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My journey begins in one of the most lawless border areas in the world - | 0:00:52 | 0:00:57 | |
the North-West Frontier. | 0:00:57 | 0:00:59 | |
Many have tried to control it, few have ever succeeded. | 0:00:59 | 0:01:03 | |
I'm at the top of the Khyber Pass on the border between Pakistan and, out there, Afghanistan. | 0:01:03 | 0:01:10 | |
Through here have come some of the great armies of the world - | 0:01:10 | 0:01:13 | |
Alexander the Great brought an army through here, | 0:01:13 | 0:01:16 | |
Darius the Persian, Tamburlaine the Great and in 1842, | 0:01:16 | 0:01:20 | |
the lone survivor of the British Army's attempt to pacify Afghanistan | 0:01:20 | 0:01:25 | |
came staggering up this road to announce the annihilation of 17,000 of his comrades. | 0:01:25 | 0:01:31 | |
The reason there's such a concentration of history at this point | 0:01:31 | 0:01:34 | |
is that if you're coming in from the west, | 0:01:34 | 0:01:38 | |
this is the only way through this colossal range of mountains that eventually becomes The Himalaya. | 0:01:38 | 0:01:44 | |
Our route runs the length of the Himalaya from Pakistan, India and Nepal, | 0:02:04 | 0:02:08 | |
across into Tibet and China, south into Assam and Bhutan | 0:02:08 | 0:02:12 | |
and finally into Bangladesh, where the mud of the mountains spills into the Bay of Bengal. | 0:02:12 | 0:02:18 | |
We start on the Khyber Railway, pushed through the mountains by the British 80 years ago. | 0:02:22 | 0:02:28 | |
-A lot of tunnels, aren't there? -A lot of tunnels - 32 tunnels. | 0:02:28 | 0:02:31 | |
It cost £100,000 a mile. | 0:02:31 | 0:02:34 | |
TRAIN WHISTLE BLOWS | 0:02:34 | 0:02:36 | |
The engine's even older than the railway. | 0:02:37 | 0:02:40 | |
It was built in Lancashire in 1916. The driver's a lot younger! | 0:02:40 | 0:02:44 | |
70 years ago, a train like this would probably been full of British soldiers, | 0:02:59 | 0:03:04 | |
taking a last unregretful look at one of the most inhospitable postings on earth. | 0:03:04 | 0:03:10 | |
Glaring heat, bare rock faces, home today to the mansions of the local warlords. | 0:03:10 | 0:03:16 | |
Like many small spectacular railways, it owes its survival more to love than business. | 0:03:22 | 0:03:29 | |
What brings you up the Khyber today? | 0:03:29 | 0:03:32 | |
-I'm a regular visitor. -Oh, oh, right. -Yeah. | 0:03:32 | 0:03:35 | |
I just came from Dubai. | 0:03:35 | 0:03:37 | |
-From Dubai? -Yeah. This morning. | 0:03:37 | 0:03:40 | |
Just got off at the airport, hopped onto the train and to the Khyber. | 0:03:40 | 0:03:45 | |
You must be rather fond of railways, then? | 0:03:45 | 0:03:48 | |
Definitely. Steam is my passion. | 0:03:48 | 0:03:50 | |
With 34 tunnels and 92 bridges and cuttings along its 27 mile length, | 0:03:55 | 0:04:00 | |
the Khyber Railway has obvious tourist potential. | 0:04:00 | 0:04:03 | |
But where are the tourists? | 0:04:03 | 0:04:05 | |
Is it difficult to get the train up and running these days? | 0:04:05 | 0:04:09 | |
Well, definitely, you know, just because of whatever is the political situation that's not stable, | 0:04:09 | 0:04:16 | |
so that's why we're not getting enough tourists in Pakistan. | 0:04:16 | 0:04:19 | |
So that's why it's very difficult for us to operate this train, | 0:04:19 | 0:04:22 | |
because unless we're not having enough tourists, how can we operate this train? | 0:04:22 | 0:04:26 | |
So these are the privileged few - opinion-formers, local worthies, | 0:04:26 | 0:04:31 | |
city boys who the owners hope will be impressed enough by what they see to keep the railway alive. | 0:04:31 | 0:04:37 | |
Do you think there's any danger in people coming here? | 0:04:43 | 0:04:45 | |
-No. No. -No, not now, not even before, | 0:04:45 | 0:04:49 | |
because Pakistani people are very much hospitable people | 0:04:49 | 0:04:52 | |
and they will take care especially to their...um...guests, I mean, much more than their self. | 0:04:52 | 0:04:59 | |
The train is a reassuring presence in a highly volatile area. | 0:04:59 | 0:05:03 | |
It would be a great loss if the threat of violence deprived this country and the world | 0:05:03 | 0:05:08 | |
of the modest delights of the Khyber Railway. | 0:05:08 | 0:05:11 | |
The train still has a few miles to go to its terminus in Peshawar, | 0:05:40 | 0:05:44 | |
but we're getting off here to spend a bit more time | 0:05:44 | 0:05:47 | |
in this extraordinary corner of Pakistan's Wild West. | 0:05:47 | 0:05:51 | |
A tribal land based on two great principles - hospitality and revenge. | 0:05:51 | 0:05:57 | |
GUNSHOTS | 0:05:59 | 0:06:01 | |
You can hear Darra from miles away. | 0:06:02 | 0:06:04 | |
It sounds as if there's a pitched battle going on. | 0:06:04 | 0:06:08 | |
But it's just business as usual in the town that lives on guns. | 0:06:08 | 0:06:13 | |
Why are they located here? | 0:06:13 | 0:06:15 | |
Well, it's a very perfect location to have this involvement... | 0:06:15 | 0:06:20 | |
the gun factories surrounded by the mountains and for years these people have been... oh! | 0:06:20 | 0:06:25 | |
-'My guide, nearly my ex-guide, is Zahoor Duranni.' -..making guns for almost 120 years. | 0:06:25 | 0:06:31 | |
-For these particular tribal people here? -Yes, exactly. | 0:06:31 | 0:06:34 | |
That's why you see this is only just here, nowhere else in the frontier. | 0:06:34 | 0:06:39 | |
'The arms industry in Darra may be in the hands of small shopkeepers, | 0:06:39 | 0:06:43 | |
'but they can produce an exact copy of any of the world's shooters.' Another arcade of gun shops. | 0:06:43 | 0:06:49 | |
Yes, you can see... GUNSHOTS | 0:06:49 | 0:06:52 | |
like the volleying of guns and selling and buying... | 0:06:52 | 0:06:57 | |
GUNSHOTS See? You bought a gun, you have to try the gun. | 0:06:59 | 0:07:03 | |
'Arms manufacture is a proud and honourable tradition,' | 0:07:03 | 0:07:06 | |
and the gunsmiths of Darra look more like scholars bent over ancient texts. | 0:07:06 | 0:07:10 | |
Each deadly weapon made with tender loving care. | 0:07:10 | 0:07:14 | |
HE SPEAKS LOCAL LANGUAGE | 0:07:18 | 0:07:20 | |
See, this is the mini version of the Kalashnikov, the Russian-made gun. | 0:07:22 | 0:07:28 | |
Kalashnikov - the AK47 everyone knows about. Yeah. | 0:07:28 | 0:07:32 | |
So these are the parts, you see? | 0:07:32 | 0:07:36 | |
-This part... -So, they're making part of this weapon, | 0:07:36 | 0:07:41 | |
-and in other parts of Darra there will be workshops making other parts? -Yes, exactly. | 0:07:41 | 0:07:46 | |
Each shop specialises in certain, I would say, these bits and pieces and then they put together. | 0:07:46 | 0:07:53 | |
Here, it seems a lot of it can be done by hand in very old-fashioned, labour-intensive methods. | 0:07:53 | 0:08:00 | |
Oh, that's the very interesting part - that's the best part of it - | 0:08:00 | 0:08:04 | |
that everything, most of these things are done by hand. | 0:08:04 | 0:08:07 | |
Yeah, and who are these guns bought by, largely? | 0:08:07 | 0:08:11 | |
You see we are in tribal territory, | 0:08:11 | 0:08:13 | |
-and there are hundred and thousands of people living in the tribal free territory. -Yeah. | 0:08:13 | 0:08:19 | |
Here you do not need to have a licence to have a gun. | 0:08:19 | 0:08:23 | |
The young ones, the old ones, from time to time they exchange guns like people exchange car, | 0:08:23 | 0:08:29 | |
so we feel that it would be better to have a new gun, a better gun, | 0:08:29 | 0:08:33 | |
you can bring this old gun, sell it and buy a new gun. | 0:08:33 | 0:08:36 | |
-GUNFIRE -The prices are frighteningly reasonable. | 0:08:36 | 0:08:40 | |
A tenner will buy you something simple and effective, | 0:08:40 | 0:08:43 | |
whilst a top of the range Kalashnikov will set you back £80. | 0:08:43 | 0:08:46 | |
If you prefer to shop around, you'll find there's nothing they can't do for you. | 0:08:46 | 0:08:50 | |
-Do you have like sort of James Bond...? -Pen pistol? | 0:08:50 | 0:08:54 | |
-Oh, yes, he's got a pen pistol! -I mean, you know, he's always very well-armed, isn't he? | 0:08:54 | 0:09:00 | |
Now, this is the pen, you can sign and you can even use your cheques, and you can... | 0:09:01 | 0:09:07 | |
-I was joking! He really has got one! -Now look and see. | 0:09:07 | 0:09:11 | |
This is the top, we take off this top and then you but the bullet here - | 0:09:11 | 0:09:15 | |
22-calibre bullet. | 0:09:15 | 0:09:17 | |
-And there you are signing "Sincerely yours, James Bond..." -Yes. | 0:09:17 | 0:09:22 | |
Then WHOOMPH! That's the size of the bullet? | 0:09:22 | 0:09:25 | |
Oh, I see, yeah, James Bond... tiny bullet. | 0:09:25 | 0:09:28 | |
-What range would this kill someone? -THEY SPEAK LOCAL LANGUAGE | 0:09:29 | 0:09:33 | |
About 30 to 40 yard distance you can really hit somebody. | 0:09:36 | 0:09:41 | |
-Right across the street, wow. -Yes. | 0:09:41 | 0:09:43 | |
-A-ha! -Look at that, look at that! | 0:09:46 | 0:09:50 | |
That's the one for signing contracts, isn't it? | 0:09:50 | 0:09:53 | |
'As we leave Darra, Zahoor explains that on the North-West Frontier, | 0:09:54 | 0:09:58 | |
'people carry guns the way the English carry umbrellas. | 0:09:58 | 0:10:01 | |
'Which might account for the bizarre gentility of the place - picturesque and perilous, laid back and lethal.' | 0:10:01 | 0:10:08 | |
VERY LOUD GUNFIRE | 0:10:08 | 0:10:12 | |
Peshawar, capital of North-West Frontier Province, | 0:10:19 | 0:10:22 | |
is a city of bazaars, each with its own speciality. | 0:10:22 | 0:10:26 | |
Chargan Mandi is Chicken Market, Sabzi Mandi is Vegetable Market | 0:10:26 | 0:10:31 | |
and Chour Bazaar is basically Things That Have Fallen Off The Back Of A Lorry Market. | 0:10:31 | 0:10:36 | |
In the heart of the city, is a area devoted entirely to teeth. | 0:10:36 | 0:10:40 | |
-Every other shop seems to be a dentist. -It is. | 0:10:42 | 0:10:45 | |
-Pair of teeth. Look at that. -Very impressive. | 0:10:45 | 0:10:49 | |
HE SPEAKS LOCAL LANGUAGE | 0:10:49 | 0:10:51 | |
-Can we have a look inside? -Yes, please, let's go. | 0:10:51 | 0:10:55 | |
'Abdul Wahid is proprietor of one of Peshawar's foremost establishments. | 0:10:55 | 0:11:00 | |
'I've been having a spot of trouble with my canines and it looks as if Abdul Wahid is the man. | 0:11:00 | 0:11:07 | |
'He didn't go to dental school, but picked it up from an uncle. | 0:11:07 | 0:11:10 | |
'If I do need a filling, his charges are a bargain.' | 0:11:10 | 0:11:14 | |
-Ranges from 50 rupees which is about 50p. -50 pence, yeah. | 0:11:14 | 0:11:19 | |
50 pence to about a pound, a pound-and-a-half, two pounds. | 0:11:19 | 0:11:24 | |
I had quite a problem with my teeth when I was young, apparently because I had too much sugar, | 0:11:24 | 0:11:29 | |
and quite a few teeth had to be replaced. | 0:11:29 | 0:11:32 | |
Maybe he could look in my mouth and see and see what he can find? | 0:11:34 | 0:11:39 | |
SPEAKS LOCAL LANGUAGE | 0:11:39 | 0:11:41 | |
I'd be interested to know what he finds in there. | 0:11:41 | 0:11:45 | |
He's...oh, got strong hands. | 0:11:45 | 0:11:48 | |
'As Mr Wahid probes my mouth with a finger like a tree trunk, | 0:11:48 | 0:11:52 | |
'all I can do is lie back and think of England.' | 0:11:52 | 0:11:56 | |
He says it needs a bit of cleaning. | 0:12:01 | 0:12:03 | |
-You want...to scrub your teeth? -I what? | 0:12:03 | 0:12:07 | |
-To clean it? -Yes. | 0:12:07 | 0:12:09 | |
-You need cleaning. -I do. Don't tell my dentist if he's watching. | 0:12:09 | 0:12:13 | |
Bernie, I do clean them, honestly. Yeah, yeah, I know. | 0:12:13 | 0:12:17 | |
-I've just had breakfast! -Ah, yes. | 0:12:17 | 0:12:20 | |
If he was going to give me a filling or something like that and do some treatment, | 0:12:20 | 0:12:25 | |
-would he use...is this his drill? Can he show me the drill? -Oh, yes, he has the drill machine. | 0:12:25 | 0:12:31 | |
-Well, can he show it to me? -HE SPEAKS LOCAL LANGUAGE | 0:12:31 | 0:12:34 | |
-I see...yeah, that's it. -DRILL BUZZES | 0:12:42 | 0:12:47 | |
'I'm not entirely reassured. | 0:12:48 | 0:12:50 | |
'It looks like the sort of thing you put bathroom cabinets up with.' | 0:12:50 | 0:12:55 | |
Ah, so a little portable drill. | 0:12:56 | 0:12:58 | |
So this is, the whole business is really why he stays here in this little corner, | 0:12:58 | 0:13:04 | |
is because he's popular with the local people? | 0:13:04 | 0:13:08 | |
-I'm sure he's very busy because the prices are good. -Ah, so hat's your drill. | 0:13:08 | 0:13:14 | |
Can we see it working? | 0:13:14 | 0:13:17 | |
Hold it up for our camera there. | 0:13:17 | 0:13:20 | |
-DRILL BUZZES -Yeah, that's a mean looking drill. | 0:13:20 | 0:13:23 | |
Yeah. | 0:13:23 | 0:13:25 | |
-I don't think I need any fillings, do I? -No, no. | 0:13:25 | 0:13:28 | |
I don't...I don't need fillings, because my... I've got no teeth! | 0:13:28 | 0:13:32 | |
What is really reassuring is to sit here, | 0:13:32 | 0:13:36 | |
with my poor old teeth and look ahead of me at that on the wall! | 0:13:36 | 0:13:41 | |
I can see there, the image of how teeth should be. | 0:13:41 | 0:13:44 | |
Yes, very nice! That's very nice. | 0:13:44 | 0:13:48 | |
But there's something in Pakistan that is even more important than dentistry. | 0:13:48 | 0:13:53 | |
Cricket is Pakistan's national obsession, played at any spare moment | 0:13:54 | 0:14:00 | |
on any spare patch of ground and the younger they are, the keener they are. | 0:14:00 | 0:14:04 | |
'I've learned a few tricks in my time, | 0:14:04 | 0:14:09 | |
'after all, we invented the game! | 0:14:09 | 0:14:10 | |
'So I thought these youngsters might benefit from seeing an old hand at work.' | 0:14:10 | 0:14:17 | |
'The bowler looks a trifle over-confident.' | 0:14:21 | 0:14:24 | |
'Justifiably so, as it turns out.' | 0:14:32 | 0:14:36 | |
Out, was it...? | 0:14:36 | 0:14:38 | |
Still standing, but where are the bails? | 0:14:38 | 0:14:41 | |
-It's gone! -All right, OK. | 0:14:41 | 0:14:45 | |
OK. Good bowling. | 0:14:45 | 0:14:48 | |
'Come to think of it, batting was never my strong point at school, | 0:14:48 | 0:14:51 | |
'where I concentrated most of my efforts on developing the unplayable delivery.' | 0:14:51 | 0:14:56 | |
Four runs - oh, well. 'Well, at least I restricted him to four! | 0:15:02 | 0:15:06 | |
'Now it's time to put the heat on.' | 0:15:06 | 0:15:08 | |
Embarrassing! No ball. | 0:15:10 | 0:15:13 | |
'I decide the only thing for it is to forget the cricket and concentrate on the comedy. | 0:15:13 | 0:15:19 | |
'And it works!' | 0:15:19 | 0:15:21 | |
Middle stone! | 0:15:21 | 0:15:24 | |
How was that?! | 0:15:24 | 0:15:26 | |
How was THAT?! | 0:15:26 | 0:15:29 | |
YAY! Hey, wow! Yeah! | 0:15:29 | 0:15:32 | |
Next day, I have to be strictly on my best behaviour as I'm welcomed by a guard of honour | 0:15:40 | 0:15:46 | |
to the estate of one of the last great country landowners left in Pakistan. | 0:15:46 | 0:15:50 | |
This is the home of Prince Malik Ata Muhammed Khan. | 0:15:54 | 0:15:58 | |
It's modelled on the Royal Military Academy, Sandhurst. | 0:15:58 | 0:16:02 | |
From the open carriage that greets me, to the magnificent Palomino horses that draw it, | 0:16:02 | 0:16:07 | |
it's clear Prince Malik believes in doing things properly. | 0:16:07 | 0:16:11 | |
-Good morning Michael, very nice to see you. -Good morning. Thank you very much. | 0:16:11 | 0:16:15 | |
-I hope you are enjoying travelling here. -It's a wonderful way to arrive, such style. | 0:16:15 | 0:16:19 | |
-And you'll see some very good bull races tomorrow. -That's something I've heard are legendary. | 0:16:19 | 0:16:23 | |
-Yes, there it is. -You have some of the finest racing bulls, I gather. | 0:16:23 | 0:16:28 | |
Oh, it's so cool in here. | 0:16:28 | 0:16:30 | |
-Much cooler in here. -This is lovely. | 0:16:30 | 0:16:32 | |
'Prince Malik appears to live alone, but always eats at a fully laid table. | 0:16:32 | 0:16:36 | |
'A bottle stands promisingly in front of me, but this being an officially dry country, | 0:16:36 | 0:16:41 | |
-'the wine waiter has a more limited selection.' -There. -Thank you. | 0:16:41 | 0:16:45 | |
Ah, this is very nice. So you, you ride yourself? | 0:16:45 | 0:16:50 | |
Yes, I always ride, I... | 0:16:50 | 0:16:51 | |
'The prince is an engaging man, but no shrinking violet.' | 0:16:51 | 0:16:54 | |
I participated in a world championship | 0:16:54 | 0:16:57 | |
in Los Angeles, and I won the silver lance of Los Angeles from there | 0:16:57 | 0:17:01 | |
and we were riding at Santa Barbara and I was the world champion in 1982. | 0:17:01 | 0:17:06 | |
Obviously appearances are very important to you, | 0:17:06 | 0:17:08 | |
and I can see from the marvellous Palominos that drew the coach | 0:17:08 | 0:17:13 | |
and the waistcoats in gold and black that your servants are wearing. | 0:17:13 | 0:17:19 | |
-Can you tell me a little about how...? -This is old traditional livery in our house, Michael, | 0:17:19 | 0:17:24 | |
but things are going to change. | 0:17:24 | 0:17:26 | |
I am the last of the dinosaurs and with me everything goes. You see, the new generation - | 0:17:26 | 0:17:32 | |
the boys who are coming up now are very highly educated. They live in towns, they hate the country life, | 0:17:32 | 0:17:39 | |
they hate the hazards, they don't want to look after a sick horse or a sick cow. | 0:17:39 | 0:17:44 | |
so I don't think that this is the last of them. After me it finishes. | 0:17:44 | 0:17:50 | |
I noticed a lot of the people I saw today, and indeed you yourself, have these splendid moustaches. | 0:17:50 | 0:17:56 | |
-Is that very particular for this area? -Well, moustaches are very particular to this area | 0:17:56 | 0:18:02 | |
and then as serving in the old British Army, | 0:18:02 | 0:18:05 | |
people used, used to get a pension for the moustache also - | 0:18:05 | 0:18:09 | |
they would get a special payment for the moustache. | 0:18:09 | 0:18:11 | |
But the highlight of my visit is an afternoon at the races. | 0:18:15 | 0:18:19 | |
The prince is entering four pairs of his pedigree Dhanni bulls. | 0:18:19 | 0:18:23 | |
Bull racing is one of the chief entertainments laid on for the local people as a harvest celebration. | 0:18:42 | 0:18:48 | |
It's like a manic country fair. A chance to make a lot of noise, dress your livestock in their Sunday best, | 0:18:48 | 0:18:54 | |
forget about work, and maybe have a bit of a flutter on your favourite bull. | 0:18:54 | 0:19:00 | |
The bulls are fed a diet of milk and honey, and after being paraded around, | 0:19:13 | 0:19:19 | |
are taken to the start and yoked into pairs. | 0:19:19 | 0:19:21 | |
This is the most critical part of the race. | 0:19:24 | 0:19:27 | |
Can these straining bulls be held long enough | 0:19:27 | 0:19:30 | |
to get the riders on their boards when the flag goes down? | 0:19:30 | 0:19:33 | |
It's a race against the clock on a 600 yard course and there's a Toyota for the winner! | 0:19:35 | 0:19:40 | |
Audience participation is quite common | 0:19:49 | 0:19:51 | |
as most bulls just want to get off the course and back home as soon as possible. | 0:19:51 | 0:19:56 | |
There's terrific pent up energy here. | 0:19:58 | 0:20:00 | |
And when it's all unleashed, it puts Formula One in the shade. | 0:20:00 | 0:20:04 | |
And the people who are here today, are they people who work in the local area? | 0:20:27 | 0:20:33 | |
They're all farmers. | 0:20:33 | 0:20:35 | |
They work on the farms and they all keep these bulls, | 0:20:35 | 0:20:40 | |
these bulls are well kept than their own children. | 0:20:40 | 0:20:43 | |
They are fed with honey, they are fed with almonds, they are fed with all the best things in the world - | 0:20:43 | 0:20:49 | |
butter, and they are fed on many eggs and they are brought into this race. | 0:20:49 | 0:20:54 | |
-They are fed on many goodies. -Someone told me they were fed something stronger just before they go. | 0:20:54 | 0:20:59 | |
-Yes, they do. -A little bit of alcohol? -A home-brewed alcohol. -Really? -Yes. | 0:20:59 | 0:21:04 | |
-So these bulls are really...? -They're raring now to go. | 0:21:04 | 0:21:07 | |
-Some going off now. They're going... -No, they're going the wrong way. | 0:21:07 | 0:21:12 | |
How many actually get to the finish? | 0:21:12 | 0:21:15 | |
Well, the line is very long - it's 600 yards line. | 0:21:15 | 0:21:19 | |
And only a horse could do that. | 0:21:19 | 0:21:22 | |
It's really difficult for a bull to run that long. | 0:21:22 | 0:21:26 | |
Yes, I mean some just go off into the crowds. | 0:21:26 | 0:21:30 | |
Yes, because they have learned, | 0:21:30 | 0:21:32 | |
running all that way and then once they get off the track, they know it's easier! | 0:21:32 | 0:21:37 | |
-So they're the intelligent ones - the ones who get off the track. -Ones that are dumb, | 0:21:37 | 0:21:43 | |
and have had many alcohol drinks, | 0:21:43 | 0:21:45 | |
-they go straight on. Others turn off! -I know the feeling! | 0:21:45 | 0:21:49 | |
-Is it dangerous for the riders and the crowd? -It is dangerous, | 0:21:49 | 0:21:53 | |
because I can show you one of the jockeys, who have ridden 25 years on this track, has lost an arm. | 0:21:53 | 0:22:00 | |
This, this is the gentleman you see, lost his arm running with bulls. | 0:22:00 | 0:22:05 | |
Oh, dear...yeah. | 0:22:05 | 0:22:07 | |
-Well, that's... -Do you want him up here? | 0:22:07 | 0:22:10 | |
How did he lose his arm? | 0:22:16 | 0:22:19 | |
He was stuck in the sledge. | 0:22:19 | 0:22:21 | |
-How do you do? -And the bulls pulled him off. So the arm cut off. | 0:22:21 | 0:22:26 | |
And what about people watching? Do they tend to get hurt? | 0:22:26 | 0:22:30 | |
People watching are in more danger, | 0:22:30 | 0:22:32 | |
because if they come between a truck and a...then nothing is left of the... | 0:22:32 | 0:22:37 | |
-Is anybody killed, then? -Oh, we had a big race - killed many people. | 0:22:37 | 0:22:42 | |
-Seriously? -Yes, seriously. | 0:22:42 | 0:22:45 | |
Some of the men run with the bulls, are they allowed to do that? | 0:22:45 | 0:22:49 | |
Well, in the olden days the men were stronger, because I have seen some very fine runners. | 0:22:49 | 0:22:55 | |
There's a good pair coming. Look, it's a wonderful pair. | 0:22:55 | 0:22:59 | |
Wonderful pair. | 0:22:59 | 0:23:01 | |
No, I think that... No, the bulls are good. | 0:23:01 | 0:23:06 | |
The rider - they are all good. | 0:23:06 | 0:23:08 | |
-Oh, he has gone off the track! -Nearly there. -That is an experienced... | 0:23:10 | 0:23:15 | |
-that is a very experienced bull. -But they were going really well. | 0:23:15 | 0:23:19 | |
They were going very well, but he has gone off the track. | 0:23:19 | 0:23:21 | |
-Do you have any bulls in the race? -I had four bulls. Four pairs. | 0:23:21 | 0:23:24 | |
-Have they raced yet? -All of them - one raced through the track, the other went their different ways. | 0:23:24 | 0:23:29 | |
-No-one reached the end, unfortunately. -That doesn't look so good for you, does it? | 0:23:29 | 0:23:34 | |
No, it does look good for me, because I give away the prizes for the poor people, not for me. | 0:23:34 | 0:23:40 | |
Then all of a sudden, we're the ones in the firing line. | 0:23:42 | 0:23:46 | |
The prince screams at us to run, but it takes more than a raging bull to make Nigel turn his camera off, | 0:23:48 | 0:23:54 | |
and thankfully, we live to film another day. | 0:23:54 | 0:23:57 | |
Nowhere exemplifies the art of travel better than Peshawar Bus Station. | 0:24:03 | 0:24:08 | |
On the North-West Frontier, no vehicle is allowed to go unadorned | 0:24:08 | 0:24:11 | |
and operators spend time and money trying to outdo each other. | 0:24:11 | 0:24:14 | |
Amidst all the colour and confusion, a woman walks with her daughter - | 0:24:16 | 0:24:20 | |
a rare sight in a land where public life is for men. | 0:24:20 | 0:24:24 | |
-Here's your bus. -How do you know? | 0:24:27 | 0:24:30 | |
-Ah, because it says 6808. -Ah, right - Chitral bus. | 0:24:30 | 0:24:34 | |
-This is the Chitral bus. -OK, so I get on this one? | 0:24:34 | 0:24:37 | |
-Oh, yes, please. -Thank you for helping me to understand Peshawar a little better. -Good luck. | 0:24:37 | 0:24:44 | |
Yes, OK, goodbye. | 0:24:44 | 0:24:47 | |
THEY SPEAK LOCAL LANGUAGE | 0:24:52 | 0:24:55 | |
This is mine? OK. Thank you. | 0:24:56 | 0:24:59 | |
It's good value. | 0:25:02 | 0:25:04 | |
Good value, isn't it? Chitral and back for ten pounds. | 0:25:04 | 0:25:10 | |
This bus does go to Chitral, doesn't it? | 0:25:12 | 0:25:15 | |
'It doesn't, as it happens, and for one very good reason.' | 0:25:16 | 0:25:20 | |
The road to Chitral has to climb a 10,000 foot pass | 0:25:20 | 0:25:24 | |
and down 43 hairpin bends on the other side. | 0:25:24 | 0:25:27 | |
Forget about buses, it's frightening enough in a four wheel drive. | 0:25:27 | 0:25:31 | |
The Lowari Pass is the only connection to the furthest valleys of the North-West Frontier, | 0:25:44 | 0:25:49 | |
and only opens when the snows melt at the end of a six month winter. | 0:25:49 | 0:25:54 | |
This is my first taste of the high mountain ranges | 0:26:08 | 0:26:12 | |
and with it go any lingering hopes that this journey might be easier than we thought. | 0:26:12 | 0:26:17 | |
The reward for those who make it across the pass | 0:26:37 | 0:26:40 | |
is the green and pleasant land of Chitral, | 0:26:40 | 0:26:43 | |
occupying a narrow valley hard up against the Afghan border. | 0:26:43 | 0:26:48 | |
HE SINGS PRAYER | 0:26:48 | 0:26:50 | |
Cut off from the rest of Pakistan for half the year, | 0:26:53 | 0:26:57 | |
the Chitralis are very much their own men. Until 30 years ago, they were ruled by the Ul-Mulk family. | 0:26:57 | 0:27:04 | |
'Siraj, heir to the dynasty, shows me inside the mosque his grandfather built. | 0:27:04 | 0:27:09 | |
'A madrassa - a religious school - is in full swing. | 0:27:12 | 0:27:15 | |
'Encouraged by the religious severity that has spread across the Afghan border, | 0:27:20 | 0:27:25 | |
'subjects like science and maths are considered less important than learning the Koran. | 0:27:25 | 0:27:31 | |
'Not only must the boys learn every word, they learn them in Arabic, a language quite foreign to them.' | 0:27:31 | 0:27:36 | |
Whatever his feelings about the use of the family mosque, | 0:27:39 | 0:27:43 | |
Siraj is unequivocally proud of Chitral's polo ground. | 0:27:43 | 0:27:47 | |
Chitral is where polo started. This is where the game was born. | 0:27:47 | 0:27:50 | |
Really? In this town? | 0:27:50 | 0:27:53 | |
This town, yes. And the British modified it and took it to other parts of the world, | 0:27:53 | 0:27:58 | |
and you see it being played in places like Hurlingham or in Palm Beach in the modified way. | 0:27:58 | 0:28:06 | |
But over here, they play it in the original form - | 0:28:06 | 0:28:09 | |
no rules, no umpire, no referee, | 0:28:09 | 0:28:12 | |
and everyone enjoys it. You don't have to be a rich man to play polo. | 0:28:12 | 0:28:17 | |
The reason why such a crowd came to watch an evening practice match | 0:28:22 | 0:28:26 | |
is that in less than a week, a team selected from these players will represent Chitral | 0:28:26 | 0:28:32 | |
in the toughest of all polo games. It's the annual needle-match against arch rivals Gilgit - | 0:28:32 | 0:28:38 | |
played at 12,000 feet, up on the Shandur Pass, the highest polo ground in the world. | 0:28:38 | 0:28:45 | |
There used to be talk of ancient polo games played without a ball, | 0:28:45 | 0:28:49 | |
but with the head of a sort of sheep and all sorts of things. | 0:28:49 | 0:28:53 | |
The head of the... the head of the enemy too, | 0:28:53 | 0:28:57 | |
is what legend says about polo over here, | 0:28:57 | 0:29:00 | |
but how true that is, I don't know. | 0:29:00 | 0:29:04 | |
They won't be knocking heads around on the Shandur Pass, | 0:29:04 | 0:29:08 | |
but it will be a great battle, and many of these locals, along with ourselves, will be there to watch. | 0:29:08 | 0:29:14 | |
Older even than polo, is the music of the Chitral Valley. | 0:29:19 | 0:29:23 | |
Songs and poems which Siraj describes as being "locked in the mountains." | 0:29:23 | 0:29:28 | |
Songs about he beauty of the valley or the beauty of the local women, | 0:29:32 | 0:29:35 | |
who are conspicuously absent, are accompanied by a variety of very old instruments...and one very new one. | 0:29:35 | 0:29:42 | |
The performance follows a traditional pattern, | 0:29:50 | 0:29:53 | |
with the tempo gradually building as the audience urges on the dancers. | 0:29:53 | 0:29:57 | |
The future of music like this is threatened, | 0:30:11 | 0:30:14 | |
partly by the apathy of the young, and partly by religious laws that disapprove of music. | 0:30:14 | 0:30:20 | |
All of which might account for intensity with which the faithful few keep it alive. | 0:30:20 | 0:30:26 | |
The massive mountain systems on the Pakistan-Afghan border are sliced through with gorges and ravines. | 0:31:04 | 0:31:11 | |
Narrow tracks, clinging to the rock walls by their fingernails, are the only way into these hidden valleys, | 0:31:11 | 0:31:18 | |
which for centuries have offered an unassailable refuge to those who want to hide away from the world. | 0:31:18 | 0:31:24 | |
Deep in one of these remote gorges lives a people whose religion, culture and entire way of life | 0:31:28 | 0:31:34 | |
is different from anywhere else in Pakistan. | 0:31:34 | 0:31:38 | |
The Kalash have no cars or televisions, but they have a school, where for one day only, | 0:31:38 | 0:31:43 | |
-'I've been appointed Visiting Professor of English.' Hello. -Hello. | 0:31:43 | 0:31:47 | |
ALL: Good morning, sir! | 0:31:47 | 0:31:50 | |
Thank you, thank you very much. Ah, that was very good. | 0:31:50 | 0:31:55 | |
TEACHER SPEAKS URDU | 0:31:55 | 0:31:58 | |
-OK, shall I sit down here with them? -Have a seat. -Thank you. Hello! | 0:32:03 | 0:32:08 | |
I've been asked to give you a lesson in English. | 0:32:08 | 0:32:13 | |
I want to teach you... | 0:32:13 | 0:32:16 | |
parts of the body. So... | 0:32:16 | 0:32:19 | |
What is this? | 0:32:19 | 0:32:21 | |
-Head! -Head! -Head. | 0:32:23 | 0:32:25 | |
-Head. -Head. | 0:32:25 | 0:32:28 | |
That's right. | 0:32:28 | 0:32:30 | |
That was very good. Say it again. | 0:32:30 | 0:32:33 | |
-Head! -Head. Very good indeed! | 0:32:36 | 0:32:38 | |
What's in the middle of the head? You can't miss that, because it's very big! | 0:32:38 | 0:32:43 | |
-Nose! -Nose! | 0:32:43 | 0:32:45 | |
Nose. Nose, that's very good. | 0:32:45 | 0:32:47 | |
-And...? -ALL: Mouth! | 0:32:47 | 0:32:50 | |
Neck! | 0:32:50 | 0:32:51 | |
Arm. | 0:32:51 | 0:32:53 | |
-Hand. -Hand. | 0:32:56 | 0:32:58 | |
This is all hand... | 0:32:58 | 0:33:00 | |
but what's this? | 0:33:00 | 0:33:02 | |
-Thumb! -Thumb, very good, thumb. | 0:33:02 | 0:33:04 | |
And these are? | 0:33:04 | 0:33:06 | |
Fingers! | 0:33:06 | 0:33:08 | |
-One... -One finger. | 0:33:08 | 0:33:10 | |
Two fingers. | 0:33:10 | 0:33:12 | |
-Two fingers! -Three fingers! | 0:33:12 | 0:33:15 | |
-Four...! -No fingers! | 0:33:15 | 0:33:19 | |
-Thumb! -Thumb! | 0:33:19 | 0:33:21 | |
-And now, this one here? All right, this one here? -Leg. Leg. | 0:33:21 | 0:33:26 | |
Leg, that's good - leg. | 0:33:26 | 0:33:28 | |
And on end of leg? | 0:33:28 | 0:33:30 | |
-Boots! -Boots, no, no. Yes, that's boots, that's shoes... -Shoes. Shoes. | 0:33:30 | 0:33:35 | |
But if I take shoe off, what's in there, then? Away with shoe! | 0:33:35 | 0:33:41 | |
-Shoes... Foot! -Foot, that's right. Foot. | 0:33:41 | 0:33:45 | |
Very good. That's foot and that's shoe. | 0:33:45 | 0:33:48 | |
Come on shoe, it's a very naughty shoe, this won't stay on my... Oh! | 0:33:48 | 0:33:52 | |
CHILDREN GIGGLE LOUDLY | 0:33:52 | 0:33:54 | |
How will I get my shoe? | 0:33:57 | 0:34:00 | |
Brilliant! | 0:34:05 | 0:34:07 | |
Come on! | 0:34:07 | 0:34:09 | |
-Up you get! Oh, hey, very good! -CHILDREN GIGGLE | 0:34:09 | 0:34:14 | |
Very good. Now, that's a very bad shoe, very bad! | 0:34:14 | 0:34:17 | |
Whoa! | 0:34:17 | 0:34:18 | |
Off again! | 0:34:20 | 0:34:22 | |
Oh, oh, it's a very bad shoe! Anyway... | 0:34:29 | 0:34:32 | |
They have no written history, so no-one quite knows where the Kalash came from. | 0:34:34 | 0:34:39 | |
Unlike the rest of the North-West Frontier, women with their characteristic headdresses, | 0:34:39 | 0:34:44 | |
decorated with cowrie shells, appear in public open and unveiled. | 0:34:44 | 0:34:49 | |
Their pale skin and light-coloured eyes have led some to suggest a genetic link with the armies | 0:34:53 | 0:34:58 | |
of Alexander the Great, who passed through here 2,000 years ago. | 0:34:58 | 0:35:02 | |
So then this house is a special house. | 0:35:02 | 0:35:05 | |
The women are coming here for monthly period. | 0:35:05 | 0:35:08 | |
-Yeah. -Every woman... -'The Kalash have very strict rules about purity. | 0:35:08 | 0:35:12 | |
'When women have their periods, they have to confine themselves behind the walls of a menstruation house.' | 0:35:12 | 0:35:18 | |
Because we just say it is they're impure, to keep the... | 0:35:18 | 0:35:23 | |
menstruating woman in the house, inside the house, | 0:35:23 | 0:35:26 | |
so they will come here until they get...over... | 0:35:26 | 0:35:29 | |
of the period, then they will come to the house. Even though we are just... | 0:35:29 | 0:35:33 | |
this house is, whenever we, the woman is delivering a baby, so they will come to this house | 0:35:33 | 0:35:40 | |
and they will stay after delivering the baby, they will stay there | 0:35:40 | 0:35:44 | |
for 15 to 20 days here before they return to... | 0:35:44 | 0:35:48 | |
So birth and menstruation are all, all from here? | 0:35:48 | 0:35:51 | |
Any men allowed in here under any circumstances? | 0:35:51 | 0:35:55 | |
No, the men is not allowed to go there, he's not allowed to touch them, he's not allowed to go inside. | 0:35:55 | 0:36:00 | |
Hello. They seem to be quite happy. | 0:36:00 | 0:36:02 | |
-So they're allowed to talk. -Yeah, they are. That is a nice holiday for them. They have resting, | 0:36:02 | 0:36:08 | |
because even the woman were... when they are having their period, they feel weak a bit. | 0:36:08 | 0:36:14 | |
-So they didn't have to do housework? -So they need complete rest. | 0:36:14 | 0:36:18 | |
So this is a rest or recuperation service as well. Very good. | 0:36:18 | 0:36:21 | |
Before rejoining the community, a new mother must first go to the temple for purification. | 0:36:24 | 0:36:30 | |
Burning fronds of juniper and holly oak are used in a ritual cleansing | 0:36:30 | 0:36:35 | |
to prepare the temple for the ceremony. | 0:36:35 | 0:36:39 | |
Bread is baked by the husband as a symbol of fertility. | 0:36:53 | 0:36:58 | |
It'll be presented to his wife once she and her family arrive. | 0:36:58 | 0:37:02 | |
Once she's been given the fresh-baked bread, | 0:37:28 | 0:37:31 | |
a last pass with the flaming branches means she's officially purified and can go back home. | 0:37:31 | 0:37:36 | |
'These ceremonies are so unlike anything I've seen in Pakistan, | 0:37:45 | 0:37:49 | |
'that when I walk through the village with my guide Saifullah, I return to the question of origins.' | 0:37:49 | 0:37:56 | |
What are your theories about the origins of the Kalash people? | 0:37:56 | 0:38:01 | |
Greek people think they are come from Greek. We are Greek and coming from Alexander the Great. | 0:38:01 | 0:38:07 | |
-When Alexander the Great invaded India. -Yeah, some will say that we are... | 0:38:07 | 0:38:11 | |
the Bulgarian people say that we are Bulgarian. | 0:38:11 | 0:38:15 | |
Right, so you've got... the Greeks want you, the Bulgarians want you. What do you think? | 0:38:15 | 0:38:20 | |
What we want...our own history. We come from the place called Siam. | 0:38:20 | 0:38:26 | |
-Siam? -Siam. | 0:38:26 | 0:38:28 | |
-But we don't where is. -Phew! | 0:38:28 | 0:38:31 | |
That's quite a walk! But you're used to it, aren't you? | 0:38:31 | 0:38:35 | |
-Very used to it, yeah. -You live on the vertical all the time. -Yes. | 0:38:35 | 0:38:38 | |
-We are just born here, just get used to these mountains. -It's a great view. | 0:38:38 | 0:38:43 | |
So what is your, what is the Kalash god? Is there one god, or...? | 0:38:43 | 0:38:47 | |
We have...um...one god, yes, yes - I told you that. | 0:38:47 | 0:38:52 | |
We have a creator god, we believe one creator who is creating the whole world and all human beings and... | 0:38:52 | 0:38:58 | |
What happens when the Kalash dies? Is he born again? Is there reincarnation? | 0:38:58 | 0:39:03 | |
We believe that when we die... | 0:39:03 | 0:39:06 | |
our soul will go to the...to the white mountain called Palar. | 0:39:06 | 0:39:12 | |
The white mountain. Which is an actual mountain? | 0:39:12 | 0:39:16 | |
That one there, you can see the white peak over there. | 0:39:16 | 0:39:22 | |
And that's the mountain where your Kalash souls all go? | 0:39:22 | 0:39:25 | |
Yeah, all the souls will go there. We can't see it now, | 0:39:25 | 0:39:28 | |
-but we believe there is a kind of big fort for the soul of the Kalash. -I see. | 0:39:28 | 0:39:34 | |
It's hard to know quite what the future holds for the Kalash. | 0:39:34 | 0:39:38 | |
I can't help thinking that their unique culture will become diluted the more the valley's opened up. | 0:39:38 | 0:39:44 | |
The danger is that missionaries, anthropologists, tour operators | 0:39:44 | 0:39:49 | |
and well-meaning TV crews could make their way of life more show than substance. | 0:39:49 | 0:39:54 | |
Well, it's time to get ourselves up to the Shandur Pass. | 0:39:59 | 0:40:04 | |
The horses have already gone ahead for the great polo match | 0:40:04 | 0:40:08 | |
and we've got about another 7,000 feet before we get to the Shandur Pass, | 0:40:08 | 0:40:14 | |
and we're stopping on the way to help acclimatisation. Razahan is my driver, he's from Chitral, | 0:40:14 | 0:40:19 | |
but they don't speak Urdu, | 0:40:19 | 0:40:23 | |
they speak Khowar and I'm learning a bit of Khowar together. | 0:40:23 | 0:40:27 | |
One wonderful word I've discovered is the word for foot is "pong." | 0:40:27 | 0:40:32 | |
-Isn't that right? Pong? -Pong. | 0:40:32 | 0:40:34 | |
Yeah, very suitable. | 0:40:34 | 0:40:37 | |
More later! | 0:40:37 | 0:40:39 | |
Around us, the mountains rise increasingly steeply, | 0:40:42 | 0:40:45 | |
but wherever there's a level patch, | 0:40:45 | 0:40:47 | |
there'll be someone making a living from it by the simplest means possible. | 0:40:47 | 0:40:52 | |
This is the painless way of making the 7,000 foot climb from Chitral to the pass. | 0:41:02 | 0:41:08 | |
The team's horses have walked up. | 0:41:08 | 0:41:11 | |
And not everyone's polo mad up here. | 0:41:12 | 0:41:15 | |
I'd thought of offering them a spot of coaching, but there's no time. | 0:41:21 | 0:41:25 | |
I've got my homework to do. And what a delightful language Khowar is. | 0:41:25 | 0:41:30 | |
Father is "tut," mother is "nun" and grandmother's "wow." | 0:41:30 | 0:41:34 | |
It certainly helps take my mind off landslides, which judging by the constant presence of the road gangs, | 0:41:52 | 0:41:58 | |
must happen more often than I like to think about. | 0:41:58 | 0:42:01 | |
THEY SPEAK KHOWAR | 0:42:09 | 0:42:12 | |
Alongside the Himalaya and the Karakoram, | 0:42:27 | 0:42:30 | |
the Hindu Kush is one of a trio of mighty geological up-thrusts that make this such momentous scenery. | 0:42:30 | 0:42:37 | |
On its western flank is Chitral, on the east is Gilgit | 0:42:37 | 0:42:40 | |
and the two proud communities will meet each other here, | 0:42:40 | 0:42:44 | |
two and a quarter miles above sea level on the Shandur Pass. | 0:42:44 | 0:42:48 | |
Great, very good. | 0:42:52 | 0:42:54 | |
Well driven. | 0:42:54 | 0:42:56 | |
MICHAEL SPEAKS KHOWAR | 0:42:56 | 0:43:00 | |
The tradesmen from Chitral and Gilgit are already setting up shop. | 0:43:08 | 0:43:13 | |
They're expecting a festival crowd of thousands. | 0:43:13 | 0:43:16 | |
The butcher's doing brisk business as families prepare for a three day picnic. | 0:43:25 | 0:43:30 | |
I think I might just stick to salad. | 0:43:34 | 0:43:36 | |
For the next few days, like everyone else here, I shall be camping. | 0:43:50 | 0:43:54 | |
I mean, the Shandur Pass has no permanent accommodation at all - | 0:43:54 | 0:43:58 | |
most of the year it's just a desolate wilderness, so the police bring their tents | 0:43:58 | 0:44:03 | |
and the authorities bring their tents and the polo teams bring their tents, | 0:44:03 | 0:44:07 | |
and I'm told, reliably, that in the next three days there are going to be 10,000 people like me | 0:44:07 | 0:44:13 | |
coming here to be fed, watered and evacuated on the Shandur Pass, so watch this space. | 0:44:13 | 0:44:19 | |
This is going to be our dining room and banqueting hall on top of the world and along here... | 0:44:21 | 0:44:27 | |
..tents various, I'm not sure who's in that tent. | 0:44:28 | 0:44:32 | |
You have a little library area there - | 0:44:32 | 0:44:35 | |
encourage them to learn and be educated. | 0:44:35 | 0:44:38 | |
And the kitchen. | 0:44:38 | 0:44:41 | |
In here is the kitchen tent, a rather lethal flame leaping out from the tent, | 0:44:41 | 0:44:46 | |
and there's Zahoor. Zahoor, come and say hello. Zahoor is the chef. | 0:44:46 | 0:44:50 | |
Our chef - good man, very good, very important, a most important man. | 0:44:50 | 0:44:55 | |
That's Zahoor the chef. | 0:44:55 | 0:44:58 | |
And firewood - very, very important and this is our hot water supply. | 0:44:58 | 0:45:02 | |
This is the only hot water we'll all have for the next few days. | 0:45:02 | 0:45:07 | |
It needs a lot of wood because it takes much longer for the water to boil at this altitude, | 0:45:07 | 0:45:13 | |
which I remind you is 12,250 feet. | 0:45:13 | 0:45:15 | |
And along here in the nice little mountain walk | 0:45:15 | 0:45:19 | |
are the toilet facilities in various colours, | 0:45:19 | 0:45:22 | |
but you won't need to follow me there. | 0:45:22 | 0:45:25 | |
It's early morning and the two teams are out practising together. | 0:45:35 | 0:45:39 | |
The Gilgit team is led by this man, Bulbul Jan - | 0:45:39 | 0:45:43 | |
55 years old and riding his favourite Punjabi stallion, Truc. | 0:45:43 | 0:45:47 | |
He's led the winning side for the last two years | 0:45:47 | 0:45:51 | |
and is looking for a hat trick. | 0:45:51 | 0:45:53 | |
Chitral's captain is Sikander Ul Mulk, Siraj's younger brother. | 0:46:00 | 0:46:05 | |
He's riding Bucephalus, | 0:46:05 | 0:46:08 | |
an Afghan bay with youth and speed on his side. | 0:46:08 | 0:46:12 | |
At the end of the practice they retire to their separate camps, | 0:46:18 | 0:46:21 | |
and before laying any bets, I set out on a fact finding mission. | 0:46:21 | 0:46:25 | |
We've driven out a little further along the Pass, away from the centre of festivities | 0:46:26 | 0:46:31 | |
to where the Gilgit camp is set and it's up here. | 0:46:31 | 0:46:36 | |
I suppose we've become rather close to the Chitralis, it's a bit like sleeping with the enemy, | 0:46:36 | 0:46:42 | |
but we are the BBC and must be even-handed in the matters of freestyle polo, | 0:46:42 | 0:46:47 | |
so this is the Gilgit camp over here. | 0:46:47 | 0:46:51 | |
It looks rather more organised than the Chitral. | 0:46:51 | 0:46:54 | |
They are army and they are police. | 0:46:54 | 0:46:56 | |
Despite being army and police, they're very welcoming | 0:47:00 | 0:47:03 | |
and happy for me to talk to Bulbul while Truc has his lunch. | 0:47:03 | 0:47:07 | |
You're captain of the Gilgit team this year, and you've been captain before. | 0:47:07 | 0:47:12 | |
-How many years have you been captain? -Four years. | 0:47:12 | 0:47:15 | |
And how many times have you won? | 0:47:15 | 0:47:18 | |
Two time we lose, two time we win the match. | 0:47:18 | 0:47:21 | |
Now they say that in this game it's 80% horse and 20% man, you'd agree with that, would you? | 0:47:21 | 0:47:28 | |
-Yeah, yeah. -Your horse is very special I believe, | 0:47:28 | 0:47:30 | |
because you've had the horse for a long time. | 0:47:30 | 0:47:33 | |
How many years has your horse taken part in the game? | 0:47:33 | 0:47:38 | |
In Shandur, 15 years. | 0:47:38 | 0:47:41 | |
We play on this horse 15 years. | 0:47:41 | 0:47:45 | |
And what is it about Truc that makes him such a... | 0:47:45 | 0:47:48 | |
to have played so many games - 15 times here - | 0:47:48 | 0:47:52 | |
a 21-year-old horse - what makes Truc such a great horse? | 0:47:52 | 0:47:55 | |
HE SPEAKS KHOWAR | 0:47:55 | 0:47:58 | |
HE SPEAKS KHOWAR | 0:48:03 | 0:48:05 | |
As far as Truc and himself go, | 0:48:05 | 0:48:09 | |
they have a perfect understanding. And Truc probably with the body weight and all these understandings, | 0:48:09 | 0:48:16 | |
they know each other very well and that is how they combine well to perform here. | 0:48:16 | 0:48:21 | |
It is Truc. He says, "He tells me whether we're going to win the tournament or we're going to lose. | 0:48:21 | 0:48:27 | |
"He definitely communicates with me," he says. | 0:48:27 | 0:48:29 | |
"He can give me that feeling, that I'm perfectly all right and I'm going to win this match for you." | 0:48:29 | 0:48:35 | |
And what does Truc say about this year? | 0:48:35 | 0:48:37 | |
"He's in a very good mood," he says, "this year." | 0:48:37 | 0:48:41 | |
I think I'll go and have a word with Truc, before I lay my bet! | 0:48:41 | 0:48:45 | |
In the Chitral camp, things are much less rosy - | 0:48:45 | 0:48:49 | |
horses un-recovered from injury, another lamed in training. | 0:48:49 | 0:48:53 | |
In fact, so persistent have been their misfortunes that I put it to Sikander | 0:48:53 | 0:48:58 | |
that there are rumours that black magic, a potent force up here, may be being used against them. | 0:48:58 | 0:49:04 | |
-Why have all these things happened to you? -Oh, I know! | 0:49:04 | 0:49:08 | |
-Is it this black magic? -Well... | 0:49:08 | 0:49:11 | |
-Do you believe someone is putting a bad spell on you? -I never used to believe it, | 0:49:11 | 0:49:16 | |
but now since everyone does, so I've also started believing in it! | 0:49:16 | 0:49:21 | |
-Who are the people to watch out for in the Gilgit side, the people you'd rather not play again? -Number six. | 0:49:21 | 0:49:26 | |
-He's got a very fast horse. -How about their captain, Bulbul? | 0:49:26 | 0:49:30 | |
Bulbul is... | 0:49:30 | 0:49:33 | |
well, we are depending on his horse, | 0:49:33 | 0:49:35 | |
because his horse is nearly 21 years old, | 0:49:35 | 0:49:38 | |
so if it is a fast game, if we manage to give them a tough time, | 0:49:38 | 0:49:43 | |
I don't think that horse will be able to finish the whole game. | 0:49:43 | 0:49:48 | |
How do you think it'll go tomorrow? | 0:49:48 | 0:49:51 | |
Tomorrow...well, they have an edge, | 0:49:51 | 0:49:54 | |
but I don't think...not that much. | 0:49:54 | 0:49:57 | |
-What's it like if you lose? -Terrible, terrible. | 0:49:57 | 0:50:02 | |
First of all, no-one will come near you on the polo ground, | 0:50:02 | 0:50:06 | |
and if you win, then they don't even allow you to stand on the ground! | 0:50:06 | 0:50:10 | |
They keep you up in the airs, but if you lose, there's no-one even going to come next to you | 0:50:10 | 0:50:16 | |
and even on the road they might start hooting and things like that. | 0:50:16 | 0:50:21 | |
It's a terrible thing going back! | 0:50:21 | 0:50:23 | |
-When you go back to Chitral, do you go back in disguise? -We try to. We try to go in the dark! | 0:50:23 | 0:50:29 | |
On the eve of battle, ominous clouds hang in the sky. | 0:50:29 | 0:50:34 | |
Next morning, things are no better in the Chitral camp. | 0:50:37 | 0:50:41 | |
The call to prayer rings out | 0:50:46 | 0:50:49 | |
as the small town that's grown up on the Shandur Pass wakes up to the big match day. | 0:50:49 | 0:50:55 | |
DISTANT CALL TO PRAYER | 0:50:55 | 0:50:58 | |
There are women supporters, but they'll watch from a separate, ladies-only hill. | 0:51:02 | 0:51:07 | |
Mulling over what I've seen these past few days, | 0:51:11 | 0:51:14 | |
it's pretty obvious that efficient Gilgit should start favourites, | 0:51:14 | 0:51:18 | |
but Chitral have a more relaxed, happy-go-lucky approach which might help them. | 0:51:18 | 0:51:23 | |
It is freestyle polo after all, and they seem to embody the spirit of the game. | 0:51:23 | 0:51:27 | |
They're in it for the hell of it and I like that. | 0:51:27 | 0:51:31 | |
TRADITIONAL MUSIC PLAYS | 0:51:47 | 0:51:50 | |
-Good work? Are you still confident? -Yes. | 0:52:07 | 0:52:10 | |
Excellent, good. Good game. You're confident of winning? | 0:52:10 | 0:52:13 | |
Ah, well, that's what Chitral said! But the horses are all fine and they're all good? | 0:52:13 | 0:52:19 | |
I bet you can't wait to get on with it. We'll get out of your way. Good luck! | 0:52:19 | 0:52:24 | |
-How are you feeling? -Good. | 0:52:24 | 0:52:26 | |
-How are the horses? -Well, we've... | 0:52:26 | 0:52:29 | |
-we've almost bought one horse, a new horse. -Oh, no. | 0:52:29 | 0:52:34 | |
-A playing horse. -At the last minute. -At the last minute. We needed it, but we weren't able to get it. -Right. | 0:52:34 | 0:52:40 | |
-Last night we managed to get that horse. So now we are in a better position. -This was...? | 0:52:40 | 0:52:45 | |
It was a playing horse - it had come with the team | 0:52:45 | 0:52:48 | |
-but it belonged to someone who was not ready to give it to us. -So you had to negotiate for it. | 0:52:48 | 0:52:54 | |
-So...the rider knows the horse? -The rider knows the horse. -Great, good, so you're happy...? | 0:52:54 | 0:53:00 | |
-And Bucephalus? -He's OK. -He's OK. Happy? Perky? | 0:53:00 | 0:53:03 | |
-Yes. -How are you feeling? -He seems to be enjoying the travel. -How are you feeling in yourself? -Good. | 0:53:03 | 0:53:08 | |
-You want to get on with it? -Yes. -Good luck. -Bye. -Cheers, Sikander. | 0:53:08 | 0:53:12 | |
'Sikander's smiling, but the new horse could be a problem.' | 0:53:12 | 0:53:16 | |
Now there's nothing more they can do. The moment of truth has arrived. | 0:53:19 | 0:53:23 | |
The riders will give everything, but everyone knows that at this punishing altitude, | 0:53:29 | 0:53:34 | |
the outcome depends on the ability of these horses to absorb the relentless pressure. | 0:53:34 | 0:53:41 | |
Chitral take a surprise lead. | 0:53:59 | 0:54:01 | |
Gilgit soon equalise to cancel it out. | 0:54:01 | 0:54:04 | |
In international polo, play is stopped every seven minutes. | 0:54:17 | 0:54:22 | |
These horses must run non-stop for 25. | 0:54:22 | 0:54:24 | |
Then for another 25, all the time struggling to pull in oxygen from the thin air. | 0:54:24 | 0:54:31 | |
Bulbul and Truc rule the midfield, but suddenly it's Chitral who are making all the running. | 0:54:36 | 0:54:42 | |
A goal-mouth mix-up puts Gilgit back in the lead. | 0:55:08 | 0:55:11 | |
Almost immediately, Chitral press forward and equalise. | 0:55:13 | 0:55:17 | |
Half-time and it's two-all. | 0:55:17 | 0:55:20 | |
Gilgit start the second half the stronger, and force their way into the lead again. | 0:55:35 | 0:55:40 | |
Boring, butting and body-checking increase, | 0:55:43 | 0:55:46 | |
and as the polo becomes truly freestyle, Gilgit run in a fourth goal. | 0:55:46 | 0:55:52 | |
The pace is beginning to tell. | 0:55:57 | 0:55:59 | |
Riders and horses are straining every sinew. | 0:55:59 | 0:56:02 | |
Then the coup de grace - Bulbul, magnificently unflappable, puts Gilgit into an unassailable lead. | 0:56:11 | 0:56:18 | |
Chitral supporters are already heading home. | 0:56:23 | 0:56:25 | |
Gilgit fans stream across the ground to hail their heroes. | 0:56:25 | 0:56:29 | |
Everyone becomes so happy that the police have to be called in! | 0:56:29 | 0:56:33 | |
I push through and try and talk to the man of the match. | 0:56:40 | 0:56:44 | |
-How was it for you, Bulbul? -I'm very much happy. Thank you. | 0:56:44 | 0:56:48 | |
-And Truc? -Thank you. | 0:56:48 | 0:56:51 | |
-Truc? -Yes. You see the Truc. | 0:56:51 | 0:56:54 | |
Yeah... Thank you! | 0:56:54 | 0:56:57 | |
It might be black magic for Chitral, but for Gilgit, just magic. | 0:56:58 | 0:57:03 | |
APPLAUSE | 0:57:05 | 0:57:08 | |
LOUDSPEAKER BLARES | 0:57:10 | 0:57:12 | |
APPLAUSE | 0:57:12 | 0:57:15 | |
The festival over, it's time for everyone to make their way home, by whatever means possible. | 0:57:21 | 0:57:27 | |
Most are going back down the mountain, but we're going up - | 0:57:34 | 0:57:38 | |
higher than Shandur, into the land of ice and snow, to a place where few people ever set foot. | 0:57:38 | 0:57:44 | |
Close to the Chinese border is a place they call Concordia, where two great glaciers meet | 0:57:50 | 0:57:56 | |
and ten of the world's tallest summits surround them. | 0:57:56 | 0:57:59 | |
K2, second highest peak on earth, is five miles away. | 0:57:59 | 0:58:04 | |
The jagged ramparts of these frozen canyons seem about to swallow me up. | 0:58:04 | 0:58:09 | |
Next time on Himalaya, strange goings-on at the Indian border. | 0:58:19 | 0:58:23 | |
My first beer for a month. | 0:58:25 | 0:58:28 | |
Mass catering and holy relics at the Golden Temple. | 0:58:28 | 0:58:31 | |
A moment of peace in war-torn Kashmir. | 0:58:33 | 0:58:36 | |
A train ride to Shimla - | 0:58:36 | 0:58:39 | |
self-catering, of course. | 0:58:39 | 0:58:41 | |
At Dharamasala, I throw flour, learn what I was in my previous life, | 0:58:41 | 0:58:47 | |
attend a concert and meet a God King. | 0:58:47 | 0:58:51 | |
Himalaya, the week's high spot. | 0:58:51 | 0:58:54 | |
E-mail us at [email protected] | 0:58:54 | 0:58:58 |