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I'm flying into this majestic world of rock and ice in a military helicopter. | 0:00:57 | 0:01:01 | |
Why military? Because this jagged valley is on the border | 0:01:01 | 0:01:05 | |
between two of the Himalayas' most quarrelsome neighbours, India and Pakistan. | 0:01:05 | 0:01:09 | |
With supreme irony, they call this place Concordia. | 0:01:09 | 0:01:14 | |
It's a beautiful but harsh land which you enter at your peril. | 0:01:20 | 0:01:24 | |
Oops! See what I mean? | 0:01:24 | 0:01:26 | |
I'm at 14,500 feet in the heart of the Karakorum Mountains, | 0:01:32 | 0:01:36 | |
and if anywhere deserves to be called the Hall of the Mountain Kings, this is it. | 0:01:36 | 0:01:41 | |
Clustered around me are 10 of the world's 30 highest peaks, | 0:01:41 | 0:01:46 | |
dominated by K2, the second-highest mountain in the world. | 0:01:46 | 0:01:51 | |
It's known as the killer mountain, the savage mountain, and it's a much harder climb than Everest. | 0:01:51 | 0:01:56 | |
But it's not just natural splendour here - there's human drama as well. | 0:01:56 | 0:02:01 | |
Over there to the east, the Indian and Pakistan armies face each other | 0:02:01 | 0:02:05 | |
in a high altitude stand-off in these ice-bound conditions. | 0:02:05 | 0:02:10 | |
It's scarcely believable that two oxygen-starved armies eyeball one another down there | 0:02:21 | 0:02:27 | |
with only a UN line of control to keep them apart. | 0:02:27 | 0:02:30 | |
What this means for me is that I can't cross from Pakistan to India through the mountains. | 0:02:34 | 0:02:39 | |
Instead, I must make a detour to the official crossing point on the border, near the city of Lahore. | 0:02:39 | 0:02:44 | |
Lahore is an often beautiful, always busy city, proud of its military and literary traditions. | 0:02:47 | 0:02:54 | |
You may not think so from its location, but this is one of the most important objects in Lahore - | 0:02:54 | 0:02:59 | |
Zam-Zammah, the great cannon, or the fire-breathing dragon, | 0:02:59 | 0:03:02 | |
was first fired in anger about 250 years ago, | 0:03:02 | 0:03:06 | |
and they say that who holds the cannon holds the Punjab, | 0:03:06 | 0:03:09 | |
which may account for why it appears as the first sentence of the first chapter of Rudyard Kipling's Kim. | 0:03:09 | 0:03:16 | |
"He sat, in defiance of municipal orders, astride the gun Zam-Zammah." | 0:03:16 | 0:03:22 | |
This is the gun that Rudyard Kipling's Kim sat astride. | 0:03:22 | 0:03:26 | |
Oh, it's bloody hot this afternoon, I tell you. | 0:03:28 | 0:03:31 | |
The Mughals, who came from Central Asia 600 years ago, | 0:03:31 | 0:03:35 | |
left an elegant mark on Lahore. | 0:03:36 | 0:03:38 | |
The Shalimar Gardens, created by the man who built the Taj Mahal. | 0:03:38 | 0:03:41 | |
The Badshahi Mosque, whose courtyard can hold 60,000 worshippers. | 0:03:41 | 0:03:46 | |
And in Lahore Fort, the exquisite Palace of Mirrors. | 0:03:46 | 0:03:51 | |
They say it was here that Emperor Akbar caught his favourite courtesan | 0:03:53 | 0:03:56 | |
exchanging a glance with his son. | 0:03:56 | 0:03:59 | |
True to the Mughal image of good taste and bad temper, | 0:04:01 | 0:04:04 | |
he had her walled up - alive. | 0:04:04 | 0:04:06 | |
Our penultimate day in Pakistan, and I'm looking across the border at India. | 0:04:10 | 0:04:15 | |
Here at a place called Wagah, the old military ceremony of lowering the flag | 0:04:17 | 0:04:22 | |
has been turned into entertainment. | 0:04:22 | 0:04:24 | |
The partition of India in 1947 was traumatic. | 0:04:29 | 0:04:33 | |
Nearly a million were killed in sectarian fury as the two new nations were born. | 0:04:33 | 0:04:38 | |
Nearly 60 years later, the old aggression has been channelled into a largely good-natured ritual. | 0:04:40 | 0:04:46 | |
HE PLAYS HORN | 0:04:52 | 0:04:55 | |
Crowds can root for their country, whilst guardsmen, using their bodies rather than weapons, | 0:04:58 | 0:05:03 | |
lay on a display of carefully-choreographed contempt. | 0:05:03 | 0:05:06 | |
CROWD CHANTS AND CHEERS | 0:05:06 | 0:05:10 | |
This is chauvinism at its most camp. | 0:05:10 | 0:05:12 | |
The Pakistan Rangers put on a masterly demonstration | 0:05:51 | 0:05:54 | |
of how angry you can get without hitting anyone. | 0:05:54 | 0:05:58 | |
As the moment of flag lowering grows closer, the crowd's excitement grows more vocal. | 0:06:14 | 0:06:20 | |
CHANTS AND JEERS | 0:06:20 | 0:06:23 | |
National passions are further inflamed by a display of precision nastiness | 0:06:27 | 0:06:32 | |
in which thumbs are used to terrifying effect. | 0:06:32 | 0:06:35 | |
CROWD CHEERS LOUDLY | 0:06:38 | 0:06:40 | |
Now the moment they've all been waiting for. | 0:07:06 | 0:07:09 | |
The guards, fans sprouting from their turbans like raised hackles, | 0:07:09 | 0:07:13 | |
measure out the lengths of rope. | 0:07:13 | 0:07:16 | |
And they must get it absolutely spot-on, | 0:07:20 | 0:07:22 | |
so that the tricolour of secular India | 0:07:22 | 0:07:25 | |
and the crescent moon of Muslim Pakistan descend at exactly the same time. | 0:07:25 | 0:07:30 | |
Despite the show of bellicosity, this is in fact a combined operation, | 0:07:57 | 0:08:01 | |
with both sides working together to make it run like clockwork. | 0:08:01 | 0:08:05 | |
It ends with a flourish, a quadrille of stamping soldiers, | 0:08:05 | 0:08:09 | |
the briefest of handshakes. The border between India and Pakistan is sealed. | 0:08:09 | 0:08:14 | |
Job done. | 0:08:16 | 0:08:18 | |
Next morning, the crowds of spectators are gone, | 0:08:25 | 0:08:29 | |
to be replaced by a crowd of porters - 22 in fact, | 0:08:29 | 0:08:32 | |
who earn a day's wages carrying our 40-odd pieces of equipment up to the border. | 0:08:32 | 0:08:37 | |
Here, they're received by 22 equally fortunate Indian porters. | 0:08:37 | 0:08:42 | |
A beady-eyed Pakistan Ranger | 0:08:44 | 0:08:47 | |
makes sure that there is no illegal emigration across the white border line. | 0:08:47 | 0:08:52 | |
So we leave one country where no elected government has ever completed its term | 0:08:56 | 0:09:01 | |
and enter another where nearly a billion use the ballot box. | 0:09:01 | 0:09:04 | |
The Indian way of doing things is immediately apparent. This man must be telepathic. | 0:09:09 | 0:09:14 | |
He knows what's on my mind. | 0:09:14 | 0:09:16 | |
That was your question? Beer, oh...! It's Thunderbolt. | 0:09:16 | 0:09:19 | |
That's what you need after... | 0:09:19 | 0:09:22 | |
After four weeks of abstinence, | 0:09:22 | 0:09:26 | |
because you're not allowed to drink in public in Pakistan, | 0:09:26 | 0:09:30 | |
so they obviously know that as soon as you get across the border, | 0:09:30 | 0:09:33 | |
this is what you might need. But I feel so healthy, | 0:09:33 | 0:09:37 | |
I feel fit, I feel younger, better... I don't know what to do with this. | 0:09:37 | 0:09:42 | |
Ooh! | 0:09:44 | 0:09:46 | |
Buoyed up by the beer and the relief that always comes from successfully crossing a frontier, | 0:09:50 | 0:09:56 | |
I hop into a local minibus which takes me the ten miles or so to the first Indian city. | 0:09:56 | 0:10:01 | |
Neither Muslim nor Hindu, Amritsar is a Sikh town. | 0:10:04 | 0:10:09 | |
I know a bit about Sikhs. | 0:10:10 | 0:10:13 | |
The turbans and the hair that should never be cut. | 0:10:13 | 0:10:16 | |
I know their reputation as fierce warriors and shrewd businessmen. | 0:10:16 | 0:10:20 | |
But to learn more, I make for Amritsar's most holy site, the Golden Temple. | 0:10:20 | 0:10:25 | |
Thank you. This is for going in to the temple? | 0:10:26 | 0:10:29 | |
I need one of these? What is it? | 0:10:29 | 0:10:32 | |
-ANSWER INDECIPHERABLE -Yeah, what is it? | 0:10:32 | 0:10:37 | |
A scarf or...a hat? | 0:10:37 | 0:10:40 | |
Ten rupees, OK. So how do I wear it? | 0:10:40 | 0:10:43 | |
Can you show me? Ah. | 0:10:43 | 0:10:46 | |
I see, it's my own sort of... | 0:10:53 | 0:10:55 | |
..sort of semi-turban. | 0:10:56 | 0:10:59 | |
Thank you very much, thank you. | 0:10:59 | 0:11:01 | |
Though they seem quite a relaxed and worldly people, | 0:11:03 | 0:11:07 | |
the Sikhs do demand a strict dress code for the temple. | 0:11:07 | 0:11:10 | |
Apart from covering my head, I must leave my shoes and socks behind. | 0:11:10 | 0:11:15 | |
I'm also required to wash my hands, divest myself of all tobacco, | 0:11:15 | 0:11:19 | |
intoxicants and narcotics and enter via a cleansing pool. | 0:11:19 | 0:11:24 | |
There are an estimated 20 million Sikhs in India, 2% of the population. | 0:11:27 | 0:11:32 | |
They believe in one god for all, rich or poor, with no human hierarchies or priesthoods, | 0:11:32 | 0:11:37 | |
idols or icons coming in between. | 0:11:37 | 0:11:40 | |
It sounds commendably modest, but when I first see the gold-sheathed Haramandir, | 0:11:42 | 0:11:47 | |
their holy of holies, "modest" is not the word that comes to mind. | 0:11:47 | 0:11:51 | |
The Golden Temple itself, covered in 500kg of gold, | 0:11:56 | 0:12:00 | |
is only a small part of an enormous complex. | 0:12:00 | 0:12:04 | |
In the kitchens, volunteers take turns to prepare a simple free meal for anyone who wants it. | 0:12:10 | 0:12:16 | |
Chapatti, dhal, pickle and water, | 0:12:19 | 0:12:21 | |
24 hours a day, 7 days a week. | 0:12:21 | 0:12:24 | |
This is the chapatti production line. | 0:12:27 | 0:12:31 | |
These are the dhal vats. | 0:12:34 | 0:12:36 | |
Every day, in sweatshop conditions, | 0:12:36 | 0:12:39 | |
-thousands of kilos of lentil curry are stirred in titanic cauldrons. | 0:12:39 | 0:12:44 | |
I sample the result with a young Sikh, Onkar Singh. | 0:12:44 | 0:12:48 | |
So this the... I mean, essentially they give this... A basic meal, | 0:12:49 | 0:12:53 | |
-to whoever turns up. -Yes. -Within reason. | 0:12:53 | 0:12:58 | |
-But I mean it's a huge place, it must be a huge operation. -Yes. | 0:12:58 | 0:13:02 | |
How many meals do they provide a day? | 0:13:02 | 0:13:05 | |
Basically, this cuisine, this kitchen is open 24 hours to everybody. | 0:13:05 | 0:13:11 | |
-Right. -And every day, 40,000 to 50,000 people, they come here and have food. | 0:13:11 | 0:13:16 | |
What sort of people are they? | 0:13:16 | 0:13:18 | |
Are they poor people who can't get food anywhere else, | 0:13:18 | 0:13:21 | |
or people like us, who are making a television documentary? | 0:13:21 | 0:13:25 | |
Well, this is a basic thing of every Sikh temple. I mean essential for every Sikh temple. | 0:13:25 | 0:13:30 | |
You see, everybody has to come first in the kitchen. | 0:13:30 | 0:13:33 | |
The third Guru who started this tradition, Guru Amar Das, | 0:13:33 | 0:13:37 | |
he said, "If you want to meet me, first go to the kitchen." | 0:13:37 | 0:13:41 | |
Why he said that because, in this way, if anybody has ego or pride, | 0:13:41 | 0:13:46 | |
-so here everybody learns the lesson of equality. -Yes, right. | 0:13:46 | 0:13:51 | |
-That's what it's about. -No matter which class, which religion... | 0:13:51 | 0:13:55 | |
So it's probably more important for someone who is rich and can afford the food | 0:13:55 | 0:14:00 | |
-to come along and eat with everybody else. -Yes. -I see, that's the idea. | 0:14:00 | 0:14:04 | |
-Yes, even the king, Akbar, he came here and he had to sit equally with everybody. -Yes. | 0:14:04 | 0:14:09 | |
So the answer of your question is, no matter if one is poor or rich, | 0:14:09 | 0:14:14 | |
come here and have food and the bless of God. | 0:14:14 | 0:14:18 | |
This is the essence of the kitchen. | 0:14:18 | 0:14:20 | |
Yeah, that's great! | 0:14:20 | 0:14:21 | |
And on Saturday and Sunday, there are limitless people. | 0:14:21 | 0:14:26 | |
I mean, about 100,000 people, they come here. | 0:14:26 | 0:14:30 | |
-100,000 come here?! -Yes, 100,000 - | 0:14:30 | 0:14:32 | |
both floors, the ground floor and first floor, are busy with devotees, | 0:14:32 | 0:14:37 | |
and then they start with the pavements, they sit there and start eating. | 0:14:37 | 0:14:42 | |
This is all voluntary work, and the washing-up may be done by doctors, lawyers, | 0:14:49 | 0:14:54 | |
bricklayers, rickshaw drivers, or anyone who enjoys making a noise! | 0:14:54 | 0:14:58 | |
This causeway leads to the Haramandir, the most holy part of the temple. | 0:15:15 | 0:15:20 | |
Crowds wait in line to pay their respects to the Guru Granth, the holy book of the Sikh religion. | 0:15:20 | 0:15:27 | |
SIKH MUSIC IS PLAYED | 0:15:27 | 0:15:31 | |
In the holy book are the sacred ragas written by Guru Nanak, | 0:15:33 | 0:15:36 | |
who founded Sikhism in the 17th century. | 0:15:36 | 0:15:39 | |
These are performed by the musicians and singers in the holy of holies. | 0:15:39 | 0:15:43 | |
RAGAS ARE PLAYED | 0:15:43 | 0:15:46 | |
They ring round the temple non-stop for 16 hours a day. | 0:15:50 | 0:15:54 | |
It takes two-and-a-half days to chant the whole book, then it starts all over again. | 0:15:54 | 0:15:59 | |
And if you want to stay the night, there's a hotel out the back. | 0:16:23 | 0:16:27 | |
-Oops... -Lots of peoples. -Really busy, isn't it? -Yeah. | 0:16:27 | 0:16:31 | |
How many people can they take here? | 0:16:31 | 0:16:34 | |
Well, about 25,000 people can stay here. | 0:16:35 | 0:16:39 | |
-At one time?! -At one time, yes, 25,000 people. Isn't it...? | 0:16:39 | 0:16:44 | |
Gigantic, yes, yes. | 0:16:44 | 0:16:46 | |
Ah, thank you. | 0:16:49 | 0:16:50 | |
Oh, bathroom, yes, lovely. | 0:16:50 | 0:16:53 | |
Yeah. | 0:16:55 | 0:16:56 | |
Very efficient. | 0:17:04 | 0:17:06 | |
A shower for short people! | 0:17:08 | 0:17:12 | |
Everything you need. Jacuzzi? | 0:17:15 | 0:17:18 | |
-INDECIPHERABLE REPLY -Oh, it's all right, I'll make my own. Thank you! | 0:17:18 | 0:17:23 | |
Very nice. That's extremely palatial. Thank you very much. | 0:17:23 | 0:17:26 | |
OK. | 0:17:26 | 0:17:29 | |
Well, that's not bad. | 0:17:35 | 0:17:38 | |
Ooh! | 0:17:38 | 0:17:40 | |
Divans, but, I mean, where else in the world could you get... | 0:17:40 | 0:17:44 | |
..a bathroom and two enormous king-sized beds for 65p a night?! | 0:17:46 | 0:17:51 | |
It's ten o'clock, and something is stirring in the Golden Temple, | 0:18:08 | 0:18:12 | |
as the devotional day draws to a climax. | 0:18:12 | 0:18:16 | |
MUSIC AND CHANTING | 0:18:16 | 0:18:19 | |
Followed by a man whose job it is to keep the air clean above it, | 0:18:24 | 0:18:28 | |
the Holy Book is borne out of the Haramandir on a pillow and laid on a palanquin. | 0:18:28 | 0:18:34 | |
The book is regarded as the 11th and last Guru of Sikhism, | 0:18:37 | 0:18:42 | |
and it, or rather he, will be taken across the causeway and quite literally, put to bed. | 0:18:42 | 0:18:47 | |
The doors are shut and fastened. | 0:19:13 | 0:19:16 | |
The book is laid on the bed and covered up until, at 2.30 tomorrow morning, | 0:19:21 | 0:19:26 | |
it will be woken up to start another day at the Golden Temple. | 0:19:26 | 0:19:31 | |
This is Kalka Station, starting point for the Himalayan Queen, | 0:19:39 | 0:19:43 | |
a train taking me up to the hill town of Shimla, previously known as Simla. | 0:19:43 | 0:19:47 | |
It's the start of school holidays, and the train is packed. | 0:19:47 | 0:19:52 | |
The Himalayan Queen will take me only 57 miles, but we will climb 7,000 feet. | 0:19:52 | 0:19:59 | |
With me on the journey is local historian Raaja Bhasin, | 0:19:59 | 0:20:03 | |
which is just as well, as I'm having trouble finding my seat. | 0:20:03 | 0:20:07 | |
There we are. | 0:20:08 | 0:20:10 | |
I think that's me, | 0:20:10 | 0:20:12 | |
unless there's another Michael P. And there you are, Raaja Bhasin, Bhasin, yeah. | 0:20:12 | 0:20:17 | |
There's no dining car, but there is home cooking, courtesy of a generous fellow passenger. | 0:20:26 | 0:20:31 | |
Oh, thank you very much. Well, that's lovely. | 0:20:31 | 0:20:34 | |
-What is this? -This is puri. | 0:20:34 | 0:20:36 | |
-Puri. That's right. Puri and...? -Made out of wheat flour. | 0:20:36 | 0:20:40 | |
-Wheat flour. Yes, oh! -And these are potatoes. -Oh, lovely! -With the Indian spices. | 0:20:40 | 0:20:45 | |
With Indian spices, lovely. This is your picnic for the family, is it? | 0:20:45 | 0:20:48 | |
-Yeah, this is my picnic. Holiday time, with my family. -Lovely. | 0:20:48 | 0:20:52 | |
And why did you... why did you choose to go to Simla? | 0:20:52 | 0:20:55 | |
Because it is nearby. | 0:20:55 | 0:20:57 | |
-Where are you from? -I am from Delhi. | 0:20:57 | 0:21:00 | |
Did you have to start very early today? | 0:21:00 | 0:21:03 | |
Yeah. Four o'clock I wake up in the morning, I cooked food. | 0:21:03 | 0:21:06 | |
-Six o'clock we left. -This at four o'clock? -Yeah, I cooked this. -Ah, that's... Well, that's... | 0:21:06 | 0:21:11 | |
At six o'clock we left our residence and at 7.40 we boarded the train. | 0:21:11 | 0:21:16 | |
-Is Delhi hard work? Is it a very high-pressure city? -Yeah, very much pressure. | 0:21:21 | 0:21:25 | |
-What do you do? -I am working with the government, Ministry of Defence. | 0:21:25 | 0:21:29 | |
Oh, right. Secret work? | 0:21:29 | 0:21:32 | |
-Yes, well, buying British weapons, we hope! -Oh, no! | 0:21:34 | 0:21:38 | |
When the British ruled India, Simla was their summer headquarters. | 0:21:42 | 0:21:46 | |
Until the railway was built 100 years ago, | 0:21:46 | 0:21:49 | |
everything they needed would have been carried up here by horse or donkey. | 0:21:49 | 0:21:54 | |
But some of it, some of the stations and indeed all the actual bridges and tunnels, | 0:21:54 | 0:22:00 | |
look very similar to the way they did when it was opened? | 0:22:00 | 0:22:04 | |
-That's true, that's right. -They've stood the test of time. -Very well, like most of the stone. | 0:22:04 | 0:22:09 | |
They have been built by raw stone basing - no mortar. | 0:22:09 | 0:22:14 | |
The bridges are old-fashioned Roman aqueducts. | 0:22:14 | 0:22:18 | |
They're still functioning perfectly. | 0:22:18 | 0:22:20 | |
In actual terms of construction, nothing has really altered. | 0:22:20 | 0:22:24 | |
There are 103 tunnels on the line, | 0:22:24 | 0:22:28 | |
one of them built by the ill-fated Colonel Barog, who had it dug from both ends. | 0:22:28 | 0:22:33 | |
When they didn't meet in the middle, he shot himself. | 0:22:33 | 0:22:36 | |
You are a school, a school party, going to Simla? | 0:22:48 | 0:22:51 | |
-Here for a trip... -Here? | 0:22:51 | 0:22:53 | |
Oh, right, so they're leaving the train now. | 0:22:53 | 0:22:57 | |
-How long are they... A week here, or something? -For four days. | 0:22:57 | 0:23:00 | |
-Four days... And you are their teacher? -Yes. -Good luck! | 0:23:00 | 0:23:04 | |
Thank you, thank you very much. | 0:23:04 | 0:23:06 | |
-Had a nice time? -Yes, we've had a very nice time! | 0:23:06 | 0:23:09 | |
The delicacies at the station buffet | 0:23:09 | 0:23:12 | |
seemed a good way of repaying my friend for her hospitality. | 0:23:12 | 0:23:15 | |
No! | 0:23:15 | 0:23:18 | |
Of course, she wouldn't have it. | 0:23:18 | 0:23:20 | |
How much are they? | 0:23:23 | 0:23:25 | |
Two, two for ten. | 0:23:28 | 0:23:30 | |
Fortunately, I know someone who will eat anything! | 0:23:32 | 0:23:35 | |
I only got two, I'm afraid! | 0:23:35 | 0:23:38 | |
And I'm going to eat both of them! | 0:23:39 | 0:23:41 | |
There you are, go on... | 0:23:41 | 0:23:43 | |
Do you like it with tomato? | 0:23:43 | 0:23:45 | |
Dip it in the tomato. | 0:23:45 | 0:23:48 | |
You're getting quite a gourmet in your old age! | 0:23:48 | 0:23:51 | |
We climb higher, pulling out of the dense jungle and running into alpine woodland. | 0:23:54 | 0:23:59 | |
I press Raaja to explain some of the more dubious legends of the railway. | 0:24:03 | 0:24:08 | |
How about the kissing tunnel, this story I heard? | 0:24:08 | 0:24:11 | |
Yes. It is over a kilometre long. | 0:24:11 | 0:24:15 | |
To go through the tunnel it takes about four minutes - | 0:24:15 | 0:24:19 | |
time enough to snatch a kiss. | 0:24:19 | 0:24:21 | |
Yeah, absolutely. | 0:24:21 | 0:24:24 | |
That's a very sort of... Jane Austen-ish kiss, really, four minutes. | 0:24:24 | 0:24:29 | |
-Nowadays they could have a family by then. -Absolutely! -Anyway, sorry. | 0:24:29 | 0:24:34 | |
So tell me... | 0:24:34 | 0:24:36 | |
That was why it's called the kissing tunnel? Ah, yeah. | 0:24:36 | 0:24:39 | |
So you figured out who was sitting where and what you had to do with whom, | 0:24:39 | 0:24:44 | |
and the moment the lights... | 0:24:44 | 0:24:46 | |
-When you enter the tunnel, it's an old steam engine... -Oh, stop it! | 0:24:46 | 0:24:50 | |
Oh, get off me! Ooh, Raaja, please! Oh, ho! | 0:24:50 | 0:24:53 | |
LAUGHTER | 0:24:53 | 0:24:55 | |
Raaja, I didn't know you cared! | 0:24:55 | 0:24:58 | |
Oh, well! | 0:24:58 | 0:25:00 | |
Simla, the hill station, is now Shimla, the bustling provincial capital. | 0:25:03 | 0:25:08 | |
But the imperial legacy remains, and the Viceroy's palace - | 0:25:08 | 0:25:12 | |
Victorian self-confidence set in stone - still dominates the town. | 0:25:12 | 0:25:16 | |
One fifth of humanity was ruled from that room up there. | 0:25:16 | 0:25:20 | |
-One fifth of humanity? As much as that? The British Empire? -Yes. | 0:25:20 | 0:25:24 | |
-And that was the Viceroy's office? -Yeah. | 0:25:24 | 0:25:28 | |
For eight months of the year it was Simla, | 0:25:28 | 0:25:31 | |
which was officially the summer capital, but was the real capital. | 0:25:31 | 0:25:35 | |
For eight months of the year, the government was stationed at Simla, | 0:25:35 | 0:25:39 | |
right from about March, April, to October, November. | 0:25:39 | 0:25:44 | |
Someone like Gandhi, who's a modest man in style, | 0:25:44 | 0:25:48 | |
what would he have felt, coming to a place like this? | 0:25:48 | 0:25:51 | |
He disliked it, and the other thing was that while everybody else came in rickshaws, | 0:25:51 | 0:25:56 | |
human-pulled rickshaws, two men pulling and two men pushing, | 0:25:56 | 0:26:00 | |
Gandhi invariably walked to the place, where Nehru invariably used a horse. | 0:26:00 | 0:26:05 | |
Despite 60 years of independence, Shimla still feels like an Indian Tunbridge Wells. | 0:26:14 | 0:26:20 | |
-So where's this? This is the big... -This is the ridge. | 0:26:22 | 0:26:25 | |
This is the big ridge, the town's largest open space. | 0:26:25 | 0:26:31 | |
And we're walking along a natural watershed now, Michael. | 0:26:31 | 0:26:34 | |
The flow from that side on our right goes down to the Bay of Bengal, | 0:26:34 | 0:26:38 | |
-and from the left to the Arabian Sea. -Extraordinary. | 0:26:38 | 0:26:41 | |
Is that partly why they chose this spot? Dividing India, you know? | 0:26:41 | 0:26:47 | |
-Yes, or sitting astride it. -Yes, yes. | 0:26:47 | 0:26:50 | |
Whatever way you look, it's an imposition, isn't it? | 0:26:50 | 0:26:54 | |
The old Gaiety Theatre survives, saved from retirement by the Indian army, | 0:26:55 | 0:27:00 | |
who use it as a club and put on the occasional production. | 0:27:00 | 0:27:04 | |
We're on stage, and the production... | 0:27:06 | 0:27:09 | |
What a jewel of a theatre, isn't it? | 0:27:09 | 0:27:12 | |
It's beautiful, yeah. | 0:27:12 | 0:27:15 | |
Someone said that Shimla was a bit like Cheltenham in India, | 0:27:15 | 0:27:18 | |
and I can see what they mean. | 0:27:18 | 0:27:21 | |
-Yes - locking India outside the door. -Yeah. | 0:27:21 | 0:27:24 | |
What sort of names would have been on this stage? Any famous names? | 0:27:24 | 0:27:28 | |
Oh, yes, and not necessarily connected with theatre. | 0:27:28 | 0:27:31 | |
-There's Baden-Powell. -Baden-Powell? What, the founder of the Scouts? | 0:27:31 | 0:27:36 | |
-Yes. -Never thought he was a thesp. | 0:27:36 | 0:27:38 | |
He did this play here before he went off to the Boer War. And Kipling. | 0:27:38 | 0:27:44 | |
And what sort of plays used to be... They played here, and who would have supplied the cast? | 0:27:44 | 0:27:50 | |
Well, they were mostly drawing-room comedies, the occasional musical, | 0:27:50 | 0:27:55 | |
and in them would be, I think, government officers who really spend most of their time acting. | 0:27:55 | 0:28:02 | |
-I know there's a play on tonight. -Yes. -Now what time does it start? -6.30. -OK. | 0:28:02 | 0:28:07 | |
-Time to go. -We'd better go. I'm sure they'd prefer to see us, but still! | 0:28:07 | 0:28:11 | |
Tonight's play is an early work by Michael Frayn. | 0:28:11 | 0:28:14 | |
The audience and actors are all army. | 0:28:14 | 0:28:17 | |
Well, before we start the play, we've got a surprise for you. | 0:28:17 | 0:28:20 | |
May I present to you, Mr Michael Palin! | 0:28:20 | 0:28:24 | |
Please come forward, Mr Michael Palin. | 0:28:24 | 0:28:27 | |
Thank you. Thank you very much. Thank you. | 0:28:27 | 0:28:31 | |
-APPLAUSE -Thank you. If I might just crave your indulgence for a few moments. | 0:28:31 | 0:28:37 | |
My name is Michael Palin and I'm with the BBC filming a journey through the Himalayas. | 0:28:37 | 0:28:43 | |
A six-part series. And of course we couldn't come to the Himalayas | 0:28:43 | 0:28:47 | |
without coming to India, or India without coming to Shimla, | 0:28:47 | 0:28:50 | |
or Shimla without coming to this jewel of a theatre, the Gaiety. | 0:28:50 | 0:28:55 | |
And I'm absolutely delighted to be here on the stage of a theatre | 0:28:55 | 0:28:58 | |
that's be the envy of many towns. I hope you enjoy the production. | 0:28:58 | 0:29:03 | |
I know many of you are army people, so... By the right, quick laugh! | 0:29:03 | 0:29:07 | |
-Thank you! -APPLAUSE AND LAUGHTER | 0:29:07 | 0:29:11 | |
I must say, there's a certain irony in coming 8,000 miles to India | 0:29:15 | 0:29:20 | |
to see a suburban comedy set in Surrey. | 0:29:20 | 0:29:23 | |
Is there anything that I can do? | 0:29:27 | 0:29:31 | |
No! Just getting the place straight! | 0:29:31 | 0:29:35 | |
Er...why don't you... | 0:29:35 | 0:29:38 | |
go back into the kitchen and relax? | 0:29:38 | 0:29:43 | |
It's awfully lonely in the kitchen. There's no-one to talk to. | 0:29:43 | 0:29:47 | |
The actors on stage work closely with their fellow actors offstage. | 0:29:47 | 0:29:52 | |
No, Barney, it's no good looking at me like that. No. | 0:29:54 | 0:29:57 | |
I'm not amused. | 0:29:57 | 0:29:59 | |
You just stay there, and don't you come out until I tell you. All right? | 0:29:59 | 0:30:05 | |
SPEECH DROWNED BY AUDIENCE | 0:30:05 | 0:30:07 | |
When the curtain finally comes down, | 0:30:12 | 0:30:14 | |
it's no surprise that the biggest round of the evening | 0:30:14 | 0:30:17 | |
is reserved for Mrs Vijaylakshmi Sood, the prompter. | 0:30:17 | 0:30:21 | |
APPLAUSE | 0:30:21 | 0:30:23 | |
-Vijaylakshmi Sood. -LOUDER APPLAUSE | 0:30:23 | 0:30:28 | |
And our special guest, Mr Michael Plain. | 0:30:36 | 0:30:40 | |
LOUD APPLAUSE | 0:30:40 | 0:30:43 | |
Next morning, Michael Plain and driver head north to an altogether less happy place. | 0:30:48 | 0:30:53 | |
A battleground since independence and still one of the world's flashpoints, Kashmir. | 0:30:55 | 0:31:00 | |
60,000 have died in fighting over the last 15 years. | 0:31:02 | 0:31:05 | |
A bomb on the road north has just killed 33 people. | 0:31:05 | 0:31:09 | |
The root cause goes back 60 years. | 0:31:10 | 0:31:13 | |
At partition in 1947, Kashmir was a princely state, | 0:31:14 | 0:31:19 | |
free to choose if it wanted to stay in India, or join Pakistan. | 0:31:19 | 0:31:23 | |
The Maharajah chose India. | 0:31:23 | 0:31:25 | |
The trouble is that Kashmir was 80% Muslim. | 0:31:25 | 0:31:30 | |
In Kashmir, heaven and hell come pretty close. | 0:31:33 | 0:31:36 | |
Swanning about like Cleopatra in a barge on Dal Lake, I feel completely at peace. | 0:31:36 | 0:31:42 | |
But in the city of Srinagar, on the shores of the lake, a nasty war slowly grinds on. | 0:31:42 | 0:31:49 | |
The British loved the lake, but weren't allowed to own land near it, | 0:31:54 | 0:31:58 | |
so instead they built houseboats like manor houses. | 0:31:58 | 0:32:02 | |
They're mostly run as hotels now, and I shall be staying with Mr Ghulam Butt, | 0:32:10 | 0:32:15 | |
proprietor of Clermont Houseboats, once the most sought-after on the lake. | 0:32:15 | 0:32:19 | |
Mr Butt... You must be Mr Butt. | 0:32:19 | 0:32:22 | |
-So happy to see you. -Well, it's nice to be here. You've obviously had a few people before me. | 0:32:22 | 0:32:27 | |
Yes, sir, they've all stayed here, even George Harrison. | 0:32:27 | 0:32:30 | |
George Harrison! My dear friend George, yes. | 0:32:30 | 0:32:33 | |
He was here and Mr Ravi Shankar and Jagger... | 0:32:33 | 0:32:36 | |
-What year was he here? -That was 1966. -1966, gosh. -He was here, yes. | 0:32:36 | 0:32:41 | |
And one evening we have, they had a big party, musician party. | 0:32:41 | 0:32:45 | |
-And that's Joan Fontaine. -Yes. | 0:32:45 | 0:32:49 | |
-One of the famous American movie stars, and... -Nelson Rockefeller! | 0:32:49 | 0:32:53 | |
The last summer he was here... | 0:32:53 | 0:32:55 | |
Mr Butt's hall of fame is impressive. No less than 14 ambassadors have stayed here. | 0:32:55 | 0:33:01 | |
But the names stop in the 1980s, | 0:33:01 | 0:33:04 | |
and the faces on his wall are from another, more confident era. | 0:33:04 | 0:33:07 | |
This is one of the astronauts who went on the moon, the first man. | 0:33:07 | 0:33:11 | |
-Neil Armstrong. -Oh, Neil Armstrong. Is that Neil Armstrong? | 0:33:11 | 0:33:15 | |
-Yes, sir, that Neil Armstrong. He was here. And... -Wow! | 0:33:15 | 0:33:19 | |
And when they come here, they come here for...peace and quiet? | 0:33:19 | 0:33:22 | |
Yes, and for holidaying on the houseboat and enjoying the lake, | 0:33:22 | 0:33:26 | |
-enjoying my home, enjoying my garden... -Oh, good, I want to see it. | 0:33:26 | 0:33:29 | |
You'll see, I'll show you. Some time, when you have time, | 0:33:29 | 0:33:32 | |
I'll show you the guest books, what remarks they put in my guest books. | 0:33:32 | 0:33:36 | |
Have you still got people coming now, despite the troubles? | 0:33:36 | 0:33:40 | |
Yes. Mostly journalists, because since 1990, you know all about... | 0:33:40 | 0:33:46 | |
I know there's been troubles. | 0:33:46 | 0:33:48 | |
The troubles we have, since 1990, because of the problems. | 0:33:48 | 0:33:52 | |
Sadly, the houseboat on which Ravi Shankar taught George Harrison the sitar is now half-submerged, | 0:33:52 | 0:33:59 | |
but despite the troubles, Mr Butt's eternal optimism | 0:33:59 | 0:34:02 | |
-has kept the bulk of his business afloat. -Paradise on Earth. | 0:34:02 | 0:34:06 | |
The houseboats have been started in 1880. I give little flower. | 0:34:10 | 0:34:15 | |
-Oh, I say! -This is just by the way, affection. | 0:34:15 | 0:34:20 | |
Greet you with some flowers and come into my houseboat. | 0:34:20 | 0:34:25 | |
This is the houseboats at this end. | 0:34:25 | 0:34:27 | |
Now we go in, and I show you the living room... | 0:34:27 | 0:34:33 | |
Oh, it's a palace, isn't it? Fit for a queen. | 0:34:33 | 0:34:37 | |
INDECIPHERABLE CONVERSATION | 0:34:37 | 0:34:39 | |
That's lovely. Thanks. Bye. | 0:34:47 | 0:34:50 | |
Pakistan and India have played for high stakes in Kashmir. | 0:35:08 | 0:35:13 | |
When you look out over Dal Lake it's almost impossible to believe that in 2001, | 0:35:13 | 0:35:18 | |
the threat of nuclear war brought a paradise like this to the brink of destruction. | 0:35:18 | 0:35:24 | |
A full-scale conflict may have been avoided, | 0:35:51 | 0:35:55 | |
but issues are still unresolved, and the fight for Kashmir goes on. | 0:35:55 | 0:35:59 | |
Only a week before we arrived, | 0:36:03 | 0:36:05 | |
Indian security forces used mortars to clear this hotel in Srinagar | 0:36:05 | 0:36:10 | |
of what they suspected were two Pakistani-backed militants. | 0:36:10 | 0:36:14 | |
Casualties of war lie in the local cemetery | 0:36:21 | 0:36:24 | |
and in many others like it throughout Kashmir. | 0:36:24 | 0:36:27 | |
This is a Muslim graveyard, and they call their victims martyrs. | 0:36:27 | 0:36:31 | |
Some fought the fight deliberately. | 0:36:31 | 0:36:34 | |
Others, like the mother and child killed in crossfire at the hotel, | 0:36:34 | 0:36:38 | |
were never given the choice. | 0:36:38 | 0:36:40 | |
This feels like an occupied country. | 0:36:49 | 0:36:52 | |
Tourism, once the lifeblood of Kashmir, has been hard hit. | 0:36:55 | 0:36:59 | |
As governments warn against non-essential travel, | 0:37:12 | 0:37:15 | |
international interest has all but dried up. | 0:37:15 | 0:37:18 | |
WIND HOWLS | 0:37:18 | 0:37:21 | |
An overnight downpour only adds to the air of melancholy that hangs over Srinagar, | 0:38:03 | 0:38:08 | |
as I'm shown around by Farooq, a local businessman. | 0:38:08 | 0:38:11 | |
Do you think the city is suffering quite a lot | 0:38:13 | 0:38:17 | |
-from the problems with the violence and all that? -Very much, very much. | 0:38:17 | 0:38:21 | |
-Still is, is it? -Last 14 years is very much. You see this outside. | 0:38:21 | 0:38:25 | |
Oh, look at that, yeah. | 0:38:25 | 0:38:28 | |
Srinagar has echoes of Belfast in the 1970s. | 0:38:28 | 0:38:32 | |
It's a city scarred by siege, | 0:38:32 | 0:38:34 | |
pockmarked by damage and neglect. | 0:38:34 | 0:38:36 | |
A city waiting with increasing desperation for the nightmare to end | 0:38:36 | 0:38:41 | |
and the symbols of hatred to disappear. | 0:38:41 | 0:38:44 | |
Perched high in the Himalayan foothills near Dharamsala | 0:38:53 | 0:38:57 | |
is the village of McLeodganj. | 0:38:57 | 0:38:59 | |
It's a nondescript place, | 0:39:01 | 0:39:03 | |
but backpackers and travellers from all over the world flock here. | 0:39:03 | 0:39:07 | |
Alongside local poverty is a parallel economy, | 0:39:18 | 0:39:21 | |
geared to the demands of well-heeled Westerners. | 0:39:21 | 0:39:24 | |
And the reason for all this is religion. | 0:39:24 | 0:39:27 | |
Neither Hindu, nor Muslim, but Buddhist. | 0:39:27 | 0:39:30 | |
Ten years after the Chinese took over his country, | 0:39:34 | 0:39:38 | |
the Dalai Lama, fearing death or imprisonment, | 0:39:38 | 0:39:42 | |
-fled across the Himalaya from Tibet. -CHANTING | 0:39:42 | 0:39:45 | |
India's Prime Minister Nehru risked Chinese wrath to offer him sanctuary. | 0:39:45 | 0:39:50 | |
And this is where the leader of Tibetan Buddhism now lives, | 0:39:52 | 0:39:56 | |
surrounded by faithful followers. | 0:39:56 | 0:39:58 | |
These Indian hill villages have become known as Little Lhasa. | 0:40:13 | 0:40:18 | |
In this monastery, prayer flags hang in their thousands above gold and white stupas. | 0:40:18 | 0:40:23 | |
Ovens burning juniper and cedar make smoke trails up to the gods | 0:40:23 | 0:40:27 | |
and prayer wheels send good thoughts spinning out into the world. | 0:40:27 | 0:40:31 | |
Buddhism is an outgoing, inclusive religion | 0:40:40 | 0:40:43 | |
and at the temple they seem only too happy to let me take part in a ceremony | 0:40:43 | 0:40:48 | |
whose purpose is a complete mystery to me. | 0:40:48 | 0:40:50 | |
On a count of three, I, like everyone else, throw into the air my handful of tsampa - roast barley flour. | 0:40:57 | 0:41:05 | |
And, like everyone else, feel a lot better for it. | 0:41:08 | 0:41:11 | |
Young Tibetans, like Thupten Tsewang, have never seen their ancestral homeland. | 0:41:16 | 0:41:21 | |
Your parents had to leave Tibet, I assume, did they? | 0:41:21 | 0:41:26 | |
Yes. They came to India around in the 1960s. | 0:41:26 | 0:41:30 | |
During that time they were in a group, you know? | 0:41:30 | 0:41:35 | |
Do you think you'll ever go to Tibet? | 0:41:35 | 0:41:38 | |
No. I would like to go, really, but then it's really difficult at this moment. | 0:41:38 | 0:41:44 | |
We have special procedures to follow. | 0:41:44 | 0:41:47 | |
The unlikelihood of ever seeing Tibet doesn't seem to have dampened spirits here in Little Lhasa. | 0:41:47 | 0:41:52 | |
It's beautiful work, isn't it? | 0:41:52 | 0:41:55 | |
-This is our thangka painting studio. -Right. | 0:41:55 | 0:41:59 | |
Everywhere you look, enormous energy is devoted to keeping the culture alive. | 0:41:59 | 0:42:05 | |
In this workshop, they produced thangkas - decorated religious scrolls. | 0:42:05 | 0:42:11 | |
They seem actually very young, most of the people who are working here. | 0:42:11 | 0:42:16 | |
People here presumably would never have been to Tibet. | 0:42:16 | 0:42:19 | |
How is it all organised? | 0:42:19 | 0:42:21 | |
Are they under the guidance of people who are Tibetan? | 0:42:21 | 0:42:25 | |
Yes, all of them are Tibetan. | 0:42:25 | 0:42:27 | |
Yes, all of them Tibetans, and how we organise this, | 0:42:27 | 0:42:32 | |
we have our master under whose guidance students can learn. | 0:42:32 | 0:42:36 | |
Are they in great demand? | 0:42:36 | 0:42:39 | |
Yes, I can say that, because we have a pile of orders. Like if you order a thangka now, | 0:42:39 | 0:42:46 | |
you have to wait for two, or five or six years. | 0:42:46 | 0:42:49 | |
-Five or six years to get one done? -Yes, it's all piled up. | 0:42:49 | 0:42:52 | |
The Tibetan diaspora is a worldwide phenomenon, and the demand for images from America and Japan | 0:42:54 | 0:43:00 | |
makes the work profitable as well as educational. | 0:43:00 | 0:43:03 | |
The commitment is demanding. | 0:43:17 | 0:43:20 | |
A metal sculpture apprenticeship takes 12 years. | 0:43:20 | 0:43:23 | |
It's not just craftsmanship that's kept alive here. | 0:43:34 | 0:43:37 | |
Children are taught Tibetan song and dance almost as soon as they can walk. | 0:43:37 | 0:43:42 | |
Is this traditional Tibetan music? | 0:43:47 | 0:43:51 | |
Yes, very traditional Tibetan music. | 0:43:51 | 0:43:53 | |
The theme was started nine years back. | 0:43:53 | 0:43:57 | |
The theme is to let small children know their own cultural songs in that sense, | 0:43:57 | 0:44:03 | |
because we are losing it, because being influenced by Hindi songs, Bollywood songs... | 0:44:03 | 0:44:09 | |
So there's a danger of them being forgotten. | 0:44:09 | 0:44:12 | |
Being forgotten and the children didn't get acquainted. | 0:44:12 | 0:44:15 | |
So to make them acquainted, such events have been organised. Today is a celebration of Gandhi. | 0:44:15 | 0:44:21 | |
It's Gandhi's birthday. | 0:44:21 | 0:44:24 | |
So the children enjoy doing the Tibetan music? | 0:44:24 | 0:44:27 | |
They don't mind being weaned away from Bollywood? | 0:44:27 | 0:44:30 | |
No, you can see their faces - excited I guess. | 0:44:30 | 0:44:35 | |
Keeping world opinion on their side is very important to the Tibetans in exile. | 0:45:07 | 0:45:12 | |
To this end, they offer all sorts of services, including this astrology centre, which, among other things, | 0:45:12 | 0:45:18 | |
can tell you what you were in your previous life and what you'll become in the next. | 0:45:18 | 0:45:23 | |
Having sent my birth details to the experts upstairs, I've come along today to hear the results. | 0:45:27 | 0:45:34 | |
-Mr Palin, this way, please. -Ah. | 0:45:35 | 0:45:38 | |
My astrologer's name is Phurbu Tsering. | 0:45:38 | 0:45:42 | |
So this is my astrological chart which will show, among other things, | 0:45:42 | 0:45:48 | |
what I will be reincarnated as and what I am reincarnated as, is that right? | 0:45:48 | 0:45:53 | |
-Yes, yes. -Wow, this is... | 0:45:53 | 0:45:56 | |
I'm shaking a little bit. | 0:45:56 | 0:45:58 | |
Never known this information before. There's rather a lot of it. | 0:45:58 | 0:46:01 | |
Oh, here we go, right... | 0:46:03 | 0:46:05 | |
I see, yes. | 0:46:07 | 0:46:10 | |
So the real stuff, that comes here. Oh... | 0:46:10 | 0:46:13 | |
There's a lot. | 0:46:13 | 0:46:16 | |
Oh, here we are. | 0:46:17 | 0:46:19 | |
"You were likely to be an elephant in your previous life." | 0:46:19 | 0:46:23 | |
Oh, that's... I've always been kind to elephants! | 0:46:23 | 0:46:27 | |
Actually, an elephant charged me once, so I think he recognised me and wanted to say hello. | 0:46:27 | 0:46:33 | |
But... "You're going to be born as a daughter of a rich family | 0:46:33 | 0:46:38 | |
"in the West again." | 0:46:38 | 0:46:40 | |
I don't know what to say to that, really. I mean, it's not too bad. | 0:46:40 | 0:46:44 | |
Sometimes I suppose you have to give rather bad news to people, do you? | 0:46:44 | 0:46:49 | |
In that case... | 0:46:49 | 0:46:51 | |
This is all based on your date of birth, | 0:46:51 | 0:46:55 | |
based on an individual's date of birth time. | 0:46:55 | 0:46:58 | |
At that time his whole life is... looks like that, it's a map. | 0:46:58 | 0:47:03 | |
He or she may be born again as some sort of... | 0:47:03 | 0:47:06 | |
-bad life, or you know, bad birth, so in that case, you know, it doesn't mean that it's all fixed. -Oh, right. | 0:47:06 | 0:47:12 | |
You can change it by yourself, through special approach, through special effort, | 0:47:12 | 0:47:18 | |
through your own hard work. | 0:47:18 | 0:47:20 | |
So if I was going to be born again as a... | 0:47:20 | 0:47:23 | |
-as a sort of mosquito, there's still time for me to change? -Yes. | 0:47:23 | 0:47:28 | |
It's all, you know, in your hands, in this life. | 0:47:28 | 0:47:31 | |
You see, I'm really against all this. I don't believe in any predestine. | 0:47:31 | 0:47:37 | |
I prefer to think that some exercise of free will can control the course of my life. | 0:47:37 | 0:47:44 | |
That's how I was brought up. So it's interesting that what you're saying is that you can change your life, | 0:47:44 | 0:47:51 | |
but I was an elephant. | 0:47:51 | 0:47:53 | |
So I'll always remain having been an elephant, will I? | 0:47:53 | 0:47:56 | |
I can't change that. I was an elephant. | 0:47:56 | 0:47:59 | |
You were an elephant in your previous birth. | 0:47:59 | 0:48:02 | |
Do you know what you were in a previous life? | 0:48:02 | 0:48:06 | |
No, because I don't have my date of birth. | 0:48:06 | 0:48:09 | |
Really? You don't know exactly when you were born? | 0:48:09 | 0:48:13 | |
No, because my parents have all these records for us, | 0:48:13 | 0:48:17 | |
so I don't have... When the Chinese invaded our country... | 0:48:17 | 0:48:22 | |
So most of the youth of my age, we don't have... | 0:48:22 | 0:48:25 | |
The records of your birth were destroyed, because your parents had to leave Tibet. | 0:48:25 | 0:48:31 | |
If you believe this or not, I was even born on the roadside. | 0:48:31 | 0:48:36 | |
Many of our age at that time were born on the roadside. | 0:48:36 | 0:48:40 | |
The centrepiece of Little Lhasa and the head of the Tibetan government in exile | 0:48:51 | 0:48:57 | |
is this son of peasant farmers, his holiness, the 14th Dalai Lama. | 0:48:57 | 0:49:01 | |
At the age of two, this man who likes to call himself a simple monk, | 0:49:09 | 0:49:14 | |
was proved by various tests to be the reincarnation of the 13th Dalai Lama. | 0:49:14 | 0:49:19 | |
When he dies, he'll be reborn as the 15th Dalai Lama. | 0:49:19 | 0:49:23 | |
Morning prayers are open to people from all over the world | 0:49:29 | 0:49:33 | |
and the 68-year-old Dalai Lama seems genuinely pleased to see them, | 0:49:33 | 0:49:37 | |
whilst men in grey suits provide discreet security. | 0:49:37 | 0:49:40 | |
I've been granted a one-to-one audience with his holiness, | 0:49:51 | 0:49:55 | |
but before that, he's agreed to meet 700 other people. | 0:49:55 | 0:50:01 | |
In a smoothly organised operation, a line of pilgrims, well-wishers and fans | 0:50:01 | 0:50:06 | |
is moved briskly up the driveway and past the balcony of his bungalow. | 0:50:06 | 0:50:10 | |
In return for queuing patiently, they receive a handshake, | 0:50:16 | 0:50:19 | |
direct eye contact with the great man and a sacred cord blessed by him. | 0:50:19 | 0:50:24 | |
The Dalai Lama greets his Western admirers first. | 0:50:42 | 0:50:46 | |
Then it's the turn of the Nepalese and Tibetans. | 0:50:46 | 0:50:49 | |
Only, they get packets of herbal pills, blessed by his holiness, which will cure coughs and colds. | 0:50:49 | 0:50:56 | |
If the international pilgrims seem almost blase, | 0:51:01 | 0:51:04 | |
the Tibetans who stand in line are quite visibly awed by his presence. | 0:51:04 | 0:51:09 | |
Next, he meets refugees from Tibet. | 0:51:15 | 0:51:18 | |
To avoid reprisals if they go back, we film them from behind. | 0:51:18 | 0:51:22 | |
Trying to put them at their ease, he asks about the journey. | 0:51:24 | 0:51:28 | |
How did they bring their money across the border without being caught? | 0:51:28 | 0:51:33 | |
Did they swallow it and throw it up later? | 0:51:33 | 0:51:35 | |
He asks how many of them plan to go back. | 0:51:37 | 0:51:40 | |
If he goes back, he says, it would never be to the old feudal way of doing things. | 0:51:40 | 0:51:46 | |
Despite appearances, his message is modernise. | 0:51:46 | 0:51:50 | |
Then all of a sudden it's our turn. | 0:51:53 | 0:51:55 | |
Your holiness, thank you so much. | 0:51:56 | 0:51:59 | |
Thank you for coming to talk to us. | 0:52:00 | 0:52:03 | |
You're a busy man, aren't you? | 0:52:03 | 0:52:06 | |
Your face, very familiar to me, because of BBC! | 0:52:08 | 0:52:13 | |
Oh, really? Oh! Well, your face is very familiar to me! | 0:52:13 | 0:52:18 | |
Do you watch the BBC, then? | 0:52:18 | 0:52:21 | |
-Ah, practically every day. -Do you? | 0:52:22 | 0:52:25 | |
Because I have more trust. | 0:52:25 | 0:52:28 | |
Really? | 0:52:28 | 0:52:30 | |
And mainly some beautiful documentaries, obviously, including your own... | 0:52:30 | 0:52:38 | |
your visits to different places. | 0:52:38 | 0:52:40 | |
And sometimes, sometimes I wonder, I wish to join with you, I could see many places. | 0:52:40 | 0:52:47 | |
-Meet different people. -You know where we're going to next? | 0:52:47 | 0:52:50 | |
Within a month, we'll be going to Tibet, your holiness. But I don't think you'll want to come with us. | 0:52:50 | 0:52:57 | |
I was going to ask you something, because yesterday while I was here, | 0:53:00 | 0:53:05 | |
I went to your astrological department and they made up a chart for me. | 0:53:05 | 0:53:09 | |
And in my previous life I was an elephant. | 0:53:09 | 0:53:13 | |
And in my next life, I'm going to be the daughter of a rich family in the West. | 0:53:13 | 0:53:19 | |
Which do you think is the best? | 0:53:19 | 0:53:22 | |
Of the two options? | 0:53:22 | 0:53:24 | |
I wondered to myself, how does an elephant get to be a television presenter? | 0:53:24 | 0:53:31 | |
Because I think elephant also has a lot of curiosity... | 0:53:33 | 0:53:37 | |
to know... | 0:53:37 | 0:53:40 | |
go like that! | 0:53:40 | 0:53:42 | |
The trouble is, an elephant never forgets and I forget far too much. | 0:53:42 | 0:53:47 | |
But as we're going to Tibet, as I say, in a month, which is very exciting, | 0:53:47 | 0:53:54 | |
what sort of situation do you think we'll encounter there? | 0:53:54 | 0:53:59 | |
What is Tibet like at the moment? I hear there's a revival of interest in Buddhism. | 0:53:59 | 0:54:05 | |
Will we see this and will it be the real thing? | 0:54:05 | 0:54:08 | |
Now, since you are going there, so you yourself must find out what's the true situation. | 0:54:11 | 0:54:17 | |
Of course, although I am here, | 0:54:21 | 0:54:24 | |
outside Tibet, | 0:54:24 | 0:54:26 | |
not inside Tibet, | 0:54:26 | 0:54:28 | |
but as a Tibetan, | 0:54:28 | 0:54:30 | |
now I want to extend my welcome | 0:54:30 | 0:54:34 | |
to you...to visit my own country. | 0:54:34 | 0:54:37 | |
You are the best-travelled of any Dalai Lama in history | 0:54:41 | 0:54:46 | |
and you have a very hectic schedule. | 0:54:46 | 0:54:50 | |
Why do you think it's important to travel? | 0:54:50 | 0:54:53 | |
From my childhood, I always have curiosity | 0:54:53 | 0:54:58 | |
or desire to know more about different people, different culture, | 0:54:58 | 0:55:03 | |
and as a Buddhist monk I also have a great interest | 0:55:03 | 0:55:07 | |
to learn more about different religious traditions. | 0:55:07 | 0:55:11 | |
You lead this very hectic, frenetic life. | 0:55:11 | 0:55:14 | |
How do you keep in good condition? Do you have a health regime? | 0:55:14 | 0:55:19 | |
I think firstly my parent gives me this, I think, quite good body. | 0:55:20 | 0:55:27 | |
Except these two days, there is some problem with my eye, eyelid, little problem. | 0:55:28 | 0:55:34 | |
I've never seen you with your glasses off before. | 0:55:34 | 0:55:39 | |
-Really? -I've never seen you with your glasses off. | 0:55:39 | 0:55:43 | |
Do I seem very small? Am I bit blurred? | 0:55:43 | 0:55:48 | |
But you are... | 0:55:48 | 0:55:50 | |
My daily life... My daily routine... | 0:55:50 | 0:55:54 | |
I'm usually quite, what can I say... | 0:55:56 | 0:55:59 | |
stable... | 0:55:59 | 0:56:01 | |
disciplined - breakfast, lunch, no dinner, | 0:56:01 | 0:56:07 | |
as a monk, Buddhist monk, but evening tea, | 0:56:07 | 0:56:10 | |
..and sleep. | 0:56:12 | 0:56:13 | |
Usually, I have a quite fixed... | 0:56:13 | 0:56:16 | |
Except when I travel at different places, especially America. | 0:56:18 | 0:56:22 | |
Then... | 0:56:22 | 0:56:25 | |
I...more than... | 0:56:25 | 0:56:26 | |
Sometimes more than 12 hours... differences. | 0:56:26 | 0:56:30 | |
So now, for example, now I... | 0:56:30 | 0:56:33 | |
One week ago, I return from United States. | 0:56:33 | 0:56:36 | |
My sleep... | 0:56:36 | 0:56:38 | |
not much problem, but my stomach still, American time. | 0:56:38 | 0:56:44 | |
Still! | 0:56:44 | 0:56:46 | |
Usually I...bath, toilet, usually morning, | 0:56:47 | 0:56:52 | |
but nowadays it's the evening, because of American time. | 0:56:52 | 0:56:56 | |
That's very tricky! | 0:56:57 | 0:56:59 | |
I know you're very busy. Thank you very much. | 0:57:01 | 0:57:04 | |
-Thank you. -There's lots more I want to talk about, but you've got to talk to lots of other people. | 0:57:04 | 0:57:10 | |
The next day, the Dalai Lama is off on his travels again and the crowds are out to catch a glimpse of him. | 0:57:13 | 0:57:20 | |
He may see himself as "a simple monk", but his people, for whom life is religion, | 0:57:23 | 0:57:28 | |
see him as nothing less than the God King. | 0:57:28 | 0:57:32 | |
They may not want to share him with the world, but they pay him respect | 0:57:32 | 0:57:36 | |
as he sets off once more on his self-imposed mission to keep a candle burning for Tibet. | 0:57:36 | 0:57:42 | |
It's time for me to move on as well. | 0:57:48 | 0:57:51 | |
Up to Ladakh, the "land of passes", where the mountains take over the landscape. | 0:57:51 | 0:57:57 | |
A field of ancient stupas stand like melting snowmen, | 0:58:01 | 0:58:04 | |
a reminder of the days of prosperity when the Silk Route came through here, | 0:58:04 | 0:58:09 | |
carrying other travellers on their way to the East. | 0:58:09 | 0:58:12 | |
Next time, I micro-light up to the mountains, | 0:58:21 | 0:58:23 | |
watch Ghurkhas being recruited, leave ridiculous tips for the waitresses, | 0:58:23 | 0:58:29 | |
test myself on the Annapurna Trail... | 0:58:29 | 0:58:33 | |
..see the temples and funeral pyres of Kathmandu, | 0:58:36 | 0:58:40 | |
gamble with the licence-payers' money... | 0:58:40 | 0:58:43 | |
..meet the highest nuns in the world... | 0:58:45 | 0:58:47 | |
..and take Sunday lunch at Everest. | 0:58:49 | 0:58:52 | |
Himalaya...high adventure! | 0:58:52 | 0:58:54 |