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I'm on a journey through South America, one that will take me many thousands of miles, | 0:00:05 | 0:00:09 | |
from south to north and east to west. | 0:00:09 | 0:00:13 | |
An exploration, an adventure, and a revelation. | 0:00:13 | 0:00:16 | |
It is spectacular. | 0:00:19 | 0:00:21 | |
It's the driest desert in the whole world. | 0:00:22 | 0:00:26 | |
This "new world" used to mean dictators and brutality. | 0:00:26 | 0:00:29 | |
But South America has changed. Instead of despair, there's hope. | 0:00:30 | 0:00:34 | |
There are riches in abundance. Economies that are booming. | 0:00:36 | 0:00:39 | |
Take just one wagon of copper. | 0:00:40 | 0:00:43 | |
That's something like 600,000 per wagon. | 0:00:43 | 0:00:48 | |
There's also poverty, crime and violence, impossible to ignore. | 0:00:49 | 0:00:53 | |
I'm with the police on patrol in a barrio notorious for gang warfare. | 0:00:55 | 0:01:01 | |
The story of this continent is resonant with pride in the past. | 0:01:02 | 0:01:07 | |
The real evidence that this came with the slaves from Africa centuries ago. | 0:01:08 | 0:01:14 | |
The countries of South America, with some 400 million inhabitants, | 0:01:14 | 0:01:20 | |
are blessed with living traditions and perplexing surprises. | 0:01:20 | 0:01:25 | |
This is important not only as a sport, | 0:01:25 | 0:01:28 | |
but culturally, would you believe. | 0:01:28 | 0:01:30 | |
There are radicals at the rodeo, breaking a great taboo. | 0:01:32 | 0:01:36 | |
And children who formed their own trade union. | 0:01:39 | 0:01:42 | |
The unexpected is everywhere. | 0:01:42 | 0:01:45 | |
HE SPEAKS SPANISH | 0:01:45 | 0:01:48 | |
My journey starts with something of a success story, | 0:01:55 | 0:01:58 | |
with a state that was once reviled, | 0:01:58 | 0:02:01 | |
but is now the envy of the continent. | 0:02:01 | 0:02:03 | |
This is Santiago, home to nearly six million people. | 0:02:12 | 0:02:16 | |
A cosmopolitan capital that is growing and flourishing as never before. | 0:02:19 | 0:02:23 | |
This is the spirit of the new, | 0:02:29 | 0:02:30 | |
an economy that has more than doubled in the last ten years. | 0:02:30 | 0:02:34 | |
Foreigners flooding into the country because of the free market. | 0:02:34 | 0:02:38 | |
If it goes on like this, over the next ten years, | 0:02:38 | 0:02:41 | |
Chile will have an average income per head that rivals that of Spain, | 0:02:41 | 0:02:47 | |
the old colonial master. | 0:02:47 | 0:02:50 | |
Chile is now an open society, confident and outgoing. | 0:02:51 | 0:02:55 | |
Corruption is notable by its absence. | 0:02:55 | 0:02:58 | |
Freedom has usurped tyranny, democracy has replaced dictatorship. | 0:02:58 | 0:03:03 | |
For me, the transformation is startling. | 0:03:08 | 0:03:10 | |
30 years ago, most of South America was under the jackboot. | 0:03:11 | 0:03:16 | |
Military dictators, fascist rule. | 0:03:16 | 0:03:18 | |
Chile was a quintessential example. | 0:03:18 | 0:03:21 | |
When I was last here, General Pinochet was in power. | 0:03:23 | 0:03:26 | |
Foreign reporters were banned, so I had to go undercover. | 0:03:26 | 0:03:29 | |
It was very unnerving. | 0:03:29 | 0:03:31 | |
The people of Chile were cowed, and men in uniform | 0:03:33 | 0:03:37 | |
were the face of a regime that terrorised its own people - | 0:03:37 | 0:03:40 | |
that locked them up, that tortured them, | 0:03:40 | 0:03:43 | |
that killed them, and had them "disappeared". | 0:03:43 | 0:03:46 | |
Now, instead of being protectors of a tyranny, | 0:03:46 | 0:03:51 | |
these troops are the outwardly symbolic face of a genuinely free society. | 0:03:51 | 0:03:56 | |
Today, I can go where I want and meet who I like. | 0:03:59 | 0:04:03 | |
Trapped by my own past here, it is a very strange experience. | 0:04:04 | 0:04:09 | |
Even though I know Chile is free, | 0:04:11 | 0:04:14 | |
it still seems remarkable to me that somewhere like this can exist. | 0:04:14 | 0:04:19 | |
It's The Clinic. | 0:04:23 | 0:04:24 | |
Patricio? | 0:04:29 | 0:04:31 | |
-Yes. -Patricio. -Hi, John. -Hi. | 0:04:31 | 0:04:34 | |
Patricio Fernandez runs a best-selling magazine, a weekly shock of satire and subversion. | 0:04:34 | 0:04:40 | |
Chile's Private Eye. | 0:04:40 | 0:04:42 | |
The magazine was founded in 1998, | 0:04:55 | 0:04:58 | |
inspired by a drama in London that convulsed Chile. | 0:04:58 | 0:05:02 | |
Why do you call it The Clinic? | 0:05:03 | 0:05:06 | |
Our name came from the name of a London clinic | 0:05:06 | 0:05:11 | |
where Pinochet was arrested. | 0:05:11 | 0:05:14 | |
In 1988, Pinochet, who was no longer in office, | 0:05:14 | 0:05:18 | |
was charged internationally with crimes against humanity. | 0:05:18 | 0:05:21 | |
Though he'd never be put on trial, | 0:05:21 | 0:05:23 | |
the dictator's humiliation was total. | 0:05:23 | 0:05:26 | |
The arrest of Pinochet was, maybe for me, | 0:05:29 | 0:05:32 | |
the most important event in the new democracy in Chile. | 0:05:32 | 0:05:40 | |
It's like... | 0:05:40 | 0:05:43 | |
you have a devil in your house, | 0:05:43 | 0:05:46 | |
and some day a magic hand can take off it. | 0:05:46 | 0:05:50 | |
You can't imagine that before. | 0:05:52 | 0:05:56 | |
Never Pinochet would be arrested, for us. | 0:05:56 | 0:06:01 | |
That was impossible. | 0:06:01 | 0:06:03 | |
The Clinic is profoundly irreverent. The rich and powerful are lampooned, | 0:06:03 | 0:06:08 | |
their hypocrisies ridiculed, their scandals exposed. | 0:06:08 | 0:06:12 | |
Freedom of expression with a vengeance. | 0:06:12 | 0:06:15 | |
What we like is find here a lot of very different voices. Crazy voices. | 0:06:15 | 0:06:21 | |
Logical voices, left voices, right voices. | 0:06:21 | 0:06:26 | |
So it's a really open place where everyone can say what they want, | 0:06:26 | 0:06:31 | |
where you can be very subversive, very offensive, | 0:06:31 | 0:06:35 | |
you can sometimes be very kind, but not very often! | 0:06:35 | 0:06:39 | |
I really can't get over this. If you think only a generation ago, | 0:06:40 | 0:06:44 | |
for daring to sit like this together, | 0:06:44 | 0:06:47 | |
they would've been put in prison, tortured, | 0:06:47 | 0:06:49 | |
and some would've been killed for having the temerity to speak freely. | 0:06:49 | 0:06:54 | |
Now they have the same freedom to say what they want | 0:06:54 | 0:06:58 | |
as anywhere in the world. It's absolutely fantastic. | 0:06:58 | 0:07:01 | |
I've got to get the drinks back. | 0:07:01 | 0:07:03 | |
Sorry. There we are. | 0:07:08 | 0:07:10 | |
-I was needing... -You were needing it! | 0:07:10 | 0:07:12 | |
THEY LAUGH | 0:07:12 | 0:07:14 | |
But you don't measure freedom simply in terms of rights or rules. | 0:07:18 | 0:07:23 | |
Pinochet stole Chile's liberty. | 0:07:23 | 0:07:26 | |
The big question for me is how they live and breathe that liberty | 0:07:26 | 0:07:30 | |
now that they've got it back again. | 0:07:30 | 0:07:32 | |
When you've been through the kind of dramas and traumas that the people of Chile have, | 0:07:32 | 0:07:38 | |
it makes one wonder, now that they're free, what they do with their identity. | 0:07:38 | 0:07:42 | |
Has it been stolen from them? | 0:07:42 | 0:07:44 | |
Do they have to rediscover it, remake it? | 0:07:44 | 0:07:47 | |
What country is it that they now have? | 0:07:47 | 0:07:49 | |
And who are they? | 0:07:49 | 0:07:51 | |
MUSIC PLAYS | 0:07:55 | 0:07:58 | |
This is a tea dance, | 0:08:02 | 0:08:03 | |
but the rhythm and the steps express the very soul of the nation. | 0:08:03 | 0:08:07 | |
It's the people's dance, the cueca. | 0:08:07 | 0:08:09 | |
But Pinochet not only seized power from the people, he stole the cueca, as well, | 0:08:15 | 0:08:20 | |
and turned it into a weapon for jingoistic propaganda. | 0:08:20 | 0:08:24 | |
The lead singer is one of Chile's most famous actors. | 0:08:30 | 0:08:34 | |
A-ha! | 0:08:34 | 0:08:37 | |
And Daniel Munoz is using this status | 0:08:42 | 0:08:44 | |
to reclaim the cueca for the people. | 0:08:44 | 0:08:47 | |
HE WHOOPS | 0:08:49 | 0:08:51 | |
I've never seen... Can you first show me those plates? | 0:08:57 | 0:09:01 | |
They are like, er, castanets. | 0:09:01 | 0:09:04 | |
What happened to the cueca, then, when the dictatorship was in place? | 0:09:15 | 0:09:19 | |
When Pinochet was controlling this country? | 0:09:19 | 0:09:23 | |
That was the past. | 0:09:49 | 0:09:51 | |
Today, Daniel wants the cueca to be the theme tune for the future. | 0:09:51 | 0:09:55 | |
An assertion of freedom and a rejection of tyranny. | 0:09:55 | 0:09:59 | |
They've even given the cueca a new name to reflect its new purpose. | 0:10:38 | 0:10:43 | |
The cueca brava. | 0:10:43 | 0:10:44 | |
The dance takes the form of an elaborate courtship between a rooster and his bird. | 0:10:47 | 0:10:52 | |
It's not only seductive, but irresistible. | 0:10:52 | 0:10:55 | |
Dictators come and, mercifully, they go. | 0:11:05 | 0:11:08 | |
Today, there seems no reason to doubt that the spirit that inspires the cueca brava will prevail. | 0:11:08 | 0:11:14 | |
APPLAUSE AND CHEERING | 0:11:24 | 0:11:26 | |
The real thing is the amazing atmosphere in here. It's so lovely. | 0:11:34 | 0:11:38 | |
There is not one unsmiling face. | 0:11:38 | 0:11:41 | |
Away from the capital, and into Chile's rural heartlands, | 0:11:46 | 0:11:50 | |
once the stronghold of Pinochet's most committed followers, | 0:11:50 | 0:11:53 | |
and, I presumed, somewhat ambivalent about the new Chile. | 0:11:53 | 0:11:57 | |
The National Rodeo Championships at Rancagua, | 0:12:02 | 0:12:06 | |
almost men only, and not for the faint-hearted. | 0:12:06 | 0:12:08 | |
This is the machismo, if you like, that goes deep back in Chilean tradition, | 0:12:24 | 0:12:29 | |
when the cows had to be brought down from the mountains, and had to be controlled and separated. | 0:12:29 | 0:12:34 | |
Of course, it has its roots, too, in a very male | 0:12:34 | 0:12:38 | |
and, historically, quite violent society, as well. | 0:12:38 | 0:12:42 | |
That violence was incubated almost 500 years ago, | 0:12:45 | 0:12:47 | |
when the Conquistadors swept across South America, wreaking havoc. | 0:12:47 | 0:12:52 | |
After three centuries of colonial rule, the Spanish departed. | 0:12:53 | 0:12:57 | |
Among their bequests, the rodeo. | 0:12:57 | 0:13:00 | |
Deeply conservative, fiercely competitive. | 0:13:00 | 0:13:02 | |
Today, rodeo is a national sport, and almost as popular as football. | 0:13:04 | 0:13:08 | |
You might think that rodeo is run by ranchers, Pinochet people. Not so. | 0:13:08 | 0:13:14 | |
The president of this year's event turns out to be a property developer. | 0:13:14 | 0:13:18 | |
Oscar Leria, like many of those here, | 0:13:18 | 0:13:20 | |
is hooked on a romance with the past, not with Pinochet. | 0:13:20 | 0:13:24 | |
What is a real Chilean? | 0:13:24 | 0:13:26 | |
The real Chilean is people who have come from the farms. | 0:13:29 | 0:13:33 | |
Of course, now my children, they believe in different things. | 0:13:33 | 0:13:40 | |
There is globalisation, Facebook, internet, so they are changing. | 0:13:40 | 0:13:45 | |
But, in our sport, we try to conserve the old stuff. | 0:13:45 | 0:13:51 | |
-To hold on to that? -Yes, yes. | 0:13:51 | 0:13:53 | |
The Rancagua Championships are televised across the nation. | 0:13:58 | 0:14:02 | |
A three-day festival with a formal opening at sunset on the first evening. | 0:14:02 | 0:14:07 | |
SOMBRE MUSIC PLAYS | 0:14:07 | 0:14:10 | |
It's a solemn ceremony. | 0:14:13 | 0:14:15 | |
The Conquistadors not only brought horses to Chile, but the deity | 0:14:15 | 0:14:19 | |
in whose name the rodeo is given a Catholic blessing. | 0:14:19 | 0:14:23 | |
For many modern Chileans, the rodeo is an embarrassment, a reactionary anachronism. | 0:14:41 | 0:14:46 | |
But, for me, the hooves and the history make a heady cocktail. | 0:14:46 | 0:14:49 | |
A long time ago, when I was young, I used to love horses | 0:15:03 | 0:15:06 | |
and I used to do all of this, cleaning and washing them and riding them. | 0:15:06 | 0:15:10 | |
Smells the same, too. A mixture of horse sweat and manure. Nothing like it. | 0:15:10 | 0:15:16 | |
What I'd really like is a ride. | 0:15:16 | 0:15:18 | |
And I was to get my wish. | 0:15:22 | 0:15:24 | |
Though in a rodeo world so deeply enthralled to the past, not quite in the way I'd imagined. | 0:15:24 | 0:15:29 | |
Yeah? | 0:15:29 | 0:15:32 | |
Suave hacia al lado, suave. | 0:15:32 | 0:15:34 | |
Michelle Recart is a rebel who challenged the old rules that kept women at bay. | 0:15:34 | 0:15:39 | |
Now, she's the first lady of Chilean rodeo. | 0:15:39 | 0:15:43 | |
Cambiamos de mano... | 0:15:43 | 0:15:44 | |
-Mm-hm. -Tomas... Esa con esa. | 0:15:44 | 0:15:49 | |
She is also a very good trainer... | 0:15:51 | 0:15:53 | |
..teaching me the ancient art of persuading the horse to perform a kind of soft-shoe shuffle. | 0:15:54 | 0:15:59 | |
The purpose - to pin a cow against the wall, forcing it into submission. | 0:15:59 | 0:16:04 | |
That was better. | 0:16:06 | 0:16:07 | |
Suave. | 0:16:07 | 0:16:09 | |
In Chile, women only got equal voting rights in 1949. | 0:16:09 | 0:16:13 | |
Even today, fewer than half of them go out to work. | 0:16:13 | 0:16:16 | |
Michelle, though, helps run the family business, a cleaning firm. | 0:16:16 | 0:16:20 | |
But rodeo has always been her passion. | 0:16:20 | 0:16:23 | |
How do you think the men in the rodeo regarded the role of women? | 0:16:27 | 0:16:33 | |
Against these odds, Michelle qualified for the National Championships | 0:17:02 | 0:17:06 | |
when she was 17, so the men immediately changed the rules to keep her out. | 0:17:06 | 0:17:11 | |
But she refused to back down and, eventually, the men gave up. | 0:17:13 | 0:17:17 | |
In 2010, women were finally permitted to compete at Rancagua. | 0:17:17 | 0:17:21 | |
Michelle thinks I'm ready for the next stage. | 0:17:35 | 0:17:38 | |
A cow? | 0:17:38 | 0:17:40 | |
Wow. | 0:17:41 | 0:17:42 | |
She's serious! | 0:17:44 | 0:17:45 | |
HE LAUGHS | 0:17:45 | 0:17:48 | |
This will be quite something. | 0:17:50 | 0:17:52 | |
I did as I was told and, to my immense relief, it seemed to work. | 0:17:58 | 0:18:04 | |
Very good! | 0:18:04 | 0:18:06 | |
In almost every area of life, not only in Chile, but throughout South America, | 0:18:06 | 0:18:10 | |
there are women like Michelle, challenging old certainties... | 0:18:10 | 0:18:14 | |
..and thereby changing the continent. | 0:18:16 | 0:18:18 | |
Estupendo! | 0:18:24 | 0:18:27 | |
Just being here is a treat for me. | 0:18:27 | 0:18:30 | |
And they call it work! | 0:18:31 | 0:18:32 | |
From the rural rodeo to the Atacama Desert, over 700 miles to the north. | 0:18:37 | 0:18:42 | |
'This train is heading west to the Pacific. | 0:18:55 | 0:18:58 | |
'It's carrying copper, the principal source of this country's wealth.' | 0:18:58 | 0:19:02 | |
Chile has more than 30 per cent of the world's total supply | 0:19:02 | 0:19:06 | |
and most of the mines are in this invaluable desert. | 0:19:06 | 0:19:11 | |
Take just one wagon of copper, 60 tonnes. | 0:19:11 | 0:19:16 | |
Each tonne worth up to 10,000. | 0:19:16 | 0:19:20 | |
60 by 10,000. That's something like 600,000 per wagon. | 0:19:20 | 0:19:27 | |
When you have a big load on, | 0:19:28 | 0:19:30 | |
what's the maximum load sometimes you have with one, two, three locomotives? | 0:19:30 | 0:19:35 | |
-That's a huge weight to have. -Two locomotives. Two. -Two locomotives? | 0:19:38 | 0:19:43 | |
That's a huge weight. | 0:19:43 | 0:19:45 | |
What is it you most enjoy about it? | 0:19:46 | 0:19:48 | |
Copper is a crucial raw material. | 0:20:05 | 0:20:08 | |
Without copper, electrical engineering would be impossible. | 0:20:08 | 0:20:11 | |
And demand across the globe for what is now a precious metal in all but name, | 0:20:12 | 0:20:16 | |
is not only insatiable, but rising fast. | 0:20:16 | 0:20:20 | |
Likewise, the price. | 0:20:20 | 0:20:22 | |
11,51... | 0:20:22 | 0:20:24 | |
Last year, copper earned Chile more than 11 billion. | 0:20:24 | 0:20:26 | |
But there's a twist to the story of the Atacama Desert. | 0:20:28 | 0:20:31 | |
Intriguingly, this line wasn't originally built for copper. | 0:20:33 | 0:20:39 | |
It was built to take nitrate out of the desert. | 0:20:39 | 0:20:43 | |
Those who built it were the British. | 0:20:43 | 0:20:46 | |
This is Chacabuco. | 0:21:03 | 0:21:05 | |
Like the desert railway, the town was also constructed by the British. | 0:21:05 | 0:21:09 | |
It was founded in 1924, in an age when the demand for nitrate, | 0:21:09 | 0:21:13 | |
which was then used to make fertiliser, | 0:21:13 | 0:21:16 | |
was almost as great as the demand for copper today. | 0:21:16 | 0:21:20 | |
No -one knows the bleak story of this company town better than the writer Jorge Montealegre. | 0:21:25 | 0:21:31 | |
Was it like a model community? | 0:21:43 | 0:21:46 | |
But if the workers were trapped here, there were compensations. | 0:22:07 | 0:22:11 | |
With a little imagination, you can hear the voice of Caruso, | 0:22:11 | 0:22:15 | |
who came here once to entertain the workers in Chacabuco's flourishing theatre. | 0:22:15 | 0:22:20 | |
But nitrate was soon to be replaced by a synthetic substitute. | 0:22:24 | 0:22:28 | |
And in 1938, a mere 14 years after its foundation, | 0:22:28 | 0:22:33 | |
Chacabuco was closed down, for what was presumed to be the last time. | 0:22:33 | 0:22:37 | |
But that was not the end of the story. | 0:22:37 | 0:22:39 | |
35 years later, Chacabuco was given a new lease of life. | 0:22:42 | 0:22:47 | |
In 1973, General Pinochet turned it into a concentration camp | 0:22:47 | 0:22:51 | |
for those who opposed his dictatorship. | 0:22:51 | 0:22:54 | |
Jorge was one of the inmates. | 0:22:54 | 0:22:56 | |
What was it like when you came here? | 0:23:01 | 0:23:05 | |
Jorge was a student radical | 0:23:28 | 0:23:30 | |
and an aspiring author who wrote his first poem in this prison. | 0:23:30 | 0:23:34 | |
Today, he is a writer and scholar of renown. | 0:23:34 | 0:23:37 | |
When you look at Chile today, how do you feel about your country? | 0:23:41 | 0:23:48 | |
The detainees were kept nine to a room, up to a year | 0:24:03 | 0:24:07 | |
in a prison that was fenced with electric wire and ringed by tanks. | 0:24:07 | 0:24:11 | |
I think this place ought to be a monument to repression. | 0:24:22 | 0:24:26 | |
It's so easy to say it happened out here in Chile, | 0:24:26 | 0:24:29 | |
but the truth is that a lot of other people were party to it. | 0:24:29 | 0:24:34 | |
Governments - Britain, America, elsewhere - propped up Pinochet, | 0:24:34 | 0:24:39 | |
kept him in power. | 0:24:39 | 0:24:40 | |
And the monument should be saying to all of us, "Don't deal with dictators." | 0:24:40 | 0:24:45 | |
From Chacabuco, it's 70 miles to the Pacific Ocean. | 0:24:54 | 0:24:59 | |
It was a liberation to drive through this harsh stretch of the Atacama Desert. | 0:24:59 | 0:25:03 | |
It is spectacular. | 0:25:10 | 0:25:13 | |
Nothing growing. | 0:25:14 | 0:25:15 | |
Barely a drop of rain. | 0:25:16 | 0:25:19 | |
It's the driest desert in the whole world. | 0:25:19 | 0:25:22 | |
Caleta Concepcion is a fishing village so isolated | 0:25:34 | 0:25:38 | |
that it has no telephones, no running water. | 0:25:38 | 0:25:41 | |
But, unlikely as it may seem, it's an entrepreneurial hot-spot of real significance. | 0:25:41 | 0:25:48 | |
It's beautiful weather. Fantastico. | 0:25:51 | 0:25:54 | |
For me, it's a real delight being out here on the water. | 0:25:55 | 0:25:59 | |
It's a warm, lovely afternoon. But, for Humberto and his team, | 0:25:59 | 0:26:03 | |
this is work, because he's a fisherman day in, day out. | 0:26:03 | 0:26:07 | |
Except, that is, this afternoon. | 0:26:07 | 0:26:09 | |
He's not after fish today, but another crop from the sea. | 0:26:09 | 0:26:12 | |
For today's harvest, the crew land on an island that's devoid of other human life. | 0:26:34 | 0:26:39 | |
They lead me across an eerie moonscape in search of their quarry. | 0:26:39 | 0:26:43 | |
This is it. | 0:26:57 | 0:26:58 | |
Seaweed. | 0:26:58 | 0:27:00 | |
Chile not only has a 4,000-mile coastline, | 0:27:00 | 0:27:03 | |
but is now the fifth-largest exporter of this valuable algae. | 0:27:03 | 0:27:07 | |
Humberto is a natural leader of men - | 0:27:12 | 0:27:14 | |
a union activist who has represented Chile's fishermen at home and abroad. | 0:27:14 | 0:27:19 | |
But, as the boss of the local co-operative, | 0:27:19 | 0:27:21 | |
he's now turned himself into an entrepreneur. | 0:27:21 | 0:27:24 | |
A bag of seaweed weighs in at 10. | 0:27:58 | 0:28:01 | |
Once dried and crushed, it's exported to the rest of the world, and principally to China. | 0:28:01 | 0:28:06 | |
There, it ends up as a gel in foods, medicines, toothpaste, face creams, and even beer. | 0:28:06 | 0:28:13 | |
Seaweed is a nice little earner for Chile. | 0:28:13 | 0:28:17 | |
But for the fishermen of Caleta Concepcion, | 0:28:17 | 0:28:19 | |
it's a vital harvest that allows them to stay put in the village they cherish. | 0:28:19 | 0:28:24 | |
From one of the richest countries in South America, to one of the poorest. | 0:29:49 | 0:29:54 | |
By plane, it takes a couple of hours. | 0:29:54 | 0:29:57 | |
I've reached Bolivia and the city of La Paz, the highest capital in the world. | 0:30:03 | 0:30:09 | |
At 12-13,000 feet, | 0:30:09 | 0:30:11 | |
the houses cling to the side of the Andes. It is truly spectacular. | 0:30:11 | 0:30:17 | |
La Paz is home to nearly a million people, | 0:30:20 | 0:30:24 | |
half of whom live at or below the official poverty line. | 0:30:24 | 0:30:27 | |
But their resilience defies the altitude. | 0:30:31 | 0:30:34 | |
Unusually for South America, | 0:30:44 | 0:30:46 | |
85 per cent of the population is Bolivian Indian in origin - | 0:30:46 | 0:30:50 | |
the indigenous people of the Andes. | 0:30:50 | 0:30:53 | |
Until recently, they had been ruled first by the Conquistadors | 0:30:53 | 0:30:57 | |
and then their descendants, Bolivia's Spanish minority. | 0:30:57 | 0:31:00 | |
It's been an explosive cocktail. | 0:31:00 | 0:31:02 | |
When I first came here, it was coup and counter-coup, | 0:31:11 | 0:31:15 | |
violent repression. Now, things are very different. | 0:31:15 | 0:31:18 | |
There's democracy. | 0:31:18 | 0:31:20 | |
The majority population has reclaimed its country. | 0:31:20 | 0:31:24 | |
It's asserted its rights. A profound social revolution is now under way. | 0:31:24 | 0:31:29 | |
And I'm about to see an example of just that. | 0:31:29 | 0:31:32 | |
La Paz is dominated by the Aymara community, | 0:31:35 | 0:31:38 | |
which celebrates its liberation with a passion...for wrestling. | 0:31:38 | 0:31:43 | |
Not only men, but women, as well. | 0:31:43 | 0:31:46 | |
The Cholitas, as they call themselves, dress in traditional costume - | 0:31:46 | 0:31:50 | |
a powerful assertion of their national identity. | 0:31:50 | 0:31:53 | |
Maria and Marta are twin sisters rehearsing for a bout later this evening. | 0:31:55 | 0:31:59 | |
And, of course, their moves are carefully choreographed to achieve maximum impact. | 0:32:01 | 0:32:05 | |
HE GRUNTS | 0:32:05 | 0:32:07 | |
HE LAUGHS | 0:32:07 | 0:32:09 | |
This is important not only as a sport, but culturally, would you believe? | 0:32:11 | 0:32:17 | |
-Better? -Si. | 0:32:23 | 0:32:25 | |
I distrust... I-I... | 0:33:02 | 0:33:05 | |
Oh! | 0:33:05 | 0:33:06 | |
HE LAUGHS | 0:33:06 | 0:33:08 | |
I surrender. | 0:33:09 | 0:33:11 | |
The twins invited me back to the home they share on the mountainous edge of the city, | 0:33:13 | 0:33:18 | |
where they have surrounded themselves with symbols of their native culture. | 0:33:18 | 0:33:22 | |
Their social and political emancipation is very recent. | 0:33:25 | 0:33:30 | |
But it was achieved through the ballot box, not by violence. | 0:33:30 | 0:33:34 | |
How were you treated, before, in the old days? | 0:33:36 | 0:33:40 | |
Perched above the capital | 0:34:13 | 0:34:15 | |
is a satellite city with a population of a million or more. | 0:34:15 | 0:34:18 | |
It's called El Alto. | 0:34:18 | 0:34:21 | |
Three out of four people here live hand-to-mouth | 0:34:21 | 0:34:24 | |
on the very margins of the money economy. Wrestling is their refuge. | 0:34:24 | 0:34:28 | |
Maria and Marta are big stars, and their fans are out in force. | 0:34:31 | 0:34:35 | |
And I've been roped in to do my bit in support of what will certainly be the winning side - | 0:34:42 | 0:34:47 | |
I hope! | 0:34:47 | 0:34:49 | |
They make a formidable pair. But there's a rare suspense. | 0:34:49 | 0:34:54 | |
For the first time, they've elected to challenge two men. | 0:34:54 | 0:34:57 | |
Maria and Marta are not only skilled wrestlers, | 0:35:05 | 0:35:08 | |
but fine thespians, who understand perfectly the essence of high drama. | 0:35:08 | 0:35:13 | |
So, for a while, all seemed lost. | 0:35:15 | 0:35:18 | |
The men behaving badly, the damsels in deepening distress. | 0:35:18 | 0:35:22 | |
A miracle was needed. | 0:35:23 | 0:35:24 | |
On cue, I sprang to the rescue. | 0:35:24 | 0:35:27 | |
REFEREE SHOUTS | 0:35:31 | 0:35:32 | |
It did the trick. Suddenly, the women were on top. | 0:35:41 | 0:35:44 | |
And, finally, the coup de grace. | 0:35:54 | 0:35:57 | |
SHE WHOOPS | 0:36:11 | 0:36:14 | |
I said we'd win. | 0:36:21 | 0:36:23 | |
The real breakthrough for Bolivia's Indian majority came in 2005, | 0:36:39 | 0:36:44 | |
when, for the first time, they elected one of their own as the country's president. | 0:36:44 | 0:36:49 | |
Evo Morales promised them a future of radical reform, | 0:36:49 | 0:36:53 | |
an end to discrimination, and a socialist tomorrow. | 0:36:53 | 0:36:56 | |
The critics predicted chaos. | 0:36:56 | 0:36:59 | |
But the doom-mongers were wrong. | 0:37:05 | 0:37:07 | |
The economy is stable, growth rates are steady, | 0:37:07 | 0:37:09 | |
and, being rich in strategic raw materials for the global market, | 0:37:09 | 0:37:13 | |
there is abundant cash in the state coffers. | 0:37:13 | 0:37:16 | |
Despite the poverty, there's a new energy in the streets of this restless capital. | 0:37:16 | 0:37:22 | |
I am in one of the thousands of minibus taxis, | 0:37:24 | 0:37:28 | |
which are the main means of getting around in this great sprawl of a city. | 0:37:28 | 0:37:32 | |
Everyone seems to be on the move. | 0:37:32 | 0:37:34 | |
Everyone working in one way or another, including the children. | 0:37:34 | 0:37:39 | |
Juan Carlos is 13. He's a vocero, a bus conductor. | 0:37:40 | 0:37:44 | |
HE SHOUTS IN SPANISH | 0:37:46 | 0:37:48 | |
His job is to drum up business. | 0:37:56 | 0:37:59 | |
Every time he fills the bus, he gets one boliviano - ten pence. He also goes to school. | 0:37:59 | 0:38:05 | |
It's a uniquely Bolivian notion, | 0:38:40 | 0:38:42 | |
but the fact is, Juan Carlos belongs to a formal union of child workers. | 0:38:42 | 0:38:48 | |
As elsewhere in South America, child labour is widespread, | 0:38:48 | 0:38:51 | |
in mines and plantations, as well as on the buses, | 0:38:51 | 0:38:56 | |
all of which the children themselves regard as a right, not an abuse. | 0:38:56 | 0:39:01 | |
The Union of Child Workers is not only for the young, it's run by the young, and they're very powerful, | 0:39:05 | 0:39:11 | |
so powerful they managed to change the constitution of the land, | 0:39:11 | 0:39:15 | |
persuading the politicians that instead of outlawing child work, | 0:39:15 | 0:39:19 | |
they should enshrine the rights of children to work, in the law. | 0:39:19 | 0:39:22 | |
Noemi is 16. She's one of the leaders of the child union, | 0:39:26 | 0:39:30 | |
out recruiting more members. | 0:39:30 | 0:39:33 | |
It seems to many people in my country very wrong that you should be urging children to work. | 0:39:35 | 0:39:41 | |
You want to have more rights. How are you going to get that? | 0:39:53 | 0:39:57 | |
Noemi would like every one of the country's one million child workers in a union. | 0:40:15 | 0:40:21 | |
You are a real militant. | 0:40:21 | 0:40:23 | |
From La Paz, I headed through the chilly splendour of the Andes | 0:40:38 | 0:40:42 | |
on my way towards a very different Bolivia, a region called the Yungas. | 0:40:42 | 0:40:47 | |
Here, it is warm, humid and rich in vegetation. | 0:41:03 | 0:41:07 | |
I'm in the mountains and I'm on my way to meet a family | 0:41:11 | 0:41:16 | |
which, like all those who farm on these hills, | 0:41:16 | 0:41:20 | |
is harvesting a crop which is the source of Bolivian's national drink. | 0:41:20 | 0:41:26 | |
-You leave the young leaves. -Si. | 0:41:41 | 0:41:44 | |
You pick the dark leaves. | 0:41:44 | 0:41:46 | |
Guillemina is one of that 40% of Bolivia's population who depend on agriculture for their livelihood. | 0:41:53 | 0:42:00 | |
In her case, the crop is coca. | 0:42:00 | 0:42:03 | |
It's a hard life, for a very modest income. | 0:42:03 | 0:42:07 | |
How many hours do you do this every day when you're picking? | 0:42:08 | 0:42:12 | |
How important is coca as a drink for the people of Bolivia? | 0:42:20 | 0:42:27 | |
And when you chew it... | 0:42:37 | 0:42:38 | |
-What effect does that have? -Si, si. | 0:42:41 | 0:42:43 | |
People have said to me that coca has a special spiritual value as well. | 0:42:53 | 0:42:59 | |
Can you explain that? | 0:42:59 | 0:43:01 | |
Pachamama is the fertility goddess, Mother Earth, | 0:43:24 | 0:43:27 | |
a mother who presides over the harvest, and in whose benevolence the family has unquestioning belief. | 0:43:27 | 0:43:33 | |
'Pachamama has been worshipped throughout the Andes for thousands of years.' | 0:43:33 | 0:43:39 | |
What struck me enormously about this | 0:43:39 | 0:43:41 | |
is the feeling that you pray to the earth, and it's in some way sacred. | 0:43:41 | 0:43:46 | |
For me it's wonderful to hear someone openly say, | 0:43:47 | 0:43:51 | |
"We say to the earth, 'Please give us good crops'" | 0:43:51 | 0:43:54 | |
without any sense of embarrassment at all. | 0:43:54 | 0:43:57 | |
It's a real belief, that I find very attractive. | 0:43:59 | 0:44:02 | |
The family harvest the crop three times a year. | 0:44:05 | 0:44:08 | |
It provides an average annual income of just over 2 a day. | 0:44:08 | 0:44:12 | |
Life on the margins. | 0:44:12 | 0:44:14 | |
There is one problem with the cultivation of coca. | 0:44:16 | 0:44:20 | |
The leaf contains ingredients that can be manufactured into a drug | 0:44:20 | 0:44:24 | |
that the governments of the world are pledged to stamp out. | 0:44:24 | 0:44:29 | |
Cocaine. | 0:44:29 | 0:44:31 | |
Bolivia is the third largest producer of the raw materials of cocaine in the world. | 0:44:37 | 0:44:42 | |
Before Morales, the US Drugs Agency operated freely here, | 0:44:44 | 0:44:49 | |
with the intention of eradicating coca farming completely. | 0:44:49 | 0:44:53 | |
HE SPEAKS SPANISH | 0:44:55 | 0:44:57 | |
Uh-huh. Gracias. | 0:44:57 | 0:44:59 | |
When Morales became president, the American enforcers were expelled. | 0:45:27 | 0:45:32 | |
The new government claimed it could tackle the cocaine problem | 0:45:32 | 0:45:35 | |
on its own. | 0:45:35 | 0:45:37 | |
But it has yet to succeed. | 0:45:37 | 0:45:38 | |
Production of cocaine continues to rise. | 0:45:38 | 0:45:41 | |
But the overwhelming majority of coca farmers | 0:45:45 | 0:45:48 | |
have no connection with narcotics | 0:45:48 | 0:45:50 | |
They don't like Bolivia still being treated as America's back yard. | 0:45:51 | 0:45:55 | |
I can only wonder what they must think, | 0:45:57 | 0:46:00 | |
how crass it is that government should say, | 0:46:00 | 0:46:02 | |
-"Sorry, your crop -can -damage other people's lives, | 0:46:02 | 0:46:06 | |
"therefore we're tearing it out." | 0:46:06 | 0:46:08 | |
Imagine what would happen if we said, | 0:46:08 | 0:46:10 | |
"Alcohol kills and causes untold damage, | 0:46:10 | 0:46:13 | |
"so we're taking out all the vineyards in the world." | 0:46:13 | 0:46:16 | |
It's an outrage to them that we could even contemplate it. | 0:46:16 | 0:46:19 | |
They must say to themselves, "Surely there's another way." | 0:46:19 | 0:46:23 | |
From the mountains in the west, to the lowlands in the north, | 0:46:28 | 0:46:32 | |
close to the border with Brazil. | 0:46:32 | 0:46:34 | |
The Madre de Dios is a tributary of the Amazon river. | 0:46:47 | 0:46:51 | |
From this region, deep in the rainforest, | 0:46:53 | 0:46:55 | |
they harvest 70% of the world's supply of what are called, unfairly, | 0:46:56 | 0:47:00 | |
Brazil nuts. | 0:47:00 | 0:47:02 | |
I've come to meet Nada Vaqueros, one of Bolivia's great campaigners. | 0:47:11 | 0:47:16 | |
A union activist, who's spent 20 years | 0:47:16 | 0:47:18 | |
fighting for the rights of the workers | 0:47:18 | 0:47:20 | |
who gather and shell the nuts. | 0:47:20 | 0:47:22 | |
-Nada? -Hi! | 0:47:22 | 0:47:24 | |
SHE SPEAKS QUECHUA | 0:47:24 | 0:47:26 | |
Riberalta! | 0:47:26 | 0:47:28 | |
Upwards of 700 people are employed | 0:47:42 | 0:47:45 | |
in this swelteringly hot factory, | 0:47:45 | 0:47:47 | |
one of 18 in the town. | 0:47:47 | 0:47:49 | |
Almost all the workers are women. | 0:47:50 | 0:47:52 | |
Their wages - £5 for a 12-hour shift. | 0:47:52 | 0:47:55 | |
'Nada has led strikes. | 0:48:17 | 0:48:20 | |
'She's been vilified and fired, but she's always come back for more. | 0:48:20 | 0:48:23 | |
'As a direct result, pay has gone up four-fold | 0:48:23 | 0:48:27 | |
'and the women, at last | 0:48:27 | 0:48:28 | |
'have some dignity.' | 0:48:28 | 0:48:30 | |
What were conditions like | 0:48:30 | 0:48:33 | |
until you started to agitate to improve them? | 0:48:33 | 0:48:36 | |
The work that's going on all around here is really hard | 0:49:11 | 0:49:14 | |
and I feel...humbled | 0:49:14 | 0:49:17 | |
by people like Nada. | 0:49:17 | 0:49:19 | |
What they have to achieve is quite astonishing, | 0:49:20 | 0:49:23 | |
more than most of us ever achieve in a lifetime. | 0:49:23 | 0:49:27 | |
So, it's a kind of privilege to be here, in all seriousness. | 0:49:29 | 0:49:32 | |
Nada hasn't been content | 0:49:49 | 0:49:50 | |
simply to make a radical difference | 0:49:50 | 0:49:53 | |
to the wages and conditions of the workers in the nut factories, | 0:49:53 | 0:49:56 | |
she's taken a step further. | 0:49:56 | 0:49:58 | |
She's managed to persuade - or, actually, virtually - | 0:49:58 | 0:50:01 | |
to force the government to build houses for them, as well. | 0:50:01 | 0:50:05 | |
Nada is an inspiration to the women of this region and beyond. | 0:50:07 | 0:50:11 | |
No-one has ever offered to improve the lot | 0:50:11 | 0:50:14 | |
of Bolivia's women. | 0:50:14 | 0:50:15 | |
She has insisted on it. | 0:50:15 | 0:50:17 | |
As a result, the workers are building more than 200 houses | 0:50:19 | 0:50:23 | |
on the edge of town, | 0:50:23 | 0:50:25 | |
thanks to an interest-free loan from the government. | 0:50:25 | 0:50:28 | |
When the project was declared open, | 0:50:30 | 0:50:32 | |
President Morales turned up for the ceremony in person. | 0:50:32 | 0:50:36 | |
Nada thought he was taking credit he didn't deserve. | 0:50:36 | 0:50:38 | |
The next thing you did was pour juice over him. | 0:50:41 | 0:50:43 | |
Why was that? | 0:50:43 | 0:50:45 | |
-So you threw the juice on him? -Si. | 0:51:01 | 0:51:03 | |
NADA IMITATES JUICE SPLASHING | 0:51:03 | 0:51:04 | |
-JONATHAN LAUGHS -What did he do? | 0:51:04 | 0:51:06 | |
SHE SPEAKS QUECHUA | 0:51:06 | 0:51:08 | |
Nada's implacable resolve | 0:51:11 | 0:51:13 | |
is not only changing lives in Riberalta, | 0:51:13 | 0:51:16 | |
it's transforming attitudes as well. | 0:51:16 | 0:51:18 | |
The new Bolivia is being built as much from the bottom up | 0:51:20 | 0:51:23 | |
as the top down. | 0:51:23 | 0:51:25 | |
Flying ever deeper into the rainforest, | 0:51:40 | 0:51:43 | |
I headed for a unique reminder of Bolivia's rich heritage. | 0:51:43 | 0:51:48 | |
In the 17th century, | 0:51:48 | 0:51:49 | |
when the country was ruled by Spain, | 0:51:49 | 0:51:52 | |
this remote region was at the very edge of the Catholic world. | 0:51:52 | 0:51:56 | |
San Ignacio de Moxos is a jungle settlement of 14,000 souls | 0:52:00 | 0:52:04 | |
that was founded in 1689 by two Jesuit missionaries. | 0:52:04 | 0:52:09 | |
Their legacy is music - | 0:52:10 | 0:52:12 | |
baroque harmonies from the age of Handel and Vivaldi, | 0:52:12 | 0:52:15 | |
which still flourish | 0:52:15 | 0:52:17 | |
in this isolated town. | 0:52:17 | 0:52:18 | |
HE SPEAKS SPANISH | 0:52:21 | 0:52:23 | |
Edgar Villa helps to run a music school. | 0:52:23 | 0:52:25 | |
He's an archivist who scours the community for music | 0:52:27 | 0:52:30 | |
that's been passed down through the centuries. | 0:52:30 | 0:52:33 | |
MAN SINGS | 0:52:53 | 0:52:58 | |
Missionary baroque still survives, | 0:53:05 | 0:53:08 | |
even in the smallest communities. | 0:53:08 | 0:53:11 | |
Marcel is an elder of the local church... | 0:53:11 | 0:53:13 | |
..who holds in his head the sacred melodies of his father's generation. | 0:53:14 | 0:53:19 | |
How was it passed down to you? | 0:53:37 | 0:53:39 | |
In this way, the music school has now assembled | 0:54:09 | 0:54:13 | |
hundreds of baroque scores from the surrounding community. | 0:54:13 | 0:54:16 | |
I could sit here all afternoon listening to this music, | 0:54:18 | 0:54:21 | |
being taken down the generations | 0:54:21 | 0:54:24 | |
and surviving for future generations. | 0:54:24 | 0:54:26 | |
It's wonderful. | 0:54:28 | 0:54:30 | |
CHOIR SINGS | 0:54:35 | 0:54:38 | |
The music school itself, | 0:54:38 | 0:54:39 | |
is an artistic beacon for more than 100 young students | 0:54:39 | 0:54:42 | |
from San Ignacio and the surrounding area. | 0:54:42 | 0:54:45 | |
CHOIR SINGS HYMN | 0:54:48 | 0:54:53 | |
It is extraordinary. | 0:54:53 | 0:54:55 | |
A small town in the middle of the jungle... | 0:54:55 | 0:54:58 | |
..a music school... | 0:54:59 | 0:55:00 | |
..and they're playing early baroque music... | 0:55:02 | 0:55:05 | |
..which has its origins here, nearly 400 years ago. | 0:55:06 | 0:55:09 | |
Until the 1970's, | 0:55:31 | 0:55:33 | |
the existence of Bolivian baroque was virtually unknown. | 0:55:33 | 0:55:36 | |
Now, it's renowned throughout the country, and in the world beyond. | 0:55:36 | 0:55:40 | |
The school is flourishing, | 0:55:41 | 0:55:44 | |
and - which is more impressive - | 0:55:44 | 0:55:46 | |
it draws exclusively on local talent. | 0:55:46 | 0:55:48 | |
Everyone in the choir and everyone in the orchestra | 0:55:52 | 0:55:56 | |
comes from the community? | 0:55:56 | 0:55:57 | |
Yes, everyone. Everyone in this school. | 0:55:57 | 0:56:00 | |
Because of the communication's here, | 0:56:00 | 0:56:04 | |
it's very difficult to arrive to this town. | 0:56:04 | 0:56:06 | |
It's very difficult to get to? | 0:56:06 | 0:56:08 | |
And the only way we can find people | 0:56:08 | 0:56:12 | |
is people from the town. | 0:56:12 | 0:56:14 | |
The baroque arrived | 0:56:15 | 0:56:17 | |
from an alien, colonial culture, | 0:56:17 | 0:56:19 | |
but it's been embraced and adapted - | 0:56:19 | 0:56:20 | |
European and native traditions woven together to form new harmonies. | 0:56:20 | 0:56:26 | |
There are many levels of mixture. | 0:56:28 | 0:56:31 | |
You can find music that remembers just to the natives. | 0:56:32 | 0:56:36 | |
But you are playing with a violin, a very European instrument. | 0:56:36 | 0:56:40 | |
And now you can find this instrument, | 0:56:40 | 0:56:43 | |
native instrument, playing very European music. | 0:56:43 | 0:56:47 | |
WOMAN SINGS | 0:56:47 | 0:56:51 | |
What I've seen on my journey so far, | 0:56:52 | 0:56:55 | |
makes a nonsense of our old-world cliches, | 0:56:55 | 0:56:57 | |
implying that the New World prefers | 0:56:57 | 0:57:00 | |
to snooze on the sidelines while the rest of us get on with it. | 0:57:00 | 0:57:04 | |
WOMAN SINGS | 0:57:04 | 0:57:07 | |
South America is moving fast, | 0:57:09 | 0:57:12 | |
but making its own future in its own way. | 0:57:12 | 0:57:14 | |
And very impressive it is. | 0:57:14 | 0:57:16 | |
Next week - | 0:57:37 | 0:57:38 | |
Colombia emerging from civil war... | 0:57:38 | 0:57:41 | |
..and Venezuela, wrestling with Hugo Chavez - | 0:57:44 | 0:57:47 | |
two very different visions for the New World. | 0:57:47 | 0:57:50 | |
# Gloria, gloria, gloria | 0:57:54 | 0:57:56 | |
# In excelsis deo | 0:57:56 | 0:57:59 | |
# Gloria | 0:57:59 | 0:58:02 | |
# In excelsis | 0:58:02 | 0:58:04 | |
# Gloria | 0:58:04 | 0:58:07 | |
# In excelsis | 0:58:07 | 0:58:09 | |
# Gloria | 0:58:09 | 0:58:12 | |
# In excelsis | 0:58:12 | 0:58:13 | |
# In excelsis deo | 0:58:13 | 0:58:17 | |
# Gloria in excelsis deo. # | 0:58:17 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:22 | 0:58:25 | |
E-mail [email protected] | 0:58:25 | 0:58:28 |