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Childhood holidays, oh-ho, the anticipation seemed endless! | 0:00:02 | 0:00:05 | |
The holiday itself, well, it was over too quickly. | 0:00:05 | 0:00:08 | |
So, in this series, I'm going | 0:00:08 | 0:00:10 | |
to be reliving those wonderful times with some much-loved famous faces. | 0:00:10 | 0:00:14 | |
THEY SCREAM | 0:00:14 | 0:00:17 | |
Every day, I'll be arranging a few surprises to transport them | 0:00:17 | 0:00:21 | |
back in time. | 0:00:21 | 0:00:22 | |
Oh, look! It's just as I remember! | 0:00:22 | 0:00:26 | |
We'll relive the fun... | 0:00:28 | 0:00:29 | |
THEY LAUGH | 0:00:29 | 0:00:31 | |
..the games... | 0:00:31 | 0:00:32 | |
-Yes! -We got them! | 0:00:32 | 0:00:34 | |
..and the food of years gone by... | 0:00:34 | 0:00:37 | |
-Yummy! -Welcome to 1959. | 0:00:37 | 0:00:41 | |
-Total happiness. -Yes! Perfect. | 0:00:41 | 0:00:44 | |
..to find out how those holidays around the UK helped shape | 0:00:44 | 0:00:48 | |
the people we know so well today. | 0:00:48 | 0:00:50 | |
-Bruce Forsyth! -IMITATING FORSYTH: "Marvellous, | 0:00:50 | 0:00:52 | |
"Len, you're still my favourite." | 0:00:52 | 0:00:54 | |
So buckle up for Holiday Of My Lifetime. | 0:00:54 | 0:00:57 | |
You know, Len, I'm quite enjoying being on my holidays with you. | 0:00:57 | 0:01:01 | |
All aboard Goodman Coach Tours. | 0:01:03 | 0:01:05 | |
Sit back and take in the views as I'm on my way to pick up a very | 0:01:05 | 0:01:11 | |
IMPRESSIONABLE mystery holiday-maker | 0:01:11 | 0:01:14 | |
for today's trip down memory lane. | 0:01:14 | 0:01:17 | |
My guest today is always keen | 0:01:17 | 0:01:20 | |
to make a good IMPRESSION. | 0:01:20 | 0:01:23 | |
He was born in Ormskirk, Lancashire, | 0:01:23 | 0:01:25 | |
in 1968. | 0:01:25 | 0:01:27 | |
Here he is as a young whippersnapper. | 0:01:27 | 0:01:30 | |
Oi, keep your feet off the seats! | 0:01:30 | 0:01:33 | |
You could say he had the perfect face for radio, which is | 0:01:33 | 0:01:38 | |
just as well, because he was heard on the hospital airwaves. | 0:01:38 | 0:01:41 | |
And people got a chance to hear his one true voice. | 0:01:41 | 0:01:45 | |
Throughout his career, | 0:01:45 | 0:01:46 | |
he has been the spitting image of some of the lates and greats. | 0:01:46 | 0:01:51 | |
And by the time he'd reached his mid-30s, | 0:01:51 | 0:01:53 | |
he'd established himself as one of Britain's finest entertainers. | 0:01:53 | 0:01:59 | |
No smoking at the back! | 0:01:59 | 0:02:01 | |
With a back catalogue of 350 voices, | 0:02:01 | 0:02:04 | |
it is no wonder that he ended up with his own TV series in 2009. | 0:02:04 | 0:02:09 | |
And guess what, his impression of George Bush is a dead ringer! | 0:02:09 | 0:02:14 | |
Mind that greasy food, will you? | 0:02:14 | 0:02:16 | |
And from what I've heard, it's not just mimicking | 0:02:16 | 0:02:19 | |
celebrities that he loves, he enjoys gazing up at the stars, too. | 0:02:19 | 0:02:24 | |
Have you twigged yet? | 0:02:24 | 0:02:25 | |
Of course, it's Jon Culshaw! | 0:02:25 | 0:02:28 | |
And we're going to be hopping on and off of this beautiful bus | 0:02:29 | 0:02:32 | |
on the same journey that Jon took with his family all those years ago. | 0:02:32 | 0:02:38 | |
Oi, I've told you twice, no greasy food! | 0:02:38 | 0:02:41 | |
A Lancashire lad, Jonathan Peter Culshaw was born in 1968 to | 0:02:43 | 0:02:49 | |
dad Jim, who was a Royal Engineer during the Second World War, | 0:02:49 | 0:02:53 | |
and mum Theresa, who worked in a local grocers. | 0:02:53 | 0:02:56 | |
He has an older brother and an older sister. | 0:02:56 | 0:03:00 | |
Jon's entertainment career began | 0:03:00 | 0:03:02 | |
on hospital radio in Ormskirk | 0:03:02 | 0:03:04 | |
and went on to present for Viking FM in Hull. | 0:03:04 | 0:03:07 | |
His big break came when he joined the impressions team on | 0:03:07 | 0:03:12 | |
Spitting Image, where he provided voices for Frank Bruno, | 0:03:12 | 0:03:16 | |
Michael Portillo, Liam Gallagher, | 0:03:16 | 0:03:18 | |
Bill Clinton, John Major | 0:03:18 | 0:03:21 | |
and many more. | 0:03:21 | 0:03:22 | |
He is now regarded by many as Britain's best impressionist. | 0:03:22 | 0:03:26 | |
And even the sky is not the limit for Jon, who is a big fan | 0:03:27 | 0:03:31 | |
of astronomy and a presenter | 0:03:31 | 0:03:34 | |
on the long-running series The Sky At Night. | 0:03:34 | 0:03:37 | |
I'm on my way to South Queensferry, just outside of Edinburgh, | 0:03:37 | 0:03:41 | |
to meet Jon. | 0:03:41 | 0:03:43 | |
Well, right now, it's 11:0... Seven! | 0:03:44 | 0:03:46 | |
So that might be a good time for Len to show up. Who knows? | 0:03:46 | 0:03:50 | |
It would be fortuitous if he did. | 0:03:50 | 0:03:52 | |
Good grief! | 0:03:53 | 0:03:54 | |
Hey, hey! | 0:03:56 | 0:03:57 | |
-Chum, boy! -Well, well, well! -Welcome! | 0:03:57 | 0:03:59 | |
How nice to see you. How nice to see you. | 0:03:59 | 0:04:03 | |
-And what a lovely spot to be meeting you. -Absolutely. | 0:04:03 | 0:04:06 | |
Right by the Forth Bridge. | 0:04:06 | 0:04:09 | |
-First steel bridge ever built. -Yes. Yes, indeed. | 0:04:09 | 0:04:13 | |
So, where are we going? | 0:04:13 | 0:04:14 | |
Well, this holiday was called Gateway to the Highlands, | 0:04:14 | 0:04:17 | |
and it took in Perth and Dunkeld and Moffat and Edinburgh, many places. | 0:04:17 | 0:04:21 | |
-It was a wonderful trip, so much in five days. -And what year is it? -1980. | 0:04:21 | 0:04:26 | |
-Summer, 1980. -Oh! | 0:04:26 | 0:04:28 | |
Jam were number one - Going Underground. | 0:04:28 | 0:04:30 | |
Well, I tell you, we're not going underground | 0:04:30 | 0:04:32 | |
because you are on the Goodman Tours. So... | 0:04:32 | 0:04:35 | |
-What do you think of this little beauty? -That is magnificent. | 0:04:35 | 0:04:39 | |
-A W-registration coach from 1980. -Yes. This is it. | 0:04:39 | 0:04:43 | |
-Your chariot awaits. -Yes. -Shall we get on board? -Oh, I would love to. | 0:04:43 | 0:04:47 | |
-I would love to, look at this. -1980. -Time travel. | 0:04:47 | 0:04:51 | |
The coach tour we are taking today begins in South Queensberry, | 0:04:54 | 0:04:58 | |
just northwest of Edinburgh. | 0:04:58 | 0:05:00 | |
We will then make our way up to Crieff and then Perth | 0:05:00 | 0:05:03 | |
before heading back down south, into the capital of Scotland, Edinburgh. | 0:05:03 | 0:05:08 | |
It is a 110-mile trip which takes in stunning countryside, | 0:05:08 | 0:05:13 | |
sea views and a city skyline. | 0:05:13 | 0:05:16 | |
It is a similar tour to the one Jon and his family took | 0:05:16 | 0:05:20 | |
in 1980. | 0:05:20 | 0:05:21 | |
And today, we'll relive those years | 0:05:21 | 0:05:23 | |
when he was on the brink of becoming a teenager. | 0:05:23 | 0:05:27 | |
We'll enjoy the sights... | 0:05:27 | 0:05:29 | |
To be greeted by this - mountains and golden eagles - it was magic. | 0:05:29 | 0:05:33 | |
..the sounds... | 0:05:33 | 0:05:35 | |
If I was an alien race, | 0:05:36 | 0:05:38 | |
I'm not sure I'd invade the Earth like this, in sort of straight lines. | 0:05:38 | 0:05:42 | |
..and traditions of this memorable family holiday. | 0:05:42 | 0:05:45 | |
Jon! | 0:05:45 | 0:05:47 | |
-You are a natural. -A natural disaster. | 0:05:47 | 0:05:51 | |
Along the way, we will be joined on our journey by some extra special | 0:05:51 | 0:05:55 | |
celebrity guests. | 0:05:55 | 0:05:56 | |
Bruce Forsyth! | 0:05:56 | 0:05:57 | |
IMITATING FORSYTH: "Yes, marvellous, Len, you're still my favourite." | 0:05:57 | 0:06:00 | |
And we'll see how those days spent gliding towards | 0:06:00 | 0:06:03 | |
the Gateway of the Highlands became a rite of passage. | 0:06:03 | 0:06:07 | |
This is quite emotional to think back, actually. | 0:06:07 | 0:06:10 | |
Before any holiday truly begins, first you must set out on a journey. | 0:06:15 | 0:06:20 | |
Whether by plane, train or automobile, | 0:06:20 | 0:06:23 | |
we have all experienced those hours of anticipation, | 0:06:23 | 0:06:26 | |
just waiting to get to the promised destination | 0:06:26 | 0:06:29 | |
you've been dreaming of all year. | 0:06:29 | 0:06:32 | |
It must have been especially exciting for Jon, | 0:06:33 | 0:06:37 | |
as this was the first real family holiday that he can remember. | 0:06:37 | 0:06:41 | |
So, Jon, how old were you in 1980? | 0:06:43 | 0:06:46 | |
I had just turned 12 in August of 1980, yes. | 0:06:46 | 0:06:49 | |
-Was it... The whole family came? -Yes, pretty much. | 0:06:49 | 0:06:51 | |
It was me and my mum and dad and my brother, Jim, | 0:06:51 | 0:06:55 | |
and his girlfriend at the time, Liz, | 0:06:55 | 0:06:57 | |
-who is now his wife of about 35 years. -Right. | 0:06:57 | 0:07:00 | |
And it was wonderful, it really was. | 0:07:00 | 0:07:02 | |
In those days, our family didn't tend to go on holiday as such. | 0:07:02 | 0:07:07 | |
I think we invented the word the staycation. | 0:07:07 | 0:07:10 | |
But one year, I think, my mum just had an idea, she said, | 0:07:10 | 0:07:14 | |
"Why don't we go on holiday, Jimmy?" And he said, "All right, then." | 0:07:14 | 0:07:16 | |
And they heard about this coach holiday - | 0:07:16 | 0:07:19 | |
Gateway to the Highlands. | 0:07:19 | 0:07:21 | |
And we travelled across to this very place. | 0:07:21 | 0:07:23 | |
-Here we go, look, across the bridge. -Beautiful. | 0:07:23 | 0:07:26 | |
Just the scenery was absolutely gorgeous. | 0:07:26 | 0:07:29 | |
And then seeing sites such as the bridges here. | 0:07:29 | 0:07:31 | |
I had never seen a bridge of this scale before. | 0:07:31 | 0:07:34 | |
-You were all on an adventure. -Yes, exactly. It's just like today. | 0:07:34 | 0:07:38 | |
That we are reliving. | 0:07:38 | 0:07:39 | |
Five million of us in the UK still take coach tours each year. | 0:07:39 | 0:07:44 | |
But back in 1980, they were even more popular | 0:07:44 | 0:07:48 | |
and considered a mainstream family holiday. | 0:07:48 | 0:07:51 | |
So for one day only, | 0:07:51 | 0:07:53 | |
Andrew is in the driving seat for our Goodman's Tour. | 0:07:53 | 0:07:57 | |
Can you describe the scene and the people on the bus? | 0:07:57 | 0:08:00 | |
Yes, I can remember them very, very vividly. | 0:08:00 | 0:08:03 | |
The driver was a wonderful chap called Eric. | 0:08:03 | 0:08:07 | |
And I can remember his sort of... | 0:08:07 | 0:08:09 | |
IMITATING ERIC: '..faint Liverpool accent, like that. | 0:08:09 | 0:08:12 | |
'He had a smile in his voice, you know. | 0:08:12 | 0:08:14 | |
'It came over well on the speakers.' | 0:08:14 | 0:08:16 | |
"We will be heading towards the Tame Bridge quite soon, the Forth Bridge | 0:08:16 | 0:08:21 | |
"we will also see." | 0:08:21 | 0:08:22 | |
And I can also remember he used to sort of call | 0:08:22 | 0:08:25 | |
the register of all the passengers to make sure everyone was on board. | 0:08:25 | 0:08:28 | |
And he used to say, "Mr and Mrs Tudor." "Here!" | 0:08:28 | 0:08:32 | |
"Mr and Mrs Kirkus." | 0:08:32 | 0:08:34 | |
'He'd just have this lovely sort of tone of voice.' | 0:08:34 | 0:08:36 | |
Sort of a dilated John Bishop and somewhere near Alan Bennett. | 0:08:36 | 0:08:40 | |
-Yeah. -And he drove the bus great, just like our driver today. -Andrew. | 0:08:40 | 0:08:45 | |
-Andrew, the driver. -Yes, doing a steadfast, brilliant job. | 0:08:45 | 0:08:48 | |
Sterling work he is doing. | 0:08:48 | 0:08:51 | |
Mike Reid was also bus driver doing coach tours all over | 0:08:51 | 0:08:54 | |
Scotland in the 1980s. It was big business back then. | 0:08:54 | 0:08:58 | |
And for Mike and his colleagues, it was a case of work hard, play hard. | 0:08:58 | 0:09:03 | |
In the '80s, people came from all over the United Kingdom, right | 0:09:03 | 0:09:06 | |
from the South of England, they would come up by train. | 0:09:06 | 0:09:08 | |
You met them at the railway station. | 0:09:08 | 0:09:10 | |
And then you would have them | 0:09:10 | 0:09:11 | |
for a whole week. | 0:09:11 | 0:09:13 | |
And you would show them really beautiful parts of Scotland. | 0:09:13 | 0:09:16 | |
And they just appreciated getting on a coach and travelling round, | 0:09:16 | 0:09:20 | |
enjoying the scenery and not having to worry. | 0:09:20 | 0:09:22 | |
When you've got 45 people, | 0:09:22 | 0:09:24 | |
the idea is to keep everybody happy. | 0:09:24 | 0:09:26 | |
You always had to stop in a lay-by | 0:09:26 | 0:09:28 | |
so they could take pictures of the loch. | 0:09:28 | 0:09:30 | |
If you've seen one loch, you've seen them all, | 0:09:30 | 0:09:32 | |
but visitors to Scotland think this is great. | 0:09:32 | 0:09:34 | |
And this is what they come to see. | 0:09:34 | 0:09:36 | |
Everything is organised for them and they don't have to worry. | 0:09:36 | 0:09:39 | |
They get back to the hotel at night, they can sit and relax, | 0:09:39 | 0:09:41 | |
have a wee drink and look forward to the next day. | 0:09:41 | 0:09:44 | |
When Jon caught his coach in 1980, it was the start of a new | 0:09:44 | 0:09:49 | |
era of opportunity - big hair, great clothes and leg warmers. | 0:09:49 | 0:09:55 | |
Margaret Thatcher had settled into Number 10, | 0:09:55 | 0:09:57 | |
having been there for a year, and across the pond, | 0:09:57 | 0:10:00 | |
film actor Ronald Reagan was taking on the biggest role of his career. | 0:10:00 | 0:10:06 | |
Sadly, in December of that year, | 0:10:06 | 0:10:08 | |
John Lennon was shot dead outside his New York home. | 0:10:08 | 0:10:11 | |
But the biggest mystery that summer was who shot oil baron JR Ewing. | 0:10:11 | 0:10:17 | |
Millions of Dallas fans tuned in to find out. | 0:10:17 | 0:10:20 | |
The secret of whodunnit is contained in video tape, | 0:10:21 | 0:10:24 | |
brought into Heathrow Airport by an American security guard. | 0:10:24 | 0:10:28 | |
It will be kept at a secret location overnight | 0:10:28 | 0:10:30 | |
and won't be given to the BBC until tomorrow morning. | 0:10:30 | 0:10:33 | |
And everyone's favourite fair-haired lass, Blondie, | 0:10:33 | 0:10:37 | |
was riding high with three number ones. | 0:10:37 | 0:10:39 | |
# O-o-o-h | 0:10:39 | 0:10:43 | |
# Oh, your hair is beautiful | 0:10:43 | 0:10:48 | |
# Oh, tonight | 0:10:48 | 0:10:54 | |
# Atomic. # | 0:10:54 | 0:10:55 | |
An hour north of Edinburgh, into rural Perthshire, | 0:10:59 | 0:11:03 | |
we get our first glimpse of the kind of scenery Jon should remember well. | 0:11:03 | 0:11:07 | |
Jon, thank you. | 0:11:09 | 0:11:10 | |
Oh, love it! | 0:11:11 | 0:11:13 | |
THEY INHALE | 0:11:13 | 0:11:15 | |
Already! The first thing you notice is... | 0:11:15 | 0:11:17 | |
HE INHALES ..just that air. | 0:11:17 | 0:11:19 | |
You've been cooped up on the coach for four or five hours, | 0:11:19 | 0:11:21 | |
you get out... Oh, it must've been a thrill. | 0:11:21 | 0:11:24 | |
Yes, to be greeted by this... Just like these, Christmas trees. | 0:11:24 | 0:11:27 | |
Great mountains like the ones behind us here | 0:11:27 | 0:11:29 | |
for as far as the eye could see. | 0:11:29 | 0:11:31 | |
Sometimes with golden eagles flying across the top of them. | 0:11:31 | 0:11:34 | |
Mountains and golden eagles, it was magic. | 0:11:34 | 0:11:38 | |
Magic it is. | 0:11:38 | 0:11:40 | |
And then Eric would be, "OK..." How did he say it? | 0:11:40 | 0:11:43 | |
You know, he did sort of say that. He said, "OK!" And he used to lean... | 0:11:43 | 0:11:46 | |
I can picture him by the side of the coach door, | 0:11:46 | 0:11:48 | |
and he used to stand like that. | 0:11:48 | 0:11:51 | |
"Hey, hey, hey! | 0:11:51 | 0:11:53 | |
"OK, folks, all aboard now." | 0:11:53 | 0:11:56 | |
That's what he would do, proudly by his bus every time. | 0:11:56 | 0:11:59 | |
IMITATING LEN: 'In fact, I am going to say, Len, | 0:11:59 | 0:12:01 | |
'I thought that was a marvellous Eric impression. Your line was right. | 0:12:01 | 0:12:04 | |
'The way you leaned against the door. The laugh was spot on. | 0:12:04 | 0:12:06 | |
'It's a ten from Len.' | 0:12:06 | 0:12:08 | |
-Ho-ho-ho! -'Spot on.' -Thank you. | 0:12:08 | 0:12:10 | |
Jon has always loved making an impression... | 0:12:12 | 0:12:14 | |
Or 350, which is the number of characters | 0:12:14 | 0:12:18 | |
he is thought to have in his repertoire. | 0:12:18 | 0:12:20 | |
In 1998, he was even referred to in Prime Minister's Question Time | 0:12:20 | 0:12:25 | |
when, during a radio show, | 0:12:25 | 0:12:27 | |
Jon called the Downing Street switchboard pretending to be | 0:12:27 | 0:12:31 | |
William Hague, the then-leader of the opposition, | 0:12:31 | 0:12:34 | |
and was put through to one Tony Blair. | 0:12:34 | 0:12:37 | |
-Good morning, Downing Street. -Hello there, it's William Hague. | 0:12:37 | 0:12:40 | |
-I just wondered if Tony was around. -Hold on a moment. | 0:12:40 | 0:12:43 | |
-Hello? -Hello, Tony? -Yeah. | 0:12:43 | 0:12:46 | |
-Hello there, it is William Hague. -Yeah. | 0:12:46 | 0:12:48 | |
Just thought I'd, you now, phone up for a chat, say hello, | 0:12:48 | 0:12:51 | |
see how you're getting on, that sort of thing. | 0:12:51 | 0:12:53 | |
-BLAIR LAUGHS -That is quite a good imitation. | 0:12:53 | 0:12:57 | |
For many years, he used his impressions to prank | 0:12:57 | 0:13:00 | |
all and sundry on the Chris Moyles' Radio 1 show. | 0:13:00 | 0:13:03 | |
But he is still probably best known for his role on Dead Ringers, | 0:13:03 | 0:13:07 | |
that ran on BBC television and is still on Radio 4. | 0:13:07 | 0:13:11 | |
So, what age were you when you first started doing impressions? | 0:13:13 | 0:13:17 | |
I think I would have been, at the very beginning, | 0:13:17 | 0:13:20 | |
about five or six or seven. | 0:13:20 | 0:13:23 | |
Just copying what I heard on TV. | 0:13:23 | 0:13:25 | |
I used to do sort of cartoon characters such as Woody Woodpecker, | 0:13:25 | 0:13:28 | |
to my parents' delight(!) | 0:13:28 | 0:13:30 | |
-Also a big fan of Mike Yarwood. -Oh, yes. | 0:13:30 | 0:13:33 | |
For me, Mike Yarwood, he's the guv'nor. | 0:13:33 | 0:13:35 | |
He was the first big-time TV impressionist. | 0:13:35 | 0:13:38 | |
He got 20-odd million viewers, | 0:13:38 | 0:13:39 | |
and I think he set the tone for everybody else. | 0:13:39 | 0:13:43 | |
I think it is Mike Yarwood who is most revered, | 0:13:43 | 0:13:45 | |
-anybody would tell you that. -The doyen. -Oh, completely. | 0:13:45 | 0:13:48 | |
Well, it is my job to set the tone for today's trip back in time. | 0:13:48 | 0:13:53 | |
And the next stop on our hopefully magical | 0:13:53 | 0:13:57 | |
and certainly mysterious tour is the town of Crieff. | 0:13:57 | 0:14:01 | |
Lying on the southern edge of the Scottish Highlands, it has been a | 0:14:01 | 0:14:05 | |
holiday resort since Victorian times | 0:14:05 | 0:14:08 | |
and has a population of almost 6,000. | 0:14:08 | 0:14:11 | |
I'm taking Jon to the world-renowned Caithness Glass Factory | 0:14:11 | 0:14:15 | |
and Visitor Centre, one of the stops on his 1980 coach tour. | 0:14:15 | 0:14:20 | |
-So, do you recognise the place? -I do, yes. | 0:14:20 | 0:14:24 | |
The glass gift shop. I tried not to knock anything over and break it. | 0:14:24 | 0:14:27 | |
I knew that there was some glass-blowing going on, though | 0:14:27 | 0:14:29 | |
I didn't get to see it too much at the time, but I could hear it, | 0:14:29 | 0:14:32 | |
and the heat was there. | 0:14:32 | 0:14:34 | |
Skilled craftsmen and women have been creating glass work here | 0:14:34 | 0:14:38 | |
since 1961. And today, factory manager Scott Sinclair | 0:14:38 | 0:14:43 | |
is going to help take Jon on a trip down memory lane. | 0:14:43 | 0:14:47 | |
But this time, he is not just watching. | 0:14:47 | 0:14:50 | |
He is going to create a paperweight. | 0:14:50 | 0:14:52 | |
Off you go, Jonny boy! | 0:14:52 | 0:14:55 | |
And that's just to be for added protection there for your hands. | 0:14:55 | 0:14:58 | |
-Just so you'll be careful. -OK. | 0:14:58 | 0:15:00 | |
Materials used to create the paperweight are heated | 0:15:00 | 0:15:03 | |
in a furnace to over 1,300 degrees. | 0:15:03 | 0:15:07 | |
Molten glass is gathered on the end of a metal rod, known as an iron. | 0:15:07 | 0:15:12 | |
The distinct colours are added using a variety of techniques. | 0:15:12 | 0:15:16 | |
Grab a hold. Grab a hold. | 0:15:16 | 0:15:18 | |
There is your first colour. | 0:15:18 | 0:15:19 | |
Now you are going to re-fire, and then we'll go there again. | 0:15:19 | 0:15:22 | |
And there's your other colour. | 0:15:22 | 0:15:24 | |
-All the texture's wonderful. -So that's where... | 0:15:24 | 0:15:26 | |
That's actually crushed glass. | 0:15:26 | 0:15:28 | |
And then what we'll do is we'll bring them out. | 0:15:28 | 0:15:31 | |
And then we'll just keep that turning, | 0:15:31 | 0:15:33 | |
keep that turning. I've got a certain heat. | 0:15:33 | 0:15:36 | |
That's me now just starting to put a twist in it. | 0:15:36 | 0:15:38 | |
-See how the glass is twisting over? -Yeah, it's amazing. -Perfect. | 0:15:38 | 0:15:41 | |
The glass must be kept at a certain heat to keep it soft | 0:15:41 | 0:15:46 | |
and to continue building on the design. | 0:15:46 | 0:15:48 | |
-Get that in the other hand. -Yep. | 0:15:48 | 0:15:50 | |
Now hand here. That's it. | 0:15:52 | 0:15:54 | |
-Now come down just a little bit. That's it. See that? -Yep. | 0:15:54 | 0:15:58 | |
That's it, just keep... Come back to yourself. | 0:15:58 | 0:16:01 | |
-And it's like the sun coming out, it's that hot. -Yeah. | 0:16:02 | 0:16:06 | |
While the piece is hot, any colours appear red or orange. | 0:16:06 | 0:16:10 | |
It is only when the glass is cooled that the real colours appear. | 0:16:10 | 0:16:15 | |
Different tools are used to create a variety of effects. | 0:16:15 | 0:16:18 | |
-It is sort of like treacle toffee. -Yeah. -It really is. | 0:16:18 | 0:16:22 | |
You've got to do another couple there. That's it. | 0:16:22 | 0:16:26 | |
That's all right, but come on, get over here, let me have a go. | 0:16:26 | 0:16:29 | |
-You need to put the finesse on, Len. -Yes! | 0:16:29 | 0:16:32 | |
It is back into the furnace to make sure that glass is soft enough | 0:16:35 | 0:16:37 | |
for me to shape it. | 0:16:37 | 0:16:39 | |
-Fascinating, this! -Yeah. | 0:16:42 | 0:16:44 | |
Hey, hey, hey! | 0:16:44 | 0:16:46 | |
I think this is your natural vocation, Len. | 0:16:46 | 0:16:49 | |
Once I'm kicked off Strictly, I'm coming up here. | 0:16:49 | 0:16:52 | |
Right in there. Now squeeze. Nice and gentle. | 0:16:52 | 0:16:54 | |
That's it, that's it. | 0:16:54 | 0:16:57 | |
-I don't want it to snap off. -No, it won't. | 0:16:57 | 0:16:59 | |
Trust me, it won't snap. | 0:16:59 | 0:17:01 | |
OK, that will do you there. | 0:17:01 | 0:17:03 | |
What we'll do is we'll put that back in. | 0:17:03 | 0:17:05 | |
And then work your way up to the top. | 0:17:05 | 0:17:07 | |
-I love it! I love it! -That's it. | 0:17:07 | 0:17:10 | |
That's the colour there. | 0:17:10 | 0:17:12 | |
Oh, you gorgeous little orb. | 0:17:12 | 0:17:14 | |
-Do the bottom again. -Wee! -That's it. -Oh, yes. | 0:17:14 | 0:17:18 | |
Look at that little beauty. | 0:17:18 | 0:17:20 | |
-Oh, Jon, between us, we have created... -A masterpiece. | 0:17:20 | 0:17:24 | |
-It's beautiful. -..a true work of art. | 0:17:24 | 0:17:28 | |
It really is. | 0:17:28 | 0:17:29 | |
Now the paperweight goes into the kiln, where the decreasing | 0:17:29 | 0:17:33 | |
temperature is carefully controlled until the following morning. | 0:17:33 | 0:17:36 | |
Hopefully, you are happy with your piece when it is finished. | 0:17:36 | 0:17:39 | |
We will be. Post it back to us. | 0:17:39 | 0:17:41 | |
-Yes. -Scott, been a pleasure. | 0:17:41 | 0:17:44 | |
Thank you very much. | 0:17:44 | 0:17:46 | |
I'm chuffed that I've been able to help Jon make | 0:17:46 | 0:17:49 | |
the paperweight he never got the chance to make in 1980. | 0:17:49 | 0:17:53 | |
Besides glass-making, there are loads of other things to see | 0:17:55 | 0:17:59 | |
and do on the coach route we are taking today. | 0:17:59 | 0:18:02 | |
So here is my Ten From Len, | 0:18:02 | 0:18:04 | |
starting with places to visit on the way to the Crieff area. | 0:18:04 | 0:18:08 | |
Callander is a popular tourist stop to and from the Highlands. | 0:18:08 | 0:18:12 | |
Situated on the River Teith, | 0:18:12 | 0:18:15 | |
the town serves as the eastern gateway to the Loch Lomond | 0:18:15 | 0:18:19 | |
and the Trossachs National Park. | 0:18:19 | 0:18:21 | |
Telly addicts might recognise Callander as the fictional | 0:18:21 | 0:18:25 | |
setting of Tannochbrae from the 1960s BBC TV series | 0:18:25 | 0:18:30 | |
Dr Finlay's Casebook. | 0:18:30 | 0:18:31 | |
Dr Finlay here. | 0:18:33 | 0:18:34 | |
Further along the River Teith is Doune Castle, | 0:18:36 | 0:18:39 | |
which featured in the comedy film Monty Python And The Holy Grail. | 0:18:39 | 0:18:44 | |
Dating back to the 14th century, the castle has a striking | 0:18:44 | 0:18:48 | |
100-foot-high gatehouse, which includes the splendid Lord's Hall. | 0:18:48 | 0:18:54 | |
90 years old and still going strong, | 0:18:54 | 0:18:57 | |
Gleneagles is a five-star luxury spa and golf resort, | 0:18:57 | 0:19:02 | |
so tea-time has two different meanings here - | 0:19:02 | 0:19:06 | |
they serve afternoon tea in the bar | 0:19:06 | 0:19:08 | |
or you can put the tee in the ground and have a game of golf. | 0:19:08 | 0:19:12 | |
No holiday experience is complete without sampling the local food. | 0:19:15 | 0:19:21 | |
These new tastes and textures, so different to home, | 0:19:21 | 0:19:25 | |
transform our palette forever - except in Jon's case. | 0:19:25 | 0:19:30 | |
The food on the 1980s coach tour would have been exactly | 0:19:30 | 0:19:34 | |
the same as home - | 0:19:34 | 0:19:36 | |
still made by Mum, but in a totally different setting. | 0:19:36 | 0:19:40 | |
I don't know about you, Jon, but I am getting a bit Hank Marvin here. | 0:19:40 | 0:19:44 | |
And we happen to have here... | 0:19:44 | 0:19:46 | |
I'm not saying it is up to your mum's standard, | 0:19:47 | 0:19:49 | |
but we have got a nice packed lunch. | 0:19:49 | 0:19:53 | |
Maybe the sort of thing you might've had. | 0:19:53 | 0:19:55 | |
Well, let's have a look at what we've got. Now, here we go. | 0:19:55 | 0:19:59 | |
We've got traditional crisps with the salt inside. | 0:20:00 | 0:20:05 | |
-Yes, perfect. -We've got them. | 0:20:05 | 0:20:07 | |
Jaffa cakes. | 0:20:07 | 0:20:10 | |
Oh, this looks exotic. | 0:20:10 | 0:20:12 | |
Oh, the malt loaf. | 0:20:12 | 0:20:13 | |
-Malt loaf. -In clingfilm. | 0:20:13 | 0:20:15 | |
-It has to be in clingfilm. -Yes, of course. | 0:20:15 | 0:20:17 | |
I don't know what is inside these. | 0:20:17 | 0:20:19 | |
I would say it is either sort of meat paste or it might be Dairylea, | 0:20:19 | 0:20:24 | |
-something like that. -Well, take one. | 0:20:24 | 0:20:28 | |
-Ha-ha. -Uh-oh, I think it is the cheese. | 0:20:28 | 0:20:31 | |
It is a cheese bread. | 0:20:31 | 0:20:33 | |
-Oh, yeah. -Oh, yes. | 0:20:35 | 0:20:37 | |
That takes me back. | 0:20:37 | 0:20:39 | |
A wonderful mobile picnic. | 0:20:39 | 0:20:41 | |
Yeah. Oh, look out. | 0:20:41 | 0:20:44 | |
-Oh, yes. -The salt. | 0:20:44 | 0:20:45 | |
Oh, yeah. I suppose there'd have been a bottle of pop. | 0:20:49 | 0:20:53 | |
Yeah, a bottle of pop or maybe a tin of cola. | 0:20:53 | 0:20:56 | |
I remember a 1970s, '80s brand was in a pale blue and red tin, | 0:20:56 | 0:21:02 | |
and it was called Strike Cola. | 0:21:02 | 0:21:04 | |
-Well, that's them seen to. -Yeah. | 0:21:07 | 0:21:10 | |
-Forgive my dreadful manners. -I was starving hungry, | 0:21:10 | 0:21:13 | |
but it's surprising - a sandwich and a bag of crisps... | 0:21:13 | 0:21:15 | |
-Perfect. -..does the trick. | 0:21:15 | 0:21:17 | |
-It really does. -Yep. | 0:21:17 | 0:21:19 | |
I can understand why Jon loves this place. | 0:21:20 | 0:21:24 | |
In fact, 2.5 million tourists visit the Highlands every year. | 0:21:24 | 0:21:28 | |
And the Scottish tourist industry is the second biggest sector after oil. | 0:21:28 | 0:21:34 | |
The Highlands hold a particular fascination which | 0:21:34 | 0:21:37 | |
goes back as far as the 18th century. | 0:21:37 | 0:21:39 | |
What attracted people to the Highlands was the idea that it | 0:21:43 | 0:21:46 | |
was the wilderness. It was untamed landscape. | 0:21:46 | 0:21:50 | |
This wasn't an entirely true account. | 0:21:50 | 0:21:52 | |
But what also attracted people in the 18th century was the idea | 0:21:52 | 0:21:56 | |
of the noble savage, the idea that people in the Highlands lived very | 0:21:56 | 0:22:01 | |
honestly, away from the immorality of the towns and cities | 0:22:01 | 0:22:04 | |
of the later 18th and early 19th century. | 0:22:04 | 0:22:07 | |
I think what also helped the Highlands from the 1840s was, | 0:22:07 | 0:22:11 | |
of course, the railways, which were laid out around Scotland | 0:22:11 | 0:22:14 | |
and across Britain. | 0:22:14 | 0:22:15 | |
And so it was much quicker to get into the Highlands by the end | 0:22:15 | 0:22:18 | |
of the 19th century than it was at the beginning. | 0:22:18 | 0:22:20 | |
And this heralded a change in the type of visitor that | 0:22:20 | 0:22:23 | |
came to the Highlands - | 0:22:23 | 0:22:24 | |
whereas before, the male, moneyed and leisured variety of upper-class | 0:22:24 | 0:22:29 | |
came to the Highlands, now there were more families and women. | 0:22:29 | 0:22:32 | |
And right up to the present day, | 0:22:32 | 0:22:34 | |
where even film-makers find the Highlands attractive, | 0:22:34 | 0:22:38 | |
which brought a new generation of families and children | 0:22:38 | 0:22:40 | |
and encouraged more people to return to Scotland than ever. | 0:22:40 | 0:22:44 | |
Despite the beautiful scenery and a cast of characters, | 0:22:44 | 0:22:47 | |
including Eric the bus driver, I can't help wondering how Jon | 0:22:47 | 0:22:51 | |
would have managed to keep himself entertained. | 0:22:51 | 0:22:54 | |
So, Jon, there you are, 12-year-old cheeky little boy, there is | 0:22:54 | 0:22:59 | |
no Walkmans and all the technology that you get today. | 0:22:59 | 0:23:03 | |
What would you get up to? | 0:23:03 | 0:23:05 | |
I'd want to just get a drawing pad | 0:23:05 | 0:23:07 | |
and either a Bik or some felt tips and just draw it. | 0:23:07 | 0:23:10 | |
Just express it. Bring it to life again, you know? | 0:23:10 | 0:23:14 | |
-I have got some good news for you. -Oh, OK. | 0:23:14 | 0:23:17 | |
Because just down here, | 0:23:17 | 0:23:19 | |
-I have... -Oh, look at this... -..a pad. | 0:23:19 | 0:23:23 | |
-And don't get overexcited here. -Oh, no. | 0:23:23 | 0:23:26 | |
-Oh, look at this. -Look. -You see? | 0:23:26 | 0:23:29 | |
-This was the iPad of the early '80s. -Yeah. -This was all you needed. | 0:23:29 | 0:23:33 | |
And I think I probably would have wanted to | 0:23:33 | 0:23:36 | |
draw the mountains first | 0:23:36 | 0:23:38 | |
cos they were quite easy to do. | 0:23:38 | 0:23:40 | |
And then I'd sort of stick a UFO in it. You know? | 0:23:47 | 0:23:50 | |
Put a flying saucer in there. | 0:23:50 | 0:23:51 | |
There'd probably be a TARDIS down here | 0:23:51 | 0:23:54 | |
and perhaps a triceratops over there. | 0:23:54 | 0:23:56 | |
This is how they'd mount up, you know? | 0:23:56 | 0:23:58 | |
This is just how I would occupy my mind. | 0:23:58 | 0:24:00 | |
The thing is, one of your great loves is astronomy. | 0:24:00 | 0:24:04 | |
Yes, astronomy has always been a lifelong fascination. | 0:24:04 | 0:24:10 | |
And it started by watching | 0:24:10 | 0:24:12 | |
Patrick Moore on The Sky At Night, who sort of | 0:24:12 | 0:24:14 | |
IMITATING MOORE: '..captured the fascination absolutely wonderfully.' | 0:24:14 | 0:24:17 | |
Well, you know they say you should never meet your heroes, | 0:24:17 | 0:24:20 | |
but it must have been fantastic for you. | 0:24:20 | 0:24:23 | |
Endless passion, he really did have. | 0:24:23 | 0:24:26 | |
And he made the subject infectious to hear. | 0:24:26 | 0:24:30 | |
He really did bring astronomy to the masses | 0:24:30 | 0:24:33 | |
for the first time, really, on television. | 0:24:33 | 0:24:36 | |
We have been hearing a great deal about the inner planets, | 0:24:36 | 0:24:38 | |
but what about those remote members of the sun's family - | 0:24:38 | 0:24:41 | |
Uranus, Neptune and Pluto? | 0:24:41 | 0:24:43 | |
And in 2007, Jon thought all his comets had come at once. | 0:24:43 | 0:24:49 | |
Oh, I could remember the call vividly. | 0:24:49 | 0:24:52 | |
It was back in 2007, when The Sky At Night was 50 years old. | 0:24:52 | 0:24:57 | |
Because the first episode was never recorded in those days. | 0:24:57 | 0:25:00 | |
It was just live and that was it, it was gone. | 0:25:00 | 0:25:02 | |
So they had to recreate the first episode. | 0:25:02 | 0:25:04 | |
So I played the young Patrick Moore from 1957, saying... | 0:25:04 | 0:25:09 | |
Good evening. | 0:25:09 | 0:25:10 | |
Now, what I want to do in these talks is tell you about some | 0:25:10 | 0:25:13 | |
of the interesting things you can see in the night sky each month. | 0:25:13 | 0:25:16 | |
Jon still continues to present on the show, | 0:25:16 | 0:25:19 | |
asking the kind of questions viewers might have. | 0:25:19 | 0:25:22 | |
He might not be an expert, | 0:25:22 | 0:25:24 | |
but he has come a long way from his 12-year-old self. | 0:25:24 | 0:25:28 | |
When you was 12 or a teenager, did you have a telescope or binoculars? | 0:25:28 | 0:25:35 | |
James, my older brother, he had sent off for a telescope. | 0:25:35 | 0:25:38 | |
And one day, seeing this wonderful orange disk | 0:25:38 | 0:25:42 | |
through the telescope, I thought, "This is it, I've found Mars!" | 0:25:42 | 0:25:47 | |
And I was looking at it, fascinated. | 0:25:47 | 0:25:50 | |
And I went to show my brother and he said, | 0:25:50 | 0:25:52 | |
"It's just the dining room curtains." | 0:25:52 | 0:25:53 | |
-You know, "You pointed it at the orange curtains." -Oh, no! | 0:25:53 | 0:25:56 | |
Well, onwards and upwards, as our next city is the city of Perth, | 0:25:56 | 0:26:01 | |
which sits on the banks of the River Tay, Scotland's longest river. | 0:26:01 | 0:26:07 | |
In the Wars of Independence, Perth was heavily fortified | 0:26:07 | 0:26:10 | |
and held by the English. | 0:26:10 | 0:26:13 | |
Robert the Bruce captured it in January, 1313, | 0:26:13 | 0:26:17 | |
after swimming across the moat and climbing the wall. | 0:26:17 | 0:26:21 | |
Today, we are entering the city in a more conventional way. | 0:26:21 | 0:26:26 | |
-So, we are in Perth. -Yes, we are. -Where you stopped on the coach trip. | 0:26:26 | 0:26:29 | |
-We certainly did. -Do you recognise it? | 0:26:29 | 0:26:32 | |
I sure do, yes, the Salutation Hotel. | 0:26:32 | 0:26:34 | |
I remember those characters very vividly. | 0:26:34 | 0:26:37 | |
-And this is where we stayed for three nights. -Oh, really? -Yeah. | 0:26:37 | 0:26:40 | |
The first hotel I'd ever stayed in, really. | 0:26:40 | 0:26:42 | |
Life on the road in 1980 meant Jon | 0:26:42 | 0:26:45 | |
and his family got to experience a variety of hotels, | 0:26:45 | 0:26:48 | |
so I'm keen to know what was special about this one. | 0:26:48 | 0:26:52 | |
-So, was this your favourite hotel you stayed in on the trip? -It was. | 0:26:52 | 0:26:55 | |
It was a lovely place. I remember first arriving, it was night-time, | 0:26:55 | 0:26:58 | |
all the lights were on, it looked exciting. | 0:26:58 | 0:27:00 | |
I had never stayed in a hotel before and it was just wonderful. | 0:27:00 | 0:27:03 | |
And it was better than the one we stayed in subsequently, | 0:27:03 | 0:27:06 | |
a little later. But it is great to see this place again. | 0:27:06 | 0:27:09 | |
-Still going strong, since 1699. -Yes. | 0:27:09 | 0:27:14 | |
I didn't know at the time that it was the oldest hotel in the area. | 0:27:14 | 0:27:18 | |
Let's go in, see if it is the same as it was then. | 0:27:18 | 0:27:22 | |
"Welcoming guests since 1699." | 0:27:22 | 0:27:24 | |
Some hotels are welcoming guests FOR 16.99. | 0:27:24 | 0:27:27 | |
Yes. I wonder if Bruce was here for the opening. | 0:27:27 | 0:27:31 | |
The hotel wasn't just a place to sleep, | 0:27:32 | 0:27:34 | |
but somewhere to be entertained, too. | 0:27:34 | 0:27:37 | |
-Do you remember this room? -I do, yes. | 0:27:37 | 0:27:40 | |
I do remember seeing this on a Saturday night, | 0:27:40 | 0:27:42 | |
and there was a ceilidh going on, proper Scottish dancing. | 0:27:42 | 0:27:45 | |
You'd have loved it. You'd have certainly given them a ten. | 0:27:45 | 0:27:48 | |
Or a seven at least. And it was really exciting. | 0:27:48 | 0:27:51 | |
My parents had this big smile on their face. | 0:27:51 | 0:27:53 | |
They didn't get in and join in with the dancing, | 0:27:53 | 0:27:55 | |
but they loved watching it. | 0:27:55 | 0:27:57 | |
-And you didn't? Did you join in? -No, I didn't. | 0:27:57 | 0:27:59 | |
I suppose the place was quite crowded, was it? | 0:27:59 | 0:28:02 | |
-And hot and people are dancing. -Yeah, exactly. | 0:28:02 | 0:28:04 | |
It was a Saturday night, so this event would have been perhaps | 0:28:04 | 0:28:07 | |
the biggest event in that week, | 0:28:07 | 0:28:08 | |
the thing that everything was leading up to. | 0:28:08 | 0:28:10 | |
Hey, hey! | 0:28:10 | 0:28:11 | |
Dashing White Sergeants, Strip The Willow, | 0:28:11 | 0:28:13 | |
The Eightsome Reel... | 0:28:13 | 0:28:15 | |
No, not the latest Mills and Boons, | 0:28:15 | 0:28:18 | |
but some of the most popular ceilidh dances. | 0:28:18 | 0:28:21 | |
A ceilidh is a traditional social gathering, which usually | 0:28:21 | 0:28:25 | |
involves playing Gaelic folk music and dancing. | 0:28:25 | 0:28:28 | |
So have you ever done any Scottish dancing? | 0:28:28 | 0:28:31 | |
No, I certainly haven't. | 0:28:31 | 0:28:32 | |
I think I probably would look a bit like John Cleese | 0:28:32 | 0:28:34 | |
doing his Ministry Of Silly Walks if I tried it. | 0:28:34 | 0:28:37 | |
Well, I can't say I'm an expert, | 0:28:37 | 0:28:39 | |
-but there is one dance that I do know. -Yes. | 0:28:39 | 0:28:42 | |
And it would suit us, I'm sure, | 0:28:42 | 0:28:45 | |
-because you are slightly shorter than me. -Right. | 0:28:45 | 0:28:48 | |
And if you'd be prepared to be the lady, | 0:28:48 | 0:28:50 | |
-I will go into... -GRAVE VOICE: 'Charming, thank you.' | 0:28:50 | 0:28:54 | |
I will go into the Gay Gordons. | 0:28:54 | 0:28:57 | |
I'm going to hold this hand and put this one over your shoulder here. | 0:28:57 | 0:29:01 | |
-Yes. -Give it to me. -All right, yes. | 0:29:01 | 0:29:03 | |
-OK. So we start walking. -Yes. | 0:29:03 | 0:29:06 | |
Any foot you like. Then we turn. | 0:29:06 | 0:29:08 | |
And we continue to walk. Continue to walk, dear boy. | 0:29:08 | 0:29:11 | |
-And then we turn back again. -Yes, I see. | 0:29:11 | 0:29:14 | |
Then the you turn under my arm like this. | 0:29:14 | 0:29:17 | |
Right round, right round. And I grab you. | 0:29:17 | 0:29:20 | |
-Yes. -Now we're going to do like a little bit of polka. | 0:29:20 | 0:29:22 | |
So you start with your right foot and you go... Dumty-dum. | 0:29:22 | 0:29:25 | |
Dumty-dum, dumty-dum, | 0:29:25 | 0:29:28 | |
dumty-dum... Under the...under the arm! | 0:29:28 | 0:29:32 | |
And start again. | 0:29:32 | 0:29:35 | |
LEN HUMS | 0:29:35 | 0:29:38 | |
Now we start again. | 0:29:40 | 0:29:43 | |
LEN HUMS | 0:29:43 | 0:29:46 | |
Under the arm. | 0:29:46 | 0:29:49 | |
Gallop. Gallop a bit. | 0:29:49 | 0:29:51 | |
Gallop a bit. Gallop a bit. | 0:29:51 | 0:29:53 | |
Gallop a bit. Under you go. Jon! | 0:29:53 | 0:29:56 | |
You are a natural. | 0:29:57 | 0:29:59 | |
I'm going to get straight on the phone to Strictly Come Dancing. | 0:29:59 | 0:30:02 | |
I'm going to say, "You've got to get Jon on there, | 0:30:02 | 0:30:05 | |
"he has got the moves." | 0:30:05 | 0:30:07 | |
-I am a natural. -You are. -A natural disaster. | 0:30:07 | 0:30:10 | |
I wouldn't go that far. | 0:30:10 | 0:30:12 | |
It's not just their dancing that will leave you entertained in this | 0:30:13 | 0:30:16 | |
part of the world. | 0:30:16 | 0:30:18 | |
Scotland's oldest public library, | 0:30:18 | 0:30:21 | |
in Innerpeffray, has been lending books since 1680. | 0:30:21 | 0:30:25 | |
Imagine the fine now if you had lost one of those! | 0:30:25 | 0:30:29 | |
In its tranquil, rural setting on the River Earn, travel | 0:30:29 | 0:30:33 | |
back in time and lose yourself in the stories of the region. | 0:30:33 | 0:30:38 | |
And from Scotland's oldest lending library, to the | 0:30:38 | 0:30:41 | |
country oldest working distillery - | 0:30:41 | 0:30:44 | |
Glenturret Distillery in Crieff. | 0:30:44 | 0:30:46 | |
The Grouse whisky brand was created in 1896. | 0:30:46 | 0:30:50 | |
And due to popularity, it was renamed The Famous Grouse in 1905. | 0:30:50 | 0:30:56 | |
There are over 50 whiskies available to sample. | 0:30:56 | 0:31:00 | |
But it doesn't have to be a purely liquid lunch, | 0:31:00 | 0:31:03 | |
as there is a cafe, too. Woo-hoo! | 0:31:03 | 0:31:06 | |
Ten minutes' drive north of Perth is Scone Palace, where | 0:31:06 | 0:31:11 | |
Macbeth, Robert the Bruce and Charles II were once crowned. | 0:31:11 | 0:31:15 | |
You can wander down the long gallery where Charles II strode | 0:31:15 | 0:31:19 | |
to his coronation in 1661. | 0:31:19 | 0:31:23 | |
During the Jacobite rebellion, James Stewart, The Old Pretender, | 0:31:23 | 0:31:27 | |
spent three weeks here. | 0:31:27 | 0:31:29 | |
And his son, Bonnie Prince Charlie, visited in 1745. | 0:31:29 | 0:31:33 | |
235 years later, | 0:31:35 | 0:31:38 | |
Jonathan Peter Culshaw was wandering down the corridors | 0:31:38 | 0:31:42 | |
of the Salutation Hotel in Perth, | 0:31:42 | 0:31:44 | |
where he was about to attack a rebel force of his own. | 0:31:44 | 0:31:48 | |
Jon... | 0:31:48 | 0:31:50 | |
-Do recognise the bar here? -Yes, I do. -Had you come in it? | 0:31:50 | 0:31:53 | |
-I certainly did, yes. -So, look, here is a couple of 10ps. -Look at that. | 0:31:53 | 0:31:58 | |
-Genuine 10ps from 1980. -Yeah. -Surprising how much bigger they were. | 0:31:58 | 0:32:03 | |
-And heavier. Proper money. -So what would you have done with them? | 0:32:03 | 0:32:07 | |
In 1980, I would probably have looked for the Space Invaders machine. | 0:32:07 | 0:32:11 | |
-Really? -I would've had a look for that. -Well, just have a look there. | 0:32:11 | 0:32:15 | |
Oh! | 0:32:15 | 0:32:17 | |
-Fantastic. In 1980, we were used to the TV game. -Ping-pong thing. | 0:32:17 | 0:32:21 | |
Yes, yes. And similar things. | 0:32:21 | 0:32:24 | |
But to see a proper chunky arcade game like that, that was fantastic. | 0:32:24 | 0:32:28 | |
It was really the craze that kind of kicked off at that time. | 0:32:28 | 0:32:30 | |
Come on, let's have a go. | 0:32:30 | 0:32:32 | |
Oh, look at this. | 0:32:32 | 0:32:34 | |
Look at this. | 0:32:34 | 0:32:35 | |
-Now then... -Come on. | 0:32:35 | 0:32:37 | |
Now, you should be an expert. | 0:32:37 | 0:32:39 | |
I haven't done this for a long, long time. | 0:32:39 | 0:32:41 | |
There was a time when wee was Scottish for small | 0:32:41 | 0:32:45 | |
and Xbox lived on the top shelf of a video store and a Game Boy... | 0:32:45 | 0:32:50 | |
Well, I think we better stop right there. | 0:32:50 | 0:32:53 | |
In 1980, arcade games were becoming an increasingly vibrant industry. | 0:32:53 | 0:32:59 | |
You haven't lost it, go on. | 0:32:59 | 0:33:01 | |
-We used to hit the button like that, fast. -Yeah, come on, fast. | 0:33:01 | 0:33:04 | |
They say to shoot the ones at the end first, | 0:33:04 | 0:33:07 | |
cos then it takes longer for them to work their way down. | 0:33:07 | 0:33:10 | |
Look out for him! Oh, yes, good. Now, that was good. | 0:33:10 | 0:33:14 | |
If I was an alien race, | 0:33:14 | 0:33:16 | |
I'm not sure I'd invade the earth like this, in sort of straight lines. | 0:33:16 | 0:33:20 | |
-Look out! Look out! Look out! -Big trouble! -Mummy! Go on. | 0:33:20 | 0:33:25 | |
-IMITATING OBI-WAN: 'The force will be with us always.' -Get in. | 0:33:25 | 0:33:28 | |
Ah! Oh! | 0:33:28 | 0:33:30 | |
I got had. | 0:33:30 | 0:33:32 | |
-This is fun. -It is big, it is life-size. | 0:33:32 | 0:33:35 | |
-Gear sticks, buttons that you can hammer. -Yeah, everything a kid wants. | 0:33:35 | 0:33:39 | |
-Yeah, exactly. -And all for two bob. -Yeah, exactly. | 0:33:39 | 0:33:42 | |
I am parched after all that exercise. | 0:33:42 | 0:33:44 | |
And while Jon was officially too young for a drink in 1980, | 0:33:44 | 0:33:48 | |
I'm pretty sure I'm on safe ground today. | 0:33:48 | 0:33:51 | |
-So, a shandy? -A shandy. -Half a shandy? -Half a shandy. | 0:33:51 | 0:33:54 | |
-Two halves of shandy, please, young man. -No problem. -Thank you. | 0:33:54 | 0:33:57 | |
So, I suppose you felt like a real man standing at the bar | 0:33:57 | 0:34:00 | |
-with your dad. -It was quite a significant moment. | 0:34:00 | 0:34:03 | |
It was a step forward in life, you know, | 0:34:03 | 0:34:05 | |
to have a drink with your dad like that. | 0:34:05 | 0:34:07 | |
-And did your brother? -I think he was there as well. | 0:34:07 | 0:34:09 | |
-Cos he was 15 years older, so he must have been 20-odd. -He was. | 0:34:09 | 0:34:14 | |
And I think he was looking with some pride that I had taken this step up. | 0:34:14 | 0:34:19 | |
-Oh! -BOTH: Cheers. | 0:34:19 | 0:34:22 | |
-Get one for yourself as well. -Cheers. -Cheers. Cheers to you. | 0:34:22 | 0:34:27 | |
For Jon, this holiday wasn't only a rite of passage, | 0:34:30 | 0:34:34 | |
but a chance to spend precious time with his parents. | 0:34:34 | 0:34:37 | |
What was your relationship like with your mum on the holiday? | 0:34:38 | 0:34:42 | |
It was lovely. She was enjoying it. | 0:34:42 | 0:34:44 | |
She just smiled at everything, took in all the adventures, | 0:34:44 | 0:34:47 | |
and she'd say things like, "Oh, they've done... | 0:34:47 | 0:34:49 | |
"It's very well-organised. Very well organised, isn't it, Jim?" | 0:34:49 | 0:34:53 | |
"Yes, it is, very well." | 0:34:53 | 0:34:55 | |
She was a very warm... | 0:34:55 | 0:34:59 | |
She had a wonderful sense of humour, | 0:34:59 | 0:35:01 | |
made all the more endearing by the fact | 0:35:01 | 0:35:03 | |
that she didn't realise she had it. | 0:35:03 | 0:35:05 | |
Very much loved. And... | 0:35:05 | 0:35:08 | |
This is quite emotional to think back, actually. | 0:35:08 | 0:35:11 | |
And, of course, sadly, your mother passed away. | 0:35:11 | 0:35:15 | |
And that's when you became involved with the wonderful | 0:35:15 | 0:35:20 | |
-work that the Marie Curie Organisation do. -Yes, that's right. | 0:35:20 | 0:35:25 | |
That was a charity... She always admired their work. | 0:35:25 | 0:35:28 | |
She knew people who'd, you know, suffered with cancer | 0:35:28 | 0:35:32 | |
and it had claimed them, you know. | 0:35:32 | 0:35:34 | |
And the last few, you know, months of her life, | 0:35:34 | 0:35:37 | |
it turned out to be what got her as well when she was 84. | 0:35:37 | 0:35:41 | |
Yes, it's nice to come here and remember a time when I was 12 | 0:35:41 | 0:35:46 | |
and she was really happy. | 0:35:46 | 0:35:48 | |
There was something about me being the youngest, | 0:35:48 | 0:35:51 | |
where she did look out for me a little bit like that. | 0:35:51 | 0:35:53 | |
It was always, "Now, Jonathan, have you got your hanky? | 0:35:53 | 0:35:56 | |
"Fasten your neck hole up. Put your scarf on. Keep warm. | 0:35:56 | 0:35:59 | |
"Where is your jacket?" It was all these sorts of things. | 0:35:59 | 0:36:02 | |
She was still talking to me like that when I was 41. | 0:36:02 | 0:36:06 | |
It was something that she never lost. | 0:36:06 | 0:36:08 | |
Well, my mum is 97 and she is still talking to me like that. | 0:36:08 | 0:36:11 | |
-So, here is to our mums. -Here is to them. God bless. -God bless them. | 0:36:11 | 0:36:15 | |
The last leg of our Goodman Tour takes us to Edinburgh. | 0:36:19 | 0:36:23 | |
It is the second most visited city in the UK, after London, | 0:36:23 | 0:36:26 | |
and it is easy to see why. | 0:36:26 | 0:36:28 | |
The Royal Yacht Britannia was a floating home to the royal family | 0:36:30 | 0:36:34 | |
for over 40 years, sailing over one million miles around the world. | 0:36:34 | 0:36:38 | |
Now berthed in Leith, you can | 0:36:38 | 0:36:41 | |
follow in the steps of royalty by visiting the bridge, | 0:36:41 | 0:36:44 | |
the state apartments, crews' quarters and engine room. | 0:36:44 | 0:36:47 | |
All the clocks on Britannia were stopped at 15:01, | 0:36:47 | 0:36:51 | |
the time the Queen was piped ashore for the final time. | 0:36:51 | 0:36:55 | |
Feeling adventurous? Why not treat yourself to a tailor-made kilt? | 0:36:56 | 0:37:01 | |
Head to the Royal Mile and watch | 0:37:01 | 0:37:03 | |
and learn at the Edinburgh Old Town Weaving Company. | 0:37:03 | 0:37:07 | |
Here the mill's noisy working looms produce the stock in trade. | 0:37:07 | 0:37:12 | |
Peruse the Tartan guide, check out your clan history | 0:37:12 | 0:37:15 | |
and then buy the garb. | 0:37:15 | 0:37:18 | |
Talking about what lies beneath, The Real Mary King's Close is | 0:37:18 | 0:37:23 | |
a warren of underground streets, shrouded in myths and mysteries. | 0:37:23 | 0:37:27 | |
In the 1600s, these streets were open to the skies | 0:37:27 | 0:37:31 | |
and bustling with traders selling their wares. | 0:37:31 | 0:37:33 | |
Today, costumed tour guides will help you explore this | 0:37:33 | 0:37:38 | |
underground side, revealing the fact from the fiction. | 0:37:38 | 0:37:41 | |
And finally, who is the king of the castle? Simple! | 0:37:42 | 0:37:46 | |
Edinburgh Castle, where you can visit the Great Hall, | 0:37:46 | 0:37:50 | |
The National War Museum | 0:37:50 | 0:37:52 | |
and the One o'clock Gun that sounds over Edinburgh every day. | 0:37:52 | 0:37:57 | |
Built in the 1200s, the Castle has sheltered many Scottish monarchs, | 0:37:57 | 0:38:01 | |
including Queen Margaret and Mary Queen of Scots, | 0:38:01 | 0:38:04 | |
who gave birth to James VI here in 1566. | 0:38:04 | 0:38:08 | |
Back to the present day and Goodman Coach Tours his back on the road. | 0:38:12 | 0:38:17 | |
So I'd better take the register. | 0:38:17 | 0:38:19 | |
I wouldn't want to leave anyone behind. | 0:38:19 | 0:38:21 | |
Well, just going to check if everybody is on board. | 0:38:21 | 0:38:26 | |
-Jon Culshaw? -Here. | 0:38:26 | 0:38:28 | |
Ed Miliband? | 0:38:28 | 0:38:29 | |
IMITATION: 'I'm here, travelling up and down the country, | 0:38:29 | 0:38:32 | |
'listening to what voters have got to say.' | 0:38:32 | 0:38:35 | |
John Bishop? | 0:38:35 | 0:38:36 | |
'Yes, sir, I am sat here, at the back of this bus. | 0:38:36 | 0:38:42 | |
'I never done nothin'!' | 0:38:42 | 0:38:43 | |
Bruce Forsyth? | 0:38:43 | 0:38:45 | |
'Yes, marvellous, Len. You are so my favourite.' | 0:38:45 | 0:38:48 | |
Professor Brian Cox? | 0:38:48 | 0:38:50 | |
'Here. I'm travelling slower than the speed of light.' | 0:38:50 | 0:38:54 | |
-Obi-Wan Kenobi, are you on? -'Present, master Len.' | 0:38:54 | 0:38:59 | |
Right. We are all on, then. We are heading on. | 0:38:59 | 0:39:01 | |
From Perth, it is a one-hour drive to the capital. | 0:39:03 | 0:39:06 | |
Edinburgh attracts almost four million visitors a year. | 0:39:06 | 0:39:10 | |
And as it is the home of the world's largest arts festival, | 0:39:10 | 0:39:14 | |
it's no wonder Jon felt at home. | 0:39:14 | 0:39:16 | |
We have come to Princess Street Gardens in the centre, | 0:39:16 | 0:39:20 | |
and I want to find out how Jon | 0:39:20 | 0:39:22 | |
got into the entertainment business in the first place. | 0:39:22 | 0:39:25 | |
So I understand you worked on hospital radio. | 0:39:27 | 0:39:30 | |
-How did you get into that? -I did quite by chance. | 0:39:30 | 0:39:33 | |
Radio Ormskirk General. | 0:39:33 | 0:39:35 | |
And I just used to volunteer on there on a Sunday. | 0:39:35 | 0:39:38 | |
And it was a really good way of just practising talking between records | 0:39:38 | 0:39:44 | |
and having a rapport with the listeners, the patients, you know? | 0:39:44 | 0:39:48 | |
Gradually, gradually, gradually, | 0:39:48 | 0:39:50 | |
I ended up with a show on Red Rose Radio. | 0:39:50 | 0:39:53 | |
You could, you know, use the facilities, if you asked very nicely, | 0:39:53 | 0:39:57 | |
to edit together tapes of impressions. | 0:39:57 | 0:39:59 | |
-And eventually, I got accepted by Spitting Image. -That's right. | 0:39:59 | 0:40:04 | |
That was your first TV. | 0:40:04 | 0:40:06 | |
The thing about doing impersonations, it's not just | 0:40:06 | 0:40:09 | |
the voice, you somehow manage to get into the character as well. | 0:40:09 | 0:40:13 | |
That must be a palaver. | 0:40:13 | 0:40:16 | |
Yes, you never know what you are going to notice first. | 0:40:16 | 0:40:18 | |
It might be, you now, a Simon Cole hand gesture. | 0:40:18 | 0:40:21 | |
It might be a sort of Boris Johnson kind of hunched over | 0:40:21 | 0:40:23 | |
sense of nonsense. | 0:40:23 | 0:40:25 | |
-What would be your dream TV job? -I know exactly what this is. | 0:40:25 | 0:40:28 | |
And I hope by the time I am in my mid-50s, | 0:40:28 | 0:40:31 | |
it would be a lovely thought | 0:40:31 | 0:40:33 | |
to consider that I was playing the part of Dr Who. | 0:40:33 | 0:40:37 | |
-I'd love to do that. -You would be good. | 0:40:37 | 0:40:40 | |
-I think it is the kind of life I would like. -Yeah. | 0:40:40 | 0:40:43 | |
-Just to step into the TARDIS and go anywhere. -Time traveller. -Yeah. | 0:40:43 | 0:40:46 | |
-We did today - 1980. -That's right. Yeah. | 0:40:46 | 0:40:50 | |
-You've got a flavour of it. -Yeah. | 0:40:50 | 0:40:51 | |
We are looking back on your holiday, when you were 12 years old. | 0:40:51 | 0:40:55 | |
Do you think that shaped your character or how you became? | 0:40:55 | 0:40:59 | |
-Did the boy become a man because of that? -I think it did. | 0:40:59 | 0:41:03 | |
It did shape many things. I think observing the characters on the bus | 0:41:03 | 0:41:08 | |
and the funny way that they talked... | 0:41:08 | 0:41:10 | |
IMITATING: 'Like Mr and Mrs Kirkus, | 0:41:10 | 0:41:12 | |
'she sounded rather like a cross between, I don't know, | 0:41:12 | 0:41:15 | |
'Beryl Reid and Barbara Cartland.' | 0:41:15 | 0:41:17 | |
I've had a marvellous time with Jon, | 0:41:20 | 0:41:23 | |
learning about his family and the colourful characters | 0:41:23 | 0:41:26 | |
he met on his coach trip that made such a wonderful impression. | 0:41:26 | 0:41:31 | |
From the glass-making... | 0:41:31 | 0:41:33 | |
I love it! | 0:41:33 | 0:41:34 | |
Oh, you gorgeous little orb! | 0:41:34 | 0:41:38 | |
I think this is your natural vocation, Len. | 0:41:39 | 0:41:41 | |
..to the mickey taking... | 0:41:41 | 0:41:43 | |
Hey, hey, hey! OK, folks, all aboard now. | 0:41:43 | 0:41:47 | |
'Your line was right. | 0:41:47 | 0:41:48 | |
'The way you leaned against the door. The laugh was spot on. | 0:41:48 | 0:41:50 | |
-'It's a ten from Len.' -Oh! | 0:41:50 | 0:41:53 | |
Whoa! | 0:41:53 | 0:41:54 | |
..and the hip shaking... | 0:41:54 | 0:41:56 | |
LEN HUMS | 0:41:56 | 0:41:58 | |
..it has all been great fun. | 0:41:58 | 0:42:01 | |
Well, I tell you what, Jon, I've had a fabulous day. I really have. | 0:42:01 | 0:42:06 | |
And it has been great sharing that time with you. | 0:42:06 | 0:42:08 | |
Thanks, Len, it has been wonderful to hear that as well. | 0:42:08 | 0:42:11 | |
And who would have thought that, that day back in 1980, | 0:42:11 | 0:42:13 | |
when we got dropped off at McCall Station, who'd have thought all | 0:42:13 | 0:42:16 | |
these years later, we'd be reliving it as we have been? | 0:42:16 | 0:42:19 | |
Well, the excitement hasn't finished, because this is a | 0:42:19 | 0:42:21 | |
little scrapbook of memories of the 1980s and your holiday in Scotland. | 0:42:21 | 0:42:28 | |
Oh, that's wonderful. Thank you, Len. | 0:42:28 | 0:42:30 | |
Memories of Jon's time spent in Scotland has brought | 0:42:30 | 0:42:34 | |
that wonderful time with his family flooding back. | 0:42:34 | 0:42:37 | |
And I have also got a paperweight | 0:42:37 | 0:42:39 | |
just like the one we made ourselves. | 0:42:39 | 0:42:43 | |
It is as near as I could get to the one that you made. | 0:42:43 | 0:42:48 | |
-Gosh, look at that. -As a little keepsake. | 0:42:48 | 0:42:50 | |
Well, thank you, Len, that is wonderful. | 0:42:50 | 0:42:52 | |
-I shall treasure that and everything else. -What a lovely day. | 0:42:52 | 0:42:55 | |
A wonderful day. There it is, like a rising sun | 0:42:55 | 0:42:57 | |
-alongside the wheel like that. -Perfect. | 0:42:57 | 0:43:00 | |
Goodman's Gateway to the Highland's Coach Tour has now | 0:43:04 | 0:43:07 | |
reached its final destination, but it has been a journey that brought | 0:43:07 | 0:43:12 | |
memories back of Jon's family, which he'll treasure forever. | 0:43:12 | 0:43:16 |