25:24. | |
the one red that's loose. If he does get the plant, which it looks on, | :25:25. | :25:29. | |
the one just below the pink, this will give him a chance to pinch this | :25:30. | :25:31. | |
frame. 69 points behind. When you haven't made a break above | :25:32. | :26:00. | |
20 in the opening three frames, to suggest you can try to clear up is | :26:01. | :26:06. | |
hard to do. He knows now this would hurt John Higgins if he can do just | :26:07. | :26:12. | |
that. Mind, we had a few oohs and Ahs from the crowd there, he wobbled | :26:13. | :26:14. | |
that black there. And the fact that he didn't pot the | :26:15. | :26:30. | |
black cleanly into the pocket has left him slightly hampered here. | :26:31. | :26:42. | |
Good recovery. That was something John Parrot mentioned in the studio. | :26:43. | :26:55. | |
Every time he gets in, he seems awkward. Still is now. Awkward on | :26:56. | :26:59. | |
the black. I think the pink will pot. The one the bottom of the three | :27:00. | :27:04. | |
does but still he can't get on the ball properly at the minute. Could | :27:05. | :27:11. | |
work to his advantage because the red next to the pink is tied up. | :27:12. | :27:17. | |
This, as long as he judges the cannon correctly, will free the pink | :27:18. | :27:22. | |
and the red. He's got the pink but he's just | :27:23. | :27:37. | |
running away. I think he can avoid the yellow, you know, and get back | :27:38. | :27:42. | |
up to the reds. Another key shot coming up here. Playing ball will | :27:43. | :27:47. | |
take him past the yellow when he pots this pink. This is the best of | :27:48. | :27:59. | |
33 frames, but this could be a big miniturning point in this | :28:00. | :28:00. | |
semi-final. John will be sitting there kicking | :28:01. | :28:23. | |
himself thinking it was such an easy red for frame ball. Didn't have to | :28:24. | :28:27. | |
get so close to the black, just make sure you pot the red. Now the work | :28:28. | :28:31. | |
starts as far as Barry Hawkins is concerned. As Denis mentioned, being | :28:32. | :28:37. | |
a left-hander is not too bad. He's got to get on that last red | :28:38. | :28:41. | |
perfectly. Now, has it got the angle to get | :28:42. | :29:05. | |
over and put the other white up? He'd love to get somewhere there | :29:06. | :29:09. | |
being a left-hander. I think he can do that. | :29:10. | :29:22. | |
If not the pink, certainly for the blue, it would be easier to get to | :29:23. | :29:29. | |
the Iolo from the blue. -- yellow from the blue. | :29:30. | :29:42. | |
What a frame this would be, to pinch. | :29:43. | :29:53. | |
Yes, especially as he couldn't pot a ball in the opening three frames. A | :29:54. | :29:58. | |
high break of only 20 before this frame. Can he pot this six remaining | :29:59. | :30:01. | |
colours to pinch the frame? Not often you make a 69 break and | :30:02. | :30:29. | |
lose a frame. That could happen here, how has he | :30:30. | :30:39. | |
finished on the brown? Oh, it is awkward if he screws back, the white | :30:40. | :30:44. | |
is going towards the middle pocket. It couldn't have finished any | :30:45. | :30:48. | |
awkwarder there, just be careful of that middle pocket. | :30:49. | :30:53. | |
So he stunned it in, which means he has got to go up and down the table. | :30:54. | :31:07. | |
Well he is good with the rest, he will have to be here. What a roar | :31:08. | :31:13. | |
from the crowd if he can pot these two colours. | :31:14. | :31:21. | |
Such is the tension on the blue, you can see how he mis-hit that, he | :31:22. | :31:25. | |
wanted to be two feet further left so he didn't need the rest, he will | :31:26. | :31:26. | |
have to swing this round. Yes, that wasn't a bad shot, it was | :31:27. | :31:45. | |
the bad shot on the blue. John Higgins will by a mazed he is coming | :31:46. | :31:51. | |
back to the table with a chance to be 4-0 in front. What a strange | :31:52. | :31:56. | |
frame this has been Dennis. After missing the red 245 John missed, the | :31:57. | :32:01. | |
pink is not a gimme, a bit of pressure on this. | :32:02. | :32:13. | |
John Higgins. He trails by four frames to nil. | :32:14. | :32:27. | |
HAZEL IRVINE: It has been six years since John Higgins last finished in | :32:28. | :32:31. | |
a Crucible semifinal and that score line marks a perfect return for him | :32:32. | :32:36. | |
so far, Barry's highest break had only been 20, so could the Hawk find | :32:37. | :32:46. | |
his feet after their interval? The English man owns a small lead going | :32:47. | :32:52. | |
into frame five. He hasn't got a good cue ball. | :32:53. | :32:59. | |
Not only has he not got a good cue ball, he pushed that red near the | :33:00. | :33:04. | |
pocket. Black only available into one corner | :33:05. | :33:10. | |
pocket. And he has played this beautifully. | :33:11. | :33:12. | |
Very nicely controlled. Just got that white running loose a | :33:13. | :33:48. | |
little bit at the minute. This time he is perfect on the blue, | :33:49. | :33:54. | |
so Barry Hawkins should definitely win this frame from in position, he | :33:55. | :33:58. | |
is 17 points in front. The three reds in open play will be more than | :33:59. | :33:59. | |
enough to get frame on the board. It looks as if the mid-session | :34:00. | :34:36. | |
interval is going to change things round because it came at the right | :34:37. | :34:41. | |
time, because Barry should have pinched the fourth frame but he has | :34:42. | :34:43. | |
plenty of time to forget about that. John was in first, but split the | :34:44. | :35:04. | |
reds and didn't quite work out when he was on 30. | :35:05. | :35:16. | |
He said Barry could do with the four frames left, he will be looking for | :35:17. | :36:10. | |
three now he has won this one, of this little mini-session. | :36:11. | :36:55. | |
Not bothered about playing for the black. He will be absolutely | :36:56. | :37:00. | |
delighted he has got his first frame on the board but he still has a | :37:01. | :37:05. | |
little way to go in this opening session. He still trailed John | :37:06. | :37:11. | |
Higgins by four frames to one. HAZEL IRVINE: Hauss kips on the way. -- | :37:12. | :37:16. | |
Hawkin, the necks two frames were shared so 5-2 to Higgins as he | :37:17. | :37:19. | |
rejoin the final frame of their evening. Higgins in the balls on a | :37:20. | :37:29. | |
break of 24. He has to make sure he gets tops out | :37:30. | :37:33. | |
of blue, he doesn't want to go into baulk to play position. He has | :37:34. | :37:42. | |
played for the pin. I think the pink spot appears to be | :37:43. | :37:47. | |
covered so he will lose the pink for a moment on to the green spot. | :37:48. | :38:10. | |
Maybe that little flick on the red there made the pink available. | :38:11. | :38:31. | |
Gone a little bit too far here. It is is a deft little touch to | :38:32. | :38:46. | |
knock that red in but should have held better for the blue. | :38:47. | :38:51. | |
Key shot coming up. He is going to use the reds as a stopper here for | :38:52. | :39:00. | |
the white. And that is a little awkward. He is | :39:01. | :39:05. | |
stuck on that red, he has a tricky one to the middle pocket. He is | :39:06. | :39:09. | |
bridges over that red. -- bridging over that red. He played | :39:10. | :39:14. | |
it well. It just stuck on that one red. | :39:15. | :39:31. | |
Not in ideal position just yet. If he takes the blue up into the | :39:32. | :39:46. | |
corner, it's the better shot for position, and that's his choice. | :39:47. | :39:51. | |
No, nowhere near. You could tell he didn't really want to play that. You | :39:52. | :40:02. | |
just sensed he didn't want to be taking that shot on. | :40:03. | :40:12. | |
Still he has left a chance to get the black free into corners so this | :40:13. | :40:21. | |
39 point lead shoulder sap rate very quickly from this position. | :40:22. | :40:28. | |
-- shoulder sap rate. He will probably need the yellow but he | :40:29. | :40:31. | |
would love to get right back into the frame at this visit. | :40:32. | :40:44. | |
If Barry Hawkins can take this frame, he will sleep pretty well | :40:45. | :40:48. | |
tonight, being 4-0 down, OK he got a chance when he won two in a row, he | :40:49. | :40:53. | |
has had a let off and he is going to make John Higgins pay. | :40:54. | :41:01. | |
5-3 down after being 4-0 down wouldn't be a bad result. | :41:02. | :41:14. | |
John has to hope that Barry can slip up. He knows he should have opened | :41:15. | :41:19. | |
up a four frame lead. You can clearly see he has four | :41:20. | :42:14. | |
easier reds, afrn the one near the middle pocket is going to be the key | :42:15. | :42:18. | |
ball in this last frame of this session. | :42:19. | :42:33. | |
He would like to pot the two reds either side of the pink and near the | :42:34. | :42:39. | |
red fear his hand to last, he will play the red now. He could have left | :42:40. | :42:44. | |
a half ball red and moved that red off the cushion. As Dennis said, | :42:45. | :42:45. | |
that is going to be the key ball. He is right back in to the frame | :42:46. | :43:02. | |
now. What kind of lead he has before he has to play the last red. | :43:03. | :43:16. | |
He mentioned the red near the middle pocket but the yellow is also going | :43:17. | :43:24. | |
to play a big part in it. Almost tight on the side cushion. If he can | :43:25. | :43:33. | |
get on the pink half ball here, he will move that red now, with him | :43:34. | :43:38. | |
being left handed, makes the other red OK, so he will be playing the | :43:39. | :43:42. | |
cannon on that red, so frame-winner if he gets it right, or you would | :43:43. | :43:46. | |
think he would have every chance of winning the frame. That is OK. | :43:47. | :44:00. | |
He has a nice angle on this red to bring the yellow into play. | :44:01. | :44:08. | |
He would be unlucky to knock the yellow in the pocket. He will have | :44:09. | :44:11. | |
to play it quite firm, to kiss it quite hard. He doesn't want the | :44:12. | :44:13. | |
white to finish on the cushion. That is very clever. OK the yellow | :44:14. | :44:28. | |
is in a lot better place. Although it is on the cushion, it's a lot | :44:29. | :44:31. | |
better position than it was before. He has to get himself up reasonably | :44:32. | :44:50. | |
close to this last red. And that looks just about perfect. OK, he | :44:51. | :45:02. | |
will have to use the rest, but if it's straight, you would screw back | :45:03. | :45:05. | |
to where the white is now, if he gets on the pink in that position, | :45:06. | :45:09. | |
he can get up to the difficult yellow. | :45:10. | :45:13. | |
That he did move from one cushion to another. | :45:14. | :45:27. | |
Well, he is screwing up and that is not a bad thing either. | :45:28. | :45:34. | |
Much easier to get to the yellow from the green, but can he stretch | :45:35. | :45:45. | |
over? And reach that? He, obviously yellow is going to be tricky on the | :45:46. | :45:48. | |
top cushion, he has to play to get on it and leave an angle on the | :45:49. | :45:50. | |
yellow to get to the green. Needs a bounce. | :45:51. | :45:55. | |
That might He needs the yellow, green and | :45:56. | :46:06. | |
brown. To pinch this frame. You don't want to have to be hitting | :46:07. | :46:22. | |
it too hard. This the biggest shot of the match | :46:23. | :46:50. | |
tonight for Barry Hawkins. We have talked about it, if gets out | :46:51. | :46:53. | |
5-3 he will feel delighted. A glance at the score board, he only | :46:54. | :47:21. | |
needs the brown. It is a great frame. Makes things | :47:22. | :47:24. | |
very interesting, ready for tomorrow. | :47:25. | :47:28. | |
It has been a strange session, it really has. | :47:29. | :47:33. | |
John Higgins did all the scoring in the opening four frames. Barry | :47:34. | :47:40. | |
Hawkins mostly scoring in the next four frames. | :47:41. | :47:43. | |
John Higgins will be taking a two frame lead overnight. | :47:44. | :48:01. | |
HAZEL IRVINE: And they will be back for their second session after a | :48:02. | :48:07. | |
good night sleep's at 2.30 in tomorrow afternoon's programme on | :48:08. | :48:10. | |
BBC Two. It's a big day in the other semifinal with two sessions to play, | :48:11. | :48:14. | |
morning and evening, and we will be ready to rock from 10.00 in the | :48:15. | :48:18. | |
morning for that. Ding Junhui returns against Mark Selby, who will | :48:19. | :48:22. | |
be back with a new tip on his cue, as he plays catch up for the first | :48:23. | :48:26. | |
time in the Championship. Jason is on patrol for that, in the morning. | :48:27. | :48:31. | |
But from me, and the evening team, thank you very much for your | :48:32. | :48:34. | |
company, and we will catch you again tomorrow. | :48:35. | :48:34. | |
Good night. You are not a fun person | :48:35. | :49:03. | |
to share a trishaw with. | :49:04. | :49:10. |